QUEMPAS Urtext editions based on the Œuvres complètes de Gabriel Faur

1 New Publications 1/2013 · The Programme

New Issue Title

The ProgrammeNew PublicationsSheet Music1/2013

Vorschau 2/2012: Das Programm 1

QUEMPAS

3 New Publications 1/2013 · The Programme New Publications 1/2013 · The Programme 2

New Issue Title New Issue Title

Vocal MusicBrahms: Sacred Choral Music a cappella. BA 7575 .......... 24Monteverdi: Vespro della Beata Vergine. BA 8794 .......... 25Mozart: Missa brevis in D major K. 194 BA 5690-90 .......................................................................... 26Mozart: Missa in C major “Coronation Mass” K. 317 BA 5691-90, BA 5691, BA 5691-65 .................................... 26Pergolesi: Stabat mater. BA 5692, BA 5692-90 ................. 27Bach: Jauchzet Gott in allen Landen, BWV 51 BA 10051-51 ...........................................................................28Schütz: Geistliche Chor-Music. The six and seven-part motets (nos. 13-29, SWV 381-397). BA 5902 ................ 29Handel: Acis and Galatea HWV 49b BA 10700-90 ........................................................................32Mozart: Das Alexander-Fest K. 591 BA 4527-90 ............................................................................ 33Handel: Alexander‘s Feast HWV 75 BA 4001-92 ............................................................................ 33Dvořák: The Spectre‘s Bride op. 69 BA 9544-90 ...........................................................................34Gluck: Alceste. Paris Version 1776 BA 2291-90 ............................................................................ 35

Study ScoresCavalli: La Calisto. TP 891 .........................................................36Janáček: Glagolitic Mass. TP 862 ........................................... 37

Contemporary Music ............................................38

OrchestraDvořák: Symphony no. 7 in D minor, Opus 70 BA 10417 .................................................................................39Haydn: Symphony No. 49 in F minor “La passione” Hob. I: 49. BA 10973 ........................................................... 40

OrganOrgan Plus One. Low Instruments I BA 11214 .................................................................................. 41Praise and Thanks for Organ II BA 8497 ................................................................................. 42An Easy Bach Organ Album BA 11212 ...................................................................................43Organ Plus Brass, Volume III BA 11203................................................................................. 44Dubois: Complete Organ Works V BA 9208 ..................................................................................45Frescobaldi: Organ and Keyboard Works III BA 8414 ................................................................................. 46Mussorgsky: Night on Bald Mountain BA 11211 ...................................................................................47

Your Contacts ............................................................... 48

PianoBeethoven: Concerto No. 1 in C major for Pianoforte and Orchestra op. 15. BA 9021 ........................................... 3Mozart: Works for Piano Duet BA 9179 .....................................................................................4Schubert: Works for Piano Duet III BA 9645 .................................................................................... 5Fauré: Barcarolles. BA 10842 .....................................................6Fauré: Valses-Caprices. BA 10843 ............................................ 7Debussy: Préludes, 1er livre. BA 10818 .....................................8Satie: Gnossiennes. BA 10807...................................................9Dvořák: Slavonic Dances for Piano Duet ................................. 1st Series op. 46: BA 9547 / 2nd Series op. 72: BA 9548 .. 10Mussorgsky: Pictures at an Exhibition BA 9621 .................................................................................... 11Vierne: Complete Piano Works II BA 9612 ....................................................................................12

The Bärenreiter Film ...............................................13

Facsimiles / Music BooksMozart: Eine kleine Nachtmusik K. 525 ISBN 978-3-7618-2282-1 ................................................ 14–15Schubert: Schubert Thematic Catalogue ISBN 978-3-7618-1258-7 ........................................................ 23Bach: St. Matthew Passion BWV 244 ISBN 978-3-7618-2294-4 .............................................. 30–31

Strings / Chamber MusicDvořák: String Quintet in E-flat major op. 97 BA 9542, TP 532 ..................................................................... 16Dvořák: Terzetto in C major op. 74 for two Violins and Viola. BA 9543 .............................................................. 16Brahms: Trio for Pianoforte, Violin and Violoncello op. 101. BA 9437..............................................17Speckert: Tango Classics for Violin and Piano BA 10614 ................................................................................. 18Bodunov: Beautiful Adagios. 9 Pieces for two Violins BA 10615 ................................................................................. 19Seitz: Student Concerto in G minor op. 12 for Violin and Piano. BA 8985 ........................................ 20Seitz: Student Concerto in D major op. 22 Arranged for Viola. BA 8986 ........................................... 21 Arranged for Cello. BA 8987 ............................................ 21

Solo VoicesHandel: Chamber Duets for Soprano and Alto BA 10257 .................................................................................22

Complete Editions .................................................... 23

Contents Piano

New findings in Beethoven’s first piano concerto

The Bärenreiter editor and Beethoven expert Jonathan Del Mar who has received international acclaim for his highly successful editions of Beethoven’s works now turns his focus on the piano concertos.

In the Piano Concerto No. 1 in C major op. 15, Del Mar has found no less than 17 corrections in Beethoven’s autograph which were made after the work was published. These have been brought to light in this new Bärenreiter edition. A detailed critical commentary documents all the sources and findings made by the editor.

This new critical edition sets the highest scholarly standards without losing sight of the needs of modern performers.

• Urtexteditionreflectingthelatestmusicologicalresearch

• IncludesBeethoven’scadenzas

• Pianoreductionwithaseparatesolopianopart

Piano reduction,BA 9021-90

Score, BA 9021

9 790006 543069

ISMN 979-0-006-54306-9

9 790006 542987

ISMN 979-0-006-54298-7

*New Issue Title

{

{

BA 9021 © 2013 by Bärenreiter-Verlag, Kassel

Flauto

Oboe I, II

Clarinetto I, IIin Do/C

Fagotto I, II

Corno I, IIin Do/C

Clarino I, IIin Do/C

Timpaniin Do-Sol/C-G

Pianoforte

Viole

Violoncellie Bassi

Allegro con brio

p

6 76

64

p

Allegro con brio

p

p

p

c

c

c

c

c

c

c

c

c

c

c

c

c

∑ ∑ ∑ ∑ ∑ ∑ ∑Ludwig van Beethoven

À Son Altesse Madame la Princesse Odescalchi née Comtesse Keglevics

Konzert Nr. 1für Klavier und Orchester

Opus 15

∑ ∑ ∑ ∑ ∑ ∑ ∑

∑ ∑ ∑ ∑ ∑ ∑ ∑

∑ ∑ ∑ ∑ ∑ ∑ ∑

∑ ∑ ∑ ∑ ∑ ∑ ∑

∑ ∑ ∑ ∑ ∑ ∑ ∑

∑ ∑ ∑ ∑ ∑ ∑ ∑

*) Bar 7: unis., i.e. tasto solo throughout; see Preface /

∑ ∑ ∑ ∑ ∑ ∑ ∑

unis.

*)

Violini I [ ]

Violini II [ ]

Ó Ó

Ó

Ó

Ó Ó

Ó

Ó Ó

Ó

Ó Ó

Ó

from: BA 9021

Cover design · The Bärenreiter Film at www.baerenreiter.com

LudwigvanBeethoven:ConcertoNo.1inCmajorforPianoforteandOrchestra,op.15

BÄRENREITER URTEXTEdited by Jonathan Del Mar

Score*BA 9021 · approx. € 39.95

Piano reduction*BA 9021-90 · approx. € 22.95

Critical CommentaryBA 9021-40 · approx. € 49.95

Violin IBA 9021-74 · approx. € 4.50

Violin IIBA 9021-75 · approx. € 4.50

ViolaBA 9021-79 · approx. € 4.50

VioloncelloBA 9021-82 · approx. € 4.50

Double BassBA 9021-85 · approx. € 4.50

Wind setBA 9021-65 · approx. € 59.00

To appear in March 2013



Piano Piano

WolfgangAmadeusMozart:

WorksforPianoDuet(FourHands-OnePiano)

BÄRENREITER URTEXTEdited by Wolfgang Rehm

Appendix edited by Michael Töpel

BA 9179 · approx. € 27.95(replaces BA 4786)

To appear in May 2013

Mozart’s works for piano duet are amongst the most important contributions to this repertoire. This scholarly-critical edition based on the New Mozart Edition makes these works available in a revised form and includes a new foreword. The publication also contains an appendix with the fragments K. 497a (Fr 1787i) and K. 500a (Fr 1791a) which are completed by Michael Töpel, as well as individual pieces for organ, mechanical organ and musical clock in historic transcriptions for piano duet.Informative forewords to the main part and the appendix together with explanatory notes on the evaluation of the sources complete this volume, which will be indispensable for both teachers and performers.

• NewlyengravedrevisedUrtexteditionbasedontheNew Mozart

Edition, takingthelatestfindingsintoaccount

• FirstarrangementforpianoduetofMozart’sAndanteinFformusical

clockK.616

• Lead-insandfermataornamentationsbyMichaelTöpel

• Includesdetailedforewords(Ger/Eng)andinformationonthe

evaluationofsources(Ger/Eng)

Piano duets by Mozart ...

FranzSchubert:WorksforPianoDuetIII(FourHands-OnePiano)

BÄRENREITER URTEXTEdited by Walburga Litschauer and Werner AderholdBA 9645 · approx. € 29.95

To appear in April 2013This edition marks the beginning of Bärenreiter’s publication of Schubert’s complete works for piano duet in scholarly-critical Urtext editions. It includes Schubert’s late works, composed between 1826 and 1828 which are amongst the most important works in the piano duet repertoire. Suggestions on performance practice by Mario Aschauer and a selection of passages on practical performing aspects from the critical commentary of the New Schubert Edition complete the edition, which presents the compositions in a clear score format.

ContentsVariations on a Theme from the opera “Marie” by L. J. Ferdinand Hérold op. 82,1 ( D 908) / Fantasy in F minor op. 103 (D 940) / Allegro in A minor op. post. 144 (D 947) / Rondo in A major op. post. 107 (D 951) / Fugue in E minor op. post. 152 (D 952)

• BasedontheUrtextoftheNew Schubert Edition

• Scholarly-criticaleditionreflectingthelateststateofresearch

• SuggestionsonperformancepracticebyMarioAschauer

• Detailedforeword(Ger/Eng)andcriticalcommentary(Eng)

• Withoptimumpage-turns

... and Schubert

9 790006 539871

ISMN 979-0-006-53987-1

9

5

Secondo

Primo

106

op. post. 107 - D 951Rondo in A

Allegretto quasi Andantino

legato

© 2013 by Bärenreiter-Verlag, Kassel

Juni 1828

BA 9645

9 790006 529421

ISMN 979-0-006-52942-1



Piano Piano

GabrielFauré:Barcarolles

BÄRENREITER URTEXTEdited by

Christophe GrabowskiBA 10842 · approx. € 20.50


Fauré’s 13 Barcarolles, composed over a period of almost four decades (1882–1921) are highly representative of his output for piano and are regarded as his most characteristic works. They reflect his breaking free from the Romantic idiom, particularly that of Chopin and Mendelssohn, developing an independent musical language in which he combined tradition and the emerging modernism.

ChristopheGrabowski who is a French pianist and doctor of musicology studied in Warsaw and Paris. He has edited a volume of the Œuvres complètes de Gabriel Fauré, is Series Editor of the Complete Chopin. A New Critical Edition as well as two volumes of the Édition Complète des Œuvres de Claude Debussy. Together with John Rink he published the Annotated Catalogue of Chopin’s First Editions in 2010.

Fauré’s four Valses-Caprices (1882/83–1894) demonstrate various forms of his treatment of the waltz in combination with the free form of the caprice. The composer drew his inspiration for his Valses-Caprices in the first place from works such as Liszt’s Valse-Impromptu and his Valse à capriccio and the famous Valse-Caprice by Anton Rubinstein.

These important groups of works are now made available in scholarly-critical Urtext editions based on the Œuvres complètes de Gabriel Fauré and reflect the latest state of research. Detailed forewords offer information on the genesis and significance of the compositions as well as valuable suggestions on historical interpretation.All the available manuscript and printed sources as well as piano rolls containing recordings by the composer have been taken into consideration, leading to new discoveries particularly regarding the Valses-Caprices.

• BasedontheŒuvres complètes de Gabriel Fauré

• Basedonthelatestresearchfindingsandextensivesourcestudies

• Informativeforewordswithadviceonperformancepractice(Fr/Eng/Ger)

Fauré: Barcarolles and ... ... Valses-Caprices with new findings

GabrielFauré:Valses-Caprices

BÄRENREITER URTEXTEdited by Christophe GrabowskiBA 10843 · approx. € 18.50


9 790006 542499

ISMN 979-0-006-54249-9

9 790006 542505

ISMN 979-0-006-54250-5


p e cantabile

Allegretto moderato q. = 46

4

poco cresc.

mfp

cantando

7

*) Voir les Notes critiques. / See the Critical notes.

cresc.

10

6

8

6

8

1

1

1

1 21

1

1

re

Barcarolle

Op. 26

À Madame Montigny-Rémaury

1 23

1

3 2 1

1

3 2 1

1

p B

1 2 3

1

*)


dolce tenuto ed espressivo

ppAllegro moderato

pppp

m.d.m.g.

pp

7

pp

pp

cresc. ed accelerando molto

f

13

pp

m.g.

dim. e rall.

19

ppTempo I

25

pp

pp

m.d.m.g.

3

4

3

4

pp

1

re

Valse-Caprice

Op. 30

À Mademoiselle Alex. Milochevitch

m.d.

pp



Piano Piano

ClaudeDebussy:Préludes1erlivre

BÄRENREITER URTEXTEdited by Thomas Kabisch

With fingering by Martin WidmaierBA 10818 · approx. € 17.95

To appear in June 2013 Debussy links the 12 Préludes in his first book not by a tonal scheme, but by means of a chain of associative mottos or titles which appear at the end of each piece and which may give a hint of the overall poetic content.The musicologist Thomas Kabisch who specialises in Debussy’s piano music has edited this Urtext edition based on the latest research findings, resulting in an authoritative publication. The edition has a clear layout, practical page-turns and fingering by the experienced teacher Martin Widmaier, professor of piano at the Robert Schumann University, Düsseldorf. This fingering traces musical lines and supports sensitive sound production. There are also special fingering exercises to assist in the learning of the chordal structures. Thus, the edition provides the necessary prerequisites for studying these works.

• Urtexteditionbasedonthelateststateofresearch

• Includesfingeringaswellasadditionalspecificfingeringexercises

• Detailedforeword(Ger/Eng)andcriticalcommentary(Eng)

New Urtext edition of Debussy’s Préludes

ErikSatie:Gnossiennes

BÄRENREITER URTEXTEdited by Jens RosteckBA 10807 · approx. € 7.95

To appear in April 2013

No distribution rights forthe USA and France.Between 1889 and 1897 Satie composed a series of piano pieces. He

gave these the eccentric title Gnossiennes and provided consciously ironic performance instructions in which he satirized the excessive gestures of Romantic piano playing.This Bärenreiter Urtext edition offers new variant readings and presents Gnossienne No. 7 in its authentic form for the first time. Like the Gymnopédies (BA 10804), the Gnossiennes are particularly suitable for piano teaching because of their easy to medium difficulty level.Suggestions for performance are given by the Satie specialist Steffen Schleiermacher. In addition a detailed foreword by the distinguished musicologist Jens Rosteck provides valuable information on the background to the composition, its significance and interpretation.

• Urtexteditionwithnewvariantreadings• ForthefirsttimeGnossienne No. 7presentedinitsauthenticform• Easytomoderatedifficulty• TranslationsofallSatie’sperformanceinstructions(Ger/Eng)• Withpracticalsuggestionsforperformance(Ger/Eng) bySteffenSchleiermacher• Withadetailedforeword(Ger/Eng)andcriticalcommentary(Eng)

Satie’s Gnossiennesin an Urtext edition

9 790006 529193

ISMN 979-0-006-52919-3

9 790006 529339

ISMN 979-0-006-52933-9

© 2013 by Bärenreiter-Verlag, KasselBA 10807

p

Lent

f

p

f

Gnossienne

à Roland Manuel

Nº 1


p

doux et soutenu

p p p

Lent et grave q = 44

pp p

4

mf

7

pp

10

3

4

3

4

2

2

2

5 4

3

5 4

I.

"4

4

"3

4

4

1

2 4

3

3 3 1

4

4 4 2

4

2

2 "4

4

2

2

"3

4

doux mais en dehors

4

4

4

4

4

5

2

1

5

3

1 4

5

1

2

4

5

1 1

2

4

5



Piano Piano

AntonínDvořák:SlovanskétanceSlavonicDancesforPianoDuet

(FourHands-OnePiano)

1stSeriesop.46Edited by Jarmil Burghauser

BA 9547 · € 13.95 (replaces H 592)


2ndSeriesop.72Edited by Jarmil Burghauser

BA 9548 · € 13.95 (replaces H 1234)


Major works by Dvořák innewly engraved editions

It was the Slavonic Dances for Piano Duet op. 46 which brought Antonín Dvořák unexpected international fame. An unerring business instinct led Fritz Simrock, at the beginning of 1878, to ask the Czech composer for some works for piano duet into which Dvořák incorporated musical themes from where he grew up. Following in the footsteps of Brahms’s Hungarian Dances, Dvořák refrained from a literal portrayal of individual kinds of dance. As a result, he created unique masterpieces of European music for domestic use and concert performance.

This edition of both series of the Slavonic Dances is based on the Complete Edition of the Works of Antonín Dvořák. The main sources are the first editions published by Simrock.

• SeparateeditionsoftheseworksbasedontheComplete Edition of

Antonín Dvořák̕s Works,vol.V/5

• Newforewords(Cz/Eng/Ger)byHans-JoachimHinrichsenand

IvanaRentsch

• Newlyengravedinscoreformat

ModestMussorgsky:Картинки съ выставки Воспоминаніе о Викторѣ Гартманѣ

PicturesatanExhibitionARemembranceofViktorHartmann

BÄRENREITER URTEXTEdited by Christoph FlammBA 9621 · approx. € 14.50

To appear in June 2013

The catalyst for the piano cycle Pictures at an Exhibition, composed in 1874, was a memorial exhibition held that year for the artist and architect Viktor Hartmann. He was a friend of Mussorgsky who had died in 1873. It is not only Mussorgsky’s most important contribution to the piano repertoire, but through its relationship to Hartmann’s pictures and the translation of this idea into a composition, the cycle holds a unique place in 19th century piano repertoire.

ChristophFlamm, an internationally renowned specialist of Russian music of the 19th and early 20th centuries, has edited this Urtext edition for Bärenreiter. He has re-evaluated the sources and in the process has discovered surprising variant readings of the well-known musical text. The edition will meet the demands of advanced piano students, teachers and pianists.

• Scholarly-criticalUrtexteditionbasedonallthesources

• Detailedforeword(Ger/Eng)andsuggestionsonperformancepractice

• ClearmusicallayoutBA 9547 BA 9548

Modest Mussorgsky’s famous piano cycle

9 790260 105768

ISMN 979-0-2601-0576-8

9 790006 541904

ISMN 979-0-006-54190-4

9 790260 105775

ISMN 979-0-2601-0577-5

*) Dedicated to Vladimir Vasilyevich Stasov. Pictures at an Exhibition. A Remembrance of Viktor Hartmann.

**) Vgl. / See Critical Commentary.


f

Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto

4

7

5

4

6

4

5

4

6

4

5

4

6

4

5

4

6

4

6

4

5

4

6

4

5

4

6

4

5

4

6

4

5

4

5

4

6

4

5

4

6

4

**)

*)

Посвящается Владиміру Васильевичу Стасову

Bilder einer Ausstellung

Erinnerung an Viktor Hartmann

Wladimir Wassiljewitsch Stassow gewidmet

Promenade

Картинки съ выставки

Воспоминаніе о Викторѣ Гартманѣ

*) Dedicated to Vladimir Vasilyevich Stasov. Pictures at an Exhibition. A Remembrance of Viktor Hartmann.

**) Vgl. / See Critical Commentary.


f

Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto

4

7

5

4

6

4

5

4

6

4

5

4

6

4

5

4

6

4

6

4

5

4

6

4

5

4

6

4

5

4

6

4

5

4

5

4

6

4

5

4

6

4

**)

*)

Посвящается Владиміру Васильевичу Стасову

Bilder einer Ausstellung

Erinnerung an Viktor Hartmann

Wladimir Wassiljewitsch Stassow gewidmet

Promenade

Картинки съ выставки

Воспоминаніе о Викторѣ Гартманѣ

© 2013 by Bärenreiter PrahaBA 9547

Primo

Secondo

ff

Presto

ff

Presto

fz p

10

fz p

pp p

1. 2.

19

pp p

1. 2.

3

4

3

4

3

4

3

4

Antonín Dvořák, op. 46

(1841–1904)

1

[ ]

[

]

[ ]

New Issue Title



LouisVierne:L’ŒuvredePianoII

CompletePianoWorksII

BÄRENREITER URTEXTEdited by Olivier Gardon

BA 9612 · approx. € 28.95


No distribution rights for France, Italy and Spain.

With his Douze Préludes op. 36 and Trois Nocturnes op. 35 composed between 1914 and 1916, Vierne followed in the Romantic piano tradition, whilst lending the historic models that special sound between elegance and expressivity, as is characteristic for French music of the period. The editor of the volume is the distinguished pianist Olivier Gardon. As a performer and scholar, he has researched Louis Vierne’s piano music for over twenty years of which he has an unparalleled knowledge. This can be convincingly heard on Olivier Gardon’s complete CD recording of 1995.

• FirstcriticalUrtexteditionbasedonallavailableautograph

manuscriptsandprintedsources

• Withadetailedforewordandcriticalcommentary(bothFr/Eng/Ger),

complementedbynumerousfacsimiles

• Well-presentedlayout

Piano

Masterpieces of Frenchpiano literature

9 790006 535835

ISMN 979-0-006-53583-5

Maestoso

BA 9612

DOUZE PRÉLUDES

1. Prologue

( = 96)q

A mon élève Marthe Bracquemond

Louis Vierne

(1870–1937)

op.36


2

5

8

11

m.g.

fm.d.

cresc.

ff ff

(

ff

((

sempre

(

( (

((

(

(

ff

mf

You will be given an insight intothe editorial and production process

of an Urtext edition. The history of this family-owned company is also revealed.

... at www.baerenreiter.com

The Bärenreiter film ...Renowned conductor and musicologist

Christopher Hogwood takes you on a journey through Bärenreiter. Come

with us behind the scenes.



“Eine kleine NachtMusick” is how Mozart entered the Serenade in G major in his personal catalogue of works on 10 August 1787. It was written without any known incentive or commission during the time that Mozart was composing Don Giovanni, a time when he was celebrating his greatest success as an opera composer.

Eine kleine Nachtmusik “... written with ease, but skillfully refined”

The work is one of the jewels of Mozart’s output, combining bright radiance and a natural simplicity with brilliant refinement. Similarly, the autograph manuscript of this perfect masterpiece is captivating because of its balanced clarity and beautiful handwriting.

The manuscript was inaccessible to the public for almost half a century, but now Bärenreiter has received exclusive permission to produce a new facsimile of Mozart’s original. The edition reproduces the facsimile pages as individual sheets and leaves, reflecting the way the original copy has survived. These pages – in high-quality colour printing,

each trimmed individually – are presented in a handsome box. This is accompanied by a booklet with an introductory text by Wolfgang Rehm including information on the genesis of the composition and the various aspects of the autograph manuscript.

“The fact that it’s all over town does not alter anything in the quality of this occasional piece written with ease but skillfully refined.” Wolfgang Hildesheimer

Wolfgang Amadeus MozartEine kleine NachtmusikK. 525Facsimile of the autographWith a commentary by Wolfgang RehmDocumenta musicologica II,4614 pages of facsimile (individually trimmed)and an approx. 24 page-accompanying booklet (Eng/Ger);presented in a handsome boxISBN 978-3-7618-2282-1approx. € 179.00


9 783761 822821

ISBN 978-3-7618-2282-1

The seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms.The distinguishing features include:● a facsimile in high-quality

colour printing● scholarly commentary

Vorschau Doppel_Mozart_engl.indd 2 11.02.13 13:21



AntonínDvořák:SmyčcovýkvintetEsdur

StringQuintetinE-flatmajorop.97

Edited by František Bartoš

Parts in a slipcoverBA 9542 · € 19.95

(replaces H 1738)

Study scoreTP 532 · € 13.95

Already published

Strings

In 1887 Antonín Dvořák composed two terzettos for two violins and viola in quick succession as occasional compositions for amateurs. A little later, Dvořák arranged the second terzetto as four pieces for violin and piano with the title Romantic Pieces op. 75. Both works, that is the first Terzetto in C major and the Romantic Pieces, were published in May 1887 by Simrock in Berlin.

• BasedontheComplete Edition of the Works of Antonín Dvořák,

Vol.IV/4

• Repertoireofmediumdifficulty

BA 9542 TP 5329 790260 105683

ISMN 979-0-2601-0568-3

9 790260 105676

ISMN 979-0-2601-0567-6

9 790260 105713

ISMN 979-0-2601-0571-3

The String Quintet in E-flat major op. 97 (with two violas) is the third work Dvořák composed during his stay in America. “This quintet may be said in three of its movements to show the influence of American life and American music upon the composer” wrote the American music critic Henry Krehbiel on 7 January 1894. The use of particular melodic and rhythmic elements in his American compositions, as typically found in Afro-American gospels, strengthened the gathering conception considering Dvořák to be the founder of an American national style of music. The String Quintet in E-flat major was premiered on 12 January 1894 at the Carnegie Hall and was published shortly afterwards in score and parts by Simrock. This first edition is the main source for this publication.

• ReprintfromtheComplete Edition of the Works of Antonín Dvořák,

Vol.IV/8

• Newforeword(Cz/Eng/Ger)byDavidBeveridgewithanevaluationof

theoriginofthecomposition

Antonín Dvořák:Reprints of selected works from the Complete Edition


AntonínDvořák:TerzettoinCmajorop.74fortwoViolinsandViola

Edited by Jarmil Burghauser

Set of PartsBA 9543 · approx. € 11.95

(replaces H 1556)

To appear in May 2013 New Issue Title

BA 9543

Chamber Music with Piano

JohannesBrahms:TrioforPianoforte,ViolinandVioloncelloop.101

BÄRENREITER URTEXTEdited by Christopher Hogwood

Score with partsBA 9437 · approx. € 19.95


Christopher Hogwood’s scholarly-critical edition of Brahms’ final and perhaps greatest trio op. 101 is based on two main sources, the first edition and the autograph. The foreword of this edition presents information on contemporary performance practice; Hogwood has drawn on the comments of Fanny Davis, a Brahms student, to shed light on this. She describes how Brahms played the trio with Joseph Joachim and Robert Hausmann at an informal reading (with Clara Schumann turning pages) in Baden-Baden in approx. 1895. Davis’ descriptions have much to do with articulation, dynamics and tempo fluctuations; in short exactly those aspects of performance practice where we lack real direction.

• Includesimportantinformationonperformancepracticeoftheday

(Ger/Eng)

• Withadetailedcriticalcommentary(Eng)

9 790006 541119

ISMN 979-0-006-54111-9

{

{

{


Violino

Violoncello

Pianoforte

sf

sf

Allegro energico

sfsf f f

Allegro energico

7

f

11

f

f

34

34

34

34

sff

3 3 3

Triofür Pianoforte, Violine und Violoncello

Opus 101Johannes Brahms

sf 3 3

3

3

f ben marc. poco f

3

3

33

3 3 3

3

mf cresc.

mf cresc.

cresc.

3

3

6

6

Brahms’ famous piano trio



GeorgeSpeckert:TangoClassics

forViolinandPiano

Score and partBA 10614 · approx. € 12.95


George Speckert has arranged wonderful tangos from Argentina for violin and piano accompaniment. Classics such as El Choclo, jewels by Eduardo Arolas and Rosendo Mendizabal, as well as less well-known pieces such as El día que me quieras by Carlos Gardel are included. The pieces are simple but a joy to play for the violinist, succinct and authentic in style for the pianist.

The arranger GeorgeSpeckert is also renowned for his easy yet sonorous arrangements for mixed string groups. He is a composer, author and lecturer in multimedia production and E-learning.

• Aselectionoftangosforviolinandpiano

• Easyyeteffectiveperformancepieces

The Bärenreiter series with appealing ...

VladimirBodunov:BeautifulAdagios9PiecesfortwoViolins

Score and partBA 10615 · approx. € 12.95


Well-known slow movements, melodies and arias have been arranged for two violins – with a passion for detail, but above all with convincing musical results. The arrangements stand out for their high fidelity to the original works. Both players are of equal importance and the melody with its expressive themes, moves frequently from one player to the other. Perfect for weddings, auditions or busking.

The arranger VladimirBodunov is a versatile musician from Belarus. He performs throughout Europe as a soloist, in orchestras and particularly in duo with his wife Marta Danilkovich.

From the contentsMozart, Adagio (Clarinet Concerto) / Vivaldi, Largo (The Four Seasons – Winter) / Albinoni, Adagio in G minor / Marcello, Adagio in D minor / Puccini, Nessun Dorma from Turandot

• Popularadagiosfromtheclassicalrepertoire

• Easypieceswhichsoundimpressive

• Bothpartsofequalimportance

... pieces for the most popular instruments

9 790006 543076

ISMN 979-0-006-54307-6

9 790006 543083

ISMN 979-0-006-54308-3


Violin

Piano

f

h = 53

f

p

5

p

10

mf pp

14

mf pp

Angel Villoldo

El Choclo

33

33


Violin 1

Violin 2

6

12

18

cresc.

24

cresc.

30

AdagioTomaso Albinioni

arr. Vladimir Bodunov

3

3 3 3

3 3 3

3

3

3 3

2

New Issue Title

Arrangements by Speckert already published:

The Roots of Jazz for Violin and Violoncello

BA 10606 · € 12.95

Popular Movie Hitsfor Violin and Piano

BA 10605 · € 13.95

Arrangements by Bodunov already published:

Violin Classics for two ViolinsBA 10607 · € 12.95

New Issue Title



FriedrichSeitz:StudentConcertoinGminorop.12

Violin part and enclosedpiano accompaniment

BA 8985 · approx. € 11.95


Friedrich Seitz (1848–1918) was one of the best-known and most sought-after violinists of his day. This concerto starts with a resolute allegro in G minor, followed by a gentle adagio in E-flat major and flows into a cheerful dance-like final movement in G major. In order to play this, violinists must be able to master 1st to 3rd positions. A concise foreword by the renowned string pedagogue Kurt Sassmannshaus introduces the work and points out the relevant playing techniques required.

The series Bärenreiter’s Concert Pieces forms an ideal continuation of the Sassmannshaus string methods but can also be used to supplement any other string tutor.

Strings Strings

- for Violin and Piano

FriedrichSeitz:StudentConcertoinDmajorop.22

Arrangedforviola,transposedtoGmajorViola part and enclosedpiano accompanimentBA 8986 · approx. € 9.95

Arrangedforcello,transposedtoGmajorCello part and enclosedpiano accompanimentBA 8987 · approx. € 9.95


The series Bärenreiter’s Concert Pieces has now been expanded to include the three-movement Student Concerto op. 22 by Friedrich Seitz in arrangements for viola and cello, previously published for violin (BA 8979). The concertos have been transposed, making them ideal for beginners and young pupils. Concise forewords by the renowned string pedagogues Christoph and Kurt Sassmannshaus introduce the work and point out the relevant playing techniques required.

Works by OskarRieding already published:

Concerto in B minor op. 35Violin part and enclosed piano accompanimentBA 8971 · € 8.00

Concertino in Hungarian Style op. 21Violin part and enclosed piano accompanimentBA 8973 · € 8.00

Marcia op. 44, Rondo op. 22/3Violin part and enclosed piano accompanimentBA 8982 · € 7.95

Concerto op. 35 in B minor Arranged for viola, transposed to E minorViola part and enclosed piano accompanimentBA 8983 · € 9.95

Concerto op. 35 in B minor Arranged for cello, transposed to D minorCello part and enclosed piano accompanimentBA 8984 · € 9.95

- for Viola or Cello

Notenbeispiel bei Frau Grebeangefordert, 9.10. / Kr

BA 8986 BA 8987

Works by Friedrich Seitz already published:

Student Concerto in G major op. 13 Violin part and enclosed

piano accompanimentBA 8972 · € 8.50

Student Concerto in D major op. 22Violin part and enclosed

piano accompanimentBA 8979 · € 10.00

Violin

Piano

f

>.. . .

.

> . . . . .

- . > - .

-. >

>

. ..

........

f

. . .

.

5

>

>

f

>

>

.

. .

f

.

. .. . .f

.......

f

11

.......

F

.......

p

F

.

.......

... ...

f

15

...-

...-

....-

-. . -

3

3

...

.

.

.

.

f

f

Schülerkonzert in g-MollStudent Concerto in G minor

Friedrich Seitz, Op. 12

BA8985 © 2013 by Bärenreiter-Verlag, Kassel

Allegro risoluto = 108

Allegro risoluto = 108

New Issue Title

New Issue Title

9 790006 543465

ISMN 979-0-006-54346-5

9 790006 543472

ISMN 979-0-006-54347-2

9 790006 543489

ISMN 979-0-006-54348-9



GeorgeFridericHandel:ChamberDuets

forSopranoandAlto

BÄRENREITER URTEXTEdited by Konstanze Musketa

Realization of the basso continuo by Christoph Harer

BA 10257 · approx. € 21.95

To appear in May 2013By means of their high degree of consistency and maturity, Handel’s chamber duets constitute a highlight of this genre. The six chamber duets for soprano and alto selected for this volume were written in 1710–12 in Hanover (HWV 178, 185, 197) and 1740–45 in London (HWV 181, 190, 186). They are musically demanding and structured contrapuntally: the earlier works are stricter, more scholarly and more elaborate in terms of counterpoint but masterly in their craftsmanship. The later ones are composed somewhat freer, but more compact.

ContentsA mirarvi io son intento (HWV 178) / Conservate, raddoppiate (HWV 185)Tanti strali al sen mi scocchi (HWV 197) / Beato in ver chi può (HWV 181)No, di voi non vuò fidarmi (HWV 190) / Fronda leggiera e mobile (HWV 186)

• UrtexteditionbasedontheHalle Handel Edition

• Clear,idiomaticrealizationofthecontinuopart

• Includesaseparatecontinuopartwithoutrealization

Handel’s Chamber Duets – a highlight of this genre

9 790006 535903

ISMN 979-0-006-53590-3

29

voi non vuò fi dar mi, cie co a mor , cru del bel

non vuò fi dar mi, no, di voi

22

No, di voi non vuò fi dar mi, no, di

, cru del bel tà, cie co a mor , cru del bel tà! No, di voi

15

, cru del bel tà, cie co a mor , cru del bel tà!

6

tà, cie co a mor, cie co a mor

8

No, di voi non vuò fi dar mi, cie co a mor

Bassi

Contralto

No, di voi non vuò fi dar mi, cie co a mor , cru del bel

156

Soprano

1.

No, di voi non vuò fidarmiHWV 190

non vuò, fi dar mi, cie co a mor, cie co a mor cru del bel,


Score from the Halle Handel Edition, vol. V/7 (BA 10703)

Solo Voices Complete Editions / Music Book

New publications up to December 2012

Johann Sebastian BachNew Bach Edition – Revised (NBArev) Vol. 2: Weimar CantatasEdited by Andreas GlöcknerBA 5936

Franz BerwaldComplete Works, Vol. 25SupplementEdited by Michael Kube, Ola Erikson, Bonnie and Erling LomnäsBA 4925

Leoš JanáčekComplete Critical Edition of the Works of Leoš Janáček, Series B, Vol. 5-IIMša glagolskaja / Glagolitic Mass(Verze záři 1927) / (September 1927 version)Edited by Jiří ZahrádkaBA 6863

Johann PachelbelComplete Vocal WorksVol. 8: Concerti IIEdited by Thomas RöderBA 10558

Franz SchubertNew Schubert EditionSeries V, Vol. 6Symphonic Sketches and FragmentsEdited by Michael KubeBA 5559

Georg Philipp TelemannMusical Works, Vol. 44Chamber cantatasEdited by Steven ZohnBA 5870

Musical Works, Vol. 57Sacred Arias (year of publication 1727)Edited by Wolfgang Hirschmann with Jana KühnrichBA 7801

The indispensable reference work

FranzSchubertDeutsch-Verzeichnis/SchubertThematicCatalogue

712 pages; paperbackFormat 17 x 24 cmGerman textISBN 978-3-7618-1258-7 · € 49.95

Already published

The Schubert Thematic Catalogue by Otto Erich Deutsch presenting Schubert’s works in chronological order includes music incipits and all important facts on the history of the works, source material, instrumentation, first performance, editions and texts, as well as literature on individual works. This is an indispensable reference work – now available again at a reduced price.

9 783761 812587

ISBN 978-3-7618-1258-7



Vocal Music Vocal Music

9 790006 529551

ISMN 979-0-006-52955-1

JohannesBrahms:SacredChoralMusic

acappella

BÄRENREITER URTEXTEdited by Peter Schmitz

BA 7575 · approx. € 22.95


The sacred a cappella choral works by Johannes Brahms are amongst the most important Romantic works in the genre. This new edition is based on reliable sources which include autograph manuscripts, engraver’s copies and first editions. The collection contains the 7 Marienlieder op. 22, Two Motets op. 29, Three Sacred Choruses for female voices op. 37, Two Motets op. 74, Fest- und Gedenksprüche op. 109 and the Three Motets op. 110.

• Allsacredacappellachoralworksinonevolume

• Authoritativescholarly-criticaledition

• Informativeforeword(Ger/Eng)

• Detailedcriticalcommentary(Eng)

Sacred a cappella music by Johannes Brahms

Excerpt from: BA 7575

ClaudioMonteverdi:VesprodellaBeataVergine

BÄRENREITER URTEXTEdited by Hendrik Schulze et al.Piano reduction by Andreas Köhs

Full scoreBA 8794 · approx. € 59.00

Vocal score (Lat)BA 8794-90 · approx. € 19.95

Wind set: BA 8794-65 · approx. € 29.95Violin I: BA 8794-74 · approx. € 3.95Violin II: BA 8794-75 · approx. € 3.95Violin III: BA 8794-76 · approx. € 3.95Viola I: BA 8794-79 · approx. € 3.95Viola II: BA 8794-80 · approx. € 3.95Viola III: BA 8794-81 · approx. € 3.95Violoncello/Double Bass: BA 8794-82 · approx. € 3.95Basso continuo: BA 8794-86 · approx. € 39.95


Claudio Monteverdi’s Vespro della Beata Vergine is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings, it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas, under the direction of the Monteverdi specialist Hendrik Schulze.The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has lead, for instance, to a divergent evaluation of the Lauda Jerusalem oriented towards performance practice, with numerous additional accidentals and a new interpretation of the melodic variants from the different part books. These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.

• Scholarly-criticalUrtexteditionorientatedtowardsperformancepractice• Detailedcriticalcommentary(Eng)inthefullscore• Movements10,13and14areincludedintheiroriginalhighclefinthe appendixofthefullscore.• Thesemovementsarealsoavailablewithpianoreductionas print-on-demand.

Monteverdi: New musical and performing insights

BA 87949 790006 537792

ISMN 979-0-006-53779-2

9 790006 537808

ISMN 979-0-006-53780-8

BA 8794-90

New Issue Title




The choral scene is in a state of change! On the one hand, more and more choirs are lacking in male voices, yet at the same time, more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known, frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart’s Coronation Mass K. 317, a much-performed work within the standard repertoire and the Missa brevis in D major K. 194, a charming alternative for use in church services. With great skill and sensitivity to the music, Heribert Breuer has carefully retained the substance of the original works, at the same time giving them a completely new sound quality.

The arrangerHeribertBreuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie, and has made a name for himself with his numerous arrangements of works from Bach to Schubert.

• Arrangementsforfemalechoir(SMA)basedontheUrtextofthe New Mozart Edition• Idiomaticpianoreductions

BA 5690-90 BA 5691

WolfgangAmadeusMozart:MissabrevisinDmajorK.194

Arranged for female choir (SMA) Piano reduction by Heribert Breuer

Vocal score (Lat): BA 5690-90 · approx. € 8.75To appear in March 2013

The vocal score is compatible with the performance material

of the original work BA 5342.

MissainC“CoronationMass”K.317

Arranged for female choir (SMA) Piano reduction by Heribert Breuer

Vocal score (Lat): BA 5691-90 · approx. € 8.95Full score: BA 5691 · approx. € 30.95

Wind set: BA 5691-65 · approx. € 22.95To appear in March 2013

The vocal score is compatible with the performance material

of the original work BA 4880 (arranged without trombones).

9 790006 542819

ISMN 979-0-006-54281-9

9 790006 535422

ISMN 979-0-006-53542-2

BA 5691

New Issue Title

Arrangements for three-part female choir

GiovanniBattistaPergolesi:Stabatmater

Arranged for female choir (SMA) by Malcolm BrunoPiano reduction by Malcolm Bruno

Full scoreBA 5692 · approx. € 24.95

Vocal score (Lat)BA 5692-90 · approx. € 9.95


The vocal score is compatible with the performance material of the original work BA 7679.

Pergolesi’s famous Stabat mater, a work for two soloists, strings and continuo quickly became a success throughout Europe. However there are numerous indications that it was also performed by choirs from very early on. Particular movements were very probably sung by a two-part choir, whilst the arias were kept for the soloists.In this edition, the outer movements and no. 8 are now scored for three-part choir (SMA) in contrast to the solo aria movements. Three further movements are set as trios for three solo voices.The added parts are derived from the existing musical material.These lend this well-known work a completely new charm and provide a welcome addition to the repertoire for choral concerts.

The arrangerMalcolmBruno is the editor of the Urtext edition of the Stabat mater (BA 7679) and a renowned expert in 18th century Italian music.

• Arrangementforfemalechoir(SMA)basedontheBärenreiterUrtext

editionoftheoriginalwork

• Clear,straightforwardpianoreductionBA 5692 BA 5692-909 790006 535446

ISMN 979-0-006-53544-6

9 790006 535453

ISMN 979-0-006-53545-3

BA 5692

New Issue Title

Arrangement for three-part female choir



HeinrichSchütz:GeistlicheChor-MusicThesixandseven-partmotets(nos.13-29,SWV381-397)

BÄRENREITER URTEXTBased on Werner Breig’s edition published in the New Schütz Edition, vol. 5/2 (BA 5960)

BA 5902 · approx. € 23.95Parts available as Print on Demand


With the publication of the six and seven-part motets, a revised version of the Geistliche Chor-Music is now complete. As Schütz wrote in his foreword to the collection, all parts to the motets can be performed vocally and/or instrumentally. These motets offer smaller choirs and ensembles new possibilities to perform these works, based on historically-informed performance practice. The basso continuo realization follows the composer’s intention of using the score merely as a basis for performance, but with its relatively simple realization, it also allows performers to create their own version.

• ReflectingthelatestresearchbasedontheNew Schütz Edition

• Instrumentalparts(strings,winds)availableasPoD

• Geistliche Chor-Musicnowavailablecompleteintwovolumes

Already published:Heinrich Schütz: Geistliche Chor-MusicThe five-part motets (nos. 1-12, SWV 369-380)BA 5901 · € 12.95

Schütz’s “Geistliche Chor-Music” revised

9 790006 535460

ISMN 979-0-006-53546-0

BA5901 ©2012byBärenreiter‑Verlag,Kassel

Cantus

Altus

Tenor

Quintus

Bassus

Es wird das Zep ter‑ von Ju da‑ nicht

Primapars

Es wird das Zep ter‑ von Ju da‑ ‑

Es

6 5 6 2

ent wen‑ det‑ wer den,‑ ‑ ‑

5

nicht ent wen‑ det‑ wer den,‑ nicht ent wen‑ det‑ wer ‑

wird das Zep ter‑ von Ju da‑ nicht ent wen‑ det‑ wer ‑

Es wird das Zep ter‑ von Ju da,‑ es

Es wird das Zep ter‑ von Ju ‑

64 # 6 7 6

1.EswirddasZeptervonJudanichtentwendetwerdenSWV369

HeinrichSchüQContinuo‑AusseQung/ContinuoRealization:AntjeWissemann

8

8

Bassuscontinuus

8

8

Excerpt from: Schütz, Geistliche Chor-Music, The five-part motets · BA 5901

JohannSebastianBach:JauchzetGottinallen

Landen,BWV51

Instrumental additions by Wilhelm Friedemann Bach

BÄRENREITER URTEXTEdited by Matthias Wendt

Brass scoreBA 10051-51 · € 6.95

Already published

To be used to supplement the previously published vocal score and

performance material BA 10051

Bach’s famous cantata for solo soprano, trumpet, strings and basso continuo BWV 51, Jauchzet Gott in allen Landen, was probably composed in 1730 in Leipzig. The soprano and trumpet parts are particularly captivating due to their virtuosity. For a performance in Halle Bach’s oldest son Wilhelm Friedemann expanded the original scoring for numbers 1 and 4 by the addition of a second trumpet and timpani, increasing the brilliance of the work even more.

W. F. Bach’s arrangement has now been published for the first time as supplementary performance material. This version can be combined with the existing string parts.

• BWV51withexpandedinstrumentationbyW.F.Bach

• Publishedforthefirsttime

Cantata BWV 51 as arranged by W. F. Bach


BA 10051-519 790006 543113

ISMN 979-0-006-54311-3



Up to the present day there has scarcely been a work in the history of music which has fascinated listeners and performers more than Bach’s St Matthew Passion.Originally composed for Vespers on Good Friday, and even longer in duration than the St John Passion, it reconstructs the story of Christ’s Passion with immense musical, emotional and spiritual intensity.

St Matthew Passion “I have never experienced such silence or seen an audience moved in this way.” Felix Mendelssohn Bartholdy

Johann Sebastian BachMatthäus-Passion /St Matthew Passion BWV 244Facsimile of the autograph score in the Staatsbibliothek zu Berlin – Preußischer KulturbesitzWith a commentary by Christoph Wolff, Martina Rebmann and Barbara Schneider-KempfDocumenta musicologica II,47166 pages of facsimile and approx. 30 pages of commentary (Eng/Ger);half-leather binding, hardbackISBN 978-3-7618-2294-4approx. € 348.00


And so, this monumental and complex composition has come to rank amongst the high points of Western culture.For good reason the “rediscovery” of Johann Sebastian Bach’s music began in 1829 with the performance of this work by Felix Mendelssohn Bartholdy and the Berlin Singakademie.

The autograph manuscript is regarded as one of Bach’s most beautiful – the fair copy demonstrates the importance he attached to the careful preservation of the work for posterity. A further special feature is the coloured ink with which he wrote the biblical text and the music of the chorale “O Lamm Gottes, unschuldig”.

This facsimile edition reproduces the autograph score of the St Matthew Passion for the first time in high-quality colour printing. The Bach specialist ChristophWolff introduces the background to the work’s composition andthe characteristics of the manuscript.

Barbara Schneider-Kempf and Martina Rebmann (Staatsbibliothek zu Berlin) provide further details regarding the history of the autograph manuscript.

The seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms.The distinguishing features include:● a facsimile in high-quality

colour printing● scholarly commentary● attractive cover design

9 783761 822944

ISBN 978-3-7618-2294-4

Vorschau Doppel_Bach_engl.indd 2 11.02.13 13:24



GeorgeFridericHandel:AcisandGalatea

HWV49b

Serenata in tre parti (2nd version)Libretto after John Gay, John Hughes,

Alexander Pope and Nicola Giuvo

BÄRENREITER URTEXTEdited by Artie Heinrich

Piano reduction by Andreas Köhs German translation by Peter Brenner

Vocal score (Eng-Ital/Ger)BA 10700-90 · approx. € 44.95

Performance material available on hire


Handel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid’s Metamorphoses a total of three times: in the cantata Aci, Galatea e Polifemo HWV 72 (1708), the masque Acis and Galatea HWV 49a (1718) and finally the pasticcio-like serenata Acis and Galatea HWV 49b (1732) of which the original version is now made available in its complete form for the first time.A particular charm is provided by the use of two languages in the serenata. The work was originally conceived in English, as was required for the first performance. However, Handel’s Italian singers were criticised for their poor command of English, – so in the end, many numbers were sung in Italian. The extensive appendix to the vocal score includes the additional arias and newly composed movements for the versions used in the 1734 and 1736 performances.

• UrtexteditionbasedontheHalle Handel Edition

• EnglishandItalianoriginaltextwithsingableGermantranslation

• Extensiveforewordintwolanguages(Ger/Eng)

• Clear,straightforwardpianoreduction

Handel’s Serenata “Acis and Galatea”

9 790006 542161

ISMN 979-0-006-54216-1

In 1736 Handel composed Alexander’s Feast or The Power of Musick, a two-part cantata based on John Dryden’s poem of the same name.In 1790, at the suggestion of Baron Gottfried van Swieten, Mozart arranged this work using a German translation of the poem made by Karl Wilhelm Ramler in 1770. As in other arrangements of Handelian works, Mozart’s re-instrumentation leads to a change in the sound character of the work, placing the composition in the tradition of the Viennese Classic.

• Vocalscoreavailableonsaleforthefirsttime

NowinarevisededitionFor the new edition of Handel’s Alexander’s Feast, the dynamic markings have been thoroughly revised. The three movements which Handel had added are published for the first time in the vocal score. The readability of the edition has been much improved and the writing of the piano part has become more idiomatic.

• Withidiomaticpianopart

Alexander’s Feast: Mozart and Handel

nur un ser- Held ver dient- die Braut.

75

f

Se lig,- se lig,- se lig- Paar,

79




pp

Se

f

lig,- - - - - -

84

Se lig,- - - - - -

se lig,- se lig,-

f f pp f

Canto

Coro

Alto

Tenore

Basso

f

Soprano-Solo

Tenore-Solo

f

Alto

Soprano

Basso

Tenore

BA 4527-90

9

Excerpt from: BA 4527-90

WolfgangAmadeusMozart:DasAlexander-Fest/Alexander’sFeastK.591Cantata in two parts by George Frideric Handel in the arrangement byWolfgang Amadeus MozartBÄRENREITER URTEXTEdited by Andreas HolschneiderPiano reduction by Konrad Ameln and Antje Wissemann. Vocal score (Ger): BA 4527-90 approx. € 17.95 Performance material available on hireTo appear in May 2013

GeorgeFridericHandel:Alexander’sFeastorThePowerofMusickHWV75BÄRENREITER URTEXTRevised edition of the vocal scoreVocal score (Eng)BA 4001-92 · € 17.95 Performance material available on hireAlready published

BA 4001-92

9 790006 543373

ISMN 979-0-006-54337-3

New Issue Title9 790006 542949

ISMN 979-0-006-54294-9

BA 4527-90

New Issue Title




ChristophWillibaldGluck:Alceste(ParisVersion1776)

Tragédie-opéra en trois actesLibretto by Marie François Louis Gand-Leblanc Bailli du Roullet after Ranieri de’ Calzabigi

BÄRENREITER URTEXTEdited by Rudolf GerberPiano reduction by Hans VogtGerman translation by Rudolf Gerber

Vocal score (Fr/Ger)BA 2291-90 · approx. € 44.95Revised and corrected editionPerformance material available on hire


In 1774 Gluck undertook to deliver six stage works for the Académie Royale de Musique in Paris. He fulfilled this commission partly with reworkings of works premiered earlier in Vienna, such as Orfeo ed Euridice.In the case of Alceste which was premiered in 1776 and was the prototype of the “reform opera”, he wrote a completely new version:the libretto was translated from Italian into French and changed at the same time. The music was also fundamentally reworked; for example, Gluck newly composed the recitatives and either expanded, cut or changed some scenes around.The public’s rejection of the work caused the composer to finally rework the third act again, including the introduction of Hercules as Alceste’s rescuer. Bärenreiter is now publishing the meticulously revised and corrected vocal score, newly-engraved and brought up to current Bärenreiter standards.

• RevisedUrtexteditionbasedontheGluck Complete Works

• FrenchlibrettowithsingableGermantranslation

• Foreword(Ger/Fr/Eng)

• Idiomaticpianoreduction

Boundless conjugal love:Gluck’s “Alceste”

9 790006 419692

ISMN 979-0-006-41969-2

!!!!!

6

9

Le HŽr.

PeuHšr

ples,mich,

- Žtrau

couernd

--

tez !Volk!

- EtVer

restŠrk-

doudein

- blezKla

- vosge-

pleurs.lied-

13

p

Le HŽr.

Vousund ver

al leznimm,-- Ž

welprouches

--

verUn

- leheil-

plusnoch

grandheu

deste-

malge

heurs.schieht.-

-AdAd

mème

--

tetos

-- naht

touchesich

ˆ sondem

19

f p

Le HŽr.

heuZiel

resei

- dernes-

nièLe

- re ;bens;

--

lÕimder

pimit

- toyleid

--

alo

--

blese

--

mortTod

estden

prê€rm

te ˆsten

--

lesich

saier

sir,kor,

--

etund

25

f p

c

c

c

c

c

!""PrŽlude de Trompette

#"" $ $ $

!""#"" $ $ $ $

#LE HƒRAULT (sur le balcon / auf dem Balkon)

!#

#

! % % %# %

% %

#

!#

& & & & ' &( & & & & & & & & & & & & & '&(

& & & & & ' &( & & & & & & & & & && && && && )) *

+ & , & & + , & & & ) " & +"

+++" +++ +++ +++ +++ +++

++ ++ ++-- ++ ++ ++

, &. &-. & &. &. )- " &. &.)" " &. &. ) * , & )- &- , &- &. &.

+++- +++- )))" * , &&&" &&& &&&- +++- +++

++"" ++ )) * , && && &&// ++-- ++

)- & &- ) & ' &-. &- " &. & " &. )/ " & & " &. & " &-. ) , &

+++- +++-- +++ +++/- +++ +++-

++-- ++-- ++ ++ ++ ++--BA 2291-90

9

AntonínDvořák:Svatebníkošile

TheSpectre’sBrideop.69

Ballad after the poem by Karel Jaromír Erben

Edited by František Bartoš and Antonín Čubr

Piano reduction by Karel ŠolcGerman translation by Pavel Eisner

English translation by John Clapham

Vocal score (Cz/Eng/Ger)BA 9544-90 · € 34.95

(replaces H 2206)Performance material available on hire

Already published

The preference of English audiences for large-scale vocal works led to Dvořák being commissioned in November 1883 to write a cantata for solo voices, chorus and orchestra for the 1885 Birmingham Musical Festival. As the basis for his composition, Dvořák chose the ballad text Svatební košile (literally “The Bridal Gowns”) from the collection Kytice z pověstí národních (“A Garland of Folk Tales”) by the Czech poet Karel Jaromír Erben (1811–1870). Dvořák stipulated that the premiere take place in Bohemia. The work was then taken up in England with great enthusiasm.

• SeparateeditionfromtheNew Complete Dvořák Edition,vol.II/2

• NewforewordbyDanielaPhilippi(Cz/Eng/Ger)

• Underlayedsingingtextinthreelanguages(Cz/Eng/Ger)

Large-scale vocal work by Antonín Dvořák


9 790260 105720

ISMN 979-0-2601-0572-0



Study Scores

Major work by Janáček in an Urtext edition

LeošJanáček:MšaglagolskajaGlagoliticMassFinalauthorisedversion

BÄRENREITER URTEXTEdited by Leoš Faltus and Jiří Zahrádka

Study scoreTP 862 · approx. € 37.50

Performance material available on hire


The Glagolitic Mass, a significant sacred work in Leoš Janáček’s output only appears towards the end of his life. Janáček composed this work for soloists, chorus and orchestra in Old Church Slavonic in the spa resort of Luhačovice in the summer and autumn 1926. He revised it at the end of 1927 after its first performance (Brno, 5.12.1927). The score of the mass was only published after the composer’s death in 1929.

The later revision, known as the “final authorised version”, is contained in this study score edition. This is the significant version which is mostly used for performances. It is richer in orchestration, easier to learn and more stringent in some important passages.

• StudyscorebasedontheComplete Critical Edition of the Works

of Leoš Janáček, vol.B/5–I

• Detailedforewordanddescriptionofthesourcesbytheeditor

(Cz/Eng/Ger)

• OldChurchSlavonictextintheversionbyRadoslavVečerka

Study Scores

Already published:Leoš JanáčekGlagolitic MassFinal authorised versionPiano reduction by Martin ZehnVocal score (Old Church Slavonic)BA 6862-90 · € 34.95

9 790260 105751

ISMN 979-0-2601-0575-1

65H 7935

&

B

?

?

bb

bb

b

bb

bb

bb

b

bb

bb

bb

b

bb

bb

bb

b

clb

Vl

Vc

Cb

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

œ œ œœn

œ

˙

œ œ œœn

œ

œ œ œœn

œ

fmarc.

f

tr

f

f

œœ œ œ œ

œœ

.˙

œœ œ œ œ

œœ

œœ œ œ œ

œœ

Œ

œ œ œ œbœ

.˙

Œ

œn œ œ œnœ#

Œ

œn œ œ œnœ#

œœn œ œ œ

œœ

.˙

œbœb œb œ œ

œœ

œbœb œb œ œ

œœ

œ œœ

œ

Œ

œ œœ

œ

.˙

œ œœ

œ

Œ

œ œœ

œ

œ œœ

œ

Œ

œ œœ

œ

œ œœn

œ

Œ

œ œœ

œ

.˙

œ œœn

œ

Œ

œ œœ

œ

œ œœn

œ

Œ

œ œœ

œ

&

&

&

&

?

&

&

B

?

?

bb

bb

b

bb

bb

bb

b

bb

bb

bb

b

bb

bb

bb

b

bb

bb

bb

b

bb

bb

bb

b

bb

bb

bb

b

bb

bb

bb

b

bb

bb

bb

b

bb

bb

bb

b

clb

S

A

T

B

Vn

1

2

Vl

Vc

Cb

~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~ ~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~

7

Œ

œ œœ

œ

Œ

˙ œn

È

Œ

œ œœ

œ

Œ

Œ

œ œœ

œ

Œ

@

(tr) tr

S

œ œn .œ

r

œ

Vě ru ju,œ œ .œ

r

œ

œn œ .œ

r

œ

Vě ru ju,

œn œœ

#n

.

.œœ

r

œ

.˙

.˙

.˙

f

f

f

f unis.

tr

tr

tr

œ œn ˙

vě ruœ œ ˙

œn œ ˙

vě ru

œn œœ

#n

˙˙

.˙

.˙

.˙

˙ œ œ

ju

˙ œ œ

˙ œ œn

ju˙˙

œœ œn

Ó ‰r

œ.

Ó ‰r

œ.

˙ œ

œ

.˙

.˙

unis.

f

ftr

œ œ œ œœ

œ

v je di no go Bo ga,

œn œ œ œ œ œ

œn œ œ# œn œb œ

v je di no go Bo ga,

œn œ œ œ œb œ

˙

˙

˙

˙

@

tr

tr

tr

tr

- - - - - - - - - - - -

- - - - - - - - - - - -

65

H 7935

Con moto (q = 100)

2/q 3/q

2/q

2/q

IV

VĚR U J U

&

&

&

&

&

?

?

&

&

?

?

?

&

?

&

&

B

?

?

##

##

##

##

##

##

bb

bb

b

bb

bb

b

##

##

##

##

##

##

##

##

##

##

##

##

##

##

##

##

##

##

##

##

##

##

##

##

##

##

1flp

12

fl

ob 12

clBb

12

clb

fg 12

cfg

cr 13

tr123

tn

12

tb3

tp

org

Vn

1

2

Vl

Vc

Cb

222

œœ

œ

œœ

œ

.

.

.

.

˙˙˙˙

Ó .

.˙

Ó .

œœ

œ

œœ

œ

.

.

.

.

˙˙˙˙

Ó .

.˙

Ó .

œœ

œ

œœ

œ

.

.

.

.

˙˙˙˙

Ó .

.˙

Ó .

œœ

œ

œœ

œ

.

.

.

.

˙˙˙˙

Ó .

.˙

Ó .

œ

Œ Œ Ó .

œœ

Œ Œ Ó .

œœ

Œ Œ Ó .

œœ Œ Œ Ó .

œ

Œ Œ Ó .

œ

œ

Œ Œ Ó .

œ

Œ Œ Ó .

œ

œ

Œ Œ Ó .

.

.

.

www

œœ

Œ Œ Ó .

œ

œ

Œ Œ Ó .

œ^

Œ Œ Ó .

.

.

.

.

wwww

.

.

w

w

œ

Œ Œ Ó .

œ

Œ Œ Ó .

œœ

Œ Œ Ó .

œ

Œ Œ Ó .

œ

Œ Œ Ó .

f

f

f

f

f

f

f

f

f

f

f

f

f

f

f

f

œ

Œ Œ Ó .

œœ

Œ Œ Ó .

œœ

Œ Œ Ó .

œœ Œ Œ Ó .

œ

Œ Œ Ó .

œ

œ

Œ Œ Ó .

œ

Œ Œ Ó .

œ

œ

Œ Œ Ó .

.

.

.

www

œœ

Œ Œ Ó .

œ

œ

Œ Œ Ó .

œ^

Œ Œ Ó .

.

.

.

.

wwww

.

.

w

w

œ

Œ Œ Ó .

œ

Œ Œ Ó .

œœ

Œ Œ Ó .

œ

Œ Œ Ó .

œ

Œ Œ Ó .

œ

Œ Œ Ó .

œœ

Œ Œ Ó .

œœ

Œ Œ Ó .

œœ Œ Œ Ó .

œ

Œ Œ Ó .

œ

œ

Œ Œ Ó .

œ

Œ Œ Ó .

œ

œ

Œ Œ Ó .

œœœ

Œ Œ Ó .

œœ

Œ Œ Ó .

œ

œ

Œ Œ Ó .

œ^

Œ Œ Ó .

œœœœ

Œ Œ Ó .

œ

œ

Œ Œ Ó .

œ

Œ Œ Ó .

œ

Œ Œ Ó .

œœ

Œ Œ Ó .

œ

Œ Œ Ó .

œ

Œ Œ Ó .

64

H 7935

IVVĚruJu

GLAGstred.indd 65 11/4/11 12:43:19 PM

TP 862

FrancescoCavalli:LaCalisto

BÄRENREITER URTEXTEdited by Álvaro Torrente

Study score (19 x 27 cm)TP 891 · € 36.95

Performance material available on hire([email protected])

Already published

La Calisto received its first performance in Venice in 1651 but only really achieved its breakthrough in the 20th century. It is one of Cavalli’s most frequently-performed operas today. The reason for this success may have been the late acknowledgement of its masterly dramatic and musical structure. The musical text is not presented in the usual small study score format, but in the vocal score format (19 x 27 cm). This results in an optimal and well-presented layout of the work. The study score is ideal for analysis as well as for rehearsing the vocal parts.

• Reduced-sizefullscorebasedonthefirstvolumeofthenew

Bärenreiterseries,Francesco Cavalli – Opere

• Reflectsthelateststateofresearch

• Foreword(Eng)bytheeditor

• Englishtranslationofthelibrettoincludedseparately(notsingable)

• Practicalforstudyandrehearsingthevocalparts

La Calisto – a 20th century rediscovery

Already published: Francesco Cavalli – Opere

La CalistoFull score

BA 8901-01 · € 230.00

9 790006 205356

ISMN 979-0-006-20535-6

New Issue Title



Contemporary Music Orchestra

AntonínDvořák:SymphonyNo.7inDminorOpus70

BÄRENREITER URTEXTEdited by Jonathan Del Mar

Full score* BA 10417 · approx. € 89.00

Critical commentaryBA 10417-40 · in preparation

Violin I: BA 10417-74 · approx. € 6.95Violin II: BA 10417-75 · approx. € 6.95Viola: BA 10417-79 · approx. € 6.95Violoncello: BA 10417-82 · approx. € 6.95Double Bass: BA 10417-85 · approx. € 6.95Wind set: BA 10417-65 · approx. € 160.00


Dvořák’s Symphony No. 7 was commissioned by the Royal Philharmonic Society in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock.

The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvořák’s cello concerto in B minor (BA 9045), not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in the appendix as well as in the performing material.

This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account.

• FirstUrtexteditionofthisimportantwork

• ContainstheoriginalLondonversionofthesecondmovement

• Includesaforeword(Cz/Eng/Ger)andacriticalcommentary(Eng)

First critical edition of Dvořák’s masterpiece

BA 104179 790260 105782

ISMN 979-0-2601-0578-2

{

{

°

¢

{

°

¢

°

¢

{

BA 10417 © 2013 by Editio Bärenreiter Praha

Flauto I, II

Oboe I, II

Clarinetto I, IIin Sib / B

Fagotto I, II

Corno I, IIin Fa / F

Corno III, IVin Re / D

Tromba I, IIin Re / D

Trombone I AltoTrombone II Tenore

Trombone III Basso

Timpaniin Re-La / D-A

Viole

Violoncelli

Contrabbassi

Allegro maestoso q. = 66

pp

p

pp

pp

pp

Allegro maestoso q. = 66

fpp

pp fpp

pp fpp

pp

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

I

VII. SymfonieD mollop. 70

Antonín Dvořák

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

∑ ∑ ∑ ∑ ∑ ∑ ∑

∑ ∑ ∑ ∑ ∑ ∑ ∑

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

∑

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

∑

Violini I ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

Violini II ∑ ∑ ∑ ∑ ∑ ∑ ∑

∑ cresc. div.

∑

cresc.

pizz.

æææ æææ æææ æææ

æææ æææ

æææ

æææ

æææ

æææ

æææ

æææ

æææ

New publications up to November 2012

WorksforHire

Beat Furrerlinea dell’orizzonte for ensembleBA 11110-72

Matthias PintscherChute d’Étoiles.Homage to Anselm Kieferfor two solo trumpets and orchestraBA 11106-72

Andrea Lorenzo ScartazziniDer Sandmann. Opera in 10 scenes after themes from the novel with the same title by E.T.A. HoffmannLibretto by Thomas JonigkBA 9747-72

Miroslav SrnkaEighteen Agents for 19 stringsBA 11107-72

Manfred TrojahnMusique. Trois chansons de Claude Debussy pour soprano, douze instruments à vent et contrebasse(Instrumentation: Manfred Trojahn)BA 11109-72

WorksforSale

Beat FurrerEnigma V for chorus a cappellaBA 11029

Beat FurrerInvocation for soprano and bassBA 9396

Giselher KlebeFlörsheimer Wald for medium voice and pianoBA 7787

Andrea Lorenzo ScartazziniNacht. 3 miniatures for counter (or female voice) and violoncello after texts by Arno SchmidtBA 9366

Thomas Daniel SchleeString Trio BA 11012

Charlotte SeitherGuarda in giù for 12-part chorus BA 11027

Manfred TrojahnPiano QuartetBA 9332

Manfred TrojahnIch will ein Reiter werdenFour songs of Kaspar Hauser after texts by Rilke, Klabund, Verlaine and TraklBA 8282

Manfred TrojahnString QuartetBA 9378

Excerpt from: Pintscher, Chute d’Étoiles · BA 11106-72°¢

°¢

°

¢

°

¢

°¢

°

¢

°¢

°

¢

°

¢

°¢

°¢

°

¢

{

{°

¢

°

¢

°¢


flutes 1-3

12

cor anglais

12

bass clarinet

in Bb

1

2

contra- bassoon

12

34

12

12

3

tuba

harp

piano

I

II

III

IV

III

1-14

1-6

7-9

10-12

1-10

12

34

56

78

12

34

56

sostenuto q ca. 46

ffff

ffff

ffff sfffz

ffff sfffz

ffff sfffz

ffff sfffz

fffff fff

ffff f fff

ffff f fff

fffff fff

fffff fff

ffffff

ffff fff fff

ffff sfffz

sffz ff ffff fff p ff

ff ff ffff f ffff f

sffz ff ffff f ffff f

sffzff ffff f ffff f

ffff o sfffz sfffz sfffz

sostenuto q ca. 46

ffff sfffz sfffz sfffz sfffz

ffff sfffz sfffz sfffz



ffffsfffz sfffz sfffz

ffffsfffz sfffz sfffz

ffffsfffz

sfffzsfffz

ffffsfffz

sfffzsfffz

ffff sfffz

ffff sfffz

ffff sfffz

44 54 38 34 28 34

44 54 38 34 28 34

& ∑ ∑ ∑ ∑ ∑

BA 11106

for two solo trumpets and orchestra Matthias Pintscher (2012)

Chute d'Étoileshommage à Anselm Kiefer

comissioned by Roche for LUCERNE FESTIVAL and CARNEGIE HALL,World premiere in Lucerne on August 25, 2012 by the Cleveland Orchestra

conducted by Franz Welser-Möst as part of the LUCERNE FESTIVAL in Summer 2012

&oboes ∑ ∑ ∑ ∑ ∑

& - ∑ ∑ ∑

&clarinets in Bb

à2 ∑ ∑ ∑

& >∑

> .∑3 3

?>

∑> . ∑

3 3

?bassoons

> ∑ > .∑

3 3

?‹ >∑

>- - -

,3 3 3 3

&horns in F -

uniti

- ∑

?- &

uniti

- ∑ ?

&trumpets in C

à2

- -∑

?trombones -

uniti - ∑

?-

- ∑

?-

∑- - -

,3

?, ÚÚ Ú Ú , ,

> > > > > > >∑

>∑

6

?> .>

∑

?> .>‘“∑∑¿

∑

� ìì xx : ;¶¶spring coil (medio)

l.s.> 4 timpani?

o¶ o¶< >ï ï solo

> > > > > > > > > > ….> ∑

3 5 6

� ììxx

tamtam largo molto

� ï¶: ;campane di lastra

- l.s.

?< >#2> > > > l.s. >

33 6 6 6 6 6

� ìì xx : ;¶¶percussion spring coil (largo)

l.s.> campane di lastra?< >#2> l.s. >

3 6 6 6 6 6

� ììxx : ;¶¶

tamtam largo

j?®(scratching along the edge of the tamtam with a triangle beater)

l.s.>campane di lastra?< >#2 > > > > l.s. >

3 6 6 6 6 6

& solotrumpets in C

∑ ∑ ∑ ∑ ∑

&violins I -pizz. »

>»>

»>

»>

& -pizz. »

>»>

»>

» »> >

&violins II -pizz. »

>»>

»>

»>

& -pizz. »

>»>

»>

»>

Bviolas -pizz. »

>»>

»>

»>

?pizz. div. »

>uniti »> div. »

>uniti »>

?violoncelli

pizz. div. »

>uniti »> div. »

>uniti »>

? pizz. »>

»> »>

»>? pizz. »

>

»> »>

»>

?‹ -pizz. »

>∑ »

>∑

?‹doublebasses -

pizz. »>

∑ »>

∑

?‹ -pizz. »

>∑ »

>∑

w œr ‰™ Ó Ó

w œr ‰™ Ó Ó

œ œ œ œb ™ ˙ ™ œbr ‰™ Ó Ó œ œ œ œb

‰ Ó

œb œ œ# œ ™ ˙ ™ œr ‰™ Ó Ó œb œ œ# œ ‰ Ó

œn œb œb œ ™ ˙ ™ œr ‰™ Ó Ó œ œb œb œ

‰ Ó

œœ œ œ ™ ˙ ™ œr ‰™ Ó Ó

œœ œ œ# ™ œ œ œ œ œ œ œ œ œ

wwnn œœr ‰™ Ó Ó œ ™ œKr ‰™™ Ó

wwn# œœ#r ‰™ Ó Ó œ ™ œKr ‰™™ Ó

wb œb r ‰™ Ó Ó œb ™ œbKr ‰™™ Ó

wwnn œœr ‰™ Ó Ó œb ™ œbRÔ ‰™™ Ó

w# œ#r ‰™ Ó Ó œb ™ œbRÔ ‰™™ Ó

wn œr ‰™ Ó Ó

œ# œ œ œ œ œ œ

œœ# œ# œb œ œ œ‰ Ó™

˙̇̇̇˙̇̇##b ™™™™™™™

∏∏∏∏∏∏∏∏∏∏∏ Ó

˙̇̇̇˙̇̇##b ™™™™™™™

∏∏∏∏∏∏∏∏∏∏∏

wwwwnn#b ˙̇̇̇#b ™™™™ ˙̇̇̇#b œœœœ#b ™™™™ œœœœ#bKr ‰™™ Ó

www ˙̇̇ ™™™ ˙̇̇ œœœ ™™™ œœœKr ‰™™ Ó

œR ‰™ Ó ‰™ œb œb œb œb Kr ‰™™Æœb œb œb œb œn ™ Œ Æœn œ œ

Æœ œœ ≈ ™ æææ

œæææœ œb œb œ

œ ‰ ‰ œb œb œb œb œb œb œb Kr ‰™™ Ó

‰ ‰ œj Ó ‰™ œn œ# œ œ#Kr ‰™™ Ó Ó œ œ# œ œ# œ œ# œ œ# œ œ# œ œ# œ œ# œ œ# œ œ# œKr ‰™™ Ó œ œ# œ œ# œ œ# œ œ# œ œ# œ œ#

œR ‰™ Ó ‰™ œb œ œb œb Kr ‰™™ Ó Ó œb œ œb œ œb œ œb œ œb œ œb œ œb œ œb œ œb œ œb Kr ‰™™ Ó œb œ œb œ œb œ œb œ œb œ œb œ

œr ‰™ Ó ‰™ œn œ œ œKr ‰™™ Ó Ó œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

Kr ‰™™ Ó œ œ œ œ œ œ œ œ œ œ œ œ

wb œbj ‰ Ó Ó œb

j ‰ ‰ œbj ‰ Ó œb

j ‰

œbj ‰ Ó™ œb

j ‰ Ó Ó œbj ‰ ‰ œb

j ‰ Ó œb ™ œb ‰

œbj ‰ Ó™ œb


j ‰ Ó ® œb ™r ‰

œbj ‰ Ó™ œb


j ‰ Ó ≈ œbr ‰

œb j ‰ Ó™ œb j ‰ Ó Ó œb j ‰ ‰ œb j ‰ Ó œb j ‰

œœnnj ‰ Ó™ œœn# j ‰ Ó Ó œbJ ‰ ‰ œœn# j ‰ Ó œbJ ‰

œœbnj ‰ Ó™ œœnn j ‰ Ó Ó œbJ ‰ ‰ œœnn j ‰ Ó œbJ ‰

œœn#j ‰ Ó™

œ#j ‰ Ó Ó œbJ ‰ ‰

œ#j ‰ Ó œbJ ‰

œœn#j ‰ Ó™

œnj ‰ Ó Ó œbJ ‰ ‰

œnj ‰ Ó œbJ ‰

œœj ‰ Ó™ œj ‰ Ó Ó œj ‰ Ó

œœj ‰ Ó™ œj ‰ Ó Ó œj ‰ Ó

œœj ‰ Ó™

œj ‰ Ó Ó

œj ‰ Ó

*New Issue Title



JosephHaydn:SymphonyNo.49

inFminor“Lapassione”Hob.I:49

URTEXT Edited by C.-G. Stellan Mörner

ScoreBA 10973 · approx. € 23.95

Wind setBA 10973-65 · approx. € 13.95

Violin I: BA 10973-74 · approx. € 5.50Violin II: BA 10973-75 · approx. € 5.50

Viola: BA 10973-79 · approx. € 5.50Violoncello/Bass:

BA 10973-82 · approx. € 5.50


Orchestra

Haydn’s Sturm und Drang symphonies along with the London symphonies belong to his most popular works today. The Sturm und Drang symphonies contain not only masterpieces like the recently published Farewell Symphony (No. 45, BA 10971) and the Maria Theresia Symphony (No. 48, BA 10972), but also gems such as La passione (No. 49).

The publication of this symphony presents a continuation of the collaboration between Bärenreiter and the Henle publishing company in the areas of large vocal compositions, operas and symphonic works. La passione is based on the Henle Complete Edition of the Works of Joseph Haydn and is published with a full score and performing material on sale in a large format.

• Haydn’sSturm und DrangsymphoniesavailableinUrtexteditions

• Scoreandperformancematerialonsaleavailableinanenlarged

format

BA 10973

Haydn’s “La Passione”

from: Haydn, Symphony No. 49 · BA 10973

ORGANPLUSONELowInstrumentsI

Original Works and Arrangementsfor organ and low instruments

Edited by Carsten KlompBA 11214 · approx. € 24.95

To appear in March 2013The series of organ plus one (organ plus a choice of solo instrumentsin the higher registers) and organ plus brass (organ plus brass ensemble) are now followed by a new two-volume series organ plus one low instrument.

As the title suggests, these volumes contain original works and arrangements for organ and solo instruments of the lower registers such as cello, baritone saxophone, bassoon and basset horn. The scores include solo parts in C, Bb, Eb and F which can be played by any suitable instrument in the bass register.

Contents Vol. IJ. S. Bach, Trio on Nun komm, der Heiden Heiland / A. Guilmant, Caprice op. 20, 3 / T. Dubois, Canon / P. Clausnitzer, Chorale setting on Jesus, meine Zuversicht / R. Jung, Chorale prelude on Erschienen ist der herrlich Tag / S. Karg-Elert, Chorale setting on Komm Heiliger Geist, Herre Gott / G. Bunk, Melodie

Organ plus low instrument

Organ

Already published:

ORGAN PLUS ONE(each score with solo parts)

Advent / Christmas BA 8501 · € 17.95

Passion / Easter BA 8503 · € 17.95

Divine Service BA 8506 · € 17.95

Communion BA 8507 · € 17.95

9 790006 505678

ISMN 979-0-006-50567-8

New Issue Title

9 790006 543663

ISMN 979-0-006-54366-3



Organ

AnEasyBachOrganAlbum

Original Works and ArrangementsEdited by Daniel MoultBA 11212 · approx. € 12.95


The Easy Bach Organ Album presents works by Johann Sebastian Bach of easy to medium difficulty which can be played on smaller instruments and are therefore suitable for non-professional church musicians and organists. The edition divides into original works and arrangements by the editor. It contains a selection of ten chorale preludes, three preludes, various works from the Well-Tempered Clavier, pieces for manuals from the Schemelli Gesangbuch and the famous aria Jesus bleibet meine Freude from Cantata BWV 147, arranged by Daniel Moult.This anthology presents a varied overview of Bach’s sacred and secular works and is ideal for teaching purposes providing an inspiring introduction to Baroque organ playing for beginner organists.

• Idealfornon-professionalchurchmusiciansandorganists

• Acollectionoforiginalworksaswellasarrangementsofworks

byJ.S.Bach

• Easytomediumlevelofdifficulty

• Canbeperformedonsmallerinstruments

• Suitableasteachingmaterial

The editorDanielMoult studied in Oxford and became a Fellow of the Royal College of Organists; he then continued his studies in Amsterdam with Jacques van Oortmerssen. From 1995 to 2002 he was organist at Coventry Cathedral. He teaches at the Royal College of Music Junior Department, the Birmingham Conservatoire and the RCO St Giles Organ School, London.

9 790006 528189

ISMN 979-0-006-52818-9

Organ

PraiseandThanksforOrganII

Edited by Andreas RockstrohBA 8497 · approx. € 26.95


This series of anthologies for the church year and important church occasions which is suitable particularly for non-professional church musicians has now been expanded by a second volume in response to frequent demand.

The main focus of Praise and Thanks for Organ II lies in the 19th century repertoire. At its centre are chorale settings for the Hymns of Praise and Praise and Thanksgiving from the German Protestant Hymnbook as well as the Praise and Thanks section from the German Catholic Hymnbook. Tried and tested freely-composed organ works are also included, such as Carl Piutti’s Fest-Hymnus op. 20, Christian Fink’s Fest-Postludium op. 63 and chorale fantasias by composers including Theodor Drath (Jubelfest-Präludium on Lobe den Herren, den mächtigen König), Heinrich von Herzogenberg (Fantasie on Nun danket alle Gott) and Arnold Mendelssohn (Chorale setting on O dass ich tausend Zungen hätte).

• Collectionoflesserknownorganworkssuitableforalldenominations

• Triedandtestedfreeorgancompositionsandchoralesettingsfrom

the19thcentury

• Easytomediumlevelofdifficulty

Organ music for the church year

Already published:Praise and Thanks for Organ I

BA 8496 · € 26.95

Christmas for Organ Volume I: BA 8495 · € 26.95

Volume II: BA 9258 · € 26.95

Passiontide and Easter for OrganBA 9210 · € 26.95

Organ Music for the End of Church YearBA 9266 · € 26.95

The Organ Funeral AlbumBA 9207 · € 26.95

Organ Music for CommunionBA 9265 · € 26.95

The Organ Wedding AlbumBA 8200 · € 26.95

9 790006 529919

ISMN 979-0-006-52991-9

BA 8497

New Issue Title

Easy Bach: Original works and arrangements

Ausschnitt aus: BA 11212

New Issue Title



Organ

ThéodoreDubois:CompleteOrganWorksV

DixPiècespourGrandOrgueFantasiettaavecVariations

BÄRENREITER URTEXTEdited by Helga Schauerte-MaubouetBA 9208 · approx. € 46.50

To appear in June 2013The fifth volume of this well-established Urtext edition includes the Dix Pièces and the Fantasietta with variations on a Provençal theme, which are published for the first time since the first printed edition.The Dix Pièces have a clear formal structure, and, like many other works by Dubois, who was organist at the Paris church of La Madeleine, reflect the composer’s desire to create works which could be performed equally well in church services or the concert hall. As with the previously published volumes, this edition includes facsimiles, a critical commentary with a full listing of the sources as well as a detailed foreword which contains a biography of the composer and sheds light on questions relating to the instrument and performance practice.

• FirstUrtexteditionoftheorganworksofDubois

• Reflectsthelatestmusicologicalresearch

• Musicforchurchservicesandconcerts

• Detailedforeword,criticalcommentary(Ger/Eng/Fr)and

facsimilepages

For the first time in an Urtext edition: Dubois’ organ works

Already published:Volume I: Early Works and Works with Minimal or Optional Use of the PedalsBA 8468 · € 46.50

Volume II: Organist an La Madeleine, Douze Pièces. BA 8469 · € 46.50

Volume IV: Organist an La Madeleine, Douze Pièces Nouvelles, Offertoire pour la fête de l’AscensionBA 8471 · € 46.50

ORGANPLUSBRASSOriginal Works and Arrangements

for Brass Choir and Organ

Edited by Carsten Klomp and Heiko Petersen

VolumeIIICarstenKlompToccatafestiva

forbrasschoirandorganFull score with inserted wind score in C

BA 11203 · approx. € 11.95

Wind score in CBA 11203-51 · approx. € 4.95

Individual parts:Trumpet 1 in Bb: BA 11203-52 · approx. € 2.25Trumpet 2 in Bb: BA 11202-53 · approx. € 2.25

Horn in F : BA 11203-89 · approx. € 2.25Trombone 1 in C: BA 11203-58 · approx. € 2.25Trombone 2 in C: BA 11203-59 · approx. € 2.25


The series organ plus brass presents original works and arrangements for organ and brass ensemble, specifically tailor-made to suit the requirements of amateur ensembles. The organ part is ideal for non-professional church musicians playing on small to medium-sized organs.

Vol. III includes a Toccata festiva, an original composition by Carsten Klomp, which can be performed throughout the church year (with the exception of Passiontide). The composition has a brilliant festive character and is suitable for concerts as well as processionals and recessionals in church services.

• Repertoireforbrassensembleandorgan

• Suitableforamateurmusicians

• Transposedpartsallowforflexibleinstrumentation

Works for organ and brass ensemble

Organ

9 790006 529711

ISMN 979-0-006-52971-1

9 790006 529926

ISMN 979-0-006-52992-6

New Issue Title

BA 11203



Organ

GirolamoFrescobaldi:OrganandKeyboardWorksIIIIlSecondoLibrodiToccate(Rom,Borboni,1627,21637)

BÄRENREITER URTEXTEdited by

Christopher Stembridge in collaboration with Kenneth Gilbert

BA 8414 · approx. € 39.95


With this volume, Bärenreiter is continuing the Frescobaldi Urtext edition which sets new standards offering professional musicians, musicologists and enthusiasts alike an unrivalled musical text.Volume III includes Frescobaldi’s foreword on the performance of his keyboard music (“avvertimenti”), eleven toccatas for organ, the “madrigale passagiatio” Ancidetemi pur d’Archadelt (in addition Arcadelt’s madrigal of the same name in the Appendix), six canzonas, strictly contrapuntal hymns and Magnificat settings primarily intended for organists, five galliards and six correntes, the Aria detta La Frescobalda and three partitas.Each volume contains an introduction which describes the genesis of the works, the situation regarding sources, performance practice as well as the editorial technique employed. A critical commentary rounds off each volume.

The series is planned to comprise six volumes.

• Reflectingthelatestmusicologicalresearch

• Detailedforeword,criticalcommentary,indexofsources(Ger/Eng)

New volume in the Frescobaldi Urtext edition

Already published:

Organ and Keyboard Works I.1Ricercari, et Canzoni franzese

(Rom, Zannetti, 1615, 21618)BA 8411 · € 48.95

Organ and Keyboard Works I.2Toccate e Partite d’intavolatura

di cimbalo; Libro primo (Rom, Borboni, 1615, 21616)

BA 8412 · € 48.95

9 790006 506248

ISMN 979-0-006-50624-8

ModestMussorgsky:NightonBaldMountain

Transcription for organ by Zsigmond SzathmáryBA 11211 · € 16.95

Already published

Night on Bald Mountain is one of the best-known works of 19th century Russian programme music in the world. With virtuosic orchestration, the composer depicts a demonic witches’ sabbath on St John’s Night on the Triglav mountain.

ZsigmondSzathmáry (b. 1939), the internationally-known concert organist, has reworked the music of this symphonic poem to create a new work which puts the sound possibilities of the concert organ fully to the test. In the process, a virtuosic work has been created, a technical and musical challenge for organists and a guaranteed treat for audiences. “Tonally expressive dimensions coupled with unheard-of virtuosity”, rejoiced one music critic after the performance.

• Arecreationfororganofthisfamouswork

• Atechnicalandmusicalchallengefororganists

Organ

Virtuosic arrangementfor organ


New Issue Title

9 790006 528172

ISMN 979-0-006-52817-2

New Publications 1/2013 · The Programme 48

New Issue Title

Your Contacts

SalesandMarketingGermany·AustriaDirector of Sales and MarketingIvan DorenburgTel. ++49 (0) 561 [email protected]

Gerlinde NeurathTel. ++49 (0) 561 [email protected]

Franziska WatzlTel. ++49 (0) 561 [email protected]

Institutions,LibrariesCarolin JetterTel. ++49 (0) 561 [email protected]

PublicRelationsJohannes MundryTel. ++49 (0) 561 3105-154Fax ++49 (0) 561 [email protected]

HireMaterialBärenreiter · AlkorAlkor-EditionHeinrich-Schütz-Allee 3534131 Kassel

Tel. ++49 (0) 561 3105-288/289Fax ++49 (0) 561 3 77 [email protected]

Imprint

Bärenreiter-VerlagKarl Vötterle GmbH & Co. KGHeinrich-Schütz-Allee 35-3734131 Kassel · Germany

Errors excepted; price changes and delivery terms subject to change without notice. Content valid as of February 2013.

Cover design: www.takeoff-ks.de, christowzik + scheuch, kassel [email protected] Printed in Germany1/1302/3,1 · SPA 040

SalesandMarketingInternational Director of Sales and MarketingCorinne VottelerTel. ++49 (0) 561 [email protected]

Switzerland·France·Belgium·Luxembourg·ItalyDr. Christiane LoskantTel. ++49 (0) 561 [email protected]

Scandinavia·Netherlands·Spain·Portugal·LatinAmerica·MiddleEastCatriona GlatthaarTel. ++49 (0) 561 [email protected]

USA·Canada·GreecePetra Woodfull-Harris Tel. ++49 (0) 561 [email protected]

AsiaCorinne VottelerTel. ++49 (0) 561 [email protected]

UK·BritishCommonwealthBärenreiter Ltd.Burnt Mill, Elizabeth WayHarlow, Essex CM20 2HX, GB

Christopher J. JacksonPatrick J. AbramsTel. ++44 (0) 1279 828930Fax ++44 (0) 1279 [email protected]

CentralandEasternEurope·RussiaBärenreiter Praha s. r. o.náměstí Jiřího z Poděbrad 112/19130 00 Praha 3 Czech Republic

Director of Sales and MarketingMaxim BelčikovTel. ++420 274 001 932Fax ++420 222 220 [email protected]

Documents

QUEMPAS Urtext editions based on the Œuvres complètes de Gabriel Faur