Upload
horace-francis
View
217
Download
0
Embed Size (px)
Citation preview
Pure Data Pure Data CompositionComposition
By:By:Zainab RazaZainab Raza
CSC 354CSC 354Music SeminarMusic SeminarJudy FranklinJudy FranklinMay 1May 1stst, 2007, 2007
History of Digital MusicHistory of Digital Music
Goes back to the 1950’sGoes back to the 1950’s Experimentation with computer Experimentation with computer
generated sound was started by Lejaren generated sound was started by Lejaren HillerHiller Illiac Suite for String Quartet Illiac Suite for String Quartet not entirely successful, but led the way for not entirely successful, but led the way for
further research on Artificial intelligence further research on Artificial intelligence
Today, computer’s have the ability to Today, computer’s have the ability to participate in live performancesparticipate in live performances
Influences in my Influences in my compositioncomposition
BelkinBelkin Foreground vs backgroundForeground vs background
When too many sounds, we prioritize our When too many sounds, we prioritize our perceptionsperceptions
put the sounds I wanted to prioritize at given put the sounds I wanted to prioritize at given times in the foregroundtimes in the foreground
Different ways to make certain sounds stand outDifferent ways to make certain sounds stand out VolumeVolume PitchPitch TempoTempo
BreakBreak There are 2 points in my composition when There are 2 points in my composition when
none of the instruments are playingnone of the instruments are playing This creates suspense, climax and buildupThis creates suspense, climax and buildup
ProgressionProgression Composition starts off with one voice Composition starts off with one voice
playing, others get added inplaying, others get added in At end, the voices slowly fade outAt end, the voices slowly fade out
GEMS ArticleGEMS Article
Dramatic ShapeDramatic Shape Start the composition asssertivelyStart the composition asssertively Having one main climaxHaving one main climax 60% of the way through the 60% of the way through the
compositioncomposition
OutlineOutline
3 minute composition3 minute composition Used 5 different Voices Used 5 different Voices
(instruments)(instruments) Synth VoiceSynth Voice Voice Aah’sVoice Aah’s CelestaCelesta Steel DrumsSteel Drums Open Triangle - percussionOpen Triangle - percussion
Pure DataPure Data
Composition created using Pure DataComposition created using Pure Data Pure data is a real-time graphical Pure data is a real-time graphical
programming environment used for audio programming environment used for audio and graphics processingand graphics processing
Free and open-sourceFree and open-source Objects used to create compositionObjects used to create composition
BangBang DelayDelay RandomRandom MakenoteMakenote noteoutnoteout
Used algorithms for the creation of Used algorithms for the creation of musicmusic HarmonizeHarmonize MidiNotes2MidiNotes2
Playing of instruments controlled by Playing of instruments controlled by complex system of delayscomplex system of delays
Volume controlVolume control
MidiNotes2MidiNotes2
Instrument 1 – Synth Instrument 1 – Synth VoiceVoice
Works with harmonize Works with harmonize algorithmalgorithm
Length of note varies Length of note varies between 300 and 800between 300 and 800
Played on channel 1 Played on channel 1 and 2and 2
Harmonize subpatchHarmonize subpatch
One note played at 55One note played at 55 One at either 55+5 or 55+7One at either 55+5 or 55+7
Instrument 2 – Voice Instrument 2 – Voice Aah’sAah’s
Works with nextpitch3 Works with nextpitch3 subpatch, calculates subpatch, calculates next pitch to be playednext pitch to be played
Note played on Note played on channel 3channel 3
Volume for this Volume for this instrument by the instrument by the volume control loopvolume control loop
NextPitch3 subpatchNextPitch3 subpatch
Next note to be Next note to be played is played is calculated in this calculated in this looploop
Loops between Loops between note values of 50, note values of 50, 53, 57, 63, 50, 58, 53, 57, 63, 50, 58, 65 and lastly 75.65 and lastly 75.
Volume ControlVolume Control
A loop that controls the volumes of A loop that controls the volumes of instrument 1 and 2instrument 1 and 2
The loop is initiated with the start The loop is initiated with the start bangbang
The volume goes from 40 to 100 in The volume goes from 40 to 100 in increments of 5increments of 5
Instrument 3 – Open Instrument 3 – Open TriangleTriangle
Percussion Percussion instrumentinstrument always played on always played on
channel 10channel 10
Pitch controls voice Pitch controls voice for percussionfor percussion
Volume for this Volume for this instrument by the instrument by the volume control volume control looploop
Instrument 4 – Steel Instrument 4 – Steel DrumsDrums
Steel drums are my personal favorite Steel drums are my personal favorite instrumentinstrument Love the soundLove the sound plays a random pitch between 35 and 85plays a random pitch between 35 and 85 Notes are played every 0.05 secondsNotes are played every 0.05 seconds Played on channel 5Played on channel 5
Instrument 5 – CelestaInstrument 5 – Celesta
Uses newpitch Uses newpitch subpatchsubpatch
In contrast to the steel In contrast to the steel drums which play drums which play lower notes, the lower notes, the celesta plays higher celesta plays higher notesnotes
Volume is also higher Volume is also higher to go with higher to go with higher pitchespitches
Newpitch subpatchNewpitch subpatch Note loops between 75, 79, 84, 76, 93, 78, 75, 82, Note loops between 75, 79, 84, 76, 93, 78, 75, 82, 94, 78, 90 and 10094, 78, 90 and 100
Controlling the Controlling the compositioncomposition
Composition is started by a single bang Composition is started by a single bang and stops automatically after three and stops automatically after three minutesminutes
Within the composition, different Within the composition, different instruments are started and stopped instruments are started and stopped according to complex system of delaysaccording to complex system of delays
DelaysDelays