Ph.D. Entrance Examination

Subject: Music

Time : 2 Hrs. Max. M. 100

Mim. M. 50

u¨V % lÒh ç“u gy djsaA çR;sd ç“u 1 vad dk gSA

çR;sd ç“u d¢ pkj fodYi gSa] lgh fodYi pqfu,A

Note : Attempt all questions. Each question carries 1 mark.

Each question has four opptions, Choose the correct option.

1- fuEu esa ls d©u lk Loj vpy gSa\

¼~v½ eè;e ¼c½ fj’kÒ

¼l½ xkaèkkj ¼n½ ‘kM~t

Which Swaras is Achal of following?

(a) Madhayam (b) Rishabh

(c) Gandhar (d) Shadaj

2- Xokfy;j Äjkus d¢ tUenkrk d©u Fks\

¼~v½ m- vCnqy djhe [k+k¡ ¼c½ m- uRFku ihjc[+“k

¼l½ m- vYykmíhu [kk¡ ¼n½ ia- oklqnso cqvk t¨“kh

Who was the founder of Gwalior Gharana?

(a) Ustad Abdul Karim Khan (b) Ustad Nathanpeer baksh

(c) Ustad Allauddin Khan (d) Pt. Vasudev Bua Joshi

3- fuEu esa ls d©u lqçfl) fgUnqLrkuh “kkL=h; laxhr xk;d@xkf;dk gSa\

¼~v½ ia- gfjçlkn p©jfl;k ¼c½ ia- fd“ku egkjkt

¼l½ Jherh ,u- jkte~ ¼n½ Jherh xaxwckà gaxy

Who amongst the following is renowned in Hindustani classical vocal singer?

(a) Pt. Hariprasad Chaurasiya (b) Pt. Kishan Maharaj

(c) Smt. N. Rajam (d) Smt. Gangubai Hangal

4- ia- vu¨[ks yky fdl {k s= dh fo“ks’kK ekus x;s\

¼~v½ flrkj ¼c½ rcyk

¼l½ xk;u ¼n½ y¨dlaxhr

In which field has Pt. Anokhelal distinguished?

(a) Sitar (b) Tabla

(c) Vocal (d) Folk Music

5- Äjkus ls vki D;k le>rs gSa\

¼~v½ “kkL=h; fgUnqLrkuh laxhr dh y¨dfç; “kSyh

¼c½ laxhr {ks= d¢ laxhrK¨a dk lewg

¼l½ xk;u dh ijEijkxr “kSyh

¼n½ laxhr dh ijEijk t¨ oa“k ,oa f“k’; J`a[kyk ls lEcfUèkr g¨rh gSA

What do you mean by Gharana?

(a) A popular musical form of Hindustani classical music

(b) A group of musicians in music field

(c) Traditional style of singing

(d) It relates to a long time teased tradition of musical style kept alive by inheritance and

shishya parmpara

6- Òkjr dk çkphu LFkku t¨ laxhr f“k{k.k d¢ fy, çfl) Fkk&

¼~v½ iq.ks ¼c½ Xokfy;j

¼l½ csaxyq: ¼n½ gSnjkckn

An Indian Place which was famous as a music learning place was -

(a) Pune (b) Gwalior

(c) Bangluru (d) Hydrabad

7- mÙkj Òkjr esa “kgukà ,d eaxy ok| gSA nf{k.k Òkjr esa bld¢ leku ok| d©u lk gS\

¼~v½ Dysj¨usV ¼c½ ukxkLoje

¼l½ ekWjflax ¼n½ lsDl¨Q¨u

Shahnai is the mangal vadya in North India. What is its equivalent in South India?

(a) Clarionet (b) Nagaswaram

(c) Morcing (d) Sexophone

8- dukZVd laxhr d¢ firk d¢ :i esa d©u tkus tkrs gS\

¼~v½ R;kxjkt ¼c½ iqjanjnkl

¼l½ “;kek “kkL=h ¼n½ eqRFkqLokeh fnf{krj

Who is known as father of Karnatak music?

(a) Tyagraj (b) Purandardas

(c) Shayma Shastri (d) Muthuswami Dixitar

9- ßÄVeÞ D;k gS\

¼~v½ ,d Mªe t¨ f>Yyh ls <adk g¨rk gS] t¨ y; laxfr esa iz;qDr g¨rk gSA

¼c½ feV~Vh dk crZu t¨ dukZVd laxhr esa y; laxfr esa iz;qDr g¨rk gSA

¼l½ ok| laxhr dk Lo:i

¼n½ dukZVd laxhr dk vou) y;kRed ok|

What is “Ghatam”?

(a) A drum covered by membrane used for rhythmic accompaniment

(b) Earthen pot used for rhythmic accompaniment for karnatak music.

(c) Pattern of instrumental music

(d) Percussion rhythmic instrument used in Karnatak music

10- ßelhr[kkuhÞ dk lEcUèk fdlls gS\

¼~v½ rcyk ¼c½ i[kkot+ ¼l½ flrkj ¼n½ ck¡lqjh

“Maseet Khani’ is related to which ?

(a) Tabla (b) Pakhawaj (c) Sitar (d) Bansuri

11- fuEu esa ls d©u lk jkT; ßlarwjÞ d¢ fy, tkuk tkrk gS\

¼~v½ jktLFkku ¼c½ mÙkjçns“k

¼l½ if“pe caxky ¼n½ tEew ,oa d“ehj

Which of following states is known for “ Santoor”?

(a) Rajasthan (b) Uttarpradesh

(c) West Bengal (d) Jammu and Kashmir

12- ßijuÞ dk lEcUèk fuEu esa ls fdl ok| ls gS\

¼~v½ oh.kk ¼c½ i[kkot

¼l½ okW;yhu ¼n½ lkjaxh

“Paran” is related to which instrument?

(a) Veena (b) Pakhawaj

(c) Violin (d) Sarangi

13- vou) ok| D;k gS\

¼~v½ peM+s ls e<+s ok| ¼c½ rkj okys ok|

¼l½ y©dh ls cuk ok| ¼n½ ok|] t¨ ok;q dh rjax¨a ls cts

What is Avanadya Vadya?

(a) An instrument with leather cover (b) String instrument

(c) Made by gourds (d) Instrument which is played by blowing air

14- ßflrkjÞ d¨ ctkus d¢ fy, D;k mi;¨x g¨rk gS\

¼~v½ ydM+h dk VqdM+k ¼c½ xt

¼l½ fet+jkc ¼n½ NM+h dh t¨M+h

What is used to play Sitar instrument?

(a) Piece of wood (b) Bow

(c) Mizrab (d) A pair of sticks

15- dukZVd jkT; esa lcls y¨dfç; ok| gS &

¼~v½ okW;fyu ¼c½ oh.kk

¼l½ flrkj ¼n½ rcyk

The most popular instrument in Karnatak state is :

(a) Violin (b) Veena

(c) Sitar (d) Tabla

16- mÙkj Òkjr d¢ “kkL=h; Fkkiokyk ok| gS &

¼~v½ <+¨yd ¼c½ rcyk

¼l½ uxkM+k ¼n½ e`nax

The Percussion classical instrument of Northern India is?

(a) Dholak (b) Tabla

(c) Nagada (d) Mrudang

17- ßr¨M+kÞ lEcfUèkr gS&

¼~v½ flrkj ¼c½ [;ky

¼l½ rcyk ¼n½ èkzqoin

“Toda” is related to -

(a) Sitar (b) Khayal

(c) Tabla (d) Dhrupad

18- mLrkn gkfQt+ vyh [k+k¡ dk lEcUèk fdlls Fkk\

¼~v½ lj¨n ¼c½ i[kkot

¼l½ flrkj ¼n½ chu

Ustad Hafiz Ali Khan was related to which -

(a) Sarod (b) Pakhawaj

(c) Sitar (d) Been

19- ia- ykyef.k feJ fdl ok| d¢ fy;s y¨dfç; Fks\

¼~v½ bljkt ¼c½ chu

¼l½ fofp= oh.kk ¼n½ rcyk

Pt. Lalmani Mishra was famous for which instrument?

(a) Israj (b) Been

(c) Vichitra Veena (d) Tabla

20- Òkjrh; “kkL=h; uR; dk vkèkkj d©u lk xzaFk gS\

¼~v½ ukjnh; f“k{kk ¼c½ laxhr ikfjtkr

¼l½ ukV~; “kkL= ¼n½ lkeosn

Which book is the based of Indian classical dance :

(a) Nardiya Shiksha (b) Sangeet Parijat

(c) Natya Shastra (d) Samved

21- dqfpiqM+h “kkL=h; u`R; fdl jkT; dk gS\

¼~v½ rfeyukMq ¼c½ vkaèkzçns“k

¼l½ dukZVd ¼n½ d¢jyk

Kuchipudi classical dance is from which state?

(a) Tamilnadu (b) Andhra Pradesh

(c) Karnataka (d) Kerla

22- eè;çns“k esa jk;x<+ fdld¢ fy, çfl) gS\

¼~v½ fp=dyk ¼c½ y¨dlaxhr

¼l½ jaxeap ¼n½ dRFkd u`R;

Raigarh in Madhya Pradesh is famous for?

(a) Painting (b) Folk Music

(c) Theatre (d) Kathak Dance

23- #def.k nsoh v#aMsy fdl u`R; dh dykdkj ekuh x;h gSa\

¼~v½ dqfpiqM+h ¼c½ e¨fguh vV~Ve

¼l½ v¨fMlh ¼n½ ÒjrukV~;e

For which dance form Rakmani Devi Arundel known?

(a) Kuchipudi (b) Mohiniattam

(c) Odissi (d) Bharat Natyam

24- rrdkj D;k gS\

¼~v½ rcyk oknu dk çdkj ¼c½ dRFkd dk inlapkyu

¼l½ v¨fMlh u`R; dk çdkj ¼n½ ef.kiqjh u`R; dk çdkj

What is “Tatkaar”?

(a) Type of Tabla playing (b) Footwork of Kathak

(c) Type of Odissi dance (d) Type of Manipuri dance

25- ß>ud >ud ik;y cktsÞ fp=iV esa fdl u`R;dkj us çeq[k Òwfedk fuÒkà Fkh\

¼~v½ fcjtw egkjkt ¼c½ mn; “kadj

¼l½ yPNw egkjkt ¼n½ x¨ihÑ’.k

Which dancer played main role in film “Jhanak Jhanak Payal Baze”?

(a) Birju Maharaj (b) Uday Shankar

(c) Lachchu Maharaj (d) Gopi Krishna

26- ßvkenÞ D;k gS\

¼~v½ vkxeu ¼c½ r¨M+k

¼l½ fuxZeu ¼n½ lapyu

What is “Amad” ?

(a) Entrance (b) Toda

(c) Exit (d) Movement

27- ia- dkfrZdjke dRFkd d¢ fdl Äjkus ls gSa\

¼~v½ t;iqj ¼c½ y[kuÅ

¼l½ okjk.klh ¼n½ jk;x<+

Pt. Kartic Ram is from which Gharana of Kathak?

(a) Jaipur (b) Lucknow

(c) Varanasi (d) Raigad

28- vUrjkZ’Vªh; dFkdyh d¢Uæ dgk¡ ij fLFkr gS\

¼~v½ psUuà ¼c½ Vªkoud¨j

¼l½ uà fnYyh ¼n½ eqEcÃ

The International Centre for “Kathakali” is situated at-

(a) Channai (b) Travancore

(c) New Delhi (d) Mumbai

29- ßxr&ÒkoÞ dk lEcUèk g¨rk gS &

¼~v½ dqfpiqM+h u`R; ¼c½ Bqejh xk;u

¼l½ dRFkd u`R; ¼n½ dhrZu

Gat-Bhav is related to?

(a) Kuchipudi Dance (b) Thumari Singing

(c) Kathak Dance (d) Kirtana

30- ßdykleÞ dk lEcUèk g¨rk gS&

¼~v½ e¨fguh vV~Ve uR; ¼c½ dFkdyh u`R;

¼l½ ÒjrukV~;e ¼n½ dqfpiqM+h

“Kalasam” refers to -

(a) Mohiniattam Dance (b) Kathkali Dance

(c) Bharatnatyam (d) Kuchipudi

31- fuEu esa ls d©u lk rky rhu a y;¨a foyfEcr] eè; v©j nzqry; esa iz;qDr g¨rk gS\

¼~v½ nhipanh ¼c½ fryokM+k

¼l½ vkMk p©rky ¼n½ ,drky

Which among the following talas is used in all the three layas i.e. Vilambit, Madhya and Drut?

(a) Deepchandi (b) Tilwada

(c) Adachautaal (d) Ektal

32- p©rky dh ek=k,¡ g¨rh gSa\

¼~v½ 12 ¼c½ 10

¼l½ 11 ¼n½ 14

The Matras of chautaal are-

(a) 12 (b) 10

(c) 11 (d) 14

33- fgUnqLrkuh laxhr d¢ rky¨a d¢ fy;s [kkyh g¨rh gS&

¼~v½ 1011 ¼c½ 0

¼l½ 2 ¼n½

The Khali of Hindustani music is -

(a) 1011 (b) 0

(c) 2 (d)

34- fuEu esa ls d©u ls rky dh 11 ek=k,¡] 11 foÒkx g¨rs gSa\

¼~v½ #æ ¼c½ lwy

¼l½ iapelokjh ¼n½ :id

Which of the following talas contains 11 beats and 11 division -

(a) Rudra (b) Sool

(c) Pancham Sawari (d) Roopak

35- fuEu esa ls fdl rky esa [kkyh ugÈ g¨rh\

¼~v½ rhozk ¼c½ nknjk

¼l½ dgjok ¼n½ >irky

Which of the following tala is not having Khali-

(a) Teevra (b) Dadra

(c) Keharwa (d) Jhaptal

36- “kCn ßfrgkÃÞ dk lEcUèk gS\

¼~v½ fp=dyk ¼c½ lkfgR;

¼l½ jaxeap ¼n½ rcyk oknu

The term “Tihai” is related to -

(a) Painting (b) Literature

(c) Theatre (d) Tabla Playing

37- ,drky v©j p©rky n¨u a dh g¨rh gS &

¼~v½ 10 ek=k,¡ ¼c½ 7 ek=k,¡

¼l½ 14 ek=k,¡ ¼n½ 12 ek=k,¡

Ektal and Chautal both are contain -

(a) 10 beats (b) 7 beats

(c) 14 beats (d) 12 beats

38- tgk¡ ls rky dk Bsdk “kq: g¨rk gS ml fo“ks’k ek=k d¨ tkuk tkrk gS&

¼~v½ [kkyh ¼c½ Òjk

¼l½ le ¼n½ vkorZu

First Matra from a Taal’s Theka starts, that particular matra known as-

(a) Khali (b) Bhari

(c) Sam (d) Awartan

39- rky dh Ãdkà gS &

¼~v½ foÒkx ¼c½ Jqfr

¼l½ c¨y ¼n½ ek=k

The unit of Taal is -

(a) Division (b) Shruti

(c) Bol (d) Matra

40- dukZVd rky i)fr dh [kaM tkfr esa yÄq dh fdruh ek=k,¡ g¨rh gSa\

¼~v½ 3 ¼c½ 7

¼l½ 5 ¼n½ 9

How many matras in Khand Jatee of Karnatic Taal system?

(a) 3 (b) 7

(c) 5 (d) 9

41- ß[kseVkÞ gS&

¼~v½ ,d ok| ¼c½ ,d jkx

¼l½ ,d rky ¼n½ ,d “kSyh

“Khemata” is -

(a) An instrument (b) A Raag

(c) A Taal (d) A Form

42- ßtrÞ uke gS &

¼~v½ ,d jkx dk ¼c½ FkkV dk

¼l½ xk;u “kSyh dk ¼n½ ,d rky dk

Jat is a name of -

(a) One Raag (b) That

(c) Vocal Style (d) A Taal

43- dukZVd laxhr d¢ vB rky d¢ fdrus foÒkx g¨rs gSa\

¼~v½ 3 ¼c½ 4

¼l½ 2 ¼n½ 1

How many divisions are there in Athtal of Karnatak music -

(a) 3 (b) 4

(c) 2 (d) 1

44- czãrky dh fdruh ek=k,¡ g¨rh gSa\

¼~v½ 18 ¼c½ 28

¼l½ 21 ¼n½ 11

How many matras does Brahma Tala contain?

(a) 18 (b) 28

(c) 21 (d) 11

45- >irky fdrus foÒkx¨a esa foÒkftr g¨rk gS\

¼~v½ 2 ¼c½ 3

¼l½ 4 ¼n½ 6

In how many divisions Jhap Tal is divided-

(a) 2 (b) 3

(c) 4 (d) 6

46- n¨jkÃLokeh vk;axkj dk uke çfl) gS&

¼~v½ dukZVd okW;fyu ¼c½ dukZVd oh.kk

¼l½ e`naxe ¼n½ dukZVd xk;u

Doraiswamy ayengar is famous for -

(a) Karnatak Violin (b) Karnatak Veena

(c) Mradungam (d) Karnatak Vocal

47- ia- jkeukjk;.k dk lEcUèk fdlls gS \

¼~v½ flrkj ¼c½ okW;fyu

¼l½ lkjaxh ¼n½ lj¨n

Pt. Ram Narayan is associated with -

(a) Sitar (b) Violin

(c) Sarangi (d) Sarod

48- laxhr f“k{kk d¢ fy;s lcls cM+k Økafrdkjh dke fd;k&

¼~v½ ,e-,Q- gqlSu ¼c½ Jherh fot;k esgrk

¼l½ ia- Ogh-,u- Òkr[k.Ms ¼n½ ia- “kadjjko iafMr

The most revolutionary work for music education was done by -

(a) M.F. Hussain (b) Smt. Vijiya Mehta

(c) Pt. V. N. Bhatkhande (d) Pt. Shankarrao Pandit

49- lqçfl) “kkL=h; xk;d mLrkn cM+s xqyke vyh [k+k¡ us fdl fgUnh fQYe esa viuh

vkokt+ nh gS\

¼~v½ d¨ghuwj ¼c½ xwat mBh “kgukÃ

¼l½ cStw ckojk ¼n½ eqxy&,&vkt+e

Ustad Bade Gulam Ali Khan, a noted classical vocalist, had lent his voice to which Hindi

film-

(a) Kohinoor (b) Gunj Uthi Shahnai

(c) Baiju Bawara (d) Mugal-A-Ajam

50- fuEu esa ls d©u mÙkj Òkjr d¢ lqçfl) fxVkj d¢ dykdkj gSa &

¼~v½ ia- fo“oe¨gu ÒV~V ¼c½ ia- cztukjk;.k

¼l½ ia- fot; jkÄo jko ¼n½ ia- fd“ku egkjkt

Who among the following is a noted Guitar artist in North India-

(a) Pt. Vishwa Mohan Bhatt (b) Pt. Braj Narayan

(c) Pt. Vijay Raghav Rao (d) Pt. Kishan Maharaj

51- ia- daBs egkjkt dk uke fdlls lEcfUèkr gS\

¼~v½ dRFkd u`R; ¼c½ rcyk oknu

¼l½ xk;u ¼n½ lqjcgkj oknu

The name of Pt. Kanthe Maharaj Associated with -

(a) Kathak Dance (b) Tabla Playing

(c) Singing (d) Surbahar Playing

52- jktk v©j jkèkk jsM~Mh dk lEcUèk gS&

¼~v½ Òjr ukV~;e ¼c½ v¨fMlh

¼l½ dFkdyh ¼n½ dqfpiqM+h

Raja and Radha Reddy are associated with-

(a) Bharatnatyam (b) Odissi

(c) Kathkali (d) Kuchipudi

53- jktk ekuflag r¨ej d¢ njckj d¢ lqçfl) laxhrdkj uk;d cD“kw fuEu esa ls fdld¢

fy, çfl) gq,&

¼~v½ l© èkzqoin a dh jpuk ¼c½ l© [;ky a dh jpuk

¼l½ l© Ñfr dh jpuk ¼n½ l© Bqefj; a dh jpuk

Nayak Bakshu a famous musician of Raja ManSingh Tomar was best known for which of the

following-

(a) Composition of hundreds of Dhruvpad (b) Composition of hundreds of Khayal

(c) Composition of hundreds of Kriti (d) Composition of hundreds of Thumari

54- fuEu esa ls çfl) okW;fyu oknd d¨ igpkfu,&

¼~v½ ia- fuf[ky cSutÊ ¼c½ ia- Ogh-th- t¨x

¼l½ mLrkn cqanq [kku ¼n½ mLrkn gkfQt vyh [kku

Identify the famous Violinist of the following -

(a) Pt. Nikhil Banarjee (b) Pt. V.G. Jag

(c) Ustad Bundu Khan (d) Ustad Hafiz Ali Khan

55- çfl) johUæ laxhr d¢ jpukdkj d©u Fks \

¼~v½ l©jhUæukFk VSx¨j ¼c½ johUæukFk VSx¨j

¼l½ Ogh-Mh- iyqLdj ¼n½ Lokeh pSrU; egkçÒq

Who created the famous Rabindra Sangeet?

(a) Sourindra Nath Tagor (b) Ravindra Nath Tagor

(c) V.D. Paluskar (d) Swami Chaitanya Mahaprabhu

56- if“pe caxky dk lkaLÑfrd jktèkkuh d©u lk “kgj ekuk tkrk gS\

¼~v½ nkftZfyax ¼c½ fenukiqj

¼l½ cadqjk ¼n½ d¨ydrk

Which city is known as the cultural capital of west Bengal-

(a) Darjeeling (b) Midnapore

(c) Bankura (d) Kokata

57- fuEu esa ls d©u ßxhrkatyhÞ d¢ ys[kd Fks\

¼~v½ cafdepUæ ¼c½ vkj-,u- VSx¨j

¼l½ veZR; lsu ¼n½ JhdkaFkk flUgk

Who among the following was the author of “Geetanjali”-

(a) Bankim Chandra (b) R.N. Tagore

(c) Amartya Sen (d) Shrikantha Sinha

58- Òkjrh; jk’Vªh; xku d¢ laxhrdkj d©u Fks\

¼~v½ vkj-,u- VSx¨j ¼c½ cafdepUæ pVthZ

¼l½ nsosUæukFk VSx¨j ¼n½ l©jsUæukFk VSx¨j

The Indian National Song was composed by -

(a) R.N. Tagore (b) Bankim Chandra Chattarjee

(c) Devendranath Tagore (d) Saurindranath Tagore

59- lqçfl) y¨d ukV~; “kSyh iaMokuh gS\

¼~v½ eè;çns“k dk ¼c½ NÙkhlx<+h

¼l½ if“pe caxky dk ¼n½ mÙkjçns“k dk

Padwani is the most popular narrative folk forms of -

(a) Madhya Pradesh (b) Chhatisgarh

(c) West Bengal (d) Uttar Pradesh

60- ßxjckÞ uR; y¨dfç; gS\

¼~v½ jktLFkku esa ¼c½ egkjk’Vª esa

¼l½ xqtjkr esa ¼n½ eè;çns“k esa

“Garba” dance is popular in state of -

(a) Rajasthan (b) Maharashtra

(c) Gujrat (d) Madhya Pradesh

61- ßi¨okM+kÞ D;k gS\

¼~v½ ÒfDr xhr ¼c½ y¨dfç; uk;d a d¨ fpf=r djrk ukV~;

¼l½ fQYeh xhr ¼n½ lqeèkqj xhr

What is “Powada”?

(a) Devotional Song (b) A ballet of Various deeds of popular heroes

(c) Filmi Song (d) Melodious Song

62- fuEu esa ls d©u ls jkT; esa Òhy tutkfr dk laxhr feyrk gS\

¼~v½ rfeyukMq ¼c½ d¢jy

¼l½ dukZVd ¼n½ eè;çns“k

To where of the following states music of Bheel tribe found-

(a) Tamilnadu (b) Kerala

(c) Karnataka (d) Madhya Pradesh

63- egkjk’Vª dk y¨dukV~; tkuk tkrk gS\

¼~v½ l axh eq[kkoVs ¼c½ x¨aèky

¼l½ rek“kk ¼n½ rqcaMh xk;u

Folk theatre form of Maharashtra is known as :

(a) Songi Mukhawate (b) Gondhal

(c) Tamasha (d) Tumbdi Gayan

64- ßpdjhÞ y¨du`R; gS\

¼~v½ jktLFkku ¼c½ xqtjkr

¼l½ mÙkjçns“k ¼n½ >kj[k.M

“Chakri” is the folk dance form of :

(a) Rajasthan (b) Gujrat

(c) Uttarpradesh (d) Jharkhand

65- eè;çns“k d¢ y¨du`R; d¨ igpkfu,&

¼~v½ fnokyh u`R; ¼c½ xsaMh u`R;

¼l½ jkà u`R; ¼n½ ewfj;k u`R;

Identify the folk dance form of Madhya Pradesh:

(a) Diwali Dance (b) Gendi Dance

(c) Rai Dance (d) Muriya Dance

66- ßpkjdqykÞ lqçfl) vkx u`R; gS &

¼~v½ jktLFkku ¼c½ mÙkj çns“k

¼l½ >kj[k.M ¼n½ fcgkj

Charkula is the most popular fire dance of :

(a) Rajasthan (b) Utter pradesh

(c) Jharkhan (d) Bihar

67- ßvoj¨gÞ D;k gS\

¼~v½ p<+rk Øe ¼c½ mrjrk Øe

¼l½ ,d leku uacj ¼n½ Loj a dk lewg

What is “Awroha”:

(a) Ascending order (b) Descending order

(c) Same Number (d) Group of Swaras

68- ßvkorZuÞ D;k gS\

¼~v½ rky dk ,d egRoiw.kZ ÄVd ¼c½ y; dh ,d ÃdkÃ

¼l½ y; dh fofoèkrk ¼n½ rky dk ,d pØ

What is “Awartan”:

(a) An important factor of Taal (b) Unit of Laya

(c) Variation of Laya (d) A cycle of Taal

69- ßJqfrÞ D;k gS\

¼~v½ çkphu laxhr lIrd ¼c½ rhoz Loj a dk lewg

¼l½ ,d rh[kk Loj ¼n½ ,d Ãdkà t¨ Loj a d¢ chp varjky fuèkkZfjr djs

What is “Shruti”:

(a) Ancient musical scale (b) Group of brisk notes

(c) A sharp note (d) An unit, which decided frequency between the swaras

70- ßfooknh LojÞ D;k gS\

¼~v½ vkf[kjh Loj ¼c½ oftZr Loj ¼l½ ,dk,d yxus okyk Loj

¼n½ ,d ,slk vfç; Loj ftld¢ ç;¨x ls ekèkq;Z Òax g¨

What is “Vivadi Swar”?

(a) Ending note (b) Prohibited Swar

(c) Accidental Note (d) A disscontonate swar, if used will destroy the melody

71- ße¨gjkÞ D;k gS\

¼~v½ fgUnqLrkuh jkx ¼c½ fgUnqLrkuh rky ¼l½ dRFkd dk eaph; çn“kZu

¼n½ ,d N¨Vh jpuk rky dh igyh ek=k d¢ igys ctkà tk,

What is “Mohra” ?

(a) Hindustani Raag (b) Hindustani Tala (c) Performance of Kathak

(d) A small composition played before the first beat of the Tala

72- ßis“kdkjÞ D;k gS\

¼~v½ ,d laxhre; jpuk

¼c½ ,d rky dk uke

¼l½ ,d bLykfed ÒfDr laxhr

¼n½ y; dk egRoiw.kZ çdkj t¨ ,d rcyk oknu esa g¨rk gSA

What is “Peshkar”?

(a) A musical composition

(b) Name of a Taal

(c) A devotional music of Islam

(d) An important form of rhythm of solo Performance of Tabla

73- ßek=kÞ D;k gS\

¼~v½ c¨y a dk lewg ¼c½ le; d¨ fxuus dh bdkÃ

¼l½ rky d¢ foÒkx¨a d¨ n“kkZus okys fof“k’V fpUg ¼n½ y;kRed fp=

What is “Matra” ?

(a) Combination of bols (b) Unit measure of time

(c) Definite indications of the tala divisions (d) Rhythmic designs

74- ßleÞ D;k gS\

¼~v½ fdlh rky dh çFke foÒktd ek=k ¼c½ y; dk ewy la;¨tu

¼l½ rcyk oknu dh y; ¼n½ rky pØ dh igyh ek=k

What is “Sam” ?

(a) The first division of Tal (b) The basic composition of rhythm

(c) Rhythmic position of tabla playing (d) The first beat of tala cycle

75- ßBsdkÞ D;k gS\

¼~v½ rcyk oknu dk ,d pj.k ¼c½ c¨y a dk ,d eèkqj la;¨tu

¼l½ y; ok|;a= dh ewy laÄVuk ¼n½ y; ok|;a= dh ewy y;dkjh

What is “Theka”?

(a) One stage of tabla playing (b) A pleasing combination of bols

(c) The basic composition for rhythm instruments

(d) The basic laykari for rhythm instruments

76- ßlaxhr jRukdjÞ xzaFk fdlus fy[kk gS \

¼~v½ ia- “kkjaxnso ¼c½ Òkjref.k

¼l½ ia- vg¨cy ¼n½ ia- y¨pu

Who wrote “Sangeet Ratnakar” book ?

(a) Pt. Sharangdeo (b) Bharatmani

(c) Pt. Ahobal (d) Pt. Lochan

77- ßukV~;“kkL=Þ xzaFk fdld¢ }kjk fy[kk x;k gS\

¼~v½ ukjn ¼c½ Òjr

¼l½ jkekekR; ¼n½ “kkjaxnso

Who wrote the famous book “Natyashastra” ?

(a) Narad (b) Bharat

(c) Ramamatya (d) Sharangdeo

78- ßekudqrqgyÞ fy[kk x;k gS\

¼~v½ jktkekuflag r¨ej ¼c½ rkulsu

¼l½ MwaxjsUæflag r¨ej ¼n½ uk;d cStw

The “Mankoutuhal” was written by ?

(a) Raja Mansingh Tomar (b) Tansen

(c) Dugrendra Singh Tomar (d) Nayak Baiju

79- lqçfl) xzaFk ßlaxhr niZ.kÞ fy[kk x;k\

¼~v½ “kkjaxnso ¼c½ nke¨nj

¼l½ Jhfuokl ¼n½ jkekekR; }kjk

Famous book “Sangeet Darpan” was written by :-

(a) Sharangdeo (b) Damodar

(c) Shriniwas (d) Ramamatya

80- ßèkzqoin v©j mldk fodklÞ iqLrd fdlus fy[kh gS\

¼~v½ vkpk;Z cgLifr ¼c½ vÒ;ukjk;.k efyd

¼l½ ,l-,u- jkratudj ¼n½ lqefr eqVkVdj

Who wrote the book “Dhrupad Aur Uska Vikas” ?

(a) Acharya Brahaspati (b) Abay Narayan Malik

(c) S.N. Ratanjankar (d) Sumati Mutatkar

81- iqLrd ßy{;laxhrÞ d¢ ys[kd d©u gS\

¼~v½ ia- Ogh- ,u- Òkr[kaMs ¼c½ ,l- ,u- jkratudj

¼l½ ia- v¨- ,u- Bkdqj ¼n½ ia- oh- Mh- iyqLdj

Who is the author of book “Lakshy Sangeet”?

(a) Pt. V. N. Bhatkhande (b) S. N. Ratanjankar

(c) Pt. O. N. Thakur (d) Pt. V. D. Paluskar

82- tokgj yky usg: vdkneh t¨ uR; dh gS] dgk¡ fLFkr gS \

¼~v½ Òqous“oj ¼c½ bEQky

¼l½ d¨ydÙkk ¼n½ eqacÃ

Jawahar Lal Nehru Academy of dance is located at?

(a) Bhuvaneshwar (b) Imfal

(c) Kolkata (d) Mumbai

83- mLrkn vykmíhu [k+k¡ laxhr vdkneh dgk¡ fLFkr gS\

¼~v½ eSgj ¼c½ d¨ydÙkk

¼l½ uà fnYyh ¼n½ Ò¨iky

Ustad Allaudin Khan Music Academy is situated at :

(a) Maihar (b) Kolkata

(c) New Delhi (d) Bhopal

84- “kadj xaèkoZ egkfo|ky; Xokfy;j dh LFkkiuk fdlus dh Fkh\

¼~v½ ia- Ñ’.kjko iafMr ¼c½ ia- oh-,u- Òkr[kaMs

¼l½ ia- jktkÒS;k iwNokys ¼n½ ia- ckykÒkÅ meM+sdj

Who founded Shankar Gandarv Mahavidyalaya Gwalior?

(a) Pt. Krishnarao Pandit (b) Pt. V.N. Bhatkhande

(c) Pt. Rajabhaiya Poochwali (d) Pt. Balabhau Umdekar

85- iq.ks dk ßu`R; Òkjrh dFkd u`R; vdknehÞ fdld¢ }kjk LFkkfir fd;k x;k\

¼~v½ ne;arh t¨“kh ¼c½ euh’kk lkBs

¼l½ j¨fg.kh ÒkVs ¼n½ dud jsys

“Nritya Bharti Kathak Dance Academy” at Pune was founded by :-

(a) Damyanti Joshi (b) Manisha Sathe

(c) Rohini Bhate (d) Kanak Rele

86- ßJhjke Òkjrh; dyk d¢UæÞ dgk¡ fLFkr gS\

¼~v½ eqEcà ¼c½ d¨ydÙkk

¼l½ uà fnYyh ¼n½ ç;kxjkt

“Shri Ram Bhartiya Kala Kendra” is located at :

(a) Mumbai (b) Kolkata

(c) New Delhi (d) Prayag Raj

87- ßbafnjk dyk laxhrÞ fo“ofo|ky; d¢ çFke dqyifr d©u Fks \

¼~v½ ia- v¨adkjukFk Bkdqj ¼c½ ia- ih-,u- fpap¨js

¼l½ ia- ,l-,u- jkratudj ¼n½ mLrkn QS;kt [kku

Who was the first Vice Chancellor of “Indira Kala Sangeet” University?

(a) Pt. Omkarnath thakur (b) Pt. P.N. Chinchore

(c) Pt. S.N. Ratanjankar (d) Ustad Faiyaz Khan

88- Òkjrh; “kkL=h; laxhr ,oa laLÑfr d¨ ;qokv¨a esa çpkfjr djus gsrq çfl) ßLihd

eSd¢Þ laLFkk dgk¡ fLFkr gS \

¼~v½ d¨ydÙkk ¼c½ uà fnYyh

¼l½ yaxyq: ¼n½ gSnjkckn

SPIC MAIKE society for promotion of Indian Classical Music and Culture amongst youth is

situated at :

(a) Kolkata (b) New Delhi

(c) Bangluru (d) Hydrabad

89- fuEu esa ls d©u lk lkaLÑfrd laLFkku gS\

¼~v½ F.A.O. ¼c½ I.L.O. ¼l½ W.H.O. ¼n½ U.N.E.S.C.O.

Which of the following is a culture organisation :

(a) F.A.O. (b) I.L.O. (c) W.H.O. (d) U.N.E.S.C.O.

90- ßlj¨n ÄjÞ fLFkr gS %&

¼~v½ uà fnYyh ¼c½ Xokfy;j

¼l½ y[kuÅ ¼n½ d¨ydÙkk esa

“Sarod ghar” is situated at:

(a) New Delhi (b) Gwalior

(c) Luchnow (d) Kolkata

91- ,u-lh-ih-,- dk iwjk Lo:i D;k gS\

¼~v½ us“kuy lsUVj QkWj ijQkfeZax vkVZ ¼c½ us“kuy lsUVj QkWj çe¨fVax vkVZ

¼l½ us“kuy lsUVj QkWj i¨VsZV ,d¢Meh ¼n½ us“kuy lsUVj QkWj isafVax vkVZ

What is the full form of N.C.P.A. ?

(a) National Centre for Performing art (b) National Centre for Promoting Art

(c) National Centre for Portrait Academy (d) National Centre for Painting Art

92- lokà xaèkoZ mRlo çfro’kZ vk;¨ftr g¨rk gS\

¼~v½ iq.ks ¼c½ d¨Ygkiqj

¼l½ fejt ¼n½ eqEcà esa

Sawai Gandharv festival is organized annually at :

(a) Pune (b) Kolhapur

(c) Miraj (d) Mumbai

93- çfrf’Br laxhr lekj¨g ßrkulsu lekj¨gÞ dgk¡ vk;¨ftr g¨rk gS\

¼~v½ Xokfy;j ¼c½ vkxjk

¼l½ uà fnYyh ¼n½ Qrsgiqj lhdjh

The most prestigious music festival “Tansen Samaroh” is organized at:

(a) Gwalior (b) Aagra

(c) New Delhi (d) Fethepur Sikari

94- okf’kZd ßLokeh gfjnkl laxhr lEesyuÞ dgk¡ vk;¨ftr g¨rk gS\

¼~v½ oankou ¼c½ eFkqjk

¼l½ okjk.kklh ¼n½ eqEcÃ

Annual “Swami Haridas music concert” is organized at:

(a) Vrindawan (b) Mathura

(c) Varanasi (d) Mumbai

95- ßd¨.kkdZ laxhr ,oa u`R;Þ lekj¨g d¢ fy, d©u lk LFkku lqçfl) gS\

¼~v½ iqjh ¼c½ Òqous“oj

¼l½ d¨ydÙkk ¼n½ d¨.kkdZ

Which place is famous for “Konark Music Dance” festival :

(a) Puri (b) Bhuwaneshwar

(c) Kolkata (d) Konark

96- ßdkfrZd jkeÞ u`R; lekj¨g dk vk;¨tu g¨rk gS&

¼~v½ eSgj ¼c½ jk;x<+

¼l½ bUn©j ¼n½ Ò¨iky

“Kartik Ram” dance festival organized at:

(a) Maihar (b) Raigarh

(c) Indore (d) Bhopal

97- ßVIikÞ xk;u “kSyh d¨ fdlus [k¨tk\

¼~v½ “k©jh fe;ka ¼c½ vehj [kqlj¨

¼l½ okft+nvyh “kkg ¼n½ rkulsu

Who invented “Tappa” style of singing:

(a) Shoiri Miya (b) Ameer Khusaro

(c) Wajid Ali Shah (d) Tansen

98- ßÒkjr jRuÞ çkIr djus okyh igyh Òkjrh; laxhrK efgyk d©u gS\

¼~v½ ,e-,l- lqCcky{eh ¼c½ d¢lckà d¢jdj

¼l½ fgjkckà cM+©nsdj ¼n½ e¨xwckà dqMÊdj

Who is the first woman musician to receive the “Bharat Ratna”:

(a) M.S. Subhalaxmi (b) Kesarbai Kerkar

(c) Heerabai Badodekar (d) Mogubai Kurdikar

99- fuEu esa ls fdl laxhrK us ßxzSeh vokMZÞ çkIr fd;k\

¼~v½ ia- fo“oe¨gu ÒV~V ¼c½ ia- gfjçlkn p©jfl;k

¼l½ ia- fd“ku egkjkt ¼n½ Jherh fd“k¨jh ve¨udj

Who among the following musician is the recipient of “Gramy Award”:

(a) Pt. Vishwamohan Bhatt (b) Pt. Hariprasad Chaurasiya

(c) Pt. Kishan Maharaj (d) Smt. Kisori Amonkar

100- fuEu esa ls fdl laxhrK d¨ ßlaxhr lezkVÞ tkuk tkrk gS\

¼~v½ cStw ckojk ¼c½ uk;d cD“kw

¼l½ rkulsu ¼n½ x¨iky yky

Which one of the following musicians is known as “Sangeet Samrat”:

(a) Baiju Bawara (b) Nayak Bakshu

(c) Tansen (d) Gopal Lal