PARTICULARLY EFFECTIVE LIGHT CONTROL · Salisbury Cathedral renders the architecture in a subtle manner using low energy sources. Jim Morse, Light and Design Associates Nick Gowing,

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PARTICULARLY EFFECTIVE LIGHT CONTROL

St PAUL’S CAtHEDRAL, LONDON: installed the lutron GrafiK eye® and inteGrale systems and also a lutron GrafiK 7000™ liGht Control system. PhotoGraPhs Courtesy of marK maJor.

This lighting design is made up of five distinct schemes and each of these lighting layers can either stand alone or athe other schemes to provide the ultimate in flexibility.

T H E B O O K O F L I G H T

Visiting the egyptian Pyramids via stansted airport and a

sri lankan cave temple via the albert Bridge, this book takes

us on a Journey of enlightenment. Calling on acknowledged

experts in lighting, it explores the vast space between ‘off’

and ‘on’. along the way, it stops to raise some important

issues: Can light please the soul as well as the eye? should

lighting draw attention to itself or to the space and objects

being lit? Can white light become green?

a general conclusion, not surprisingly, is that simply

accessing light is not enough. light must be orchestrated.

its intensity must be controlled. at the same time, our experts

accept that too many ‘feature’ lights can lead to clutter and

fussiness. they also pay due deference to mother nature,

accepting that the sun is the greatest source of light and that

most successful lighting solutions seamlessly blend natural

and electric light.

discussing the orchestration of light,

our luminaries reveal how they stir the

spirits, create drama and control the

atmosphere. they confirm that rooms

and public spaces have moods too.

and, crucially, they make the point that

light is as important a design tool as

colour, texture and materials. Clearly,

as light shifts from the functional to the

emotional, there is no longer room for

the standard lamp.

I L L U M I N A T I O N F R O M L I G H T I N G E X P E R T S

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Section Page No

Introduction by Chris Levine, Light Artist 02 – 03

1 In Which Building Or Room Do You Feel The Control Of Light 05 – 17 Has Been Particularly Effective? And Why?

2 What Does Truly Effective Light Control Mean To You Personally? 19 – 27

3 What Are Your Personal Dos And Don’ts Of Effective Lighting 29 – 37And Light Control?

4 What Is Your best Eco-Lighting Tip? And Why? 39 – 47

5 What Is The Most Important Piece Of Lighting Advice Anyone 49 – 59Has Ever Given You? And Why?

6 Light Control Has Been Described As Controlling The Space Between 61 – 67Off And On. What Does This Mean To You?

7 Who Are The Luminaries Or Iconic Figures You Most Admire 69 – 75In The Field Of Lighting And Why?

8 Unique Insights From Leaders In Their Fields 77 – 85

Acknowledgements 86

C O N T E N T S

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We are entering an exciting new era in the world of lighting,

where technology now facilitates a highly sensitive level of

control and the infinite creative options in any brief now

determine that lighting has become an art form in itself.

it is no longer acceptable to simply layer a formulaic lighting

specification onto a physical domain, the lighting should be

intrinsic to the very function of the space in terms of its

emotive power. some of the examples shown in this book

highlight this beautifully. in such cases, the control systems

used to apply the light are the operative base line of a

successful project. the means of controlling light is now

a key factor in that success.

Visible light is but a narrow bandwidth of

the electro magnetic spectrum, the energy

that is fundamental to the way in which

everything works, including life itself.

the deeper awareness we have over its

significance then the more respect we

must give when working with it and using

it to form our landscape and architecture.

Good lighting goes far beyond

considerations of aesthetics and into the

realm of human sensory response, so it

must be applied with responsibility.

C H R I S L E V I N E

ABOVE: liGhtness of BeinG By Chris leVine. MAIN: ©2009 nina dunCan.

Light Artist, Light Guru and Master of Light

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I N W H I C H B U I L D I N G O R R O O M D O Y O U F E E L T H E

CONTROL OF LIGHT H A S B E E N P A R T I C U L A R L Y E F F E C T I V E ? A N D W H Y ?

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IN WHICH BUILDING OR ROOM DO YOU FEEL THE CONTROL OF LIGHT HAS BEEN PARTICULARLY EFFECTIVE? AND WHY?

I have always loved the use of lighting on Albert Bridge in London. I live close by and I never fail to feel romantic every time I see the lights reflected in the Thames. Due to the simple yet effective use of light bulbs, it has become an iconic landmark in London.Suzanne Imre, Editor, Livingetc

The Command Centre for National Grid Power – it is a 24hr operational environ-ment with no natural lighting. A complete bespoke lighting system integrated within the ceiling was designed to simulate daylight conditions throughout the year as well as on a 24hr cycle. Four different colour temperatures seamlessly fade in and out over hours at a time to create a smooth transition between intensities, and colour temperature. This was achieved by satellite timeclock inputs so every day the lighting condition is synchronised with dusk and dawn.Max von Barnholt, Design Director, VBK Lighting Consultants Ltd

The interior of the Chapel of Notre Dame du Haut in Ronchamp by Le Corbusier is strikingly beautiful because of Corb’s inspired control of daylight; the contrast of light and dark to create drama, the use of light to ‘lift’ the roof, roof lights to spotlight focal points within the space.... Wonderful! Fiona McLean, McLean Quinlan Architects

Salisbury Cathedral renders the architecture in a subtle manner using low energy sources.Jim Morse, Light and Design Associates

Nick Gowing, Architect, REd

Son et lumiere show at the Pyramids & Sphinx at Giza, Egypt. My first experience of what lighting can do to a building, witnessed as a 10 year old, and inspiring me ever since.

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GUGGENHEIM MUSEUM, BILBAO: installed the lutron GrafiK 6000™ liGht Control system.

Precisely and reliably, the flexible lighting system enhances the beauty of the museum’s outer and inner structure, as well as the artwork on display.

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I feel that light control is equally important to the lamps and luminaires as without appropriate control arrangements the full potential of lighting is rarely achieved in most installations. One particularly successful project in terms of appropriate Light Control is Charterhouse School Chapel, where the numerous lighting components were all separately dimmed to provide the potential for infinite variety. The control arrangements meant that emphasis of the Chapel could be smoothly transferred to one part from another depending on the particular activity taking place. Nick Hoggett, Lighting Designer, dpa lighting consultants

The Reading Room at the British Museum designed by Foster & Partners. The augmentation of daylight with artificial lighting is to the untutored eye, almost invisible.

London Eye… It is the landmark of London due in part to lighting.Alex Michaelis, Architect, Michaelis Boyd

The Nordic Pavillion at the Biennale in Venice – the architecture is designed to control the light and the way the roof structure is set up as a double layer of deep perpendicular baffles beautifully filters the natural light into the space in a controlled way.Martin Lupton, Lighting Director at BDP and President of PLDA

Andrew Linwood, Areen Hotel Design

Peter Zumthor’s baths at Val (Austria) look amazing as does Fosters Reichstag. The lighting in both suits the settings really well. Craig Douglas, Douglas and King Architects

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St PAUL’S CAtHEDRAL, LONDON: installed the lutron GrafiK eye® and inteGrale systems and also a lutron GrafiK 7000™ liGht Control system. PhotoGraPhs Courtesy of marK maJor.

This lighting design is made up of five distinct schemes and each of these lighting layers can either stand alone or athe other schemes to provide the ultimate in flexibility.

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Dulwich Picture Gallery. The control of natural daylight and artificial light on the fine art was seamless. Louvers ensure the smooth transition from natural daylight to artificial lighting when natural light begins to fade, thereby maintaining the optimum light level on each picture. Andrew Butchart, Lightplan

Church of Light – Tadao Ando. All his buildings manipulate light in the most incredible way yet you very rarely see a light fitting! Lou Davies, Architect, Michaelis Boyd Associates

The Diamond Club at the Arsenal’s Emirates Stadium – the lighting had to create very different settings for matches, parties and exclusive dinners. Kate Wilkins, Kate Wilkins Lighting Designer Ltd

The example I recall, where the control of artificial light triggered my emotions and left a strong impression with me of how powerful an influence light control can have, was the U2 ‘Pop’ tour in 1997 where cued by the music, the lighting changed to enhance the mood of the song. Changing light coupled with sound, fog, haze and other ingredients, all combining brilliantly to stimulate all human senses. Lee Prince, Light and Design Associates

The Dambulla Cave Temple, Sri Lanka.Derek Phillips, M.arch (MIT) B.arch MCD (L’pool) FCIBSE MILE IALD

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Integrated occupancy sensors minimise light exposure to key exhibits, making sure that lights are only fully on when visitors approach the displays, highlighting the many unique artifacts whilst embracing the museum’s vision for energy saving.

CAPItAL MUSEUM, BEIJING: installed the lutron GrafiK 6000™ liGht Control system.

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W H A T D O E S T R U L Y E F F E C T I V E

LIGHT CONTROL

M E A N T O Y O U P E R S O N A L L Y ?

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WHAT DOES TRULY EFFECTIVE LIGHT CONTROL MEAN?

HOtEL EUROStARS MADRID tOwER, MADRID: installed the lutron GrafiK eye 3000™ and 7000™, homeWorKs® and siVoia® Qed liGht Control systems. PhotoGraPhs Courtesy of XaVier d’arQuer, doBlestudio.

It’s the power to create a place that works for the people who will inhabit that space. The lighting must be able to adapt to closely match its output to different environmental and human conditions to optimise its performance and energy profile.Martin Lupton, Lighting Director at BDP and President of PLDA

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PRIVAtE RESIDENCE, GERMANY: installed the lutron BanG & olufsen and homeWorKs® liGht Control system.

Effective light control is analogous to the controls on a camera; without them we could not achieve the balanced visual scene we aspire to achieving.Jim Morse, Light and Design Associates

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PRIVAtE RESIDENCE, MAJORCA: installed the lutron homeWorKs® liGht Control system. PhotoGraPhs Courtesy of VBK liGhtinG.

It allows occupants to adapt their environment. Ask an acoustician the impact of volume control: music in the home is influenced by many factors such as time of day; mood of the listener; the music being played; whether in company or alone etc. If one applies these critera to lighting in the home you start to appreciate what lighting control can offer and more besides. Max von Barnholt, Design Director, VBK Lighting Consultants Ltd

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tHE MURMURI HOtEL, BARCELONA: installed the lutron GrafiK eye 3000™ liGht Control system. PhotoGraPhs Courtesy of XaVier d’arQuer, doBlestudio.

It is often the muscle of lighting design controlling all the settings and movement, so is critical. I personally think this final process of a project is one of the most important.Kate Wilkins, Kate Wilkins Lighting Designer Ltd

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W H A T A R E Y O U R P E R S O N A L

DOS AND DON’TS O F E F F E C T I V E L I G H T I N G A N D L I G H T C O N T R O L ?

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WHAT ARE YOUR PERSONAL DOS?

NEw YORK tIMES BUILDING, MANHAttAN: installed the lutron eCosystem™. PhotoGraPhy © niC lehouX.

1 Do have dimmable lights wherever possible.

2 Do use 5 amp circuits so clients can personalise a space.

3 Do try to hide fixed lighting – concealed lighting is so much more effective and dramatic.

Nick Gowing, Architect, REd

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tHAILAND HOUSE, BANGKOK: installed the lutron homeWorKs® liGht Control system.

1 Functional as well as soft ambient lighting in all zones.

2 Simple, uncomplicated complete end user dimming control.

3 The more natural light you can bring into a space the better.

Lou Davies, Architect, Michaelis Boyd Associates

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LYMM wAtER tOwER, CHESHIRE: installed the lutron homeWorKs® liGht Control system. ProJeCt desiGned By Kate WilKins liGhtinG desiGner ltd.

1 Do make the control system simple to operate.

2 Do carefully consider how to group the various lighting elements to ensure maximum flexibility without excessive expense.

3 Do ensure the compatibility of the various components – dimmer, lamp and control gear/driver.

Nick Hoggett, Lighting Designer, dpa lighting consultants

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WHAT ARE YOUR PERSONAL

DON’TS FOR EFFECTIVE LIGHTINGAND LIGHT CONTROL?

1 Minimise glare.2 Don’t over specify the

number of fittings.3 Don’t forget more is less.Fiona McLean, McLean Quinlan Architects

1 Don’t over-do it.2 Don’t under-do it. 3 Don’t make it bland.Alex Michaelis, Architect, Michaelis Boyd

1 Don’t underestimate the other creative talent you are working with.

2 Don’t work in a vacuum. 3 Don’t ever be too busy to think or have

time for people!Lee Prince, Light and Design Associates

1 Unwanted glare from downlights.2 Overly bright uplighting that overpowers other sources.3 Indiscriminate use of LEDs.Jim Morse, Light and Design Associates

1 Forget the ‘central light fitting’ in the home!

Derek Phillips, M.arch (MIT) B.arch MCD (L’pool) FCIBSE MILE IALD

1 Avoid glare.2 Avoid flicker.3 Avoid fluorescent ‘grayness’.Kate Wilkins, Kate Wilkins Lighting Designer Ltd Martin Lupton, Lighting Director at BDP and President of PLDA

1 Don’t let the light control system be ‘value engineered’ out of the design – it is a false economy.

2 Don’t overcomplicate the control system.Suzanne Imre, Editor, Livingetc

1 Don’t make the lighting functions in a room so complicated that they becomes a hassle, needing constant tweaking and adjusting.

2 Don’t be fooled that dark always means moody – get it wrong and it can simply look depressing.

3 Don’t EVER do your make-up under fluorescent lighting.

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W H A T I S Y O U R B E S T

ECO-LIGHTING TIP

A N D W H Y ?

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YOUR BEST ECO-TIP AND WHY?

PRIVAtE RESIDENCE, MADRID: installed the lutron siVoia® liGht Control system.

Have dimmable controls everywhere - this will save vast amounts of energy, but ideally make the windows as big as possible. Natural light is by far the best light source.Nick Gowing, Architect, REd

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PRIVAtE RESIDENCE, PARIS: installed the lutron homeWorKs® liGht Control system.

Never overlight a space, we all used to survive with one central lightbulb in each room – whilst I’m not suggesting we should go back to this it is completely unnecessary to have so many ‘feature’ lights which often only serve to disrupt clean lines in spaces.Lou Davies, Architect, Michaelis Boyd Associates

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MANUEL tORRES RESIDENCE, BARCELONA: installed the lutron GrafiK eye 3000™ and WallBoX liGht Control systems. PhotoGraPhs Courtesy of manuel torres.

The current low-energy bulbs are not good aesthetically and make for depressing places. As much as possible use fittings whose quality of light will enhance your mood but keep light levels very low. Eyes will adapt and your spirits will lift.Fiona McLean, McLean Quinlan Architects

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WHAT IS YOUR BEST ECO LIGHTING TIP AND WHY?

Alex Michaelis, Architect, Michaelis Boyd

Use LEDs. Turn off lights when they are not needed. This doesn’t need an explanation!Nick Hoggett, Lighting Designer, dpa lighting consultantsUse fluorescent or metal halide

wherever practical. They are the most efficient sources.Jim Morse, Light and Design Associates

Natural light is the only truly sustainable light source – make sure you understand how to manipulate it and integrate it into the design of the building.Martin Lupton, Lighting Director at BDP and President of PLDA

Think where you need light and don’t just put it in.Kate Wilkins, Kate Wilkins Lighting Designer Ltd

Less is more. Isn’t it obvious?Andrew Linwood, Areen Hotel Design

For a general lighting circuit using normal GLS lamps use a dimmer and dim it by 10%. The light output will be very similar, you will save energy but most importantly you will double the lamp life.Andrew Butchart, Lightplan

Commercially, we should be controlling usage – just take a look at a night-time skyline photo of any cosmopolitan city and you will see what I mean. Also, with the realisation of recent light sources, there is little excuse for using Incandescent in commercial or retail applications. This should be dealt with immediately.Max von Barnholt, Design Director, VBK Lighting Consultants Ltd

Take your time when specifying compact fluorescent fittings/bulbs as some of them give off a horrible light and some of them make a lot of noise!Craig Douglas, Douglas and King Architects

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W H A T I S T H E M O S T I M P O R T A N T P I E C E O F

LIGHTING ADVICE

A N Y O N E H A S E V E R G I V E N Y O U ? A N D W H Y ?

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THE SINGLE MOST IMPORTANT PIECE OF LIGHTING ADVICE YOU’VE BEEN GIVEN?

CADOGAN SQUARE, LONDON: installed the lutron homeWorKs® liGht Control system.

Don’t intrude too much on traditional lighting in period properties… save your creativity for contemporary projects. Yes, we have an important part to play in shaping the built environment, but a period living room lit with a few scattered occasional lamps without any input from a designer can work very well.Max von Barnholt, Design Director, VBK Lighting Consultants Ltd

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PRIVAtE RESIDENCE, SOUtH OF FRANCE: installed the lutron homeWorKs® liGht Control system.

To remember an object or space, in effect, does not exist until there is light – daylight or artificial – and therefore light is the single most important design element to consider.Fiona McLean, McLean Quinlan Architects

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tHE GRAND HOtEL LA FLORIDA, BARCELONA: installed the lutron GrafiK 6000™ liGht Control system.

Whilst designing lighting installations, Derek Phillips instilled the importance of respecting the architecture into me and this is something that has become fundamental to the lighting philosophies I conceive.Nick Hoggett, Lighting Designer, dpa lighting consultants

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BLAUER ADLER, NÜRNBERG: installed the lutron GrafiK 5000™ liGht Control system.

Start with a vision of what you want to achieve and work towards it, the design detailing, equipment selection etc… will naturally follow. Lee Prince, Light and Design Associates

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W H A T I S T H E M O S T I M P O R T A N T P I E C E O F L I G H T I N G A D V I C E A N Y O N E H A S E V E R G I V E N Y O U A N D W H Y ?

Richard Pilbrown, Founder of Theatre Projects told me, ‘always work from a black box and add lighting effects as though painting a picture.’Jim Morse, Light and Design Associates

Keep it simple, considered and subtle. It works every time!Nick Gowing, Architect, REd

You’re only as good as your last job. Why is this the most important advice I have ever been given? Because it’s true – you are only as good as your last job, so you have to make every project the best it can be.Martin Lupton, Lighting Director at BDP and President of PLDA

To mentally walk around the space and look in all directions. It often takes quite a lot of focus to imagine a space from plan, complete with your lighting ideas, but it’s a critical process.Kate Wilkins, Kate Wilkins Lighting Designer Ltd

Keep it simple.Andrew Butchart, Lightplan

Lighting should draw attention to whatyou are lighting, not the lighting itself.Lou Davies, Architect, Michaelis Boyd

Get help!Craig Douglas, Douglas and King Architects

Contrast and simplicity.Alex Michaelis, Architect, Michaelis Boyd

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L I G H T C O N T R O L H A S B E E N D E S C R I B E D A S C O N T R O L L I N G T H E S P A C E B E T W E E N

OFF AND ON.

W H A T D O E S T H I S M E A N T O Y O U ?

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THE SPACE BETWEEN OFF AND ON – WHAT DOES THAT MEAN TO YOU?

PRIVAtE RESIDENCE, wARSAw: installed the lutron BanG & olufsen and homeWorKs® liGht Control system.

It’s the infinitely variable space of control producing infinitely variable lighting moods.Andrew Butchart, Lightplan

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VIVIENDA UNFAMILIAR, SPAIN: installed the lutron homeWorKs® liGht Control system.

The creation of mood; the completion of the scene; the final touch; the icing on the cake.Andrew Linwood, Areen Hotel Design


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HOtEL KUDAMM, BERLIN: installed the lutron GrafiK 5000™ liGht Control system.

Lighting provides an infinite number of options and a good lighting design should have the capacity to create as many options as possible.Nick Gowing, Architect REd

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W H O A R E T H E L U M I N A R I E S O R I C O N I C F I G U R E S

YOU MOST ADMIRE

I N T H E F I E L D O F L I G H T I N G A N D W H Y ?

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THE LUMINARIES OR ICONIC FIGURES YOU MOST ADMIRE?

GRUNwALD MUSIK SCHOOL, GRUNwALD: installed the lutron GrafiK 4000™ liGht Control system.

Joel Spira – founder of Lutron Electronics in 1961. He developed the first electronic dimmer switch.Andrew Butchart, Lightplan


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EMPORIO ARMANI, tORONtO: installed the lutron GrafiK eye 4000™ liGht Control system, GP dimminG Panel & XP sWitChinG Panel.

The people that I most admire are the architects that have used natural light, reflection and artificial light to great effect in their buildings, such as Trajan’s architect Apollodorus of Damascus for the Pantheon Rome, the architect for the Alhambra in Granada, Tadao Ando for a variety of projects and Thomas Heatherwick for Sitooterie II, Barnards Farm in Essex.Nick Hoggett, Lighting Designer, dpa lighting consultants

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BANK OF CHINA, BEIJING: installed the lutron GrafiK 6000™ Control ProCessor and hWi remote PoWer modules.

Derek Phillips almost single-handedly created the lighting design industry we know today, so he deserves a special mention. I just wish more architects would embrace lighting consultants, not least in their assistance regarding utilising and controlling natural light.Max von Barnholt, Design Director, VBK Lighting Consultants Ltd

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U N I q U E

INSIGHTS

F R O M L E A D E R S I N T H E I R F I E L D S

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HOW IMPORTANT IS LIGHTING IN CREATING THE RIGHT ATMOSPHERE IN YOUR RESTAURANTS?

HILtON HOtEL REStAURANt, BARCELONA: installed the lutron GrafiK 6000™ liGht Control system.

The lighting has to be as sexy as the food itself. It creates and controls the mood for food!Marco Pierre White, Chef and Restaurateur

HOW IMPORTANT IS LIGHTING AND LIGHT CONTROL IN SPORT?

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CENtRE COURt ALL ENGLAND LAwN tENNIS AND CROQUEt CLUB, LONDON: installed the lutron GrafiK 7000™.PhotoGraPhs Courtesy of all enGland laWn tennis CluB (aeltC).

It is of the utmost importance, without it the top sportsmen and women cannot perform. Lighting specialists did an incredible job with the new Wimbledon Centre Court, it has and I quote ‘changed Wimbledon forever’. They should be congratulated, it is truly innovative and highly effective for the players and spectators – I don’t think they could have done it better!Chris Hollins, BBC Breakfast Sports Presenter.

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HOW IMPORTANT IS LIGHTING TO YOU IN THE HOME?

PRIVAtE RESIDENCE, MADRID: installed the lutron homeWorKs® liGht Control system.

You must have fun with it – use it to highlight and spotlight favourite features in a room, wash walls with it, experiment with different colours and never under-estimate its importance or effectiveness.Suzanne Imre, Editor Livingetc.

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It would, I think, be a sad day if we reached a point where daylight were to be excluded from our buildings. One can scarcely think of Space, Time and Light in Architecture, if the central element of time and the consequent changes of light and mood which this implies are left out. I hope as a society we will regard this as a challenge… …We don’t after all need to be reminded that we are

not an ‘artificial’ lighting society, despite the fact that this may have been the original impetus in the minds of our founders. We are, and must be seen to be, an ‘Illuminating Engineering Society’ in the fullest sense of what this implies.Derek Phillips, M.arch (MIT) B.arch MCD (L’pool) FCIBSE MILE IALD

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Our special thanks to the experts who have contributed to the BOOK OF LIGHT, sharing their individual insights into the importance and possibilities of Light Control

Max von Barnholtdesign director, VBK lighting Consultants ltd

Andrew Butchartlightplan

Lou Davies architect, michaelis Boyd associates

Craig Douglasdouglas and King architects

Nick Gowingred

Chris HollinsBBC Breakfast sports Presenter

Nick Hoggettlighting designer, dpa lighting consultants

Suzanne Imreeditor, livingetc

Chris Levinelight artist, light Guru and master of light

Andrew Linwoodareen hotel design

Martin Luptonlighting director at BdP and President of Plda

Fiona McLeanmclean Quinlan architects

Alex Michaelis architect, michaelis Boyd

Jim Morselight and design associates

Derek Phillipsm.arch (mit) B.arch mCd (l’pool) fCiBse mile iald

Lee Princelight and design associates

Marco Pierre WhiteChef and restaurateur

Kate WilkinsKate Wilkins lighting designer ltd

A C K N O W L E D G E M E N T S

Lutron EA Ltd (Lutron) has taken every reasonable care with respect to the contents of the Book of Light (the Book), no warranty is given in relation to the accuracy, completeness or usefulness of any entry, quotation or material contained in the Book. Lutron does not accept any liability, and will not be held liable for any loss or damage of any nature (whether direct or indirect) arising from or related to the publication of the Book. This includes any loss of profits, damage to reputation or consequential loss or damage suffered or incurred by any third party for whatever reason arising from or related to the publication of the whole or any part of the Book, whether text, graphics, photographs or otherwise. The entries and quotations in the Book are, insofar as Lutron is aware, the views of their authors and not necessarily of Lutron. In the event that any third party finds the contents of the Book objectionable, offensive, defamatory or likely to cause offence, any claims for costs, expenses, compensation or damages should not be directed against Lutron. However, third parties who feel that an entry or quotation is objectionable should contact Lutron without delay by writing to Lutron EA Ltd, Lutron House, 6 Sovereign House, London E1W 3JF. All copyright of the Book is either owned or controlled by Lutron. Any use of any of the contents of the Book requires the written permission of Lutron. This Book of Light has been compiled by Lutron EA Ltd with the assistance of:-Concept and Research: Let’s Talk FRESH Ltd www.letstalkfresh.comDesign Concept and Development: i4 Design Consultants Ltd www.i4designconsultants.comImages: Lutron own and additional images: VBK Lighting Consultants Ltd (Intro, p24-25); Chris Levine (p2); Nina Duncan (p3); Mark Major (p12-13);Xavier d’Arquer, Doblestudio (p20-21, p26-27); Nic Lehoux (p30-31); Manuel Torres (p44-45).

© 2009 Lutron Electronics Co. Inc.Made and printed in the UK.

Documents

PARTICULARLY EFFECTIVE LIGHT CONTROL · Salisbury Cathedral renders the architecture in a subtle manner using low energy sources. Jim Morse, Light and Design Associates Nick Gowing,