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READING POETRY

READING POETRY. Close Reading of Poetry There is no single way to do a close reading of a poem. Sometimes an impression is a way in; sometimes the “voice”

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Page 1: READING POETRY. Close Reading of Poetry There is no single way to do a close reading of a poem. Sometimes an impression is a way in; sometimes the “voice”

READING POETRY

Page 2: READING POETRY. Close Reading of Poetry There is no single way to do a close reading of a poem. Sometimes an impression is a way in; sometimes the “voice”

Close Reading of Poetry• There is no single way to do a close reading of a poem.

Sometimes an impression is a way in; sometimes the “voice” in the poem stands out; sometimes it is a matter of knowing the genre of the poem; sometimes groupings of key words, phrases, or images seem to be its most striking elements; and sometimes it takes a while to get any impression whatsoever. The goal, however, is constant: you want to come to a deeper understanding of the poem. There are, nonetheless, steps you can take toward this goal—the first being, obviously, to read the poem very carefully—as well as specific elements you can look for and questions you can ask.

Page 3: READING POETRY. Close Reading of Poetry There is no single way to do a close reading of a poem. Sometimes an impression is a way in; sometimes the “voice”

Remember:• A poem is a concise verbal snapshot of a poet’s thoughts • Poems work through the images they paint, the sounds

they create, and the ideas they communicate

• HOW MANY TIMES SHOULD I READ A POEM? More than once, in order to hear the sounds and rhythms and to visualize the words

Try to share the poet’s feelings and perceptions. Then ask yourself, “what does this poem say to me?”

Page 4: READING POETRY. Close Reading of Poetry There is no single way to do a close reading of a poem. Sometimes an impression is a way in; sometimes the “voice”

Elements of a Poem• The music of poetry: Its Sounds Poetry needs to be read aloud to listen for words that rhyme and for rhythms that you can tap your fingers to, like music

Page 5: READING POETRY. Close Reading of Poetry There is no single way to do a close reading of a poem. Sometimes an impression is a way in; sometimes the “voice”

• The Images of Poetry: Its Pictures Let the poet’s words paint pictures in your mind Poets use sensory images to appeal to sight, hearing,

taste, smell and touch

Page 6: READING POETRY. Close Reading of Poetry There is no single way to do a close reading of a poem. Sometimes an impression is a way in; sometimes the “voice”

• The Structure of Poetry: Its Shape Pay attention to how the poet has places the words on

the page Poets may repeat lines or words to emphasize important

ideas

Page 7: READING POETRY. Close Reading of Poetry There is no single way to do a close reading of a poem. Sometimes an impression is a way in; sometimes the “voice”

How to Read a Poem• Conversation with the poet: listening to what the poet is

saying• Get involved in poetry reading! Ask questions about the poem

• Make comments • Express your feelings

Page 8: READING POETRY. Close Reading of Poetry There is no single way to do a close reading of a poem. Sometimes an impression is a way in; sometimes the “voice”

Before Reading:• Find out how long it is and how many stanzas the poem

contains• Stanza: an arrangement of a certain number of lines, usually four or more, sometimes having a fixed length, meter, or rhyme scheme, forming a division of a poem.

• Shape of the poem

Page 9: READING POETRY. Close Reading of Poetry There is no single way to do a close reading of a poem. Sometimes an impression is a way in; sometimes the “voice”

Getting to Know the Poem• Read it once: don’t think too much about what it means

the first time• Pay attention to the punctuation (commas, periods)• Listen to the sound of the words• Read the poem slowly, this time thinking about what it

could mean• Visualize the words

Page 10: READING POETRY. Close Reading of Poetry There is no single way to do a close reading of a poem. Sometimes an impression is a way in; sometimes the “voice”

Getting Into the Poem• Look out for the poetic devices!• List things that catch your attention repetitions comparisons rhymes images sounds

• Listen to the tone of voice in the poem may express an emotion or an attitude. Is it serious, angry, happy?

Page 11: READING POETRY. Close Reading of Poetry There is no single way to do a close reading of a poem. Sometimes an impression is a way in; sometimes the “voice”

You Are Reading This Too FastBy: Ken NorrisYou are reading this too fast.Slow down, for this is poetry and poetry works slowly.Unless you live with it a while the spirit will never descend.It’s so easy to quietly cut across the surfaceand then claim there was nothing to find.Touch the poem gently with your eyesjust as you would touch a lover’s flesh.Poetry is an exercise in patience,you must wait for it to come to you.The spirit manifests in many guises:some quiver with beauty.Some vibrate with song. What is happening?Slow down, slow down,take a few deep breaths,read the poem slowly. read the lines one at a time.read the words one by one.read the spaces between the words.get sleepy, this is poetry.relax until your heart is vulnerable, wide open.

Page 12: READING POETRY. Close Reading of Poetry There is no single way to do a close reading of a poem. Sometimes an impression is a way in; sometimes the “voice”

A Poison TreeBy: William BlakeI was angry with my friend; 

I told my wrath, my wrath did end.

I was angry with my foe: 

I told it not, my wrath did grow. 

And I waterd it in fears,

Night & morning with my tears: 

And I sunned it with smiles,

And with soft deceitful wiles. 

And it grew both day and night. 

Till it bore an apple bright. 

And my foe beheld it shine,

And he knew that it was mine. 

And into my garden stole, 

When the night had veild the pole; 

In the morning glad I see; 

My foe outstretched beneath the tree.

Page 13: READING POETRY. Close Reading of Poetry There is no single way to do a close reading of a poem. Sometimes an impression is a way in; sometimes the “voice”

Practice Close Reading• Little Boxes• Stopping by the Woods on a Snowy Evening• My Father Hurt