PortfolioTiemen Anema

august2014

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ContentsArchitectural projects

Hintergarten 6Kunsthal Rotterdam 14

Non-architectural projects

Epeletpik 24Fügen 28

Curriculum Vitae 32

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project design projectuniversity TU Berlin

partner Vera Wittebrooddate 2013

Hintergarten is a semicircular extension for the famous ‘Direktorenhaus’ located in

Niesky, Germany. The ‘Direktorenhaus’ was a showpiece of the prefab wooden houses

pioneer and architect Konrad Wachsmann. The wooden houses he designed where all produced

in the factory of Christoph & Unmack located in Niesky. Nowadays the ‘Direktorenhaus’ will serve as a museum for wooden prefab houses

and Konrad Wachsmann in particular.

The municipality of Niesky wants to extend the capacity and functionality of the museum.

Preferably in a side-building where visitors can eat, drink, meet & sleep on the site adjacent to

the famous ‘Direktorenhaus’.

Hintergarten

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The side-building encloses the backyard (Hintergarten in German) with it’s semicircular form. There the side-building finds it’s relation with the ‘Direktorenhaus’. It strengthens the intimacy and serene atmosphere of the backyard. In the same way the semicircle respects the ‘Direktorenhaus’ through it’s pure and condescending form.

Due to the enclosure of the backyard there an outside room is created. Here the outside exhibition route is located. A clear path in the backyard instead of an open piazza to preserves the serene and rustic atmosphere. Through it’s guiding role

Above Ground-floor plan of the site. The rammed earth wall guides the whole ensemble.

Below Concept diagram showing how the extention creates an outside room.

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Above Photo at eye-level of the final model, showing the enclosure of the backyard by the side-buildig.

the route creates the physical connection between the ‘Direktorenhaus’, backyard and side-building.

This role is accentuated through a massive rammed earth wall that forms a guide along the side-building and outside exhibition. When entering the backyard the wall picks you up and leads you along the backyard and side-building. Through integrated seats and information signs the route keeps attractive and useful.

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In one way the building functions as a border - it encloses the backyard - and in the other way hosts the different functions: apartments for the researchers that stay a couple of weeks and the restaurant and seminar-room for the visitors of the museum.

Therefore the restaurant and seminar-room are orientated with a clear and direct view to the ‘Direktorenhaus’. The apartments on the other hand are orientated towards the beautiful forest. This distinction between public and private is accentuated through the massive rammed earth wall. With it’s 500mm thickness the wall physically

forms an explicit hard border, but keeps a warm feeling trough it’s “soft” material.

The shifting orientation is strengthened by the roof. The roof opens up in the direction of the orientation and closes down - trough it’s slope - at the opposite side. So the roof forms in a beautiful slow wave. The tipping point of the roof is the heart of this distinction; the rammed earth wall.

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Above Sections & elevations of the side-building, demonstrating the elegance relative to the ‘Direktorenhaus’.

Left Photo with bird-view of the whole ensemble: ‘Direktorenhaus’, backyard and side-building.

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The side-building is constructed - beside it’s rammed earth wall - of wooden frames. Approximately every meter a wooden framework spans to the rammed earth wall - the direction depends on the orientation. Because of this short repetition a very flexible construction arises.

The wave shaped roof consist of sedum so it becomes one with the surrounding forest and is finished with a minimal wooden plinth. The apartments and restaurant have big floor-to-floor windows to emphasise their orientation.

Above Front and rear elevation of an apartment.

Below Structural diagram with the rammed earth wall, wooden frameworks and the waved roof.

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Above Sections of an apartment. Left the wide view to the forest and right the public - private distinction.

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project design projectuniversity TU Delft

date 2014

“Is there any life left in the box?” Rem Koolhaas openly asks himself while designing

the Kunsthal Rotterdam back in 1992. He designed an ingenious concatenation of rooms connected by an exciting routing. Nowadays

this functioning doesn’t meet the modern needs of a Museum of the 21th Century.

The new Kunsthal - replacing the fictitious burned down real Kunsthal - is a

multidisciplinary institute for art, education and recreation. A place not only for historic

reflection, but to see, think, do & share!

KunsthalRotterdam

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Above Plan view of the Westzeedijk level. Clear is the urban thoroughfare function of the central hall.

Below Concept diagram illustrating the different boxes connected by the central hall.

The core of the new Kunsthal is a giant central hall that functions as thoroughfare in the form of a slope. From this slope every function inside the building is accessible. All the adjacent functions got their own independent inward spaces linked to the serving central hall, so they could concentrate on their core function and develop their own identity.

To update the new Kunsthal along the needs of a modern museum, open work-spots, education, performance art and artist-in-residence were added. Also the library became public and the auditorium was made suitable for theatre and music.

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Top South elevation.

Bottom West elevation.

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Below West-east section. Shows the relation between the central hall and the independent spaces.

Through the penetration of the central hall, all functions can behave independently from one another. This enables a mixed use of the functions and a 24/7 accessibility of the new Kunsthal. The central hall not only serves the different spaces in their access, but also in their basic needs. It functions like a motor feeding the independent boxes.

Solar collectors covering the facade of the motor combined with a heat pump generate 78% of the desired total warmth of the building. 37% of the electricity needed for these heat-pumps is generated by wind turbines right through the central hall.

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Above Plan view of Museum park level. Showing the restaurant, auditorium, gallery and exhibition hall 1.

Left Aerial view. Above the Museumpark and below the Westzeedijk

Also at an urban level the central hall is the gateway for the Westzeedijk (at the North) to the Museumpark (at the South). For visitors and normal passers the central hall forms the public thoroughfare. Everybody can just walk right trough the building and enjoy the different facilities. It opens up for everyone!

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Above Section south-north, giving an insight in the central hall.

In the central hall everything comes together. It forms the pumping hearth of the building and becomes a melting pot of all the independent functions with their own identities. Through lines of sight , breakthroughs, signs & displays every function reflects it’s own identity into the central hall. As a surplus a fourth exhibition hall arises that shows the life between boxes!

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On a construction level the motor / central hall is the stable core for the separate boxes and is constructed of big wooden spans. From there lightweight metal trusses slide like arms into the boxes. In the zone of this lightweight trusses every serving system - like ventilation and light - is located.

The separate boxes all have the same inward exterior. With a second wall construction the volume of light can be arranged differently for every function. The facade is made of cast glass to let trough natural light but no sight, resulting in a very light and open space flexible to host various exhibitions.

Above Render of exhibition hall 2, hosting an exhibition of chairs by famous architects.

Right Vertical-, horizontal section and elevation of facade of the exhibition halls.

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Epeleptik

project art installationuniversity TU Delftpartner Bas de Pater

date 2014

Epeleptik is a sound & space study translated to a phsyical installation for the biennial music

& art festival of the Faculty of Architecture in Delft. It arises from a wish of the faculty

department to include students in the process of the setup for the festival, like the famous

Bauhaus festivities in the early 1920’s.

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“Epeleptik I” “Epeleptik II”

KET KollektivBased on The Future Sound of London Lifeforms

Space & Sound study

KET KollektivBased on The Future Sound of London Lifeforms

Space & Sound study

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Above Testing one optic fibre stretched to the stairwell.

Right Technical drawing of the installation, also showing people looking to or relaxing under the installation.

Above Still from the trailer showing three optic fibres stretched to the stairwell.

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Above QR-Code of the Epeleptik trailer (http://vimeo.com/92124737)

Lightsource (Gas/LED)

Optic fibre (11mm)

Lightsource (LED)

DMX ControllerLaptop

Epeleptik consists of three 15 meter long optic fibres stretched through the central stairwell of the faculty. Independent of each other these optic fibres could flash, resulting in a abstract dance of light.

Through the 3-dimensional setting and the different paths of the optic fibres the installation has another configuration from each angle. In conjunction with the different rhythms of the fibres reacting to ambient music the whole happening gets an intriguing ambience. The trailer (see QR-code) is based on Lifeforms form the Future Sound of London.

Due to the lack of funds the installation has never been realised on the festival.

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Fügen

project researchuniversity TU Berlin

date 2013

In 1979 Abe Bonnema - in response to a national competition - designed a quarter

(Alkmaar, the Netherlands) completely build of wooden dwellings. Based on 4 shifted

rectangles he designed a small, but flexible and spacious dwelling, that could easily vary in

size. The dwellings where constructed by the Swedish platform method and assembled on

the site.

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According to the method of reverse-engineering we dismantled these wooden dwellings, to research the relation between facade and construction at wooden structures. We illustrated this relation in a 1:10 scale model.

Walls and floors exists of wooden frameworks based on a modular size of 30 cm. These walls and floors are finished by a triplex layer for the stability and stacked on each other. The facade is finished by Red Cedar wood that is placed over another to drain the rainwater.

The interior consist of insulation finished by a vapour barrier and white plasterboard.

Above Interior of the model, illustrating the modular size of 30 cm.

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Above Front elevation of the model with the Red Cedar wood placed over another.

Right Interior of the model, showing the vertical section of the dwelling.

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CurriculumVitae

Tiemen Wyb Anema15-06-1992

The Netherlands

Voorstraat 9b2611JJ

Delft, The Netherlands

tiemena@gmail.com+31 (0)6 46 26 25 53

tiemena.nl

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Education

2010 - 2014 Bachelor of Architecture Technical University Delft, The Netherlands

2013 Minor Architektur Technical University Berlin, Germany

2004 - 2010 Gymnasium / VWO OSG WestFriesland, Hoorn, The Netherlands

Additional

2013 - 2014 Techniek op Hakken organisation Utrecht, The Netherlands Career-event with 118 participants, chairman

2014 DTU Green Challenge Copenhagen, Denmark Participant

Experience

2006 - 2012 Founder of Anemamedia Medemblik / Delft, The Netherlands small webdesign company 2012 Student Mentor Technical University Delft, The Netherlands assisiting two design- project groups

Skills

Mac OS.X +++++ Adobe Creative Suite ++++Revit Architecture ++++ Autodesk Autocad ++++ Rhino & Grasshopper++

Dutch +++++English ++++ German +++

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Thankyou!

Hi, I’m Tiemen. First of all I want to thank you for reading my portfolio back to back. I’m

a 22 year old architecture student, who just finished his Bachelors at the Department of

Architecture at the TU Delft. With a half-year break in Berlin I live in Delft for almost 4 years

now.

I’m a curious person interested in design, architecture and the internet. Sometimes a bit dreamy I like to learn and create new things.

Before starting my masters I would like to gain some experience in the field. Therefore I would love to elucidate my portfolio in a more

personal way!

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