170
REALISM TO MODERNISM

REALISM TO MODERNISM

  • Upload
    alka

  • View
    2.368

  • Download
    0

Embed Size (px)

DESCRIPTION

REALISM TO MODERNISM. The Times—1850 to WWI. The world was on the move across borders (This included the great migrations to America) and social unrest within borders. Science expanded: Planck, Einstein, Roentgen, Mendel Thought: Nietzsche and Freud - PowerPoint PPT Presentation

Citation preview

Page 1: REALISM TO MODERNISM

REALISM TO MODERNISM

Page 2: REALISM TO MODERNISM

The Times—1850 to WWI• The world was on the move across borders (This included the

great migrations to America) and social unrest within borders.

• Science expanded: Planck, Einstein, Roentgen, Mendel

• Thought: Nietzsche and Freud

• In the arts, there was the argument of functionalism vs. aestheticism: Does art have to have a purpose or is it enough that it is?

Think about why this question was raised during this period.

Page 3: REALISM TO MODERNISM

REALISM

• Realism covered the middle years of the 19th century.

• There were many parallels between Realism and Romanticism.

• The Barbizon School bridged these two artistic expression.

Page 4: REALISM TO MODERNISM

Courbet Woman with a Parrot 1866

Page 5: REALISM TO MODERNISM

                                                      

The Stone Breakers courtesy of www.ricks.edu

Courbet The Stone Breakers, 1849

Page 6: REALISM TO MODERNISM

Millet The Sower

Page 7: REALISM TO MODERNISM

Millet Angelus

Page 8: REALISM TO MODERNISM

Millet The Gleaners

Page 9: REALISM TO MODERNISM

Manet Café Concert

Page 10: REALISM TO MODERNISM

Manet Le Bar aux Folies-Bergère

Page 11: REALISM TO MODERNISM

Manet Olympia

Page 12: REALISM TO MODERNISM

Manet Moonlight Harbor

Page 13: REALISM TO MODERNISM

Manet Grand Canal

Page 14: REALISM TO MODERNISM

Manet Street Flags

Page 15: REALISM TO MODERNISM

Manet Lunch in the Park

Page 16: REALISM TO MODERNISM

TannerThe Banjo Lesson

1893

Page 17: REALISM TO MODERNISM

Tanner The Thankful Poor 1894

Page 18: REALISM TO MODERNISM

IMPRESSIONISM• In 1874, Impressionism was named.

• Impressionism—concerned with subjectivity, realism of light, not camera pictures, fingers point to subject in realism and in impressionism light points to feelings or impressions.

• Looked for the impression at the very moment of sight

• The camera freed artists from competing with realism.

Page 19: REALISM TO MODERNISM

Daguerre Boulevard, Paris 1838

Page 20: REALISM TO MODERNISM

Monet Impression: Sunrise

Page 21: REALISM TO MODERNISM

Monet Garden at Sainte-Adresse

Page 22: REALISM TO MODERNISM

Monet

La Rue Montorgueil, 30th June 1878

Page 23: REALISM TO MODERNISM

Monet Poppies near Argenteuil 

Page 24: REALISM TO MODERNISM

Monet

Page 25: REALISM TO MODERNISM

Monet Grand Channel

Page 26: REALISM TO MODERNISM

Monet Saint-Lazare Station

Page 27: REALISM TO MODERNISM

Monet Saint-Lazare Station

Page 28: REALISM TO MODERNISM

MonetHouses of

Parliament

Page 29: REALISM TO MODERNISM

Monet Wheat Stacks

Page 30: REALISM TO MODERNISM

MonetWater Lilies

Page 31: REALISM TO MODERNISM

Monet Water Lilies and Clouds

Page 32: REALISM TO MODERNISM

Monet The Thames at Westminster

Page 33: REALISM TO MODERNISM

Monet Willows

Page 34: REALISM TO MODERNISM

Monet Antibes, The Mountains of Esterel 

Page 35: REALISM TO MODERNISM

MonetThe

Japanese Bridge

Page 36: REALISM TO MODERNISM

Monet Woman with a Parasol

Page 37: REALISM TO MODERNISM

Monet In the 'Norvégienne'

Page 38: REALISM TO MODERNISM

Monet

Page 39: REALISM TO MODERNISM

Monet Water Lilies

Page 40: REALISM TO MODERNISM

Monet

Page 41: REALISM TO MODERNISM

Monet

Page 42: REALISM TO MODERNISM

Monet

Page 43: REALISM TO MODERNISM

Renoir Le Moulin de la Galette

Page 44: REALISM TO MODERNISM

Renoir Monet

Page 45: REALISM TO MODERNISM

Renoir

Page 46: REALISM TO MODERNISM

Renoir

Page 47: REALISM TO MODERNISM

Renoir

Page 48: REALISM TO MODERNISM

Renoir

Page 49: REALISM TO MODERNISM

Renoir

Page 50: REALISM TO MODERNISM

Renoir

Page 51: REALISM TO MODERNISM
Page 52: REALISM TO MODERNISM
Page 53: REALISM TO MODERNISM
Page 54: REALISM TO MODERNISM

Renoir

Page 55: REALISM TO MODERNISM

RenoirGirls Reading

Page 56: REALISM TO MODERNISM

Renoir

Page 57: REALISM TO MODERNISM

Renoir A Girl with a Fan

Page 58: REALISM TO MODERNISM

Renoir

Page 59: REALISM TO MODERNISM

Renoir

Page 60: REALISM TO MODERNISM

Degas

Page 61: REALISM TO MODERNISM

Degas

Page 62: REALISM TO MODERNISM

Degas

Page 63: REALISM TO MODERNISM

Degas

Page 64: REALISM TO MODERNISM

Degas

Page 65: REALISM TO MODERNISM
Page 66: REALISM TO MODERNISM

Degas

Page 67: REALISM TO MODERNISM
Page 68: REALISM TO MODERNISM

Degas

Page 69: REALISM TO MODERNISM

Degas

Page 70: REALISM TO MODERNISM
Page 71: REALISM TO MODERNISM

Mary Cassatt

Page 72: REALISM TO MODERNISM

Cassett

Page 73: REALISM TO MODERNISM
Page 74: REALISM TO MODERNISM

Rodin Adam

Page 75: REALISM TO MODERNISM

RodinBurgher of Calais

Page 76: REALISM TO MODERNISM

Rodin

Page 77: REALISM TO MODERNISM

RodinWoman in a Red

Hat

Page 78: REALISM TO MODERNISM

Rodin The Thinker

Page 79: REALISM TO MODERNISM

Rodin The Kiss

Page 80: REALISM TO MODERNISM

Rodin

Page 81: REALISM TO MODERNISM

Rodin

Page 82: REALISM TO MODERNISM

Post-Impressionism

• Seurat—pointillism

• Cezanne—geometric forms

• Gauguin—native savage

• Van Goth—poster child for my thesis about pain

Page 83: REALISM TO MODERNISM

Seurat A Sunday on La Grade Jatte

Page 84: REALISM TO MODERNISM

Seurat Bathers

Page 85: REALISM TO MODERNISM

Seurat

Page 86: REALISM TO MODERNISM

Seurat

Page 87: REALISM TO MODERNISM

Seurat

Page 88: REALISM TO MODERNISM

Cezanne

Page 89: REALISM TO MODERNISM

Cezanne

Page 90: REALISM TO MODERNISM

Cezanne

Page 91: REALISM TO MODERNISM

Cezanne

Page 92: REALISM TO MODERNISM
Page 93: REALISM TO MODERNISM

Cezanne

Page 94: REALISM TO MODERNISM
Page 95: REALISM TO MODERNISM
Page 96: REALISM TO MODERNISM
Page 97: REALISM TO MODERNISM

Cezanne

Page 98: REALISM TO MODERNISM

Van Gogh The Starry Night

Page 99: REALISM TO MODERNISM

Van Gogh

Page 100: REALISM TO MODERNISM

Van Gogh Irises

Page 101: REALISM TO MODERNISM

Van Gogh First Steps

Page 102: REALISM TO MODERNISM

Van Gogh

Page 103: REALISM TO MODERNISM

Van Gogh

Page 104: REALISM TO MODERNISM
Page 105: REALISM TO MODERNISM

Van Gogh

Page 106: REALISM TO MODERNISM

Van Gogh

Page 107: REALISM TO MODERNISM

Van Gogh

Page 108: REALISM TO MODERNISM

Van Gogh

Page 109: REALISM TO MODERNISM

Van Gogh

Page 110: REALISM TO MODERNISM

Van Gogh

Page 111: REALISM TO MODERNISM
Page 112: REALISM TO MODERNISM

Van Gogh

Page 113: REALISM TO MODERNISM
Page 114: REALISM TO MODERNISM

Van Gogh

Page 115: REALISM TO MODERNISM
Page 116: REALISM TO MODERNISM

Van Gogh

Page 117: REALISM TO MODERNISM

Van Gogh

Page 118: REALISM TO MODERNISM

Van Gogh

Page 119: REALISM TO MODERNISM

Van Gogh

Page 120: REALISM TO MODERNISM

Van Gogh

Page 121: REALISM TO MODERNISM
Page 122: REALISM TO MODERNISM
Page 123: REALISM TO MODERNISM
Page 124: REALISM TO MODERNISM
Page 125: REALISM TO MODERNISM
Page 126: REALISM TO MODERNISM

Van Gogh Wheat Field and Cypress Tree 1889

Page 127: REALISM TO MODERNISM
Page 128: REALISM TO MODERNISM

Van Gogh

Page 129: REALISM TO MODERNISM

Van Gogh

Page 130: REALISM TO MODERNISM
Page 131: REALISM TO MODERNISM

Van Gogh

Page 132: REALISM TO MODERNISM

Van Gogh

Page 133: REALISM TO MODERNISM
Page 134: REALISM TO MODERNISM
Page 135: REALISM TO MODERNISM
Page 136: REALISM TO MODERNISM
Page 137: REALISM TO MODERNISM
Page 138: REALISM TO MODERNISM
Page 139: REALISM TO MODERNISM
Page 140: REALISM TO MODERNISM
Page 141: REALISM TO MODERNISM
Page 142: REALISM TO MODERNISM

Van Gogh The Potato Eaters 1885

Page 143: REALISM TO MODERNISM

Gauguin The Vision After the Sermon 1888

Page 144: REALISM TO MODERNISM

Gauguin Where Do We Come From? 1897

Page 145: REALISM TO MODERNISM

Other artistic expressions

• Cubism—Picasso

• Mechanism and Futurism—Duchamp, Boccioni

• Expressionism—pushing the viewer to experience what the artist feels or experiences: Beckmann, Munch

• Fauvism—Matisse, Kandinsky, Marc

Page 146: REALISM TO MODERNISM

Picasso Les Demoiselles d’Avignon 1910

Page 147: REALISM TO MODERNISM

Picasso Portrait of Ambroise Vollard

1910

Page 148: REALISM TO MODERNISM

PicassoThree Musicians

1921

Page 149: REALISM TO MODERNISM

Picasso Girl Before a Mirror

1932

Page 150: REALISM TO MODERNISM

PicassoThe Old Guitarist

1903

Page 151: REALISM TO MODERNISM

Picasso Guernica 1937

Page 152: REALISM TO MODERNISM
Page 153: REALISM TO MODERNISM
Page 154: REALISM TO MODERNISM
Page 155: REALISM TO MODERNISM

Picasso Don Quixote

Page 156: REALISM TO MODERNISM

Boccioni Unique Forms

of Continuity in Space1913

Page 157: REALISM TO MODERNISM

Duchamp Nude Descending a Staircase No. 2

1912

Page 158: REALISM TO MODERNISM

Munch The Scream1893

Page 159: REALISM TO MODERNISM

Beckmann Begin the Beguine 1946

Page 160: REALISM TO MODERNISM

BeckmannChrist and the Woman

Taken in Adultery 1917

Page 161: REALISM TO MODERNISM

Beckmann Dancing Bar in Baden-Baden

Page 162: REALISM TO MODERNISM

Matisse The Joy of Life 1905-6

Page 163: REALISM TO MODERNISM

KandinskyTensions in Red

Page 164: REALISM TO MODERNISM

Marc Animal Destinies 1913

Page 165: REALISM TO MODERNISM

SullivanCarson, Pirie, and Scott

1899-1904

Page 166: REALISM TO MODERNISM

SullivanDetail of CPS

Page 167: REALISM TO MODERNISM

Sullivan Auditorium Building 1887-89

Page 168: REALISM TO MODERNISM

Gaudi Casa Mila Apartments, Barcelona

Page 169: REALISM TO MODERNISM

Gaudi

Holy Family Cathedral

Page 170: REALISM TO MODERNISM