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    B E T T E R P H O T O G R A P H Y J AN UA RY 2 01 3

    6

    ED I TOR IAL Which Is The Best Camera?

    Photographyis all about

    previsualisationand knowing what

    you want to dowith the image.

    After years of lugging around several hundred kilos of photographic

    gear all over the world for his commercial asignments, Chase Jarvis

    says, the best camera is the one thats with you, referring to

    his iPhone. A cell phone camera may not be your immediate

    preference. Yet, almost all the biggest photographers I have met so

    far expressed how they want to leave their top-of-the-line cameras

    behind once the day is done, and simply have fun with photography.

    While hobbyists aspire to buy the very best equipment, professionals seem to prefer tiny,

    no-nonsense compact or mirrorless cameras to record moments closest to them.

    Firstly, remember that photography is all about previsualisation. Apart from making

    the picture in your mind before you release the shutter, you need to know what you will

    eventually do with the image. This again depends on the type of photography you do and

    its purpose. Do you imagine an exhibition of your work, with huge prints on display?Or is it for capturing your familys most important moments for posterity? The set of

    features and functions you need in your new camera will depend on how you see your

    photographs being used in the future.

    Secondly, with digital cameras, there is always a trade off between size (lower weight

    and greater portability), speed (faster processing speeds, frame rates and AF), resolution

    (larger images with more detail), image quality (optics, sensor size, low light shooting

    capability, colours, and dynamic range) construction (stronger, weather-sealed bodies),

    and other features (zoom range, customisability and fun features). Depending on what

    you intend to do with the photographs, you need to decide which one of these is most

    important. The moment you add a second set of functionality to the first, the price of the

    camera is bound to increase substantially.

    The Top 30 listing in this issue contains the very best of what is currently available in

    India, categorised by price. Once you know what kind of a photographer you are, simply

    make a choice from this list. Rest assured that you will not go wrong.

    Happy shooting and may you have a great year ahead!

    K Madhavan [email protected]

    Hungry floodvictims awaitingrelief, Gaforgoan,Bangladesh, 1988by Shahidul AlamA love for humanity makes

    Shahiduls camera apotent weapon for social

    and ideological change.

    Photography is not

    something I worship. I am

    very fond of the medium,

    but if tomorrow, it ceases

    to be effective, I would

    have no qualms giving it up

    and picking up any other

    tool, be it picking up a

    gun, he says.

    To read moreabout Shahidul Alamsextraordinary struggle,

    Great MastersTurn to page 110

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    8

    B E T T E R P H O T O G R A P H Y JA NU AR Y 1 3

    Views and opinions expressed in this magazine are notnecessarily those of Network18 Media & InvestmentsLtd (Network18)*, its publisher and/or editors. We atNetwork18 do our best to verify the information published

    but do not take any responsibility for the absoluteaccuracy of the information. No part of this magazinecan be reproduced without prior written permission ofthe publisher. Printed by Mohan Gajria and published byLakshmi Narasimhan on behalf of Infomedia18 Limitedand printed at Network18 Media & Investments LtdPlot No. 3, Sector No. 7, Off Sion Panvel Road, Nerul,Mumbai - 400 706, and published at Network18 Limited,Ruby House, A Wing, J K Sawant Marg, Dadar (W),Mumbai - 400 028. Readers are recommended to makeappropriate enquiries before sending money, incurringexpenses or entering into commitments in relation toany advertisment appearing in this publication. BetterPhotography does not vouch for any claims madeby advertisers, products or services. The printer,publisher, editor or members of the publication shall notbe held liable for any consequences in the event of suchclaims not being honoured by the advertisers.

    Editor K Madhavan Pillai

    Published by Network18 Media & Investments Ltd

    V O L U M E 1 6 I S S U E 8 J A N U A R Y 2 0 1 3

    GET PUBLISHED IN BETTER PHOTOGRAPHYShare your best images, tips and techniqueswith us and get your work noticed. Follow thesesimple guidelines:

    For PhotoCritique and Your Pictures: Digital files should be a minimum of 1800 x 2700

    pixels at 300dpi and prints should be of 6 x 9-inches

    Include a 100-word note on how and why you shot

    the image with the following information:

    Your name, address, and contact details.

    Title for the Image.

    Name of the section for which you are sending the image

    Details: camera, lens, aperture & shutterspeed used.

    Send in a synopsis, with low-resolution imagesfor viewing, to contribute articles to the followingsections:On Assignment, Step-by-Step, PhotoFeature, Tips & Tricks,

    Shooting Technique, History, Story Behind the Picture

    Get in Touch with us: To have your images reviewed by our panel of experts:[email protected]

    To showcase your best photographs:[email protected]

    To contribute articles and for questionson photography: [email protected] your suggestions, appreciation and criticismon the magazine: [email protected]

    To send any of the above by post, send us a CD orprints to our Head Office in Mumbai.

    Founder & Editor, Network18Raghav Bahl

    President & Editorial Director, TV18Senthil Chengalvarayan

    EDITORIALEditor

    K Madhavan Pillai

    Executive EditorGurjender Singh Virdi

    Deputy Editor - TechnicalShridhar Kunte

    Senior Features WriterRaj Lalwani

    Features WriterAmbarin Afsar, Supriya Joshi,

    Chandni Gajria, Priyanka Chharia,Ketan Kundargi, Conchita Fernandes

    ContributorGabriel Fuchs

    DESIGN & PRODUCTIONAssistant Art Director

    Santosh D Kamble

    Senior DesignerBhavna Bastav

    Junior DesignerUttam Kumar

    Chief PhotographerMexy Xavier

    Senior PhotographerNeha Mithbawkar

    PhotographerJoshua Navalkar

    MARKETING & SALESSenior Vice President-Sales

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    National Sales HeadBadri Narayan

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    New Delhi Harsh Verma, Gurneet Singh

    Head - Marketing

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    Senior Manager MarketingGarima Bajpai

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    Group CEO, Network18B Sai Kumar

    CEO-Network18 PublishingSandeep Khosla

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    NEWSSTAND & SUBSCRIPTIONDistribution HeadSunil Nair

    Dy General ManagerManoj Palsay

    ManagersSachin Kamble (West)Surendra Desai (Mumbai)Krupanand S (South)

    Subscriptions ManagerRajeev Mani

    Senior Manager SubscriptionsSheetal Kotawdekar

    CoordinatorsPercy Palkhiwala, Anand Shirke

    PRINTINGExecutive Vice PresidentAnanth R Iyer

    Assistant General Manager - PPCShekhar Khot

    Production TeamDnyaneshwar Goythale, Surekha Karmarkar,Ravikumar Potdar, Ravi Salian

    NEWSSTAND & SUBSCRIPTION SERVICESFor newsstand and trade queries, please wr ite toManoj at [email protected]

    For any subscription queries, please write to Sheetalat [email protected]

    To subscribe to Better Photography online, visithttp://eshop.infomedia18.in

    ADVERTISING SERVICESFor advertising and sales queries, please write [email protected]

    HEAD OFFICENetwork18 Media & Investments Ltd,A Wing, Ruby House, J K Sawant Marg,Dadar (W), Mumbai 400 028,

    Maharashtra, India.Tel: 022 3003 4515 Fax: 022 3003 4499

    *Ownership of this magazine stands transferred from Infomedia18

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    SnapShots

    January 2013

    26 Book ReviewCircus Girl bySaibal Das

    34 Look Whos ShootingSudipto Das

    35 Visual Musingsby David de Souza

    GearGuide

    52

    62 TESTSony Alpha 99Is the worlds first fullframe SLT differentsimply for the sake ofbeing so?

    68 Fujifilm X-E1The best image qualitythat you will get at thisprice point

    74Olympus PEN E-PL5

    Fine tuning the PENconcept, but at a price

    78 BenQ G1Held a lot of promise onpaper, but then the storytook a different twist

    80 Olympus 17mm f/1.8The most practical primelens for the Micro FourThirds system yet

    82 FEATURECamera Featuresto Improve YourPhotography InstantlyHave you explored yourcamera completely?

    SpecialBP EXCELLENCE AWARDS 2012 ..... ............... ........... 40

    DO I REALLY NEED THIS CAMERA NOW?......................50

    TOP 30 CAMERAS ..................... .............. .............. 52

    BP Exellence Awards

    2012

    BUYERS

    SPECIAL

    ON THE COVER

    DESIGN: SANTOSH D KAMBLE

    DaviddeSouza onperception,society,artand pornography

    ShahidulAlamon hiscrusadeforsocial& politicalchange

    RediscoverSyria throughthe eyes ofJaber Al Azmeh

    10womenwhohavemadeahugeimpacton photography

    VISUAL MUSINGS GREAT MASTERS PROFILE HISTORY

    EXCLUSIVE TESTSSony Alpha 99

    BenQ G1Olympus PEN E-PL5Olympus 17mm f/1.8

    YOU CAN BUY TODAY!

    Celebrating the best gearto grace our test bench

    How to shoot stunning infraredphotos & make them digitally too

    BP Excellence Awards

    BUYERS

    SPECIAL

    Better Technique. Better Insight. Better Pictures

    -

    .

    .

    i 'www.betterphotography.in

    PLUS

    100-PAGEPOCKETGUIDESECRETS

    OFSHOOTINGGREATPHOTOSOFCHILDREN

    10 FEATURESTO IMPROVE YOURPHOTOGRAPHY INSTANTLYWHAT CAMERA DO YOUNEED?

    January2013Rs.150SpecialPrice

    ISTHISTHEMOS

    T

    EXCITINGMIRRO

    RLESS

    TODAY?

    FUJIFILMX-E1

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    InFocus

    104 PROFILEJaber Al AzmehLeads you into hisexploration of Syria

    110GREAT MASTERS

    Shahidul AlamExplains his relentlessdrive for social justivethrough his images

    118 PHOTOFEATUREFurqan Khan tells usexactly why he thinksLadakh is extraordinary

    181 DIFFERENT STROKESAll-in-onePhotography

    182 HISTORY10 Women WhoChanged The Way

    We PhotographSaluting thosewho have made asignificant contribution

    184 STORY BEHIND THE PICTUREThe Controlled Crashes

    ShowCase PhotoFinish

    RegularsFEEDBACK ............................................................12

    PHOTOCRITIQUE .............. ............... ............... ...... 92

    Q & A .................................................................100

    1000 WORDS ....................................................... 116

    YOUR PICTURES ............... ............... ............... ..... 122

    BP BUYERS GUIDE .............. ............... .............. ... 174

    BetterPictures

    86 ON ASSIGNMENTA Surreal GlowDiscover the magic ofshooting beautifulinfrared in camera

    90 DIGITAL TECHNIQUEInfrared Made VisibleLearn how to recreate

    this effect in software

    96 TIPS & TRICKSLearn how to shootbutterflies, vacations andspecial occasions

    104 110

    INDIAS BIGGESTPHOTOGRAPHY AWARDS!For more details, turn to page no 46

    INDIAS BIGGEST WEDDINGPHOTOGRAPHY AWARDS RETURN!For more details, turn to page no 36

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    FeedbackSend your feedback toThe Editor, Better Photography, Network 18 Publishing,Ruby House, A Wing, J K Sawant Marg, Dadar (W),Mumbai-400 028, India

    Email: [email protected]

    Portraits with a StoryThe moment I saw the cover of the

    December 2012 issue of BP, I was curious

    about how the photographer had captured

    such a stunning image. The images in the

    series offer an interesting perspective of the

    attachment people share with places and

    things around them. Inspired by the images

    of Aneta Ivanova in the On Assignment

    article, Spaces Within People, I attempted

    to try out something similar. I used a self

    portrait of myself and an abstract image of a

    painting to create this multiple exposure in

    Adobe Photoshop.

    Neha Mithbawkar, Mumbai, via email

    For the ProfessionalWith reducing costs of digital cameras,

    there has been a tremendous increase

    in the number of people interested in

    photography lately. Everywhere you go,

    you see people with DSLRs clicking away

    on their camera. While a lot of them startphotography as a hobby, many of them

    eventually turn it into their profession.

    However, due to lack of knowledge,

    they are often lost on how to handle

    photography as a business.

    I think that BPneeds to address this issue.

    Currently, Market Sense is the only section

    in the magazine which deals with it. A lot of

    hobbyist photographers owe their skills and

    learning of photography to BP. Hence, it

    only makes sense that your magazine

    is the one to help them understand the

    business side of photography. I think that itis high time that you come up with an issue

    dedicated to help amateur photographers

    turn professional.

    Rohan Dasgupta, Kolkata, via email

    Excellent Customer ServiceI renewed my subscription to BPin

    early October 2012. In spite of that, I had

    not received the November edition of

    the magazine. I sent an email to the

    subscription department and to my

    surprise, I received a reply the very next

    day. Within four days, I had a copy of

    the November edition in my hands.

    The excellent service, prompt reply and

    efficiency has ensured that I am now a

    lifetime loyalist.Anurag Pandey, via email

    Where is the Buyers Guide?Better Photography magazinehas served as

    a key tool for comparing equipment and

    a great guide to keep track of technology.

    Unfortunately, I have noticed that the

    Buyers Guide does not include the lens

    section anymore. With the wide range of

    lenses that are available in the market, the

    BPratings, specifications and details in

    the lens, this section was a great help in

    comparing multiple lenses across different

    companies. I am looking forward to seeing

    the lens catalogue back in the magazine

    soon and urge you to keep updating

    itregularly.

    When it comes to buying, I must say that

    I am a little tired of seeing photographers

    around me buying DSLRs costing more

    than a lakh, but with no idea or inclination

    on using them. Has a camera become a

    status symbol, I sometimes wonder.

    Kantilal Shah, Ahmedabad, via Facebook

    Hobbyistphotographers

    might learn theskills, but they

    often get lost inthe business ofphotography.

    The Buyers Guide is acomprehensive list of allphotography equipment

    that is available inthe Indian market.

    The photographerwas inspired by AnetaIvanovas images tocreate multiple exposureself portraits of her own.

    Anjali Shetkar

    NehaM

    ithbawkar

    B E T T E R P H O T O G R A P H Y

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    FEEDBACK

    I was touched when I read the editorial in the

    December 2012 issue of Better Photography

    magazine. Most photographers shoot a few

    pictures and immediately decide what kind of

    photographer they are. The editorial shows a new

    and unique way of understanding who you are as a

    photographer and what really amuses you.

    It is interesting how by defining photography in a

    few words, you can define your own self. The exercise

    of creating a diary seems to be an excellent way to

    document your own photography journey. And only

    when we identify who we are ourselves as people, will

    we be really able to figure out where we are headed in

    our photographic journey.

    Ashok Saxena, Chandigarh, via email

    Defining Photos, Defining Yourself Write in toBetter Photography

    with your feedback, andif your letter wins the

    Letter of the Month,

    you will get a EnvieSpeedster charger!

    Twitter: twitter.com/betterphotoFacebook: facebook.com/betterphotography

    Flickr: flickr.com/groups/betterphotography

    Forum: betterphotography.in/forum

    FIND US ONLINE!

    Black and White MagicThe last time Better Photographycame up

    with an exclusive Black & White special

    was in August 2010. I still have a copyof that magazine on my work desk and

    cherish the beautiful matte cover of the

    issue. I think that another B&W special

    edition is now highly due.

    Nowadays especially, we do not seem

    to value the black and white medium

    anymore. A friend of mine dismissed it,

    saying that B&W is too easy. Another trend

    I observe is that photographers resort to

    black and white only because the colour

    photograph lacks impact. Maybe that is

    because of digital... when we use black and

    white film, our mind is striving to see theworld in shades of grey. A digital sensor

    Do we go backto nostalgia

    and enter thedarkroom?

    records colour photos and from a technical

    standpoint, one is not advised to shoot

    Monochrome within the camera.

    So how does one get out of this?

    Do we go back to nostalgia and enter the

    darkroom? Or should we tune our minds

    and force them to see?

    Karuna Jadhav, Pune, via email

    Buying Older Pocket Guides?I found the Street Photography Pocket

    Guide very informative. The concept of a

    small-sized book is so cool... it fit into my

    camera bag! I have missed previous Pocket

    Guides and look forward to finding, or

    even buying older versions separately.

    Ayush Rai, Bengaluru, via email

    The Secrets ofShooting pocket guide onstreet photography that

    was bundled with theNovember 2012 issue.

    SECRETSOFSHOOT

    ING

    STREETSAROUNDY

    OU

    Capturing the beauty andvigorous spirit of street life

    Interviewswith Gaurav Sawn, SanjayHadkar and Kaushal Parikh

    Gearand lenses you will needHowto make a spy lensLearnto deal with the lawHandlinga mix of locationsShoot the decisive moment

    16PAGESTIPS&TRICKS

    PocketGuideSupplement with Better Photography November 2012 issue

    The August 2010special edition of

    Better Photographywas completely

    dedicated to black andwhite photography.

    Photography is being awake for the first time.Photography is feeling it. Photography is me.

    14

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    Carbon One MiniIn terms of looks, the

    new digital camera

    from Carbon is based

    on the iconic Polaroid

    SX-70. The 5MP

    Carbon One Mini

    is a pocket-sized

    camera that allows users to shoot Polaroid-like

    images, without the cumbersome process of using

    film. It consists of a prefocused lens that makes

    sharp images of everything beyond 1.2 metre. It is

    compatible with the PictBridge Printer and can be

    used for both Mac and Windows.

    Nikon Digiscoping AdapterDigiscoping is a technique that is popular amongst

    nature and wildlife photographers, and allows

    telescopes to make pictures. Nikons DSA-N1

    Bracket and DSB-N1 Adapter are designed to make

    shooting with a super telephoto lens, a much simpler

    process. Both these accessories are compatible

    with Nikon 1 System cameras with interchangeable

    lenses. While, the DSA-N1 will be available for

    USD 219 (approx. Rs. 12,000). The DSB-N1 will cost

    USD 169 (approx. Rs. 9,000).

    Canon Wireless Photo PrintersWith the initiation of wireless photo printing, Canon

    has redefined digital imaging. Canon added threewireless Prixma Photo Printers to its line up of

    imaging products. While the Pixma MG6320 and

    MG5420 are

    two-in-one scanners

    and printers, the

    Pixma iP7220 is a

    standalone wireless

    photo printer. All the

    printers are compatible with wireless Canon DSLRs

    and will be launched later this year.

    Microsoft Camera Codec PackThe upgraded Camera Codec Pack is compatible

    with Windows Vista, 7, 8 and RT. It is specifically

    designed to handle RAW files. However, the pack

    only caters to 34 cameras, and it will prove to be oflittle help to especially those who have older DSLRs

    or compacts.

    Richard Avedon was an American photographer who became synonymous with portraiture and fashion photography since the 1960s.He began photographing his parents clothing store with a brownie camera, since the age of 12. He worked as a staff photographer for

    reputed magazines such as Vogueand The New Yorker, and photographed Hollywood celebrities like Charlie Chaplin to Marilyn Monroe.

    WHATS NEW

    If a day goes by without my doing something related tophotography, it is as though I have neglected something essential to

    my existence; as though I had forgotten to wake up.

    RICHARD AVEDON (19232004)

    This book was edited by photographer Shahidul Alam.

    Raghu Rai

    Image source:

    www.tumblr.com

    Drik Photo Agency Wins Asia Publishing Awardwho tells the story. But the visual record is

    a testament to the resilience, the powerful

    spirit of the people who were caught in this,

    said Shahidul Alam, editor of the book.

    Bangladesh-based Drik Photo Agencywon the Asia Publishing Award forThe Birth Pangs of a Nation, a book which

    celebrates four decades of Bangladeshs

    unyielding history. The book

    was shortlisted in the

    Best Insights into Asian

    Societies category.

    The Birth Pangs of a Nation

    is a valuable visual record.

    It features works of a number

    of veteran photojournalists,

    such as Raghu Rai, Kishore

    Parekh and Marc Riboud.

    The Bangladeshi War

    of Liberation, like all other

    wars, has a contested history.

    The number killed, thenumber raped, the number

    displaced, are all figures that

    change depending upon

    Better PhotographyCelebrates Excellence!cameras, that can give bulky DSLRs a run

    for their money? Well, as the world becomes

    smaller and smaller; perhaps even the

    cameras will. We can only guess!

    To read the complete coverage of the Excellence

    Awards, turn to page 40.

    The annualBPExcellence awardsapplaud the very best camera equimentthat managed to constantly score well in our

    equiment tests during the past one year.

    We meticulously rate and review a number

    of cameras, lenses and accessories to finally

    reach a unanimous decision.

    The Camera of the Year and Advanced

    Compact Camera of the Year were both

    awarded to Sony RX100. Coincidentally, it

    was another compact camera which won theCamera of the Year category in 2011.

    Is this a growing trend towards leading

    camera manufacturers making smaller

    B E T T E R P H O T O G R A P H Y J AN UA RY 2 01 3

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    Samyang 85mm f/1.4 Asph IFThe Samyang 85mm f/1.4 isa welcome addition and a

    convenient alternative for

    the comparatively costlier

    Nikkor lens of the same focal

    range. With an international

    market price of GBP 399

    (approx Rs. 26,500), the lens

    can be available for even less

    at select online websites. It is a high quality portrait

    lens that makes shooting closeups fairly easy for

    any amateur photographer. In terms of handling,

    the lens consists of a rubberoid grip and hence

    provides a staple and secure grip. Additionally, the

    lens is covered with an anti-reflection coating, thus

    enabling sharp images. It is compatible with Nikon,

    Pentax, Sony, Four Thirds, Samsung NX and Canon

    EOS mounts.

    Lytro Living FiltersThe tube-shaped

    Lytro camera

    updated its function

    set by introducing

    Perspective Shift.

    This option allows

    the users to change

    and manipulate the

    standpoints of an image, after it has been shot.

    Moreover, the company also launched nine new

    Living Filters, including Film Noir Filter, Carnival Filter

    and so on. Both the features are available as a free

    update for Lytro users, and can be used to work

    with already existing images.

    Adobe Creative Cloud UpgradesAdobe has opened access to a dozen new features

    of Adobe Photoshop for the users of Adobe

    Creative Cloud. The new features that will be now

    be available for Creative Cloud members include

    support for Retina display for Apple MacBook Pro,

    Crop Tool refinements, 3D enhancements including

    live OpenGL,

    and so on.

    Additionally, Adobe

    introduced the

    Creative Cloud

    service for teams

    that will make

    collaboration easy

    for groups.

    Google+ CommunitiesGoogle+ is increasingly replacing photo sharing

    websites such as Flickr and Facebook, and vying

    for the photographic database of these social

    networks. In its latest announcement, Google+

    launched interest specific communities or groups.

    The service will allow users to join a group either

    privately or publicly, and encourage discussion

    divided by topical categories. For instance,

    The Photo Community, Street Photographyand

    Photo Tipshave already begun to attract thousands

    of members from around the world.

    WHATS NEW

    For the last five years, Gabriel Fuchs,a Switzerland-based IT consultant,

    has been contributing toBPby writing a

    column called Different Strokes. However,

    Gabriel has decided to take a break from

    writing for the time being. We wish him the

    very best for all future endeavours!

    Having said that,BPwould like to take

    this opportunity to highlight Gabriels

    achivements of the past five years.

    His distinctive sense of humour has made

    us laugh, cry out in disbelief, ignite our

    curiosities. and much more. In more ways

    than one, Gabriel managed to change our

    perspectives about photography itself.Thanks to him, we can all laugh about it;

    while still making some great photos.

    Additionally, we would like to

    mention that Gabriel has generously

    contributed his magazine earnings, a sum

    of approximately 2.5 lakhs to a charity

    in Mumbai.

    We have thoroughly enjoyed Gabriels

    writings. His efforts to understand

    and decipher the mad community of

    photography are truly appreciated.

    Indeed, the escapdes of Gabriel and his

    friend Anita will be missed.

    Adieu, Gabriel Fuchs!

    Sipa, the leading French Photo Agency,announced its plans to file forbankruptcy. While, the companys future

    plan is unclear at this moment, it has been

    speculated that it will be either liquidated

    or reorganised.

    The companys 127 employees, which

    include at least 30 photojournalists,

    were told to quit work in December, and

    received only half of the months pay.

    Additionally, the two sister companies of

    Sipa News and FLS Ltd, which are part of the

    Sipa group, filed for bankruptcy as well.

    Sipa was founded by Turkish

    photojournalist Gkin Sipahiolu in

    1973. Sipahiolu launched the careers of

    many photographers, such as Abbas, Luc

    Delahaye, Alexandra Boulat and Patrick

    Chauve. He had intended Sipa Press to rival

    agencies such as the Agence France-Presse.

    Sipa Press Files for Bankruptcy

    The first iconic photograph of theEarth was captured by NASA in1972, and was called The Blue Marble.

    After almost three decades, NASA

    has once again photographed the

    Earth from space and created a set

    of jaw-dropping photographs called

    The Black Marble. However, unlike the

    previous set of images, these showcase

    the planet at night.

    These are not your average nighttime

    shots of the Earth. In fact, these are

    amongst the most detailed night time

    images of the Earth that we have ever

    seen! says Rebecca Roth of the NASA

    Goddard Space Flight Center.

    These highly detailed photographs

    were recorded by the Suomi National

    Polar-orbiting Partnership Satellite,

    between April and October 2012.

    Ittook the satellite three weeks and 312

    orbits to collate 2.5 terabytes of imagery!

    NASA Photographs Earth at Night!

    Parts of the Eastern Hemisphere, such as Cairo and Italywere reported to be the brightest by NASA.

    ImageSource:NASA

    SNAPSHOTS

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    Stopping Downis theprocess of changing

    the aperture froma larger to a smallerf-stop. It increases

    the depth-of-fieldand reduces the lightentering the lens.

    PRO TALK

    Look On The Bright SideUNHATE Foundation, United Colours of Benetton

    and the Salaam Baalak Trust organised a 10-day

    long photography workshop and exhibition in New

    Delhi from 21 November11 December 2012. It was

    dedicated to street children living in the capital and

    was an attempt to celebrate their efforts. The theme

    of the exhibition, Home, explored the idea of a home

    for street children living on the streets and in various

    Salaam Baalak Trust shelters in the city.

    The City ImprobablePhotographs by Delhi-based Amit Bhatia were

    displayed at the India Habitat Centre in New Delhi from

    131 December 2012. The images portrayed thecity of Delhi through Bhatias unique perspective.

    Moreover, the exhibition brought to life the historical

    richness of the capital. Bhatia explored the city spaces

    in totalityfrom the narrow lanes of Old Delhi to the

    modern spaces of Delhis industrial zones.

    Future CitiesStudio X in Mumbai organised an exhibition by John

    Gollings, Australias leading architectural photographer

    on 11 December 2012. Gollings showcased the past,

    present and future of global cities. He photographed

    these images by using stereoscopic photographic

    techniques. The exhibition was titled Now & When:

    Australian Urbanism and was part of Studio Xs event

    that explored the art of 3D photography and mapping.

    The Heritage

    A collection of 32 photographs by Bhawana Jaiswalwere exhibited from 1214 December 2012 in Bhopal,

    Madhya Pradesh. Jaiswals work is eclectic which

    includes a variety of themes such as nature, culture,

    people, and places and so on. The Heritagewas her

    12th photographic exhibition and focused on her most

    recent work called the Chhaya Kumbh.

    The Nikon Photo Contest International55 selected photographs were exhibited at the Piramal

    Art Gallery, NCPA in Mumbai from 1224 December

    2012. The images were selected from a number

    of countries from all around the world, including

    India, Japan, Iran, Portugal and so on. Some of the

    photographers whose work was showcased in the

    12-day long exhibition include Marlies Plank, Mar tin

    Stranka and Debarshi Duttagupta.

    EVENTS

    This image waspart of a collection

    of 53 award-winningphotographsat the Nikon

    Photo Exhibition. Kenji Yamanaka

    The New York PostPublishes Controversial Image

    The photograph of 58-year-old KiSun Han, merely meters away from

    an approaching train in a New York

    underground, has once again stirred a

    debate regarding ethics of photojournalism.

    The photograph was made by photographer

    R Umar Abbasi, and published on the front

    page of The New York Post.

    Abbasi, along with the paper, have been

    severely criticised in a number of online

    forums. In fact, many have likened Abbasi

    to Kevin Carter, who became infamous for

    photographing a strarving child next to avulture. However, after the incident, Abbasi

    defended himself by claiming to alert the

    train by using his

    camera flash.

    While Ki Sun

    Hans family mourns

    his death, The New

    York Post struggles

    to publicly clarify

    its actions and

    editorial decisions.

    716 January

    HikariKolkata

    A selection of

    images by Japanese

    photographers that

    explore the notion of

    hikari or light. Some of

    the photographers

    featured in this unique

    exhibition include Yuji

    Obata, Tokihiro Sato,

    Shiho Kito and Ken

    Kitano. The exhibition

    is travelling throughout

    India and has already

    been exhibited in Delhi

    and Mumbai.

    814 January

    63rd All IndiaExhibition ofPhotographyJehangir Art Gallery, Mumbai

    The Photographic

    Society of India is

    going to organise

    the All India Salon of

    Photography 2013.

    The exhibition will

    showcase an eclectic

    mix of imagesfrom

    monochrome,

    colour and nature

    prints to sports andphotojournalism.

    17 January

    Film andPhotographyFestivalTFAC Studio, Mumbai

    The 10-day long festival

    explores a variety of

    themes within the visual

    arts. It will includeworkshops, artist talks

    and presentations

    by amateur and

    established

    photographers.

    31 January3 February

    India Art FairNew Delhi

    It will provide a

    platform to upcoming

    contemporary art.

    The 5th edition of the

    India Art Fair will bring

    together 105 galleries

    from 24 countries,

    and showcase around1000artists.

    Kim

    okoYoshida

    Source:TFAC

    Happy 25th, Graphic Interchangeable Format!being developed as an alternative for JPEG,

    to being originally termed as 87a.If you

    want lossless, compressed graphics, there

    is nothing better than GIF, said Alexander

    Trevor, Former Chief of CompuServe.

    Additionally, GIF was declared Oxford USAs

    word of the year in 2012. It beat words such

    as superstorm, and Eurogeddon.

    The year 2012 marked the 25thanniversary of the GraphicInterchangeable Format or GIF, as it

    popularly called. GIF was introduced in

    1987 by Steve Wilhite of CompuServe and

    was one of the first two file formats to be

    used on the Internet. In 25 years, GIF has

    undergone a number of changesfrom

    ImageSource:www.thespec.com

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    The year 2012 was a

    growth year for Sandisk

    and we witnessed a

    considerable growth

    in the demand for

    flash memory.

    However, we

    witnessed a particularly

    disappointing growth of

    pointandshoot

    cameras. The increasing

    growth of high

    performance mobile

    phones has intensified the competition against

    compact cameras. As a result, we noticed thatthe overall growth of compact cameras was

    less than 10% in 2012. Nonetheless, the growth

    of Sandisks high-performance quality products

    was robust, and 2012 was a good year for

    the company.

    A lot has changed in a period of six years

    since Sandisk entered the market of flash

    memory in India. Today, the Indian market is

    far more organised. However, this organisation

    can be seen only in the top 1415 cities in the

    country. There is a lot of work still to be done in

    the smaller towns and cities, as there is a lack of

    awareness about authorised products.

    Sandisk is present in more than 400 cities in

    India. In 2013, we are planning to increase our

    presence in Tier II and Tier III cities. For instance,Sandisk introduced the Memory Yatra, which is

    geared towards promoting the concept of flash

    memory in smaller towns. Additionally, we are

    going to strengthen our the companys online

    activities. We are geared to specifically design

    promotions targeted for Tier II and Tier III cities.

    As told to Priyanka Chharia

    INDUSTRY VOICE

    In 2013, we are planning to icnrease ourpresence in Tier II and Tier III cities.

    The Backyard of MagicCircus Girlwas borne out of Saibal Das year long project of the same name.

    Das travelled for a year, visiting and working with a number of well-knowncircuses in India. From the illustrious Gemini Circus in Kerala to the

    formidable Samrat Circus in West BengalSaibals extensive ground

    work for the book makes it a thoroughly researched piece of work.

    In fact, before I even began reading the book, I was curious

    about its contents. I anticipated an informed perspective along with

    photographs that would be sensitive to the chosen theme. Needless to

    say, I was not disappointed. Saibals B&W photographs are composed with

    meticulous perfection. He manages to capture the little moments from the lives

    of his subjects, which eventually come to define his work. Moreover, his focus on

    the circus girls makes this book and his perspective distinct from others who have

    photographed the circus.

    Additionally, corresponding text by Nola Rae, a renowned mime artist, lends a magic to

    this book that would have been impossible otherwise. The combination of Raes experience

    as an insider with Saibals dexterity as an outsiderthe Circus Girltruly unlocks a universe of magic.

    Priyanka Chharia

    Title: Circus GirlAuthor: Saibal DasISBN:978-1-906-49733-0

    Publisher:Seagull BooksPrice:Rs. 1595

    BOOK REVIEW

    Manisha SoodCountry Manager & DirectorIndia & SAARC, SanDiskCorporation

    The year 2012 was more than justdisastrous for the 132-year-oldcompany, Eastman Kodak. However, the

    company seems to be in the process of

    recovery and reorganisation, with the hope

    to exit the state of bankruptcy by early 2013.

    It revealed its plans to completely change

    its focus from photography to enterprise

    services and functional printing.

    Meanwhile, rival companies Apple and

    Google have reportedly teamed up to buy

    Kodaks patents. The 1100 imaging patents

    will be sold for more than USD 50 0 million

    (approx. Rs. 5000 lakhs).

    Google and AppleBuy Kodaks Patents

    Father of Digital Imaging Passes Away

    Bryce Bayer, the inventor of the iconicBayer Filter died at the ripe age of 83

    in Bath, United Kingdom. Bayer was an

    ex-Kodak employee who worked with

    the company for more than two decades.

    In 1974, he completed the design for a

    device that enabled capturing detailed

    colour images. His invention came to be

    known as the Bayer Filter hence.

    Without his invention we would still

    be getting only B&W images from our

    digital cameras. In fact, 99.9% of all digital

    camerascellphones, pocket cameras,

    webcams and consumer digital videocameras use the Bayer pattern to produce

    colour photographs, said Larry Scarff,

    a former chairman of the Camera Phone

    Image Quality Standards Group.

    Eye-Fi, the SD card maker company,announced its brand new photostorage app called Circ. Unlike other such

    apps, Circ provides unlimited free storage

    space to users. The app is compatible with

    iOS, Android, Windows and Mac, and

    allows users to sync more than one device.

    We did not want to build just another

    cloud service, said Yuval Koren, CEO of

    Eye-Fi. We did not want the customer

    to have to think about the technology

    behind it, or worry about how much

    storage space they had left before needing

    to upgrade or dump photos.

    CircOffers UnlimitedFree Storage!

    Bryce Bayer created the Bayer Filter while still at Kodak.

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    B E T T E R P H O T O G R A P H Y

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    Astronaut Conducts

    Ultimate Gear Test!Did you know that there are 12Hasselblad cameras left on the surfaceof the moon? Moreover, did you know that

    one of these cameras was left there, just to

    test the durability of the camera?

    I left my Hasselblad camera there

    with the lens pointing up at the zenith,

    the idea being someday someone would

    come back and find out how much

    deterioration solar cosmic radiation

    had on the glass, said Eugene Cernan,

    ex-Apollo 17 Commander and the lastman to have walked on the surface of

    the moon.

    Flickr, Yahoos popular photo sharingsite has once again gone through

    a makeover. The website recently

    announced and released a new interface

    called Liquid Layout. XX XXXXXXXX

    Sudiptos imageshows peoplecelebrating theChhath Puja in Agra,

    Uttar Pradesh.

    Sudipto Das Photographer Awarded by The Royal Photographic SocietyLOOK WHOS SHOOTING

    Genuineacknowledgementof this kind helpsone to evaluate hisor her work in apositive way.

    Kolkata-based photographer Sudipto Das is an

    avid street photographer. He is constantly driven

    to photograph people and culture. His photograph,

    titled Prayer, was shortlisted amongst 60,000

    entries, and eventually was awarded The Royal

    Photographic Societys Jubilee Time Capsule Award.

    I came to know about the contest from oneof my friends living in the United Kingdom. I think

    that awards of this nature are always encouraging

    for photographers living in developing countries,

    such as India. It is important to gather sound

    feedback from time to time because genuine

    acknowledgement of this kind helps one to evaluate

    his or her work in a positive way, he says.

    Sudipto is currently documenting the Anglo-Indian

    population in his hometown Kolkata, for a thematic

    project called Connecting Cultures. The project is

    called Connect: UK-Indiaand will be on display in the

    United Kingdom in 2013.

    I want to establish a cross-cultural essence,

    as it is the central focus of my project. During mystay in the United Kingdom, I documented Indians

    living in the continent. I was able to carry out this

    project with support from The Royal Commonwealth

    Society and The Royal Photographic Society of

    England, he says.

    Written by Priyanka Chharia

    Sudipto Das

    500px Introduces Creative Commons Licensing

    The ever increasing pool of images andtheir consequent circulation on the

    internet had led 500px, a photo sharing

    website, to include Creative Commons

    licensing. Users of the photo sharing

    website can now share their i mages for

    non-commercial use with credit, and

    not worry about the misuse of their

    creative work. Conversely, researchers,

    students and fellow imagemakers can

    make use of the content without being

    hassled over infringing copyright laws

    or illegal sharing.

    Copyright is often a challenge forartists and creators. Creative Commons

    licensing gives our photographers more

    options to let others share and reuse theirwork. It provides the 50 0px community

    with greater flexibility on usage and

    photo attribution, said an official

    statement by the company.

    Creative Commons licensing safeguards artists rights.

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    At What Stage Does Art

    Become Pornography?

    David enjoys making photographs of subjects of special interest to him, entirely for his own delectation. Many ask him what he intends to do with these photos and he mostoften only manages an incoherent answer. An active educationist with a unique teaching style, his recent interests have been as varied as mythology, dreams and 3D.

    V I S U A L M U S I N G S

    Have you wondered at what point can nude photography

    be considered art, as opposed to pornography?

    Pornography in the pejorative, is associated with

    explicit depictions of the sexual act. Alice Walker had once

    said, Deliver me from writers who say the way they live doesnt

    matter. Im not sure a bad person can write a good book. If art

    doesnt make us better, then what on earth is it for. Having said

    that, there have been terrible people whove made great art.

    So that, in essence, is the polarity. All of us have resident within

    us, the human, the animal and the divine or sacred. Individual or

    mob violence is a tendency that comes out of our animal side,compassion from the sacred, staying non committal, neutral is

    perhaps our human, sitting on the fence, side.

    Thedifference and similarity would be akin to love and lust.

    If we can remove morality for a minute, it might get a little

    simpler to understand. Human beings have a heritage of making

    judgments and often what has been handed down as good and bad

    remain our sacred tenets. Friedrich Nietzsche in Twilight of the Idols

    exhorts us to examine our values and see if they ring true.

    A lot has to do with motives. Why are you making the photograph

    to start with? So even at the concept, ideological, wish level, it is

    crucial to know ones motives. Before anyone else has seen the

    photograph, it could be art or vulgarity depending on that single

    test. But that is not the end of the line, just the start. A photograph

    when it becomes public has to fit into a sensibility. One culture

    would consider a photograph vulgar or pornographic, while

    another may not. Subjectivity comes with its own filters, morality,

    social mores and prejudice.

    The point at which the photograph shifts from art to pornography

    could be several depending on who is viewing it. A general rule

    of societal thumb is when a group of people at a certain space

    and time become offended, the object of their disdain, for them,

    becomes vulgar. If a photograph is exploitative, it veers towards the

    pornographic, regardless of space, time or society.

    The recent Aseem Trivedi cartoon controversy seems to

    have highlighted a few aspects of how we can subvert themain issue depending on our own pomposity. At that point

    in time, it was not up to the TV channels and their experts to

    ordain whether the cartoon was art or porn. That was not the

    issue of contentionwhat wasdid it merit being seditious?

    There seemed to have been total agreement that it didnt.

    At another point in time when debating what is art and what is

    not, the cartoon could have come up for scrutiny then.

    M F Husains Saraswatiand Bharatmataalong with Andreas

    Serranos Piss Christhave a common element. The museum

    in Melbourne was vandalised by right-wing fundamentalist

    Christians, in protest of a not-too-brilliant image of a crucifix in

    an amber liquid. But go beyond the obvious, what if Serrano did

    not have a title to his photograph, some devout Christian might

    even have thought it worthy of veneration in their home, what

    if the image was called Honey Christ? What if it was dipped in

    honey and called Piss Christ?

    Many what ifs and as the answer oscillates from art to

    offensive, notice that the image has not changed at all... only

    ones perception. It might be crucial to check on Sorennos

    antecedents and his track record, would it change things to

    discover that he might be a devout and practising Christian?

    If you saw a pair of perfect, sensuous breasts in a magazine, halfthe population could swing either way, but what if you then

    discover a sign at the bottom that reads, Early examination

    prevents cancer, would the context change the content?

    Eventually art is not necessarily to be liked, art and artists

    roles are to challenge our perceptions of the world and

    ourselves. It holds a mirror to us and often, our warts and our

    insecurities show up. Shall we be content to be unaware of our

    isness and bury our heads in the sand?

    Most often historically, it is politics and those vested interests that

    create schisms and intolerance of one set of people over another.

    If we could borrow the sensibilities of the other, would our world

    view be that much more enhanced or diminished?

    The nude human form is the most challenging subject there

    is. Because its all to do with perception. The human form laid

    bare of time and space, suddenly becomes eternal, divested

    of pretensions and fashions. Its got the emotional quotient

    that anyone from anywhere can relate to and identify with.

    The photograph does not need a title and explanation. It might

    be difficult to get emotional or attached to a pressure cooker,

    but the human form is quite another issue. How one deals from

    behind that eyepiece with ones humanity is the process to

    greater potential.

    There are several countries in Europe and South America and

    even some in Asia that have pornographic channels along with

    porno magazines and DVDs that are free to view and buy, if youare above legal age. Pornography has become so undeniable that

    reputed universities offer a study of the subject. It is such a far

    cry from our country where mere sex education is such a hotly

    debated subject in the Parliament, where the objectors to the

    education outnumber those who are for it. If a proper scientific,

    sexual survey was done in our country it would then expose

    what everyone sort of surmises, that our sexual misconduct and

    crimes would then show us up and dent our ersatz pride for who

    we truly are, and that would not b e acceptable. Hypocrisy is one

    of our many legacies.

    Hypocrisy can be pornographic.

    David de Souza

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    B E T T E R P H O T O G R A P H Y J AN UA RY 2 01 2

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    B E T T E R P H O T O G R A P H Y J AN UA RY 2 01 3

    BP Excellence Awards2012

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    B E T T E R P H O T O G R A P H YJAN UARY 2010

    41

    Camera of the Year41

    EXCELLENCE AWARDS

    And The Award Goes to...M

    onth after month, the BPteam

    tests, inspects and introspects

    how the latest technology will

    help you chronicle the most

    important moments in your

    life. We appreciate some of this equipment,

    despise others and occasionally, test camerasthat make us fall in love. With these awards,

    we recognise the gear that has scored the

    highest ratings in our tests. For the Camera

    of the Yearand Innovative Product of the Year

    awards, we weigh the pros and cons of each

    gadget, and then decide the best.

    Like last year, the most exciting camera

    we tested in 2012 was not a high-end DSLR,

    but actually a compact camera! That just

    goes to show that an expensive camera isnot necessarily the best one... with the way

    technology is racing, there has never been a

    better time to be a photographer.

    The BP Excellence Awardsare a stamp of quality, and our way of celebrating cameras andlenses that have earned the highest rating on our test bench, in the past one year.

    Sony Cyber-shot RX100The Sony RX100 is not only rewriting history, but has also transcended categories andchanged the way we will see future cameras at this price point. After all, this is no ordinarycompact camera. For those who can live without the ability to change lenses, the Sony RX100,with its giant sensor and fast lens, is a far more versatile package than some higher-pricedmirrorless cameras and DSLRs as well. Just think about it... with fantastic quality at ISO 3200

    and a fast f/1.8 lens, the RX100 is a better low-light machine than your regular entry-levelDSLR with its kit lens. Oh, and hey, it fits into your pocket!

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    Advanced Compact Camera of the Year

    Basic Compact Camera of the Year

    Consumer DSLR Lens of the Year

    Fujifilm FinePix F660EXRWith 15x zoom and complete manual control, this is a camera

    you will want to carry, whether you are setting out for acasual vacation or starting photography as a serious hobby.Besides important photo features like a 1/2-inch EXR sensor,Film Simulation modes and the ability to shoot multipleexposures, the F660EXR also does well in terms of shootingFull HD video and capturing 360 Motion Panoramas.

    Sony Cyber-shot RX100Why is the RX100 so revolutionary? Let us ponderover a simple fact. Sony has successfully taken theergonomic excellence of a tiny camera like the CanonS95 and managed to stick in a much faster lensand significantly larger sensor... in the same-sized,pocketable body! This is probably the only camera of itskind, which scores equally high marks in pocketability,stills quality, video capabilities and on-field handling.

    Sigma 12-24mm f/4.5-5.6EX DG ASP HSM IIThe widest rectilinear full frame lens in the world strikesall the right boxes in terms of performance. It is sharp,not too expensive and has extraordinary control overdistortion. Do remember that a focal length this wide isnot for everyone... it is actually quite difficult to get close

    enough to make a good frame at 12mm. But when doneright, the impact is spectacular.

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    B E T T E R P H O T O G R A P H YJAN UARY 2010

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    Consumer Mirrorless Lens of the Year

    Pro DSLR Lens of the Year

    Pro Mirrorless Lens of the Year

    EXCELLENCE AWARDS

    Nikkor 16-35mm AF-Sf/4G ED VRThe 1635mm is one of the sharpest wide angles we haveseen, better than some of the best primes in the market.The lightweight nature of this lens makes it far better forlandscape, travel and street photography than its moreexpensive f/2.8 peers. The biggest highlight of this opticalmarvel is that the combination of a wide focal length andVR brings forth new possibilities that no other lens iscapable of. One can shoot handheld photos at one second,or experiment with ultrawide panning shots of slowmovement. Our best pro lens, this year, actually helps yousee the world in a new way.

    Olympus M. Zuiko

    Digital 17mm f/1.8The new 17mm f/1.8 may not be as small as the olderpancake lens, but it is a huge step forward in every otheraspect. It has a distance scale, is sharp at the widestaperture, and remarkably free of optical aberrations. At anaffordable price point, this is the best way for an Olympusor Panasonic user to get into the disciplined zone of using asmall camera with a fixed lens.

    Fujifilm XF 35mm f/1.4Normal lenses are usually very good in terms of optics,but this one i s even better. The Fujifilm XF 35mm f/1.4gives Leica lenses a run for their money, at a merefraction of their price. Exemplary sharpness, beautiful

    bokeh and distortion free, this is the lens that does mostjustice to the fantastic Fujifilm X-Trans sensor.

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    Full Frame DSLR of the Year

    Consumer Mirrorless Camera of the Year

    Nikon D3200We were a little apprehensive about the D3200when we tested it. It is an excellent camera, nodoubt, but does an entry-level user really need24MP, we wondered. Since then though, we haveseen the same sensor in other, far more expensivecameras. Whether you are a first-time DSLRbuyer or a pro who needs a backup body for hisD800/D600, the D3200 gives you image quality that

    has never been seen before at this price point.

    Nikon D4The 36MP D800 almost won this crown, but theD4 has a bunch of small refinements that will beappreciated by a pro on field. Backlit buttons, theability to shoot lower resolution photos at 24fps,completely silent working, Ethernet connectivity,

    top-of-the- line video features, several AFrefinements and a crazy buffer capacity of over 100frames (unmatched by any camera)... the D4 addsall this to the D3S, which probably was one of thebest cameras we have ever tested.

    Olympus PEN E-PL5A tough fight between the Panasonic GX1 and the E-PL5,

    the Olympus sneaked ahead with slightly better quality,due to the lack of an AA filter and a superior JPEG engine.The initial Indian pricing is higher than we expected, but

    there is no doubt that the new sensor (borrowed and

    tweaked from the OM-D E-M5) makes the Olympus E-PL5the best PEN, to date.

    44

    B E T T E R P H O T O G R A P H Y

    Consumer DSLR of the Year

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    Consumer DSLR of the YearAdvanced Mirrorless Camera of the Year

    Innovative Product of the Year

    Fujifilm X-E1We fell in love with the X-Pro 1, but surprisingly, it has beenbeaten by its younger sibling, the X-E1. The best quality everseen at less than a lakh... the X-E1 may not have a full framesensor, but it has better dynamic range, noise performanceand detail than several full frame DSLRs in the market.

    Nokia 808 PureViewThe 808 is an ordinary smartphone if you compareit to the best iOS and Android devices around, butlets put it this way... it is the worlds best camera

    that can also make calls and share picturesinstantly. Its massive 1/1.2-inch sensor ensures

    that the stills and video quality exceeds mostcompact cameras! Most importantly, the ingenious

    way in which Nokia has used its 41MP sensor canwell lead the way for future imaging technology.

    EXCELLENCE AWARDS

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    Cropped sensors nowadays are so good that

    they match or surpass the pro full frame

    cameras of yesteryears. Only some kind

    of professionals actually do the kind of

    photography that needs a full frame camera.

    Im a Pro, But Do I Need to Change Lenses?If you are someone who has never bothered

    with ultrawide or super telephoto focal

    lengths, you can consider a pocketable

    compact with a fast lens, or a camera that has

    a fixed lens of a single focal length.

    Zoom is What I WantIf you love shooting subjects that are really

    far off, a superzoom compact camera is far

    more affordable than trying to buy a DSLR

    with equivalent lenses. A love for zoom

    could also be the sole reason for you to

    move beyond your smartphone.

    Wait... Do I Even Need a Camera?Sure, if you want zoom, manual control

    and all-round functionality, a compact

    camera is still the answer. But today,

    smartphone sensors have come a long way.

    If most of your photography takes place

    in the daytime (or at night, with flash) and

    if you do not intend to print your photos,

    do you really need anything more than aphone? Smartphones also make far more

    sense for those who are heavily into social

    media, photo sharing and wish to make use

    of creative photo apps.

    Is Film the Answer?You are disciplined enough to not shoot

    a 100 frames in an hour. You also have

    the curiosity, seriousness and patience to

    appreciate what photography used to be

    (and still is, for some). Go away from the

    herd, pick up film camera from the second-

    hand market (they barely cost anything).

    Shoot analogue and learn to process it.

    You will either fall in love, or just come away

    with a richer mindset.

    Does it really matter as to what camera you

    use? Remember that the best camera is the

    one that is in your hand, but gets out of the

    way when you look, see and create.

    DSLR or mirrorless? Is your cell phone good enough or should you invest in a real camera?but before that, lets see what kind of camera you need to look for. Raj Lalwani helps you choose.THIS CAMERA NOW?

    Entry-level Mirrorless CameraIdeal for those who point and shoot,

    but value image quality, they rarely

    have viewfinders as they are targetted

    at compact camera users who do not

    mind using the LCD.

    Entry-level DSLROne big reason to buy a DSLR over

    a mirrorless is if you wish to get into

    action photography. Most mirrorless

    cameras are still not very good at

    tracking fast moving subjects.

    Full Frame DSLRIf you love crazy high ISOs or crave to

    get the best possible dynamic range,

    a full frame may make sense. But for

    almost everyone else, a regular DSLR

    or mirrorless is more than enough.

    High-end Mirrorless CameraThese cameras are ideal for those who

    value portabilty, but do not wish to give

    up the experience of peering through

    a viewfinder and the hands-on control

    offered by a high-end DSLR.

    In the analogue

    world, hipsters

    endorse cameras

    like the Lomo andHolga because of

    the crazy colours,

    heavy vignettes and

    attractive flaws they

    produce. You could

    use Instagram and do

    this digitally, but there

    is a certain charm

    about the real thing.

    Unique Photos withWeird Cameras

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    B U YE R S S P E C IAL

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    B E T T E R P H O T O G R A P H Y JAN UARY 2013

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    RS. 20,00050,000

    BUYERS SPECIAL

    Who Should Buy It?Budget users who want the versatility of changing lenses.

    Why?Its features are not class leading and the Nikon D3200 has far superior imagequality, but the 1100D continues to offer a great bargain. No other DSLR or

    mirrorless camera comes at this price (apart from a few that are at the end of

    their life cycle). If you do not need the 24MP of the Nikons, it is best that you save

    some money, get the 1100D and probably invest the remainer in a fast normal lens.

    Sony Cyber-shot RX10020.2MP, Full HD video, Announced in May 2012

    Who Should Buy It?Those who want pocketablity but do not wish to make any compromise in

    terms of stills and video quality.

    Why?The RX100 is an astonishing product that actually transcends categories. For a

    lot of people who buy a DSLR or mirrorless camera and stick to just using its

    kit lens, we would actually recommend the RX100 higher.

    Canon PowerShot SX50 HS12.1MP, Full HD video, Announced in September 2012

    Who Should Buy It?Amateur wildlife enthusiasts who want the best reach possible.

    Why?Does someone really need 50x zoom is, of course, debatable, but that doesnot stop the Canon from being a very good camera. A hot shoe, complete

    manual control, RAW shooting, a tilt-and-swivel screen and 13fps shooting

    make this a very high-end camera. And while it may seem pricey, a DSLR with

    lenses that go up to 1200mm will cost lakhs more.

    Nikon D320024.2MP, Full HD video, Announced in April 2012

    Who Should Buy It?Budget resolution fanatics and anyone who is willing to invest in good lenses.

    Why?Up to ISO 3200, the D3200 produces better image quality than any non-full frame

    DSLR. Considering it is so cheap, it is an absolute bargain. If you are buying your

    first DSLR though, remember that a camera of such a high resolution needs an

    investment in optics, discipline and technique.

    Panasonic LUMIX DMC-FZ20012.1MP, Full HD video, Announced in July 2012

    Who Should Buy It?Zoom lovers who want to experiment in low light and use shallow DOF.

    Why?The FZ200 is an engineering marvel. It is the worlds first and only camera that

    has a large amount of zoom (24x, 25600mm) and a maximum aperture of

    f/2.8... all throughout the zoom range! The sensor of this RAW-shooting camera

    may not be as good as the price suggests, but the fast aperture reduces the

    need for using high ISOs in most situations. If you do not need the 50x zoom of

    the competition, this one is far more versatile.

    Rs.29,995

    Canon EOS 1100D12.2MP, 720p HD video, Announced in February 2011

    Rs.26,990

    (Kit)

    Rs.30,750

    (Bodyonly) Rs.3

    4,990

    Rs.34,990

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    BUYERS SPECI AL

    RS. 20,00050,000

    Canon EOS M18MP, Full HD video, Announced in July 2012

    Panasonic LUMIX G315.8MP, Full HD video, Announced in May 2011

    Nikon D520024.1MP, Full HD video, Announced in November 2012

    Who Should Buy It?Serious photographers who do not mind sacrificing build quality and hands-on

    ergonomics to gain a fantastic AF system and excellent image quality.

    Why?The amount of external control is not perfect, but the D5200 has definitely raised

    the bar when it comes to entry-level DSLRs. It has inherited the 39-point AF system

    from the D7000 (a version of which is also seen in the expensive full frame D600).

    This makes it the first ever camera at this price point to have such sophisticated

    autofocus functionality. An improved version of the D3200s sensor and a tilt-and-

    swivel screen are the crowning glories of this value-for-money package.

    Olympus PEN E-PL516.1MP, Full HD video, Announced in September 2012

    Who Should Buy It?Street and travel photographers who want a small and lightweight camera, but

    want the flexibility of being able to change lenses.

    Why?The E-PL5 is the first PEN camera to have the 16.1MP sensor that was seen

    in the OM-D E-M5. The OM-D itself may seem overpriced, but this PENs cost

    makes the sensor a lot more attractive. The one change from the OM-D is that

    the E-PL5s sensor does not have an AA filter and so, it actually gives sharper

    results with the excellent Micro Four Thirds lenses. Other than that, it has all

    that we love about the PENsArt Filters, good handling and in-body IS.

    Who Should Buy It?Video enthusiasts and serious filmmakers.

    Why?Canons first foray into the mirrorless world shines when it comes to the

    video capabilities. The quality of the footage, amount of video control and the

    overall functionality are as good as DSLRs like the 650D, and the fact that the

    M is a lot smaller (and cheaper) is a deal clincher. For still shooters, it is not

    completely smooth sailing though. The ergonomics are a mixed bag, with no

    buttons but an excellent touchscreen. Autofocus is a big disappointment, but

    the APS-C sensors quality is better than its Micro Four Thirds counterparts.

    Who Should Buy It?Travellers who want a budget mirrorless camera, but are too used to framing

    photographs at eye level.

    Why?Consider this. For a little more money than the E-PL5 and for far lesser

    than the OM-D, you get a mirrorless camera that has an in-built viewfinder,

    an excellent AF system and high quality sensor. The G3 may not have the

    rangefinderesque body of the PEN, but it is still very small. Videographers will

    appreciate the quality of the footage, but the lack of an external mic input is

    something that may hinder serious filmmakers.

    Rs.44,990

    (Kit)

    Rs.47,990

    (Kit)

    Rs.49,995

    (Kit)

    Rs.41,450(Body

    only)

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    RS. 50,0001,50,000

    Who Should Buy It?Full frame aspirants who do not need 36MP.

    Why?Its ergonomics are not perfect, but the image quality and photo-video features

    are good enough for almost every kind of professional use.

    Nikon D60024.3MP, Full HD video, Announced in September 2012

    Who Should Buy It?Those who want fantastic low light quality on the go, but do not need an OVF.

    Why?The X-E1 produces the same high quality images as the more expensive X-Pro 1, and

    also has a built-in flash. You lose out on a Hybrid finder, but the EVF is very sharp.

    Fujifilm X-E116.3MP, Full HD video, Announced in September 2012

    Fujifilm X-Pro 116.3MP, Full HD video, Announced in January 2012

    Who Should Buy It?Those who want full frame quality in a small package that has an optical eyepiece.

    Why?After the X-E1s announcement, the Hybrid viewfinder remains the only reason to

    spend extra money for the X-Pro 1, but considering the analogue philosophy of the

    X cameras, an optical way of seeing the world just has a lot more charm.

    Fujifilm X10012.3MP, 720p video, Announced in September 2010

    Who Should Buy It?Street photographers and portraitists.

    Why?If you enjoy the 35mm field of view, ignore the Fujifilm X-E1 and X-Pro 1 and buy

    the non-interchangeable lens X100 instead. The Hybrid viewfinder and old-school

    controls are excellent and the image quality, quite good.

    Nikon D700016.2MP, Full HD video, Announced in September 2010

    Who Should Buy It?Serious hobbyists or professionals who want the reach of an APS-C sensor.

    Why?As long as you do not need 24MP, the D7000 is the best non-full frame DSLR in

    terms of low light quality, ergonomics, speed and value.

    BUYERS SPECIAL

    Rs.64,45

    0

    (Bodyon

    ly) Rs.70,000

    (Bodyonly)

    Rs.76,999

    Who Should Buy It?Filmmakers who dont mind spending a premium for ease of use with pro video.

    Why?Video fanatics will love the 14140mm kit lens, but the camera is very overpriced in

    India. Stills are good, but if you are not into movies, invest this huge sum elsewhere.

    Panasonic LUMIX DMC-GH316.1MP, Full HD video, Announced in September 2012

    Rs.1,04,9

    99

    Rs.1,35,950 Rs.1,49,990

    (Kit)

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    BUYERS SPECIAL

    ABOVE RS. 1,50,000

    Nikon D80036.3MP, Full HD video, Announced in February 2012

    Who Should Buy It?Professional photographers dealing with any genre as long as it does not involve

    massive volumes of shooting.

    Why?36 megapixels are not for everyone, but it is incredible that Nikon managed to fit in

    so many, and yet maintain the lofty high ISO standards set by the D700. The D800 is

    one of the most complete cameras in the market for both still and video pros, but

    do remember that it needs a lot of investment in optics and storage.

    Nikon D416.2MP, Full HD video, Announced in January 2012

    Who Should Buy It?Action professionals who want the ultimate in low low light performance.

    Why?Not only does the D4 match Canon in terms of video, it also has unique still features

    like backlit buttons, Ethernet connectivity and silent shooting. The ability to shoot at

    ISO 2,04,800 and 12fps shooting mean that you will get your shot, no matter what.

    The buffer capacity is the best in the worldover 100 RAWs at one go!

    Sony Alpha 9924.3MP, Full HD video, Announced in September 2012

    Who Should Buy It?Professionals who want quick AF during video and wish to make use of the

    advantages of a full frame sensor.

    Why?If you are a stills photographer, the Alpha 99 is competent, but not as good as

    the Nikon D600 that is far cheaper. Video professionals, though, can consider

    this to be the pinnacle of video technologynot only is the video focusing

    fast, the A99 is one of the only cameras to shoot 1080p60 with AVCHD 2.0.

    Canon EOS 5D Mark III22.3MP, Full HD video, Announced in March 2012

    Who Should Buy It?Pros who do not need a large body, but wish to shoot action.

    Why?The dynamic range and resolution are not as good as the competition, but there

    is no doubt that the 5D Mark III is a maestro in terms of autofocus, speed, low light

    performance and video. The most all-round option for someone who has Canon

    optics, it is the subtle handling changes that make this camera a joy to use.

    Canon EOS 1D X18.1MP, Full HD video, Announced in October 2011

    Who Should Buy It?Sports photographers and photojournalists who want a rugged camera that can

    survive (and capture) any situation.

    Why?The 1D X is one of Canons most significant DSLRs. It is the first time that the

    company has decided to use a full frame sensor in a sports camera, thus enabling

    them to catch up with Nikon in a market that the latter had dominated with the D3

    and D3S. The 1D X matches the D4 in almost every aspect, falls behind in dynamic

    range, but sneaks ahead in terms of burst rate (14fps) and AF speed.

    Rs.1,6

    3,950

    (Bodyonly)

    Rs.1,7

    9,900

    (Bodyonly)

    Rs.2,06,0

    95

    (Bodyonly) Rs.3

    ,49,950

    (Bodyonly)

    Rs.4,29,9

    95

    (Bodyonly)

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    TEST

    Alpha 99 camera Li-ion battery Charger USB Cable AV cable Camera strap Body cap Accessory shoe cap USB cable clip Software CD-ROM

    WHATS IN THE BOX

    are usually seen in compact cameras? Or of

    course, a full frame DSLR-style camera that

    is not a DSLR... the camera adopts the SLTtechnology that Sony has been using for the

    past few years.

    The new Depth-map Continuous AF

    function speeds up tracking AF, as long

    as you tell the camera at what distance

    you expect your subject to be. The 102

    points seem impressive on paper, until

    one realises that these are accessible only

    while using six particular Sony lenses.

    Its regular 19-point AF system is good, but

    certainly not the best at this price point.

    Moreover, even while using 102 focusing

    points, the sensors are so packed in nearthe centre of the frame, that the practical

    application seems rather restricted.

    Like all SLTs, the cameras viewfinder

    iselectronic. Unfortunately, Sony has

    decided to exclude an onboard flash.

    Like its peers, the camera allows you

    to transfer uncompressed video via

    HDMI. One can monitor sound using

    headphones and the camera also has

    Real-time and Lip-sync settings to furthercontrol the output.

    It is, in a way, a unique set of video

    features. The autofocus functionality

    ensures that the camera can be used

    efficiently by a video newbie as well, but

    professionals will be more than happy in

    terms of the amount of control they get.

    HandlingLike the RX100 and NEX-7, the camera has

    focus peaking, which is extremely useful

    for manual focus. The overall handling

    is decent, but with the sheer numberof buttons (some of which are weirdly

    labelled), one needs to spend quite a bit of

    time with the camera to fully understand it.

    Once I got a little comfortable, I started

    enjoying certain things. There is a useful

    joystick and as many as five customisable

    buttons! An innovative Silent Control

    TEST

    Fujifilm X-E1Good looks andexcellent quality

    68

    TEST

    Olympus E-PL5OM-D quality ina cheaper package

    74

    TEST

    Olympus 17mm f/1.8Another impressive lensfrom the MFT stable

    80

    When using the HighContrast Monochrome

    Picture Effect, thehighest ISO settings look

    really good.Exposure:1/60sec at f/16

    (ISO 25,600)

    AllphotographsbyRajLalwani

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    TEST

    Ring is ideal for videographers as it allows

    them to change settings without affecting

    the audio of the footage. It can help adjuststill photo functions too, but in practice,

    it is a little difficult to use since the ring is

    quite loose.

    Battery life is a serious problem with

    the Alpha 99. It is better than the other

    DSLT models, but when compared to

    full frame DSLRs, the Sony falls short

    significantly, probably due to the fact

    that either Live View or the EVF are

    continuously switched on. If you are a

    professional, you would want to invest i n

    extra power.

    The camera may not score too highon looks, but it feels good. It is also quite

    lightweight, despite a solid magnesium alloy

    construction. The mode dial has a lock,

    but unlike cameras like the D600, this lock

    actually works quite well.

    PerformanceMy problems started after I had customised

    the camera. I decided to set one of the

    shortcut buttons to Quality, to switch

    between RAW and JPEG. I did this

    because I wanted to use the High Contrast

    Monochrome Picture Effect. Now, Picture

    Effects get disabled while shooting RAW,

    so customising a button to toggle between

    RAW and JPEG was actually a neat trick to

    switch between colour and B&W.

    All this was perfect until the battery

    levels fell. As a power conservation practice,

    I started switching off the camera when

    I wasnt using it. But whenever I would

    switch it on, it would take a long time to

    start up! Despite the fact that the camera

    was set to RAW (and hence, colour), the

    initial preview in the EVF showed a blackand white feed. After struggling for four

    seconds, the camera identified the fact

    that it was actually set to RAW and then

    showed the colour feed! This was a quirk

    that I experienced only while using Picture

    Effects, but it is still shocking performance

    from a pro camera.

    The autofocus is pretty good, especially

    when combined with the lenses that

    allow you to use the Dual AF system.

    However, one must remember that the 102

    AF points do not cover a large part of the

    frame though, a problem that is there evenwith the Nikon D600. So while it may sound

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    TEST

    ERGONOMICS

    Excellent video Lightweight Usable images at

    the highest ISOs

    PLUS

    Poor battery life Overpriced

    MINUS

    astounding on paper, it does have its caveats.That said, when the subject falls within the

    AF sensors, the focusing is blindingly fast

    and accurate.

    Sonys excellent and often underrated

    range of optics help capture fantastic,

    sharp photos. Dynamic range is stunning

    and the RAW files have a great amount of

    latent detail.

    I was relieved to see that unlike

    previous Sony SLTs, the JPEG engine is a

    lot more refined. After all, this is the first

    Sony SLT that allows you to switch off

    noise reduction, which was something

    that badly affects the JPEG files of the

    cheaper SLTs. However, I was surprised

    to see that the high ISO photographs

    consistently had more noise than the

    D600. I am making the comparisonbecause the Nikon is said to have a very

    similar sensor, and is lesser in price.

    The light loss that takes place due to the

    SLT technology, while minimal, does

    seem to have affected the resultant quality

    to a certain degree.

    And that brings me to somethi ng that

    I have been pondering about, ever since

    I first read about the camera. Sonys SLTs

    have charmed us in the past, but was it

    necessary to have a translucent mirror

    in their flagship camera? It may have the

    best EVF in the world, but it still does

    not even come close to the experience

    of using a full frame optical viewfinder.

    When we see SLT cameras like the A57

    and A77, even purists would not mind

    Nikon D800 Nikon D600 Canon EOS 6D

    ALSO LOOK FOR

    An Excellent Sensor, But Does It Reach Its Full Potential?

    This ISO 6400 image retains detail well, but the noise in the shadows is more than

    that seen in the D600surprising, considering they are said to have the same sensor.

    Quick Response Time and Accurate FocusingIts startup time is nowhere close to ideal, but the A99s shot-to-shot time is admirably

    quick. Autofocus is not as good as, say, the D800 or 5D Mark III but it is very accurate.

    Test Shots

    The Silent Control Ring can be accessed by

    the left hand while shooting, and helps change

    settings. Since there are no hard buttons to

    press, it is invaluable while shooting video, buta little confusing to use for stills.

    As a welcome change, Sony does not have the

    same proprietary hot shoe as previous cameras.

    Now, you can mount standard flashguns with

    slightly limited control. The mode dial lock issmooth and useful, without being an irritant.

    This is the only full frame camera in the market

    that has an onboard Electronic Viewfinder.

    It is definitely a different experience from

    conventional OVFs, but an EVF can be veryuseful to gauge the final result of the photo.

    Front Top Rear

    Magnesium alloycamera body

    Deep grip

    AF-assist lamp

    Customisable SilentControl Ring

    Convenient modedial lock

    Hot shoe

    Light fortop LCD

    High resolutiontilting LCD

    Button to help