PRODUCTION GUIDE POLAND · Film Commission Poland ul. Chełmska 21, bud. 4 / 56 00-724 Warszawa, Poland [email protected] Film Commission Poland is an

PRODUCTIONGUIDE POLAND

CONTENTS

FILM PRODUCTION FUNDING 3

Polish Film Institute 4Polish-German Film Fund 5Regional Film Funds 6European Programmes 8

FILM INDUSTRY 9

Polish Cinema Today 10Film Commissions 20Film Studios 22Sound Stages 28Producers 33Casting Directors 38TV Market & Broadcasters 40Distributors 42Film Events 44Professional Organisations 46

Film Commission Polandul. Chełmska 21, bud. 4 / 5600-724 Warszawa, [email protected]

Film Commission Poland is an institution established in 2012 with the mission to position Poland as a globally competitive film destination. Its aim is to support the development of a sustainable domestic audiovisual sector by servicing international and domestic film production thereby boosting tourism, job creation and the development of core skills. Film Commission Poland is the first contact point for international film professionals interested in shooting in Poland.

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3FILM INDUSTRYBACK TO CONTENTS

FILMPRODUCTION

FUNDING

WEREWOLF (2018) DIR. ADRIAN PANEK

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POLISH FILM INSTITUTE

Financial support of the Polish Film Institute

With a budget of ca. 24 million EUR* for production, the Polish Film Institute (PFI) supports annually about 130 feature, documentary and animated film projects in the production stage, as well as about 90 projects in develop-ment and script scholarships. A subsidy granted by the PFI for all kinds of film genres may not exceed 50% (70% in case of a difficult film) of the total film budget and the limits set out by the PFI. When applying for production funding, the producer is obliged to contribute a minimum of 5% of the PFI’s subsidy. This contribution may be financial or a combination of financial contribu-tion and contribution in kind. At the same time, a contribution in kind may constitute no more than 95% of the producer’s entire contribution.

International Co-Productions

ApplicAtion process

• Producers from the whole European Economic Area are eligible for application; however, it is strongly advised to have a Polish co-producer on board;

• all applications (including attach-ments) are to be submitted in Polish;

• to be eligible for consideration, applications must contain every single piece of accompanying

information that is requested (script, director’s explication, synopsis, budget, estimated production costs, script rights agreement etc.);

• applicants must provide a proof (letters of intent, a memorandum or a co-production agreement) of the remaining sources of financing (i.e. excluding the grant requested from the Institute);

• decisions are taken within 90 days;• the grant decision remains valid for

six months, this can be extended to a maximum of another six months;

• during this period, the producer must finalise an agreement with the PFI (having completed the budget and signed the remaining produc-tion agreements);

• producers may apply for up to three projects per application round, including projects from previous application rounds with a pending decision;

• if the film makes a profit, the grant is to be reimbursed (applicable in the first six years after the film’s premiere).

MAjority internAtionAl co-production

• The maximum subsidy for a contem-porary full-length feature film is set at 4 million PLN (ca. 950,000 EUR) or no more than 50% of the total budget;

• at least 80% of the support has to be spent in Poland;

• the application must include details on the total amount to be spent on Polish territory, as well as a list of

creative and production elements contributed by the Polish side;

• a letter of intent from a Polish distributor is required;

• co-production projects are evalu-ated based on artistic potential and must compete against domestic projects (same funding sources).

There are 3 application calls within a year (usually January, April, August).

Minority internAtionAl co-production

• Up to 2 million PLN (ca. 470,000 EUR) per feature project (up to 118,000 EUR for a documentary; up to 237,000 EUR for an animation), not exceeding 70% of the Polish financing;

• for bilateral co-productions, the Polish contribution must be at least 20% of the total budget; for multilateral co-productions, the Polish contribution must be at least 10% of the total budget;

• at least 80% of the support has to be spent in Poland;

• the summary page of the global pro-duction budget must be included with the application, with totals converted into Polish zlotys (PLN) and including the exchange rates, as well as a detailed budget of the Polish side, indicating expenditures on Polish territory;

• the artistic contribution must be adequate to the requested subsidy and meet the minimum require-ments listed below:

4 FILM PRODUCTION FUNDING

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FEATUREs: at least one Polish Head of Department (DoP, Set Designer, Editor, Composer);ANImATION: producing part of the animation in Poland, and at least one Polish artist (Director of Animation, Storyboard Writer, Author of Artistic Project, Composer);DOCUmENTARIEs: at least one of the following: use of Polish Archives, a Polish character or subject, a Polish artist (DoP, Composer, Editor);

• if the director of the film is of Polish nationality, the rules for a majority co-production can be applied even if Polish financing accounts for less than 50% of the budget;

• minority co-productions are as-sessed by a dedicated commission in a one-stage procedure, the final decision is at the discretion of the General Director.

There are 2 application calls within a year (usually January, August).

Karol Makowskitel. +48 22 421 03 [email protected]

Konrad Tambortel. +48 22 421 05 [email protected]

*Average exchange rate: 1 EUR = 4.21 PLN

POLISH-GERMAN FILM FUND

The Polish-German Film Fund (PGFF) is created by the Polish Film Institute, Medienboard Berlin-Brandenburg, Mitteldeutsche Medienförderung (mDm), and the German Federal Film Board (FFA). Its annual budget amounts to 500,000 EUR.

Eligible for funding: • development of co-production

projects (full-length features, anima-tions and creative documentaries);

• full-length feature, animation and creative documentary projects as well as production of full-length, low-budget films – here also debuts and innovative films are eligible.To be eligible for application, it

is necessary to sign a development/ co-production agreement by at least one Polish producer with at least one producer based in a region in which mDm or Medienboard operate. There are no territorial restrictions for German producers in case of development application. Participation of producers from third countries is possible. The funding from the PGFF can be combined with regular grants from the respective Funds.

The funding is granted from the Polish side in the form of a subsidy. The maximum funding is: • 70,000 EUR for project

development;• 150,000 EUR for film production.The total production budget should not exceed 750,000 EUR.

Each co-producer receives part of the subsidy proportional to their financial contribution in the total cost of the project development/co-pro-duction, which has to be determined in the co-production agreement. The financial contribution of each producer in the total cost of the project has to constitute at least 20% of the total cost including the subsidy. During the realization of the project, a significant part of the total cost to the amount of the subsidy has to be spent in Poland and in the region of the relevant German fund (regional effects).

Decision-making sessions take place twice a year. The next application deadline is: 31 July 2018.

More information:Robert Balińskitel. +48 22 421 04 [email protected]

5FILM PRODUCTION FUNDING

6 BACK TO CONTENTSFILM PRODUCTION FUNDING

REGIONAL FILM FUNDS

There are currently twelve operating funds, but the authori-ties in the regions not yet covered have declared that more will be launched. In the case of Dolnośląskie, Małopolskie, Mazowieckie, Podkarpackie, Śląskie, Łódź and Poznań, the regional film commissions work alongside the film funds.

In general, the Polish regional film funds seek film projects by announcing competitions. One basic condition for entering a project for a competition is that it is related to a city or town in the region, or to the region itself, either in its theme and / or its setting, or through the participa-tion of local people and companies in its production. Support is also contingent on the expending of at least 100% of the funding within the region; in some cases, the sum to be expended is 150%. The competition organisers are interested in consolidating and enhancing the positive image of the city, town or region, which is why projects intending to use distinctive locations, sites and buildings receive the most favourable assessments.

The Polish regional film funds differ in terms of the budgets they manage, the form of support they provide and the sums which must be expended in their cit-ies, towns and region during the production of a film. Support most often takes the form of the institution managing the fund participating in the production as a co-producer with its own financial or in-kind contribu-tion. Other forms of support are non-repayable grants or refunds, in other words, a partial reimbursement of the costs incurred, which is paid after the production has been completed. All the Polish film funds provide sup-port of up to 50% of the film’s budget, although in the case of documentaries and animated films, the funding may be higher.

The regional film funds usually announce the competi-tions once a year, with the assessment of the projects and allocation of funding taking anything from sixty to one hundred and twenty days. Foreign producers are also welcome to submit projects, though preferably as partners to Polish producers. All the requisite documentation must be completed in Polish.

warmińsko-mazurskie

zachodnio-pomorskie

mazowieckie

łódzkie

podkarpackiemałopolskie

dolnośląskie

śląskie

GDYNIA

SZCZECIN

WARSAW

POZNAŃ

OLSZTYN

BIAŁYSTOK

ŁÓDŹ

KATOWICE

WROCŁAW

KRAKÓW

RZESZÓW

LUBLIN

film fund operating in the city

film fund operating in the region

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FUND CONTACT

FILM FUND’S BUDGET IN EUR

IN 2017 (1 EUR = 4.21 PLN)

FORM OF SUPPORT SUM TO BE EXPENDED IN THE CITY/REGION

ALL SUPPORTED PROJECTS (START – 2017)

BiAłystok FilM Fundwww.bialystok.pl

[email protected]+48 501 305 228

47 506 grant no obligation to expend money

in the city/region

5 projects: 2 features,

3 documentaries (fund launched in 2016)

GdyniA FilM Fundwww.ckgdynia.pl

[email protected]+48 501 518 500

106 888 co-producer: Centrum Kultury

w Gdyni

30% of the allocated sum

35 projects: 10 features,

22 documentaries, 3 animations

lower silesiA FilM Fundwww.wroclawfilmcommission.pl/dkf

[email protected]+48 71 793 79 72 +48 601 384 194

261 283 co-producer: Odra-Film

100-150% of the sum allocated

64 projects:30 features,

31 documentaries,3 animations

luBlin FilM Fundwww.film.lublin.eu

[email protected]@lublin.eu

[email protected]+48 723 440 032+48 697 620 630

+48 535 602 40

106 888 grant refund 50% of the sum allocated


19 documentaries,1 animation,

1 TV series

łódź FilM Fundwww.lodzfilmcommission.com

[email protected] [email protected]

+48 42 600 61 63

285 036 co-producer: EC1 Łódź– Miasto

Kultury

150% of the sum allocated



krAkow reGionAl FilM Fundwww.film-commission.pl

[email protected]+48 12 354 25 53+48 504 084 615

189 927 co-producer:Krakowskie Biuro

Festiwalowe




MAzoviA wArsAw FilM Fundwww.mff.mazovia.pl

[email protected] +48 22 586 42 58+48 667 550 565

332 542 co-producer: Mazowiecki

Instytut Kultury



27 documentaries

podkArpAckie FilM Fundwww.podkarpackiefilm.pl

[email protected] +48 721 288 004

161 520 co-producer: Wojewódzki Dom

Kultury w Rzeszowie



6 documentaries

poznAn FilM Fundwww.poznanfilmcommission.pl

[email protected]+48 61 852 88 33 ext. 48

+48 691 637 752

80 760 co-producer: Estrada Poznańska

100% of the allocated sum


26 documentaries,2 animations, 6 shorts,

1 music video

silesiAn FilM Fundwww.silesiafilm.com

[email protected]+48 32 206 88 61 ext.203

+48 698 353 147

186 883 co-producer: Instytucja Filmowa

„Silesia – Film” w Katowicach




wArMiA-MAsuriA FilM Fundwww.funduszfilmowy.warmia.mazury.pl

[email protected] +48 89 513 17 50

+48 501 506 400

118 765 co-producer: Centrum Edukacji

i Inicjatyw Kulturalnych w Olsztynie

100-150% of the sum allocated

4 projects:1 feature,

3 documentaries (fund launched in 2017)

western poMerAniAn FilM Fund poMerAniA FilMwww.pomeraniafilm.pl

[email protected]+48 91 434 83 52

83 135 co-producer: Zamek Książąt Pomorskich

w Szczecinie



41 documentaries, 7 animations,

13 shorts, 1 TV series

7FILM PRODUCTION FUNDING

mailto:[email protected]



8 BACK TO CONTENTSFILM PRODUCTION FUNDING

EUROPEAN PROGRAMMES

Poland is a member of Creative Europe, the European Union’s programme which offers support to the cultural, audiovisual and creative sectors, and a member of Eurimages – European Cinema Support Fund, which supports European coproductions – features, documentaries and animations. Detailed funding rules can be found on the programmes’ websites.

Representatives in Poland:

creAtive europe desk polAndMałgorzata Kiełkiewicztel. +48 22 447 61 80malgorzata.kielkiewicz@kreatywna-europa.euwww.kreatywna-europa.eu

euriMAGes – europeAn cineMA support Fundwww.coe.int/Eurimages

Tor Film ProductionIrena Strzałkowska tel. +48 22 845 53 [email protected]

Polish Film InstituteRobert Balińskitel. +48 22 421 04 [email protected]

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FILMINDUSTRY

GARETH JONES (2019) DIR. AGNIESZKA HOLLAND

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polish BudGets

350,000 – 6.5 Million eur full-length feature films

1.5 Million euran average budget of a full-length feature film

40,000 – 5.4 Million eur animation film

20,000 – 775,000 eurdocumentary film

co-productions

about 20–25 international (including about 10 majority) co-productions produced annually

up to 1.4 Million eur subsidies from the Polish Film Institute for feature co-productions

137,000 eur an average subsidy from the Polish Film Institute for minority co-production

5 bilateral co-production agreements: France, India, Israel, Canada and New Zealand

on the set

30–35 dAysshooting time for an average full-feature film

12 hours a standard shooting day, including 1-hour lunch break

11 hours lay-over time required between the end of shooting and the start of the next shooting day

6 hours the maximum length of a workingday for children under 16

Sundays and Bank Holidays payable50–100% extrA No fixed rates within the Polish film industry.

The good condition of the Polish cinematography is reflected in the ever increasing number of Polish productions, expanding share of Polish films in the market, and the growing number of filmgoers as well as numerous international artistic successes.

production

AnnuAl production voluMe

about 50 full-length feature films

severAl hundreddocumentaries, animations and shorts

Agrafka & Kika cinemas in Kraków: the Europa Cinemas Prize for the Best Young Audience Activity (2017)

POLISH CINEMA TODAY

10 FILM INDUSTRY

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Audience & cineMAs

Polish films: 59.17 million EUR

European films: 25.72 million EUR

18in 2017 Polish market has made it to the Top 20 International Box Office Markets according to Motion Picture Association of America

screens available

125 multiplexes

383 art-house and local cinemas

cinemas operate in Poland:

508

1338

2.9% Others:7.37 million EUR

Us films: 162.44 million EUR

MArket shAre – AdMissions in 2017

AverAGe ticket price

18.58 pln = 4.41 eur

European films

Us films

Others

355

Polish films46

32

119

158

totAl Box oFFice in 2017

23.23%

10.10%

63.77%

th position

56.6 Million total admissions

1.47 averageadmissions per capita

56.6 Million

AdMissions in 2017

52.156.6

2016 2017

44.7

2015

40.4

2014

36.3

2013

38.5

2012

AdMissions over pAst yeArs in Mlillions

Us films:35 million

Polish films: 13.2 million

23.41%

11.58%3.08%

European films: 6.6 million

Others:1.8 million

61.93%

cineMAs

nuMBer oF preMiers in 2017

254.7 Million eur

11FILM INDUSTRY

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• 21 x New York by Piotr Stasik – Best Documentary nomination (2016);

• Tomasz Wasilewski for United States of Love – Best European Screenwriter nomination (2016).

GOLDEN GLOBE AWARDs:• Loving Vincent by Dorota Kobiela,

Hugh Welchman – Best Animated Motion Picture nomination (2017).

IDFA – INTERNATIONAL DOCUmENTARY FILm FEsTIVAL AmsTERDAm:• Call Me Tony by Klaudiusz

Chrostowski – ARRI IDFA Award for Best Student Documentary (2017);

• Zhalanash – Empty Shore by Marcin Sauter – Best Short Documentary Award (2017).

KARLOVY VARY FILm FEsTIVAL:• Jowita Budnik and Eliane Umuhire

for Birds Are Singing in Kigali – Best Actress Awards (2017).

• Body by Małgorzata Szumowska – Silver Bear for the Best Director (2015).

CANNEs FILm FEsTIVAL:• The Best Fireworks Ever by

Aleksandra Terpińska – Rail d’Or Award and Canal+ Award for the short film, La Semaine de la Critique (2017).

EUROPEAN FILm AWARDs:• Communion by Anna Zamecka –

Best European Documentary (2017);• Loving Vincent by Dorota Kobiela,

Hugh Welchman – Best European Animated Feature Film (2017);

• Katarzyna Lewińska for Spoor – Best European Costume Designer (2017);

• Ida by Paweł Pawlikowski – Best Film, Best Director, Best Script, People’s Choice Award (2014);

• Body by Małgorzata Szumowska – People’s Choice Award (2016);

recent internAtionAl AchieveMents

Polish films are greatly appreciated around the world by the public and juries of professionals. Here is a selec-tion of the most significant awards and nominations granted recently for feature and documentary films.

ACADEmY AWARDs: • Loving Vincent by Dorota Kobiela,

Hugh Welchman – Best Animated Feature Film nomination (2017);

• Ida by Paweł Pawlikowski – Best Foreign Language Film (2015);

• Łukasz Żal, Ryszard Lenczewski for Ida – Best Cinematography nomination (2015);

• In Darkness by Agnieszka Holland – Best Foreign Language Film nomination (2012);

• Our Curse by Tomasz Śliwiński – Best Short Documentary nomination (2015);

• Joanna by Aneta Kopacz – Best Short Documentary nomination (2015).

ANNECY INTERNATIONAL ANImATION FILm FEsTIVAL:• Loving Vincent by Dorota Kobiela,

Hugh Welchman – Audience Award (2017).

BERLIN FILm FEsTIVAL:• Mug by Małgorzata Szumowska

– Silver Bear Grand Jury Award (2018);

• Spoor by Agnieszka Holland – Silver Bear Alfred Bauer Prize (2017);

• United States of Love by Tomasz Wasilewski – Silver Bear for the Best Script (2016); Loving Vincent (2017) dir. Dorota Kobiela, Hugh Welchman

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The history of Polish animation dates back to the 1940s and flourishes in unique styles and artistic personalities. Among the recent productions that drew most attention and brought a rain of awards, there are: Pussy by Renata Gąsiorowska (2016), Impossible Figures And Other Stories II by Marta Pajek (2016), A Documentary Film by Marcin Podolec (2015), Creatures by Tessa Moult-Milewska (2015), Summer 2014 by Wojciech Sobczyk (2014), Fugue for Cello, Trumpet and Landscape by Jerzy Kucia (2014), Hippos by Piotr Dumała (2014), Baths by Tomek Ducki (2013), To Thy Heart by Ewa Borysewicz (2013), Ziegenort by Tomek Popakul (2013), Danse Macabre by Małgorzata Rżanek (2013), An Incredibly Elastic Man by Karolina Specht (2013).

To find out more about Polish anima-tions visit:www.polishanimations.pl

sUNDANCE FILm FEsTIVAL: • The Lure by Agnieszka Smoczyńska

– Special Jury Prize (2016); • All the Sleepless Nights by Michał

Marczak – Directing Award (2016).

VENICE FILm FEsTIVAL: • The Prince and the Dybbuk by

Elwira Niewiera, Piotr Rosołowski – Venice Classics Award Best Documentary on Cinema (2017);

• Jerzy Skolimowski – Golden Lion for Career Achievement (2016).

To find out more about Polish films visit:www.en.pisf.plwww.polishdocs.plwww.polishshorts.pl

LOCARNO FEsTIVAL sEmAINE DE LA CRITIQUE:• Communion by Anna Zamecka –

Prix sRG ssR (2016);• Brothers by Wojciech Staroń

– Prix sRG ssR (2015);• 15 Corners of the World by Zuzanna

Solakiewicz – Prix sRG ssR (2014).

mONTREAL FILm FEsTIVAL:• Reconciliation by Maciej

Sobieszczański – Best Director Award (2018).

sHANGHAI FILm FEsTIVAL: • I’m a Killer by Maciej Pieprzyca –

Best Director Award (2017);• Loving Vincent by Dorota Kobiela,

Hugh Welchman – Best Animation Award (2017);

• Carte Blanche by Jacek Lusiński – Jury Grand Prix (2015).

Mug (2017) dir. Małgorzata Szumowska

13FILM INDUSTRY

http://www.polishanimations.pl

http://www.en.pisf.pl

http://www.polishdocs.pl

http://www.polishshorts.pl

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MAJORITY CO-PRODUCTIONS 2017

internAtionAl co-productions Features with decisions regarding co-financing from the Polish Film Institute awarded in 2017.

INTERNATIONAL / POLISH TITLE DIRECTOR POLISH PRODUCER

PFI TOTAL SUBSIDY IN

EUR (1 EUR = 4.21 PLN)

CO-PRODUCTION COUNTRIES

Love / Miłość Dariusz Jabłoński Apple Film Production 475 059 CanadaPardon / Ułaskawienie Jan Jakub Kolski Wytwórnia Doświadczalna 593 824 Czech RepublicWooma / Łauma Paweł Borowski Lava Films 831 353 Belgium, Germany, NetherlandsTrust / Ufność Dariusz Gajewski Takfilm 356 294 Belgium, UkraineDear Ones / Bliscy Grzegorz Jaroszuk mD4 95 012 Czech RepublicKajtek the Wizard / Kajtek czarodziej Magdalena Łazarkiewicz Mediabrigade 237 530 Germany, Slovakia, Czech Republic Red Code Dariusz Jabłoński Apple Film Production 237 530 Canada, Belgium Through a Glass, Darkly / W zwierciadle Robert Gliński Iron Films 237 530 GermanyFear / Lęk Sławomir Fabicki Apple Film Production 237 530 Netherlands, GermanyFind Friends Piotr Trzaskalski Cinergy Films 237 530 Czech RepublicMasseur / Masażysta Małgorzata Szumowska Nowhere 237 530 GermanyPassage / Przejście Bartosz M. Kowalski Film It 195 774 Spain

MINORITY CO-PRODUCTIONS 2017

Butterfly Kisses Rafael Kapeliński Solopan 47 505 Great BritainD’Apres une Histoire Vraie / Prawdziwa historia Roman Polański Monolith 285 035 FranceDer Hauptmann Robert Schwentke Opus Film 380 047 Germany, FranceDog / Pies Florin Şerban Harine Films 71 258 RomaniaJackdaws on the Road / Kawki na drodze (working title) Olmo Omerzu Koskino

Natalia Grzegorzek71 258 Czech Republic, Slovakia

Jacob, Mimmi and the Talking Dogs (animation) Edmunds Jansons Letko 95 011 LatviaThe Director‘s Chair / Krzesło reżysera (documentary) Sophie Delvallée Entertain Pictures 8 313 France, MoroccoThe Last Journey of Monsieur Pichon / Ostatnia podróż Pana Pichona

Søren Kragh-Jacobsen Akson Studio 285 035 Germany, Denmark, Belgium, France, Estonia

What a Country! / Stan wyjątkowy Vinko Brešan Orka Studio 71 258 Croatia, Serbia, SloveniaAdventures of a Mathematician / Geniusze Thorsten Klein Shipsboy 237 530 Germany, CanadaThe Hunter‘s Son Ricky Rijneke Balapolis 118765 Netherlands, France

Sole Carlo Sironi Lava Films 83 135 Italy, FranceApolonia, Apolonia Lea Glob Staron Film 60 570 Denmark, FranceLast Pagans of Europe / Ostatni poganie Europy (documentary)

Lauris Abele, Raitis Abele Arkana Studio Dorota Roszkowska

47 506 Latvia

Occupation 1968 / Okupacja 1968 (documentary) Magdalena Szymków, Marie Elisa Scheidt, Evdokia Moskwina,

Stephan Komandarev, Linda Dombrovszky

Silver Frame Stanisław Zaborowski

38 005 Czech Republic, Hungary, Bulgaria

14 FILM INDUSTRY

BACK TO CONTENTS DER HAUPTMANN (2018) DIR. ROBERT SCHWENTKE

16 FILM INDUSTRY BACK TO CONTENTS

BOX OFFICE 2017: ALL RELEASES

TITLE DISTRIBUTOR COUNTRY B.O. (EUR) ADMISSIONSB.O. SINCE

RELEASE DATE (EUR)

ADMISSIONS SINCE

RELEASE DATESCREENS RELEASE DATE

1 Listy do M. 3 KINO ŚWIAT Poland 237.953.301 2.984.653 13.425.410 2.984.653 549 10.11.20172 Botoks KINO ŚWIAT Poland 201.088.212 2.314.882 11.345.468 2.314.882 487 29.09.20173 Star Wars: The Last Jedi DIsNEY UsA 167.530.382 1.826.598 9.452.124 1.826.598 608 14.12.20174 Despicable Me 3 UIP UsA 152.988.318 1.950.088 8.631.655 1.950.088 312 30.06.20175 Sztuka Kochania.

Historia Michaliny WisłockiejNEXT FILm Poland 150.372.039 1.804.114 8.484.044 1.804.114 312 27.01.2017

6 Sing UIP UsA / Japan 129.067.427 1.637.699 7.282.030 1.637.699 250 06.01.20177 Fifty Shades Darker UIP UsA / China 126.314.693 1.475.238 7.126.720 1.475.238 404 10.02.20178 Pirates of The Caribbean:

Salazar’s RevengeDIsNEY UsA 117.443.448 1.367.866 6.626.201 1.367.866 314 26.05.2017

9 Fast & Furious 8 UIP UsA / China / Japan 94.375.839 1.045.812 5.324.718 1.045.812 329 21.04.201710 Smurfs: The Lost Village UIP UsA / Hong Kong 93.057.709 1.253.641 5.250.349 1.253.641 289 26.05.2017

1.470.191.369 17.660.59111 Beauty and The Beast DIsNEY UsA 81.729.724 1.031.181 4.611.220 1.031.181 264 17.03.201712 The Boss Baby ImPERIAL CINEPIX UsA 71.200.737 886.005 4.017.171 886.005 294 21.04.201713 La La Land mONOLITH UsA / Hong Kong 64.836.273 800.965 3.658.086 800.965 223 20.01.201714 Cars 3 DIsNEY UsA 63.748.881 810.475 3.596.734 810.475 303 15.06.201715 Thor: Ragnarok DIsNEY UsA 61.923.261 688.006 3.493.732 688.006 255 25.10.201716 Porady Na Zdrady KINO ŚWIAT Poland 61.648.314 748.208 3.478.220 748.208 237 24.02.201717 It WARNER UsA / Canada 60.767.974 716.456 3.428.551 716.456 272 08.09.201718 Dunkirk WARNER Great Britain /

Netherlands / France / UsA

58.824.785 709.261 3.318.915 709.261 237 21.07.2017

19 Annabelle: Creation WARNER UsA 52.501.146 603.510 2.962.133 603.510 163 11.08.201720 Guardians of The Galaxy Vol. 2 DIsNEY UsA/New Zealand/

Canada52.178.563 574.920 2.943.933 574.920 261 05.05.2017

629.359.657 7.568.9872.099.551.026 25.229.578


BOX OFFICE 2017: POLISH FILMS

BOX OFFICE 2017: EUROPEAN FILMS

TITLE DISTRIBUTOR B.O. (EUR) ADMISSIONS B.O. SINCE RELEASE DATE (EUR)

ADMISSIONS SINCE RELEASE DATE SCREENS RELEASE DATE

1 Listy do M. 3 KINO ŚWIAT 13.425.410 2.984.653 13.425.410 2.984.653 549 10.11.20172 Botoks KINO ŚWIAT 11.345.468 2.314.882 11.345.468 2.314.882 487 29.09.20173 Sztuka kochania.

Historia Michaliny WisłockiejNEXT FILm 8.484.044 1.804.114 8.484.044 1.804.114 312 27.01.2017

4 Porady na zdrady KINO ŚWIAT 3.478.220 748.208 3.478.220 748.208 237 24.02.20175 Po prostu przyjaźń NEXT FILm 2.941.206 642.109 2.941.206 642.109 274 06.01.20176 Najlepszy mÓWI sERWIs 2.832.800 686.399 2.832.800 686.399 250 17.11.20177 Volta KINO ŚWIAT 2.396.750 512.370 2.396.750 512.370 291 07.07.20178 Konwój KINO ŚWIAT 1.515.160 315.428 1.515.160 315.428 151 13.01.20179 Cicha noc FORUm FILm 1.419.849 343.749 1.419.849 343.749 195 24.11.201710 Twój Vincent NEXT FILm 1.397.480 366.931 1.397.480 366.931 176 06.10.2017

49.236.386 10.718.843

TITLE DISTRIBUTOR COUNTRY B.O. (EUR) ADMISSIONSB.O. SINCE

RELEASE DATE (EUR)

ADMISSIONS SINCE

RELEASE DATESCREENS RELEASE DATE

1 Valerian and The City of a Thousand Planets

KINO ŚWIAT France / China / Belgium /

Germany / UAE / UsA

2.158.236 424.621 2.158.236 424.621 292 04.08.2017

2 Marie Curie KINO ŚWIAT Poland / Germany / France

1.423.560 392.719 1.423.560 392.719 216 03.03.2017

3 Paddington 2 mONOLITH Great Britain / France / UsA

1.293.669 294.899 1.293.669 294.899 221 29.12.2017

4 The Son of Bigfoot mONOLITH Belgium / France 1.182.789 295.266 1.182.789 295.266 174 28.07.20175 Demain Tout Commence mONOLITH France / Great

Britain1.127.287 252.478 1.127.287 252.478 145 19.05.2017

6 Ozzy mÓWI sERWIs Spain / Canada 1.078.371 267.309 1.078.371 267.309 151 03.03.20177 Monster Family mONOLITH Germany / Great

Britain1.000.706 230.252 1.000.706 230.252 171 20.10.2017

8 Vsetko Alebo Nic KINO ŚWIAT Slovakia / Czech Republic / Poland

799.523 175.724 799.523 175.724 160 17.03.2017

9 The Zookeeper’s Wife UIP Czech Republic / Great Britain/UsA

792.731 191.789 792.731 191.789 128 24.03.2017

10 Die Haschenschule: Jagd Nach Dem Goldenen Ei

KINO ŚWIAT Germany 682.542 173.169 682.542 173.169 153 24.03.2017

11.539.414 2.698.226


TOP 20 1990–2017

TITLE DISTIYBUTOR ADMISSIONS B.O. (EUR) RELEASE DATE

1 Ogniem i Mieczem (PL) sYRENA 7.151.354 24.961.844 12.02.19992 Pan Tadeusz (PL) VIsION 6.168.344 19.676.922 22.10.19993 Quo Vadis (PL) sYRENA 4.300.351 16.400.378 14.09.20014 Avatar ImPERIAL CINEPIX 3.682.948 21.009.657 25.12.20095 Titanic sYRENA 3.513.480 11.666.407 13.02.19986 Passion of The Christ mONOLITH 3.462.159 10.611.310 05.03.20047 Shrek 2 UIP 3.395.226 11.445.185 02.07.20048 Shrek The Third UIP 3.352.805 11.810.873 29.06.20079 Star Wars: The Force Awakens DIsNEY 3.009.949 15.591.154 18.12.201510 Listy do M. 3 (PL) KINO ŚWIAT 2.984.653 13.425.410 10.11.2017

41.021.269 156.599.14011 Listy do M. 2 (PL) KINO ŚWIAT 2.968.645 12.845.063 13.11.201512 Pitbull. Niebezpieczne kobiety (PL) KINO ŚWIAT 2.873.149 13.582.971 11.11.201613 Katyń (PL) ITI CINEmA 2.770.313 8.371.553 21.09.200714 Jurassic Park UIP-ITI 2.735.908 2.077.309 03.09.199315 Lion King sYRENA 2.722.830 2.334.792 18.11.199416 Listy do M. (PL) ITI CINEmA 2.560.734 10.627.090 10.11.201117 Lejdis (PL) ITI CINEmA 2.530.660 9.906.467 01.02.200818 Lord of The Rings: The Fellowship of The Ring WARNER 2.529.799 8.645.517 15.02.200219 Harry Potter and The Sorcerer’s Stone WARNER 2.518.282 7.470.893 18.01.200220 Shrek Forever After UIP 2.469.957 12.978.178 09.07.2010

26.680.277 88.839.83367.701.546 245.438.973

19FILM INDUSTRYBACK TO CONTENTS WHO WILL WRITE OUR STORY (2018) DIR. ROBERTA GROSSMANLETTERS TO SANTA 3 (LISTY DO M. 3, 2017) DIR. TOMASZ KONECKI


FILM COMMISSIONS

National Film Commission

Film Commission Poland is an institution established in 2012 with the mission to position Poland as a globally competi-tive film destination. Its aim is to support the development of a sustainable domestic audiovisual sector by servicing international and domestic film production thereby boosting tourism, job creation and the development of core skills. Film Commission Poland is the first contact point for international film professionals interested in shooting in Poland.

FilM coMMission polAndtel. +48 693 477 [email protected]@filmcommissionpoland.pl www.filmcommissionpoland.pl

Regional Film Commissions

At present, there are seven regional film commissions operating in Poland. They are based in the regions of Dolnośląskie (Lower Silesia), Małopolskie, Mazowieckie (Mazovia), Podkarpackie, Śląskie (Silesia) and in the cities of Łódź and Poznań. Despite the fact that there are no com-missions established in Gdańsk, Lublin and in the Warmia and Masuria region, the producers can count on support for their physical production from film funds or designated departments of the city council. Further commissions are currently at the organisational stage. All the film commissions are managed independently but collaborate closely with Film Commission Poland.

As a rule, the commissions work in conjunction with the regional film funds, thanks to which their activities are naturally integrated. They frequently operate alongside institutions with a wealth of experience in cultural activities, an outstanding knowledge of their region’s unique char-acteristics, and extensive local contacts at their fingertips. Some have their own production support systems in the form of fee reductions for the use of locations or discounts on hotels and local public transport services. Every commis-sion provides the following services:• location scouting;• administering and updating a database of locations;• assistance in obtaining permits to film, make use of roads,

change the flow of traffic and so forth;• reducing the length of time required to obtain permits by

applying effectively developed procedures;• assistance in talks with the owners of buildings,

facilities and land;• assistance in establishing contact with municipal services

and offices;• assistance in arranging accommodation, often with

discounts;• providing information and contacts relating to local

professionals, specialists and audiovisual production companies in their region;

• providing information on the infrastructure and film resources available in their region.

MAZOVIA WARSAW FILM COMMISSION

FILM COMMISSION POLAND

WARMIA-MASURIA FILM FUND

POZNAN FILM COMMISSION

ŁÓDŹ FILM COMMISSION

SILESIA FILM COMMISSION

WROCLAW FILM COMMISSION

KRAKOW FILM COMMISSION

PODKARPACKIE FILM COMMISSION

LUBLIN FILM FUND

GDAŃSK

BACK TO CONTENTS

krAkow FilM coMMissiontel. +48 12 354 25 51 [email protected]@film-commission.plwww.film-commission.pl

łódź FilM coMMissiontel. +48 42 233 50 51tel. +48 42 600 61 33 [email protected]@[email protected] www.lodzfilmcommission.pl

MAzoviA wArsAw FilM coMMissiontel. +48 22 586 42 58a.spisz@[email protected]

podkArpAckie FilM coMMissiontel. +48 721 288 [email protected]

poznAn FilM coMMissiontel. + 48 61 852 88 33 ext. 48tel. +48 691 637 [email protected]@poznanfilmcommission.plwww.poznanfilmcommission.pl

silesiA FilM coMMissiontel. +48 32 206 88 61 ext.203+48 698 353 [email protected]

wroclAw FilM coMMissiontel. +48 71 793 79 72+48 601 384 194rbubnicki@wroclawfilmcommission.plwww.wroclawfilmcommission.pl

Other bodies supporting film production in the city or region:

luBlin FilM Fundtel. +48 81 466 25 22+48 723 440 [email protected]@lublin.eufilm.lublin.eu

GdAŃsktel. +48 58 323 60 [email protected]

wArMiA-MAsuriA FilM Fund tel. +48 89 513 17 50tel. +48 501 506 [email protected]

21FILM INDUSTRY


AlverniA studios

Alvernia Studios Stanisław Tyczyński 32-566 Regulice, ul. Dworska 1 [email protected], www.alvernia.com

Alvernia Studios is a private, state-of-the-art film studio located in Southern Poland. Their works include feature films, national and international co-productions, commercials, and services provided for music and video game industry.

Resources: • three sound stages with state-of-the-art equipment, including

spherical bluescreen; • music scoring studio, 15dB NC air-conditioning: • Control Room (area: 60 m2/~645 ft2) equipped in Neve 88R console

with Ams Neve Encore™ Plus; • A-sTUDIO (area: 430 m2/~4,628 ft2, height: 11 m/~36 ft),

100 people capacity (symphonic orchestra and/or chorus), variable reverberation characteristics;

• B-sTUDIO (area: 50 m2/~538 ft2) variable reverberation characteristics;

• C-sTUDIO (area: 8 m2/~86 ft2) optimized acoustics for vocal recordings;

• film dubbing theatre with Dolby Premier Studio Certification (area: 490 m2/~5,274 ft2), studio dedicated to premixing, mixing and mastering, equipped in console Ams Neve DFC Gemini with Ams Neve EncoreTm Plus, projector Sony sRX-R110 sXRD 4K, screen 10.15 x 4.23 m (~33.3 x 13.8 ft);

• sound postproduction studios, 15dB NC air-conditioning, A-Control Room (area: 30 m2/~322 ft2), A-Studio (area: 47 m2/~506 ft2), B-Control Room (area: 26 m2/~280 ft2), B-Studio (area: 20 m2/~215 ft2), mixing console Ams Neve mmC300 with Ams Neve EncoreTm Plus;

• a fleet of swap-body, mobile units: production office, make-up and wardrobe, washrooms, costume and props transport; shooting equipment: sONY CINEALTA F65 cameras; ARRICAm Studio, ARRICAm Lite, ARRIFLEX 435 Xtreme and wireless systems; grip: standard Galaxy cranes, platform, Thoma head;

• location sound: Aaton Cantar-X and Zaxcom Deva 16 multichannel, digital sound recorders, Sonosax sX-sT8D and Deva Mix-12 mixing consoles and an extensive range of microphones by Schoeps, Sennheiser and Sanken, wireless system;

• film-processing chemical laboratory equipped in a ultramodern Australian drive processor FilmLab ECN-2 12mD58 14/67;

• telecine service, using a Millennium HD Datacine;• Truelight Theatre certified, digital intermediate department:

Northlight 2 scanner, FilmLight Baselight 8 colour grading system, Arrilaser 2 High Speed 4K and Celco Fury 4K projectors;

• editing suites;• PFClean restoration system;• Digital Lab equipped with the DVs Clipsters 4K-9600.

FILM STUDIOS

* All the parameters and equipment lists are based on the data provided by the film studios.



Resources: • sound stages, with the largest measuring 1,500 m2/16,156 ft2,

television studios;• make-up and wardrobe facilities, including a VIP dressing room;• laundry and costume storage facilities, props store;• scenery store with access to a service lift, production office,

conference rooms, extras’ room, restaurant;• HD1, 2 and 3 OB units;• shooting equipment, including ARRI Alexa, Alexa Mini,

Alexa Studio camera sets, Panasonic VARICAm camera sets, RED Dragon camera sets, Sony F55 and Fs7 camera sets with full accessories, MasterPrime lenses, Ultra Prime, SuperSpeed, Kowa Anam, Fujinon Cabrio, Optimo lenses;

• TV production equipment: Sony, Panasonic and Canon cameras and Fujinon lenses;

• event lighting: Varielite sets, Robe sets, Martin sets, Clay Paky sets, complete rigging equipment;

• film lighting kits: ARRI, Kinoflo, Dedolight, Stand, Ianiro, Kobolt, Litepanels, Manfrotto, and LTm as well as light effect units;

• grip: steadicam Tiffen Ultra 2, Stanton Jimmy Jib camera arm (10.5 m/4.45 ft), Panther camera dollies, Stanton hot heads and gyroscope platform AE 567 with image stabilisation;

• sound equipment: Shure, Senheiser, Soundevice;• AVID editing suits with the possibility of using AVID Unity/IsIs

environment;• compositing and layer-based colour correction (DaVinci Resolve

software and Ultrascope system);• sound postproduction systems.

AtM Group

Offices:Bielany Wrocławskie (near Wrocław)tel. +48 71 776 47 [email protected]. +48 22 507 97 [email protected]

ATM STUDIO in Warsawtel. +48 22 295 61 [email protected], www.atmstudio.eu

ATM SYSTEMtel. +48 71 785 53 00 (Bielany Wrocławskie)tel. +48 22 507 97 82 (Warsaw)[email protected], www.atmsystem.pl

The ATm Group is Poland’s largest television producer. The Group comprises companies specialising in television, film, online video and computer game production, and service provision for the television and film market.

http://www.atmgrupa.pl

BACK TO CONTENTS


docuMentAry And FeAture FilM studios wytwórniA FilMów dokuMentAlnych i FABulArnych (wFdiF)

Warsawtel. +48 22 841 12 13-19tel. +48 22 840 00 [email protected]

Film Production and Educational Projects Departmenttel.+48 22 559 33 [email protected]

The Documentary and Feature Film Studios is Poland’s largest state-owned film producer. It provides full production services and produces feature and documentary films. The studio also engages in film education projects.

FILM INDUSTRY

Resources and activities:• film stages and studios, casting studios;• make-up rooms, dressing rooms, offices;• costume warehouses (40,000 contemporary, period and military

costumes, accessories, and footwear), props warehouses (20,000 items), and a wig warehouse;

• design and set construction department;• a fleet of trucks and cargo vehicles equipped with power

generators;• filmmaking equipment – cameras: ARRI, Red One, sONY with film

lenses (Cooke, Zeiss), zoom lenses and accessories;• a film laboratory offering, among others, colour correction

(Discreet Lustre system), sound negatives and digital intermediate with the use of a digital film recorder which, using laser, writes images onto 35mm negatives;

• sound postproduction studios including Studio S1 with Dolby Digital and THX certificates, and a sound library (over 1,000 hours of music and unique sound effects e.g. original recordings from World War II);

• reconstruction and digitalisation studios focusing on film and sound archival material;

• film production department: searching for interesting documentary and feature film scripts, developing and producing film projects, raising funds for film production, managing contacts with co-producers in Poland and abroad;

• archives: an immense collection of film chronicles and documentaries including the greatest works of the Polish School of Documentary Filmmaking;

• education projects: film script writing course Wytwórnia Scenariuszy, education space Plan Filmowy, and a cycle of screen adaptations of contemporary Polish drama Teatroteka.


BACK TO CONTENTS

SOUND STAGES

OWNERSOUND STAGE

SYMBOLDIMENSIONS

(M, FT)AREA

(M2, FT2)

WORKING HEIGHT

(M, FT)

ELECTRICAL CONNECTIONS,

OUTLETS

DRESSING ROOM (D), MAKE-UP

ROOM (M), WORKSHOP (W) FACILITIES

AGencjA AktorskA prozAnoWarsaw,ul. Kłobucka 11www.bratanka.pltel. +48 602 676 [email protected]

Bratanka 19 x 15,62.3 x 49.2

340,3 659.7

5.7,18.7

120kW d, m cyclo, greenbox (15.2 x 8m, 49.9 x 26.3ft), bluebox, lightening

equipment, editing room

AlverniA studiosAlwernia, near Kraków, Nieporaz [email protected]

K03 47 * 47, 154.2 * 154.2

(circular)

1 735, 18 675.4

14.5, 47.6

1.4mW 2500A

d, m, w drive-in studio, 3200° artificial skydome, air-conditioned set,

lighting grid, overhead power points, equipment, props and costume

storage, heating and ventilation, high-speed data connection and

Wi-Fi, parking for 150 cars + heavy vehicles’ area

K04 47 * 47,154.2 * 154.2

(circular)

1 530,16 468.8

13.8,45.3

1mW2000A

d, m, w(350m2,3 767ft2)

spherical, shadowless, 3D bluescreen: 180° (46 × 21.5m, 150.91 × 70.5ft),

air-conditioned set, lighting grid, overhead power points, equipment, props and costume storage, heating

and ventilation, high-speed data connection and Wi-Fi, parking for 150

cars + heavy vehicles’ area

ApricorSękocin Nowy near Warsaw, al. Krakowska 22Bwww.apricorfilm.pltel. +48 602 603 779 [email protected]

Apricor 25 x 30,82 x 98.4

750, 8 072.9

12.5,41

150 kW d, m, w drive-in studio, technical platform, lighting grid, greenscreen (16 x

16m, 52.5 x 52.5ft), whitescreen (16 x 16m, 52.5 x 52.5ft), air-conditioning

(backstage), heating and ventilation, high-speed data connection and Wi-Fi

AtMWarsaw, Wał Miedzeszyński 384www.atmstudio.eutel. +48 22 295 63 [email protected]

hala A 34 x 45,111.5 x 147.6

1 500,16 145.9

12,39.4

2500A d, m, wVIP rooms

prod. rooms

technical platform, lighting grid, overhead power points, equipment

and costume storage, air-conditioning, heating and ventilation

hala B 25 x 32,82 x 105

800,8 611.1

7,23


prod. rooms

lighting grid, overhead power points, equipment and costume storage,

air-conditioning, heating and ventilation

hala C 25 x 32,82 x 105

800,8 611.1

7,23


prod. rooms


heating and ventilationhala D 25 x 32,

82 x 105800,

8 611.16,

19.7630A d, m, w

VIP roomsprod. rooms



hala E 25 x 32,82 x 105

800,8 611.1

6,19.7


prod. rooms



28 FILM INDUSTRY



OWNERSOUND STAGE

SYMBOLDIMENSIONS

(M, FT)AREA

(M2, FT2)

WORKING HEIGHT

(M, FT)


OUTLETS



hala F 25 x 20,82 x 65.6

500,5 382

6,19.7


prod. rooms



AtMWrocław, Bielany Wrocławskie,ul. Dwa Światy 1www.atmgrupa.pltel. +48 71 776 47 [email protected]

studio I 28 x 20,91.9 x 65.6

560,6 027.8

7,23


prod. rooms



centruM technoloGii AudiowizuAlnych cetA (AudiovisuAl technoloGy center)Wrocław, ul. Wystawowa 1www.filmstudioceta.pltel. +48 71 348 10 61produkcja@ filmstudioceta.pl

Studio Filmowe im. Wojciecha Jerzego Hasa

(The Wojciech Jerzy Has

Sound Stage)

50 x 25164 x 82

(usable floor space:

28.5 x 993.5 x 29.5)

1 250,13 454.9

11 36.1

700kW d, m,VIP room,

prod. rooms

bluescreen, rotating stage, motion control system, shadowless stage, equipped with lighting platforms

and a technical mezzanine, real time compositing, props and costume

storage, 1500 costumes rental, high speed data connection and Wi-Fi,

postproduction unit on site, parkingStudio

Filmowe im. Zbyszka

Cybulskiego(The Zbyszek

Cybulski Sound Stage)

20 x 25,65.6 x 82

500,5 382

7.524.6

200kW d, m,VIP rooms,

prod. rooms

greenbox and black horizon (55m x 7.5m, 330m2 of working area),

drive-in shooting studio (500m2) equipped with lighting platforms and a technical mezzanine, spacelight (30

items, 2400/4800 W), full acoustic insulation, production facilities:

make-up and dressing rooms, props and costume storage, 1500 costumes rental, pool for underwater shooting,

high speed data connection and Wi-Fi, translucent screens,

HD beamers, parking, postproduction unit on site

Studio Animacji CeTA

(CeTA Stop Motion Studio)

8.5 x 6.5, 27.9 x 21.3

55.25, 594.7

4,13.1

30kW VIP room,prod. rooms,scenography

and props workshop

full equipped stop motion workplace (table for animation, camera with

lenses, motion control system, lights for stop motion), workshop for

scenography and props next to stop motion set

cukryWarsaw, ul. Ogrodowa 31/35www.cukry.com.pltel. +48 505 800 777+48 501 025 [email protected]

Cukry 20.7 x 13.7,67.9 x 44.9

230,2 476

4,13.1

32A,16A

d, m loft style daylight studio, photographic equipment, film

equipment (light, cameras, etc.)

5 biggest sound stages regarding area

29

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BACK TO CONTENTS

OWNERSOUND STAGE

SYMBOLDIMENSIONS

(M, FT)AREA

(M2, FT2)

WORKING HEIGHT

(M, FT)


OUTLETS



doM produkcji. tv piotr chAłupkoWarszawa, ul. Racławicka 99www.studio.streamonline.plKarolina Kałędkowskatel. +48 512 232 [email protected]

Stream Online Studio

7 x 11,23 x 36.1

260, 2 798.6

4.5,14.8

16A, 32A, 64A d, m 3D studio, greenscreen, whitescreen, cyclo (5 x 5 x 3m, 16.4 x 16.4 x 9.8ft),

air conditioned, costume storage, heating and ventilation, high-speed data connection and Wi-Fi, parking,

drive-in studio, HD cameras

opus FilMŁódź, ul. Łąkowa 29www.opusfilm.comtel. +48 42 634 55 [email protected]

stage IV 39.3 x 22.8,128.9 x 74.8

896,9 644.5

10.9,35.8

250kW on each side d, m, w bluescreen, greenscreen, whitescreen

stage I 41 x 20,134.5 x 65.6

826,8 891

8,26.2


stage III 37.3 x 20.6,122.4 x 67.6

768,8 266.7

10.9,35.8


stage V 30.7 x 15.9,100.7 x 52.2

448,4 822.2

7.5,24.6


proFessionAl concert liGhtinG trAnscolor Szeligi near Warsawul. Szeligowska 48www.transcolor.plSylwia Trzcińskatel. +48 604 132 [email protected]

Hala 1 45 x 35,147.6 x 114.8

1 575, 16 953.2

12,39.4

32A, 125A110kW

d, m, w drive-in studio, technical platform, lighting grid, equipment and costume

storage, lighting equipment, air-conditioning, heating and ventilation

Hala 2 45 x 25,147.6 x 82

1 125,12 109.4

12,39.4

32A, 125A110kW

d, m, w drive-in studio, technical platform, lighting grid, equipment and costume

storage, lighting equipment, air-conditioning, heating and ventilation

studio BestAPiaseczno, ul. Elektroniczna 2Awww.studiobesta.plJacek Stanclik+48 501 302 [email protected] Wójcik+48 500 066 [email protected]

Studio Piaseczno

13.6 x 10.1,44.6 x 33.1

138.2,1 487.6

6.5,21.3

125A(3x18kW)

d, m, w lighting grid, photographic equipment and postproduction unit

on-site, greenscreen, whitescreen, blackscreen, Wi-Fi, ample parking,

security 24/7

studio lAsWarsaw, ul. Racjonalizacji 6/8www.studiolas.pltel. +48 501 022 [email protected]

Studio 2 30 x 16.5,98.4 x 54.1

500,5 382

7,23

125A d, m, wVIP room

loft style daylight studio, drive-in studio, photographic equipment,

lighting gridStudio 4 21 x 16.5,

69 x 54.1432,

4 6507,

23125A d, m, w

VIP roomloft style daylight studio, drive-in

studio, lighting grid, photographic equipment, cyclo (12 x 8m,

39.4 x 26.3ft)

studio MąkAWarsaw, ul. Suwak 4www.studiomaka.com.pltel. +48 505 800 [email protected]

Studio Mąka 24 x 10,78.7 x 32.8

450,4 843.8

4,5–9,514.8–31.2

63A,32A

d, m loft style daylight studio, drive-in studio, big corner horizon / cyclorama

photographic equipment, film equipment (light, cameras, etc.)

30 FILM INDUSTRY



http://www.studiomaka.com.pl

tel:%2B48-505-800-777



OWNERSOUND STAGE

SYMBOLDIMENSIONS

(M, FT)AREA

(M2, FT2)

WORKING HEIGHT

(M, FT)


OUTLETS



studio MArywilskAWarsaw, ul. Marywilska 38www.studiomarywilska.pltel. +48 602 386 [email protected]

hala 1 30 x 17.6, 98.4 x 57.7

526,5 661.8

7.3, 24

d, m drive-in studio

hala 2 30 x 17.6,98.4 x 57.7

526,5 661.8

7.3,24

90kW d, m drive-in studio, limbo (15 x 7.3m, 49.2 x 24ft)

studio MoryWarsaw, ul. Mory 10www.studiomory.plJacek Grodzkitel. +48 22 100 67 87+48 607 077 [email protected]

studio 1 36 x 27,118.1 x 88.6

980,10 548.6

8.9,29.2

125A,110kW

d, m, wVIP rooms

prod. rooms

heating, ventilation, optical fibre data connection, parking for 50 cars +

heavy vehicles’ area

studio pAnikA oskAr kAszyŃskiGdynia, ul. Chwaszczyńska 198Bwww.studiopanika.pltel. +48 501 501 [email protected]

Studio Panika 20 x 15,65.6 x 49.2

300,3 229.2

10,32.8

60kW d, m, w drive-in studio, lightning grid, power point overhead, recording acoustic

conditions, greenbox, whitebox, blackbox, props and costume storage,

postproduction set, screening room, air-conditioned set, heating and

ventilation, Wi-Fi, parking + heavy vehicles’ area

studio sólWarsaw, ul. Kłobucka 23awww.studiosol.com.pltel. +48 505 800 [email protected]

Studio Sól 25 x 8 82 x 26.2

200,2 152.8

4,13.1

32A,16A

d, m, w loft style daylight studio, horizon / cyclorama photographic equipment, film equipment (light, cameras, etc.)

studio tęczAWarsaw, ul. Rydygiera 8www.studiotecza.comPiotr Stefański+48 602 299 [email protected]

Studio 2 16 x 40,52.5 x 131.2

600,6 458.3

8,26.2

16A, 23A, 63A, 125A,220V, 230V

d, m, w ground floor, drive-in studio, lift, photographic equipment, lighting

grid, greenscreen, bluescreenStudio 6 8,5 x 20,

27.9 x 65.6355,

3 821.28,

26.2150Kw

16A, 32A, 63A, 125A, 230V

d, m, w ground floor, drive-in studio, photographic equipments,

greenscreen, bluescreen, cycloStudio 1 10 x 15,

32.8 x 49.2 150,

1 614.68,

26.216A, 32A, 63A, 125A,

230Vd, m, w ground floor, drive-in studio,

lift, photographic equipment, greenscreen, bluescreen, cyclo

Studio 4 10 x 15,32.8 x 49.2

150,1 614.6

8,26.2

16A, 32A, 63A,220V

d, m, w ground floor, drive-in studio, lighting grid, photographic equipment, greenscreen, bluescreen, cyclo

Studio 3 8 x 9,26.2 x 29.5

70,753.5

8,26.2

16A, 23A, 220V,230V

d, m, w ground floor, drive-in studio, lift, photographic equipment, lighting

grid, greenscreen, bluescreen

31


http://www.studiosol.com.pl

tel:%2B48-505-800-777


BACK TO CONTENTS

OWNERSOUND STAGE

SYMBOLDIMENSIONS

(M, FT)AREA

(M2, FT2)

WORKING HEIGHT

(M, FT)


OUTLETS



telewizjA polskAoddziAł krAkówKrakow, ul. Nowohucka 44www.krakow.tvp.pltel. +48 605 605 587 +48 12 261 51 40+48 12 261 52 [email protected]

S3 30 x 25,98.4 x 82

1 000,10 763.9

10,32.8

400kW d, m, w lighting grid, overhead power points, equipment and costume storage,

ample parking

toyA studiosŁódź, ul. Łąkowa 29www.toyastudios.pltel. +48 42 639 55 [email protected]

hala IV 39.6 x 22.6,129.9 x 74.1

911.7,9 813.5

10.8,35.4

250kW d, m, wVIP room

technical platform, lighting grid, air-conditioning, heating and ventilation,

overhead power points, parking for 200 cars + heavy vehicles’ area

hala III 37.5 x 20.8,123 x 68.2

783.2,8 430.3

10.6,34.8


technical platform, lighting grid, overhead power points, heating and

ventilation, parking for 200 cars + heavy vehicles’ area

hala V 30.9 x 15.9,101.4 x 52.2

491.3,5 288.3

7.9,25.9


technical platform, lighting grid, overhead power points, air-

conditioning, heating and ventilation, parking for 200 cars + heavy

vehicles’ areahala II 12.5 x 22,

41 x 72.2 275.9,

2 969.810.6,34.8




vehicles’ area

wFdiFWarsaw, ul. Chełmska 21www.wfdif.com.plKrzysztof Rutatel. +48 22 841 98 31+48 501 777 [email protected]

hala W 27.8 x 21.6,91.2 x 70.9

600,6 458.3

8.5,27.9

– d, m, w costumes and props, air conditioned set

hala Z 27.8 x 21.6,91.2 x 70.9

600,6 458.3

8.5,27.9

– d, m, w costumes and props, air-conditioned set

32 FILM INDUSTRY



OWNERSOUND STAGE

SYMBOLDIMENSIONS

(M, FT)AREA

(M2, FT2)

WORKING HEIGHT

(M, FT)


OUTLETS



telewizjA polskAoddziAł krAkówKrakow, ul. Nowohucka 44www.krakow.tvp.pltel. +48 605 605 587 +48 12 261 51 40+48 12 261 52 [email protected]

S3 30 x 25,98.4 x 82

1 000,10 763.9

10,32.8

400kW d, m, w lighting grid, overhead power points, equipment and costume storage,

ample parking

toyA studiosŁódź, ul. Łąkowa 29www.toyastudios.pltel. +48 42 639 55 [email protected]

hala IV 39.6 x 22.6,129.9 x 74.1

911.7,9 813.5

10.8,35.4


technical platform, lighting grid, air-conditioning, heating and ventilation,

overhead power points, parking for 200 cars + heavy vehicles’ area

hala III 37.5 x 20.8,123 x 68.2

783.2,8 430.3

10.6,34.8


technical platform, lighting grid, overhead power points, heating and

ventilation, parking for 200 cars + heavy vehicles’ area

hala V 30.9 x 15.9,101.4 x 52.2

491.3,5 288.3

7.9,25.9




vehicles’ areahala II 12.5 x 22,

41 x 72.2 275.9,

2 969.810.6,34.8




vehicles’ area

wFdiFWarsaw, ul. Chełmska 21www.wfdif.com.plKrzysztof Rutatel. +48 22 841 98 31+48 501 777 [email protected]

hala W 27.8 x 21.6,91.2 x 70.9

600,6 458.3

8.5,27.9

– d, m, w costumes and props, air conditioned set

hala Z 27.8 x 21.6,91.2 x 70.9

600,6 458.3

8.5,27.9

– d, m, w costumes and props, air-conditioned set

PRODUCERS

The symbols by the companies’ names indicate that, in the course of the past few years, the producer has made at least one production corresponding to the following criteria:

FeAture: feature-length, live-action films, usually as a leading producer; postproduction in case of postproduction studios; docuMentAry: short / medium-length / feature-length documentary films; AniMAtion: short / medium-length / feature-length animated films or TV series; co-production: international co-productions, including live-action films, documentaries and animations;service: servicing international projects in Poland including physical production, postproduction, animation and VFX;tv series: live-action TV series of different genres;tv show: TV shows, including game shows, talk shows, travel series, etc.; shorts: short-length features;others: commercials, music videos and other audiovisual materials.

COMPANY WEBSITE CONTACT FEAT

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AFilM www.afilm.pl tel. +48 607 983 844, [email protected] ● ● ● ● ●

AGresywnA BAndA www.agresywnabanda.com tel. +48 661 104 901, [email protected] ● ● ●

Akson studio www.aksonstudio.pl tel. +48 22 840 68 30, [email protected] ● ● ● ● ● ● ●

Alex stern www.alexstern.pl tel. +48 609 232 868, [email protected] ●

Alter eGo pictures www.alteregopictures.pl tel. +48 22 851 11 15, [email protected] ● ● ● ●

AMondo FilMs www.amondofilms.com tel. +48 501 209 172, [email protected] ● ● ● ●

AniMA-pol wordpress.animapol.pl tel. +48 42 661 97 05, [email protected] ● ● ●

Apple FilM production www.applefilm.pl tel. +48 22 851 84 40, [email protected] ● ● ● ●

ArGoMediA - tel. +48 71 337 37 38, [email protected] ●

ArkAnA studio www.arkanastudio.pl tel. +48 22 840 27 45, [email protected] ● ●

Artcore www.artcore.pl tel. +48 22 251 32 76, [email protected] ● ● ●

AtM GrupA www.atmgrupa.pl tel. +48 71 776 47 00, [email protected] ● ● ● ●

AuruM FilM www.aurumfilm.pl tel. +48 505 773 479, [email protected] ● ● ●

B3 FilMs www.b3films.pl tel. +48 512 773 371, [email protected] ●

BAdi BAdi www.badibadi.com tel. +48 22 313 22 22, [email protected] ● ●

BAlApolis www.balapolis.com tel. +48 601 980 737, [email protected] ● ● ●

BAnAnA split www.banana.pl tel. +48 512 085 075, [email protected] ● ● ● ● ●

Bow And Axe entertAinMent www.bowandaxe.com tel. +48 22 854 07 77, [email protected] ● ● ● ● ● ● ●

BreAkthru productions www.breakthrufilms.pl tel. +48 58 333 4733, [email protected] ● ● ●




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BwM Art www.bwmart.pl tel. +48 22 843 96 41, [email protected] ●

centrAlA www.centralafilm.pl tel. +48 664 084 949, [email protected] ● ● ● ● ●

chilli productions www.chilliproductions.com tel. +48 606 136 399, [email protected] ● ●

chiMney polAnd www.chimneygroup.com tel. +48 22 347 95 00, [email protected] ● ● ● ● ● ●

colAB pictures www.colabpictures.com tel. +48 503 176 222, [email protected] ●

colour pictures www.colourpictures.eu tel. +48 601 700 688, [email protected] ● ●

d35 www.digital35.pl tel. +48 690 009 272, [email protected] ● ● ● ● ●

dArkliGht FilM studio www.darklight.pl tel. +48 501 622 810, [email protected] ●

di FActory www.di-factory.com tel. +48 887 807 800, [email protected] ● ● ● ● ● ●

doMino FilM www.dominofilm.pl tel. +48 602 772 778, [email protected] ● ● ● ●

donten & lAcroix FilMs www.dontenlacroix.eu tel. +48 516 516 606, [email protected] ● ● ● ● ●

eAst studio www.eaststudio.pl tel. +48 512 007 123, [email protected] ● ● ●

eGoFilM www.egofilm.pl tel. +48 607 563 638, [email protected] ● ● ●

endorFinA studio www.endorfinastudio.com tel. +48 501 065 821, [email protected] ● ● ●

entertAin pictures www.entertainpictures.com tel. +48 514 709 909, [email protected] ● ● ● ●

eurekA studio www.eurekastudio.eu tel. +48 22 885 42 25, [email protected] ● ● ●

F25 www.f25.pl tel. +48 502 297 611, [email protected] ● ● ●

Federico FilM www.federicofilm.com tel. +48 602 133 993, [email protected] ● ● ● ●

FilM Art production www.filmartproduction.pl tel. +48 601 663 236, [email protected] ● ● ● ●

FilM it www.filmit.com.pl tel. +48 22 852 23 24, [email protected] ● ● ● ● ● ●

FilM MediA www.filmmedia.com.pl tel. +48 22 625 00 05, [email protected] ● ●

FilM polAnd productions www.filmpoland.pl tel. +48 604 428 940, [email protected] ● ● ● ● ● ●

FilM produkcjA www.filmprodukcja.com tel. +48 22 227 77 77, [email protected] ● ● ● ● ● ●

FilM services szczecin - tel. +48 881 625 499, [email protected] ●

FilMicon www.filmicon.pl tel. +48 794 389 337, [email protected] ● ● ●

FilMoGrAF www.filmograf.com.pl tel. +48 22 845 53 45, [email protected] ● ●

FlotA FilMowA www.flotafilmowa.com tel. +48 22 339 05 84, [email protected] ● ● ● ● ●

FuMi studio www.fumistudio.com tel. +48 605 283 030, [email protected] ● ●

FuriA FilM www.furiafilm.pl tel. +48 794 389 337, [email protected] ● ● ● ● ●

GrAnizA www.graniza.pl tel. +48 506 642 021, [email protected] ● ●

GreMi FilM www.gremifilm.pl tel.+48 691 889 019, [email protected] ●

Gs AniMAtion / GrupA sMAczneGo

www.g-s.pl tel. +48 58 718 13 23, [email protected]● ● ● ●

GuruMediA www.gurumedia.pl tel. +48 512 756 156, [email protected] ● ●

hAkA FilMs www.hakafilms.com tel. +48 668 024 800, [email protected] ● ●

hArine FilMs www.facebook.com/harinefilms tel. +48 501 338 454, [email protected] ● ●



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house MediA coMpAny www.housemedia.pl tel. +48 22 840 50 56, [email protected] ● ●

huMAn Ark www.human-ark.com tel. +48 22 227 77 88, [email protected] ● ● ●

iMAGes And worlds www.imagesandworlds.pl tel. +48 662 174 512, [email protected] ●

iMpAkt FilM www.impaktfilm.com tel. +48 604 105 975, [email protected] ● ●

isyrius www.isyrius.com tel. +48 503 857 517, [email protected] ● ●

kAlejdoskop FilM www.kalejdoskopfilm.pl tel. +48 22 851 17 79, [email protected] ● ●

kAlejdoskop studio FilMowe www.kalejdoskop.art.pl tel. +48 22 851 17 79, [email protected] ● ● ●

kAMerovid - tel. +48 604 172 133, [email protected] ●

kid FilM www.kidfilm.pl tel. +48 509 577 943, [email protected] ● ●

kijorA FilM www.kijorafilm.com tel. +48 609 421 497, [email protected] ● ● ● ● ●

kln FilM studio (ForMerly: wytwórniA FilMów kAlinA)

www.wfkalina.pl tel. +48 58 350 06 40, [email protected]● ● ● ● ● ●

koi studio www.koi-studio.pl tel. +48 605 164 104, [email protected] ● ● ● ● ●

kosMos production www.kosmosproduction.pl tel. +48 605 059 191, [email protected] ● ●

lAvA FilMs www.lavafilms.pl tel. +48 506 061 974, [email protected] ● ● ● ● ● ●

liGhtcrAFt www.lightcraft.pl tel. +48 604 420 500, [email protected] ● ● ● ●

MAdAnts facebook.com/MadantsFilms tel. +48 791 996 984, [email protected] ● ● ● ●

MAGic production www.magic-production.com tel. +48 505 119 896, [email protected] ● ● ● ●

MAGnet MAn FilM www.magnetmanfilm.com tel. +48 661 663 768, [email protected] ● ●

MAj FilM produkcjA FilMowA www.majfilm.pl tel. +48 501 834 731, [email protected] ● ● ●

MAÑAnA www.manana.pl tel. +48 695 987 763, [email protected] ● ●

MAniFiestA www.manifiesta.pl tel. +48 508 507 755, [email protected] ● ● ● ● ● ●

Md4 www.md4.eu tel. +48 22 126 89 47, [email protected] ● ● ●

MediABriGAde www.mediabrigade.pl tel. +48 71 799 14 50, [email protected] ● ● ● ● ● ● ●

Metro FilMs www.metrofilms.com.pl tel. +48 22 843 21 72, [email protected] ● ● ● ●

Monolith FilMs www.monolith.pl tel. +48 22 851 10 77, [email protected] ● ●

Movie Flower www.movieflower.pl tel. +48 501 548 415, [email protected] ● ● ●

Mu AniMAtion www.muanimation.com tel. +48 535 944 660, [email protected] ● ●

MuchAs GrAciAs www.muchasgracias.pl tel. +48 22 299 21 20, [email protected] ● ●

no suGAr FilMs www.nosugarfilms.com tel. +48 603 486 287, [email protected] ● ● ● ●

next FilM www.next-film.pl tel. +48 531 115 100, [email protected] ● ●

odeon ryBArczyk productions

www.odeon.com.pl tel. +48 22 646 69 00, [email protected]● ● ●

oFicynA FilMowA GAlicjA - tel. +48 12 422 61 16, [email protected] ● ●

opus FilM www.opusfilm.com tel. +48 42 634 55 00, [email protected] ● ● ● ● ● ● ●

orkA www.orkafilm.pl tel. +48 22 641 56 20, [email protected] ● ● ● ● ●



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ostro BArtłoMiej osses www.ostro-video.pl tel. +48 535 553 222, [email protected] ● ● ● ● ● ●

oto FilM www.otofilm.pl tel. +48 22 542 86 86, [email protected] ● ● ● ●

otter FilMs www.otterfilms.pl tel. +48 609 841 445, [email protected] ● ● ● ●

plAtiGe iMAGe www.platige.com tel. +48 22 844 64 74, [email protected] ● ● ● ● ● ● ● ●

plesnAr & krAuss FilMs www.plesnarandkrauss.com tel. +48 605 935 018 ,[email protected] ● ● ●

pokroMski studio www.pokromskistudio.pl tel. +48 22 115 33 73, [email protected] ● ● ● ●

prAsA i FilM www.prasaifilm.pl tel. +48 22 851 10 64, [email protected] ● ● ● ●

propeller FilM www.propellerfilm.pl tel. +48 602 211 444, [email protected] ● ● ● ● ● ● ● ● ●

rAGusA FilM www.ragusafilm.pl tel. +48 507 290 438, [email protected] ● ●

rock And roll production - tel. +48 604 250 662, [email protected] ●

scorpio studio www.scorpio-studio.com tel. +48 22 392 63 32, [email protected] ● ● ●

shipsBoy www.shipsboy.com tel. +48 512 733 112, [email protected] ● ● ● ● ●

silver FrAMe www.silver-frame.com tel. +48 696 449 317, [email protected] ● ● ● ● ● ●

skopiA FilM www.skopiafilm.com [email protected] ● ●

skorpion Arte www.skorpionarte.pl tel. +48 506 079 686, [email protected] ●

spinkA FilM studio www.spinkafilm.pl tel. +48 603 193 820, [email protected] ● ● ● ● ● ●

sQuAre FilM studio www.squarefilmstudio.com tel. +48 608 15 44 86, [email protected] ● ●

stAroŃ – FilM www.staronfilm.pl tel. +48 505 934 943, [email protected] ● ● ●

sti studio FilMowe www.sti.com.pl tel. +48 22 629 21 69, [email protected] ● ● ●

studio A www.studio-a.tv tel. +48 22 622 24 44, [email protected] ●

studio FilMowe everest www.studioeverest.pl tel. +48 609 333 407, [email protected] ●

studio FilMowe kAdr www.sfkadr.com tel. +48 22 845 49 23, [email protected] ● ●

studio FilMowe loGos www.logosfilm.pl tel. +48 602 198 989, [email protected] ● ● ● ●

studio FilMowe tor www.tor.com.pl tel. +48 22 845 53 03, [email protected] ● ● ●

studio FilMowe zeBrA www.zebrafilm.pl tel. +48 22 845 54 84, [email protected] ●

studio FilMów rysunkowych www.sfr.com.pl tel. +48 33 812 50 56, [email protected] ● ● ●

studio MiniAtur FilMowych www.smf.com.pl tel. +48 22 845 53 45, [email protected] ● ● ● ●

studio MunkA www.studiomunka.pl tel. +48 22 556 54 70, [email protected] ● ● ● ● ●

studio pAnikA www.studiopanika.pl tel. +48 58 629 78 48, [email protected] ●

tAkFilM www.takfilm.eu tel. +48 602 435 513, [email protected] ● ●

teMpus FilM www.tempusfilm.com tel. +48 601 39 23 10, [email protected] ●

touchFilMs www.vimeo.com/ touchfilmstouchfilms

tel. +48 601 792 376, [email protected]● ● ● ●

tv studio FilMów AniMowAnych

www.tvsfa.com tel. +48 61 852 01 05, [email protected]●

unliMited FilM operAtions www.unlimitedfilm.pl tel. +48 606 403 982, [email protected] ● ●

vision house production www.visionhouse.eu tel. +48 22 659 38 63, [email protected] ● ● ● ● ●



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wAjdA studio www.wajdastudio.pl tel.+48 22 851 10 57, [email protected] ● ● ● ●

wAtchout studio www.watchoutstudio.pl tel. +48 785 801 006, [email protected] ● ●

wjteAM / likAon www.wjt.com.pl tel. +48 501 044 375, [email protected] ● ● ● ●

wytwórniA FilMów dokuMentAlnych i FABulArnych (wFdiF)

www.wfdif.pl tel. +48 22 840 00 30-39, [email protected] ● ● ● ● ●

yeti FilMs www.yetifilms.com tel. +48 502 142 844, [email protected] ● ● ● ●

zjednoczenie Artystów i rzeMieŚlników

www.zair.eu tel. +48 501 647 248, [email protected]● ● ●

zk studio www.zkstudio.pl tel. +48 519 830 571, [email protected] ● ● ● ●

zoydA Art production www.zoyda.pl tel. +48 22 799 92 22, [email protected] ● ●

ŻuBrowA 10 jAn wAlencik www.zubrowa10.pl tel. +48 660 419 222, [email protected] ● ●


ewA BAkAlArskA Selected films: The Last Family (2016) dir. Jan P. Matuszyński, Carte Blanche (2015) dir. Jacek Lusiński, Piggies (2009) dir. Robert Glińskitel. +48 533 601 559 [email protected]

piotr BArtuszek (icdn) Selected films: Who Will Write Our History (2018) dir. Roberta Grossman; United States of Love (2016) dir. Tomasz Wasilewski, Maria Curie (2016) dir. Marie Noelletel. +48 662 968 602 [email protected]/piotrbartuszekcasting

ewA BrodzkA (icdn) Selected films: Silent Night (2017) dir. Piotr Domalewski, Afterimage (2016) dir. Andrzej Wajda; Persona Non Grata (2015) dir. Cellin Gluck tel. +48 601 805 895 [email protected]

konrAd BuGAj (BuGAj-czAjor cAstinG) Selected films: The War Has Ended (2019) dir. Hagar Ben-Asher; Blinded by the Lights (2018) dir. Krzysztof Skonieczny; Music, War and Love (2018) dir. Martha Coolidgetel. +48 609 745 561 [email protected] www.bugaj-czajor.pl

violettA Buhl Selected films: Run Boy Run (2013) dir. Pepe Danquart; Spring 1941 (2007) dir. Uri Barbash; Three Colors: White (1994) dir. Krzysztof Kieślowski tel. + 48 601 283 079 [email protected]

pAweł czAjor (BuGAj-czAjor cAstinG) Selected films: Blinded by the Lights (2018) dir. Krzysztof Skonieczny; Music, War and Love (2018) dir. Martha Coolidge; Essential Killing (2010) dir. Jerzy Skolimowski tel. +48 600 457 758 [email protected] www.bugaj-czajor.pl

sylwiA czAplewskA Selected films: Loving Vincent (2017) dir. Dorota Kobiela, Hugh Welchman; Das letzte Versteck (2002) dir. Pierre Koralnik; Big Animal (2000) dir. Jerzy Stuhr tel. +48 601 218 101 [email protected]

AGAtA doMAGAłA Selected films: Prokurator – TV series (2015); Schindler’s List (1993) dir. Steven Spielberg; Street Games (1996) dir. Krzysztof Krauze tel. +48 500 834 977 [email protected]

MonikA FiGurA-kryckA Selected films: Och Karol 2 (2011) dir. Piotr Wereśniak; Dlaczego nie! (2007) dir. Ryszard Zatorski; Na dobre i na złe – TV series (1999–2018)tel. +48 696 012 224 [email protected]

ŻywiA kosiŃskA Selected films: The Fugue (2018) dir. Agnieszka Smoczyńska; Werewolf (2018) dir. Adrian Panek; The Lure (2015) dir. Agnieszka Smoczyńska tel. +48 501 706 514 [email protected]

MArtA kownAckA (icdn)Selected films: Dark Crimes (2016) dir. Alexandros Avranas; Strange Heaven (2015) dir. Dariusz Gajewski; Summer Solstice (2015) dir. Michał Rogalski; tel. +48 609 100 410 [email protected] www.facebook.com/ castingmartakownacka

pAulinA krAjnik Selected films: 1983 (2018) dir. Agnieszka Holland, Kasia Adamik, Olga Chajdas, Agnieszka Smoczyńska; Nina (2018) dir. Olga Chajdas; The Man with the Magic Box (2017) dir. Bodo Koxtel. +48 606 180 772 [email protected]

nAdiA AGnieszkA leBik Selected films: The Coldest Game (2019) dir. Łukasz Kośmicki; The Mute (2018) dir. Bartosz Konopka; The Model (2016) dir. Mads Matthiesen tel. +48 515 244 122 [email protected]

MArek pAlkA Selected films: The High Frontier (2016) dir. Wojciech Kasperski; These Daughters of Mine (2015) dir. Kinga Dębska; Baby Blues (2012) dir. Katarzyna Rosłaniec [email protected]

MAGdAlenA szwArcBArt (icdn) Selected films: Cold War (2018) dir. Paweł Pawlikowski; La plage noire (2001) dir. Michel Piccoli; Schindler’s List (1993) dir. Steven Spielberg tel. +48 601 288 874 [email protected]

* ICDN – member of the International Casting Directors Network

CASTING DIRECTORS

39FILM INDUSTRYBACK TO CONTENTS THE MUTE (2018) DIR. BARTOSZ KONOPKA

BACK TO CONTENTS

TV MARKET & BROADCASTERS

4 hours 31 Minutesthe average time spent dailyin front of the TV screen

6,870,000the average minute audience

39.2% the market share of the four majorbroadcasters (TVP1, TVP2, TVN and Polsat)

32 % channels with less than 1% of the market share (others)

* Source: Informacja o podstawowych problemach radiofonii i telewizji w 2017 roku, KRRiTV, Warszawa 2018

tv MArket shAre in the 4th QuArter oF 2017

polsAt 10.74%

tvn7 3.36%

tv puls3.22%

tvp inFo3.9%

tv44.42%

tvn243.86%

puls 21.73%

polsAt2 1.48%

tvp seriAle1.38%

ttv1.87%

tv61.31%

tvp ABc1.27%

polsAt news1.02%

tvp1 9.36%

tvn 10.5%

tvp28.61%

others31.97%

40 FILM INDUSTRY

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telewizjA pulsTelewizja Puls is a commercial broadcaster focused on entertainment. It occasionally produces documentary films and TV series.tel. +48 22 559 73 [email protected] Production:Karolina [email protected]

Sales & Marketing: Justyna Ganczarek-Jach [email protected]

tvnTVN is one of the leading broadcasters in Poland and a part of Discovery, Inc. TVN is an active producer of TV series, TV shows, features and documentaries.tel. +48 22 856 55 04www.tvn.pl, www.distribution.tvn.pl

Head of Feature Film Team:Anna Waśniewskatel. +48 694 411 [email protected]

Sales Manager:Aneta Zarębatel. +48 22 856 67 [email protected]

MAjor BroAdcAsters

hBo polskAA premium television broadcaster. It produces documentaries and television series, and occasionally gets involved in co-production of feature films.tel. +48 22 852 88 00www.hbo.pl

Head of Original Production:Izabela Łopuch tel. +48 22 852 88 [email protected]

Sales Director:Michał Walewski tel. +48 22 852 88 [email protected]

nc+ (iti neovision)A premium television broadcaster, who transmits channels from the CANAL+ family. It produces TV series and feature films.tel. +48 22 328 28 65, +48 795 501 063www.ncplus.pl

Movie Channels Director:Jakub Szurmiejtel. +48 519 520 [email protected]

Production:Małgorzata Jurczaktel. +48 519 520 [email protected]

telewizjA polsAtIt belongs to Cyfrowy Polsat, the largest digital satellite platform in Poland. Polsat produces mainly TV shows, TV series and para-documentary series.tel. +48 22 514 40 00www.polsat.com.pl

Production:Agnieszka Odorowicztel. +48 22 514 54 24Beata Barcztel. +48 22 514 51 52

Sales:Agnieszka Jurczaktel. +48 22 514 51 [email protected]

telewizjA polskA (tvp)The only public broadcaster in Poland. TVP produces mainly TV series, TV shows, feature films and documentary films.tel. +48 22 547 80 00www.tvp.pl

Sales and Acquisitions Departmenttel. +48 22 547 85 01www.sales.tvp.pl

Monika Karasek – Director [email protected] Maciej Chmiel – Deputy Director, International [email protected] Aleksandra Kaźmieruk – Head of International Salestel. +48 22 547 66 [email protected]

41FILM INDUSTRY

http://www.polsat.com.pl/


AGAinst GrAvitytel. +48 22 566 37 99 [email protected] documentaries and art-house features from all over the world.

Akson dystryBucjAtel. +48 510 643 [email protected]/dystrybucjaFeature films from Poland and abroad.

Alter eGo picturestel. +48 22 851 11 [email protected] European and Polish art-house cinema.

AurorA FilMstel. +48 22 35 39 602, +48 603 542 [email protected] of high artistic quality.

Best FilMtel. +48 22 887 14 [email protected] Polish and European films.

hAGitel. +48 71 367 78 [email protected] features and documentaries.

iMAGes & worldstel. +48 662 174 [email protected] films.

iMperiAl cinepixtel. +48 22 379 05 [email protected] cinema hits.

kino ŚwiAttel. +48 22 840 68 [email protected], European and American films.

kondrAt-MediAtel. +48 607 090 [email protected] films.

Bollywood [email protected] from India.

BoMBA FilMtel. +48 81 820 07 [email protected] European cinema.

dystryBucjA Mówi [email protected] and foreign cinema.

ForuM FilM polAndtel. +48 22 456 65 [email protected] and foreign cinema hits.

Gutek FilMtel. +48 22 536 92 [email protected] cinema from all over the world.

DISTRIBUTORS


krAkowskA FundAcjA FilMowAtel. +48 12 294 69 [email protected] and shorts. The organizer of the Krakow Film Festival.

M2 FilMstel. +48 502 134 [email protected] films from beyond the mainstream.

MAdness tel. +48 791 996 [email protected] feature films from all over the world.

MAÑAnAtel. +48 695 987 [email protected] Ibero-American and Spanish films, but also high-quality productions from all over the world.

MAyFlytel. +48 22 822 90 [email protected] cinema & documentaries.

Monolith FilMstel. +48 22 851 10 77-8 [email protected] and foreign cinema hits.

next FilMtel. +48 722 382 [email protected] Polish cinema.

solopAntel. +48 22 828 01 [email protected] cinema from all over the world. Polish independent art-house distributor.

spectAtortel. +48 503 876 [email protected] and art-house films.

stowArzyszenie nowe horyzonty tel. +48 22 530 66 [email protected] going beyond the boundaries of conventional cinema and originating from all over the world.

studio interFilMtel. +48 22 565 23 [email protected] and foreign cinema hits.

tonGAriro releAsinGtel. +48 61 307 22 44 [email protected] cinema.

united internAtionAl pictures (uip)tel. +48 22 630 83 10www.tylkohity.plForeign cinema hits.

vivArtotel. +48 22 100 45 89 [email protected] for children and youth.

wAlt disney coMpAny polskAtel. +48 22 579 33 55 www.disney.plWalt Disney Studios productions.

wArner Bros. entertAinMent polskAtel. +48 22 358 26 [email protected] cinema hits.


MAY

MillenniuM docs AGAinst GrAvity FilM FestivAlWARsAWA selection of the best feature-length documen-taries, award winners at international festivals.www.docsag.pl

MARCH

the eAGles polish FilM AwArdsThe Polish Film Academy’s annual awards ceremony.www.pnf.pl

APRIL / MAY

netiA oFF cAMerA internAtionAl FestivAl oF independent cineMAKRAKÓWThe festival presents works by young filmmak-ers from all over the world.www.offcamera.pl

pro industryProfessional film industry platform focused on networking and match-making between Polish and international filmmakers. The core of the program is round tables, case studies and workshops.

kino nA GrAnicy / kino nA hrAnici CIEszYN, ČEsKý TěšíNCinema on the Border

– a showcase of Polish, Czech, Slovakian and Hungarian films.www.kinonagranicy.pl

JUNE

the koszAlin youth And FilM FestivAlKOszALINA festival for Polish young filmmakers with a sidebar section dedicated to international debuts.www.mlodziifilm.pl

JULY

trAnsAtlAntyk FestivAlŁÓDźAn event that combines cinema and music.www.transatlantyk.org

the iceBreAker An annual workshop addressed to young film professionals. The organ-izers aim at addressing the current issues in order to give the participants tools to improve their understanding of the film business.

AniMAtor internAtionAl AniMAted FilM FestivAlPOzNAńAnimated films from all over the world.www.animator-festival.com

MAY / JUNE

krAkow FilM Music FestivAl KRAKÓWA festival devoted to film music.www.fmf.fm

krAkow FilM FestivAlKRAKÓWAn international festival featuring documentaries, animations and short features.www.krakowfilmfestival.pl

kFF industryA series of events dedicated to documen-tary and animated films, including KFF Market, workshops, discussion panels, and co-production meetings. DOC LAB POLAND is a program for Polish documentary filmmakers, focusing on consultation and pitching; it consists of DOCs TO sTART (projects in development), DOCs TO GO! (work in-progress) and DOCs TO BUY.

FILM EVENTS

JULY / AUGUST

new horizons internAtionAl FilM FestivAlWROCŁAWA round-up of films blazing the trail for new trends in cinema.www.nowehoryzonty.pl

polish dAysPresentation of the latest completed Polish feature films and works-in-progress shown at closed screenings. Projects in development are also pitched here to the international audience and followed by one-on-one sessions.

FilM And Art FestivAl two riversidesKAzImIERz DOLNY & JANOWIEC NAD WIsŁĄAn event bringing together film and other fields of arts.www.dwabrzegi.pl


industry section for filmmakers and producers

NOVEMBER

etiudA & AniMA internAtionAl FilM FestivAlKRAKÓWThe festival brings to-gether the achievements of film school students from all over the world and the works of anima-tion filmmakers.www.etiudaandanima.com

cAMeriMAGe – the internAtionAl FilM FestivAl oF the Art oF cineMAtoGrAphyBYDGOszCzA festival devoted to the art of cinematography.www.camerimage.pl

SEPTEMBER

polish FilM FestivAlGDYNIAA festival devoted to the latest Polish films.www.festiwalgdynia.pl

OCTOBER

wArsAw FilM FestivAlWARsAWThe latest and most interesting features, documentaries and shorts from around the world. The only A-class festival in Poland.www.wff.pl

wArsAw industry dAysContinuing the tradition of Warsaw Screenings (since 2000) and CentEast Market (since 2005), the event includes Warsaw Co-Production Forum (for co-produc-tions with Poland), presentations of the new Polish films and works-in-progress, and a number of other activities aimed at young filmmakers and young film critics.

AMericAn FilM FestivAlWROCŁAWContemporary feature and documentary American films.www.americanfilmfestival.pl

us in proGressEvent aimed at match-ing American indie filmmakers who have nearly completed their films with European post production outlets, fes-tival programmers, sales agents, and distributors.

the internAtionAl FilM FestivAl toFiFestTORUńThe festival presents films with a rebellious touch – the first and second features and shorts.www.tofifest.pl

DECEMBER

Ale kino! internAtionAl younG Audience FilM FestivAlPOzNAńThe festival presents films for children and youth audience.www.alekino.com

BACK TO CONTENTS

directors Guild oF polAnd GildiA reŻyserów [email protected], www.polishdirectors.comThe Directors Guild of Poland is an organisa-tion established to represent and protect professional and social interests of Polish directors.

polish society oF cineMAtoGrAphers stowArzyszenie Autorów zdjęĆ FilMowych (psc)[email protected], www.psc.plThe Polish Society of Cinematographers represents cinematographers’ interests, in particular by protecting copyright and by creating favourable conditions for its members’ professional development.

polish AniMAtion producers AssociAtion stowArzyszenie producentów polskiej AniMAcji (sppA)tel. +48 660 747 [email protected], www.sppa.euThe Polish Animation Producers Association integrates the community of Polish anima-tion film companies and supports them in acquiring foreign co-producers and distributors.

polish AssociAtion oF editors polskie stowArzyszenie MontAŻystów (psM)tel. +48 510 255 [email protected], www.psm.org.plPsm’s mission is to advance the art of film editing. It associates over one hundred professional Polish editors working for cinema and television.

union oF polish Actors związek zAwodowy Aktorów polskich (zzAp)tel. +48 605 763 [email protected], www.zzap.aktorzy.orgThe Union of Polish Actors represents the interests of professional actors and protects their social rights. It is a member of the International Federation of Actors (FIA).

polish docuMentAry directors Guild GildiA polskich reŻyserów dokuMentAlnychtel. +48 605 100 [email protected] Polish Documentary Directors Guild represents and protects the interests of documentary filmmakers in Poland.

polish FilMMAkers AssociAtion stowArzyszenie FilMowców polskich (sFp)tel. +48 22 556 54 [email protected], www.sfp.org.plThe Polish Filmmakers Association is Poland’s largest organisation for film and television professionals. Its primary task is to integrate the film community and protect its interests.

polish AudiovisuAl producers chAMBer oF coMMerce krAjowA izBA producentów AudiowizuAlnych (kipA)tel. +48 22 840 59 [email protected], www.international.kipa.plKIPA associates production companies, film schools and regional film funds. Its main goal is to represent the economic interests of its members towards state authorities and other stakeholders of the AV market.

krAkow FilM cluster krAkowski klAster FilMowy (kkF)tel. +48 501 756 [email protected], www.film-krakow.plThe Krakow Film Cluster is an association of professional companies, organizations and experienced individual creators operating in the film industry in Małopolska region.

PROFESSIONAL ORGANISATIONS

46 FILM INDUSTRY

47FILM INDUSTRYBACK TO CONTENTS FILM INDUSTRYHIGH LIFE (2018) DIR. CLAIRE DENIS

BACK TO CONTENTS

production Guide polAnd

Published by Film Commission Poland

Editor: Anna E. Dziedzic

Editorial team: Tomasz Dąbrowski, Krzysztof Kołodziejczyk, Dana Pohl

English translation and language editing: Olga Brawańska

Film Commission Poland would like to thank the following people for their support and advice: Marta Ambrosiewicz, Agnieszka Balicka, Robert Baliński, Piotr Bartuszek, Stanisław Dziedzic, Michał Fojcik, Joanna Kulikowska, Urszula Lipińska, Karol Makowski, Anna Pińczykowska, Piotr Sobkowicz, Klaudia Śmieja, Anna Wydra.

Graphic design: Joanna Górska, Homework

Warsaw 2018

credits

Cover – The Coldest Game (2019) dir. Łukasz Kośmicki: © Krzysztof Wiktor – behind the since / THE COLDEsT GAmE

page 3 – Werewolf (2018) dir. Adrian Panek: © Łukasz Bąk, Balapolis

page 9 – Gareth Jones (2019) dir. Agnieszka Holland: © Robert Pałka, Film Produkcja

page 10 – Agrafka Cinema: © Klaudyna Schubert, Fundacja Wspierania Kultury Filmowej CYRK EDIsON

page 12 – Loving Vincent (2017) dir. Dorota Kobiela, Hugh Welchman, promotional material

page 13 – Mug (2017) dir. Małgorzata Szumowska: © Bartosz Mrozowski, promotional material

page 15 – Der Hauptmann (2018) dir. Robert Schwentke: © Krzysztof Wiktor, Opus Film

page 19 – Letters to Santa 3 (2017) dir. Tomasz Konecki: © Marcin Makowski, TVN, promotional material

pages 22–23 – photos: © Alvernia Studios

pages 24–25 – photos: © ATm Group

pages 26–27 – photos: © WFDiF

page 39 – The Mute (2018) dir. Bartosz Konopka: © Jarosław Sosiński, Otter Films

page 47 – High Life (2018) dir. Claire Denis: © Anna Włoch, Madants

Documents

PRODUCTION GUIDE POLAND · Film Commission Poland ul. Chełmska 21, bud. 4 / 56 00-724 Warszawa, Poland [email protected] Film Commission Poland is an