RYAN CONSBRUCKMasters of Architecture Candidate

10309 Stablehand Dr., Cincinnati OH 45242

RYAN CONSBRUCK

national wildlife federation, december 2007planted soil sustaining cordgrass along the coast of a louisianna state park

habitat for humanity, november 2009designed and constructed model houses to raise money at school events

university of cincinnati BoS in architecture 2010, graduated with honors school of architecture and interior design, recipient of cincinnatus scholarship, and smith, wildermuth, winkler scholarship, dean’s list

osborn architects, march - june 2009collaborated with design principal on proposal for historic theater competion, created digital renovation plans and interior elevations for residential project, modeled new appliance center in rhino

andre kikoski architect, september - december 2009built study model for guggenheim kiosk, managed and completed new website, facilitated the design and development of marketing materials and proposals, drew elevations and constructed model for hotel room

shp leading design, march - june and september - december 2008built revit model of high school, created 3d presentation renders, contributed to facade design of animal boarding facility, modified construction documents

graphics photoshop, illustrator, indesign

modeling rhino, 3ds max, sketchup

215.378.4170

10309 Stablehand Dr., Cincinnati OH 45242

ryanconsbruck@gmail.com

WORKkohn pederson fox associates, january - present 2011coordinated cladding details with consultant and modelled iterations for store-front design of podium, consolidated incoming plans from interior/structural and arch of record for podium of supertower in chongqing, china

denmark institute for study abroad, summer 2009studied craft and history of danish design, toured neighboring countries, bound observations and sketches in handmade book for university library

appalachian service project, summer of 2005 and 2006 repaired homes in underserved rural areas of west virginia and tennessee

ecology club trip to panama rainforest, summer 2002lived and studied rainforest ecology with indigenous tribe in panama

SKILLSdrafting autocad, revit

web development basic html, css, golive, slideshow

RYAN CONSBRUCK

SCHOOL

ACTIVITYself publishing, july 2011published magazine of illustrations, entered in camera club of new york’s zine fair, sold at desert island comic booklets in brooklyn

ACADEMIC WORKUniversity of Cincinnati

Danish Institute for Study Abroad

v

CLIFTON LIBRARYCincinnati, Ohio

Autumn, 2007

As a composite of individual works, the library represents the many coexistent cultures of a self-contained city. This library was based spe-GM½GEPP]�SR�XLI�GMX]�SJ�1ERLEXXER�ERH�XLI�KVMH-ded system devised by the Commissioners Plan of 1811.

1YGL�PMOI�1ERLEXXER´W�KVMH��XLI�KVMH�SJ�XLMW� PM-brary sets out programmatic rectangular strips that act as the narrower “streets”, with several central “avenues” that access each of these strips. At unique moments of circulation the grid is interrupted to provide diagonal means of access. The library uses an urban palette of materials to reinforce the association to cities with concrete, steel, and glass. ¿JXUH����7KH�PDMRULW\�RI�WKH�FLUFXODWLRQ�IROORZV�WKH�QRUWK�VRXWK�D[LV�RI�WKH�³VWUHHWV´��ZKLOH�WKH�PDLQ�HDVW�ZHVW�SDWKV�PLPLF�WKH�³DYHQXHV´

Clifton Ave.Hosea Ave.

¿JXUH�����DERYH��7UDQVLWLRQ�RI�WKH�FLW\�EORFN�WR�D�IXQFWLRQDO�OLEUDU\�OD\RXW��EHORZ��0DJQL¿FDWLRQ�RI�0DQKDWWDQ¶V�HI¿FLHQW�JULG

¿JXUH����)LQDO�OLEUDU\�UHQGHU��XVLQJ�PDWHULDOV�IURP�DQ�XUEDQ�SDOHWWH��VWRQH��VWHHO��JODVV��DQG�UHFODLPHG�ZRRG

PRO

DU

CED

BY

AN

AU

TOD

ESK

ED

UC

ATI

ON

AL

PRO

DU

CT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRO

DU

CED

BY A

N A

UTO

DESK

EDU

CA

TION

AL PR

OD

UC

T

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

READING ROOM

w/STACKS

LOBBY

CIRCULATIONDESK

RESTROOMS

MULTIMEDIA

STACKS

STACKS

MEETING ROOMS

PRO

DU

CED

BY

AN

AU

TOD

ESK

ED

UC

ATI

ON

AL

PRO

DU

CT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRO

DU

CED

BY A

N A

UTO

DESK

EDU

CA

TION

AL PR

OD

UC

T

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

OUTDOOR PATIO

<ABE=K>G�LREADING

ROOMw/STACKS

¿JXUH����)LUVW�ÀRRU�SODQ�RI�OLEUDU\

¿JXUH����6HFRQG�ÀRRU�SODQ�RI�OLEUDU\

COMPUTERLAB

¿JXUH����,QWHULRU�YLHZ�RI�PDLQ�UHDGLQJ�URRP�ZLWK�VN\OLJKW�UHYHDO� ¿JXUH����,QWHULRU�YLHZ�IURP�VHFRQG�ÀRRU�RYHUORRNLQJ�WKH�PDLQ�VWDLUV�DQG�RXWGRRU�SDWLR

AQUATIC SPA%RFDV�GHO�7RUR��3DQDPD

Summer, 2008

The aquatic spa functions as a refuge for those who need relief from life’s daily pressures and as a research facility that studies the impact of proximity to water on the stressed soul. Labyrithi-an paths are introduced as a crucial meditative element. Inherent in the project is the idea that the shortest distance between two points often neglects the contemplative qualities of the longer path.

The project is located in Bocas del Toro, a beautiful tourist des-tination, close enough to the United States, but still far enough away to provide distance from the ordinary. The site is located a quarter of a mile off shore, so that it remains private but still maintains accessibility to the small but quaint village of Bocas del Toro.

¿JXUH����0RQNV�PHGLWDWH�LQ�0��&��(VFKHU¶V�HWHUQDO�ODE\ULQWK

¿JXUH����$�SK\VLFDO�PDQLIHVWDWLRQ�RI�WKH�HWHUQDO�SDWK

¿JXUH����$Q�DQDO\VLV�RI�VLWH�FRQGLWLRQ�WR�GHWHUPLQH�WKH�EHVW�ORFDWLRQ�IRU�WKH�VSD

¿JXUH����%\�IROGLQJ�RYHU�WZR�³SRLQWV´�RI�WKH�VFKHPDWLF�VWDU��WKH�SDWK�EHFRPHV�RYHUODSSHG�LQ�D�ZD\�WKDW�SHUPLWV�SHUSHWXDO�PHDQGHULQJ

¿JXUH����7KH�SDWKV�DUH�PDGH�GHVLUDEOH�E\�FUHDWLQJ�YDULDWLRQ�EDVHG�RQ�XQLTXH�destinations

¿JXUH����(DFK�DUFKLWHFWXUDO�³SRLQW´�LQ�WKH�VSD¶V�³VWDU´�LV�IRUPDOO\�GHSHQGDQW�RQ�WKH�VSHFL¿FV�RI�LWV�SURJUDP��9DULDQW�DV�WKH\�DUH��WKH\�DUH�FRQQHFWHG�WKURXJK�WKH�PHGLWDWLYH�SDWK

¿JXUH����)LUVW�ÀRRU�SODQ ¿JXUH����6HFRQG�ÀRRU�SODQ ¿JXUH����5RRI�SODQ

AQUATIC GARDEN

RESIDENTIAL QUARTERS

MEDITATION ZONES

RECREATION ROOMS

OFFICES

RECEPTION DESK

SHADE/ROOF

¿JXUH�����'LDJUDPPDWLF�VHFWLRQ�FXW�WKURXJK��WKH�PDLQ�HQWU\�SDWK

¿JXUH�����'LDJUDPPDWLF�VHFWLRQ�FXW�WKURXJK�WKH�DTXDWLF�JDUGHQ�DQG�UHVLGHQWLDO�TXDUWHU

1 2 3 4 5

'STIRLEKIR´W� LEVFSV� FEXLW� TPE]� E� WMKRM½GERX�role in the city’s identity as an international leader in sustainable practices. The canal water is clean enough to swim in and this projectv celebrates the simple joviality and freedom of carefree diving provided by the city’s respon-sible practices.

&VIEOMRK� XLI�HMZI�SV�¾MT� MRXS�½ZI� VITVIWIRXE-tive snapshots parallels the experiential se-quence of visiting one of these harbor baths. The approach, the preparation, the elation of XLI�WEYRE��XLI�GPMQEGXMG�¾MT��ERH�XLI�IQFVEGI�SJ�the water correlate to the run, the crouch, the NYQT��XLI�¾MT��ERH�XLI�PERHMRK�

DANISH HARBOR BATH&RSHQKDJHQ��'HQPDUN

6XPPHU������

¿JXUH����$V�LW�UHSUHVHQWV�WKH�FOLPDFWLF�PRPHQW�RI�³WKH�ÀLS´�WKH�GLYLQJ�SODWIRUP�LV�WKH�FHQWUDO�FRPSRQHQW�RI�WKH�KDUERU�EDWK

¿JXUH����7KH�¿YH�LQVSLUDWLRQDO�PRPHQWV�RI�WKH�GLYHU��WKH�UXQ��WKH�FURXFK��WKH�MXPS��WKH�ÀLS��DQG�WKH�ODQGLQJ

¿JXUH����,Q�DQ�HIIRUW�WR�EHFRPH�DQ�LFRQ�IRU�WKH�FLW\��WKH�KDUERU�EDWK¶V�IRUP�HFKRHV�&RSHQKDJHQ¶V�RUJDQLF�FRPSR�sition

¿JXUH����7KH�KDUERU�EDWK�UHVWLQJ�LQ�WKH�FDQDO

¿JXUH����9LHZ�RI�WKH�KDUERU�EDWK�IURP�ODQG

¿JXUH����WKH�KDUERU�EDWK¶V�IRUP�ZHQW�WKURXJK�VHYHUDO�LWHUDWLRQV�RI�WUDQVLWLRQ��EHFRPLQJ�VPRRWKHU�DQG�PRUH�LQWULFDWHO\�FRQQHFWLQJ�WKH�YDU\LQJ�SURJUDP�HOHPHQWV

¿JXUH����(PEOHPDWLF�VWXGLHV�RI�WKH�KDUERU�EDWK¶V�IRUP

¿JXUH����+DUERU�EDWK�SODQ

F>G�LCHANGING

ROOM

PHF>G�LCHANGING

ROOM

CONCESSIONSTAND

LOUNGE DECK

DIVINGPLATFORM

¿JXUH����6HFWLRQ�WKURXJK�WKH�KDUERU�EDWK¶V�GLYLQJ�SODWIRUP

¿JXUH�����9LHZ�IURP�WKH�FKDQJLQJ�URRP�HQWUDQFH ¿JXUH�����9LHZ�IURP�WKH�GLYLQJ�SODWIRUP

CRANBROOK WELLNESS CENTER%ORRP¿HOG�+LOOV��0LFKLJDQ

6SULQJ������

The focus of this project was to create a harmony between the built environment of the Cranbrook Academy of Arts campus and the grown environment adjacent to the site. This design uses the roof as a folding device that caresses the building ERH�XYGOW�MX�MRXS�XLI�IEVXL��8LI�VSSJ�ERH�IEVXL�EPWS�SJJIV�WYWXEMREFPI�FIRI½XW�MR�FSXL�XLI�WYQQIV�ERH�JVMKMH�1MGLMKER�[MRXIVW���&]�TPEGMRK�LEPJ�SJ�XLI�FYMPHMRK´W�TVSKVEQ�underground, those spaces become better insulated against the cold weather.

¿JXUH����,QLWLDO�FRQFHSW�RI�XQIROGLQJ�URRI�WKDW�WLHV�EXLOGLQJ�WR�WKH�QDWXUDO�HQYLURQPHQW�E\�FDUYLQJ�RXW�D�VSDFH�LQ�WKH�HDUWK

¿JXUH����7KH�ZHOOQHVV�FHQWHU¶V�VLWH�LV�RQ�WKDW�PXVW�PHGLDWH�EH�WZHHQ�JURZQ�DQG�EXLOW�HQYLURQPHQWV

¿JXUH����'HWDLO�VHFWLRQV�WDNHQ�DW�WZR�SHUSHQGLFXODU�VOLFHV�WKURXJK�WKH�ZHOO�ness center

¿JXUH����([SORGHG�D[RQRPHWULF�PRGHO�RI�WKH�ZHOOQHVV�FHQWHU�VKRZLQJ�WKH�EXUURZLQJ�QDWXUH�RI�WKH�VSDFHV�DQG�WKH�F\FOLFDO�FLUFXODWLRQ�

women’s changing

room

men’s changing

room

sauna and

plunge pool

lap pool

therapy pool

massage room

massage room

massage room

massage room

yoga studio

lobby

office

librarymeditation/lounge

men’s changing

room

women’s changing

room

greenroof

guestroom

guestroom

guestroom

guestroom

guestroom

¿JXUH����%DVHPHQW�SODQ ¿JXUH����)LUVW�ÀRRU�SODQ

¿JXUH����6HFRQG�ÀRRU�DQG�URRI�SODQ

¿JXUH����6HFWLRQDO�PRGHO�RI�WKH�ZHOOQHVV�FHQWHU¶V�JUHHQ�URRI�DQG�OLEUDU\�VSDFH ¿JXUH����5HQGHU�RI�WKH�ZHOOQHVV�FHQWHU¶V�XQGHUJURXQG�VSDFHV�DQG�WKH�VN\OLJKWV�WKDW�OLJKW�WKHP

PERSONAL PROJECTS

COMPACT LANTERN1HZ�<RUN��1HZ�<RUN

6XPPHU�����

The decision to design this lamp was motivated by three desires: to get a chance to familiarize myself with my SJ½GI´W�PEWIV�GYXXIV��XS�GVIEXI�ER�YTPMJXMRK�WSYVGI�SJ�PMKLX�for the windowless Brooklyn apartment I was living in, and an attempt to create something three dimensional that could be mailed to friends living throughout the United States. I was extremely happy with the outcome, because it was a success on all three fronts.

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRO

DU

CED

BY

AN

AU

TOD

ESK

ED

UC

ATI

ON

AL

PRO

DU

CT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRO

DU

CED

BY A

N A

UTO

DESK

EDU

CA

TION

AL PR

OD

UC

T

EAST/WEST COMIC1HZ�<RUN��1HZ�<RUN

6XPPHU�����

I’ve often had the desire to create a comic or book of illustrations to express myself in ways that architecture rarely permits. After moving to Brooklyn and discovering the Desert Island comic book store in Williamsburg, I found hundreds of books that accomplished exactly what I was looking to create. It inspired me and helped QI�½RH�SXLIV�PMOI�QMRHIH�MRHMZMHYEPW�[MXL�E�TEWWMSR�JSV�XLI�LYQFPI�EVXJSVQ�SJ�WIPJ�published comic books that is growing into a massive subculture. After the owner agreed to display my book, I quickly began compiling a collection of my drawings and ended up submitting copies of the book to the New York Camera Club’s Zine Fair. I’ve also been mailing them to friends from high school and college, in an effort to stay connected after graduating.

PROFESSIONAL WORKOsborn Architects

$QGUH�.LNRVNL�$UFKLWHFW.RKQ�3HGHUVRQ�)R[�$VVRFLDWHV

Osborn Architects

ALEX THEATER*OHQGDOH��&DOLIRUQLD

6SULQJ������

This competition entry for the historic Alex Theater focused on creating shad-ing devices for pre and post show gath-erings. These schemes try to call back to the Egyptian era that the theater’s design attempts to mimic. Papyrus-like struc-tures were used to emulate the mood of the Nile.

¿JXUH����$�KDQG�VNHWFKHG�FRQFHSW�GUDZLQJ�RI�VKDGLQJ�GHYLFHV�IRU�WKH�$OH[�7KHDWHU¶V��IRUHFRXUW

¿JXUH����$QRWKHU�VNHWFK�WKDW�DWWHPSWV�WR�UHFDSWXUH�WKH�IHHO�RI�3WROHPDLF�(J\SW

¿JXUH����6KDGLQJ�GHYLFHV�EDVHG�RQ�SDS\UXV�SODQWV

¿JXUH����)LQDO�VXEPLVVLRQ�XVLQJ�PHVK�DQG�FRSSHU�WXEHV�WR�VKDGH�SDWURQV�LQ�WKH�IRUHFRXUW

GUGGENHEIM KIOSK

Z HOTEL INTERIOR

1HZ�<RUN��1HZ�<RUN$XWXPQ������

4XHHQV��1HZ�<RUN$XWXPQ������

In addition to designing The Wright restaurant and ER�IWTVIWWS�FEV� JSV� XLI�+YKKIRLIMQ�1YWIYQ��%R-dre Kikoski was asked to create concepts for a more distinguished food kiosk to compete with the hot dog vendors that often crowd the sidewalks outside of the museum. I built this model for one of these schemes that used cast resin panels and a teardrop form based on one of Frank Lloyd Wright’s preferred geometries. The New York City’s Landmarks Preser-vation Commission’s denial of the design was written about in the October 2010 issue of The Architect’s Newspaper.

This model helped visualize a design for the bedrooms in the Z Hotel. In order to see materials in the space, I created elevations drawn with scanned and color matched material samples. After matching these ma-terials I printed them to high gloss paper and applied them to foamcore creating a physical model that had the appearance of a 3D render and was highly repre-sentative of what the interior space would become.

¿JXUH����7KH�*XJJHQKHLP�.LRVN�LV�GHVLJQHG�ZLWK�D�WHDUGURS�JHRPHWU\�DQG�FDVW�UHVLQ�SDQHOV

¿JXUH����3KRWRV�RI�WKH�¿QLVKHG�=�+RWHO�LQWHULRUV ¿JXUH����3K\VLFDO�PRGHO�FRQVWUXFWHG�IURP�KLJK�JORVV�SULQWV�RI�HOHYDWLRQV�DSSOLHG�WR�IRDPFRUH

¿JXUH����,QWHULRU�HOHYDWLRQV�GUDZQ�XVLQJ�VFDQV�RI�PDWHULDO�VDPSOHV�

$QGUH�.LNRVNL�$UFKLWHFW

.RKQ�3HGHUVRQ�)R[�$VVRFLDWHV

CHONGQING SUPERTOWER HIGHRISE

&KRQJTLQJ��&KLQD6SULQJ�6XPPHU�����

The Supertower Highrise is a multitower mixed use development that acts a beacon of commerce and culture for the city of Chongqing. Throughout the course of this project, I have had the oppor-tunity to work on many different elements of the project. I spent a few long days modeling the tower mullions in Rhino so they could be sent to a fabri-cator to create this presentation model. I was able to familiarize myself with the project by coloring a site plan and elevations (shown on adjacent page). As these elements were constantly changing, and it was my responsibility to update them, I was able to gain a well rounded awareness of the towers’ and podium’s progress throughout the project.

¿JXUH����2QH�RI�PDQ\�FROODJH�VFKHPHV�XVHG�WR�GHWHUPLQH�KRZ�WR�PDNH�WKH�SRGLXP�DSSHDU�PRQXPHQWDO�IURP�DFURVV�WKH�ULYHU

UHQGHUHU��6XSHUYLHZ��&R���+RQJ�.RQJ

¿JXUH����3KRWRJUDSKV�RI�IDEULFDWRU¶V�PRGHO�WKDW�XVHG�LQIRUPDWLRQ�IURP�D��'�0RGHO�,�FRQWULEXWHG�WR�E\�PRGHOLQJ�ZLQGRZ�PXOOLRQV

PRGHO�PDNHU��5-�0RGHO��+RQJ�.RQJKPF Team Included: Robert Whitlock, Bruce Fisher, Judy Wong, Robert Graustein, Allan Horton, Cuyler Hendricks, Charlie Por-XIPPM��0MWE�/IR]SR��1MGLEIP�0MR\��1MGLEIP�0MR��ERH�Q]WIPJ�

.RKQ�3HGHUVRQ�)R[�$VVRFLDWHV

¿JXUH����7KHVH�SURJUDPPDWLF�GLDJUDPV�LQGLFDWH�ZKLFK�SRUWLRQV�RI�WKH�SRGLXP�ZLOO�EH�OHQW�WR�WKH�/LJKW�5DLO�7UDLQ�WKDW�LV�DWWDFKHG�DQG�JRHV�WKURXJK�WKH�SRGLXP

¿JXUH����&RORUHG�VLWH�SODQ ¿JXUH����&RORUHG�RYHUDOO�HOHYDWLRQ

¿JXUH���6RXWK�HOHYDWLRQ�RI�SRGLXP

¿JXUH����+LJK�HQG�VKRSIURQWV�VXUURXQGLQJ�WKH�SRGLXP¶V�HPHUJHQF\�HJUHVV�GRRUV

¿JXUH����0DJQL¿HG�VRXWK�HOHYDWLRQ�RI�SRGLXP�VKRZLQJ�VWRUHIURQW

.RKQ�3HGHUVRQ�)R[�$VVRFLDWHV

CHONGQING SUPERTOWER PODIUM

&KRQJTLQJ��&KLQD6SULQJ�6XPPHU�����

I have spent the majority of my experience at Kohn Pederson Fox Associates, developing vari-ous elements of the commercial podium that rests at the base of the three towers. I’ve have played E�WMKRM½GERX�VSPI�MR�GVIEXMRK�MRXIVEXMSRW�SJ�HIWMKRW�for the podium’s storefront. Experimenting and modelling egress techniques, mullion solutions, and various details to negotiate these elements. In order to fully comprehend the techniques we wish to employ, it has been necessary for me to work in all forms of representation. Initially repre-senting our options in elevation and then zeroing MR�SR�WTIGM½GW�MR�HIXEMP�TPERW�EPPS[IH�QI�XS�KEMR�enough information about the shopfront to cre-ate 3D vignettes of the shopfront at the podium’s street level. These documents were then used to MRJSVQ�JYVXLIV�HIGMWMSRW�[MXLMR�XLI�SJ½GI�ERH�EX�meetings with our client.

.RKQ�3HGHUVRQ�)R[�$VVRFLDWHV

¿JXUH����'HWDLO�SODQV��HOHYDWLRQV��DQG�VHFWLRQV�VKRZLQJ�SRGLXP�VWRUHIURQW¿JXUH����3ODQ�FXWV�RI�YHUWLFDO�VWRQH�UHYHDO�EHWZHHQ�VKRSIURQWV