GRETA VIRVICIUTE

PORTFOLIO

2012/2014

C R E A T I V E E D U C A T I O N

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2 0 0 8 - 2 0 0 9

K A U N A S A N T A N A S M A R T I N A I T I S A R T S C H O O L , L I T H U A N I A

s k i l l s g a i n e d : • s c u l p t u r e• a c a d e m i c d r a w i n g ; • p a i n t i n g• c o m p o s i t i o n t e c h n i q u e s

V I L N I U S A C A D E M Y O F A R T SK A U N A S F A C U L T YB D e s A P P L I E D G R A P H I C SL I T H U A N I A

s k i l l s g a i n e d : • a d v a n c e d a c a d e m i c

d r a w i n g• l i n o c u t• c a l i g r a p h y• i l l u s t r a t i o n• p h o t o g r a p h y

2 0 0 9 - 2 0 1 3

E D I N B U R G H N A P I E R U N I V E R S I T YB D e s ( H o n s ) G R A P H I C D E S I G NS C O T L A N D

s k i l l s g a i n e d : • t y p o g r a p h y• A d o b e c r e a t i v e s u i t e ( i l l u s t r a t o r ; i n d e s i g n ; p h o t o s h o p ; a f t e r e f f e c t s )• c o n c e p t d e v e l o p m e n t• v i s u a l p r o b l e m s o l v i n g• m i x a n d m a t c h o f d i f f e r e n t

t e c h n i q u e s

g r e t a v i r v i c i u t e @ g m a i l . c o m + 3 7 0 6 7 4 6 0 4 7 1

E X H I B I T I O N S & E V E N T S

• 2 0 1 3 . 0 7 . 0 1 - 0 7 . 0 5 L o n -d o n D e s i g n w e e k D & A D N e w B l o o d S h o w

• 2 0 1 3 . 0 6 . 0 6 - 0 7 . 0 6 “ A L ’ a f f i c h e ” P o s t e r e x h i b i t i o n

• T h e F r e n c h I n s t i t u t e , E d i n -b u r g h

• 2 0 1 3 . 0 5 . 2 4 - 0 6 . 0 2 E d i n b u r g h N a p i e r D e g r e e S h o w

• 2 0 1 2 . 0 6 . 2 6 • ( D & A D L o n d o n )• B e s t N e w B l o o d J u d g i n g f o r

E d u c a t i o n N e t w o r k M e m b e r S t u d e n t R e p s

P L A C E M E N T

• 2 0 1 2 . 0 8 T W O A S S O C I A T E S , L o n d o n g r a p h i c d e s i g n e r

B O O K C O V E R D E S I G N

Book cover design for 1959 novel by Günter Grass. Cover design combines two different materials and is based on touch and feel experience. Metal symbolizes cold war time and gives weight that story has within itself while fabric cover is closer to social aspect of the story and characters continuing their l ives surrounded by war aus-terity.

The brief was to find a creative re-sponse to promote It’s Nice That content engaging with its original audience - students. Kinegram technique (moving pic-ture) was used to develop engaging campaign with various outcomes. Moving picture, reveals information in 3 steps: f irst - f lyer reveals ty-pographical composition of words that represent some of It’s Nice That content, second – it turns it into an-other shape and third - it says that there is more to look for online.

Interactive flyer is more than just informational piece, it engages with the holder and brings play to eve-ryday making it memorable and something that one would l ike to share with others. Two pieces - im-age and acetate - can create vari-ous different outcomes forming the background for further campaign development, artworks are rich with its outcomes as It’s Nice That with content.

D & A D A W A R D S / / 2 0 1 3I T ’ S N I C E T H A T

flyers

ILLUSTRATION

INTERACTIVE

MUSIC

EVENTS

SCULPTURE

PHOTOGRAPHY

ART

GRAPHIC DESIGN

FILM

ANIMATION

FASHION

ILLUSTRATION

INTERACTIVE

MUSIC

EVENTS

SCULPTURE

PHOTOGRAPHY

ART

GRAPHIC DESIGN

FILM

ANIMATION

FASHION

POSTERS

ILLUSTRATION

INTERACTIVE

MUSIC

EVENTS

SCULPTURE

PHOTOGRAPHY

ART

GRAPHIC DESIGN

FILM

ANIMATION

FASHION

ILLUSTRATION

INTERACTIVE

MUSIC

EVENTS

SCULPTURE

PHOTOGRAPHY

ART

GRAPHIC DESIGN

FILM

ANIMATION

FASHION

POSTERS

I T ’ S N I C E T H A T / / v i r a l t e a s e r c l i c k h e r e f o r m o t i o n

Designival – The festival bridges sto-ries about design, from designers for designers and design enthusiasts, in-viting to appreciate every aspect of design. Looking from different per-spective at the relationship between design and designer, the campaign is based on a very simple and natural concept - design is l ike the egg for a chicken.

The metaphor reveals the idea that design is essential and natural pro-cess for a designer, it is more than a job and response to a brief. After every completed work, designers get their hands on another project, and another and another… This creates a natural cycle on which the campaign is based on.

D e s i g n i v a l / / R O S E S A W A R D S

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SUBSCRIBE

D E S I G N I V A L / / t i c k e t s

+ D A T A V I S U A L I S A T I O N

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FIFE

WESTERN ISLES

BORDERS

AYRSHIRE AND ARRAN

LANARKSHIRE

HIGHLAND

DUMFRIES AND GALLOWAY

LOTHIANTAYSIDEGRAMPIAN

GREATER GLASGOW AND CLYDEFORTH VALLEY

FIFE

WESTERN ISLES

BORDERS

AYRSHIRE AND ARRAN

LANARKSHIRE

HIGHLAND

DUMFRIES AND GALLOWAY

LOTHIAN

TAYSIDE

GRAMPIAN

GREATER GLASGOW AND CLYDE

FORTH VALLEY

RESIDENTS TREATED ELSWHERE

NONRESIDENTS TREATED

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%

EXHIBIT 2. Percentage of orthopaedic patients treated outside NHS board of residence by NHS board 2007/08

NHS boards treat a number of patients who do not livein their board area and also send a number of patientsfor treatment in other NHS boards

In the graph, the thicker the line - the bigger the city is.

GRETA VIRVICIUTE

Proposal for Audit Scotland //University l ive project

Ordinary and boring graphs turned into more graphical solution

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1,200

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BORDERS

FIFEWESTERN ISLES

DUMFRIES AND GALLOWAY

LOTHIAN

HIGHLAND

FORTH VALLEY

LANARKSHIRE

AYRSHIRE AND ARRAN

TAYSIDE

GRAMPIAN

GREATER GLASGOW AND CLYDE

SCOTLAND

FIFEWESTERN ISLES

BORDERS DUMFRIES AND GALLOWAY

LOTHIAN

HIGHLAND

FORTH VALLEY

LANARKSHIRE

AYRSHIRE AND ARRAN

TAYSIDE

GRAMPIAN

GREATER GLASGOW AND CLYDE

SCOTLAND

Direct day case cost per case (£)

Day case episodes per consultant

EXHIBIT 18. Orthopaedic consultant day case activity compared with cost per case for day cases by NHS board of treatment 2007/08

GRETA VIRVICIUTE

Activity in orthopaedic services varies signi�cantly across Scotland.NHS boards with higher consultant activity generally have lower costs per case for day cases.Size of the triangle depends on the area it represents (the bigger the area,the wider triangle is).

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250 200

400600

8001,000

1,2001,400

1,6001,800

2,000

FIFE

WESTERN ISLES

BORDERS

DUMFRIES AND GALLOWAY

LOTHIAN

HIGHLAND

FORTH VALLEY

LANARKSHIRE

AYRSHIRE AND ARRAN

TAYSIDE

GRAMPIAN

GREATER GLASGOW AND CLYDE

SCOTLAND

Direct day case cost per case (£)Day case episodes per consultant

EXHIBIT 18. Orthopaedic consultant day case activity compared with cost per case for day cases by NHS board of treatment 2007/08

GRETA VIRVICIUTE

Activity in orthopaedic services varies signi�cantly across Scotland.NHS boards with higher consultant activity generally have lower costs per case for day cases.Size of the shape depends on the area it represents (the bigger the area,the wider the shape).

+ L E T T E R P R E S S W O R K S H O P

+ b r a n d i d e n t i t y

Live project for university – create a proposal for a new spin out company from Edinburgh University.Carbomap applies state – of – art sci-ence to the problem of measuring and mapping the world’s forest car-bon. While developing the very newest methods of measuring forest carbon, they are currently offering the follow-ing services: - Consultancy in all areas related to forest carbon mapping; - Project planning for aerial surveys; - Data processing for forest carbon measurements Brand was created focusing on com-pany’s main activity – forest mapping. Hexagon shape stands for carbon and forms a tree shape with impression of mapping.

C A R B O M A P / / i d e n t i t y p r o p o s a l 2 0 1 2

Kosovo Wind Gardens was an innovative social venture supporting rural de-velopment in Kosovo. Company did this through the distribution of house-hold horizontal axis wind turbines.The turbines have the capacity to offset energy costs, mitigate the effects of blackouts and generate income from the sale of excess electricity. Reflecting on the idea of wind turbines continuously producing electricity, mark was created based on creating the i l lusion of movement and repre-sentation of continuous energy.

K O S O V O W I N D G A R D E N S / / i d e n t i t y p r o p o s a l 2 0 1 2

c l i c k h e r e f o r m o t i o n

O X T O N & C H A N N E L K I R K C I T Y C O U N C I L / / i d e n t i t y p r o p o s a l 2 0 1 2

Identity design was inspired by the view that opens up standing on the vil-lage’s main street. The view forms V shape landscape latter on transform-ing into communities mark representing it as a welcoming, friendly and open community.

Oxton & Channelkirk Oxton & Channelkirk

+ v i d e o / / m o t i o n

In August Edinburgh Fringe Festival attracts mill ions of people from different parts of the world to celebrate arts, theatre and culture. It is signifficant for the city of Edinburgh not only from economic point of view but from cultural side as well. Not many cities can create and attract mill ions of people to celebrate arts in one place.

Simple i l lustrative take on reteling the story of f irst festival in Edinburgh

E D I N B U R G H F I R S T F E S T I V A L 1 9 4 7 / /u n i v e r s i t y p r o j e c t

c l i c k h e r e f o r m o t i o n

S T A T E O F M I N D / / 2 0 1 3

V i s u a l s t o r y n a r a t i o n c r e a t e d o u t o f p e o -p l e p e r s o n a l s t o r i e s a b o u t c h a o t i c s t a t e o f m i n d . W h e n i n c h a o s - h o w a n d w h a t d o y o u f e e l ?

T H A N K Y O U F O RY O U R T I M E