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Portland State University Psychology Page 1 Psychology 347 (13335): PERCEPTION Bill Griesar, Ph.D., Instructor; [email protected] Jeff Leake, M.F.A., Instructor; [email protected] Katie Hashimoto, Teaching Assistant; [email protected] Katie Werth, Teaching Assistant; [email protected] Liana Bernard, Graduate Teaching Assistant; [email protected] TEXTBOOK (recommended): Sensation & Perception, 2 nd Edition, Wolfe et al. No text is required. We list an old edition, because the material is similar, and it costs a lot less. Newer editions are also acceptable; read chapters that correspond to the topics. ***PLEASE READ THROUGH ALL UPDATED MATERIAL ON OUR d2l website… ADDITIONAL BOOK (highly recommended): Hallucinations, by Oliver Sacks ART SUPPLIES (required): Sketchbook (standard 11” x 14” drawing, 80 pound weight paper, with at least 24 sheets), colored pencils (basic set, 12 assorted colors), Assorted graphite sticks, Pink pearl eraser, one pound block of air dry clay (e.g., from Das), Assorted pipe cleaners. See d2l course website for more details on what you’ll need. Please use these email addresses, NOT d2l OFFICE HOURS: Mondays, 11:30am – 12:30pm (Bill); Cramer 309 Wednesdays, 11:30am – 12:30pm (Jeff); Cramer 367 FALL TERM 2019: September 30 – December 13, 2019 Class meets in Cramer Hall, Room 401, MWF, 10:15 – 11:20am

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Page 1: Psychology 347 (13335): PERCEPTION - NW NOGGIN€¦ · categories of stimuli (e.g., in visual, auditory, olfactory, gustatory, somatosensory (including touch, proprioception, nociception),

PortlandStateUniversityPsychology Page1

Psychology347(13335):PERCEPTION

BillGriesar,Ph.D.,Instructor;[email protected]

JeffLeake,M.F.A.,Instructor;[email protected]

KatieHashimoto,TeachingAssistant;[email protected]

KatieWerth,TeachingAssistant;[email protected]

LianaBernard,GraduateTeachingAssistant;[email protected]

TEXTBOOK(recommended):Sensation&Perception,2ndEdition,Wolfeetal.

Notextisrequired.Welistanoldedition,becausethematerialissimilar,anditcostsalot

less.Newereditionsarealsoacceptable;readchaptersthatcorrespondtothetopics.

***PLEASEREADTHROUGHALLUPDATEDMATERIALONOURd2lwebsite…

ADDITIONALBOOK(highlyrecommended):Hallucinations,byOliverSacks

ARTSUPPLIES(required):Sketchbook(standard11”x14”drawing,80pound

weightpaper,withatleast24sheets),coloredpencils(basicset,12assortedcolors),

Assortedgraphitesticks,Pinkpearleraser,onepoundblockofairdryclay(e.g.,fromDas),

Assortedpipecleaners.Seed2lcoursewebsiteformoredetailsonwhatyou’llneed.

Pleaseusetheseemailaddresses,NOTd2l

OFFICEHOURS:Mondays,11:30am–12:30pm(Bill);Cramer309Wednesdays,11:30am–12:30pm(Jeff);Cramer367

FALLTERM2019:September 30 – December 13, 2019

ClassmeetsinCramerHall,Room401,MWF,10:15–11:20am

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NOTE:Youwillneed$2.50toparticipateinthePortlandArtMuseumtour,and$2.50fora

tabletthatwilltemporarilymesswithyourtastebuds!(DUEFRIDAY,October4!)

GOALOFTHECOURSE:Perceptioninvolvestherouting,identification,andinterpretationof

energyandinformationinourenvironment,bothexternalandinternal.Typically,itbegins

withdetectionofstimulibysensoryneurons,andtherelayofthisinformationtospecific

neuralnetworksinthebrain.

Inthisclasswewillinvestigatethemechanismsthatunderliesensorydetectionofspecific

categoriesofstimuli(e.g.,invisual,auditory,olfactory,gustatory,somatosensory(including

touch,proprioception,nociception),andvestibularrealms)andtheCNSnetworksinvolved

inperceptualdiscrimination,interpretation,andcomplexcognitiveresponses.We’llalso

lookathowthesecritical,adaptivenetworksdevelop,andhowtheyareinfluenced

bydrugsand,ultimately,decay…

We’llalsoexplorehowartistshaveapproached,understoodandintegratedaspectsof

sensorydetectionandperceptionintooftenextraordinaryworksthatcompel,move,inspire,

andaffectourunderstandingofourselvesandourworld.We’llvisitthePortlandArtMuseum

toviewartwithaneyetowardstheneuralmechanismsinvolvedinperception,andwe’ll

createobjectsdesignedtohelpreflectonandunderstandtheconceptswe’lldiscuss…

GRADES:Gradesarebasedonapointscale:90pointsandabove=A;80–89points=B;

70–79points=C;60–69points=D;59pointsorbelow=F.AnAorBisABOVEAVERAGE,

aCisAVERAGE,andaDisBELOWAVERAGE.Youcanearnpoints(amaximumof105,

whichincludes5pointsofextracredit)inthefollowingways…

****DEADLINESAREIMPORTANT:LATEWORKRECEIVESHALFCREDIT.****

QUIZZES(60points)YourtopTHREEquizscorescounttowardsyourfinalgradeQuizOne:Psychophysics,neurons,andsynapses(20points)QuizTwo:Gustation,olfaction,andsomatosensation(20points)QuizThree:Visualsystem(20points)QuizFour:Auditoryandvestibularsystems(20points)

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ARTPROJECTS(35points)YourtopTWOartprojectscores(fromProjects3–5)counttowardsyourfinalgrade.**SUBMITALLPROJECTSTOJEFFINCLASS;LATESUBMISSIONSEARNHALFCREDITArtProject1:Neuronmodelbuilding(5points)REQUIREDArtProject2:Neuronmetaphordrawing(7.5points)REQUIREDArtProject3:Blindtouchsculpture(5points)ArtProject4:Mirrordrawing(5points)ArtProject5:Blurreddrawing(5points)ArtProject6:Sensoryneuronmodel(7.5points)REQUIREDFINALARTPROJECT(10points)

FinalArtProject:Finalposterwithgestaltcollage(10points)

Thefinalposterconsistsoftwoparts.PartOne:preparefourcollagesordrawingsthatare

examplesofgestaltgroupingprinciplesfollowedbyawrittenexplanationofhowthose

principlesareworking.PartTwo:prepareaformalanalysisofawellknownworkofart,

identifyingtheprinciplesyouchoseforyourcollagesordrawingswithintheimageand

clearlystatingwhereandhowthoseareoperatingwithinthatworkofart.Thegestalt

collages,famousartwork,andwrittendescriptionsforbothwillbefixedtoan18"x24"

(minimumsize)posterandpresentedinclassduringthetimeslotforourfinalexam.

ACADEMICHONESTY:Anyevidenceofcheatingorplagiarismwillleadtoserious

academicconsequences,includingpossiblefailureofthecourseand/ordismissalfromschool.

PlagiarismisalsoaviolationofthePSUCodeofStudentConduct.Formoreinformationsee:

http://www.pdx.edu/dos/psu-student-code-conduct

STUDENTSWITHDISABILITIES:Ifyouareastudentwithadocumenteddisability

andregisteredwiththeDisabilityResourceCenter(DRC),pleasecontacttheinstructor

immediatelytofacilitatearrangingacademicaccommodations.Ifyouhaveadisabilityandhave

notyetregisteredwiththeDRC,pleasecontacttheDRCimmediately.

NOTE:Incompletesarerarelygiven,andarebasedoncriteriadescribedin

theuniversitycatalog.Incompletesarenotappropriatewhenlessthan¾’softhecourse

workhasbeenscored.Noincompletewillbeassignedwithoutawrittenformal

agreementandtimelinerelatedtocoursecompletion.

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EXCUSES: Life has ups and downs, and everyone struggles sometimes with family, work, and other personal concerns and commitments. However, unless there is a serious, unexpected, sudden, documented and significant emergency, please do not petition for special treatment regarding deadlines for projects, quizzes, or exams. We are required to treat all students fairly, and that means each of you must think ahead and plan for when assignments are due. Everyone is subject to the same course expectations…

THECLASSES

WEEKONE(9/30–10/4)**MONEY:ArtMuseumTour($2.50)&tastetablet($2.50)dueFriday,10/4!INTRODUCTIONS:syllabus,basicconcepts,historyofperception,philosophicalconsiderations,psychophysics,measuringthethreshold,signaldetectiontheory,neuroesthetics.Whatisreal?Howdoweknowwhat’soutthere(orinhere:)?READ(optional):Text,Chapter1(Introduction)

WEEKTWO(10/7–10/11)SENSORYDETECTION:Neuronscarryinformation-richelectricalmessages,andcommunicatewitheachotherbyreleasingchemicalmessengers(neurotransmitters).Whatsortofsensorydetectionmachinerydoyouhave?Howisdetectedinformationtransferredtoneuralnetworksforfurtherprocessingandresponse?READ(optional):Text,Chapter1(Introduction)

WEEKTHREE(10/14–10/18)**QUIZONEFRIDAY:History,psychophysics,neuronsandsynapsesNEUROESTHETICS*ARTPROJECT1Monday:Neuronmodel(bringpipecleaners)*ARTPROJECT2Wednesday:Neuronmetaphor(bringdrawingsupplies)

WEEKFOUR(10/21–10/25)*ARTPROJECT1DUEWEDNESDAY(LATE=halfcredit)CHEMICALSENSES(GustationandOlfaction);tasteandsmellversusflavor;differenceswithothersenses(ipsilateralprojectionandlimbic/paralimbictargets);tastereceptorcells,tastebudsandpapillae;basictastes;labeledlinevs.patterncoding;afewreceptormechanisms;gustatorypathways;flavorissomuchmorethantaste;olfactoryneurons,glomeruli,bulb,andCNSprojectiontargets;vomeronasalorganandtheFlehmenresponseREAD(optional):Text,Chapters13(Olfaction),14(Taste)

WEEKFIVE(10/28–11/1)*ARTPROJECT2DUEWEDNESDAY(LATE=halfcredit)

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*Miracleberrydemonstration(bringextrafood!)MONDAY*ARTPROJECT3Friday:Blindtouchsculpture(bringclay);Gestaltlecture1SOMATOSENSATION;Mechanicalsenses(touch,proprioception)vs.protectivesenses(temperature,pain,itch,deepsensualtouch);mechanoreceptorphysiologyandmechanisms(e.g.,Meissner’s,Pacinian,Ruffini’scorpuscles,Merkel’sreceptors,musclespindlereceptors,Golgitendonorgans);Dorsalcolumnsystem/trigeminalnerveforCNSdeliveryofmechanoreception;Anterolateralsystemfordetection,deliveryandmappingofemotionallysalientstimuli;relevantreceptors,andreceptormechanisms(nociceptors,thermoreceptors,itch-sensitiveneurons,deeptouchreceptors),pathways(spinothalamic,spinoreticular,spinomesencephalic);involvementofhypothalamicdetection/response,andCNScorticalnetworksforsomatosensoryintegration(S1,S2,insula,anteriorcingulate);READ(optional):Text,Chapter12(Touch)

WEEKSIX(11/4–11/8)**QUIZTWOFRIDAY:Gustation,olfaction,somatosensation*ARTPROJECT3DUEWEDNESDAY(LATE=halfcredit)*ARTPROJECT4Friday:Mirrordrawing(bringmirrordrawingsheet/d2l)INTRODUCTIONTOTHEVISUALSYSTEM;Natureofthestimulus(narrowrangeofelectromagneticenergy),anatomyoftheeye(cornea,pupil,iris,lens,retina);presbyopia,myopia;retinalnetworkphysiology(photoreceptors,bipolarcells,ganglioncells,horizontalandamacrinecells);rodsvs.cones(S,M,L),Isiharatesting,intrinsicallyphotosensitiveganglioncellsandcircadiancycles;sensitivityvs.acuity,center/surroundreceptivefields,parvocellularvs.magnocellularpathways;centralvisualtargets(LGNtoV1,superiorcolliculi,hypothalamus,pre-tectalregion);visualhemifields,nervesvs.tractsREAD(optional):Text,Chapter2(TheFirstStepsinVision:SeeingStars);Chapters3(SpatialVision);4(PerceivingandRecognizingObjects)

WEEKSEVEN(11/11–11/15)*NOCLASSMonday:HappyVeteran’sDay!*ARTPROJECT4DUEWEDNESDAY(LATE=halfcredit)*ARTPROJECT5Friday:Blurreddrawing(drawingpad,graphitestick,eraser)*Gestaltlecture1onFridayMoreonthevisualsystem;Optimalstimuliandreceptivefields;columnarorganizationoftheneocortex;functionalorganizationofV1(orientationspecificity);Ppathwaysandobjectrecognitioninventraltemporallobe,visualagnosia,propopagnosia;Mpathwaysandspatialmappinginparietalcolumns;neuralnetworkcontributionstothefigure/groundillusion

WEEKEIGHT(11/18–11/22)**QUIZTHREEFRIDAY:Visualsystem*MUSEUMTOURWEDNESDAY(pleasemeetatthePortlandArtMuseum)*Gestaltlecture2onMonday

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THEAUDITORYSYSTEM;Physicalfeaturesofstimulus(frequency,amplitude,complexity)vs.perceptualexperiencesofsound(pitch,loudness,timbre);earanatomy(outer,middle,inner;pinna,tympanicmembrane,ossicles,ovalwindow,cochlea);structureandfunction(e.g.,pinnasizevs.frequency/amplitudedetection);acousticreflex;physiologyofcochlea;inner/outerhaircells;mechanismofstimulustransduction;frequencycoding(tonotopy)READ(optional):Text,Chapter9(Hearing:PhysiologyandPsychoacoustics)

WEEKNINE(11/25–11/29)*NOCLASSFRIDAY:HappyThanksgiving!*ARTPROJECT5DUEWEDNESDAY(LATE=halfcredit)Moreontheauditorysystem;andVESTIBULARSYSTEM;Physicalcodingoffrequency,amplitudeandcomplexityinthecochlea;centralpathwaysforaudition;soundlocalization;physiologyofvestibularorgans(semicircularcanals,otolithorgans);vestibulo-ocularreflex;detectionmechanismsforthreevestibular“modalities”(angularmotion/accelerationandsemicircularcanals,gravity/tiltandlinearaccelerationandtheotolithorgans);anatomyofvestibularorgans(canals,vestibules,ampullae,cristae,haircells;utricle/sacculeandmacula,otolithicmembrane,otoconia);CNSpathwaysforvestibularperceptionREAD(optional):Text,Chapter10(Hearingintheenvironment)

WEEKTEN(12/2–12/6)**QUIZFOURFRIDAY:AuditoryandvestibularsystemsHALLUCINATIONS:Drugeffects,andothersourcesofperceptualdistortionCharlesBonnetSyndrome;MusicalEarSyndrome,sensorydeprivationexperiments…READ(highlyrecommended):OliverSack’s“Hallucinations”FINALPROJECTONWEDNESDAY,DECEMBER11th,10:15am–12:05pm(Pleasenote:Thefinalprojectwillnotbemovedforanyreason)*ARTPROJECT6DUE**SAMEWEDNESDAY(12/11)**A REMINDER: Life has ups and downs, and everyone struggles sometimes with family, work, and other personal concerns and commitments. However, unless there is a serious, unexpected, sudden, documented, significant emergency, please do not petition for special treatment regarding deadlines for projects, quizzes, or exams. Once again, we are required to treat all students fairly, and consistently, and that means each one of you must think ahead and plan for when assignments are due. Everyone is subject to the same course expectations. Note that sometimes, for a myriad of reasons, life intervenes to create ongoing difficulties with class attendance, and meeting academic requirements. In these cases, it's often best to withdraw from the course, and perhaps re-enroll at a less stressful time...

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Title IX: Title IX is a federal law that requires the university to appropriately respond to any concerns of sex/gender discrimination, sexual harassment or sexual violence.

To assure students receive support, faculty members are required to report any instances of sexual harassment, sexual violence and/or other forms of prohibited discrimination to PSU’s Title IX Coordinator, Julie Caron.

If you would rather share information about these experiences with an employee who does not have these reporting responsibilities and can keep the information confidential, please contact one of the following campus resources (or visit this link):

Women’s Resource Center (503-725-5672) or schedule on line at https://psuwrc.youcanbook.me

Center for Student Health and Counseling (SHAC): 1880 SW 6th Ave, (503) 725-2800

Student Legal Services: 1825 SW Broadway, (SMSU) M343, (503) 725-4556

PSU’s Title IX Coordinator and Deputy Title IX Coordinators can meet with you to discuss how to address concerns that you may have regarding a Title IX matter or any other form of discrimination or discriminatory harassment. Please note that they cannot keep the information you provide to them confidential but will keep it private and only share it with limited people that have a need to know. You may contact the Title IX Coordinators as follows:

PSU’s Title IX Coordinator: Julie Caron by calling 503-725-4410, via email at [email protected] or in person at Richard and Maureen Neuberger Center

Deputy Title IX Coordinator: Yesenia Gutierrez by calling 503-725-4413, via email at [email protected] or in person at RMNC, 1600 SW 4th Ave, Suite 830

Deputy Title IX Coordinator: Dana Walton-Macaulay by calling 503-725-5651, via email at [email protected] or in person at Smith Memorial Union, Suite, 1825 SW Broadway, Suite 433

For more information about the applicable regulations please complete the required student module Creating a Safe Campus in your D2L.