Radio Tanzania: Fifty Years of Analogue Audio History

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    Radio Tanzania

    Radio Tanzanias decades of

    ethnographic recordings, afro-

    jazz dance music, and key

    political speeches are chronicled

    in a treasure trove that must bedigitized for posterity, reports

    JONATHAN KALAN

    On the far side of Dar es Salaams

    railroad tracks, withering away in

    a locked room of a nondescript

    office building, rests some of the most

    important artifacts chronicling 50 years of

    Tanzanias independen ce.

    Over 100,000 hours of unreleased reel-to-

    reel tapes holding decades of ethnographic

    recordings, afro-jazz dance music, and political

    speeches used to fuel support for Africasindependence movements, line the dusty

    shelves.

    The recordings have languished in some

    cases for over 50 years, exposed to the heat,

    humidity, and natural elements.

    Yet with the help of a small group of

    committed individuals called The Tanzania

    Heritage Project, a cross-cultural and

    crowd-funded preservation effort, this

    could all change.

    The group has recently raised over

    $17,000 from 235 musicians, music lovers,

    preservationists and cultural enthusiasts

    in a campaign to digitize, restore, andpreserve the entire Radio Tanzania archive

    collection with MP3 downloads, a best

    of compilation CD, and eventually a

    documentary film.

    Essay|

    50 Years of Analogue Audio

    History Rest in Just One Room

    Blast from the past:Bruno and Rebecca listen to some of the digitized recordings in Brunos office of the Tanzania Broadcast

    Corporation building.

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    PHOTOGRAPHY | JONATHAN KALAN

    Above:For years, the Radio

    Tanzania Dar es Salaam building

    held the only recording studio in

    Tanzania. Musicians from all across

    the country, like the legendary King

    Kiki, orKitambaa Cheupe so-

    called for his habit of wiping the

    sweat from his brow with a white

    handkerchief when he performed

    and one of the most famous muziki

    wa danci (dance music) bands,

    the Mlimini Park Orchestra, have

    countless recordings in the archives.

    Below:Bruno Nanguka, known

    as The Librarian, joined Radio

    Tanzania back in 1974, slowly

    working his way up to the role of

    Head of Library Services for the

    Tanzania Broadcast Corporation.

    His knowledge of the archives, and

    the groups who recorded them, is

    unmatched. Despite most of the

    archives not being catalogued, he

    knows where to find every last

    recording. Yet he is the only one.

    My colleagues, they have died or

    gone away. Its just me, he says,

    highlighting the pressing need for

    preservation.

    April 2012 | 89

    PHOTOGRAPHY | JONATHAN KALAN

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    Jonathan Kalan is an internationally published photojournalist, journalist and blogger specializing in the intersections of business, innovation and social

    development in emerging markets. In just 24 years he has traveled to over 35 countries, worked in South Asia and Africa, and collaborated with NGOs, social

    enterprises, technology start ups, and media companies.

    His work has appeared ine Guardian, Financial Times, Boston Globe, GlobalPost, e Hungton Post,e Star(Kenya), Stanford Social

    Innovation Review, Destination Magazine EA, How We Made It In Africa, e Christian Science Monitor, On e Ground (New York Times

    blog), and many others. He was a Finalist for the 2011 Diageo Africa Business Reporting Awards.

    Jonathan is currently based in Nairobi, Kenya, freelancing and documenting stories of social enterprises, entrepreneurs, and innovations fore (BoP) Project.