A visual guide for those not trained in reading Western musical notation

Offered with loving and grateful hearts at the lotus feet of our Guru by devotees of the Boston Center of Self Realization Fellowship with a

prayer that all devotees may now be able to play his Cosmic Chants regardless of their musical training.

Summer 2011 V7.0

Playing Paramahansa Yogananda’s Cosmic Chants

List of Chants by Title

Introduction .............................................................................................................................................................................................................. 4At Thy Feet ................................................................................................................................................................................................................ 6Blue Lotus Feet ........................................................................................................................................................................................................ 7Brahmanandam ........................................................................................................................................................................................................ 8Cloud-Colored Christ ............................................................................................................................................................................................... 9Come, Listen to My Soul Song .............................................................................................................................................................................10Dawn Chant ............................................................................................................................................................................................................11Deliver Us From Delusion ......................................................................................................................................................................................12Desire, My Great Enemy ........................................................................................................................................................................................13Divine Gypsy ...........................................................................................................................................................................................................15Divine Mother’s Song to the Devotee .................................................................................................................................................................16Do Not Dry the Ocean of My Love.......................................................................................................................................................................17Door of My Heart ...................................................................................................................................................................................................18Ever New Joy ...........................................................................................................................................................................................................19From This Sleep, Lord ............................................................................................................................................................................................19Hay Hari Sundara ...................................................................................................................................................................................................21He Who Knows ......................................................................................................................................................................................................23Hymn to Brahma ....................................................................................................................................................................................................24I Am the Bubble, Make Me the Sea ......................................................................................................................................................................25I Am Om ..................................................................................................................................................................................................................26I Am the Sky ............................................................................................................................................................................................................28I Give You My Soul Call ..........................................................................................................................................................................................29In Samadhi ..............................................................................................................................................................................................................30In the Land Beyond My Dreams ...........................................................................................................................................................................31In the Temple of Silence ........................................................................................................................................................................................32In The Valley of Sorrow .........................................................................................................................................................................................33Invocation to the Gurus ........................................................................................................................................................................................34I will be Thine Always .............................................................................................................................................................................................35I Will Sing Thy Name ..............................................................................................................................................................................................36Jai Guru ....................................................................................................................................................................................................................37Learn Thou Self–Control .......................................................................................................................................................................................40

Light the Lamp of Thy Love ..................................................................................................................................................................................... 41Listen, Listen, Listen................................................................................................................................................................................................. 42My Krishna Is Blue .................................................................................................................................................................................................... 43No Birth, No Death ................................................................................................................................................................................................... 44O God Beautiful ........................................................................................................................................................................................................ 45Om Chant .................................................................................................................................................................................................................. 46Om Kali ...................................................................................................................................................................................................................... 47Om Song ................................................................................................................................................................................................................... 48Opal Flame ................................................................................................................................................................................................................ 51O Thou Blue Sky ....................................................................................................................................................................................................... 54O Thou King of the Infinite ..................................................................................................................................................................................... 55Polestar of My Life ................................................................................................................................................................................................... 56Receive Me on Thy Lap, O Mother ......................................................................................................................................................................... 57Rose Chant ................................................................................................................................................................................................................ 58Search Him Out in Secret ........................................................................................................................................................................................ 59Shanti Mondire ......................................................................................................................................................................................................... 60Spirit and Nature ...................................................................................................................................................................................................... 61Swami Ram Tirtha’s Song ........................................................................................................................................................................................ 62They Have Heard Thy Name .................................................................................................................................................................................... 65Thou Art My Life ....................................................................................................................................................................................................... 68Thousands of Suns ................................................................................................................................................................................................... 70Today My Mind Has Dived ....................................................................................................................................................................................... 71Wake, Yet Wake, O My Saint ................................................................................................................................................................................. 72What Lightning Flash............................................................................................................................................................................................... 74When My Dream’s Dream Is Done ......................................................................................................................................................................... 76When Thy Song Flows Through Me ....................................................................................................................................................................... 79Where Is There Love? ............................................................................................................................................................................................... 82Who Is In My Temple? ............................................................................................................................................................................................. 83Why, O Mind, Wanderest Thou? ............................................................................................................................................................................ 84Will That Day Come to Me, Mother? ..................................................................................................................................................................... 85Wink Has Not Touched My Eyes ............................................................................................................................................................................ 87

Introdu c t i o nThis booklet has only one purpose: to enable devotees not fluent in Western musical notation to play Paramahansa Yogananda’s Cosmic Chants with the correct notes and rhythm. There is a deep need for such an aid. There are a large number of devotees all over the world who have difficulty in playing the Cosmic Chants because they cannot read the notes. Some try to play “by ear,” and the playing is not always accurate. Others ask more knowledgeable devotees to show them the notes, which they try to memorize. And yet others just do not attempt playing the chants, thinking the task “too difficult.”

And so a gulf has grown between devotees who can read (western) music and those who cannot. This booklet is meant to close that gap and thus open the door to playing any one of Guruji’s Cosmic Chants for both private or group meditation, even with no musical training!

The door opens to amazing vistas, suggested by the following selected quotations taken from Paramahansa Yogananda’s own words in his Prelude to the Cosmic Chants:

Each of the Cosmic Chants in this book has been spiritualized; that is, at various gatherings each song has been sung aloud and mentally until the chanters found actual response from God. It is hoped that every reader will sing these chants, not as ordinary music to please the ear or emotions, but as soul-saturated songs to be used for divine communion.

One who sings these spiritualized songs, Cosmic Chants , with true devotion will find God-communion and ecstatic joy, and through them the healing of body, mind, and soul.

Since that evening, (referring to the chanting of “O God Beautiful” at Carnegie Hall for one hour and twenty five minutes) “I have sung these chants thousands of times with Western and Eastern audiences and have seen divine benefits showered on devotees who chant with love the Lord’s blessed Name".

This booklet is designed to supplement Paramahansaji’s Cosmic Chants

The booklet can help you play the chants more or less correctly, but there is additional information, both obvious and subtle, like tempo, trills etc. which have not been included. Once one is familiar with the chant, one can easily incorporate the recommended tempo, for example, from informa-tion given in Cosmic Chants.

Most important, Paramahansaji’s Cosmic Chants is far more than a collection of notes. As with all books published by Self-Realization Fellowship, Cosmic Chants is saturated with the vibrations of the great Guru, and there are treasures on practically every page. The Prelude written by Guruji on December 4, 1938 should be read by anyone aspiring to play and sing his chants. The Introduction by Self Realization Fellowship contains valuable information on playing the chants and also an explanation of the time signatures and tempi. You will find throughout this booklet many references to Cosmic Chants. For ex-ample, each chant in the booklet references the appropriate page number in Cosmic Chants . Thus this booklet can supplement but does not supplant Guruji’s book.

How to Use This Booklet

The system used is very simple. On each page, you will see a picture of the harmonium keyboard, with the actual keys used in the chant labeled as A, B, C, C# and so on. These labels represent the notes in western musical notation.

Then the chant is written with the exact keys to be played corresponding to the words or syllables of each word. Just look at the picture and play! It is that simple.

There is a third line, giving the timing for each note. In western musical notation there are full notes, half notes, quarter notes, and so on. All of us understand when we play a note half as long as another one. The traditional western music notation indicates this, but for the novice it may seem complicated. It has now been demystified and the actual fractions are indicated below each note.

Underlined fractions indicate that the note may be held longer. A fraction in brackets means a rest, or pause, for the duration of that fraction. For example, [¼] means a quarter note rest, or pause. Notes in parentheses ( ) indicate alternate readings. The symbol “||” at the beginning and end of a passage indicates that the passage should be repeated.

Finally, where space permits, there is a blank space below the fractions for those devotees who may wish to translate the notes into another notational system-- the Indian, for example.

Many of us are very familiar with the chants but the actual notes have been inaccessible. So now you can dive in and enjoy!

This was undertaken by a few devotees of the Boston Center of Self-Realization Fellowship as a personal project. It has been checked for accuracy by skilled musician devotees including a senior monastic at Mother Center who has professional music training.

Since many have asked for copies, we offer this freely in loving gratitude to our great Guru, Paramahansa Yogananda. We have been permitted to distribute this informally by the sole organization our Guru has established to carry on his work, Self-Realization Fellowship. We offer this at the lotus feet of our Master.

~ Jai Guru ~

Simple Rhythms in order of Increasing Finger Dexterity and Note RangeOm Chant .........................................................................................................................................................................................................................47Invocation to the Gurus .................................................................................................................................................................................................35Spirit and Nature .............................................................................................................................................................................................................63I Will Sing Thy Name .......................................................................................................................................................................................................37Hymn to Brahma .............................................................................................................................................................................................................25Listen, Listen, Listen........................................................................................................................................................................................................43At Thy Feet ......................................................................................................................................................................................................................... 6Dawn Chant .....................................................................................................................................................................................................................11Door of My Heart ............................................................................................................................................................................................................18Learn Thou Self–Control ................................................................................................................................................................................................41Today My Mind Has Dived ..............................................................................................................................................................................................73Where Is There Love? ......................................................................................................................................................................................................84O Thou Blue Sky ..............................................................................................................................................................................................................55Divine Mother’s Song to the Devotee ..........................................................................................................................................................................16Shanti Mondire ................................................................................................................................................................................................................62Ever New Joy ....................................................................................................................................................................................................................19I Am Om ...........................................................................................................................................................................................................................27Why, O Mind, Wanderest Thou? ...................................................................................................................................................................................86Cloud-Colored Christ ........................................................................................................................................................................................................ 9Polestar of My Life ..........................................................................................................................................................................................................57Om Kali .............................................................................................................................................................................................................................48Who Is In My Temple? ....................................................................................................................................................................................................85In the Temple of Silence .................................................................................................................................................................................................33Do Not Dry the Ocean of My Love ................................................................................................................................................................................17Jai Guru .............................................................................................................................................................................................................................38Search Him Out in Secret ...............................................................................................................................................................................................60

More Rhythmic Variety in order of Increasing Finger Dexterity and Note RangeRose Chant .......................................................................................................................................................................................................................59In Samadhi .......................................................................................................................................................................................................................31When Thy Song Flows Through Me (Alternate Version) ............................................................................................................................................81Blue Lotus Feet .................................................................................................................................................................................................................. 7Brahmanandam ................................................................................................................................................................................................................. 8I Am the Sky .....................................................................................................................................................................................................................29Opal Flame .......................................................................................................................................................................................................................52Thousands of Suns ..........................................................................................................................................................................................................72My Krishna Is Blue ...........................................................................................................................................................................................................44Will That Day Come to Me, Mother? ............................................................................................................................................................................87No Birth, No Death ..........................................................................................................................................................................................................45Thou Art My Life ..............................................................................................................................................................................................................70When Thy Song Flows Through Me ..............................................................................................................................................................................81They Have Heard Thy Name ...........................................................................................................................................................................................67O Thou King of the Infinite ............................................................................................................................................................................................56Light the Lamp of Thy Love ............................................................................................................................................................................................42O God Beautiful ...............................................................................................................................................................................................................46Swami Ram Tirtha’s Song ...............................................................................................................................................................................................64

Complex Rhythms in order of Increasing Finger Dexterity and Note RangeHe Who Knows ................................................................................................................................................................................................................24Receive Me on Thy Lap, O Mother ................................................................................................................................................................................58I Am the Bubble, Make Me the Sea ...............................................................................................................................................................................26When My Dream’s Dream Is Done (Short Version) .....................................................................................................................................................78Divine Gypsy ....................................................................................................................................................................................................................15I Give You My Soul Call ...................................................................................................................................................................................................30In the Land Beyond My Dreams .....................................................................................................................................................................................32In The Valley of Sorrow ...................................................................................................................................................................................................34From This Sleep, Lord ......................................................................................................................................................................................................19Wake, Yet Wake, O My Saint ........................................................................................................................................................................................74Desire, My Great Enemy .................................................................................................................................................................................................13

Wink Has Not Touched My Eyes ...................................................................................................................................................................................89What Lightning Flash......................................................................................................................................................................................................76Om Song ..........................................................................................................................................................................................................................49Deliver Us From Delusion ...............................................................................................................................................................................................12I will be Thine Always ......................................................................................................................................................................................................36Hay Hari Sundara .............................................................................................................................................................................................................21When My Dream’s Dream Is Done ................................................................................................................................................................................78Come, Listen to My Soul Song ......................................................................................................................................................................................10

6

A t T h y F e e t ( C C p . 6 3 ) ! L i s – t e n t o m y s o u l s o n g , l i s – t e n t o m y h e a r t s o n g ! ! E N D A B D D E E D E F# E D E B ! ! ! ! " " ! ! ! ! ! ! " I n s e – c r e t , i n m y s o u l , I w i l l g a t h – e r b l o s – s o m s f o r T h e e . G G G F# F# E D E F# E D E B B

" ! ! ! ! " ! ! ! ! ! ! ! ! ! D i p – p i n g t h e m i n d e – v o – t i o n , I w i l l l a y t h e m a t T h y f e e t . ! G G G F# F# E E D E F# E D E B ! ! " ! ! ! ! ! ! ! ! ! ! "

F#

A D E G

B

7

B l u e L o t u s F e e t ( C C p . 6 ) # E n – g r o s e d i s t h e b e e o f m y m i n d B B G G G F# F# E

! " 3/8 $ " ! ! " o n t h e b l u e l o – t u s f e e t o f m y D i – v i n e M o t h – e r . # D D D E E F# E D D E E B ! ! ! ! ! ! ! ! ! " ! " # D i – v i n e M o t h – e r , m y D i – v i n e M o t h – e r ! B G G G F# F# G F# E

! " ! ! ! ! " ! " D i – v i n e M o t h – e r , m y D i – v i n e M o t h – e r ! # D E F# E E D E E B

! " ! ! ! ! " ! " 1

1 See footnote on page 6 of Cosmic Chants for an explanation of the spiritual symbols used in this chant.

D E

F#

G B

8

B r a h m a n a n d a m ( C C p . 4 4 ) B r a h m – " – n a n – d a m p a – r a – m a s u – k h a – d a m , k e – v a – l a m , G G F Eb Bb Eb Eb Bb Eb Eb Eb F F F " " " 3/4 ! ! ! ! ! " ! 3/8 $ 3/4 g y " n – a m # r – t i m ; D w a n – d w " t $ – t a m , g a – g a – n a s a – d r i – s h a m , F G F G Eb F F F F G Ab Ab Ab G

! 3/8 $ 3/4 ! " " " ! ! ! ! ! 3/4 T a t – t w a m a – s y " d i l a k – s h y a m . E – k a m n i – t y a m v i – m a – l a m Eb F G G G F Eb G G F Eb Bb Eb Eb

3/8 $ " " ! " 3/4 " " " 3/4 ! ! ! a – c h a – l a m , s a r – v a – d h i , s " – k s h $ b h # – t a m ; B h " – v " t $ – t a m , Bb Eb Eb Eb F F F F G F G Eb F F F

! ! " ! 3/8 $ 3/4 ! 3/8 $ 3/4 ! " " " t r i – g u – n a r a – h i – t a m , S a d – g u – r u m – t a m n a – m " – m i . F G Ab Ab Ab G Eb F G G G F Eb ! ! ! ! ! 3/4 3/8 $ " " ! " 3/4

F G

Ab Eb Bb

9

C l o u d - C o l o r e d C h r i s t ( C C p . 7 ) # C l o u d – c o l – o r e d C h r i s t , c o m e ! O m y c l o u d – c o l – o r e d C h r i s t , c o m e ! E N D C Eb C Bb G Ab F C C C C Eb C Bb G Ab F C $ $ $ $ $ $ ! ! $ $ $ $ $ $ $ $ ! " O m y C h r i s t , O m y C h r i s t , O m y C h r i s t , O m y C h r i s t , F F F G G G C F F G G G

$ $ ! $ $ ! $ $ ! $ $ ! J e – s u s C h r i s t , c o m e ! # G % F G C

! ! ! ! " A l t e r n a t e v e r s i o n J e – s u s C h r i s t , c o m e ! # G % G F G C

! $ $ ! ! "

C F G

G

Eb Db Bb

Ab

!

10

C o m e , L i s t e n t o M y S o u l S o n g ( C C p . 1 5 ) C o m e , l i s – l e n t o m y s o u l s o n g , S o u l , s o u l , s o u l , s o u l s o n g . Ab Eb F C Bb G F G C Bb A Bb Eb D Eb Bb A Bb G F G C

3/4 ! ! ! " $ $ " 3/4 $ $ 3/4 $ $ 3/4 $ $ 3/4 $ $ " 3/4

# B u r s t t h e h e a r t , b u r s t t h e b l u e , # b u r s t t h e s o u l ! G % % % C F F F F G G G

$ ! $ " $ ! $ " $ ! $ " C o m e , l i s – l e n t o m y s o u l s o n g , S o u l , s o u l , s o u l , s o u l s o n g . ! H o v – e r – i n g o – v e r t h e c l o u d s , l i n – g e r – i n g o – v e r t h e l e a , ! C F F F G G G F G Bb Bb % % % ! ! ! ! ! ! " ! ! ! ! ! ! " ! T h o u h a s t c o m e t o l i s – t e n t o m y s o u l s o n g . ! F G Ab Ab Eb F C B G F G C

! ! " ! ! ! ! " $$ " 3/4 S o u l , s o u l , s o u l , s o u l s o n g . B u r s t t h e h e a r t … Bb A Bb Eb D Eb BbA Bb G F G C

$ $ 3/4 $ $ 3/4 $$ 3/4 $ $ " 3/4

C A D F G

Bb

A G

Ab Eb Bb Ab

!

F

11

D a w n C h a n t ( C C p . 3 1 ) N i g h t h a s f l o w n , d a w n h a s c o m e . E D# C B B B ! ! " ! ! " ! W a k e , m y c h i l – d r e n , w a k e ! ! E E D# B E 3/8 $ ! ! " ! S i t – t i n g i n t h e a – s a – n a o f m e d – i – t a – t i o n , ! E E E E F# F# F# G G G F# E

$ $ $ $ $ $ ! ! $ $ ! ! ! t h i n k y e o f t h y G u – r u ’ s l o – t u s f e e t . ! E E E E D# D# B D# E

$ $ $ $ $ 3/8 ! ! " 2

2 See page 31 of Cosmic Chants for an explanation of the symbolism here..

F#

C E G

B

D#

12

D e l i v e r U s F r o m D e l u s i o n ( C C p . 4 6 v ) ! T h i n k y e i n t h y h e a r t , l o – t u s f e e t o f t h y G u – r u , ! E N D Ab Ab G F G F Eb Eb C C Bb C Eb C Bb Ab F Ab Bb C Bb Ab ! " $ $!$ $ 3/8 $ " $ $ ! $ $ $ $ $ $ 3/8 $ " (!) 2nd time ! I f y o u w a n t t o c r o s s t h e o – c e a n o f d e – l u – s i o n . ! Ab Ab Ab F F Ab Bb C Eb C Bb C Bb Ab $ $ ! $ 3/8 $ $ ! ! ! $ $ ! "

! S h a m – i n g t h e w h i t e l o – t u s i n p u r – i – t y , ! C Eb F Ab Ab Ab Ab Ab Ab Ab

1/12 1/12 1/12 ! 1/12 1/12 1/12 1/12 1/12 1/3 (5/24) 2nd time b e – y o n d a l l d u – a l – i – t y , Ab F Ab Ab Bb Bb Bb $ ! 3/16 1/16 1/12 1/12

1/3 ! G u – r u i m – a g e o f B r a h m – a d e – l i v – e r u s f r o m d e – l u – s i o n ! ! Ab Bb % % % % % Bb Bb Bb Bb Ab F F Eb $ $

1/12 1/12 1/12 $ ! $ 1/16 1/16 $ 3/8 1/16 ! ! (") 2 nd t im e

C

F

G

Bb

Ab

Eb

Bb

Ab

!

F

13

D e s i r e , M y G r e a t E n e m y ( C C p . 5 4 ) D e – s i r e , m y g r e a t e n – e – m y , w i t h h i s s o l – d i e r s s u r – r o u n d – e d m e ; A A F# F# F# G F# E E F# E E D D D D C# B

! " ! ! 3/8 $ ! " ! ! $ ! $ $ $ ! ! " ! I s g i v - i n g m e l o t s o f t r o u - b l e , o h , m y L o r d ! ! D D D D C# C# B A B D C# B

! $ $ ! ! ! ! ! " ! ! " T h a t e n - e - m y I w i l l d e - c e i v e , r e - m a i n - i n g i n t h e c a s - t l e o f p e a c e , A A A A F# F# F# G F# E E F# E E E D D D D C# B

! ! ! " ! ! ! ! ! 3/8 $ $ $ $ $ ! ! ! ! ! " ! N i g h t a n d d a y i n T h y j o y , o h , m y L o r d ! ! D D D C# C# B A B D C# B

! ! " ! ! ! ! " ! ! " W h a t w i l l b e m y f a t e ? O L o r d , t e l l m e ! A G# F# F# G F# E E F# E D C# B D C# B

" ! 3/4 ! ! ! 3/4 ! ! ! ! ! " $ $ 3/4

G#

F#

A D E G

C#

B A

14

“ P r a - n a - y a m b e t h y r e - l i g - i o n , p r a - n a - y a m w i l l g i v e t h e e s a l – v a – t i o n , A A A F# F# F# G F# E E F# E D D D D D C# B

! ! " ! ! ! ! ! " ! ! ! ! ! ! ! ! ! " ! p r a - n a - y a m i s t h e w i s h - i n g t r e e . ! B E D C# C# B A B D C# B

! ! " ! ! ! ! " ! ! " P r a - n a - y a m i s b e - l o v - e d G o d , p r a - n a - y a m i s C r e - a - t o r - L o r d , A A A F# F# F# F# G F# E E F# E D D D D D C# B

! ! " $ $ $ $ !! " ! ! ! $ $ $ $ ! ! " ! p r a - n a - y a m i s t h e C o s - m i c W o r l d . ! B E D C# C# B A B D C# B

! ! " ! ! ! ! " ! ! " C o n - t r o l t h e l i t - t l e p r a - n a - y a m , b e - c o m e A l l – P e r - v a d - i n g P r a - n a - y a m . A A A F# F# F# G F# E E F# E E D D D D D C# B

! ! " ! ! 3/8 $ ! " ! ! $ $ $ $ $ $ ! ! " ! Y o u w o n ’ t h a v e t o f e a r a n - y - t h i n g a n – y – m o r e . ” ! D D D D C# C# B A B D C# B

! ! ! ! " ! ! " " ! ! " 3

3 See Guruji’s personal note under this chant with references to Sri Yukteswarji, Lahiri Mahasaya and the sacred Kriya Yoga technique. (Cosmic Chants p. 55)

15

D i v i n e G y p s y ( C C p . 2 8 ) ! I w i l l b e a g y p – s y , ! r o a m , r o a m , a n d r o a m ! A D E E A A E F E D E A C A ! ! $ 3/8 $ 3/8 ! " $ $ " ! 3/4 5/8 ! I ’ l l s i n g a s o n g t h a t n o n e h a s s u n g . ! A D D D D E E E $ 1/16 1/16 ! $ $ $ $

! I ’ l l s i n g t o t h e s k y ; I ’ l l s i n g t o t h e w i n d ; ! I ’ l l s i n g t o m y r e d E A A A A E F F F E C D A C D

$ $ 1/16 1/16 $ $ $ 1/16 1/16 $ $ 1/12 1/12 1/12 3/8 c l o u d . I ’ l l r o a m , r o a m , a n d r o a m , I ’ l l r o a m , r o a m , w i t h O m . A C A A D E A A A D E A A

$ ! 3/8 $ " 3/8 $ 5/8 $ " 3/8 $ 3/8

! I ’ l l b e t h e k i n g o f t h e l a n d t h r o u g h w h i c h I r o a m . ! E E E F D D E C D A C A $ $ $ " $ $ " ! " ! 3/4 3/8 (3/4) 2nd time

C A D E F

A

16

D i v i n e M o t h e r ’ s S o n g t o t h e D e v o t e e ( C C p . 1 9 ) O d e v – o – t e e , I c a n g i v e t h e e s a l – v a – t i o n B u t n o t M y l o v e a n d d e – v o – t i o n ; A A E E E E F# F# F# G# G# G# G# B A G# G# A G# F#

! ! ! " ! ! ! ! ! ! " ! ! ! ! ! ! ! ! "

F o r w h e n I g i v e t h o s e a – w a y I g i v e M y – s e l f a – w a y . A A E E F# F# F# G# F# G# A A G# F# ! ! ! ! ! ! " ! ! ! ! ! ! " A s k o f M e s a l – v a – t i o n b u t n o t M y l o v e a n d d e – v o – t i o n ; A E E E F# F# F# G# B A G# G# A G# F# ! ! ! ! ! " ! ! ! ! ! ! ! ! " F o r i n – d e e d , t h e n , w h e n I g i v e t h o s e a – w a y , A A E E E E E F# F# F# ! ! ! " ! ! ! ! ! " I b e – c o m e p o o r , E n – c l o s e d i n y o u r h e a r t ’ s w a y . G# F# G# A G# F# E E F# E E E ! ! ! ! ! " ! ! ! ! ! 3/4

4

4 In” Divine Mother’s Song to the Devotee,” see footnote in Cosmic Chants (page 19) for an explanation of the seeming Divine paradox in this chant.

F#

A E

A

G#

B

F#

17

D o N o t D r y t h e O c e a n o f M y L o v e ( C C p . 8 ) D o n o t d r y t h e o – c e a n o f m y l o v e W i t h t h e f i r e s o f m y d e – s i r e s , C D Eb Eb D Eb D Eb F Eb D C C D C B G B C C

! ! " ! ! ! ! ! ! ! ! " ! ! " ! ! ! ! " W i t h t h e f i r e s o f m y r e s t - l e s s - n e s s . F o r T h e e I p i n e , f o r T h e e I w e e p . C D C B G B C C C D Eb F# G G G Ab G F# G

! ! " ! ! ! ! ! " ! ! ! ! " ! ! ! ! " I ’ l l c r y n o m o r e , T h o u m i n e e v – e r m o r e ! ! T h e e I f i n d b e – h i n d G Ab B Ab G F# F# G G G G C D D D D Eb ! ! ! ! " ! ! ! ! ! " ! ! ! " ! " t h e f r i n g e o f m y m i n d . ! H i d e n o m o r e , L o r d ( M a ) , H i d e n o m o r e ! Eb D Eb D Eb F Eb D C C D C C B G G B C C

! ! ! $$ ! ! ! ! ! ! ! " ! ! ! ! ! " L e a v e m e n o t , L o r d ( M a ) , l e a v e m e n o m o r e ! C D C C B G G B C C C

! ! ! " ! ! ! ! ! ! "

F#

C D F G

G B

Ab Eb

B

18

D o o r o f M y H e a r t ( C C p . 2 3 ) ! D o o r o f m y h e a r t , o - p e n w i d e I k e e p f o r T h e e . ! E N D A B D E E G G F# E D E B ! ! " " " ! ! ! ! ! ! " ! W i l t T h o u c o m e , w i l t T h o u c o m e ? J u s t f o r o n c e , c o m e t o m e ? ! G G G F# F# E D E F# E D E B ! ! " ! ! " ! ! ! ! ! ! " ! W i l l m y d a y s f l y a – w a y w i t h – o u t s e e – i n g T h e e , m y L o r d ? ! A B D E E E D E F# E D E B ! ! " ! ! " ! ! ! ! ! ! " ! N i g h t a n d d a y ( o h ) n i g h t a n d d a y , I l o o k f o r T h e e n i g h t a n d d a y 5. ! G G G F# F# E D E F# E D E B ! ! " ! ! " ! ! ! ! ! ! "

55 See the footnote in Cosmic Chants (page 23) describing what devotees in Calcutta love to recall.

F#

A D E G

B

19

E v e r N e w J o y ( C C p . 6 9 ) ! J o y , j o y , j o y , j o y , e v – e r n e w j o y , j o y ! ! J o y , j o y , j o y , j o y , B C# D# C# C# E E E D# C# B C# D# C# C#

! $ $ ! ! $ $ ! ! ! ! $ $ ! ! ! J o y , j o y , j o y , j o y , e v – e r n e w j o y , j o y ! ! J o y , j o y , j o y , j o y , 6 F# G# A# G# G# B B B A# G# F# G# A# G# G# ! $ $ ! ! $ $ ! ! ! ! $ $ ! !

Alternate version ! J o y , j o y , j o y , j o y , e v – e r n e w j o y , j o y ! ! J o y , j o y , j o y , j o y , B C# C# D# C# C# E E E D# C# D# C# B C# C# D# C# C#

$ $ $ $ ! ! $ $ ! ! 1/161/16 $ $ $ $ $ ! !

! J o y , j o y , j o y , j o y , e v – e r n e w j o y , j o y ! ! J o y , j o y , j o y , j o y , F# G# G# A# G# G# B B B A# G# A# G# F# G# G# A# G# G# $ $ $ $ ! ! $ $ ! ! 1/16

1/16$ $ $ $ $ ! !

6 A note below “Ever New Joy” (page 69) instructs us how to sing this chant so that we may go deeper and deeper in meditation.

F#

E

A#

B

G# D# C#

B

20

F r o m T h i s S l e e p , L o r d ( C C p . 5 2 ) ! F r o m t h i s s l e e p , L o r d , w i l l Y o u w a k e , w a k e m e ? ! E N D “ “ d r e a m , “ “ “ “ “ “ D B A A B D E D E D E B ! ! ! ! ! ! 3/8 $1/16

1/16 3/8 " I n T h e e I d i v e , i n T h e e I r i s e , i n T h e e I d i v e , i n T h e e I r i s e , D D E E D E A A D D E E D E A A ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! " ! I n T h y s e a , i n , i n T h e e . ! F# E E D E D E D E B ! ! 3/8 $ 3/8 $ 1/16

1/16 3/8 " F r o m t h i s s l e e p , L o r d , w i l l Y o u w a k e , w a k e m e ? “ “ d r e a m , “ “ “ “ “ “ I n T h e e I ’ m b o r n , i n T h e e I d i e , i n T h e e I ’ m b o r n , i n T h e e I d i e , D D E E D E A A D D E E D E A A ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! " ! T o l i v e – f o r - e v - e r i n , i n T h e e . ! F# E F# E E E D E D E D E B ! 1/12

1/12 1/12 $ ! $ 3/8 $ 1/161/16 3/8 "

F#

A D E

A B

C#

B

21

H a y H a r i S u n d a r a ( C C p . 7 0 ) ! H a y H a – r i s u n – d a – r a , h a y H a – r i s u n – d a – r a ! ! F F F F F F Eb Eb Eb Ab Ab Ab

! $ $ ! $ $ ! $ $ ! $ $ ! T e – r e y c h a – r a – n a p a – r a y s h i – r a n a – m o , ! Ab Ab Ab Gb Gb Gb Gb F F F Bb

! $ $ $ $ $ $ ! $ $ " ! H a y H a – r i s u n – d a – r a , h a y H a – r i s u n – d a – r a ! ! ! B a – n a b a – n a m e s h y a – m a – l a s h y a – m a – l a ; ! C C C C C Db Db Db Ab Ab Ab $ ! $ ! ! ! $ $ ! $ $ ! G i – r i g i – r i m e u n – n a – t a u n – n a – t a ; ! Ab Ab Ab Ab Ab Eb Eb Eb F F F $ ! $ ! ! ! $ $ ! $ $ ! S a – r i – t o s a – r i – t o c h a n – c h a – l a c h a n – c h a – l a ; ! % % % % % % Bb Bb Bb Ab Ab Ab

$ $ ! $ $ ! ! $ $ ! $ $

Gb Ab Eb Db Bb Ab

!

C D F

Bb

22

! S a – g a – r a s a – g a – r o g h a m – b h i – r a h a y , H a – r i ! ! Db Db Db Db Db Db Bb C Db F Eb Eb Eb ! $ $ ! $ $ $ $ $ $ ! $ $ ! H a y H a r i s u n d a r a , h a y H a r i s u n d a r a ! ! ! T e r e y c h a r a n a p a r a y s h i r a n a m o , ! ! H a y H a r i s u n d a r a , h a y H a r i s u n d a r a ! ! ! S e – v a – k a j a – n a – k e y p a u s e s e – v a s e – v a k a – r o ; ! C C C C C C D D D Eb Eb Eb Eb

! $ $ $ $ ! [$ ] $ $ $ $ $ $ $ ! p a u s e P r e – m i – k a j a – n a – k e y p a u s e p r e – m a p r e – m a k a r ; ! Ab Ab Ab Ab Ab Bb Eb Eb Eb F F F [$ ] $ $ $ $ $ ! [$ ] $ $ $ $ $ ! p a u s e D u – k h i j a – n a – k e y H a – r i , p a u s e b h e – d a – n a b h e – d a – n a ; % % % % % % % Bb Bb Bb Ab Ab Ab

[$ ] $ $ $ $ $ $ $ [$ ] $ $ $ ! $ $

p a u s e D u – k h i j a – n a – k e y , b h e – d a – n a b h e – d a – n a ; % % % % & % Bb Bb Bb Ab Ab Ab

[$ ] $ $ $ ! $ $ $ $ $ ! $ $ ! p a u s e Y o – g i j a – n a – k e y a – n a n – d a h a y , H a – r i . ! Db Db Db Db Db Bb C D F Eb Eb Eb [$ ] $ $ $ ! ! $ $ $ $ ! $ $

(2nd time- NO pause !) ! H a y H a r i s u n d a r a , h a y H a r i s u n d a r a ! ! ! T e r e y c h a r a n a p a r a y s h i r a n a m o , ! ! H a y H a r i s u n d a r a , h a y H a r i s u n d a r a ! !

23

H e W h o K n o w s ( C C p . 6 0 ) ! H e w h o k n o w s , h e k n o w s . N o n e e l s e k n o w s ! ! G G G F# E E F# E D D E E

! ! $ $ 3/8 $ ! " $ $ ! 3/4

F#

D E G

24

H y m n t o B r a h m a ( C C p . 4 4 ) F u l l o f b l i s s g i v – i n g j o y t r a n – s c e n – d e n t , O f h i g h – e r k n o w l - e d g e G G F Eb Bb Eb Eb Bb Eb Eb Eb F F F F " " " 3/4 ! ! ! ! ! " ! 3/8 $ ! 3/4 t h e a – b o d e ; D u – a l n o m o r e , c l e a r a s t h e h e a v – e n s , k n o w n t o a l l G F G Eb F F F F G Ab Ab Ab G Eb F G 3/8 $ 3/4 ! " " " ! ! ! ! ! 3/4 3/8 $ " a s “ T h o u a r t T h a t ” . H e i s p u r e , p e r – m a – n e n t , u n – m o v – i n g , G G F Eb G G F Eb Bb Eb Eb Bb Eb Eb " ! " 3/4 " " " 3/4 ! ! ! ! ! " t h e e v – e r – l a s t – i n g s e e r o f a l l ; F a r , f a r b e – y o n d q u a l – i – t i e s Eb F F F F G F G Eb F F F F G Ab ! 3/8 $ ! 3/4 3/8 $ 3/4 ! " " " ! ! ! a n d t h o u g h t , G u – r u - L o r d , I b o w t o T h e e . Ab Ab G Eb F G G G F Eb Eb ! ! 3/4 3/8 $ " " ! " ! 3/4

F G

Ab Eb Bb

25

I A m t h e B u b b l e ( C C p . 4 5 ) ! S o d o T h o u m y L o r d : ! ! T h o u a n d I , n e v – e r a – p a r t ! E D C D E E E G G G F F F F ! $ ! $ ! $ 3/8 ! $ 3/8 $ $ $ 3/8

! W a v e o f t h e s e a , d i s – s o l v e i n t h e s e a ! ! D F F F F G F F F

$ $ $ ! $ $ $ $ 3/8 ! I a m t h e b u b – b l e , m a k e m e t h e s e a ! E E D C D E E E E

$ $ $ ! $ $ $ $ 3/8 ! m a k e m e t h e s e a , o h , m a k e m e t h e s e a ! ! I a m t h e b u b – b l e , G G G G G F F F F E E D C D

$ $ $ ! $ $ $ $ 3/8 $ $ $ ! $ m a k e m e t h e s e a , o h , I a m t h e b u b – b l e , m a k e m e t h e s e a . E E E E E E E D C D E E E E

$ $ $ ! $ $ $ $ ! $ $ $ $ 3/8

C D E F G

26

I A m O m ( C C p . 7 8 ) ! I a m O m , I a m O m ; ! ( A ) ! O m , O m , I a m O m ; ! A B D B D E A B A G F# E ! ! " ! ! " " ! ! ! ! "

O m , O m , c o m e t o m e , c o m e t o m e , o h , c o m e t o m e ! F# G F# F# E B B E E B B A " " ! ! " ! ! ! ! ! ! " ( B ) ! D i – v i n e M o – t h e r , c o m e t o m e , c o m e t o m e , o h , c o m e t o m e ! ! F# F# G G F# F# E B B E E B B A ! ! ! ! ! ! " ! ! ! ! ! ! " Ending ! I a m O m , I a m O m ; ! ! O m , O m , O m ! A B D B D E D E F# D E A D ! ! " ! ! " $ $ 3/4 ! 3/4 ! 3/4

F#

A D E G

A B

B

27

(A) Optional insertions O m - n i - p r e - e n c e , I a m O m ; A l l p e r - v a d - i n g , I a m O m ; A l l b l e s s - e d , I a m O m . A A B A G F# E A A B A G F# E A B A G F# E

! ! ! ! ! ! " 3/8 $ ! ! ! ! " " ! ! ! ! " (B) Optional insertions ! O m y K r i s h - n a , c o m e t o m e , c o m e t o m e , c o m e t o m e ! ! ! ” “ J e – s u s , “ “ “ “ “ “ ” “ “ ! F# F# G G F# F# E B B E B B A ! ! ! ! ! ! " ! ! " ! ! " ! O m y B a – b a – j i , c o m e t o m e , c o m e t o m e , c o m e t o m e ! ! F# F# G G G F# F# E B B E B B A ! ! $ $ ! ! ! " ! ! " ! ! " ! L a – h i r i M a h a – s a y a , c o m e t o m e , c o m e t o m e , c o m e t o m e ! ! ! S r i Y u k – t e s – w a r , “ “ “ “ “ “ ” “ “ ! F# F# G G F# F# E B B E B B A ! ! ! ! ! ! " ! ! ! ! ! " ! O m y G u – r u , c o m e t o m e , c o m e t o m e , c o m e t o m e ! ! F# F# G G F# F# E B B E B B A ! ! ! ! ! ! " ! ! ! ! ! "

28

I A m t h e S k y ( C C p . 2 1 ) ! I a m t h e s k y , M o t h – e r , I a m t h e s k y , ! E N D Ab Bb Db Db Db Db Bb Eb Eb Eb ! ! ! ! ! ! ! ! ! 3/4 I a m t h e v a s t b l u e o – c e a n o f s k y . I a m a l i t - t l e d r o p o f t h e s k y -

Ab Ab Bb Bb Bb Ab Bb Bb Ab Ab Ab Bb Bb Bb Ab Bb Bb Ab ! ! ! " ! ! ! ! 3/4 ! ! ! $ " [$] ! ! ! 3/4

f r o – z e n s k y 7. Eb Bb Eb Ab Bb Ab 3/4 3/4 3/4 3/4 3/4 3/4

7 See note in Cosmic Chants (page 21) regarding why Master dedicated this chant to a beloved disciple.

Bb

Ab Eb Db

Bb Ab

29

I G i v e Y o u M y S o u l C a l l ( C C p . 4 3 ) M o – t h e r , I g i v e Y o u m y s o u l - , s o u l - , s o u l - c a l l ; Bb Bb C Eb Eb Eb F F Eb F G F G Ab Bb Ab G F

! ! ! ! ! $ $ 1 $ $ 1 $ $ $ 1/16 1/16 ! 3/4 ! Y o u c a n ’ t r e – m a i n h i d – d e n a n – y – m o r e . ! E N D G i v e m y M o – t h e r a s o u l - , Eb F G F Eb Eb F F C C Ab Ab Ab Ab Ab

! ! ! ! $ $ ! ! " ! ! $ ! $ 3/4 s o u l - , s o u l - c a l l ; S h e c a n ’ t r e – m a i n h i d – d e n a n – y – m o r e . G Ab Bb Ab Bb % Bb Ab G F Eb F G F Eb Eb F F C

$ $ 3/4 $ $ 3/8 $ ! ! " ! ! ! ! $ $ ! ! " ! C o m e o u t o f t h e s i - l e n t s k y ; c o m e o u t o f t h e m o u n - t a i n g l e n . ! Bb Bb Eb Eb F F F Eb F G F Eb F C

! ! ! ! ! ! " ! ! 3/8 $ ! ! " ! C o m e o u t o f m y s e - c r e t s o u l ! C o m e o u t o f m y c a v e o f s i - l e n c e . ! 8 Ab Ab Ab Ab G G F Eb F G F Eb F C C ! ! ! ! ! ! " ! ! 3/8 $ ! ! ! !

8 In Cosmic Chants (page 42), there is an extensive note from Guruji’s writings on this chant and what happened when he sang this.

C F G

Bb

Ab Eb Bb

!

30

I n S a m a d h i ( C C p . 8 6 ) ! I n s a – b i – k a l – p a s a – m a – d h i y o – g a , D D F# D F# G G A G G G " ! ! ! ! $ 3/8 ! ! ! ! y o u w i l l d r o w n y o u r – s e l f i n y o u r S e l f . F# G A A G F# G A G ! ! " " " ! ! ! " I n n i r – b i – k a l – p a s a – m a – d h i y o – g a , D D F# D F# G G A G G G " ! ! ! ! $ 3/8 ! ! ! ! y o u w i l l f i n d y o u r – s e l f i n y o u r S e l f 9. ! F# G A A G F# G A G ! ! " " " ! ! ! "

9 In Cosmic Chants (page 84) an explanation of these lines is given in terms of the meaning of sabikalpa samadhi and nirbikalpa smadhi.

F#

D G

A

31

I n t h e L a n d B e y o n d M y D r e a m s ( C C p . 7 2 ) ! I n t h e l a n d b e – y o n d m y d r e a m s ! ! W h e r e n o c l o u d s c o m e D# D# E C# G# G# F# G# C# F# F# G# G#

$ $ " ! ! ! $ $ " $ $ ! 3/8

a n d g o l d – e n d r e a m s d w e l l . ! I s i t b y l i f e ’ s w e l l G# %# %# G# F# G# D# D# E E E E

$ $ $ ! $ $ " ! ! ! ! " ! I n t h e l a n d b e – y o n d m y d r e a m s ! ! H e a r t t o h e a r t m e e t – i n g , S p i r – i t a n d s o u l ’ s g r e e t – i n g ! F# F# G# G# G# %# %# %# G# F# G# D# D#

$ $ ! $ 3/8 1/12 1/12 1/12 ! $ $ ! ! ! I n t h e l a n d b e – y o n d m y d r e a m s ! ! T h e a r k i s w a i t – i n g a n d I a m d r e a m – i n g , ! F# F# F# G# G# G# %# G# F# G# D# $ $ $ ! 3/8 $ ! ! $ $ 3/8 (") 2nd time ! o f t h e l a n d b e – y o n d m y d r e a m s ! ! I n t h e a r k o f s i – l e n c e s i – l e n t – l y w e g o . ! ! T o t h e l a n d b e – y o n d m y d r e a m s !

F# F# F# F# G# G# %# G# F# G# D# $ $ $ $ ! " ! ! $ $ ! (", 2nd time)

F#

E

G#

D#

C#

G#

!#

F#

32

I n t h e T e m p l e o f S i l e n c e ( C C p . 4 0 ) ! I n t h e t e m – p l e o f s i – l e n c e i n t h e t e m – p l e o f p e a c e . ! A B D B B B B A B E E E E ! ! ! ! ! " ! ! ! ! ! ! " I w i l l m e e t T h e e , I w i l l t o u c h T h e e , I w i l l l o v e T h e e , E E A A A A B B B B B ' ' $ $ " ! $ $ " ! $ $ ! ! 3/4 ! A n d c o a x T h e e t o m y a l – t a r o f p e a c e . ! E E G E D A E A B E

! ! ! ! ! ! ! ! ! " ! I n t h e t e m – p l e o f s a – m a - d h i i n t h e t e m – p l e o f b l i s s . ! A B D B B B B B A B E E E E ! ! ! ! ! ! ! ! ! ! ! ! ! " I w i l l m e e t T h e e , I w i l l t o u c h T h e e , I w i l l l o v e T h e e , ! A n d c o a x T h e e t o m y a l – t a r o f b l i s s . 10! E E G E B A E A B E

! ! ! ! ! ! ! ! ! "

10 See Cosmic Chants (page 40) for a beautiful quote from one of Master’s prayers.

A D E

G

A

B

B

Ê E

33

I n T h e V a l l e y o f S o r r o w ( C C p . 1 8 ) ! I n t h e v a l – l e y o f s o r – r o w , a t h o u – s a n d y e a r s o r t i l l t o – m o r – r o w , ! E A A A A A A A G# G# G# F F E E E $ $ 1/12 1/12 1/12 $ ! $ $ $ $ $ $ $ $ $

B u t I ’ l l w a i t t o s e e Y o u , Y o u , Y o u j u s t Y o u . E E E E E D# E F E C# Bb A

$ $ $ $ 1/12 1/12

1/12 " " ! " "

M y L o r d , I w a n t t o s e e o n – l y Y o u , Y o u , Y o u j u s t Y o u . E E E E E E D# E F E C# Bb A

! $ $ $ $ 1/12 1/12

1/12 " " ! " "

! M y h e a r t ’ s a – f l a m e , m y s o u l ’ s a – f i r e ! J u s t f o r Y o u , Y o u , Y o u E A A A A G# F E D# E F E C# ! " ! " ! " ! " $ $ " " !

j u s t Y o u . M y L o r d , I w a n t t o s e e o n – l y Y o u , Y o u , Y o u j u s t Y o u . Bb A E E E E E E D# E F E C# Bb A

" " ! $ $ $ $ 1/12 1/12 1/12 " " ! " 3/4

A E F

A

G# D# C# Bb

34

I n v o c a t i o n t o t h e G u r u s ( C C p . 3 )

! O m C h r i s t , O m C h r i s t , O m C h r i s t , O m C h r i s t . ! A D D E E F# F# E E

$ $ ! ! ! ! ! ! ! ! O m K r i s h – n a , O m K r i s h – n a , O m K r i s h – n a , O m K r i s h – n a . ! A D D D E E E F# F# F# E E E

$ $ $ $ ! $ $ ! $ $ ! $ $ ! O m B a – b a – j i , O m B a – b a – j i , O m B a – b a – j i , O m B a – b a – j i . ! A D D D D E E E E F# F# F# F# E E E E

$ $ 1/12 1/12 1/12 ! 1/12 1/12 1/12 ! 1/12 1/12 1/12 ! 1/12 1/12 1/12 ! O m L a – h i r i M a h a – s a y a , O m L a – h i r i M a h a – s a y a , O m L a – h i r i M a h a – s a y a , A D D D D D E E E E E F# F# F# F# F#

$ $ $ $ $ $ ! $ $ $ $ ! $ $ $ $ O m L a – h i r i M a h a – s a y a . ! ! O m S r i Y u k – t e s – w a r , O m S r i Y u k – t e s – w a r , O m S r i E E E E E A D D D D D E E E E E F# F#

! $ $ $ $ $ $ $ $ $ $ ! $ $ $ $ ! $ Y u k – t e s – w a r , O m S r i Y u k – t e s – w a r . ! ! O m G u – r u , O m G u – r u , O m G u – r u , O m G u – r u . ! F# F# F# E E E E E A D D D E E E F# F# F# E E E 11 $ $ $ ! $ $ $ $ $ $ $ $ ! $ $ ! $ $ ! $ $

11 The footnote below this chant in Cosmic Chants (page 3) explains the meaning of “Mahasaya” and refers the reader to an extensive explanation of Om at page 26.

F#

A D E

35

I w i l l b e T h i n e A l w a y s ( C C p . 3 4 ) ! M y L o r d , I w i l l b e T h i n e a l – w a y s . ! ! I m a y g o f a r , f a r – t h e r t h a n t h e s t a r s , ! D Eb C D A Bb G A D G G G G Bb Bb A G A D

$ ! $ ! $ ! $ $ ! (3/8) 1/6 1/6 1/6 " ! 1/12 1/12 1/12 ! ! 2nd time

B u t , I w i l l b e T h i n e a l – w a y s , M y L o r d , I w i l l b e T h i n e a l – w a y s . Eb C D A Bb G A D D Eb C D A Bb G A D

! $ ! $ ! $ $ " $ ! $ ! $ ! $ $ 5/8 ! D e v – o – t e e s m a y c o m e , d e v – o – t e e s m a y g o , ! G G G G G Bb Bb Bb A G A D

$ $ ! $ 3/8 1/16 $ 1/6 1/12 1/12 ! !

B u t , I w i l l b e T h i n e a l – w a y s , M y L o r d , I w i l l b e T h i n e a l – w a y s . Eb C D A Bb G A D D Eb C D A Bb G A D

! $ ! $ ! $ $ " $ ! $ ! $ ! $ $ 5/8 ! W h e n I d i e , l o o k i n – t o m i n e e y e s ! T h e y w i l l m u t e – l y s a y , G G G Bb Bb Bb A G A D D D Eb Eb Eb

$ ! 5/8 1/16 $ 1/6

1/12 1/12 ! ! $ $ $ $ 3/16 “ I w i l l b e T h i n e a l – w a y s , M y L o r d , I w i l l b e T h i n e a l – w a y s . ” C D A Bb G A D D Eb C D A Bb G A D

1/16 ! $ ! $ $ " $ ! $ ! $ ! $ $ "

C A D F G

Bb

A G

Eb Bb

36

I W i l l S i n g T h y N a m e ( C C p . 4 8 ) ! I w i l l s i n g T h y N a m e , I w i l l d r i n k T h y N a m e , D D D F# F# F# F# F# G F#

$ $ ! ! ! $ $ ! ! ! A n d g e t a l l d r u n k , o h , w i t h T h y N a m e ! F# D E E E A D D ! ! ! ! ! ! ! !

F#

A

D E G

37

J a i G u r u ( C C p . 5 8 ) ! J a i , G u – r u , j a i , G u – r u , j a i , G u – r u , j a i ! ! R a m , S i – t a , R a m , S i – t a , R a m , S i – t a , R a m ( e t c ) G C C C D Eb D C D Bb A G

$ $ $ $ ! $ $ $ $ $ $ " J a i , G u – r u , j a i , G u – r u , j a i , G u – r u , j a i ! ! A C C C D Eb Eb D C D C

$ $ $ $ ! $ $ ! $ $ " ! J a i , G u – r u , j a i , G u – r u , j a i , G u – r u , j a i ! C C C D F F F G A F G

! $ $ $ $ $ $ ! $ $ " J a i , G u – r u , j a i , G u – r u , j a i , G u – r u , j a i ! ! G Bb Bb A G G E E G F

! $ $ ! $ $ ! $ $ " ! J a i , G u – r u , j a i , G u – r u , j a i , G u – r u , j a i ! Eb Eb Eb Eb Eb Eb Eb Eb D Eb

! $ $ ! $ $ ! $ $ " J a i , G u – r u , j a i , G u – r u , j a i , G u – r u , j a i ! ! Eb G G F Eb D C D Eb D C

! $ $ ! $ $ $ $ $ $ "

C A D E F G

A G

Eb Bb

38

Variation ! R a – d h a , G o – v i n – d a , j a i , R a – d h a , G o – v i n – d a , j a i ! G C C C D D Eb D C D Bb Bb A A G

$ $ $ $ $ $ $ $ $ $ $ $ $ $ ! R a – d h a , G o – v i n – d a , j a i , R a – d h a , G o – v i n – d a , j a i ! A C C C D D Eb D C D C C C

$ $ $ $ $ $ ! ! $ $ $ $ ! ! R a – d h a , G o – v i n – d a , j a i , R a – d h a , G o – v i n – d a , j a i ! C C C D F F G A F G G G

! $ $ $ $ ! ! $ ! $ $ ! R a – d h a , G o – v i n – d a , j a i , R a – d h a , G o – v i n – d a , j a i ! ! G Bb Bb A A G E E G F F F

! $ $ $ $ ! ! $ $ $ $ ! ! R a – d h a , G o – v i n – d a , j a i , R a – d h a , G o – v i n – d a , j a i ! Eb Eb Eb Eb Eb Eb Eb Eb D Eb Eb Eb

! $ $ $ $ ! ! $ $ $ $ ! R a – d h a , G o – v i n – d a , j a i , R a – d h a , G o – v i n – d a , j a i ! ! Eb G G F F Eb D C D Eb D C C C

! $ $ $ $ $ $ $ $ $ $ $ $ !

39

V a r i a t i o n # B r a h m – " – n a n – d a m p a – r a – m a s u – k h a – d a m , k e – v a – l a m , G C C D Eb D C D Bb Bb A G A C C D $ $ ! ! $ $ $ $ $ $ ! ! $ ! $ ! g y " n – a m # r – t i m ; # # D w a n – d w " t $ – t a m , g a – g a – n a s a – d r i – s h a m , Eb Eb D C C C D F F G G A F G G

$ $ " " ! ! $ $ $ $ $ $ $ ! ! T a t – t w a m a – s y " d i l a k – s h y a m . # # E – k a m n i – t y a m v i – m a – l a m G Bb Bb A G E E G F Eb Eb Eb Eb Eb Eb Eb $ ! $ ! ! ! $ $ " ! ! ! ! $ $ $ a – c h a – l a m , s a r – v a – d h i , s " – k s h $ b h # – t a m ; # B h " – v " t $ – t a m , Eb Eb D Eb Eb G G F Eb Eb D C G C C D Eb D $ $ $ ! $ ! $ ! $ $ " " $ $ ! ! $ $ t r i – g u – n a r a – h i – t a m , S a d – g u – r u m – t a m n a – m " – m i . C D Bb Bb A G A C C D Eb Eb D C $ $ $ $ ! ! $ ! $ ! $ $ " "

40

L e a r n T h o u S e l f – C o n t r o l ( C C p . 7 5 ) ! O m y m i n d ! L e a r n t h o u s e l f – c o n – t r o l ! E N D A A F# E F# E C# E A F# $ $ ! ! $ $ $ $ ! ! ! G o n o t i n t h e h o u s e o f s e n – s e s ; ! D D D D B B A A $ $ $ $ $ $ $ $ L e a r n t h o u s e l f – c o n – t r o l . ( O m y m i n d … ) A F# E F# E C# E A F#

! ! ! $ $ $ $ ! !

F#

A D E

A B

C#

41

L i g h t t h e L a m p o f T h y L o v e ( C C p . 1 6 )

! I n m y h o u s e , w i t h T h i n e o w n h a n d s , l i g h t t h e l a m p o f T h y l o v e ! ! G A D G G A G F E F E D E D C B A G A D G

! ! ! ! $ $ $ $ ! $ $ $ $ ! $ $ $ $ ! ! " ! T h y t r a n s – m u t – i n g l a m p e n – t r a n c – i n g , ! w o n – d r o u s a r e i t s r a y s . A C B A A C C B A C C B A G A D C D

! $ $ ! ! 3/8 $ ! ! ! ! ! $ $ ! $ $ " C h a n g e m y d a r k – n e s s t o T h y l i g h t , L o r d ! C h a n g e m y d a r k – n e s s t o T h y l i g h t , F# F# F# F# G G G G F# F# F# F# G G G

! ! ! ! ! ! ! ! ! ! ! ! ! ! " a n d m y e – v i l i n – t o g o o d . ! T o u c h m e b u t o n c e a n d I w i l l c h a n g e , ! F E D C B A C B A F F F F G G G G

! ! ! ! $ $ $ $ " ! ! ! ! ! ! ! ! A l l m y c l a y i n – t o T h y g o l d . A l l t h e s e n s e – l a m p s t h a t I d i d l i g h t s o o t - e d i n – t o F E D C B A C B A F# F# F# F# F# G G G A A Bb A

! ! ! ! $ $ $ $ " ! ! ! $ $ ! ! " ! ! ! ! w o r – r i e s , ! S i t – t i n g a t t h e d o o r o f m y s o u l . ! l i g h t T h y r e s – u r – r e c t – i n g l a m p ! 12 G F# G G G A G F E E D C C B A G A D G ! ! " ! ! ! ! ! ! ! ! ! ! ! $ $ ! ! "

12 See Editor’s Note in Cosmic Chants (page 17) about a particular occasion when Master sang this song.

F#

C A D E F G

Bb

A G B

42

L i s t e n , L i s t e n , L i s t e n ( C C p . 2 9 ) ! L i s - t e n , l i s - t e n , l i s - t e n t o m y h e a r t ’ s s o n g . ! E N D G F# G F# G F# E D E E B $ $ $ $ $ $ $ $ ! ! " (! )

2nd time ! I w i l l n e v - e r f o r - g e t T h e e ; I w i l l n e v - e r f o r - s a k e T h e e . ! A B D D D D D E E F# E D E B

$ $ $ $ $ $ ! $ $ $ $ $ $ ! (") 2nd time

F#

A D E G

B

43

M y K r i s h n a I s B l u e ( C C p . 5 1 ) ! M y K r i s h - n a i s b l u e , T h e t a - m a l t r e e i s b l u e ; ! S o I d o l o v e t h e e , t a - m a l t r e e ! Eb Eb G G G G G Bb Ab G F F F Eb D C Eb D C ! ! ! ! " ! ! " $ $ " ! ! ! ! ! ! ! 3/4 S o I d o l o v e t h e e , m y t a - m a l t r e e ! A n d w h e n I d i e , O M o t h - e r ! D o p u t m e h i g h G Ab G F Eb D C Eb D C C C C G G G G G G Ab G

! ! ! ! ! ! ! ! ! " ! ! ! 3/4 ! $ 3/8 ! ! ! 3/4

O n a b r a n c h o f t h e t a - m a l t r e e , O n a b r a n c h o f t h e t a - m a l t r e e . F G F Eb D C Eb D C G Ab G F Eb D C Eb D C

" ! ! ! ! ! ! ! 3/4 " ! ! ! ! ! ! ! ! " W h e r e K r i s h - n a s a t , t h e r e I w o u l d d i e , W h e r e K r i s h - n a s a t , t h e r e I w o u l d d i e , C C G G Bb Ab G F Eb Eb G G Bb Ab G F

! ! ! 3/4 " $ $ " ! ! ! 3/4 " $ $ 3/4

O n a b r a n c h o f t h e t a - m a l t r e e , O n a b r a n c h o f t h e t a - m a l t r e e . F G F Eb D C Eb D C G Ab G F Eb D C Eb D C

" ! ! ! ! ! ! ! 3/4 " ! ! ! ! ! ! ! ! "

C D F G

Bb

Ab Eb

44

N o B i r t h , N o D e a t h ( C C p . 2 7 ) ! N o b i r t h , n o d e a t h , n o c a s t e h a v e I . ! ! F a – t h e r , m o t h – e r , h a v e I n o n e . ! A A D D D C# B B E E E G# G# G# E E A A A

! ! ! ! ! ! ! ! ! ! " (3/4) " ! " ! ! ! ! 3/4 2nd time

! I a m H e , I a m H e ; b l e s s – e d S p i r – i t , I a m H e . ! E E B A G# A E E B B A G# A ! ! " ! ! " ! ! ! ! ! ! " ! M i n d , n o r i n – t e l – l e c t , n o r e – g o c h i t – t a ; ! ! s k y , n o r e a r t h , n o r m e t – a l s a m I . ! A D D D D D C# B B E E E G# G# G# E E A A A

! $ $ $ $ ! ! ! ! ! ! 3/4 " ! " ! ! ! ! 3/4 ! I a m H e , I a m H e ; b l e s s – e d S p i r – i t , I a m H e 13. ! E E B A G# A E E B B A G# A ! ! " ! ! " ! ! ! ! ! ! "

13 See the Editor’s note at page 27 of Cosmic Chants regarding the meaning of chitta and the sacred occasion when Master sang this chant.

A D E

A B

G#

C#

B

45

O G o d B e a u t i f u l ( C C p . 1 2 ) ! O G o d b e a u – t i – f u l , O G o d b e a u – t i – f u l , ! ! A t T h y f e e t , O I d o b o w ! ! F F F F F Eb Eb Ab Ab Ab Ab Ab Gb Gb F F Bb ! ! $ $ ! ! ! $ $ ! ! ! ! ! 3/8 $ "

! O G o d b e a u t i f u l , O G o d b e a u t i f u l , ! ! I n t h e f o r – e s t T h o u a r t g r e e n ; ! ! I n t h e m o u n – t a i n T h o u a r t h i g h ; ! C C C C Db Db Ab Ab Ab Ab Ab Eb Eb F ! ! ! ! ! ! " ! ! ! ! ! ! " ! I n t h e r i v – e r T h o u a r t r e s t – l e s s ; ! ! I n t h e o – c e a n T h o u a r t g r a v e . ! % % % % Bb Bb Ab Ab Db Db Db Db Bb C Db Eb ! ! ! ! ! ! ! ! ! ! ! ! $ $ ! " ! O G o d b e a u t i f u l , O G o d b e a u t i f u l , ! ! A t T h y f e e t , O I d o b o w ! ! ! O G o d b e a u t i f u l , O G o d b e a u t i f u l , !

! T o t h e s e r v – i c e – f u l T h o u a r t s e r v – i c e ; ! ! T o t h e l o v – e r T h o u a r t l o v e ; ! C C C C C D D Eb Eb Ab Ab Ab Bb Eb Eb F ! ! $ $ ! ! ! ! ! ! ! ! ! ! ! " ! T o t h e s o r – r o w – f u l T h o u a r t s y m – p a – t h y ; ! ! T o t h e y o – g i T h o u a r t b l i s s . ! % % % % % Bb Bb Ab Ab Ab Db Db Db Db Bb C Db Eb

! ! $ $ ! ! ! $ $ ! ! ! ! ! $ $ ! " ! O G o d b e a u t i f u l , O G o d b e a u t i f u l , ! ! A t T h y f e e t , O I d o b o w ! ! ! O G o d b e a u t i f u l , O G o d b e a u t i f u l , !

Gb

C D F

Bb

Ab Eb Db Bb Ab

!

46

O m C h a n t ( C C p . 2 6 ) ! O m , O m , O m 14. ! D E F# D E A D

$ $ 3/4 ! 3/4 ! 3/4

14 There is an extensive note in Cosmic Chants (page 26) regarding the meaning of the sacred Om. There are also directions on how each Om is to be intoned and where to concentrate the thought in each case.

F#

A D E

47

O m K a l i ( C C p . 4 2 ) ! O m K a - l i , O m K a - l i , O m K a - l i , O m K a - l i A A A B B B C# C# C# D D D

! $ $ ! $ $ ! $ $ ! $ $ O m K a - l i , O m K a - l i , O m K a - l i , O m K a - l i ! E A A A B B B C# C# C# D D D

$ $ $ $ ! $ $ ! $ $ ! $ $ ! O m K a - l i , O m K a - l i , O m K a - l i , O m K a - l i ! 15 E E E F# F# F# A A A G# F# F#

! $ $ ! $ $ ! $ $ ! $ $ OPTIONAL INSERTION ! O m K a - l i , O m K a - l i , B h a - v a - t a - r i - n i K a - l i ! E E E F# F# F# A A A A G# F# F#

! $ $ ! $ $ $ $ $ $ ! $ $

15 The footnote in Cosmic Chants (page 62) explains this chant and its optional rendering.

F#

A D E

A

B

G#

C#

E

48

O m S o n g ( C C p . 6 6 ) 1 . W h e n c e O m , t h i s s o u n d – l e s s r o a r , d o t h c o m e , W h e n d r o w - s e t h m a t - t e r ’ s E E E E E E F E E E B B B

$ 3/8 $ $ $ $ $ 3/4 [$] $ 3/8 $ $ $ d r e a r – y d r u m ? O n s h o r e s o f B l i s s , O m , b o o m – i n g b r e a k s ; A l l e a r t h , F E E E E E E E A A E E E $ $ 3/4 [$] $ 3/8 $ $ $ $ $ 3/4 [$] $ 3/8

a l l h e a v ’ n , a l l b o d – y s h a k e s . 2 . T h e b u m - b l e b e e n o w h u m s a – l o n g , B B B F E A B C C C E G A G

$ $ $ $ $ 3/4 ! 3/8 $ $ $ 3/16 1/16 3/4

B a - b y O m d o t h s o f t - l y s i n g h i s s o n g , F r o m K r i s h – n a ’ s f l u t e t h e c a l l E E G D C# D A G E E C C E E G $ $ 3/8 $ $ $ 3/16

1/16 3/4 ! 3/8 $ $ $ $

i s s w e e t ; ‘ T i s t i m e t h e w a - t ’ r y G o d t o m e e t . G F F E E E D F B C

$ 3/4 ! 3/8 $ $ $ $ $ 3/4 [$]

C A

D E F G

A B

C#

49

3 . C o r d s b o u n d t o f l e s h a r e b r o - k e n a l l , V i - b r a - t i o n s b u r s t a n d m e - t e o r s f a l l ! E E E E E E F E E E B B B F E E

$ 3/8 $ $ $ $ $ 3/4 [$] $ 3/8 $ $ $ $ $ 3/4 [$] T h e h u s - t l i n g h e a r t , t h e b o a s t - i n g b r e a t h , N o m o r e s h a l l c a u s e t h e Y o - g i ’ s E E E E E A A E E E B B B F E $ 3/8 $ $ $ $ $ 3/4 [$] $ 3/8 $ $ $ $ $

d e a t h . 4 . T h e G o d o f F i r e w i t h f e r - v o r s i n g s , “ O m ! O m ! ” H i s j o y - o u s h a r p A B C C C E G A G E G D C# D A 3/4 ! 3/8 $ $ $ 3/16

1/16 3/4 ! 3/8 $ $ $ 3/16

n o w r i n g s . P r a – n a G o d w i t h p o w - e r s o u n d s T h e w o n - d r o u s b e l l s ; G E C C E E G G F F E E E 1/16 1 3/8 $ $ $ $ $ 3/4 ! 3/8 $ $

t h e s o u l r e - s o u n d s . 5 . A l l N a - t u r e l i e s i n d a r k - n e s s s o f t , D F B C E E E E E E F E

$ $ $ 3/4 [$] $ 3/8 $ $ $ $ $ 3/4 [$]

T h e s t a r d i - v i n e i s s e e n a - l o f t , S u b - c o n - s c i o u s d r e a m s h a v e g o n e t o b e d ; E E B B B F E E E E E E E A A E $ 3/8 $ $ $ $ $ 3/4 [$] $ 3/8 $ $ $ $ $ 3/4 [$]

‘ T i s t h e n t h a t o n e d o t h h e a r O m ’ s t r e a d . 6 . O h , u p - w a r d c l i m b E E B B B F E A B C C C $ 3/8 $ $ $ $ $ 3/4 ! 3/8 $ $ t h e L i v - i n g T r e e ! H a r k t o t h e c o s - m i c s y m - p h o - n y . F r o m O m ,

50

E G A E G D C# D A G E E E C $ 3/16

1/16 3/4 ! 3/8 $ $ $ 3/16 1/16 3/4 ! 3/8

t h e s o u n d - l e s s r o a r ; f r o m O m , T h e c a l l f o r l i g h t o ’ e r d a r k t o r o a m . C E E G G F F E E E D F B C

$ $ $ $ $ 3/4 ! 3/8 $ $ $ $ $ 3/4

7 . F r o m O m , t h e m u - s i c o f t h e s p h e r e s ! F r o m O m , t h e m i s t o f N a - t u r e ’ s t e a r s . B C C C E G A G E G D C# D A G E

! 3/8 $ $ $ 3/16 1/16 3/4 ! 3/8 $ $ $ 3/16

1/16 3/4

A l l t h i n g s o f e a r t h a n d h e a v ’ n d e - c l a r e , O m ! O m ! r e - s o u n d - i n g e v - ‘ r y - w h e r e

E C C E E G G F F E E E D F B C16

! 3/8 $ $ $ $ $ 3/4 ! 3/8 $ $ $ $ $ 3/4 [$]

16 The footnote in Cosmic Chants (page 67) explains this chant.

51

O p a l F l a m e ( C C p . 5 6 ) I f t h o u w i l t s e e o – p a l f l a m e , d r i v e d a r k – n e s s e v – e r m o r e , Bb C Eb Eb F F F Ab G F Eb F F

$ $ 3/8 $ $ $ " ! 3/8 $ $ $ " ! s e a r – i n g t h y s i – l e n c e w i t h t h e s w o r d o f p r a – n a – y a m . ! Ab Ab G F F Eb F G F Eb F C

! " ! ! ! $ $ 3/8 $ $ $ " T h r o u g h t h e s t a r i n o - p a l e y e , s e e t h e C h r i s t e v – ‘ r y – w h e r e , Bb C Eb Eb F F F Ab Ab G F Eb F F $ $ 3/8 $ $ $ " $ $ 3/8 $ $ $ " ! s l e e p – i n g i n e v – ‘ r y a t – o m , i n p r o – t o n s e – l e c – t r o n s ! Ab Ab Ab G G F F Eb F G F Eb F C

$ $ " $ $ $ 3/8 $ $ $ 3/8 $ $ " G o l d – e n m i s t – y a u – r e – o l e a – d o r n s t h e o – p a l d o o r ; Bb C Eb Eb F F F Ab G F Eb F F $ $ 3/8 $ $ $ " ! 3/8 $ $ $ "

C F G

Ab Eb Bb

52

! t h r o u g h t h e s t a r i n t h e b l u e , m e e t t h e C h r i s t e v – ‘ r y – w h e r e . ! Ab Ab Ab G G F F Eb G F Eb F C

$ $ " $ $ " $ $ 3/8 $ $ $ " S t a r – r y d o v e w i t h w i n g s o f r a y s a – l i g h t s o n f o r e – h e a d , Bb C Eb Eb F F F Ab G F Eb F F

$ $ 3/8 $ $ $ " ! 3/8 $ $ $ " ! s h o w – i n g y o u t h e t h r o n e o f C h r i s t i n t h e p e a c e o f e v – ‘ r y h e a r t . ! Ab Ab Ab Ab G G F Eb F G F Eb F C

$ $ 3/8 $ $ $ " $ $ 3/8 $ $ $ " M a k e t h i n e e y e s a s i n – g l e f l a m e t o s e e t h e s t a r – r y g a t e ; Bb C Eb Eb F F F Ab G F Eb F F $ $ 3/8 $ $ $ " $ 3/8 $ $ $ " ! t h y b o d – y w i l l b e L i g h t , i l – l u m – ‘ n i n g a l l s p a c e . ! Ab Ab Ab G G F Eb F G F Eb F C

! 3/8 $ $ $ " $ $ 3/8 $ $ $ " B y W i s e i n – s p i – r a – t i o n , F o l – l o w t h e s t a r – r y e y e , Bb C Eb F F F Ab Ab Ab Ab G F Eb F F $ $ " $ $ $ 3/8 1/12 1/12 1/12 3/8 $ $ $ " ! t o s e e t h e C h r i s t b o r n i n t h y s o u l a – n e w . ! Ab Ab Ab G F Eb F G F Eb F C

! 3/8 $ ! " $ $ 3/8 $ $ $ "

53

S t a r – r y d o v e w i t h w i n g s o f f l a m e , b a p – t i z e m e i n t h y L i g h t , Bb C Eb Eb F F F Ab G F Eb F F $ $ 3/8 $ $ $ " ! 3/8 $ $ $ " ! s p r e a d – i n g m y s o u l w i t h C h r i s t i n t h e b l i s s e v – ‘ r y – w h e r e . ! Ab Ab Ab G G F Eb F G F Eb F C

$ $ " $ $ " $ $ 3/8 $ $ $ " S h i n – i n g o p ’ n i n g i n h a l l o f m a t – t e r , O s t a r ! I p e e p t h r o u g h t h e e Bb C Eb Eb Eb F F F F Ab G F Eb F F $ $ $ ! $ $ $ $ 3/8 ! 3/8 $ $ $ 3/8 ! i n – t o t h e l a n d o f a s – t r a l l i g h t t h a t k i n – d l e s l i f e i n e v – ‘ r y t h i n g . ! Ab Ab Ab Ab Ab G G F F Eb F G F Eb F C

$ $ $ 3/8 $ $ $ 3/8 $ $ $ 3/8 $ $ $ 3/8 (") 2nd time

I f t h o u w i l t s e e o – p a l f l a m e , d r i v e d a r k – n e s s e v – e r m o r e , Bb C Eb Eb F F F Ab G F Eb F F 17

$ $ 3/8 $ $ $ " ! 3/8 $ $ $ "

17 The footnote in Cosmic Chants (page 57) explains this chant.

54

O T h o u B l u e S k y ( C C p . 7 7 ) ! O t h o u b l u e s k y , u n - d e r b l u e c o v - e r Bb C Eb Eb F F G F F

$ $ ! ! $ $ ! $ $ h a s t t h o u h i d - d e n m y b e - l o v - e d L o r d ? ! Eb F G G F Eb F F C

$ $ 1/16 11/16 $ $ $ $ ! ! O - p e n t h y c o v - e r , l e t m e d i s - c o v - e r ! C G G G G G Ab G G F ! $ $ ! ! ! $ $ ! ! ! M y b e - l o v - e d L o r d , i n t h y h e a r t o f h e a r t s ! F F G F F Eb Eb F F C

$ $ $ $ ! $ $ $ $ !

C F G

Bb

Ab Eb Bb

55

O T h o u K i n g o f t h e I n f i n i t e ( C C p . 1 7 ) ! O T h o u K i n g o f t h e I n – f i n – i t e ! I b e – h o l d T h e e i n s a – m a – d h i ! D D F# F# F# G G G A A Bb Bb A A G G

3/16 1/16 1/12 1/12 1/12 3/16 1/16 ! 3/16 1/16 3/16 1/16 3/16

1/16 3/16 1/16 i n j o y , a n d i n m o r e j o y , i n T h y l i g h t o f m e l – l o w j o y . E F E E E D C D E D C C A

! ! 1/12 1/12 1/12 ! 3/16 1/16 3/16 1/16 3/16 1/16 !

F#

C A D E F G

Bb

A

56

P o l e s t a r o f M y L i f e ( C C p . 9 ) ! I h a v e m a d e T h e e P o l e – s t a r o f m y l i f e . ! E F E D A C A A G

! ! ! ! ! ! $ $ ! ! T h o u g h m y s e a i s d a r k a n d m y s t a r s a r e g o n e , ! D G A A A G A % A A G

! ! $ $ ! $ $ ! ! ! ! ! s t i l l I s e e t h e p a t h t h r o u g h T h y m e r – c y . ! D F D D C A C A G

! ! $ $ ! ! ! ! !

C A D E F G

A G

!

57

R e c e i v e M e o n T h y L a p , O M o t h e r ( C C p . 3 0 ) ! R e - c e i v e m e o n T h y l a p , O M o t h e r ! C a s t m e n o t a t d e a t h ’ s d o o r . ! E E A A A G# A G# F# E F# G# F# F# E F# F# ! " ! " ! ! ! $ 5/8 ! ! ! 3/8 $ $ $ " ! R e - c e i v e m e o n T h y l a p , O M o t h e r ! C a s t m e n o t a t d e - l u - s i o n ’ s d o o r . ! E E A A A G# A G# F# E F# G# F# F# E F# F# F# ! " ! " ! ! ! $ 5/8 ! ! ! $ ! $ $ $ " (OPTIONAL VERSE: BENGALI) ! K o - l e t u - l e n e M a K a - l i K a - l e r k o - l e d h i s h - n a f e - l e . ! E E A A G# A G# F# E F# G# F# E F# F# F#

$ ! $ " ! ! $ 5/8 $ ! $ " $ ! $ 3/4

F#

E

A

G#

58

R o s e C h a n t ( C C p . 6 0 ) ! R o - s e s t o t h e l e f t , r o - s e s t o t h e r i g h t , r o - s e s f r o n t a n d b e - h i n d . F G A A A G G F F F F G A G G F

! ! 3/16 1/16 ! ! ! 3/16 1/16 ! ! ! ! 3/16 1/16 "

R o s e , r o s e , r o – s e s ! ! 18 F G A F G C F F

$ $ 3/4 ! 3/4 ! ! !

18 Cosmic Chants (page 60) explains the deep significance of this chant and when it should be sung. This special chant is “not used for regular services or meetings.”

C F G

A

59

S e a r c h H i m O u t i n S e c r e t ( C C p . 2 0 )

! W i t h o u t m e d - i - t a - t i o n , m i n d , h i t h - e r , t h i t h - e r w a n - d ’ r e s t t h o u . ! E N D E G E D C B A G A C A C D E

! ! ! ! ! ! " ! ! ! ! ! ! " A - d o r - a - b l e H i m ! A - d o r - a - b l e H i m ! ! S e a r c h H i m o u t i n s e - c r e t n o w ! G G B G E G G B G E E F E D C D E

" " ! ! " " " ! ! " ! ! ! ! ! ! " ! F l o a t - i n g o n t h e b r e e z e o f b l i s s i n t h e c h a r - i - o t o f s k y , E E E E D C C D E A A A A A A

[!] $ $ ! ! ! ! ! ! [!] $ $ $ $ $ $ " P e e r - i n g i n - t o H i s e y e s w i t h - t h y d i v - i n g e y e ! ! T h o u - s a n d p e t - a l s ’ % % % % % % B A A B A G A E E E G G 1/12 1/12 1/12 $ $ $ $ ! $ $ ! ! ! " ! ! ! ! n e c - t a r d r i n k ! D r i n k a n d d r i n k d r i n k ! ! W i t h c o s - m i c m i g h t - y O m , E E E D E G G G F F F E F E

! ! " ! ! " " " " ! ! ! ! " d e e p - e r d o t h o u s i n k ; ! W i t h c o s - m i c m i g h t - y O m , ! D e e p - e r d o t h o u s i n k ; 19 D C A C D E E G G G G B G E E F E D C D E

" ! ! ! ! " ! ! ! ! ! ! ! ! ! ! ! ! ! ! "

19 Cosmic Chants (page 21) explains the “diving eye”.

C A D E F G

A G B

B !

F

60

S h a n t i M o n d i r e ( C C p . 6 2 ) ! S h a n - t i m o n - d i - r e , s h a n - t i k u - t i - r e ! E N D T o - m a - r e h a y - r i - b o , G A C A A A G A A D D D D D D G G G ! ! ! " ! " ! ! ! " ! " ! ! ! " ! " t o - m a - r e p a r - a - s h i - b o , B h a – l o – b a – s h i b o , B h a – l o – b a – s h i b o , b h u - l a - e y a – n i – b o , G G G A A A A A & A G A D D A & A G A D D D F F D F D D ! ! ! ! ! ! " ! ! ! ! ! ! " ! ! ! ! ! ! " ! ! ! !! ! " H r i – d a y – a B e d – i p o – r a y . ! S a - m a - d h i m o n - d i - r e , s a - m a - d h i k u - t i - r e ! A C C A A G G G A C A A A G A A D D D

! ! ! ! ! ! " ! ! ! " ! " ! ! ! " ! " T o - m a - r e h a y - r i - b o , t o - m a - r e p a r - a - s h i - b o , B h a – l o – b a – s h i b o , D D D G G G G G G A A A A A & A G A D D ! ! ! " ! " ! ! ! ! ! ! " ! ! ! ! ! ! " B h a – l o – b a – s h i b o , b h u - l a - e y a – n i – b o , S a - m a - d h i B e d – i p o – r a y . A & A G A D D D F F D F D D A C C A A G G

! ! ! ! ! ! " ! ! ! ! ! ! " ! ! ! ! ! ! "

C

A D G

A

G

"

61

S p i r i t a n d N a t u r e ( C C p . 3 3 ) R a - d h a , R a - d h a , R a - d h a G o - v i n - d a , j a i ! R a - d h a , R a - d h a E E F# F# A A A G# G# F# G# E F# G# F# F#

! ! ! ! ! $ $ $ $ $ $ ! $ $ ! ! ! R a - d h a G o - v i n - d a , j a i ! R a - d h a , R a - d h a . ! A A A G# G# F# G# E F# G# F# F#

! $ $ $ $ $ $ ! $ $ ! ! ! S p i r - i t a n d N a - t u r e , d a n c - i n g t o - g e t h - e r . ! A A A G# F# E F# G# F# F#

! $ $ ! ! ! $ $ ! ! ! V i c - t ’ r y t o S p i r - i t a n d v i c - t ’ r y t o N a - t u r e ! 20 ! A A A G# F# F# E F# G# F# F#

! $ $ ! $ $ ! $ $ ! !

20 See the note in Cosmic Chants (page 33) that explains the spiritual symbolism in this chant and the meaning of jai.

F#

E

A

G#

62

S w a m i R a m T i r t h a ’ s S o n g ( C C p . 8 0 ) ! N o n e c a n t o n e m e , s a y w h o w o u l d i n - j u r e m e ? ! D D D Eb D C C Bb Bb G

$ $ ! ! ! $ $ $ $ " (3/8) 2nd time ! T h e w o r l d t u r n s a - s i d e t o m a k e r o o m f o r m e . ! D F G G A A Bb A G A $ ! 3/16 1/16

3/8 $ ! $ $ 3/8 ! I c o m e , O b l a z - i n g L i g h t ! T h e s h a d - o w s m u s t f l e e . ! A % % % % & % Bb A G A $ $ $ $ $ 3/8 $ ! $ $ 3/8 (") 2nd time ! H a i l , O y e o - c e a n , d i - v i d e u p a n d p a r t ! ! A A A Bb A A G F F E ! $ $ ! $ $ ! $ $ " (3/8) 2nd time O r p a r c h e d u p a n d s c o r c h e d u p , b e d r i e d u p , d e - p a r t ! E C D D Eb D D C Bb Bb G

$ ! $ $ ! $ $ ! $ $ 3/8 (") 2nd time O r p a r c h e d u p a n d s c o r c h e d u p , b e d r i e d u p , d e - p a r t ! G as above

C A D E F G

Bb

A G

Eb Bb

! "

63

! N o n e c a n t o n e m e , s a y w h o w o u l d i n - j u r e m e ? ! D D D Eb D C C Bb Bb G$ $ ! ! ! $ $ $ $ " (3/8) 2nd time

! B e - w a r e , O y e m o u n - t a i n s ! S t a n d n o t i n m y w a y . !D F G G A A Bb Bb A G A

$ ! $ $ $ 3/8 $ $ $ $ 3/8! Y o u r r i b s w i l l b e s h a t - t e r e d a n d t a t - t e r e d t o - d a y ! ! A % % % & % % Bb A G A $ ! $ $ ! $ $ ! $ $ 3/8 (") 2nd time

! F r i e n d s a n d c o u n - s ’ l o r s , p r a y w a s t e n o t y o u r b r e a t h , ! A A Bb A A G F F E! ! ! $ $ ! $ $ "

! t a k e u p m y o r - d e r s , d e - v o u r u p y e d e a t h ! !C D D Eb D D C Bb Bb G ! $ $ ! $ $ ! $ $ "

! N o n e c a n t o n e m e , s a y w h o w o u l d i n - j u r e m e ? ! D D D Eb D C C Bb Bb G$ $ ! ! ! $ $ $ $ " (3/8) 2nd time

! I r i d e o n t h e t e m - p e s t , a - s t r i d e o n t h e g a l e . !D F G G A A A Bb A G A $ ! $ $ $ ! $ ! $ $ 3/8! M y g u n i s t h e l i g h t - i n g , m y s h o t s n e v - e r f a i l . !

A % % % & % % Bb A G A $ ! $ $ ! $ $ ! $ $

3/8

64

I c h a s e a s a h u n t s - m a n , I e a t a s I s e i z e . A A A A Bb A A G F F E

$ ! $ $ ! $ $ ! $ $ 3/8

I c h a s e a s a h u n t s - m a n , I e a t a s I s e i z e . E as above

t h e t r e e s a n d t h e m o u n - t a i n s , t h e l a n d a n d t h e s e a s , E C D D Eb D D C Bb Bb G $ ! $ $ ! $ $ ! $ $

3/8 (") 2nd time t h e t r e e s a n d t h e m o u n - t a i n s , t h e l a n d a n d t h e s e a s , G as above ! N o n e c a n t o n e m e , s a y w h o w o u l d i n - j u r e m e ? ! D D D Eb D C C Bb Bb G $ $ ! ! ! $ $ $ $ " (3/8) 2nd time ! I h i t c h t o m y c h a r - i - o t t h e f a t e s a n d t h e g o d s . ! D F G G A A A A Bb A G A $ ! $ $ 1/16 1/16 ! $ ! $ $ 3/8 (") 2nd time ! I n t h e v o i c e o f t h u n - d e r , p r o - c l a i m i t a - b r o a d ! ! % % % % & % % Bb A G A $ $ $ $ ! $ $ ! $ $ " ! H o w l , O y e w i n d s ! B l o w , b u - g l e s , b l o w f r e e ! ! A A A Bb A G F F E E

! $ $ ! ! ! $ $ ! ! ! L i b - e r - t y ! L i b - e r - t y ! L i b - e r - t y ! O m ! ! C C D Eb Eb D C C Bb G $ $ ! $ $ ! $ $ ! "

65

T h e y H a v e H e a r d T h y N a m e ( C C p . 3 8 ) ! T h e y h a v e h e a r d T h y N a m e , t h e b l i n d , h a l t , a n d l a m e . ! D F F D D D D F F Eb D Eb D C Bb $ $ " $ $ " $ $ 3/8 $ $ $ $ $ ! (" ) 2nd time T h e y h a v e c o m e t o T h y d o o r , L o r d , t h e y h a v e c o m e t o T h y d o o r ; F G G F G Bb Bb Bb F G G F G Bb Bb $ $ ! $ $ ! ! ! $ $ ! $ $ ! ! G i v e t h e m a n a u - d i - e n c e , L o r d ! F G F D Eb D C Bb $ $ 3/8 $ $ $ ! " ! T h e y h a v e h e a r d T h y N a m e , t h e b l i n d , h a l t , a n d l a m e . ! D F F D D D D F F Eb D Eb D C Bb $ $ " $ $ " $ $ 3/8 $ $ $ $ $ !

C D F G

Bb

A

Eb Bb

66

T h o s e w h o a r e i n d e s - p a i r , w i p e T h o u t h e i r t e a r s ! F G A G G G G Bb Bb A G F $ $ 3/8 $ $ $ " ! " ! $ 3/8 T h o s e w h o a r e i n d e s - p a i r , w i p e T h o u t h e i r t e a r s ! F G A G G G G Bb Bb A G $ $ 3/8 $ $ $ " ! " ! " T h e y h a v e c o m e t o T h y d o o r , L o r d , t h e y h a v e c o m e t o T h y d o o r ; F G G F G Bb Bb Bb F G G F G Bb Bb $ $ ! $ $ ! ! ! $ $ ! $ $ ! ! G i v e t h e m a n a u - d i - e n c e , L o r d ! F G F D Eb D C Bb $ $ 3/8 $ $ $ ! " ! T h e y h a v e h e a r d T h y N a m e , t h e b l i n d , h a l t , a n d l a m e . ! D F F D D D D F F Eb D Eb D C Bb $ $ " $ $ " $ $ 3/8 $ $ $ $ $ ! T h o s e w h o a r e d r o w n e d i n s i n , t o w h o m w i l l t h e y g o ? F G A G G G G G Bb Bb A A G F $ $ 3/8 $ $ $ " $ $ " $ $ $ 3/8

67

T h o s e w h o a r e d r o w n e d i n s i n , t o w h o m w i l l t h e y g o ? F G A G G G G G Bb Bb A A G $ $ 3/8 $ $ $ " $ $ " $ $ " T h e y h a v e n o o n e , L o r d , t h e y h a v e n o o n e ; D o n o t t u r n t h e m a w a y . F G G F G Bb Bb F G G F G Bb F G F D Eb D C Bb $ $ " $ $ ! ! $ $ " $ $ ! $ $ 3/8 $ $ $ ! " ! T h e y h a v e h e a r d T h y N a m e , t h e b l i n d , h a l t , a n d l a m e . ! D F F D D D D F F Eb D Eb D C Bb $ $ " $ $ " $ $ 3/8 $ $ $ $ $ ! (") 2nd time

68

T h o u A r t M y L i f e ( C C p . 2 4 ) ! T h o u a r t m y l i f e , T h o u a r t m y l o v e , A A G# F# E E F# E D C# ! ! ! ! " ! ! ! ! " T h o u a r t t h e s w e e t - n e s s w h i c h I d o s e e k . ! B C# C# E E B C# B A ! " ! " ! ! ! ! " (3/4) 2nd time ! I n t h e t h o u g h t b y m y l o v e b r o u g h t ! E F# E A A A A A ! ! ! " ! " ! 3/4 (") 2nd time I t a s t e T h y N a m e , s o s w e e t , s o s w e e t . A A F# B A G# F# F# E

! " ! 5/4 ! " ! 3/4 3/4 ! D e v - o - t e e k n o w s h o w s w e e t Y o u a r e . ! ! H e k n o w s w h o m Y o u l e t k n o w ! A A A A G# F# F# E B C# E B C# B A

! ! ! " ! " ! 3/4 " ! 3/4 ! ! ! 3/4 (") 2nd time

F#

A D E

A B

G#

C#

69

OPTIONAL VARIATION ! T h o u a r t m y l i f e , T h o u a r t m y l o v e , C# E D C# B E D C# ! " ! " ! " ! " T h o u a r t t h e s w e e t - n e s s w h i c h I d o s e e k . ! B C# C# E E B C# B A ! " ! " ! ! ! ! ! ! I n t h e t h o u g h t b y m y l o v e b r o u g h t ! E F# A A A A A " ! " ! " ! 3/4 (")2nd time I t a s t e T h y N a m e , s o s w e e t , s o s w e e t . A A G# F# B A G# A F# F# E ! ! ! ! 5/4 ! ! ! ! ! 5/4 ! D e v - o - t e e k n o w s h o w s w e e t Y o u a r e . ! ! H e k n o w s w h o m Y o u l e t k n o w ! A A A A G# F# F# G F# E B C# D C# B C# B A

! ! ! ! ! ! ! ! ! 3/4 " ! " ! ! ! ! 3/4 (") 2nd time

70

T h o u s a n d s o f S u n s ( C C p . 3 7 ) ! W h o t e l l s m e T h o u a r t d a r k , O m y M o - t h e r D i - v i n e ? ! G F F Eb Eb C Bb C Eb F F F G

! $ $ $ $ $ $ ! ! 1/16 1/16 $ ! ! T h o u - s a n d s o f s u n s a n d m o o n s f r o m T h y b o d - y d o s h i n e ! 21 ! Bb Bb Bb Ab Ab G F F G G G F G F G Ab

$ $ ! $ $ $ $ $ $ $ $ $ $ 1/16 1/16 $

21 See Cosmic Chants for an explanation .

C F G

Bb

Ab Eb Bb

71

T o d a y M y M i n d H a s D i v e d ( C C p . 4 9 ) ! T o – d a y m y m i n d h a s d i v e d d e e p i n T h e e , ! E N D A B D E E D E F# E D E B $ $ ! ! ! $ $ $ $ $ $ ! ! F o r T h y p e a r l s o f l o v e f r o m T h y d e p t h - l e s s s e a . ! G G F# F# E D E F# E D E B ! ! $ $ ! $ $ $ $ $ $ ! T o – d a y m y m i n d h a s d i v e d d e e p i n T h e e , A B D E E D E F# E D E B $ $ ! ! ! $ $ $ $ $ $ " I f I f i n d n o t , I w i l l n o t b l a m e T h y s e a ; G A G F# E D E F# E D E B ! ! $ $ ! $ $ $ $ $ $ ! ! I w i l l f i n d f a u l t w i t h m y d i v - i n g ! G G F# E D E F# E D E B ! ! ! ! $ $ $ $ $ $ !

F#

A D E G

A

B

72

W a k e , Y e t W a k e , O M y S a i n t ( C C p . 3 6 ) ! O M y s a i n t , w a k e , y e t , w a k e ! ! D E G F# F# E F# E

$ $ " ! ! 1/16 1/16 $

O M y s a i n t , y o u d i d n o t m e d - i - t a t e , y o u d i d n o t c o n - c e n - t r a t e , D E G C C C C C C D E E E E F E

$ $ 3/8 $ $ $ $ $ 3/8 $ $ $ $ $ ! $ y o u d i d n o t m e d - i - t a t e , y o u d i d n o t c o n - c e n - t r a t e , D E D C C C D E E E E E

$ $ $ $ $ 3/8 $ $ $ $ $ ! a n d p a s s e d t h y t i m e i n i - d l e w o r d s , ! O M y s a i n t , w a k e , y e t , w a k e ! ! G A B A G F# G F# E D E G F# F# E F# E ! ! $ $ " ! $ $ ! $ $ " ! ! 1/16

1/16 $ O M y s a i n t , E N D d e a t h w i l l b e a t t h y d o o r D E G C C C C C C

$ $ " ! $ $ $ $ 3/8

F#

C D E F G

A

B

73

a n d y o u m a y n o t h a v e t i m e a n - y - m o r e , D E E E E E E E F E

$ ! $ $ ! ! $ $ ! ! D e a t h w i l l b e a t t h y d o o r a n d y o u m a y n o t h a v e t i m e a n - y - m o r e , D E D C C C C D E E E E E E E E F# $ $ $ $ $ $ 3/8 $ ! $ $ ! ! $ $ $ $ t o r e - d e e m t h y s o u l , O M y s a i n t ! W a k e , y e t w a k e , G A B A G F# F# E F# E D E G G

$ $ 3/8 $ 3/4 $ $ 3/16 1/16 ! $ $ ! 1/2 ! O M y s a i n t ! w a k e , y e t w a k e ! ! F# F# E F# E D E G G $ $ 3/16 1/16 ! $ $ ! 5/8 y o u d i d n o t m e d - i - t a t e , … 22

22 See Cosmic Chants (page 36) for an explanation of “saint.”

74

W h a t L i g h t n i n g F l a s h ( C C p . 6 4 ) M y l i f e i s f o r t h e L o r d , f o r t h e L o r d , w h o i s u n - t o u c h e d A E D C# B B B B B B A B D D D

$ $ $ $ $ $ ! $ $ ! $ $ $ $ $ b y d e – s i r e s o f H i s w o r l d s ; H e w h o s e e n - c h a n t - i n g i m – a g e i s b e - y o n d C# B A B E E E E E F# F# F# F# F# F# A G# F# F# A

$ 1/16 1/16 $ $ $ $ ! $ $ $ $ $ $ $ $ $ ! $ $ c o m - p a r e A n d w h o i s J o y p e r - s o n - i - f i e d , w h o i s J o y p e r - s o n - i - f i e d . A A G# F# F# G F# E E F# E D C# D B E E E F# E D C# D B E E

$ $ $ $ $ $ $ ! $ $ $ $ $ $ $ $ ! $ $ $ $ $ $ $ $ ! W o n - d e r - f u l L i g h t o f o u r u n - i - v e r s e a n d t h e u n – i – v e r s e E E E F# A G# F# F# F# E F# F# F# G F# G F# G F#

! $ $ $ 1/16 1/16 $ $ $ $ $ $ $ 1/32 1/32 1/32 1/32 1/32 3/32

! b e – y o n d p h e - n o m - e - n a ! E F# E D C# D B E E $ $ $ $ $ $ $ $ !

F#

A D E G

A B

G# C#

75

T h e L i f e o f m y l i f e i s Y o u . E E F# G# A G# A G# F# E F# E A G# F# G# A G# A G# A G# F# $ $ $ 1/32 1/32

1/321/32

1/32 5/8 1/321/32

1/325/16

1/16 1/24 1/24

1/24 1/321/32 1/48 1/48 1/48 $

W o n - d e r - f u l L i g h t o f t h i s u n - i - v e r s e a n d L i f e b e - y o n d , E E E E F# G# A G# A G# F# F# F# E F# F# F# G F# G F# 1/24 1/24

1/24 $ $ 1/32 1/32 1/48 1/48 1/48 $ $ $ $ $ $ $ 1/16 1/32 1/32 $

! T h e L i f e o f m y l i f e i s Y o u . ! E F# E D C# D B E E $ $ $ $ $ $ $ $ ! ! W h a t l i g h t - n i n g f l a s h g l i m - m e r s i n T h y f a c e , M o t h - e r ! E F# F# F# F# E F# A A A A A $ $ $ $ ! $ $ $ $ $ 1/16 1/16 W h a t l i g h t - n i n g f l a s h g l i m - m e r s i n T h y f a c e ! E F# F# F# F# E F# A A A $ $ $ $ ! $ $ $ $ ! S e e - i n g T h e e , I a m t h r i l l e d t h r o u g h a n d t h r o u g h . F# G F# E D C# B D C# B

$ $ $ $ $ $ $ 1/16 1/16 $ S e e - i n g T h e e , I a m t h r i l l e d t h r o u g h a n d t h r o u g h . ! B E D C# B A B B D C# B

$ $ $ $ 1/16 1/16 $ $ 1/16 1/16 !

76

Bb

W h e n M y D r e a m ’ s D r e a m I s D o n e ( C C p . 8 4 ) W h e n c e d o t h e y c o m e h e r e ? A A# C# E E D# E F# G# F# E F# E D# E D# C# 1/12 1/12 1/12 ! ! $ $ 1/24

1/24 1/24 1/24

1/241/24 1/24

1/241/24 3/8

W h i t h - e r d o t h e y f l i t a – w a y ? C# E F E C# E C# Bb C# Bb A $ $ $ $ 1/24

1/24 1/24 1/24

1/24 1/24 !

I n a l l f o l – l i e s ’ d a r k s w a y , C# C# E F# A# G# F# E F# G# A# B C# B A# $ $ $ $ ! 1/24

1/241/24 1/24

1/241/24 1/24

1/241/24 3/8

K e e p f l o a t - i n g o n h o p e ’ s w a y . F# F# F# E D# E F# A# B C# B A# B A# F# E D# C# ! $ $ 1/16

1/16 1/16 1/16 1/16

1/16 1/16 1/16 1/16

1/16 1/16 1/16 1/16

1/16 3/8 T a k e t h e d u s t o f e a c h o n e ’ s f e e t , Bb C# E E G# F# E F# E D# E D# C# $ $ $ $ $ $ 1/24

1/241/24

1/241/24

1/24 !

Bb

F#

A D E G

A B

G# C#

F B

!#

Bb

A#

77

s e r v - i n g M o t h - e r w h e r e S h e s l e e p s . C# E F E C# E C# Bb C# Bb A

$ $ $ $ 1/241/24

1/241/24

1/241/24 !

W h e n m y d r e a m ’ s d r e a m i s d o n e , Bb C# E E G# F# E F# E D# E D# C# $ $ $ $ $ $ 1/24

1/241/24

1/241/24

1/24 !

S h e w i l l l i f t m e o n H e r l a p . C# E F E C# E C# Bb C# Bb A

$ $ $ $ 1/241/24

1/241/24

1/241/24 !

78

W h e n M y D r e a m ’ s D r e a m I s D o n e ( C C p . 8 5 ) W h e n c e d o t h e y c o m e h e r e ? W h i t h - e r d o t h e y f l i t a – w a y ? A D D E F E D D E F E C# Bb C# Bb A

! $ ! $ ! $ 3/8 $ $ $ 3/8 ! 1/12 1/12 1/12 " ! W h e n m y d r e a m ’ s d r e a m i s d o n e , ! A A D D F E D D

! $ $ " $ ! $ " ! S h e w i l l l i f t m e o n H e r l a p ! D E F E C# Bb C# Bb A

$ $ $ 3/8 ! 1/12 1/12 1/12 "

A D E F

C# Bb

79

W h e n T h y S o n g F l o w s T h r o u g h M e ( C C p . 4 ) O l i f e i s s w e e t a n d d e a t h a d r e a m , F F G G G G G A Bb A G F

! ! ! " ! ! $ $ ! $ $ ! O l i f e i s s w e e t a n d d e a t h a d r e a m , F F G G G G G A Bb A G F Eb D Eb D C ! ! ! " ! ! $ $ ! $ $ ! $ $ $ $ W h e n T h y s o n g f l o w s t h r o u g h m e , M y L o r d , Bb C C D C D C Bb Bb ! ! " ! ! " $ $ ! w h e n T h y s o n g f l o w s t h r o u g h m e . Bb C C D Eb C ! ! " ! ! !

C D F G

Bb

A

Eb Bb

80

T h e n j o y i s s w e e t , s o r - r o w a d r e a m , F F G G G G G A Bb A G F

! ! ! " ! ! $ $ ! $ $ ! T h e n j o y i s s w e e t , s o r - r o w a d r e a m , F F G G G G G A Bb A G F Eb D Eb D C ! ! ! " ! ! $ $ ! $ $ ! $ $ $ $ ! W h e n T h y s o n g f l o w s t h r o u g h m e , M y L o r d , w h e n T h y s o n g f l o w s t h r o u g h m e . T h e n h e a l t h i s s w e e t , s i c k - n e s s a d r e a m , F F G G G G G A Bb A G F

! ! ! " ! ! $ $ ! $ $ ! T h e n h e a l t h i s s w e e t , s i c k - n e s s a d r e a m , F F G G G G G A Bb A G F Eb D Eb D C ! ! ! " ! ! $ $ ! $ $ ! $ $ $ $ ! W h e n T h y s o n g f l o w s t h r o u g h m e , M y L o r d , w h e n T h y s o n g f l o w s t h r o u g h m e . T h e n p r a i s e i s s w e e t , a n d b l a m e a d r e a m , F F G G G G G A Bb A G F

! ! ! " ! ! $ $ ! $ $ ! T h e n p r a i s e i s s w e e t , a n d b l a m e a d r e a m , F F G G G G G A Bb A G F Eb D Eb D C ! ! ! " ! ! $ $ ! $ $ ! $ $ $ $ ! W h e n T h y s o n g f l o w s t h r o u g h m e , M y L o r d , w h e n T h y s o n g f l o w s t h r o u g h m e .

81

W h e n T h y S o n g F l o w s T h r o u g h M e A l t e n a t e v e r s i o n ( C C p . 5 ) ! O l i f e i s s w e e t a n d d e a t h a d r e a m , ! D D E E E E F E D

$ $ $ 3/8 $ $ $ $ ! (3/8) 2nd time ! W h e n T h y s o n g f l o w s t h r o u g h m e . ! D D E D C C D D D $ 1/16 1/16 1/16

3/16 1/16 $ 1/16 ! (3/8) 2nd time

! T h e n j o y i s s w e e t , s o r - r o w a d r e a m , ! ! W h e n T h y s o n g f l o w s t h r o u g h m e . ! D D E E E E F E D

$ $ $ 3/8 $ $ $ $ ! (3/8) 2nd time ! T h e n h e a l t h i s s w e e t , s i c k - n e s s a d r e a m . ! ! W h e n T h y s o n g f l o w s t h r o u g h m e . ! D D E E E E F E D

$ $ $ 3/8 $ $ $ $ ! (3/8) 2nd time ! T h e n p r a i s e i s s w e e t , a n d b l a m e a d r e a m . ! ! W h e n T h y s o n g f l o w s t h r o u g h m e . ! 23 D D E E E E F E D

$ $ $ 3/8 $ $ $ $ ! (3/8) 2nd time

23 See Guruji’s quote in Cosmic Chants, page 5.

C D E F

82

W h e r e I s T h e r e L o v e ? ( C C p . 1 0 ) ! I n t h i s w o r l d , M o t h - e r , n o o n e c a n l o v e m e , C C C C D Eb F G F F

$ $ ! $ $ $ $ $ $ ! i n t h i s w o r l d t h e y d o n o t k n o w h o w t o l o v e m e . ! Eb Eb Eb Eb Eb F F Eb Eb Db C

$ $ ! ! $ $ ! $ $ ! ! ! W h e r e i s t h e r e p u r e l o v - i n g l o v e ? W h e r e i s t h e r e t r u - l y l o v - i n g m e ? C G G G Ab G G F C G G G G Ab G F

! ! ! $ $ $ $ ! ! ! ! $ $ $ $ ! T h e r e m y s o u l l o n g s t o b e , T h e r e m y s o u l l o n g s t o b e . ! Eb F G F F Eb F F C Eb F G F F Eb F F C

$ $ $ $ ! $ ! $ ! $ $ $ $ ! $ ! $ !

C D F G

Ab Eb Db

83

W h o I s I n M y T e m p l e ? ( C C p . 5 3 ) ! W h o i s i n m y t e m – p l e ? ! E N D D F D C Bb C D G $ $ $ $ $ $ 3/8 3/8 ! A l l t h e d o o r s d o o – p e n t h e m – s e l v e s ; D D Bb C D G G G ! $ ! $ $ $ $ 3/8 A l l t h e l i g h t s d o l i g h t t h e m – s e l v e s ; ! Bb Bb A G F# G D

! $ ! $ ! $ 3/8 ! D a r k – n e s s , l i k e a d a r k b i r d , f l i e s a – w a y , o h , f l i e s a – w a y 24. ! F E F E F E F D D G G D F D Bb

! $ ! $ ! $ 3/8 ! $ ! $ $ $ $ 3/8

24 An detailed footnote in Cosmic Chants (page 53) explains what these “doors” are.

F#

C D E

F G

Bb

A

Bb

84

W h y , O M i n d , W a n d e r e s t T h o u ? ( C C p . 2 2 )

! W h y , O m i n d , w a n - d e r - e s t t h o u ? G o i n t h i n e i n - n e r h o m e ! ! F# E D C C B A B D E E F# F# G! ! " ! ! ! ! ! " ! ! $ 3/8 "

! O n t h e l e f t , I - d a ; o n t h e r i g h t , P i n - g a - l a ; ! ! I n t h e m i d - d l e , t h e t a i n t - l e s s F# F# D D E F# F# F# F# F# F# D G G G G D G G ! ! " ! " ! ! " $ $ ! ! ! $ $ ! ! ! !

S u - s h u m - n a . S e i z e , s e i z e H e r w i t h a l l t h y m i g h t ! ! ! K u n - d a - l i - n i p o w - e rG A G F# F# E D E F# G F# F# E D D E ! ! ! " ! ! ! " ! " ! ! ! ! ! "

i n t h e s u b - t l e f o r m l i v – e t h u n - c o n - s c i o u s i n t h e c o c - c y x r e - g i o n . ! F# F# F# F# F# D G G G A G F# F# F# F# F# F# ! ! $ 3/8 " ! ! ! ! ! ! ! ! ! ! ! !

! G u - r u - g i v - e n p o w - e r , b y p r a - n a - y a - m a w a k e , W a k e H e r w i t h a l l t h y m i g h t 25! !D G G G G G D G G G A G F# F# E D E F# G! ! ! ! ! ! ! ! ! ! ! ! " ! ! ! " ! "

25 The footnote in Cosmic Chants (page 23) explans the “inner home” of the mind, the susumna and ida and pingala.

F#

C A D E G A B

85

W i l l T h a t D a y C o m e t o M e , M o t h e r ? ( C C p . 6 8 ) ! W i l l t h a t d a y ( o h ! ) c o m e t o m e , M a ? ! C C Ab Bb C F F F F

$ $ 3/8 $ $ $ $ $ " (3/8) 2nd time ! W h e n , s a y - i n g , “ M o t h - e r d e a r ! ” M y e y e s w i l l f l o w t e a r s ? ! Ab Ab Ab G G F F Eb F G F Eb F F

$ $ $ $ $ 3/8 $ $ $ $ $ $ $ 3/8 (") 2nd time ! W i s - d o m ’ s l o - t u s w i l l b l o s - s o m f o r t h , D a r k - n e s s w i l l s t e a l a - w a y , ! C C Ab Bb C F F F F Ab G F Eb F F

$ $ 3/8 $ $ $ $ $ " ! 3/8 $ $ $ " ! S t e a l a - w a y s t e a l a - w a y , s t e a l a - w a y , M a s t e a l a - w a y ! ! Ab Ab Ab G G F Eb F G F Eb F F

$ $ " $ $ " $ $ ! ! $ $ " (3/8) 2nd time

C F G

Ab Eb Bb Ab

86

! A t h o u - s a n d V e - d a s d o d e - c l a r e , “ D i - v i n e M o t h - e r ’ s e v ’ - r y - w h e r e ! ” ! F Ab Ab Ab Ab G G F Eb F G F Eb F F

$ $ $ 3/8 $ $ $ " $ $ $ 3/8 $ $ 3/8 (") 2nd time ! S r i R a m P r a - s a d s a y s , “ D i - v i n e M o t h - e r e v - ‘ r y - w h e r e s t a y s . ” ! C Ab Bb C F F Ab Ab G F Eb Eb F F

! 3/8 $ $ $ 3/8 $ ! $ $ $ $ $ " B l i n d e y e s , s e e t h e M a , h i d - i n g e v - ‘ r y - w h e r e ! Ab Ab G G F Eb F G F Eb F F

! " $ $ " $ $ 3/8 $ $ $ " B l i n d e y e s , s e e t h e M a , h i d - i n g e v - ‘ r y - w h e r e ! Ab Ab G G F Eb F G F Eb F C

! " $ $ " $ $ 3/8 $ $ $ "

87

W i n k H a s N o t T o u c h e d M y E y e s ( C C p . 1 4 ) ! W i n k h a s n o t t o u c h e d m y e y e s e v – e r s i n c e I s a w T h e e . ! E N D F Eb Eb D D Bb A Bb D D Eb F ! $ $ $ $ ! $ $ $ $ ! ! ! W i t h – o u t T h e e , m y b r e a t h d o e s n o t w a n t t o f l o w . ! F F F E F E F G A Bb A G F Eb D

1/16 3/16 ! $ $ $ $ 1/16 1/16 $ $ $ $ $ ! ! W i n k h a s n o t t o u c h e d m y e y e s e v – e r s i n c e I s a w T h e e . ! ! T h o u d i d s t s a y T h o u w o u l d s t c o m e , b u t T h o u h a s t n o t c o m e . ! F F A Bb Bb Bb Bb A Bb A G A G F

$ $ ! $ $ $ $ ! $ $ 1/16 1/16 $ ! ! R e s t – l e s s i s m y s o u l , d a y a n d n i g h t . ! Bb A Bb A G G F E F G F G F D Eb D

$ $ $ $ $ $ ! $ 1/161/16

1/16 1/16 $ $ $ !

A D E F G

Bb

A

Eb Bb

.