Purcell Didone Ed Enea_partitura

8/11/2019 Purcell Didone Ed Enea_partitura

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H. Purcell- DidoandAeneas

[Violin1]

lViolin2l

lViolal

lBassl

Qttick

@ 95King's Music KM 373Repeat f bars13-37expticitn T; repeatof 1-13gnd ust time ba editqial.


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ACTttreFirstScene hePalace

EnterDidoandBelinda,andTrain.

theCloud from off yourBrola your

wish - es does Em-pire grow-ing,Plea-sures flow For - tune

smiles and so should vou. Shake the Cloud from off your Brow, Shake

CHORUS

the Cloud from off Brow. Ban-ish Sor-row,Ban-ish Care, Grief shoultl

Ban-ish Ban-ish Care, Grief should

Ban-ish Sor-row,Ban-ish Care, Grief should

Ban-ish Ban-ish Care, Grief should

T: inheding,,tnendsttsorTrain. 6.Llbdo.f hrs I 3-flat signature8l a nes psge at ba,r22, but the o"t"ri*_1gq:T: 4ar-rhecqyisr was.rinkinga tbre flars(c his soure wss wrinenthus)fron tw lgthere are zuperfluou Anaruals in 20 fq vln2 & alo). A flatsmprredbyr.har rgnaurre e lrinra i.i*iq,,"ti""t"i *ur."ls omirred.


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:-_

ne'er ap-proach the Fair, Ban-ish Sor-roq Ban-ish shouldne'er

ne'er ap-proach the Ban-ish,Ban - ish Ban - ish Sor - row, Griefshould

ne'er ap-proach the Fair, Ban-ish Sor-roq Ban - ish Ban-ish Care, Grief should ne'er

ne'er ap-proach the Ban-ish Sor- row, Ban-ish, Ban-ish Care,

-proach, shouldne'er ap - proachthe fair, Grief_ should ne'er,should ne'erap-proach the fair.

ne'er, should ne'er ap - prroach Griefshod ne'er, should ne'er ap-proach theFair.

-proach,should ne'er ap - proachthe Fair, Grief shouldne'er, should ne'er ap-proach tlreFair.

Shorrld, ne'er ap - proach

---

should ne'er ap-proach theFair.


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guish til my Grief is lcrown, I

guish till my Grief- is''ktown, Yetwould not yet would not,

Tme signaurre &n Orptuu Brituaire I (this is the mly sng from Dido &. Aereu inrluded there); it is in_Dminq, wilh sme diffemces, ntxably thereplacemenrofnote 3 of ber 13 bydmisq D E dottedquavqrF. 2-17:repesr fiiuen out in full in riginal.44 Lib, T & OB Gust.


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stran - gers grown, and I are stran - gers, stfirfl - gefs


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When Mon-archs u - nite hap- py their State, They Tri _um'ph at once o,er their

When Mon - archs u - nite how hap- py their Srate, They Tri - umph at once o'er their

When Mon-archs u - nite hap - py their Srate, They Tri - umph at once o'er their

When mon - archs u - nite how hap - py rheir Sate, They Tri _umph at once o'er their

Foes and their Fare, They Tri. umph, they Tri_umph at once o'er their Foes and their Fate.

Foes and rheir Fate, They fri_*pfr, U,"y 1ii_um;h; once o'er heir Foes and their Fate.

Foqs and their Fate, They Tri_umph, th"y Tri_umph at once o'er their Foes and their Fate.

Foes and their. Fate, They Tri_umph, rlr"y Tii _umph at

87 vocelbaseT rhytf,mas nextbu

once o'er their Foes and their Fate.


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10

EDdo

Whence could so much Vir-tue spring, What Storms, what Bat-tles did he

An-chi-ses 'Ya low mixt with Ve- ruu ' Cha rmes, H ow sof t,

soft- in Peace, and yet how fierce, how fierce

and full of woe Mightmelt_ the Rocksas well as you. Wbatstub-born Heart un-mov'dcould

Dido ^r-:l-=--

Such Dis-tress, Mine with Storms of Care- op-prest Is

taught to pi ty the Dis-trest, Mean wretch-es Grief can touch, So soft. so sen-s i-b le my

12-15 Wlatsubborn.-- suchpity sci:ellcared to2 Worca (cf4,fur 6\.13 RhFlm q w'd mfwd: T haspenultimate otea semiquaver,htton Pk dots he ust D, Ohk hu q. sq q- sq


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1t

fl""r,o*

Fear no dan - ger2ttd'lYonan

o en - sue, The He - ro loves ui well as Ev- er Gen- tle,

Fearno dan - ger to en - sue, The He - ro loves as well as Ev - er Gen - tle,

ev - e Smi-ling, And the Cares of Lifebe - gul-ling. Fearno dan- ger to en - sue, The He-ro

Smi-ling,Andthe Cares of Lifebe - gui- ling. Fearno dan-ger to en - sue, The lle-ro

lovesas well as Cu-pids Strew your pattrswith Flowers, G a - t h e r ' d f r o mE - l y

loves as well as Cu-pids Srew your pathswith Flowers, Ga_ther'd from

Fear no dan - ger to en - sue, The He - ro loves as well as

Fear no dan - ger to en - sue, The He - ro loves as well as

#1ffi:inilll:"#;t**Ltm*to Ense,2worcnlhelHerol-wesaswellasyo. cfo.EverGentle...upidsicJ...fromliziansic]Bowers.


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4I

dan - ger to en - sue, The He - ro loves as well as

dan - ger to en - sue. The He - rc loves as well as

dan - ger to en - sue. The He - ro loves as well as

dan - ger to en - sue, The He - ro loves as well as

Ev-er Gen-tle, ev-er Smi-ling,Andthe Carqsof Lifebe - gui-ling.Fearno dan-ger to en - sue,The

Ev-er Gen-tle, ev-er Smi-ling, Andthe Cares of Life be- gul-ling.Fearno dan-ger to en - sue. The

Fesr no dan-ger to en - sue, The

42 Bc: noe 2tv higher

Fear no dan-ger to en - sue,The


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13

loves as well as Cu-pids Strew yorrpathswithFlowers,Ga_ther'dftom E _ Iv Bowers.

He-ro loveg as you. Cu-pids srrcw yourpathswithFlowers,Ga-ther,dfromE _ h _ Bowers.

He-ro loves as

He-ro loves as you.

Fear dan - ger The H e - r o loves well

Fear dan - ger H e - r o well

dan - ger The H e - r o loves

The H e - r o loves w11

Dance thisCho[rus]TheBaskz.

H;'I#i"Hx;j mi: T"*:lm; :fzii, ff;r;'ai';:StH[ *:ffJ:perred.hewhorehsushourde rsyedsains danc.


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t4

Aeneasenterswith hsain

your Roy- al ap - pears, How God - like is

Aeneas

bears. oWhen. when, Roy - al Fair, shall I be blest, With cares [.ove and dis -

Ddo

-trest? Fate for - bids what you Pur - sue. A e - n c - a s h a s n o but you.

Let D - do smile, and I'lI de - fie The fee stroke of Des- ti - ny.

ECHORUS

Cu -pid ,on - ly throws the Dart,- dread - fuL dread - ful,

Cu - pid on - ly throws the Dart That's dread - ful, dread - firl,

on ly hrows

Cu pid

i l6Lo

he

on ly/,+\

SasedirerimitrLibonly. Aaesintenorclef throughout. SLibEtrJrer ll-l2LibfIedefu;TI'leDefu.9. 8l ea, Lib & T Waniors. 5-E.Copyist initiallyunderlaidln I as f itwerevoice psrt soperhaps lurswse wrinenunder he samemisappehensiot.


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Cu - pid only throws the Dart That's dread - ful to a rior's Heart, That's

dread fuI, Cu- pid the dart, oi- - ly Da That's

Cu - pid. on ly throws the Dart,

throws the Datt That'sdread - fuI, dread - tuI. Cu - p id only fhrows_ the Dart Thar's

dread - ful to a Vy'ar rior's Hearr And she that Wounds. and she that Wounds

dread- ful to War - rior's Heart And she that Wounds, and she that V/ounds can

dread - ful to a War - rior's Heart. And she that Wounds, ald she that Worurds

dread - ful to a War - rior's Heart, And she that WourrAs. O she that Wounds


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on ly, o n - l y the Smarq can o n - l y

on - ly, ly cure Smarq 'an o n - l y

on - ly, on ly Smart, can o n - l y

ly, on ly Sm3rt, can on ly, on - ly cure the

,,,--=

less Fire, A He-ro fall,_ and Trcy once more ex - pk". Ouirk

the Smart.

the Smart.

the Smart.

EBelhda

If not for mine,for Em-pire'ssake, Some Pi-ry on yourLov- er take. Ah ah make not, in a

-suethy Con

-quest, Love, pru

-sue thy Con- quest, l-ove,

9 13: tencr trotes I &2 dored sorchet & quaver. 10, 6, Enpire for ezpire. Minol inonsisences within ll have not ben stendtrdised"


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L7

sof

-sue thy Con-quest, pur - sue thy Con - quesl love: Fur-sue thy Con-quest, Love,

-suethy -quest, love: her Eyes Con-fessthe Flame, h,grEyes Con-fessthe Flame,her Tongue De -

pur-suethy Con-quest, Love,

A Dance Gittos Chacony

-sue thy Con- quest, Love, pur - sue thy Con- quest,

her Eyes Con-fess the Flame, her Eyes Con-fess the

Pur- sue thy Con - quesf,Love, Pur- sue thy con - quest,[-ove,

pur-suethyconquest, pur-suehy Con-quest, l,ove.


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i 8

CHORUS

To the tlills and the Vales, to the Rocksand the Moun-tains,To the M u - s - c a l Groves and the

To the Hillsand the Vales, to the Rocksand the Moun-tains,Tothe Mu cal

cal

cal

Grovesand the

Groves and the

To tlre Hiltsand the Vales, to theRocks andthe Moun+ains,Tothe Mu sl

st

Groves andtlp

To the Hillsand the Vales, to the Rocks and the Moun-tains, To the Mu

coolSha - dy Form-tains.-et the Tri umphs, let te Tri umphsof

coolSha - dy Foun-tains.rt the Tri-umphs' the Tri umphs, the Tri-umphsof

coolSha - dy Forn-tains.Letthe Tri umphs, let the Tri-umPhs, the Tri-umphsof

cool Sha - dy Foun-tains. It the umphsof

If the cue fc a Chmy m guitars (in Lib mly) is followed; it shoul ..prelma9ly.f* after the frst minimof bar l. A sitable bassfo improvisatior(in

rrip[rime)isCGAEG.Sicrtslwsin Tamssthebar-l inestplscesheSop. 12-13not inc luded ined i t ion .


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Love and of Beau - ty be shown,

Love and of Beau- ty be shown,

Love and of Beau- ty be shown,

Love and of Beau - ty be shown,

Let the lii

let the Tri-umphs, the Tti

Let the Tri

- umphs, let rhe Tri urnphs Love and of

- umphs, the Tii - umphs of Love and of,

- umphs, let the Tri-umphs, the Tri - urnphsof Loveandof

Letthe Thi-umphs,let the Tri-umphs,the umphs Love and of


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26

Beau- ty be shown. To the Hills andthe Vales. o theRocksand the Moun-tains,To the Mu - si - cal

Beau- ty be shown. To the Hills and the Vaies, to the Rocksand the Moun-tains,To the Mu - si _ cal

Beau- ty be shown. To the Hills and rhe Vales, to the Rocksand the Moun-tains,To the Mu - si _ cal

Beau- ty be shown. To the Hills and the Valqs, to theRocksand the Morm-tains,To the Mu - si _ cal

Groves and the cool Sha - dy Foun-tains,Let the Tri umphs, let the

Groves and the coolSha - dy Foun-tains,tt tfre Tfi _umphs, Tri umphs, the

Groves and the coolSha - dy Foun-tairu,Let the tri umphs, let the ti - umphs, the

Groves and the cool Sha - dy Foun-tains,Let the Tri _umphs, let the Tri -umphs, the


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- - umphs of Love and of Beau- ty be shown. Re- vel, ye Cu-pids,go

Tii-umphsof Love and of Beau-ry be shoirm, Go Re - vel, ye

ti-umphs of Love and Beau- ty be shown. Go Re-vel, ye Cu-pids,go Re-vel, go

- - umphs of Love and of Beau- ry be shown. Go Re-vel, ye Cu-pids,go Re-vel, go

Re - vel, go Re - vel, ye Cu - pid,s, go Re - vel, the rs your

Cy-eids, go Re - vel, go Re - vel, ye Cu - pids, rhe rs your

Re - vel, ye Cu - pids, go Re - vel, ye Cu - pids, rhe is your

Re - vel, ye

l-ata sources epea 42-end.

Cu - pids, go Re - vel, ye Cu - pids, the is your


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1''

TheTriumphingDance

18.Violanote2 G.


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38 violslestnore:E inT, D asTgtton park. Stage irrctionfromTlriotin Lb. At the end of the Dance thunder and lightning


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. A

ACTthe Second.Scene he Cave.EnterSorceress.

E PreludefortheWtches

Way-wardSis-ters, you that fright The lone- ly Tra-vel-lerby

Night, \ilho like dis - mal Ra-vens cry-ing, Beat the Win-dows f -ing, Ap

Act and S_cge heading_frmLlb; T hu no actq scene number but has Prefudc or the Wit hes,noamentiqred in Lib. LibtTfil(whichrcverrcsthe sdq ofSenesl&2)hasThcCoverses-Witclusappeor.LibthroughothrslnchanteressesforWitches,utMrchesarerestsedinLibtTfl).17 T mg byA Sorceress. rtu sorces usign. thepart t9 I bass. Llb Weywd.


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-Per' ap-pearat my call, and share in the Fameof a Mis-chiefshall make

EnerwitchesIstWtch

flame.Ap-pear ap-pear ap-pear ap-pear

Car thage

Bl-dam,say, what's thy will?

skill, Harm's our De - light and

Harm's ou De light_

skiil, Harm's gur De - ti$_s{_

ECHOR

Harm's our De - light and

Harm's ow De - lighr and Mis

Harm's our De - light and Mis

Harm's our. De - light and Mis our

Tt32Llb tofure' 35-51: n Lib alloc*ed ro Inctn.36 viola:noremissing.37-43:no sepBc part,wi zl4an Ev higher.

our De - light-


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Mis - chief all skiil, and Mis - chief, - chief all our Skill.

and Mis - chief all and Mis - chief, Mis - chief all our Skill.

Mis - chief all our Skill, and Mis - cNef, Mis - chief, Mis- chief all our Skill.-.

our Skill, and MIs- chief all oru Skill.

The Queen of Car-thage whom we hate, As we do all in pros-'prousState,

Mis - chief^

Sun set shall most - ed prove, De-prived of Fame, Life and


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CTIORUS

Ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho

ho ho ho ho ho ho ho ho ho ho

Ho ho ho ho ho ho ho ho ho ho ho ho ho ho

llo ho ho ho ho ho ho ho ho ho ho ho ho

ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho

ho ho ho ho ho ho ho ho ho ho ho ho ho ho

ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho

ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho

53 vle naunal befcre lst A' 61.T hesc new ine vlnI rerains3-flet signs[rreill nextine (68), otherpersbave flrr.Accidenralsn 6l esT.Llb has cmma afrcreachfto;T, whichonly cues n a few ofthem,hs commas n the soprano,notelsewhergsnd not at99+.


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Els t

28

78

Ru - in'd ere the Set of Sun, TeU us,

Sorceress

The Tro-janPrince you know is bound By Fate to seek I- ta - liangrowrd. The Queen and He

7E-80:Thas no flat sigmure (andno accidenals),but dm et thenext ine (81)so hasbeenassumed- 8-81:Llb qllocstes o Incha.. 86 oud frcn Tatton Fark,but soft st 92 in T. Notsrion of fanfares modernised. T hes 2 bars of 6/8 at 86;halfa br of 6/8 in 87and n tE, but withivqice& bess stayingin C. Upper partshave 6/8 for 2nd half of 90 and 12quaversn 91. tE-9 LbHark, ow thecry

tf


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the cry_comes on a - pace. But whenthey've

my ftu-

sty Elf,_ In form of Mer_cu _ry him _ self As sent from fove shall

his stay, And charge_ him sail ro Niehr_ wirh all his Fleet a -


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@I

ere we this per - fonn, We'll Con - jrue for a

we this per - form, We'll Con - jure for a Storm,--

but, erewe 0ris per-form, but, ere we per-form,

but, erewethis perform, we'llCon-jureor a

-_-:;

I

Con-jure for a Storm, we'll Con- ure for a Storm.

w e ' l l C o n - I _ _ j r u e f o r a Storm.

mar their hunt - ing Sport, to mar rheir hunt- ing Sport, And drive

To mar their hunt - ing Sporq their hunt_ ng Sport, An;

em back to Court. To Court.

em, drive 'em back to Court.

ffocated in Lib, toScrrceress,.inaiblTlX)n Scrceress .\ffirches. I &2:Lib e,w"i-ii-.iilu'"r,;n"'r--"r;rii';i'i,ii?;;#;:i:':,r.'[3ii;"i,;l[",,iff;"";ll,'"'j:TrH,1?'H]infl:HiT:fofoquarerupbeerofnd


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CHORUSn a Manner ofan Echo lond

ln oru deepvaultcd Cell ed Cell the Charmwe'll pre - pare. pre - pare, Too dread-fuI a Ptzc-tice, too

Inonrdeepvault+d Celled Cell t}:re Charmwe' ll pre- pare, prc - pare, Too dread-ful a Prac-tice,too

Inonrdeepvault+d Cell ed Cell the Charmwe'll pre - pare,pne - pare, Too dread-fuI a Prac-tice, oo

Inorudeepvault+d Cell ed cell the charm we'll pre - pare,_ Too dread-fuI a Prac-tice, oo

dread-ful a Prac-tbe, oo dread-fultoo dread-ful a hac-tice a Prac+ice for this o- pen Air..for

dread-fu| a -tbe, [oo dread-fultoo dread-ful a Prac-tice a Prac-tbe for this o - pen Air. for

dread-ful a Prac-tice, too dread-f, too dread-ful a hac-tice a Prac-tice for this o . pen Air. /or

dread-fu| a Prac-tice, too dread-fultoo dread-ful a hac-tice a Prac-tbe for this o-pen Air. for

in a Manner of anEchofrun T. Italicsin uderlay areediorial to identify theechoes,Libhyphenatsdzep-Vaulted.4&.22:Libwee'lwele.25-end:pianohrassnotwriuenoutbutcuedby'JSigns.

I

I


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this o - pen Air. Inourdeepvault-ed Cell ed Cell the Charmwe'll prre-pare,pre-pare, Too dread-fuIa

this o - pen Air. Inourdeepvault-ed Cell ed Cell the Charmwe'llpre-pare, pre-pare, Too dread-fuIL

this o - pen Air. In ourdeepvault-ed Cell ed Cell theCharmwe'll pre-pare, pre-pare,Too dread-firla

his o-pen Ar. Inourdeepvault+d Cell ed Cell thecharm we'llPre-pare,pre-pare, Too dread-fuIa

hac-ttce too dread-ful a Prac-tice f.or this Pen Air. for this Pen

Prac-tice too dread-ful a Prac-tice fot this pen Air. or this pen Air.

hac-ld.ce too dread-fu| a Prac-tice for this pen Air. fo, this

Prac-tice too dread-fuI a Prac-ticef.or

30 note 1 & 32(only notatd once): violaC.

this pen Air. fo, this pen Air.


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34

EchoDanceof Furies

Rubricn LibEcchoDacc' nclzanJressesndFairiesLibt700Fryieyw Fairies).\e soft andoud of rheMS , ,lpr"rent"ahere yp and ; inT rhesepnsr"Abolgle.s?"j 9gly,exceptcn.vln-Iters -3,so heir xtrapolad;isJ;;;i.'"' ""'r, vtn ^4, olesZ-J A c (Jlhs wirhvln l). 2, vln l, Iast4 norcsquavrend 3 demisemrquavers


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35

Thunder&Lightening,horridMusickTheFuriessint ao*fin rheCave, he rest ly up.The Endoftho first part

Thuder and Lightening... from T and Libl7fi). Norhine in Lib.


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36

ER.itorn

ACTII [scene ):TheGrove

EnterAeneas,Dido,Belinda&theirTrain@Behnda

Thanksto theseLone-some. Lone-someVales,Thesede-sef, de _ sert Hills Dales.

ft---lT

lr----_lll-So fairrheGame. so richtheSpon, nn's selfmightto these Woods re _sorl

Y-*{fgi" T:2d'ActilibcontinueswithnoActorsceo"o*Fr- :,^h-":d-ingEnrerAeneas,DidoardBelinan,ona*"irTroin.s""*r)or-".ading prinrcdaboveNo'24 s rcm r, wrricrtoer-";;;;;;"ny

cro"e-'p"-*.p"ii;rr"i;, specifiely to e l6t9 set. 14z-5 ovesomc vaires.


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5 l

CHORUS [strlngs colla parte]

Thanks to these [-one- some, Lone- some Vales, These de-sert, de sert l{ills and Dales.

Thanks o these .one some, Lone some Vales, Thesede-sert, de sert Hills and Dales.

Thanks o these l,one- some, Lone some Vales, Thesede-sert, de sert Hills and Dales.h

Thanks to these [-one some, Lone some Vales, Thesede-sert, de sert Hills and Dales.

So fairtheGame, so rich theSport, Di -a na's self might to these Woodsre - so

Sofair theGame. so rich the Sport,Di-a-ru's selfmightto rhese Woodsre - sort,

So fairtheGame, so rich the Sport, Di -a-na's self mightto these Vy'oodsre-sort,

Sofair the Game, so richthe Sport,D-a-na's selfmighto these Woods re_sort,

SofairtheGame. so rich the Spof, na's selfmightto the,seWoods re - sort.

So fair the Game, Di-a- na's self mightto these Woods re - sort.

So fair theGame. selfmighrto these Woods re - sof.

Sofairthe Game, so rich the Sport,Di-a

-tn's self mightto these V/oods re - sorr.

GitterGtounda Dance

suings miuedornscoreo avoid age-tum.u-inglurs reshownn.the ep"rarelrinsDarts"Guitar{s)rnprovise,ertap*Passa-e-glia,orwhiciD minuis euadirimaleyl'---'-" -'*


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Oft she vi - sirs this lone Moun-tain, Oft she bathss

this lone Moun-tain, Oft she bathes

af - ter, af - ter Mor - tal Wounds, Arid af _ ter,

Wounds, .Dis-cov - er'd too, too

in_ this Foun- tain,

in_ this Foun- tain.

and af ter, af - ter mor

d i s - c o v - e r ' d

6Llb Loved..


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39

A Dance to Entertain Leneas by Dido Venton

An edditionaldrnce in D minorshqrld be insertedher. It istrot clearwhenAeriesscatcheshis mmstcr: perapswhileDdo'swmen dance.5 vla. if theocrgvesoffend,subsrintedfor noresg_i"rot

i"Jo"na

q.-";; F'*-***" -"


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40@Aeneas

Be-hold up-on my bend ing Spear A Mon- ster's standsbleed ing, With TUsh es far ex-ead

-ceed-ing Those did Ve The Skies are cloud- ed.

the Moun-tainOaks a-sun-der.

@Belha

Haste, haste o Town, haste,haste, haste, haste, haste------------ fo Town, haste, hastei haste,

haste; this o-pen Field No shel-ter, this o-pgr, Field no shel-ter frrom he Srorm,

. the Storm can yield. Haste, haste, haste,haste o Town, haste, haste_ to Town, haste, haste,

26,4llb-these.Perhapsemendoluut-stttzn,ie.A 9gr1i-&"*rrlg"F"y'bercueforamaeimpressivepropthrnthatused mYerusondAfurus,)Libl?00hascuefa thunder,but that woulduaderminetheviolin's imiurinoflt. 6Llb Heork.2Z nonew caracfrn Llb.Llb Hasq noplmculstionafter ryt but r omn t xtetField at the ead of theline.


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4l

CHORUS

haste, haste, haste, haste to Town. Haste, haste to Town,

Haste, haste to town, haste, haste to Town,

Haste,haste o Town,haste,

Haste,hast

Lib hasno indicationor repeatof thc soloby thc chorus. i I& 18 alto:f rheD is rcnlow.rheversionof rheplrase in thc violin2 partmay bcsuag.


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A n+L

1 5

o - pen Field No Shel - ter. this o - pn Field no

Town, haste, haste; o - pen Field no Shel - ter,

haste, haste, hasq, o - pen Field no shel - ter, this o - pen Field no

haste, haste o - peri Field no Shel - ter,

Shel- ter from Storm, the Storm. can, yield_ Haste, haste,

o -peri Field no Shel - ter from the Storm, the Storm can yield. gte, haste to

Shel - ter from the Storm can yield.

o-pen Field no Shel - ter from the can yiel(


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haste, haste to haste, haste to Town, haste, haste,

haste, haste, haste, haste to Town, haste, haste to Town, haste, haste, haste,

haste, haste Town, haste, haste Tovm, haste, haste,

haste. haste to Town, haste, haste,

Lib hesEsr at e end of themovementsungby Didoalcne). kes'mably arlexe'nt excepAeneasandanya*endants ssociared irhhim.


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ESpbt

Thespiritof theSorceress escendsoAeneasin ikeness f ru[ercum.

Stay Prince and hear great Jove,s_ Com_mand, He sum - mons thee this Night a _

Aetuas

To Night? To Nigfit thou must for-sake this Land, Th" an-gry God will brook no long_er

,love comrnands thee waste no rnore In Love,s je-fights those pre - cious Hours, Al_

Aeneas

-lowidby ttr'Al-migh-rypow'rsTo gain'ttr:n"_"

,aroil, And ,ru-in'd ray re_snre.

way

G

cotn-

-mand shall be o-bey,d,

7 Lib Joves.

To Night our An - chon shall be weigh,d, But ah


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45

but ah what Lan-guagecan try My in-ju'd Queen ro pa-ci-y?

soon-er she re-signs herHeart, But from her arms_ I'm forc'd to parL How can so hard a Fate be

-bey your will, but with more Ease could dye, but with more, more- Ease could dye.

Cha[rus]. ThensinceourCharmeshaveSped,AMerryDancebe LedBytheNymphsof Carthageoplease s.Theyshallall Danceo eaieus-ADancehatshallmake heSphereso wonder,Rendinghose air Grovesasuirder.

---'

TheGrovesDanceTheEndofrheZd.Act

T, , y. IWows 33 wirhtre Endof rhcZd. Acr)LrDrolfowsJJwhanincornDletestagedirecrionTIusorceressandlurInclnareresslhenr{ix-Iinesofchorus-gvenebovean$,[eorg,fcadance,wbichouldprobablvoncludehesienen ,".e."i" -t"y"fD;-in;;;ri*. Th;;#;il ;ttto i, o r.p."r 22 oraddguiarimgovrsanonnagrorndnD.


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ACTtheThirdScenehe Ships.@

Prelude

H e a d i a g i n . L i b / C T t h e T h i r d , S c e n e t l r e S h i p s - E n | c r t l u S a y I o r s . T h ' s . , ^ - - . ; . ^ - ) L . . , r cLibr*s.so ho*.oiy.ziorcazs."r".Eb;#..0"ff,ft,.%i",#;"y[ :Tffi;:rfij#iy,l;:;:Eilt-,.r, ,r


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48

64 CHORUS

Come a - way, fel-low Sai-lors,come a - way, Your An-clrors be

Come a - way, fel-low Sai-lors, come a - way. come a - \rray, come a - way, Your An- drors be

Come a - way, fel-low Sai-lon, oomea - u/ay, @me a - way, Your An- ctrcrs be

Come a - way. fel-low Sai-Iors,come a - wayr come a - way, come a - way, Your An-ctrorsbe

weigh-ing,Trmeand Trde will ad - mir no de - lay-ing, Take a boo-zy leve of yourNymphsor thc

weigh-ing,Timeand de will ad - mir no de - lay-ing,Tirke a boo-zy leave of yourNymphson the

weigh-ing, me and de wiU ad - mit no de - lay-ing, Take a q,T zy short leave of yourNymphson the

wegh-ing,Timeand Trde will ad - mir no de - lay_ing,Tirkea

Bar ?3,vlnI & S, noteI B inT (&als atbar 4Z).

.bqo-zy leave of yourNymphson rhe


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48

64 CHORUS

Come a - way, fel-low Sai-lors,come a - way, Your An-clrors be

Come a - way, fel-low Sai-lors, come a - way. come a - \rray, come a - way, Your An- drors be

Come a - way, fel-low Sai-lon, oomea - u/ay, @me a - way, Your An- ctrcrs be

Come a - way. fel-low Sai-Iors,come a - wayr come a - way, come a - way, Your An-ctrorsbe

weigh-ing,Trmeand Trde will ad - mir no de - lay-ing, Take a boo-zy leve of yourNymphsor thc

weigh-ing,Timeand de will ad - mir no de - lay-ing,Tirke a boo-zy leave of yourNymphson the

weigh-ing, me and de wiU ad - mit no de - lay-ing, Take a q,T zy short leave of yourNymphson the

wegh-ing,Timeand Trde will ad - mir no de - lay_ing,Tirkea

Bar ?3,vlnI & S, noteI B inT (&als atbar 4Z).

.bqo-zy leave of yourNymphson rhe


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Shore,And si-lencetheir Moum-ingWirh vowsof re - nrm-ing,But nev-er in - tend-ingfo v - sit emmorc, no

Shore,And si-lencetheir Moum-ingWith Vowsof re - om_ing,But nev-er in - trid-ingto vt sit themmore,rrc

Shore,And si-lencetheir Moum-ingWirh Vowsof re - urm-ing,But nev-er in - tend-ing-to vi - sir themmore.no

Shorq And si-lencetheir Moum-ingWth Vowsof re - tum_ing,Bur nev-er in - tend-ingto vi - sit themmore,no

in - rend-ing to vi - sit thernmore, no nev-er, no nev_er in - tend_ingto vr - sit themmore.

nev - er in - tend - ing to vi - sit themmore, no nev-er, no nev-er in _ tend_ing to vi - sit themmore.

nev - e, in - tend - ing to vi - sit themmorc, no nev-er, no nev-er in _ tend-ing to sit themmore.

nev - er in - tend - ing to vi - sit themmore, no nev-er, no nev-er iri - tend-ingrtci themmore.


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50

TheSailorsDance

E-En erSorceressndWirches

ESorcerss

see, he Flags and Snea - mers cur An - chors weigh - ing, Sails un-

Lib:allof3l &32allagtedtgSorc,-plj\nnoe@s (sunratherLg.oog 2q LlbGui(ing.-?+LibEIisas,TEtiza's.@tissaisrhespellingofDido,saltemetivename in modemeditions-ofYugil, but older edirionshaveElisa and'Dryden'sr*d"ti& n"rg".fltt.-ru"o the aposrophe here, in 59 & 63Lib rers Effsasas he nominstivem oirhe nme-


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51

de - ceit - ful Steams.. [2nd

Our Plot has took.

ho ho

ho ho ho

ho OurPlot has took, ourPlot has took,The Queen's or-sook,

Our Plot has took, The Queen's for-sook" ho ho

The Queen's for-sook,

za's ru-in'd,

2, Wtch 1: pobably perfrmedas bar 29


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O - cean O - cean; Fromthe Ru- in of oth-ersour plea-sureswe bor-row,E l i - z a bleeds

to Nighr, E - t i bleeds_ to Night, AndCa,r+hagelamesro-mor_row.

CHORUS

De - suc-tion'sour de-light, de - light ow great-est Sor-row, E li - za dyes to Night,

De - struc-tion'sour de-tight, de - light our great-est Sor-row, E li - za dyes ro Nighr,

De - stnrc-tion'sour de-light de - lightour great-est Sorjrow, E l - za dyes to Night,

De - struc-tion'sour de-light, de - Iightour great-est li - za dyes mNight,

fl;.tt"ti*::fr;#"'Jo" i'*"'Repetof46-58indicatedbvjselowgrveubeginningr47.4iLibruins.59LibDestrrc,tionow.63&7E:Liband


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53

Car-thage flames to - mor-row. h o - ho ho ho-ho E-

Cu-thage flames to - mor-row. Ho ho ho ho ho

Car-thage flames to - mor-row. ho- ho ho ho E-

Car-thage flames to-mor-row. Ho ho ho ho- ho ho E-

-Ii- za dye.s o Night, ard Car-thagelames o-mor-row.De-struc-tion'sour de-light' de-tight owgreat-est

-Ii-za dyes o-night, and Car-thageldmeso-mor-row.De-struc-tion'sour de-light' de-lightour great-est

-li-zadyesto }light, and Car-thage flamesto -mor-row' De-sEtrc-tion:s'our de-light' de-lightour great-est

ho

-Ii-zadyesto Nght, and Car-thagelames o-mor-row.De-struc-tion'soru de- light ourgreat-est


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TheWitchesDance

\---/

55

il"*it;fi.TtrtTf;3;"ff1'Srf',"Tffil$jfi"1#'iffib1l*1,.1,fl',Lthasew age11; revio.segedswirhoubreuwirhrors


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56

BDtdo

EnterDido,Belinda,andTrain

To Fate I of oth-er means be - reft The on wretch- ed

AerEas e ters

See Ma-dam. see where the hince ap-pearsr Such Sor-row in his looks he bears, As wouldcor

Rubricu Lh 't ha'swomen s Train' 16 after n hisLoolcshc,bears,.Libhsscue.fq entryoff qqg (nor inT) thenallocar.esexrri-neoAez,wirhcommasathe end of ectr tine 32 Lib Forc*r'o, br*kin tne y; lj-6. iit' c;;;rd'i'r; t"Lia*, r niao.


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) /

Dido

Thus on the fa-tat Banks of NiIe, Weeps the de-ceit-fuICro-co-dile.Thus Hy-po-crites that Mur-der

Act. Make Heaven and Gods Au-tlrcrs ofthe Fact By all that's good, By all tlnt's

good, no more, Atl that's good you have for-swore. Toyour pro-mised Ern-pire fly,- And letfor-

"sa - ken Di- do dye. In spight of Jove's com - mand I'll stay, Of-fend the Gods, and Loveo -

No, faith- less Man thy cowse pur-sue, I'm now re- solved as well as you. No Re-

-pelr-tanceshallre-claim The In-jur'dDi-do's slight-edFlame. For 'tis e-nough what e'er you-now do

That you had once a thought leav - ing me. Let fove say what he


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46

no, no. A-way, a-way, a wav.

I'll stay, I'll stay, I'll stay, and Love o-by. I'll stay, and love o-

To Death I'll fly, if lon-geryou de-lay. A-way,a-

I'll stay, I'll stay beY, and- Love o - 6"y. Exir Aeneas

ButDeath,a - las I can-not shun, must come when gone.

46Llbwll,Tplcose.46-54zduernotindicaredinLlb.53:crotcherinDido'sparteditcrial;la$3lotesinAeoels:Irartqulva&2semiquavers,54:wordsFomAeaeas'prt m-issing.6 lib alas .r


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s9ECHORUS

a - gainst them - selves con-spire, geat Minds, geat

a - gainst them - selves con - spire, gleat Minds, geat minds a-gainst, a -

Minds a - gainst them - selves con - spire, gr:eat Minds, geat

Minds a - gairut them- selves con-spire, great Minds,

-gainst fhem- selves con- spire, And shun the Cure they most, they most de - sire,

-gainst them - selves con - spire, the Cure, the Cue, and

-gainst them - selves con - spirc, they most de - sire,

-gainst them- selves con - spfue,

And shrur the

And shun the


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l0

and shlm Cwe they most de - sire,_ they de - sire.

they most the Cure they most 'de - sire.

and shun the Cure. the Cure

Cue they most de - sire, and shrm the Cure de - sire.

{iz

3 T sMzi no rccidatet before A and, unlike th-enext ber, not implitrd- Bc:midsr line-tirpskperhaps rhe 7 5 b3 chd Ehdrld be dehyed till tbpo,rvtathorgh it is notrredunder thc frrt G.E notes4-5 semiquavers.

8. Tatton Park MS Lastnotevoice #c. ast bass ieure#6

they

fhey

Thy hand Be-lin- fu, dark


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61

in Earth, may myWrongs cre- ate trou- ble, no ttry

In T thevocolsolo part is, unusually, wricenat top of system atber than abovehe Bc. 9 Llb omitsrzay,


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20

mem ber me re - mem-berme, but for - get

Re- mem-berme, but ah for ,- get rny Re - mem-berme.


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&

@CH

With droop ing tilingsye Cu-pids come. with droop ing Wings, with

droop ing \ilings ye

droop ing tWingsye Cu- pids come, with dtoop

With droop ing Wings ye Cu-pids come,

ing rWings, with d.*p ingWingsye Cu-pids come, And

Cu - pds cnme, \_-:with droop - pids come, And

droop-ingwPlltht "n-ingwings,witrroroop-ingwings,wthdroopngwingsye Cu-pids come,

droop ing Wings ye Cu - pids come,you Cu-pds come,

f i $ - f

H^?trtJe"gf; |f;.'"t""'n"& scatter'5-TTviolastgveblok.0vtnl&sop:dortedcforcet&noquaveffesr.s"rras"shouldprobablyalm


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5

scatter Ro - ses, scatter, scat- tr Ro - ses on her tomb.

scat - ter Ro - se,s, scatter, scatter Ro - ses on her Tomb. Soft, and

And scatter, scat ter Ro - ses on her Tomb. Soft, Soft,

And scat - ter Ro - ses, scat ter Ro - ses on her tomb.

- tle, Soft; So& Soft" Soft ' and

Gen - tle as her Heart, Gen - rle as her Heart, Sol9 _ Soft and Gen - tle,

Soft and Gen - tle as her Heart,

Soft,nd Gen- tle, Soft, Soft,

Soft_ and


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