Radius Books 2014

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RADIUS BOOKS 2014

There's an exhilaration in being able to sequence image and text and have it published. There's a greater exhilaration in seeing it done this well. — The New Yorker Magazine

One of the best books about photography that I have seen. — FRACTION Magazine

Poetic and striking. — Aesthetica

Photographers Alex Webb and Rebecca Norris Webb take an elegiac look

at Rochester, New York, a city that was for 125 years the home of Eastman

Kodak, which declared bankruptcy in 2012. These images, taken during what

may be the last days of film as we know it, are a meditation on film, memory,

time, and the city itself.

For this project, Alex took images with his last rolls of Kodachrome, a

formerly vibrant color film that can now only be processed as black and

white. The resulting photos have a weathered quality akin to a fading

memory. Alex also took to the streets of Rochester and shot in digital

color—work that punctuates the black-and-white work with images from

his signature style. Rebecca, who still uses film for all her work, responded

to the medium’s uncertain future by creating an elegant refrain of color still

lifes and portraits of Rochester women past and present.

Woven into the book are quotes by many of the famous writers and thinkers

who have been connected to Rochester, including women’s rights activist

Susan B. Anthony, abolitionist Frederick Douglass, and poets John Ashbery

and Ilya Kaminsky. The authors have also created a timeline on the

cultural history of the city that traces the evolution of a once-vibrant and

now complex city. The design of the book includes a separate booklet and

special tipped-in images throughout.

Hardcover with separate booklet in a back pocket 9.75 x 12.25 inches, 65 color and B/W imagesISBN: 978–1–934435–76–2

$ 60.00

Alex Webb & Rebecca Norris WebbMemory City

John McCracken Works from 1963–2011

Essay by Robin Clark. Interview with the artist by Anne Reeve.

John McCracken (1934–2011) occupies a singular position within

the recent history of American art, as his work melds the restrained

formal qualities of Minimalist sculpture with a distinctly West Coast

sensibility expressed through color, form, and finish. He developed his

early sculptural work while studying painting at the California College

of Arts and Crafts in Oakland in the late 1950s and early 1960s.

While experimenting with increasingly three-dimensional canvases, the

artist began to produce objects made with industrial materials, including

plywood, sprayed lacquer, and pigmented resin, creating the highly

reflective, smooth surfaces that he has become known for.

This catalogue charts the evolution of McCracken’s diverse work,

encompassing both well-known and lesser-seen examples of his

production from the early 1960s through his death in 2011, presenting a

range of sculptures, paintings, and sketches.

Co-published with David Zwirner

Hardcover, 11.5 x 13 inches164 pages, 88 color platesISBN: 978–1–934435–75–5

$ 75.00

One of the best photobooks of 2014. — TIME Magazine

Radius Books consistently produces gorgeous books, and this oneis no expception. . . — FRACTION Magazine

Julie Blackmon has transfixed the contemporary art world with images

of her children, nieces, nephews, and friends (and their children). As the

eldest of nine children herself, Blackmon has always been fascinated by

family life, and her photographs are crammed with children and adults,

everyday objects, toys, and playthings. The subjects in the distance are

often as fascinating as those highlighted in the foreground, and even the

figures barely visible, hidden behind doors or windows, add a some-

times sinister, always intriguing element to the scene. Following the

success of the bestselling volume Domestic Vacations (2008), Homegrown

shows how Blackmon's style has evolved, as she continues to capture the

tensions between the harmony and disarray of domestic life. Though

her photographs continue to be undeniably contemporary, references to

classical painting and portraiture can be detected; the influence of seven-

teenth-century Dutch painter Jan Steen mixes with more contemporary

figures such as Balthus, Edward Gorey, Tim Burton, and Federico

Fellini. Included in this new volume are 45 works made from 2009 to

2014, along with a foreword by renowned poet Billy Collins and an

interview by the actress Reese Witherspoon.

Hardcover, 11.5 x 13.5 inches108 pages, 45 color imagesISBN: 978–1–934435–79–3

$ 55.00

Julie BlackmonHomegrown

Foreword by Billy Collins. Interview with the artist by Reese Witherspoon.

Michael LightLake Las Vegas/Black Mountain

Essays by Rebecca Solnit and Lucy Lippard.

Until 2008 Nevada was the fastest-growing state in America. But the

recession stopped this unprecedented urbanization of the Mojave Desert

cold, and Las Vegas froze at exactly the point where its aspirational

excesses were most baroque and unfettered. In this third Radius Books

installment of Michael Light’s aerial survey of the inhabited West, the

noted photographer eschews the glare of the Strip to hover intimately

over the topography of America’s most fevered residential dream:

castles on the cheap, some half-built, some foreclosed, some hanging on

surrounded by golf courses gone bankruptcy brown, some still waiting to

spring from empty cul-de-sacs. Throughout, Light characteristically finds

beauty and empathy amidst a visual vertigo of speculation, overreach,

environmental delusion, and ultimate geological grace.

The book is Janus-faced in design. One side plumbs the surrealities of

“Lake Las Vegas,” a lifestyle resort comprised of 21 Mediterranean-

themed communities built around a former sewage swamp. The other

dissects nearby Black Mountain’s “Ascaya,” the city’s most exclusive—

and empty—future community, where a quarter billion dollars was spent

on moving earth that has lain dormant for the past seven years. Follow-

ing the boom-and-bust history of the West itself, Light’s photographs

terrifyingly and poignantly show the extraction and habitation industries

as two sides of the same coin. Essays by two of the world’s most celebrated

cultural and landscape thinkers, Rebecca Solnit and Lucy Lippard, offer

resonant counterpoint.

Two books in a hard case with pockets, 10.5 x 16.5 inches128 pages, 44 color imagesISBN: 978–1–934435–85–4

$ 60.00

John Gossagepomodori a grappolo

Stories & Epilogue by Marlene Klein.

pomodori a grappolo is a set of three interconnected books by photographer

and bookmaker John Gossage. Each book gathers images made in

Northern Italy and Sardinia between 2009 and 2011, and each includes a

short text by Marlene Klein. The written pieces—two stories and one

epilogue—have been created in response to Gossage’s pictures, and reflect

the 30 years that Klein has spent living and working in Venice.

An unexpected approach runs through all the details of the books, from

the way elements repeat—or don't, to the choice of materials and color.

Since these three books are each a different trim size but include photos

that are reproduced at the exact same size, the collective project functions

as a study of the way that ink on paper can inform perception. The

resulting objects are classic Gossage—clever, unique, and engrossing.

A limited edition of the books, held together with magnets in a “disorderly”

way, further explores these concepts.

Cloth, 3 volumes, 11 x 13 inchesEach book: 96 pages, 50 color platesISBN: 978–1–934435–84–7

$ 85.00 (Orderly edition, pictured below)$ 150.00 (Disorderly limited edition of 250 copies, pictured opposite)

Tony DeLap Paintings, Sculptures & Works on Paper 1965-2013

Text by Barbara Rose. Introduction by Douglas Dreishpoon.

A legendary figure in Californian art, Tony DeLap (born 1927) was associated

with Los Angeles’ 1960s Finish Fetish school (alongside the likes of Craig

Kauffman and Larry Bell), and has been a mentor to some of California’s

most notable artists, including Bruce Nauman, James Turrell, and John

McCracken, who all studied with him. Where many artists of the Finish

Fetish school eschewed the material facture of their works, DeLap has

almost always chosen to construct his work himself, meticulously producing

freestanding sculptures in aluminum, fiberglass, lacquer, Plexiglas, resin,

molded plastics, and fabrics.

DeLap was included in the two shows that helped to define the Minimalist

movement—Primary Structures at the Jewish Museum (1966) and American

Sculpture of the Sixties at the Los Angeles County Museum of Art (1967)—and

his work brilliantly merges the austerity of Minimalism with illusionism.

This volume surveys his career to date, covering more than 60 years of work.

Included is a major essay by renowned writer Barbara Rose, and an introduc-

tion by Douglas Dreishpoon, chief curator at the Albright-Knox Art Gallery.

Hardcover, 10 x 13 inches192 pages, 128 color imagesISBN: 978–1–934435–59–5

$ 60.00

In celebration of its fifteenth anniversary in 2010, Artpace in San

Antonio, Texas, mounted an ambitious statewide exhibition of 336

seminal billboards created by Cuban-born artist Felix Gonzalez-Torres

(1957–1996). Developed with special permission from the artist's estate,

this presentation was the first-ever comprehensive survey of Gonzalez-

Torres’ billboard works in the US. Situated deliberately in the

public's path in four cities (Austin, Houston, Dallas, and San Antonio),

these artworks gracefully interrupted daily routines with poignant

reflections on life, love, and humanity. The transcendent quality of

Gonzalez-Torres’ work was magnified by its installation in the Texas

landscape, and the project garnered international attention for its

unprecedented commemoration of this remarkable body of work.

This book covers all the billboard pieces and serves as a mini-retrospec-

tive of this critical part of Gonzalez-Torres’ career.

Co-published with Artpace, San Antonio, Texas

Hardcover, 10.5 x 13 inches168 pages, 336 color platesISBN: 978–1–934435–80–9

$ 60.00

Felix Gonzalez-TorresBillboardsText by Matthew Drutt.

Renate Aller Ocean I Desert

Essay by Janet Dees.

This new project by German-born photographer Renate Aller, titled

Ocean | Desert, is an extension of the ongoing series and sold-out book

oceanscapes (Radius Books, 2010). Aller has continued to make images of

the ocean from a single vantage point—for which she is internationally

known—but for the last several years, she has also photographed sand

dunes in New Mexico and Colorado.

She has now paired the resulting images in a fascinating new series that

continues her investigation into the relationship between Romanticism,

memory, and landscape. There is both a visual and visceral relationship

between the two bodies of work, as though the minerals of the sand

dunes carry the memory of the ocean waters that were there millions of

years before. The desert images also capture visitors who engage in beach

activities far away from any large body of water. And while these parallel

realities are from different locations, the simultaneous activities on the

sloping sand hills appear as if the different layers were choreographed

next to the rolling waves of the sea.

Aller’s first combination of these images was in book form, for a unique,

mammoth (over 36 inches wide) handmade book. The overwhelming

success of that object has inspired this new oversized trade-copy edition,

which includes an expanded selection of the work.

Hardcover, 16.75 x 11.25 inches136 pages, 104 color imagesISBN: 978–1–934435–81–6

$ 75.00

One of the best photobooks of 2014. — American Photo Magazine

A knock-out monograph. — Elle Magazine

For more than a decade, Victoria Sambunaris has crossed the United States

with her five-by-seven wooden field camera and sheets of color negative

film. Traveling seemingly every road nationwide, Sambunaris has described

herself as having “an unrelenting curiosity to understand the American

landscape and our place in it.”

This first monograph on Sambunaris’ work is a book comprised of two

main parts. The first part —which is the main component of the hardbound

book—includes a selection of her images from 2000 to 2013 and is a full

retrospective of her work to date. An essay from MOCP Director Natasha

Egan included here provides an insightful overview. The second part consists

of three elements held in a pocket at the back of the first book: (1) a softbound

book documents the artist’s collected professional ephemera as a photographer

and researcher, including images of books on geology and history, maps, road

logs, mineral specimens, and personal journals; (2) a fold-out poster replicates

a grid of Polaroids that Sambunaris took prepping the larger format main

images, and (3) a reprint of a short story by Barry Lopez, entitled The Mappist,

helps set a tone for the entire project.

ISBN: 978–1–934435–63–2Hardcover with separate elements in a back pocket 13 x 12 inches, 196 pages, 120 color images

$ 60.00

Victoria Sambunaris Taxonomy of a Landscape

Text by Natasha Egan. Short story by Barry Lopez.

Three years ago, James Drake began the ambitious project of creating

1,242 drawings that would trace and reference all of the developments

of his multifaceted career. Known as both a sculptor and video artist,

Drake has always considered draftsmanship to be a key to his process,

and this body of drawings does not disappoint. It is both a fascinating

tour of Drake’s creative thinking and a testament to the simple power

of graphite and ink on paper in the hands of a master of the craft.

The book is published to accompany a touring exhibition (titled

The Anatomy of Drawing and Space), which opened at the Museum of

Contemporary Art San Diego in July 2014—the largest show of Drake’s

work to date — and traveled to the Blanton Museum of Art, Austin. The

impressive 1242-work installation in San Diego covered the walls of the

museum from floor to ceiling. The book includes a plate image of every

drawing, as well as photos that show the installation and large foldout

replicas of every wall which give the reader a sense of how this complex

body of work was experienced in the museum.

Hardcover, 15.5 x 12.5 inches320 pages, 1,242 plates, plus 10 large color foldoutsISBN: 978–1–934435–82–3

$ 85.00

James Drake1242

Essays by Kathryn Kanjo and David Krakauer. Interview with the artist by Ray Williams.

“This work is intoxicating. We are as enchanted by the visual play as we are absorbed by our desire to establish a sense of order and definition… — The New Yorker Magazine

Chicago-based photographer Laura Letinsky is known for her depictions

of the remnants of foods and objects common to the dining table, ranging

from a lipstick-smeared, half-empty wine glass to nibbled-upon cakes and

overripe fruits. These works have commonly used an actual tabletop as their

point of origin. For her new series Ill Form & Void Full, she creates references

to the table using existing photographs from Martha Stewart, Dwell, and

Good Housekeeping; her old work; the art of friends; and actual objects.

This process shows how ideas about the private sphere and their manifestation

in our lives are always predicated upon what has come before: perception itself

is a construction.

Included in this monograph are 47 works from the series, as well as an inter-

view with the artist conducted by the acclaimed novelist and cultural critic

Lynne Tillman, along with a brilliant essay by Anthony Elms, associate

curator at the Institute of Contemporary Art (Philadelphia), co-curator of the

Whitney Biennial 2014, and independent critic and writer.

Hardcover, 11.5 x 13 inches128 pages, 50 color imagesISBN: 978–1–934435–87–8

$ 55.00

Laura Letinsky: Ill Form & Void Full

Essay by Anthony Elms.Interview with the artist by Lynne Tillman.

Kevin Bubriski Nepal 1975–2011

Preface by Robert Gardner. Essay by Charles Ramble.

In 1975, as a young Peace Corps volunteer, Kevin Bubriski (born 1954) was

sent to Nepal’s northwest Karnali Zone, the country’s remotest and most

economically depressed region. He walked the length and breadth of the

Karnali, conducting feasibility studies for gravity-flow drinking water systems

and overseeing their construction. He also photographed the villagers he lived

among, producing an extraordinary series of 35mm and large-format

black-and-white images. Over more than three decades, Bubriski has

returned many times to Nepal, maintaining his close association with the

country and its people. Nepal 1975–2011 presents this remarkable body of

work—photographs that document Nepal’s growth over a 36-year period

from a traditional Himalayan culture to the globalized society of today.

Both visual anthropology and cultural history, it is also a succinct look at one

photographer’s aesthetic evolution.

Kevin Bubriski is Director of Documentary Studies at Green Mountain

College and the 2010 – 2011 Robert Gardner Visiting Artist Fellow at the

Peabody Museum of Archaeology & Ethnology, Harvard University. Charles

Ramble is Director of Studies, École Pratique des Hautes Études, Paris, and

President of the International Association for Tibetan Studies.

Co-published with the Peabody Museum Press

Clothbound, 12 x 11 inches200 duotone imagesISBN: 978–1–934435–72–4

$ 65.00

" Arresting... a project that is strong, full, and nuanced.” — The Boston Globe

Following the tragedies of September 11, 2001, contemporary artists

such as Ahmed Basiony, Thomas Demand, Harun Farocki, Jenny

Holzer, Trevor Paglen, and Taryn Simon urgently pursued the

complicated intersection of freedom, security, secrecy, power, and

violence. Covert Operations: Investigating the Known Unknowns

features 13 international artists who have collected and revealed

unreported information on subjects ranging from classified military

sites and reconnaissance satellites to border and immigration surveillance,

terrorist profiling, narcotics and human trafficking, illegal extradition

flights, and nuclear weapons. Among the other contributing artists are

Anne-Marie Schleiner, Luis Hernandez Galvan, David Taylor, and

Kerry Tribe. This publication accompanies the exhibition of the same

name at the Scottsdale Museum of Contemporary Art, and is packaged in

a “top-secret” envelope.

Co-published with the Scottsdale Museum of Contemporary Art (SMOCA)

Hardcover (in envelope sleeve), 10 x 12.5 inches 136 pages, 55 color imagesISBN: 978–1–934435–86–1

$ 55.00

Covert OperationsInvestigating the Known Unknowns

Foreword by Timothy R. Rodgers. Essays by Claire C. Carter, with Sandra S. Phillips and Dana Priest.

Although it has been linked with distinct twentieth-century art

practices—including abstraction, Minimalism, and Conceptual art—

Blinky Palermo’s (1943–1977) diverse body of work defies easy

classification. Throughout his brief and influential career, Palermo

executed paintings, objects, installations, and works on paper that

addressed the contextual and semantic issues at stake in the construction,

exhibition, and reception of works of art. This publication focuses in

depth on the artist’s works on paper from 1976 to 1977, made just

prior to his untimely death in February 1977. Palermo’s late work is

characterized by its explorations of the tensions and contrasts between

material and color, surface and depth, signification and abstraction—

all of which convey his understanding of color as a system of signs.

This fully illustrated catalogue is the first to comprehensively

address this facet of Palermo’s practice and includes new scholarship

by Christine Mehring and Christoph Schreier.


Hardcover, 8.25 x 10.75 inches

104 color images

ISBN: 978–1–934435–74–8

$ 50.00

PalermoWorks on Paper 1976–1977Texts by Christine Mehring and Christoph Schreier.

SELECTED BACKLIST

Suzan Frecon

Paper

Text by Sarah Eckhardt


Hardcover with jacket, 11.25 x 13 in., 114 pages, 64 color

ISBN: 978-1-934435-61–8

$ 60.00

Stephen Dupont

Piksa Niugini, Portraits and Diaries

Foreword by Robert Gardner 2 volumes, Hardcover in a case, 8.5 x 11 in.

144 pages (each book), 230 color and duotone images

ISBN: 978-1-934435-62-5

$60.00

Barbara Bosworth Natural Histories

Hardcover with tip-on image

11.25 x 14 in., 120 pages, 58 color images

ISBN: 978-1-934435-60-1

$55.00

Alan Uglow

Text by Bob Nickas

Interviews with Alain Kirili and Bob Nickas


Hardcover, 12. 5 x 10.5 in., 96 pages, 48 color images

ISBN: 978-1-934435-64-9

$60.00

Susan York & Arthur Sze The Unfolding Center

Hardcover with jacket

11.25 x 14.75 in., 120 pages, 36 color images

ISBN: 978-1-934435-69–4

$50.00

Janelle Lynch

Barcelona

Photographs and text by Janelle Lynch

Hardcover, 10 x 12.75 in., 114 pages, 60 images

ISBN: 978-1-934435-68-7

$ 55.00

Betsy Karel

Conjuring Paradise

Hardcover with plastic jacket

11 x 12 in., 143 pages, 66 color images

ISBN: 978-1-934435-67-0

$55.00

Enrique Martínez Celaya

The Pearl

Interview with Irene Hoffman



ISBN: 978-1-934435-71–7

$55.00

Janet Russek

The Tenuous Stem

Essay by MaLin Wilson Powell



ISBN: 978-1-934435-70-0

$55.00

Toba KhedooriText by Julien Bismuth



10 x 12.75 in., 80 pages, 28 color images

ISBN: 978-1-934435-65–6

$55.00

Sam Abell Library

Essay by Leah Bendavid-Val

4 hardcover books in a slipcase


ISBN: 978-1-934435-45-8

$75.00

Sharon Harper From Above and Below

Essays by Jimena Canales and Phillip Prodger

Hardcover


ISBN: 978-1-934435-52-6

$55.00

Sharon Core Early American

Text by Brian Sholis



ISBN: 978-1-934435-46-5

$50.00

Gay Block About Love

Interview with Anne Wilkes Tucker

Hardcover with tip-on image

11 x 13 in., 312 pages, 219 images

ISBN: 978-1-934435-32-8

$65.00

112 Greene Street The Early Years

Text by Jessamyn Fiore and Louise Sørensen


Hardcover, 8.5 x 12 in., 160 pages, 90 images

ISBN: 978-1-934435-41-0

$50.00

Rebecca Norris Webb My Dakota



ISBN: 978-1-934435-47-2

OUT-OF-PRINT

Mark Klett The Half-life of History

Text by William L. Fox

Hardcover, 9.5 x 11.75 in., 160 pages,

30 duotone and 40 color images

ISBN: 978-1-934435-39-7

$55.00

Alice Neel Late Portraits & Still Lifes

Text by Tim Griffin and Louise Sørensen


Hardcover, 8 x 11.5 in., 72 pages, 18 color images

ISBN: 978-1-934435-55-7

$50.00

John FincherEssays by Jan Adlmann and James Moore



ISBN: 978-1-934435-53-3

$60.00

James DrakeRed Drawings & White Cut-outs

Text by Carter Foster

Hardcover with dye-cut jacket


ISBN: 978-1-934435-40-3

$60.00

Rudolf de Crignis

Texts by Larry Rinder and Georg Imdahl

Chronology by David Gray

Hardcover with acetate jacket


ISBN: 978-1-934435-38-0

$60.00

Fred Sandback

Essay by James Lawrence


Hardcover, 10 x 12 in., 128 pages, 80 images

ISBN: 978-1-934435-58-8

OUT-OF-PRINT

Justin Kimball, Pieces of String

Text by Douglas Kimball

Softbound with a slipcase

9.5 x 10 in., 128 pages and booklet, 60 images

ISBN: 978-1-934435-50-2

$55.00

mitakuyeoyasin

aaron huey

Aaron Huey Mitakuye Oyasin



ISBN: 978-1-934435-51-9

$50.00

Janelle Lynch Los Jardines de México

Texts by Mario Bellatín & José Antonio Aldrete-Haas


ISBN: 978-1-934435-31-1

OUT-OF-PRINT

Terry Evans Prairie Stories

Photographs by Terry Evans

Hardcover, 9.5 x 9 .5 in., 176 pages, 100 images

ISBN: 978-1-934435-48-9

$50.00

Thomas Joshua Cooper Shoshone Falls

Essay by Toby Jurovics

Hardcover with jacket, 15 x 10.25 in., 60 pages, 34 tritones

ISBN: 978-1-934435-25-0

$50.00

Charles Ross The Substance of Light

Essays by Thomas McEvilley & Klaus Ottmann


10 x 12.5 in., 344 pages, 218 images

ISBN: 978-1-934435-49-6

$65.00

The Auckland Project John Gossage & Alec Soth

Two Volumes Hardcover

9 x 11 .5 in., 160 pages, 80 color images

ISBN: 978-1-934435-26-7

OUT-OF-PRINT

Charles Arnoldi

Foreword by Frank Gehry


11 x 12 in., 360 pages, 160 images

ISBN: 978-1-934435-07-6

$65.00

Michael Light LA Day/LA Night

Essay by David L. Ulin

Conversation with Lawrence Weschler

Hardcover, 10.5 x 16 in., 72 pages, 39 duotones

ISBN: 978-1-934435-30-4

$60.00

Michael Light Bingham Mine

Essay by Trevor Paglen

Hardcover, 10.5 x 16 in., 48 pages, 21 duotones

ISBN: 978-1-934435-20-5

$50.00

Ralph Eugene Meatyard Dolls & Masks

Essays by Eugenia Parry and Elizabeth Siegel

Clothbound with jacket

9 x 10 in., 144 pages, 55 duotone images

ISBN: 978-1-934435-33-5

$60.00

Ed Moses

Essay by Barbara Haskell

Foreword by Frances Colpitt



ISBN: 978-1-934435-16-8

$65.00

Suzan Frecon

Essay by Joachim Pissarro


Hardcover, 10.25 x 12.75 in., 60 pages, 22 color images

ISBN: 978-1-934435-29-8

$55.00

David Taylor Working the Line

Essays by Hannah Frieser & Luis Alberto Urrea

Hardcover, 11 x 10.5 in., 196 pages, 120 color images

ISBN: 978-1-934435-24-3

OUT-OF-PRINT

Colleen Plumb Animals are Outside Today

Essay by Lisa Hostetler

Hardcover


ISBN: 978-1-934435-36-6

$50.00

Dayanita Singh House of Love

Writings by Aveek Sen

Co-published with the Peabody Museum

Hardcover, 6.25 x 9.25 in., 198 pages, 111 images

ISBN: 978-1-934435-27-4

$45.00

John McCracken Sketchbook

Interview with Neville Wakefield

Hardcover with separate softbound book


ISBN: 987-1-934435-12-0

OUT-OF-PRINT

Joan Watts

Foreword by Louis Grachos

Essay by Lilly Wei

Hardcover with an acetate slipcase

9 .5 x 12.75 in., 292 pages, 135 color images

ISBN 978-1-934435-05-2

$65.00

Michael Lundgren Transfigurations

Essays by Rebecca Solnit & William Jenkins


ISBN: 978-1-934435-10-6

$50.00

Beaumont’s Kitchen

Photographs by Beaumont Newhall,

Berenice Abbott, Ansel Adams, Edward

Weston, Paul Strand, and others


8 x 10.25 in., 172 pages, 28 tipped-in images

ISBN: 978-1-934435-06-9

$55.00

Judy Tuwaletstiwa Mapping Water

Hardcover with an acetate jacket

9.5 X 12 in., 304 pages, 128 color images

ISBN: 978-1-934435-02-1

OUT-OF-PRINT

Alex Webb & Rebecca Norris Webb Violet Isle

Essay by Pico Iyer

Softbound with a printed slipcase


ISBN: 978-1-934435-18-2

OUT-OF-PRINT

Johnnie Winona Ross

Foreword by Douglas Dreishpoon

Essay by Carter Ratcliff

Hardcover with an acetate jacket


ISBN: 978-1-934435-01-4

$60.00

Marlene Dumas Against the Wall


Hardcover, 9.75 x 12.75 in., 72 pages, 26 color images

ISBN: 978-1-934435-28-1

OUT-OF-PRINT

Mark Klett Saguaros

Dssay by Gregory McNamee

Hardcover, 12 x 15 in., 106 pages, 75 duotones

ISBN: 978-1-934435-00-7

OUT-OF-PRINT

Callahan, Siskind, Sommer

Essays by Keith F. Davis & Britt Salvesen

Hardcover, 10.5 x 11.25 in., 152 pages, 66 images

ISBN: 978-1-934435-15-1

$ 50.00

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Radius Books 2014