École polytechnique fédérale de LausanneSection d’architecture 2005 à 2009

Portfolio

Philipp Jakob

Atelier Vincent Mangeat (LATER)“Projet sous le pont”

(Ba-1 05/06)

Philipp Jakob

Atelier Vincent Mangeat (LATER)“Espace d’exposition”

(Ba-1 05/06)

Philipp Jakob

Atelier Vincent Mangeat (LATER)“Un bain au bord d’un rive”

(Ba-2 05/06)

Philipp Jakob

Atelier Dieter Dietz (ALICE)“Form, Order and Chaos”

(Ba-3 07/08)

Alexander Hertel & Philipp Jakob

Studies indicate that familiarity with gravity is not innate, but is learned in infancy. At 4 months, infants

begin to realize that a rolling ball cannot pass through an obstacle, but are not yet aware that an unsupported

ball will fall. At 5 months, they discriminate between upward and downward motion. At 7 months, they

show sensitivity to gravity and the “appropriate” acceleration of a ball rolling upward or downward. By

adulthood, falling objects are judged to move naturally only if they accelerate downward on a parabolic path.

These judgments are based not on mathematical reasoning, but on visual experience; when asked to

reason abstractly about such motion, many adults are prone to error.

Misalignment with the vertical axis is psychologically disturbing in a way that horizontal misalignment is

not. The perception of a picture hung awry on a wall produces an urge to straighten it. And, according to Thiis-Evensen, visitors at the Leaning Tower of Pisa

“very seldom pause immediately beneath the leaning side. They feel safe only when at a certain distance

and preferably on the opposite side of the tilt.” Again, this is reflected in the language: there is no horizontal

equivalent of “lean” or “tilt”.

Jenga - Autonomous Growth

Arrayed in time

Porosity and Displacement of Mass

Misalignment - No glue

Deformation - No glue

Emulation of Porosity - No glue

Emulation of Porosity - Big Wall

1st Spiral - Duct Tape and Jengapieces

Spiral - It’s gettin’ bigger

The System - Wire and grooved piece

Grammar / Typology - Top Line - Blue / Middle Line - Green / Bottom - Red

Syntax - Sentence Structure

Architectural language - Exploded WallElements - Structural Member (Compression) and Conjunctive Element (Traction)

Circular / Loop Directional - Super�cies Regladas of Eladio Dieste

ALICE 141107Gravity Order and ChaosAlex Hertel and Philipp JakobGravity Order and ChaosAlex Hertel and Philipp Jakob

Implosion Type

1 3 4 5 6 EXPLOSION Type Compression and Traction2 IMPLOSION Type Compression Only / No Conjunctive Element needed (See Gramazio & Kohler ETH Zürich)

2

1Implosion Type

Gramazio & Kohler ETH Zürich

2nd Spiral - Wire and grooved piece

Emulation of Porosity

Emulation of Porosity

Eladio Dieste

3rd Spiral - String and shrinked grooved piece

Structural Collapse

Vertical Control - Multiple Spirals

Enhancement

Structural control - Horizontal and Vertical

Pilier - Control of Vertical Continuity at Checkpoints and Horizontal Inclination (~2° per layer)

Shape Research - Circular/Type 1

ALICE 281107Gravity Order and ChaosAlex Hertel and Philipp JakobGravity Order and ChaosAlex Hertel and Philipp Jakob

Pilier - Control of Vertical Continuity at Checkpoints and Horizontal Inclination (~2° per layer)

Shape Research - Circular/Type 1

Architectural language Part 2 - Exploded Wall

Socle - Control of Horizontal Continuity - Control of Vertical Inclination of the multiple Spirals

90°

Controled Inclination from 0° to 90°

~100°

Checkpoints

New Theme - The Collapse

Collapse as a Theme

Public three dimensional visual display unit

Arrayed through time and space intended to communicate a particular impression. Once integrated

into its social and spatial/urban relation it starts to transmit information. Interacting with its environment

the entity reveals, makes visible or apparent by provoking specific perception according to (a) given

theme(s)

The final Spiral - String and moulded Plasterbricks

Production

Construction 1

Construction 2

Views

New Porosity

New Porosity

New Porosity

Pill & Flex

Atelier Dieter Dietz (ALICE)The Lighthouse Project

(Ba-4 07/08)

Philipp Jakob

Conceptual Setup

Conceptual Setup

Conceptual Setup

Movement and Light

(a) Movement changes Sensation

(b) changing Sensation creates Movement

Dodecahedron - Structure Proposal

Dodecahedron - Structure Proposal

Dodecahedron - Structure Proposal

Dodecahedron - Connection Joint

Dodecahedron - Structure Proposal

The Cone - Sun Mapping

The Cone

The Cone

The Cone

Site - London

Public Light Space

Public Light Space

Public Light Space

Materialization of Light-Time

Materialization of Light-Time

Light-Time = Structure

Public Space - A Forum

Structural Logic =Spatial & Distributional organisation

A Forum

A Forum

A Forum - Plans 3rd (= habitation) and 2nd

A Forum - Plans 1st and ground floor

A Forum - Plans underground -1

Espace EscaliersEscaliers / Coursives MineursHabitation LevelMajor Public Space

Espace EscaliersEscaliers / Coursives MineursHabitation LevelMajor Public Space

A Forum - StructuroSpatial Logic, Public Space

Espace de TransitionEspace PrivéeEspace C

omm

unal interieurEspace C

omm

unal extérieur

DistributionEspace de TransitionEspace PrivéeEspace Communal interieurEspace Communal extérieur

A Forum - StructuroSpatial Logic, Habitation, Roof level

Atelier Bernard Khoury“Le shopping Mall - l’architecture vulgaire”

(Ba-5 08/09)

Philipp Jakob

“La realité est une invention” - Le Scénario

Espace de transition - Entre Realité et Illusion

Membrane translucideLumière et Air naturelOuvertures

Espace de transitionEspace Fictionnel

MembraneExtérieure

MembraneIntérieure

Surface colorisée

Entre Realité et Illusion

Lumière artificielle

Le son

Bruit fictionnelMall - Atrium

Bruit extéreieurParking

État psychique pure

Extérieur Intérieur

Normallinéaire

Manipulénon-linéaire

membrane Extérieur

membrane Extérieur

membrane Intérieur

membrane Intérieur

/ air frais,purifie

sphere fictionnelle dont l utilisation est propre a chaque individu et en dehors de toute pr;occupation esthetique ou morale

Le toucherou la sensation...

Normallinéaire

Manipulénon-linéaire

sol rigide

sol meuble / air sec,sableux

liminal space:

membrane Extérieur

membrane Extérieur

membrane Intérieur

membrane Intérieur

membrane membrane membrane

Espace de transition - Entre Realité et Illusion

Espace de transition - La membrane

Espace de transition - La membrane

SCÉNARIO - Le technicien membranaire

CHECKER'SMALL

GLASSMALL

VERTICAL MALL

RESTO MALL

REALITY MALL

METEOPARK

ACARPOLIS

BLACKHOLE

SCAN

PACKMALL

MEMBRANE

BARSHISH

DEDALE'S

156 Vignettes conceptuelles

12 Groupes - 12 Idées - 12x12 Combinations

Membrane - “Façade Parking” et “Façade vivante”

Membrane - “Atrium tirroir” et Entrée écran

Membrane - “Mouvement sportif” et “Façade Abacus”

Membrane - “Mall Alpine” et “Transition Virtuelle”

“Vegas Mall”

Séquences d’arrivée - Espaces de transition

“Vegas Mall”

“Vegas Mall”

“Vegas Mall”

“Vegas Mall”

“Vegas Mall”

“Vegas Mall”

“Vegas Mall”

“Vegas Mall”

“Drive-In Mall”

Croisement des mouvements

“Drive-In Mall”

Coupe Transversale B-B’ 1:500

Coupe Transversale A-A’ 1:500

Plan Rez-Chaussée 1:500

B-B’

A-A’’

Elevation

Elevation

“Drive-In Mall”

“Highway Mall”

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Urban typology

<<Urban Mall>>

<<Highway Mall>>

Typologies

A) Single-Sided

B) Single -Sided / Circular

C) Double-Sided

D) Double-Sided / Circular

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Park

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Distribution Direction 1

Direction 2

Pedestrian Zone

Service/Delivery

Circular Manifold

Atelier Khoury BA-5 / Philipp Jakob / Page 1 / Typologies

<<Packers Mall>>

Formal Research

A) Single-Sided / Non-Circular B1) Single -Sided / Circular

C) Double-Sided / Non-Circular D) Double-Sided / CircularB2) Single -Sided / Circular

A*) Single-Sided / Circular

Stre

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Shop

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Urban typology

<<Urban Mall>>

<<Highway Mall>>

Typologies

A) Single-Sided

B) Single -Sided / Circular

C) Double-Sided

D) Double-Sided / Circular

Stoc

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Shop

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dest

rians

Park

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Distribution Direction 1

Direction 2

Pedestrian Zone

Service/Delivery

Circular Manifold

Atelier Khoury BA-5 / Philipp Jakob / Page 1 / Typologies

<<Packers Mall>>

Formal Research

A) Single-Sided / Non-Circular B1) Single -Sided / Circular

C) Double-Sided / Non-Circular D) Double-Sided / CircularB2) Single -Sided / Circular

A*) Single-Sided / Circular

A*) Single-Sided / Circular

D) Double-Sided / Circular

400 meters

1600 meters

Atelier Khoury BA-5 / Philipp Jakob / Page 1 / <<Highway Mall>>

“Highway Mall”

A*) Single-Sided / Circular

D) Double-Sided / Circular

400 meters

1600 meters

Atelier Khoury BA-5 / Philipp Jakob / Page 1 / <<Highway Mall>>

“Highway Mall”

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1600 meters

Atelier Khoury BA-5 / Philipp Jakob / Page 1 / <<Highway Mall>>

“Highway Mall”

“Highway Mall” Perspectives

“Highway Mall” Maquette

Atelier Buchner & Bründler“House of Sound”

(Ba-6 08/09)

Philipp Jakob

“House of Sound” - Concept - Rhythm & Form

“House of Sound” - Concept - Rhythm & Form

Rhythm of a guitar

Movement of a voice

Rhythm of a guitar

Movement of a voice

Atelier Buchner & Bründler

Philipp Jakob

Atelier Buchner & Bründler

Philipp Jakob

“House of Sound” - Concept - Rhythm & Form

“House of Sound” - Concept - Rhythm & Form

“House of Sound” - Concept - Rhythm & Form

“House of Sound” - Concept - Rhythm & Form

“House of Sound”

“House of Sound”

“House of Sound”

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