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FALL 2010PAGE 1 OF 28

1plaid curves table runner by KEVIN KOSBAB Project photo on p. 56; instructions on p. 110.

PATTERNS + TEMPLATES

pattern

4sashiko furoshiki wrapping cloth by CAROL ZIOGAS Project photo on p. 69; instructions on p. 127.

2butterfly mittens by ERIN GILDAY Project photo on p. 73; instructions on p. 135.

3not-so-big-backpack by MELISSA FRANTZ Project photo on p. 47; instructions on p. 98.

5neapolitan wrap by REBEKA LAMBERT Project photo on p. 75; instructions on p. 138.

8moment clock by LINDA GRAHAM Project photo on p. 71; instructions on p. 130.

6recycled denim wine tote by LISA COX Project photo on p. 46; instruc-tions on p. 97.

7weekend travel ensemble by CAROL ZENTGRAF Project photo on p. 43; instructions on p. 91.

0take-it-to-go lunch bag by MELISSA FRANTZ Project photo on p. 67; instructions on p. 125.

qmoroccan medallion dog bed by KEVIN KOSBAB Project photo on p. 51; instructions on p. 104.

-quirky birdies by EVA HANUSOVA Project photo on p. 70; instructions on p. 128.

=shadow appliqué dandelion pillow by ANGELA FLOWERS Project photo on p. 68; instructions on p. 126.

9nesting baskets by AYUMI TAKAHASHI Project photo on p. 72; instructions on p. 132.

© INTERWEAVE PRESS LLC Not to be reprinted. All rights reserved.

Please respect the copyright by not forwarding or distributing this document interweavestitch.com

GETTING STARTED Basic techniques and terms you’ll need to know for the pattern you have downloaded.

pattern

CUTTING LINES Multisize patterns have different cutting lines for each size.

PLACE ON FOLD BRACKET This is a grainline marking with arrows pointing to the edge of the pattern. Place on the fold of the fabric so that your finished piece will be twice the size of the pattern piece, without adding a seam.

GRAINLINE The double-ended arrow should be parallel to the lengthwise grain or fold unless specifically marked as crosswise. Bias grainlines will be diagonal.

NOTCHES Notches are triangle-shaped symbols used for accurately matching seams. Pieces to be joined will have cor-responding notches.

DARTS Dashed lines and dots mark darts. The dashed lines show where the stitching will be, and the dot shows the position of the dart point (signaling the point, at the end of the dart, where your stitching should end).

PATTERN DOTS Filled circles indicate that a mark needs to be made (often on the right side of the fabric) for placement of elements such as a pocket or a dart point. Mark by punching through the pat-tern paper only, then mark on the fabric through the hole.

SLASH MARKS A dashed line (some-times appearing with pattern dots) indicates an area to be slashed. Further instructions for making the slash will be included in the pattern instructions.

place on fold

PATTERN SYMBOLS & MARKINGS

place on fold

XL

L

M

S

XS

place on fold

place on fold

ASSEMBLING FULL-SIZE PATTERN PRINTOUT

1 | When preparing to print the PDF, make sure that you are printing it at 100% and that there is no scaling. Check the set-tings for page scaling (should be “None”) and check the preview to make sure that you will be printing at full size. Make sure that the box labeled “Auto-Rotate and Center” is unchecked (instruc-tions apply specifically to Adobe Reader; if using another PDF reader, check for simi-lar settings).

2 | To ensure that the pattern has printed at the correct scale, check the size of the TEST SQUARE. The Test Square should be 2" × 2” (5 × 5 cm).

3 | To begin assembling the pattern, cut off or fold the dotted margin around each page.

4 | The pages are numbered in rows, so the first row of pages is numbered 1a, 1b, 1c, etc. Line up the rows and match the dotted lines together so they overlap. Tape the pages together. Use the illustrated guide to match each piece. Once the pattern is com-plete, find your size, pin the pattern to the fabric, and follow the coordinating line to cut out or trace the pattern.

LAYOUT, MARKING & CUTTING GUIDELINES

1 | Find the lines that correspond to your size and trace the pattern pieces, either on tissue paper or directly onto the fabric, using tracing paper and a tracing wheel.

2 | If you are cutting pattern pieces on the fold or cutting two of the same pattern piece, fold the fabric in half, selvedge to selvedge, with right sides together. Note that this technique is not appropriate for some fabrics, so check the project instructions if you are unsure.

3 | Lay the pattern pieces on the fabric as close together as possible. Double-check that all pattern pieces to be cut “on the fold” are placed on the fold.

4 | Make sure all pattern pieces are placed on the fabric with the grainline running parallel to the lengthwise grain unless a crosswise or bias grainline is present.

5 | Copy all pattern markings onto the wrong side of the fabric unless otherwise noted.

6 | Read through all cutting instructions listed in the project instructions for directions on how many pattern pieces to cut out of your fabric and interfacing.

Test Square2" 2" [5 5 cm] place on fold

XL

L

M

S

XS

place on fold

XL

L

M

S

XS

place on fold

XL

L

M

S

XS

place on fold

XL

L

M

S

XS

place on fold

place on foldplace on fold

7 | Use weights to hold the pattern pieces down and use pins to secure the corners as needed.

8 | Cut the pieces slowly and carefully.

FALL 2010PAGE 2 OF 28

© INTERWEAVE PRESS LLC Not to be reprinted. All rights reserved.

Please respect the copyright by not forwarding or distributing this document interweavestitch.com

FALL 2010PAGE 3 OF 28

6recy

cled d

enim

w

ine tote

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template

2bu

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1plaid curves table runner

curve template

3n

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back

pack

back

pack body

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ain

3⁄8 " (1 cm) seam

allowan

ce

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ter

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3w

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3strap

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3not-so-big backpack

zipper gussetcut 2 from main

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rings

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back

pack

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pack strap

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4sashiko furoshiki

wrapping cloth

flower template

5neapolitan wrap circle

5neapolitan wrap small leaf

5medium

leaf5large le

af

7weekend travel ensemble duffel bag: end panel

cut 2 each from A, B, & fusible batting

7weekend travel ensemble cosmetic bag: end panel

cut 2 each from main and vinyl

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8moment in time fabric clock

lettering

8moment in time fabric clock clock face

8center

8number placement

9nesting buckets lettering templates

0take-it-to-go lunch bag shell/lining bottom

cut 1 each from main & contrastcut 1 from interlining fabric (optional)

-quirky birdies

head

-quirky birdies bird body

-quirk

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ies

smal

l win

g-quirky birdies

large wing

=shadow appliqué

dandelion pillow

leaf template

q

qmoroccan medallion dog bed

circlecut 2 main

center

0

0gap for drawstring(shell panel only)

0loop placement(shell panel only)

0pocket placement(shell panel only)

0cut line for shell panel

0cut line for lining panel and optional interlining

0pocket placement(shell panel only)

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F10 pattern insert

1a 1b 1c 1d

2a 2b 2c 2d

3a 3b 3c 3d

4a 4b 4c 4d

1e

2e

3e

4e

5a 5b 5c 5d 5e

1e

2e

3e

F10 pattern insert

1a

1plaid curves table runner

curve template

5neapolitan wrap circle

5neapolitan wrap small leaf

5medium

leaf5large le

af

1b

3w

ebbing

8moment in time fabric clock

lettering1c

3cen

ter3

strap

1d

6recy

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w

ine tote

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8moment in time fabric clock clock face

8center

8number placement

1e1e

2bu

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4 f

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2thumbhole

cut out of pattern

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ing

A

2butterfly mittens body C

2bu

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mit

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s

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ing

over

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2bu

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mit

ten

s

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A

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2outer edge

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3not-so-big backpack

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line

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2c

3n

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back

pack

back

pack body

cut 2

from m

ain

3⁄ 8" (1 cm) seam

allowan

ce

3strap

3 zipper edge: 1⁄4" (6mm) seam allowance this edge

3n

ot-so-big

back

pack

back

pack strap

cut 4

from con

trastcu

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batting

1⁄4" (6m

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allowan

ce

2d

-quirky birdies

head

-quirky birdies bird body

-quirk

y bird

ies

smal

l win

g-quirky birdies

large wing

2e2e

0gap for drawstring(shell panel only)

0loop placement(shell panel only)

0pocket placement(shell panel only)

3a

0

0cut line for shell panel

0cut line for lining panel and optional interlining

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3b

0take-it-to-go lunch bag shell/lining bottom

cut 1 each from main & contrastcut 1 from interlining fabric (optional)

cut line for lining panel and optional interlining

3c

7weekend travel ensemble duffel bag: end panel

cut 2 each from A, B, & fusible batting

3d

3e3e

0pocket placement(shell panel only)

4a

qmoroccan medallion dog bed

circlecut 2 main

4b

4c

7weekend travel ensemble cosmetic bag: end panel

cut 2 each from main and vinyl

7w

eeke

nd

tra

vel

en

sem

ble

du

ffel

bag

: poc

ket

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om C

7 f

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lin

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=shadow appliqué

dandelion pillow

leaf template

4d

4e

9nesting buckets lettering templates5a

qcenter5b

5c

5d

4sashiko furoshiki

wrapping cloth

flower template

5e