Reproduction Catalog By Artist

Reproduction CatalogBy Artist

Architecture Drawings IDrawing AR.01.03

Floor plans and site plans of a residence

Architecture Drawings IIDrawing AR.01.04

Elevation plans of a residence

Rhodes - DodecaneseArchitecture AR.01.05

Column ruins in Rhodes

Alkoto, Ismeretlen Predatory fishPainting, WatercolorHungarian A.05.01

fish

Alston, Charles 1907-1977 Family, No. 1PaintingAmerican A.20.01

Whitney Museum New York, 48 1/4 x 35 3/4”. Oil on Canvas. Family portrait of mother, father and twochildren. Abstract. Almost like a collage effect.

Anonymous The Sargent FamilyPaintingc 1800American A.10.3

Mother and Father, 4 children with dog and bird. Indoors.National Gallery of Art, Wash D.C.oil on canvas, 97.2 x 127.8 cm (38 5/16 x 50 9/16 in.)

Anonymous The Whaler’s FlagPaintingc. 1845American A.10.4

39” x 951/2”. Two very small boats harpooning a whale with giant flag in the upper right hand corner ofpainting.

Anonymous The Quilting PartyPainting1854American A.10.5

19 1/4” x 26 1/8”. Abby Aldrich Rockefeller Folk Art Center. Oil on Paper, backed on wood.

Anonymous Baby in Red ChairPainting1800American A.30.4

22” x 15”. Abby Aldrich Rockefeller Folk Art Museum, Williamsburg, VA. Baby asleep in red high chair.


Anonymous Battle of Stone RiverPainting1864American A.30.2

Anonymous Nike (Victory)Unbinding Her SandalSculpture420 B.C.Greek A.40.1

marble 1.40m (55 1/8 inc.)Acropolis Museum, Athens, GreeceOrignially on the balustrade of the temple of Athena Nike on the Acropolis, Athens

Anschutz, Thomas P Iron Workers’ NoontimePainting, oil on canvasc. 1881American A.22.1

Men relaxing outsdide factory in sunshine.Shows water pump. Shows child laborers.Muddy colors - lots of blacks and browns

Arp, Jean 1887-1966 Configuration (Navel, Line and Head)Painting1927French A.50.1

58 1/2” x 47”. Wood relief, painted. Kuntzmuseum, Basel. Black, blue and yellow with green (navel) inthe middle of the yellow.

Astrup, Nikolai, 1880-1928. Summer wind and playing children.Painting, oil on canvasNorwegian A.77.01

Windy day as family works and plays outside.Bergen, Norway. Rasmus Meyers Collections.

Audubon, John Great Horned OwlAmerican A.80.11

Audubon, John Snowy OwlPastel on paper1829American A.80.10

Pastel, graphite with brown ink inscription37 7/8 x 25 5/8 in.The New York Historical Society, NY, NY

Audubon, John Great Blue HeronAmerican A.80.13

Audubon, John James, 1785-1851. Pileated WoodpeckerPrintAmerican A.80.08

Four woodpeckers interact while perched in a racoon grape plant.Follow up to Making a Nation


Audubon, John James American FlamingoPainting1838American A.80.09

Audubon, John James 1785-1851 Wild TurkeyPaintingAmerican A.80.01

Wild Turkey in front of bamboo plant.

Audubon, John James 1785-1851 Passenger PigeonPainting1824American A.80.03

26 3/16” x 18 1/4”. New York Historical Society. Watercolor, gouache, graphite, pastels. Male andfemale passsenger pigeon in autumn tree.

Audubon, John James 1785-1851 Snowy EgretPainting1832American A.80.05

29 1/4” x 21 5/16”. New York Historical Society. Snowy Egret in foreground. Colonial style houses andpond in background

Audubon, John James 1785-1851 Passenger PigeonPainting1824American A.80.02

26 3/16” x 18 1/4”. New York Historical Society. Watercolor, gouache, graphite, pastels. Male andfemale passsenger pigeon in autumn tree.

Audubon, John James 1785-1851 Carolina ParrotPainting1825American A.80.04

Male, female and young parrots in a Cockle-bur tree. Beautiful colors of red, yellow, green, blue.

Audubon, John James, 1785-1851, Great EgretPainting, watercolor, gouache,1830’sAmerican A.80.06

Dramatic view of large white bird on dark background.New York Historical Society37 7/16” x 25 1/2”

Audubon, John James, 1785-1851. Great Gray owlWatercolor1824-1836American A.80.12

Watercolor, graphite, pastel34 3/16 x 15 1/8 in.The New York Historical Society, NY, NY

Audubon, John James, 1785-1851. Mottled OwlPrintAmerican A.80.07

Three mottled owls in pine tree


Avery, Milton (1885-1965). Green Sea.Painting, oil on canvas1954American A.90.2

Monochromatic green with tints and shades. Abstract.Originally purchased for Abstract Tempera Landscape. Has tempera-like appearance.Metropolitan Museum of Art, New York

Avery, Milton 1885-1965 White RoosterPainting1947American A.90.1

White rooster with two hensChildlikeAbstractFollow-up for “Animals:”

Avery, Milton, 1893-1965. Greenwich VillagersPainting, oil on canvas1946American A.90.3

Figurative painting of two women in NYC with flat colors.42 x 30”Virginia Museum of Fine Arts

Barbero, David (1938-1987) EmbudoPainting, oil on canvas1987American B.10.1

Abstract landscape with purple animal.16 x 20”

Barbero, David 1938-1999 Salt FlatsPainting1989American B.10.02

20 x 24”. Acrylic on Linen. Lone Pine Gallery, Irvine, CA.

Barbero, David 1938-1999 Clear Day in the ValleyPaintingAmerican B.10.03

Abstract Landscape from a birdseye view.

Barnett, Ross Hwy 36 at DuskCanadian B.11.01Photograph

Barnett, Ross Hwy 36 at DuskCanadian B.11.02Photograph

Bazille, Frederic, Girl with PeoniesPainting;1870French B.12.1

Spring flowers in basket held by girl wearing turban. (Tulips, daffodils, lilacs).National Gallery, Washington


Bearden, Romare, 1914-1988 The Piano LessonWatercolor and collage1983American B.15.02

Strong colors. Two women by upright piano near window. Standing woman the teacher. Collage formedby cut-outs.Private Collection

Bearden, Romare, 1914-1988 Jammin’ at the SavoyCollageunknkownAmerican B.15.03

20” x 28.5”The Studio Museum, Harlem, NYMusic performance at the Savoy in New York. Bright colors.

Bearden, Romare, 1914-1988 Summertime, 1967CollageAmerican B.15.04

Shanok collection, NY. Collage with black and white and colors. African American street scene

Bearden, Romare, 1914-1988 SummertimeCollageAmerican B.15.01

Shanok collection, NY. Collage with black and white and colors. African American street scene

Beaux, Cecilia Sita and SaritaPainting1766America B.16.01

Woman and black cat,The corcoran Gallery of Art, Washington, D.C.

Beechey, Richard Mission of San Carlos MonterreyWatercolor and pencil on paper1827American B.17.01

Painting of the mission of San Carlos Monterrey

Beihong, Xu Cat and Yellow ButterflyHanging scroll, ink and color on1941Chinese X.90.2

Cat and Yellow Butteryfly brush painting

Beihong, Xu 1895-1953 Standing HorseHanging scroll, ink on paper.1942Chinese X.90.1

Brush painting of horse with mane blowing in the windPainted during Republic period.101.5 x 48.2 cmArthur M. Sackler Gallery, Smithsonian Institution, Washington, DC..

Bellows, George The Lone TenementOil on canvas, 36 1/8 × 48 1/8 in1909American B.20.4

The last remaining building underneath the approaches to the new QueensboroBridge stands alone. National Gallery of Art, Washington, D.C


Bellows, George Both Members of this ClubAmerican B.20.6

Bellows, George Dempsey-Firpo FightAmerican B.20.9

Bellows, George Ann in a Purple WrapOil on panel1921American B.20.01

Girl sitting in chair, 40.5 x 32.5, Addison Gallery of American Art

Bellows, George 1882-1925 Tennis tournamentPainting, oil on canvas1920American B.20.10

Lawn tennis match with fashionable spectators.Unfinished; shows graphite marks.National Gallery, Washington, DC

Bellows, Geroge Sand Team1917American B.20.3

Benton The Music LessonB.30.1

Bierstadt, Albert (1830-1902) Among the Sierra Nevada Mountains,Oil on Canvas1868American B.35.40

Idealized landscape of the Sierra Nevada Mountains

Bierstadt, Albert (1830-1902) Among the Sierra Nevada Mountains,Oil on Canvas1868American B.35.41

Idealized landscape of the Sierra Nevada Mountains

Bierstadt, Albert (1830-1902) Yosemite ValleyAmerican B.35.1


Bierstadt, Albert (1830-1902) Nevada Falls, YosemiteOil on Canvas, 39 x 30 inches1872-3American B.35.2

At Nevada Falls in California’s Yosemite Valley, the Merced River plunges over a high ledge onto ajumble of boulders almost six hundred feet below, creating a torrent of white water and plumes of spray.Tourists were able to visit Nevada Falls by climbing a rocky trail that rose 1,840 feet in elevation fromVernal Falls, a mile and a half downstream. Bierstadt signals this possibility by portraying severalsightseers, among them two women in hiking gear.

Bierstadt, Albert (1830-1902) The Great Trees Mariposa GroveAmerican B.35.3

Bingham, George Caleb Boatmen on the MissouriPainting1846American A.40.2

Three raftsmen with load of firewood with steamboat in background.Fine Arts Museums of San Francisco25 1/8” x 30 1/4”

Bingham, George Caleb 1811-1879 Daniel Boone Escorting Settlers through thePainting1851-52American B.40.5

Oil on Canvas, 36” x 52”. Washington University, Gallery of Art, Steinberg Hall, St. Louis. Men andwomen on horseback with axes, guns, whips. Daniel Boone is walking in front leading a white horse ona cloudy day. Broken Trees in Mountain area.Follow up to Making a Nation

Bingham, George Caleb, 1811-1879 Boatmen on the Missouri. 1846.Painting, oil on canvas1846American B.40.4


Bingham, George Caleb, 1811-1879 The Jolly Flatboat MenPaintingAmerican B.40.6

Follow up to Making a Nation

Bingham, George Caleb, 1811-1879 Fur Traders Descending the MissouriPainting1845American B.40.03

The Met. This painting was first called "French-Trader—Half breed Son," but the Art-Union gave it thetitle by which it is now known. Strikingly spare, geometric composition and luminist light. The solemn,motionless scene immortalizes the vanished world of the American frontier, constructed for anortheastern audience.

Bingham, George Caleb, 1811-1879 Boatmen on the MissouriPainting, oil on canvas1846American B.40.2


Birrell Groth Vinyards and Winery1991 B.41.1


Boccioni, Umberto, 1882-1916 Dynamism of a soccer playerPainting, oil on canvas1913Italian B.42.1

Circular composition with blurred shapes to simulate motion. Yellows, blues, and terra cottas. Boccioniwas a Futurist.MOMA, New York6’4 1/8” X 6’7 1/8”

Bondolf, Jean de Scene from the ApocolypseTapestry, wool1380French B.45.1

Scene from the Apocalypse, Helene Irwin Fagan Collection, 74 x 74 1/2 inches

Bonheur, Rosa, 1822-1899 {Buffalo Bill]Painting1889French B.47.1

A young Buffalo Bill dressed in buckskin astride a white horse.

Bonnard, Pierre, 1867-1947 Dining room overlooking the garden (ThePainting, oil on canvas1930-31French B.55.1

Golds and purple (interior) harmonize with golds and blues (exteriors). Intimate interior scene tied toexterior by window frame. Strong Matisse influence.62 3/4” x 44 7/8”Museum of Modern Art, New York

Botticelli, Sandro, 1444/45-1510 Primavera.Painting, tempera on panelc. 1478-80Italian B.60.02

Mythical description of spring in garden setting that includes: Zephyr, Cloris, Flora, Venus, Cupid, ThreeGraces, and Mercury. Forty variety of flowers have been identified. Orange trees form background.

6’8” x 10’4”

Botticelli, Sandro, 1444/45-1510 Adoration of the MagiTempora on panel1475Italian B.60.1

Adoration of the Magi, Ufizi Florence

Braque, George Ship in the Harbor of Le Harve1905French B.65.2

Fauvism, ship in harbor at Normandy, 65 x 54 cm,

Braque, George Still Life Le Jour 1929Oil on canvas1929French B.65.3

Cubism still life

Braque, George Still Life with Purple Plums (1935)1935French B.65.4

Still life


Braque, Georges, 1882-1963 Boats on the Beach, L’EstaquePainting, oil on canvas1906French B.65.5

Brilliantly colored beach scene. Crude brush strokes19 1/2” x 23 1/2”Los Angeles County Museum of Art

Bronzino, Il, 1503-1572. Eleonora de Toledo with her son Giovanni.Painting, oil on panel1545Italian B.90.3s

Formal portrait of noblewoman and her son (wife of Cosimo di Medici ). Elaborate gown and jewels.Wearing her bridal dress which would be the gown she would be buried in.Pose the convention for dynastic succession.45 1/4 x 37 13/16”Florence, Uffizi Gallery

Bronzino, Il, 1503-1572. Portrait of a young man.Painting, oil on panelc. 1530’sItalian B.90.2

Elegant young man dressed in black with soft black hat holding a book.Wandering eye lends credence to idea of this being a self portrait.3’ 1 1/2” x 2’ 5 1/2”Metropolitan Museum, NY

Bruegel, Jan, the Elder. 1568-1625 The Entry of the Animals into Noah’s Ark.Painting, oil on panel1613Flemish B.70.2

Exotic birds and animals processing to the ark in the far background.Getty Museum21 1/2” x 34”

Brueghel, Pieter 1525 - 1569 Children’s GamesPaintingFlemish B.80.06

Children at play in town

Brueghel, Pieter 1525-1569 Winter Landscape with Bird TrapPainting1565Flemish B.80.05

Children Ice Skating

Brueghel, Pieter 1525-1569 The Elder Flower Piece1603Flemish B.70.1

Flower Bouquet

Brueghel, Pieter 1525-1569 Winter Hunters in the SnowOil on wood panel1565Flemish B.80.1

The painting shows a wintry scene in which three hunters are returning from an expeditionaccompanied by their dogs. By appearances the outing was not successful;

Brueghel, Pieter 1525-1569 Boerendans (The Peasant Dance)Oil on panel1567-9Flemish B.80.2

Gluttony, lust and anger can all be identified in the picture. The man seated next to the bagpipeplayer wears a peacock feather in his hat, a symbol of vanity and pride.[4] The occasion for thepeasants' revelry is a saint's day, but dancers turn their backs on the church and pay noattention whatsoever to the image of the Virgin which hangs on the tree. The prominence of thetavern makes it clear that they are preoccupied with material rather than spiritual matters.


Brueghel, Pieter 1525-1569 Winter Hunters in the SnowOil on wood panel1565Flemish B.80.4

The painting shows a wintry scene in which three hunters are returning from an expeditionaccompanied by their dogs. By appearances the outing was not successful;

Brueghel, Pieter 1525-1569 Wedding Dance in the Open Air, 1607oil on panel1566Flemish B.80.7

The popular[12] painting shows a group of 125 wedding guests wearing clothing from the times,presented in the canvas in an apparently chaotic way in an outdoor party surrounded by trees.[13][14][15][16] The brides wore black as it was the Renaissance period and the men wore codpieces,which were an important part of their clothing at the time.[17][18] Voyeurism (spying on peopleengaged in intimate behaviours) is shown throughout the entire work amongst almost all of thepeople.Brueghel, Pieter, c.1530-1569. The Harvesters

Painting, oil on wood1565Flemish B.80.8Distinct fore, middle, and backgroundHarvesters resting and working(One of the months). July/August46 1/2” x 63 1/4”

Brueghel, Pieter, c.1530-1569. Children's GamesPainting, oil on wood1560Flemish B.80.9

children playing gamesKunsthistorisches Museum, Vienna, Austria118 x 161 cm

Bryer, Diana When the Coyote Lies Down with the Lamb.Painting; oil on linen1988American B.98.1

Southwest “Peaceable Kingdom” with bald eagle and regional animals.

48” x 54”

Bryer, Diana Why coyotes howl at the moon.Painting, oil on linen1989.American B.98.2

Humorous depiction of Southwest folklore.Border a Navaho blanket pattern42 x 30”La Puebla, New Mexico

Bunkaku. Edo period. early 18th Century A Puppet Play.ink and colors on gold leafc. 1700Japanese B.105.1

6 panel Japanese ScreenStage of puppet theater with puppets, puppeteers, and musicians.Winter.Freer Gallery of Art, Washington.

Burchfield, Charles Ice GlarePainting1933American B.110.2

Life in a small town, snow covered scene, Whitney Museum of American Art

Burgess, George Henry View of San Francisco in 1850Painting, oil on canvas1878American B.99.01

Painting of San Francisco in 1850


Caillebotte, Gustave Paris, A Rainy DayPainting1877French C.5.3

oil sketch, 54 x 65 cm. blurry faces

Caillebotte, Gustave Pris Street: Rainy DayPainting, oil on canvas1877French C.5.01

oil on canvas, 212.2 x 276.2 cm

Caillebotte, Gustave Skiffs, 1877Oil on canvas1877French C.5.2

Impressionist, rowers on the Yerres

Calder, Alexander Smoke RingsLithograph1960American C.08.3

21 3/8” x 24 1/8”. Museum of Modern Art, NY. 11 circles

Calder, Alexander 1898-1976 {Untitled}Sculpture: mobile, aluminum and1976American C.08.1

Poster of huge mobile created for the East Wing of National Gallery, Washington building.

29’ 10 1/2” x 76’Added 1996

Calder, Alexander 1898-1976 CowSculpture; Wire1929American C.08.2

Humorous wire sculpture of a cow.Contour sculpture61/2” x 16”Museum of Modern Art, New York

Canaletto (Giovanni Antonio Canal) 1697-1768. The Bucintoro at the Molo on Ascension Day.Painting, oil on canvasc.1745Venetian C.10.4

Celebration of the wedding of Venice and the sea. Doge’s festival barge.Philadephia, The Philadelphia Museum of Art45 1/4 X 64”

Canaletto (Giovanni Antonio Canal) 1697-1768. Piazza San Marco, Looking East.Painting, oil on canvas1723Venetian C.10.2

Saint Mark’s Square across from the Cathedral. Sense of the square as a part of a community .Thyssen-Bornemisza Collection, Switzerland.56 X 80 3/4”

Canaletto (Giovanni Antonio Canal) 1697-1768. The Bacino di San Marco on Ascension Day.Painting, oil on canvasVenetian C.10.3

View of San Marcos Square from the Grand Canal. Variety of people and boats in the canal. Crowdsgathering to see spectacle.Collection of Her Majesty Queen Elizabeth II.


Caravaggio, Michaelangelo Merissi, 1571-1610 The CardsharpsPaintingItalian C.17.1

View of card game with cheater.

Kimbell Art Museum, Fort Worth

Cassat, Mary The Boating PartyPainting1893/94American C.20.04

Boatman rowing a women with a small child on her lap.

Cassatt, Mary The Boating PartyPainting1893/94American C.20.30


Cassatt, Mary The Boating PartyPainting1893/94American C.20.31


Cassatt, Mary 1844-1926 Mother and Sara Admiring the BabyPaintingc. 1901American C.20.14

Oil on Canvas. 36 1/4-by-29 in. Mother and young girl admiring a baby in the mother’s lap. Mother iswearing orange robe. Interior.

Cassatt, Mary 1844-1926 The bathPainting, oil on canvas1892American C.20.8

Towel-wrapped child seated in woman’s lap while feet being washed in porcelain basin.39 1/2” x 26”Art Institute of ChicagoFollow up to Making a Nation

Cassatt, Mary 1844-1926. Sara Handing a Toy to the Baby.Painting, oil on canvasc. 1901American C.20.7

Cassatt, Mary, 1844-1926 Susan Comforting the Baby.c. 1881American C.20.10

Houston, Museum of Fine ArtsFeeeling of “the moment”Woman comforting toddler.Exterior

Cassatt, Mary, 1844-1926 Study for the Banjo Lessonpastel mounted on paper mountedc. 1894American C.20.01

Impressionist


Cassatt, Mary, 1844-1926 Study for the Banjo Lessonpastel mounted on paper mountedc. 1894American C.20.05

Impressionist

Cassatt, Mary, 1844-1926 In the Gardenpastel1893American C.20.03

Impressionist

Cassatt, Mary, 1844-1926. Children Playing on the BeachPainting, oil on canvas1884American C.20.9

Two children playing in sand with buckets and shovels at the water’s edge. One hat has bright, redribbon.National Gallery, Washington DC38 3/8/” x 29 1/4”

Cassatt, Mary, 1844-1926. Breakfast in Bed.Painting, oil on canvasc.1897American C.20.11

65 cm x 73.6 cm

Cassatt, Mary, 1844-1926. The Letter.Print, drypoint and aquatint, printed1891American C.20.13s

Woman seated at secretary seals envelope.17 x 12”Art Institute of Chicago

Cassatt, Mary, 1845-1927 Women Admiring a Child.Pastel on paperAmerican C.20.12

Three women holding toddler.26” x 32”Detroit Institute of Arts

Catlin, George Indian BoyPainting C.25.1

Unknown location and size. Question of Actual Catlin.

Catlin, George 1796 - 1872 Stu-mick-o-sucks, Buffalo Bull’s Back FatPainting1832American C.25.20

Smithsonian American Art Museum. 29” x 24”. Oil on Canvas

Catlin, George 1796 - 1872 Stu-mick-o-sucks, Buffalo Bull’s Back FatPainting1832American C.25.21

Smithsonian American Art Museum. 29” x 24”. Oil on Canvas


Cave painting. (Lascaux) Black cowWall painting C.30.1

Large black cow with horses facing opposite direction.

Cave painting. (Lascaux) Black cowWall painting20,000 BC C.30.2

Large black cow with horses facing opposite direction.

Cezanne, Paul 1839-1906 La Montagne Sainte-VictoirePaintingc. 1902French C.40.19

oil on canvas. 33.25 5/8 in. view from across a valley to a mountain with village in valley.

Cezanne, Paul , 1839-1906 Le vase paillePainting, oil on canvasc. 1895French C.40.12

Strong still life with pears and apples with earthenware jug. Woven willow strands surround the jug - afavorite studio prop.. Tilted table. White cloth. Beautiful color. Dark background.73 cm x 60 cmBarnes Foundation

Cezanne, Paul, 1839-1906 Tulips in VasePainting, oil on paper mounted onc. 1890-92French C.40.11

Fruits, earthenware vase with spring flowers on table.

Norton Simon Museum, Pasadena

Cezanne, Paul, 1839-1906 Still Life (Fruit and Jug on a Table).Painting, oil1890-94French C.40.14

Summer fruits with stoneware jug - a favorite studio prop - with a handle. Blue backgound, bluetablecloth.Private.

Cezanne, Paul, 1839-1906 Tulips in vase.Painting, oil on paper mounted onc. 1890-92French C.40.15

Still life of tulips in earthen jug with fruit.(Same as .11).Norton Simon Museum, Pasadena.

Cezanne, Paul, 1839-1906 Mont Sainte Victoire seen from Bellevue.Painting1882-85French C.40.17

Oil on Canvas. the Met. 25 1/4” x 32 1/8”.

Cezanne, Paul, 1839-1906 Pomegranites and PearsFrench C.40.1


Cezanne, Paul, 1839-1906 Pommes et OrangesFrench C.40.2

Cezanne, Paul, 1839-1906 AquaductFrench C.40.3

Cezanne, Paul, 1839-1906 Madame CezanneFrench C.40.7

Cezanne, Paul, 1839-1906 The Card PlayersFrench C.40.8

Cezanne, Paul, 1839-1906 Landscape 1254French C.40.9

Cezanne, Paul, 1839-1906. {View of ) Auvers-sur-Oise, Village PanoramaPainting, oil on canvasc. 1873French C.40.13

Bird’s eye view of French villagePrimary colorsSpring or summer sceneHigh horizon line.Unfinished; sketch for an undone work. First Cezanne work using a Pissarro formula.22 11/16” x 32”

Cezanne, Paul. 1839 - 1906 Still Life with Soup TureenPainting1873-74French C.40.16

Oil on Canvas. Musee d’Orsay. 25 9/16” x 32 1/16”.

Cezanne, Paul. 1839 - 1906 Oranges sur une assiette (Oranges on aPaintingFrench C.40.18

Chagall, Marc (1887-1985) BirthdayPainting, oil on cardboard1915Russian C.50.12

Man flying through air and bending over backwards to kiss wife.31 3/4 x 39 1/4”MOMA, New York


Chagall, Marc (1887-1985) On the rooster.PaintingRussian C.50.11/s

Chagall, Marc (1887-1985) I am My VillagePaintingRussian C.50.1

Chagall, Marc (1887-1985) Feathers in BloomPaintingRussian C.50.7

Chagall, Marc (1887-1985) Feathers in BloomPaintingRussian C.50.4

Chagall, Marc (1887-1985) The StreetPaintingRussian C.50.5

Chagall, Marc (1887-1985) Chambon Sur-LacPaintingRussian C.50.6

Chagall, Marc 1887-1985 The bouquet lighting the skyPainting1958Russian C.50.8

Large loosely painted bouquet of flowers with whimiscal, romantic line drawings as background.Private collectionC.50.8

Chagall, Marc, Champs de Mars (Field of Mars)Painting, oil on canvas1954-55Russian C.50.10/s

Imaginative painting with dominant blue field with red circle, woman with white hair, man with with greenface, purple bird. Parisian landmarks in sky.

Chagall, Marc, 1887-1985 I and the VillagePainting1911Russian C.50.9

Green-faced man overlooks a Russian village.Fanciful composition.Museum of Modern Art, New York6’3 5/8” x 59 5/8”


Champney, James 1843-1903 Garden in Old DeerfieldPaintingc. 1900American C.55.1

Garden with red flowersGray-green foliage15 1/8” x 10 3/4/”National Gallery, WashingtonMassachusetts artist

Chardin, Jean-Simeon, 1699-1779 The GovernessPainting`French C.58.1

Boy leaving playthings for schoolGoverness preparing child.National Gallery of Canada, Ottowa

Chin Nung, 1687-After 1764. Plum blossomsPainting, ink and colors onChinese C.61.1

Vertical ScrollQing DynastyPlum blossoms with calligraphyFreer Gallery at the Smithsonian

Chinese unknown Guardian lionSculpture, white marbleearly 8thChinese C.62.1

Black and white photo of a tomb guardian.Lion has stylized and curly mane.Nelson-Atkins Museum, Kansas City

Chinese unknown Portrait of the imperial bodyguard Hu-Erh-Ch’aPainting, ink and colors on silk18th centuryChinese C.62.2

Detailed portrait with calligraphy; Manchurian bodyguard with bow and arrow and swordHanging scrollMetropolitan Museum of Art

Chinese unknown Portrait of Sung T’ai-TsuHandscroll, ink and color950-1000ADChinese C.62.9

Portrait of a Sung Emperor seated on red and gold dragon throne.

Chinese Unknown, Southern Sung Dynastry, Emperor Ming-Huang’s Flight to Shu.Hanging scroll, ink and color on silk12th CenturyChinese C.62.6

Richly clad horsemen ride through the mountains.AKA The Tribute Horse32 1/2” longMetropolitan Museum of Art

Chinese unknown. Travelers in the Mountains of Shu (detail)Handscroll, ink and colors on silkmid-16thChinese C.62.3

Blue and green handscroll showing procession of riders and pack camels going through the mountains.

Freer Gallery, Smithsonian Institution

Chinese Unknown. 2nd Half of 13th C. Parrot and insect among pear blossoms.Square album leafChinese C.62.8

Green parrot with red spots, small brown insect surrounded by white pear blossoms.27.6 x 27.6 cmMuseum of Fine Arts, Boston.


Chinese Unknown. Ming Dynasty. Five-Clawed Dragon.Embroidery on fabricChinese C.62.7

Circular arrangement of black, blue and red dragon within circle.Yin-Yang symbol in center of dragon’s foot pads.Medallion for Emperor’s tunic.14th C Chinese art.K’oo-ssu technique of embroidery.Metropolitan Musem of Art

Church, Frederick Edwin, 1826-1900 Twilight in the Wilderness.painting, oil on canvas1860American C.66.1

Dramatic sunset with clouds with lake and several mountain ridges.40 x 50”Cleveland Museum of Art

Clark, Alson S. 1876-1949 Mission Cloisters, San Juan CapistranoPainting1921 C.67.01

36 x 46 oil on canvas. The Irvine Museum.

Cole, Thomas View near the Village of Catskill, 1827Painting, oil on wood panel1827American C.68.1

Pastoral view of American landscape. Light and vast distance emphasized. Hudson River School.Chimney smoke in background. 24 1/2” x 35”

Cole, Thomas, 1801-1848 The Voyage of Life: Childhood.Painting, oil on canvas1842American C.68.2

Infant/toddler in golden Baroque barge, tiller managed by angel, leaves the darkness of the cave andbegins a voyage through a panoramic landscape.Washington, National Gallery of Art52 7/8 X 76 7/8”

Cole, Thomas, 1801-1848. Voyage of Life: YouthPainting, oil on canvas1842American C.68.3

Youth heading out on clearly marked path toward his goal of achievement (an exotic building). Angelhas left the barge.Washington, National Gallery of Art.52 7/8 X 76 3/4”

Cole, Thomas, 1801-1848. Voyage of Life: Manhood.Painting, oil on canvas1842American C.68.4

Man clasping hands and rolling eyes as barge heads for rapids during a storm. The winds arepersonified. Rocky and bare panoramic landscape. Decimated tree. No rainbow! Guardian angel inclouds. Man seems unaware of her presence.Washington, National Gallery of Art52 7/8 x 79 3/4”

Cole, Thomas, 1801-1848. Voyage of Life: Old Age.Painting, oil on canvas1842American C.68.5

Dark storm clouds that look like war clouds part for the path of the guardian angel. The barge’s hourglass has been broken off. Peaceful appearing elderly man welcomes his guardian angel as shegestures to the path they will take.Washington, National Gallery of Art52 1/2 X 77 1/4”

Cole, Thomas, 1801-1848. View Near the Village of Catskill, 1827Painting1827American C.68.06

Pastoral view of American landscape. Light and vast distance emphasized. Hudson River School.Chimney smoke in background. 24 1/2” x 35”


Constable, John Dedham ValeC.70.3

Constable, John Salisbury CathedralC.70.4

Copley, John Singleton 1693-1786 The Honorable John IrvingPainting1772American C.75.02

Smith College Museum of Art, Oil on canvas, 50 1/2” x 40 1/2”. Portrait of a very austere looking manwearing a powdered wig. Portrait of the Boston merchant, The Honorable John Erving (c. 1772), givento the museum by his descendant, Alice Erving (Smith class of 1929). Copley's dignified, carefullyrendered likeness captures Erving's stern features even as the subject strikes a relaxed pose.

Copley, John Singleton 1693-1786 Paul Revere1768American C.75.10

Paul Revere holding a silver tea pot

Copley, John Singleton 1693-1786 Paul Revere1768American C.75.11

Paul Revere holding a silver tea pot

Copley, John Singleton 1738-1815 The Death of Major Peirson, 6th January 1781.Painting, oil on canvas1783American C.75.3

18th Century English Battle SceneFrench invasion of Isle of Jersey in 1781. Routed by young Peirson who died just as victory wasassured. Black was Peirson’s personal servant. Important in England because reassertion of Britishheroism after the American revolution.99” x 144”Tate Gallery, London

Copley, John Singleton, 1738-1815. Boy with a SquirrelPaintingAmerican C.75.4

Peter Pelham playing with squirel on a chain. Painted for admission to Royal Academy in London.

Corot, (Jean-Baptiste) Camille (1796-1875) Farm at Recouvrieres, NievrePainting, oil on canvasFrench C.80.1

View of French farm showing family and home, barn, horses and haywagon. Woman washing clothes instream that passes through the farm.Museum of Fine Arts, Boston.

Corot, (Jean-Baptiste) Camille (1796-1875) Point au ChangeC.80.2


Corot, (Jean-Baptiste) Camille (1796-1875) Residence and Factory of M. HenryC.80.3

Cox, John Rogers, 1915-1990. Grey and GoldPainting, oil on canvas1942American C.85.1

Storm clouds on the horizon and golden wheat fields.35.75 x 49.5”Cleveland Museum of Art

Cranach, Lucas The Stag HuntC.125.1

Crite, Allan Rohan 1910- Parade on Hammond StreetPainting1935American C.95.01

18 x 24”. Oil on Canvas board. Painted in predominantly warm colors, this urban genre scene focuseson an African-American neighborhood where residents have gathered to watch a Sunday parade.beginning of a procession of musicians, with a bandleader marching out in front wearing a high plumedhat and holding a baton. The performers wear blue and white uniforms and march before an appreciativeand well-dressed audience

Crite, Allan Rohan 1910- Parade on Hammond StreetPainting1935American C.95.02

18 x 24”. Oil on Canvas board. Painted in predominantly warm colors, this urban genre scene focuseson an African-American neighborhood where residents have gathered to watch a Sunday parade.beginning of a procession of musicians, with a bandleader marching out in front wearing a high plumedhat and holding a baton. The performers wear blue and white uniforms and march before an appreciativeand well-dressed audience

Currier & Ives (Frances Palmer and James Ives Across the Continent: "Westward the CoursePaintingAmerican C.130.04

For most of the century, the New York firm of Nathan Currier and James Ives was immensely popularas "Publishers of Colored Engravings for the People." Their prints of familiar American scenes, sellingfor 5¢ to 25¢ apiece, were easy to understand and were executed without artiness. This famouslithograph by Ives from an original drawing by Fanny Palmer fairly teems with icons of the nation's faithin its "manifest destiny": a frontier settlement at the edge of civilization is the last stop on the wagontrail, while newly-laid train tracks stretch west to the horizon. On the cars is lettered Through Line New

Currier and Ives Gold Mining in CaliforniaPaintingAmerican C.130.05

Museum of New York City

Currier and Ives The Whale FisheryPaintingAmerican C.130.6

Museum of the City of New York

Currier and Ives The Life of a FiremanPaintingAmerican C.130.07

The Museum of the City of New York


Currier and Ives San Francisco, California in 1878Painting1878American C.130.09

Birds Eye view from the Bay looking south-west

Currier and Ives San Francisco 1849Painting1849American C.130.10

“Drawn on the spot by Henry Firks.” Shows California street and Montgomery in foreground.

Currier and Ives San Francisco 1849Painting1849American C.130.12

“Drawn on the spot by Henry Firks”

Currier and Ives Trotting Cracks at the ForgePainting1869American C.130.13

Currier and Ives View of the Town and Harbour of SanPainting1851American C.130.11

“Drawn on stone by W. Boosey from a sketch by Capt. Collinson, R.E.”

Currier, Nathaniel (1813–1888) and James Champions of the MississippiPaintingAmerican C.130.08

Museum of the City of New York

Curtis, Phillip C. 1907-2007 Mountain VillagePainting1955American C.140.01

24 x 36”. Oil on board. Phoenix Art Museum. Mix of real and unreal village scene

Dali Salvatore 1904-1989 Swans Reflecting ElephantsPainting1937Spanish D.10.06

Sussex, UK, the Bridgeman Art Library. 20 x 30 1/3”. Barren landscape.

Dali, Salvador 1904-1989 Persistence of MemoryPainting; Oil on Canvas1931Spanish D.10.3

Surrealistic icon of limp watches hanging in landscape.9 1/2” x 13”Museum of Modern Art, New York


Dali, Salvatore Atomic Idylle and Uranic Melancholic PersonPainting1945Spanish D.10.04

In 1945, under the impression of the August 6th Hiroshima atomical weapon explosion, Salvador Dalípaintet his painting Idylle atomique et uranique mélancolique With this paintings he introduced a newtechnique which he called "nuclear" or "atomic" painting.

Dali, Salvatore 11904-1989 Persistence of MemoryPainting1931Spanish D.10.05

Surrealistic icon of limp watches hanging in landscape.9 1/2 x 13”. MOMA.

Daumier, Honore 1808-1879 Crispin and ScapinPainting1858-French D.20.04

Two men. One whispering into the other’s ear.

Daumier, Honore 1808-1879 CartoonDrawing1842French D.20.02

the Metropolitan Museum of Art and the NY Public Library. Political Cartoon addressing the medical field.

Daumier, Honore 1808-79 The UprisingPainting, oil on canvasFrench D.20.03

34.5” x 44.5”. the Philips Collection, D.C. Focal point is mad in white shirt with arm uplifted. Strongdiagonal line. Has a courtroom artist feeling about it.

David, Jacques Louis Bonaparte at Mont St. BernardPainting1801-05French D.30.1

Bonapart on horseback at Mont St. Bernard

David, Jacques Louis Bonaparte at Mont St. BernardPainting1801-05French D.30.4

Bonapart on horseback at Mont St. Bernard

David, Jacques-Louis, 1748-1825 Oath of the Horatii.Painting, oil on canvas1786French D.30.3

A reduction of the work in the Louvre. Addition of a spindle by the women.Based on story by Livy.51 1/4” X 65 5/8”(Toledo Museum of Art)Three brothers taking a win or die oath with their father while wifes show emotions of grief and anguish.Background likes a stage set. An icon of Neo-Classicism.

David, Jacques-Louis, 1748-1825 Oath of the Horatii.Painting, oil on canvas1784French D.30.2

Three brothers taking a win or die oath with their father while wifes show emotions of grief and anguish.Background likes a stage set. An icon of Neo-Classicism. This reproduction older than D.30.3 (thereduction).11’ X 14’Paris, The Louvre


Davis, Stuart (1894-1964) Combination ConcretePaintingAmerican D.45.4

Urban collage using primary colors

Davis, Stuart 1894-1964 Abstract Vision of New York; A building, aPainting; Oil on Canvas1932American D.45.2

Collage-like view of New York City

West Palm Beach, Norton Gallery of Art

Davis, Stuart, 1894-1964 International Surface No 11960American D.45.3

Abstract of words and number in red and green, white and black.National Museum of American Art, Smithsonian Institution

DeForest, Roy Country dog gentleman.Painting, polymer on canvas1972American D.48.1

Cluster of dogs with prominent eyes in fantasy landscape 66 3/4” x 97”

DeForest, Roy Country dog gentleman.Painting, polymer on canvas1972American D.48.03

Cluster of dogs with prominent eyes in fantasy landscape 66 3/4” x 97” . SFMOMA

DeForest, Roy (1930-2007) Out WestPainting, polymer on canvas1977American D.48.2

Riders, horse, and dogs in polka dot landscaped.72 3/8 x 72 1/4”Virginia Museum of Fine Arts

Degas, Edgar 1834-1917 Dancers in PinkPaintingc1876French D.50.14

Oil on canvas. 23 1.4x 29 1/4 inches. Hill-Stead Museum, Farmington, Conn. Several dancers in pinkwaiting backsstage. One bright spot is middle girl’s earring.

Degas, Edgar, 1834-1917 Racehorses in a landscape.Pastels on tracing paper1894French D.50.12

18 1/2” x 25 3/16”Thyssen-Borneminza CollectionRacehorses being walked. Jockeys in brilliant silks in a brilliant meadow.

Degas, Edgar, 1834-1917. Family Portrait also called the Bellelli Family.Painting, oil on canvas1858-67French D.50.11

Somber portrait of family. Interior includes fine art portrait.. Patterns in wallpaper and carpet.Musee d’Orsay


Degas, Edgar. 1834-1917 Dancers at the BarPrint1900French D.50.13

Oil on Canvas. 51 1/4” x 38 1/2 “. Philips Collection in Washington, D.C.

Delacroix, Eugene Young Tiger Playing with Its MotherPainting, oil on canvas1858-67French D.53.2

Tigress and cub lying on rocky precipice.

Derain, Andre Bridge over the RiouPainting1906French D.60.6

Oil on canvas, 32 1/2” x 40”. The William Paley Collection, Museum of Modern Art.

Derain, Andre, 1880-1954 The Red Sails.Painting, oil on canvas1906French D.60.5

Brilliantly colored sail boats in a harbor.Private collection

Derain, Andre, 1880-1954. Turning Road, L’Estaque.Painting, oil on canvas1906French D.60.4

Brilliantly colored landscape with people. Strong red and blues. Color and shapes abstract.Houston, Museum of Fine Arts

Diebenkorn, Richard 1922-1993 Berkeley #57Painting, oil on canvas1955American D.63.1

Abstract with brilliant colorsBay Area artist58 3/4 x 58 3/4”SFMOMA

Dixon, Maynard Mesas in shadowPainting, oil on canvas1926American D.68.1

Southwestern landscape30 1/4” x 40 1/4/”Brigham Young University, ProvoAdded 1994

Doughty, Thomas Catskill LandscapePainting1830sAmerican D.69.1

Peaceful landscape of the Catskills with meadows, low hills, and river.Addison Gallery of American Art, Phillips Academy, Andover

Dove, Arthur Garfield, 1880-1946 Dancing Willows.Painting, tempera on canvas1943-44.American D.70.2

Museum of Fine Arts, BostonAbstract composition27 X 36”


Dove, Arthur Garfield, 1880-1946. Mars, Orange and GreenPainting, oil on canvasAmerican D.70.1

Abstract compositionPre-1970 reproduction.

Duchamp, Marcel (28 July 1887 - 2 October 1968 Nude Descending a Staircase (II)Painting1912French D.75.02

Oil on canvas. 57 7/8” x 35 1/8”. Philadelphia Museum of Art. A major piece of art in the early history of20th Century Abstraction. Shows motion

Dufy, Raoul 1877-1953 Pier and Promenade at NicePaintingFrance D.80.7

Brush strokes that look like ink line drawing on top of wash.(quick line on top of fauve color)Dufy a fauve

Dufy, Raoul, 1877-1953 Paris.Painting, oil on canvas1934French D.80.8

Line drawings of Parisian landmarks on a pastel background that includes weather and day and night.77 1/4 x 61 5/8”Los Angeles County Museum of Art

Durand, Asher Brown (1796-1886) The Beeches.Painting, oil on canvas1845American D.88.1

Distinct fore-, middle-, and backgrounds.Shepherd in mid-ground following flock past water. End or beginning of day.

Metropolitan Museum of Art, NYFollow up to Making a Nation

Durer, Albrecht, 1471-1528 The Four Horsemen of the ApocalypsePrint, Woodcut printc.1497-98German D.90.2

Black and white print of four horsemen. Originally used to illustrate The Bible.

Durer, Albrecht, 1471-1528 Self-portraitPainting, oil on panel1498German D.90.3

Three-quarters view with landscape through window.Prado, Madrid

Durer, Albrecht, 1471-1528 The Field HareWatercolor1502German D.90.4

Animal watercolor painting on paper of a field hare

Duveneck, Frank, 1848-1919 Gloucester Harbor.PaintingAmerican D.110.1

Peaceful painting of shore of harbor from ship. Interesting treatment of water and reflections. Artistfather of founder of Hidden Villa.


Eakins, Thomas Baby at PlayPainting1876American E.10.12

32 1/4” x 48 3/8” National Gallery of Art, Washington D.C.

Eakins, Thomas (1844-1916) The Biglin Brothers Turning the StakePainting, oil on canvas1873American E.10.10

Two man scull behind blue-flagged stake on river race course.401/2” x 601/4”Cleveland Museum of Art

Eakins, Thomas 1844-1916 The Biglin Brothers RacingPainting; Oil on canvas1872American E.10.8

Biglin brothers in blue racing hats pulling ahead of competition in double scull.Horizontal arrangement22 1/8” x 36 1/16”National Gallery, Washington

Eakins, Thomas 1844-1916 John Biglin in a Single SkullPainting, Oil on Canvas1973-4American E.10.11

24 5/16” x 16”Yale University Art Gallery, New Haven, Conn.Close up view of a single sculler. Posed in the act of rowing. Complimentary Rust and Blue colors.John Biglin was supposedly the first sports star.

Eakins, Thomas 1844-1916 The Biglin Brothers Turning the StakePainting; Oil on canvas1873American E.10.13

Biglin brothers in blue racing hats pulling around the stake marker on the Schuylkill River in 187240 1/2" x 60 1/4"Cleveland, Cleveland Museum of Art

Eakins, Thomas, 1844-1916 Mending the Net.Painting1881American E.10.9

Genre painting of men mending large net.near the water. Story. Low horizon. Quiet mood.32 1/8” x 45 1/8”Philadelphia Museum of Art

Egyptian unknown Portrait of a ManPainting: encaustic on woodc. 117-161 ADEgyptian E.15.1

Naturalistic portrait of man with beard and curly hair.Funerary artFrom Fayyum CemeteryMetropolitan Museum of Art

Egyptian unknown Funerary model of man plowing with a yoke ofSculptureEgyptian E.15.2

Man holding plow pulled by two oxenMetropolitan Museum of Art

Egyptian unknown Fields of the blestWall painting (copy)Egyptian E.15.3

Detailed tomb painting of Egyptian agricultural products and methods. Shows presentation of foods togoddess Nut, who appears as a Sycamore Tree. The dead couple also are shown plowing and sowingin the garden of Paradise. Painting shows Palms and Sycamore Trees.Wall painting in tomb of Sennedjem in Thebes. New Kingodm, 19th Dynasty, 13th Century B.C.


Egyptian unknown Presentation of the cupWall paintingEgyptian E.15.4

Funerary scene. Seated couple receiving the cup. Tomb wall painting.

Egyptian unknown Chasse dans le MaraisWall paintingEgyptian E.15.5

Stylized hunter on boat on Nile. Shows wild life in river and air. Hieroglyphs in background, Wild life innaturalistic manner.

Egyptian unknown Head of a Princess (daughter of AkhenatenSculpture, brown quartzitec.1348-46 BCEgyptian E.15.6

Close-up of face of sculpture.Chip out of noseBrown quartzite - traces of red paint on lips. Elongated skull Part of a composite statue.8 1/2” x 5 1/4” x 6 7/8” (nearly life sized.Berlin, Egpytian Museum.

Egyptian unknown [Stylized eye]Wood carvingEgyptian E.15.7

Wood carving with remnants of plaster and paints. Eye surrounded by hierogylphs.Louvre, Paris

Egyptian unknown Nebanum Hunting in the MarshesTomb paintingc. 1400 B.C.Egyptian E.15.8

Family hunting in the marshes18th Dynasty, New KingdomBritish Museum, London

Egyptian unknown Coffins of HenettawyCoffin, gessoed and painted woodc.1050-1000Egyptian E.15.8

Views of three nested coffins.Metropolitan Museum of Art, NYDynasty 21, Late PeriodOuter coffin is 79 7/8” long

Egyptian unknown Funerary maskMask, gold and semi-preciousc.1333-1323Egyptian E.15.10

Tutankamon’s solid gold death mask.18th Dynasty, New KingdomCairo. Egyptian Museum.

Egyptian unknown Slab stela of Prince Wep-Em-NefretRelief carvingEgyptian E.15.13

4th DynastyPainted limestone18” ht. x 26” w x 3” d

Egyptian unknown The Three Pyramids of GizaArchitectureEgyptian E.15.14

Panoramic photograph of the three main pyramids at Giza from base up.


Egyptian unknown. Hathor and King Seti I.Relief carvingc. B.C. 1300Egyptian E.15.15

From a limestone pillar in the tomb of Seti in the Valley of the Kings. Painted relief cut plaster onlimestone. Hathor is holding out her menit necklace as a symbol of his rebirth.New Kingdom, 19th DynastyOver 7’ high and about 4’ wideParis, The Louvre

Egyptian unknown. Cover from Tutankhamen’s coffinCoffinc. 1340 B.C.Egyptian E.15.16

Torso of lid show crossed arms with crook and flail, ceremonial, and animals of two of two Egypts onnemes headdress displayed against papyrus with script.

Egyptian unknowns Egypt at the LouvreMuseum posterEgyptian E.15.12

Museum composite of 16 different artifacts

Egyptian, unknown Scribe, statue of the boundery official Kai.Sculpturec.2500-2450Egyptian E.15.11

Front view of tomb sculpture.5th Dynasty, Old KingdomLouvreht. 20 7/8 “

English unknown after John de Critz Queen Elizabeth IPaintingEnglish E.32.1

Miniature portrait in oil of Elizabeth I of EnglandE.32.1

Escher, M. C. Sky and Water IBlock Print1938Dutch E.30.4

woodcutplane consisting of birds and fish

Escher, Maurits Cornelis, 1898-1972. Still life and streetPrint1937Dutch E.30.11

Black and while illusionist combination of still life and street scene.

Escher, Maurits Cornelis, 1898-1972. Hand with Reflecting Sphere.Lithograph1945Dutch E.30.2

12 1/2” x 8 3/8”Black and white self-portrait in sphere.

Escher, Maurits Cornelis, 1898-1972. Still life and streetPrint1937Dutch E.30.12

Black and while illusionist combination of still life and street scene.


Estes, Richard Telephone BoothsPainting1967American E.32.02

Acrylic on masonite122 x 175,3 cm . Museo Thyssen-Bornemisza, Madrid . Acrylic on masonite122 x 175 “Representation of an urban corner shows us some telephone booths whose users have their backs turned to us. The citymarks its protagonism through the reflection of shops and signs in the shiny aluminium of the booths, where the manEstes, Richard (1936- Telephone Booths

Painting1967American E.32.01 Acrylic on masonite122 x 175,3 cm . Museo Thyssen-Bornemisza, Madrid . Acrylic on masonite122 x 175 “Representation of an urban corner shows us some telephone booths whose users have their backs turned to us. The citymarks its protagonism through the reflection of shops and signs in the shiny aluminium of the booths, where the manEstes, Richard, 1936- Central Savings.

Painting, oil on canvas1975American E.32.2Diner in cityscape. Red stools.Nelson-Atkins Museum of Art, Kansas City.

Exekias Marriage ProcessionCeramic540 B.C.Greek E.50.1

Terracotta black-figure neck-amphora vase with cover 18.5”Height,

Feininger, Lyonel 1871-1956 The ChurchPaintingGerman F.20.01

the Met.

Feininger, Lyonel 1871-1956 The Arch Tower , IPainting1923-26American born F.20.02

the Kunstmuseum, Basel. 24 x 18.7”.Cubistic village scene.

Feininger, Lyonel 1871-1956 Old LocomotivePaintingAmerican born F.20.03

Old Locomotive with people in foreground.

Florine Stettheimer (1871-1948) Spring Sale at Bendel’s1921American S.240.01

Forbes, Bart In Support of the 1992 US Olympic TeamPoster mixed media1991American F.28.1

Sprinters leaving starting blocks. Elevated side view.


Foster, Les Snow SentinelPainting1988American F.30.01

white owl

Foujita, How Do I FeelPainting1949 F.31.1

Girl sitting in booth with letter, pen and ink, and glass of wine

Frankenthaler, Helen (1928- ) Blue atmosphere1963American F.40.1

AbstractCollection of the Artist

Frankenthaler, Helen (1928- ) Jacob’s ladderPainting, oil on unprimed canvas1957American F.40.2

MOMA, New York9’5 3/8” X 69 7/8”

Freake-Gibbs Painter, attributed (active c. 1670) The Mason Children; David, Joanna, andPainting, oil on canvas1670American F.50.2

Three colonial children. Boy holds a decorated walking stick and gloves, the next oldest girl a fan,youngest a rose39” x 42 1/2”

Freake-Gibbs Painter, attributed (active c. 1670) The Mason Children; David, Joanna, andPainting, oil on canvas1670American F.50.3

39” x 42 1/2”De Young Memorial Museum, SF.Three colonial children. Boy holds a decorated walking stick and gloves, the next oldest girl a fan,youngest a rose

Freake-Gibbs Painter, attributed (active c. 1670) Elizabeth Clarke Freake (Mrs. Freake) andOil on Canvas1671 & 1674American F.50.1

Portrait of Elizabeth Clarke Freake and baby Mary42 1/2 " x 36 34"Worcester Art Museum

Fukae Roshu, 1699-1757 The Path Through Mount Utsu, Scene from The Two Panel screen, ink, colors andJapanese F.80.1

Abstract shapes. Kimono clad hero appears to float through scenery. Gold background.28 1/2/” x 74”Asian Art Museum, San Francisco

Gainsborough, Thomas 1727-1788 The Blue BoyPainting1770English G.10.02

The Huntington Library, Portrait of Jonathan Buttall, the son of a successful hardware merchant, whowas a close friend of the artist. The artist has dressed the young man in a costume dating from about140 years before the portrait was painted. This type of costume was familiar through the portraits of thegreat Flemish painter, Anthony van Dyck (1559-1641), who was resident in England during the early 17thcentury. Gainsborough greatly admired the work of Van Dyck and seems to have conceived The BlueBoy as an act of homage to that master.


Garcia, Rupert, 1941- Frida Kahlo.Print, silk screen.1990American G.15.1

Portrait created by shapes of color24” x 19”Achenbach FoundationFine Arts Museums of San Francisco.

Garnett, Robert S. The Great Seal of The State of CaliforniaEngraved seal1849American G.20.01

Official seal of the State of California

Gauguin, Paul, 1848-1903 A vase of flowersPainting, oil on canvas1896French G.30.9

Brilliant colored floral arrangementNational Gallery, London

Gauguin, Paul, 1848-1903 Woman with Mango or Vahine no te viPainting1892French G.30.03

Baltimore Museum of Art. oil on canvas

Gauguin, Paul, 1848-1903 Landscape Near Pont-AvenPainting1888French G.30.05

Norton Simon collection. 29” x 36 1/4”.

Gauguin, Paul, 1848-1903 The SiestaPainting1894French G.30.06

oil on canvas. 34 1/4” x 45 3/4”. National Gallery of Art. Women sitting on a patio resting.

Gauguin, Paul, 1848-1903 Entrance to a VillagePaintingFrench G.30.10

Gauguin, Paul, 1848-1903 When Will You Marry Me?Painting1892French G.30.07

oil on canvas, 41 3/8” x 30 1/2”. National Gallery of Art, Washington D.C.Tahitian women. Perhaps girl and mother outdoors.

Gauguin, Paul, 1848-1903 Landscape ArlesPaintingFrench G.30.11

Landscape with Haystack and house


Gauguin, Paul, 1848-1903 Breton LandscapePaintingFrench G.30.12

Landscape with ppl in foreground

Gauguin, Paul, 1848-1903 Still Life with Three PuppiesPainting, oil on canvas1888French G.30.8

Three puppies on table drinking out of sauce pan surrounded by tableware. A small still life is in theforeground.Museum of Modern Art, New York91.8 cm x 62.6 cmFusion of Cezanne and Japanese prints.

Giotto, Ambrogio Saint Franciscos de Oiseaux (St. FrancisPainting1297-99French G.40.1

Saint Francis preaching to the birds

Gorman, R.C. 1932-2005 MaraPainting1988American G.50.01

25 x 31 inches. Sunbird Gallery, Los Altos, CA. Native American woman, partially reclined.

Goya, Francisco, 1746-1828 Time. (Old Women)Painting1814Spanish G.70.6

Oil on canvasTwo elegant crones with death angel? Father Time?Musee des Beaux-Artes, LillePoster from Metropolitan Museum

Goya, Francisco, 1746-1828 Don Manuel Osorio Manrique de Zuniga.Painting, oil on canvasc. 1788Spanish G.70.4

Formally dressed four year old boy surrounded by cats, caged birds, and one bird on leash.Metropolitan Museum, New York

Goya, Francisco, 1746-1828 The SeesawPainting, oil on canvas1791-2Spanish G.70.8

Tiff on the playground32 7/16” X 65 3/8”Philadelphia Museum of Art

Goya, Francisco, 1746-1828. The Third of May, 1808 (Executions)Painting, oil on canvas1814-15.Spanish G.70.7

French troops with backs to viewer executing citizens of Madrid. Night or early morning. Light source alantern. City in darkness in background adds to intensity of painting.8’9” x 13’4”The Prado, Madrid

Greco, El View of ToledoPainting, oil on canvasSpanish G.77.4


Greco, El View of ToledoPainting, oil on canvasSpanish G.77.5

Greco, El (Domenikos Theootokopoulos)1541 Saint Martin and the Beggar.Painting, oil on canvas1597/9Spanish G.77.3

Armored St. Martin on white horse.75 1/8” x 38 5/8”National Gallery, Washington, DC

Greco, El (Domenikos Theotokopoulos) 1541 View of ToledoPainting, oil on canvasc.1600-1605Spanish G.77.1

View of Toledo as seen from other side of the river. Dramatic sky. Some buildings exist today.

47 3/4/” x 42 3/4”Metropolitan Museum of Art

Greco, El (Domenikos Theotokopoulos) 1541 Virgin with St. Ines and St. Tecla.Painting, oil on canvas1597/99Spanish G.77.2

Virgin and child in clouds with angels and cherubim.76 1/8” x 40 1/2”National Gallery, Washington, DC

Gregory of Nazianzos Portrait from the Liturgical Homilies of St,Tempera and gold on vellumc.1150Greek G.79.1

Stylized Byzantine city26” x 16 1/4”Holy Monastary of St. Catherine, Mt. Sinai, Egypt.

Grooms, Red, 1937- Chance Encounter at 3 a.m..Painting1984American G.90.1

Washington Square, NYCTwo painters listen to the museLots of detail to exploreWinter night scene.

Grooms, Red, 1937- Fast BreakSculpture, painted wood and1983-84American G.90.2

Basketball game caught mid-slam dunk.

Han, Kan (Att.) Tartars bringing a tribute of horses.Handscroll, colors and ink on silk8th Century,Chinese H.13.1

12th Century, Song Dynasty, copy of Han Kan’s design. Ornate silk blankets cover one black and onewhite horse being led by12 3/16” highFreer Gallery of Art

Hansen, Armin 1886-1957 Men of the SeaPaintingAmerican H.15.1

Two fishermen, one carrying green oars, walk through California landscape with Monterey Bay inbackground.Hansen one of founders of Carmel Art AssociationMonterey Peninsula Museum of ArtMonterey Bay in the 1920”sAdded 1997


Harnett, William M 1848-1892. Music and Literature.Painting, oil on canvas1878American H.20.3

Buffalo, Albright MuseumFollow up to Making a Nation

Harnett, William, !848-1892 Banker’s TablePainting, oil on canvasAmerican H.20.1

NY, Metropolitan Museum,Follow up to Making a Nation

Hassam, Childe Allies Day, May 1917Painting1917American H.40.02

Hassam, Childe, 1859-1935 Rainy day, Boston.Painting, oil on canvas1885American H.40.3

Wide streets, carriages, umbrellasDerivative of Caillbotte.26 1/8” x 48”Toledo Museum of Art

Heald, David (photographer) The Solomon R. Guggenheim MuseumPhotograph1996American G.100.01

an exterior photograph of the Guggenheim Museum N.Y.

Hicks, Edward 1780 - 1849 The Peaceable KingdomPaintingca. 1846American H.70.80

25” x 28 1/2”. De Young. Multiple animals including American Eagle and Dove. Ship in river. WilliamPenn and American Indians. Animals and Children foreground.

Hicks, Edward 1780 - 1849 Cornell FarmPainting1849American H.70.09

National Gallery. 36 3/4 x 49 in.

Hicks, Edward 1780 - 1849 The Peaceable KingdomPaintingca. 1846American H.70.81

25” x 28 1/2”. De Young. Multiple animals including American Eagle and Dove. Ship in river. WilliamPenn and American Indians. Animals and Children foreground.

Hicks, Edward, 1780-1849 The Peaceable Kingdom, ca 1846Painting, Oil on canvasca 1846American H.70.4

Basic peaceable kingdom composition with ship, Wm Penn and Indians, bald eagle Female figure byeagle thought to represent liberty. Classified as a “risen leopard” peaceable kingdom.25” x 28 1/2”Fine Arts Museum, San Francisco


Hicks, Edward, 1780-1849 The Peaceable KingdomPainting, Oil on canvasmid 1830’sAmerican H.70.2

Typical peaceable kingdom composition with Wm Penn and Indians, 3 children, large grouping ofanimals“Seated lion” series.Brooklyn Museum.

Hicks, Edward, 1780-1849 The Residence of David Twining, 1787.Painting, oil on canvasc. 1846American H.70.5

Second of four versions of this painting.Originally painted as a gift for the Twining family. Includes David and Elizabeth Twining., Caesar, theTwinings’ freeman, Mary Twining and her fiance, Jesse Leedom. (Some think he is putting wrong foot instirrup).Beulah Twining is in the doorway.Abby Aldrich Rockefeller Folk Art Center, Williamsburg26 1/2/” x 31 1/2”

Hicks, Edward, 1780-1849 Peaceable Kingdom.Painting,American H.70.7

Child is G. Washington dress in red, white, and blue. Autumn foliage. Heavy with lettering. Boat in river.Philadelphia Museum of Art

Hicks, Edward,1780-1849 The Peaceable Kingdom of the BranchPainting, oil on canvasc. 1830-1840American H.70.6

Small group of animals in foreground with decidely contented wild animals. Title and verse painted onthe frame. A natural bridge with Hick’s as stonemason.32 1/4” x 37 3/4”Abby Aldrich Rockefeller Folk Art Center, Williamsburg, VA

Hiroshige, Ando, 1797-1858 The Drum Bridge and Sunset Hill, Meguro (OnePrint, woodblockc. 1857Japanese H.85.2

Winter landscape showing people in peasant clothing.James Michener Collection, Honolulu Academy of Arts.

Hiroshige, Ando, 1797-1858 A Sudden Shower at Ohashi.Print, woodblock1833Japanese H.85.1

Metropolitan Museum of Art, NY

Hockney, David (1937- ). Garrowby HillPainting, oil on canvas1998English H.101.3

Blue road going through farm land.60 x 76”Museum of Fine Arts, Boston

Hockney, David, 1937- Mount Fuji and FlowersAcrylic on canvasEnglish H.101.2

Single flower stalk in bamboo vase against blue background (water?floating world?) and Mount Fuji.Metropolitan Museum of Art

Hockney, David, 1937- Nichols CanyonPainting, acrylic on canvas1980English H.101.1

84” x 60”Private collection


Hockney, David, 1937- Los Angeles 1984 Olympic Games(Poster for).Poster of photo montage1982English H.101.4

Swimmer in pool. Water broken into 12 squares.

Hockney, David, 1937- Nichols CanyonPainting1980English H.101.05

84” x 60”Private collection

Hokusai, Katsushika, 1760-1849 The Great WavePrintJapanese H.115.6

closer to orignal size image; carried in Art You Know for reference.

Hokusai, Katsushika, 1760-1849. Rooster.Painting?Japanese H.115.2

Rooster appearing to look into foliage.No ground.Great personality.Freer Gallery at the Smithsonian Institute.

Hokusai, Katsushika, 1760-1849. Great Wave off Kanagawa.Print, woodblockLate 1820’sJapanese H.115.3

From Thirty-six Views of Mt. FujiMetropolitan Museum of Art, New York.

Hokusai, Katsushika, 1760-1849. Boy and Mount Fuji.Japanese H.115.4Young boy sitting on tree branch looking at Mt. Fuji. Cascade in foregroundFreer Gallery

Hokusai, Katsushika, 1760-1849. Under the Wave off Kanagawa.Print, wood blockc.1830Japanese H.115.5

25.9 cm x 38.5 cmHonolulu Academy of Arts.

Holbein, Hans (1497-1543) Edward VI as a ChildEnglish H.112.1

Homer, Winslow The Fog WarningPainting, oil on canvas1885American H.120.26

Halibut fisherman in row boat rowing back to his ship before fog settles in.


Homer, Winslow The Bright Side, 1865Painting, oil on canvas 1865American H.120.27

Five African-Americans resting in sun against tent in Civil War encampment.12 3/4” x 17”

Homer, Winslow (1836-1910) NortheasterPainting, oil on canvas1895American H.120.40

34 1/2” x 50”Metropolitan Museum of ArtStormy surf crashing against rocksIn 1902 Ptg. won the gold medal in Philadelphia and Charleston, SC.

Homer, Winslow (1836-1910) NortheasterPainting, oil on canvas1895American H.120.41

34 1/2” x 50”Metropolitan Museum of ArtStormy surf crashing against rocksIn 1902 Ptg. won the gold medal in Philadelphia and Charleston, SC.

Homer, Winslow 1836–1910 Boys in a PasturePainting1874American H.120.13

MFA, Boston. Oil on canvas. Triangular shape formed by the boys, gives an architectural stability to thecomposition and lends a sense of permanence to the scene. Painted from a vantage point close to theground, which raises the horizon and gives the pasture an enhanced sense of boundlessness andfreedom. The triangle formed by the boys that echoes the shape of the straw hat and points in thedirection of the boys’ gaze, which is to a horizon so distant that it lies beyond the edge of the worlddefined by the frame.

Homer, Winslow, 1836-1910 The Morning BellPainting; Oil on canvasc. 1866American H.120.22

Girls going to work at New England mill.24” x 38 1/4/”Yale University Art Gallery

Homer, Winslow, 1836-1910 Waterfall in the AdirondacksPainting; watercolorAmerican H.120.23

Flyfishing in front of waterfalls“Powerful nature”

Homer, Winslow, 1836-1910 The Dinner HornPainting; oil on canvas1870American H.120.24

Woman blowing the dinner horn.Farm workers in distance.9 1/4” x 13 1/4”National Gallery, Washington

Homer, Winslow, 1836-1910 In Charge of BabyPainting,watercolor on paper1873American H.120.25

Children admiring toddler in shade of umbrella and pier at the beach.8 1/2” x 13 1/2”National Gallery, Washington, DC

Homer, Winslow, 1836-1910 The veteran in a new field.Painting,oil on canvas1865American H.120.28

Man using cythe to cut head high golden grain. Jacket and canteen on ground.Metropolitan Museum of Art


Homer, Winslow, 1836-1910 Weaning the calfPainting, oil on canvasAmerican H.120.29

Farm scene with children, animals and haystacks. Strong horizontals Subtle slavery issue as theme.24” x 38”Raleigh, North Carolina Museum of Art

Homer, Winslow, 1836-1910 Snap the WhipPainting1872American H.120.16

12 x 20 in. the Met.a group of boys at play in front of a rural schoolhouse, this is Homer's best-known genre painting.

Homer, Winslow, 1836-1910 Snap the WhipPainting1872American H.120.17

12 x 20 in. the Met.a group of boys at play in front of a rural schoolhouse, this is Homer's best-known genre painting.

Homer, Winslow, 1836-1910. The Red Shirt, Homosass, Florida.Painting; watercolor over graphite1904American H.120.32

Person in red shirt canoeing in front of grove of palm trees.13 7/8” x 19 3/4”National Gallery of Art, Washington

Homer, Winslow, 1836-1910. Breezing up (A fair wind)Painting, oil on canvas1873-1876American H.120.18

24 3/16” x 38 3/16”National Gallery of Art, WashingtonThree boys with bearded fisherman in cat boat keeling. Schooner and light house in distance).

Homer, Winslow, 1836-1910. The Country School.Painting, oil on canvas1871American H.120.31

One room school house, spring time.

21 3/8” x 38 3/8”St. Louis Art Museum


One room school house.(mounted on black)

Homer, Winslow, 1836-1910. The Herring NetPainting, oil on canvas1885American H.120.34

two fishermen pulling in net filled with herring. Mother ship on horizon. Choppy water.29 1/2” x 47 1/2”Chicago, The Art Instute

Homer, Winslow, 1836-1910. Home, Sweet HomePainting1863American H.120.35

Oil on canvas. 21 1/2” x 16.1/2” National Gallery of Art in Washington D.C.



One room school house, spring time.

21 3/8” x 38 3/8”St. Louis Art Museum

Hooch, Pieter de 1629-after1683 The Pantry (or sometimes called The CellarPaintingDutch H.125.01

Amsterdam, Rijksmuseum. Oil on canvas.

Hooch, Pieter de 1629-after1683 The Pantry (or sometimes called The CellarPaintingDutch H.125.02

Amsterdam, Rijksmuseum. Oil on canvas. Mother instructing child how to draw a beverage from a cask.

Hopper, Edward 1882-1967 Seven A.M.Painting1948American H.130.13

Oil on canvas 76x102cm. Whitney Museum of Art. Store front window with forested area in background.Old cash register seen through the window.

Hopper, Edward 1882-1967 The Lighthouse at Two LightsPainting, oil on canvas1929American H.130.9

Tower and house viewed from below on a sunny day. Great sunlight on walls.Metropoitan Museum of Art

Hopper, Edward 1882-1967 Lighthouse at Two LightsPainting1929American H.130.12

The Met. Dramatic silhouette of the 120-foot-high lighthouse tower and adjoining Coast Guard stationagainst the open expanse of blue sky. Set on a rocky promontory in Cape Elizabeth, Maine — though nowater is visible in the painting — the architecture is bathed in bright sunlight offset by dark shadows

Hopper, Edward, 1882-1967 Chop sueyPainting1929American H.130.5

Strong color scheme.Two sophisticated women in cloche hats having tea in Chinese restaurant.Important American painterOil on canvas32” x 38”Private collection.

Hopper, Edward, 1882-1967 Lighthouse and buildings, Portland Head.Painting, watercolor1927American H.130.7

View of lighthouse looking out at sea. On a windless day. Sun off to the right.13 1/2”x 19 1/2”

Hopper, Edward, 1882-1967 Lighthouse and buildings, Portland head.Watercolor1927American H.130.8

View of lighthouse from landWatercolor13 1/2” x 19 1/2”Boston, Museum of Fine Arts


Hopper, Edward, 1882-1967 NighthawksPainting1942American H.130.3

33 3/16” X 60 1/8”Art Institute of ChicagoGreenwich All Night Diner w/ employee and three customers.

Hopper, Edward, 1882-1967 NighthawksPainting1942American H.130.10

33 3/16” X 60 1/8”Art Institute of ChicagoGreenwich All Night Diner w/ employee and three customers.

Hopper, Edward, 1882-1967 New York MoviePainting, oil on canvas1939American H.130.11

32 1/8” x 40 1/8”. MOMA. Usherette at dimly lit movie house interior. Light is on uniformed Usherette,waiting for latecomers.

Hopper, Edward, 1882-1967 GasPainting1940American H.130.14

Oil on Canvas. 26 1/4” x 40 1/4”. MOMA. Typical American small town gas station in the ‘40s

Hopper, Edward, 1882-1967 GasPainting1940American H.130.15

Oil on Canvas. 26 1/4” x 40 1/4”. MOMA. Typical American small town gas station in the ‘40s

Hopper, Edward, 1882-1967) Early Sunday morning.Painting, oil on canvas1930American H.130.6

Storefronts with barber pole, fire hydrant, architectural detail. Long shadows. Red, green, yellow, blue.Repeated shapes.Whitney Museum of American Art, NY35” x 60”

Hui Tsung, Emperor (attributed) Pigeon on a Flowering BranchWatercolorChinese H.145.01

Watercolor on Silk. Pigeon on a flowering fruit branch.

Huysum, Jan van, 1682-1749. Flowers in an urn.Painting, oil on panel1720Dutch H.150.1

Floral still life in carved urn with bird’s nest. Clear colors. Beautiful signature on side of marble table.Peonies, irises, tulips, with vines. Butterfly.31 3/8” x 23 5/8”National Gallery of Art, Washington

Indian unknown Idealized study of the head of a woman.Ink and color on paperc. 1750Indian I.05.1

Profile of elegant Indian womanFlowers in her hair.KishangarhAsain Art Museum, San Francisco12 1/4/” x 9”


Ingres, Jean-August-Dominique 1780-1867 Napoleon I on his Imperial ThronePainting1806French I.15.02

Oil on canvas; 102 x 63 3/4 in. Musée de l'Armée, Paris (5420) The emperor seated on a magnificentthrone, holding a scepter (topped by a statuette of the medieval emperor Charlemagne), an ivory hand ofjustice (which had purportedly belonged to Charlemagne), and Charlemagne's own sword.

Ingres, Jean-Auguste-Dominique 1780-1867 Princess de BrogliePainting1851-53French I.15.01

47 3/4 x 35 3/4. Oil on Canvas. The Met Museum. Princess de Broglie leaning in a blue dress leaningover a gold damask chair.

Italian unknown. Umbrian School. View of an Ideal CityPainting, oil on panelc.1475Italian I.

Exercise in scientific perspective.

Japanese unknown UnknownBlock Print1895Japanese J.200.1

Japanese children flying kites and playing with whip and topWoodblock printFrom the book “Japanese Children” by Matsuo Okada, published by the Toyodo Publishing Company in1895.

Jawlensky, Alexy von FacePaintingRussian J.70.01

Abstract Face

Johns, Jasper 1930- Flag 1954-55Painting/Collage1954American J.74.02

42 1/2”x 60 5/8”. MOMA. Encaustic, oil and collage on fabric mounted on plywood. American Flagpainted over torn pieces of newspaper.

Johns, Jasper 1930- Three FlagsPainting, encaustic on three1958American J.74.01

Three completely painted canvases of 48 star American flag.Private collection30 7/8” x 45 1/2” x 5”

Johnson, Eastman 1824 - 1906 The Brown FamilyPainting1869American J.80.2

38 1/2” x 32 3/8”. De Young Museum. Opulent Victorian interior scene of child clad velvet riding outfittalking with grandparents

Johnson, Eastman, 1824-1906 The Brown FamilyPainting, Oil on canvas1869American J.80.1

Opulent Victorian interior scene of child clad velvet riding outfit talking with grandparents38 1/2” x 32 3/8”


Johnson, Mitchell Truro "Green Door"Painting, Oil on linen2005American J.110.01

houses, 24" x 34"

Johnston, Joshua 1763-1824 Benjamin Franklin Yoe and SonPaintingAmerican J.100.01

Museum of Early Southern Decorative Arts, Winston-Salem, N. Carolina. Portrait of a man and sonseated in a chair.

Kahlo, Frida, 1910-1954. Self-portrait as a Tehuana (Diego on My Mind).Painting, oil on canvas1943Mexican K.07.1

Portrait of Diego Rivera on her forehead.Ceremonial dress and headdress.Private collection

Kahlo, Frida, 1910-1954. Self-portrait with monkeys.Painting, oil on canvas1943Mexican K.07.2

Kahlo wearing white homespun top surrounded by monkeys and birds of Paradise.Gelman Collection32 1/8 x 24 13/16”

Kahlo, Frida, 1910-1954. Frida and Diego RiveraPainting, Oil on Canvas1931Mexican K.07.3

39 3/8” x 31”. SFMOMA Portrait of Diego and Frida. Banner carried by bird tells that Frida painted thisfor the city of SF for Albert Bender.

Kandinsky, Wassily Blue MountainPainting1909Russian K.10.11

Kandinsky, Wassily Colour Study: Squares with Concentric CirclesMixed technique on paper1913Russian K.10.12

abstract painting

Kandinsky, Wassily 1866-1944 Blue Mountain, No. 84Painting;1908Russian K.10.5

Horseback riders in abstract landscapeJewel colorsGuggenheim Museum, New York

Kandinsky, Wassily 1866-1944 Improvisation 31 (sea battle)Painting1913Russian K.10.07

National Gallery of Art, Wash D.C.55 1/2” x 47”.


Kandinsky, Wassily 1866-1944 Open GreenPainting1923Russian K.10.03

Oil on canvas. 38-1/4 x 38-1/4 in. (97.2 x 97.2 cm). The Norton Simon Foundation F.1971.4.P

Kandinsky, Wassily 1866-1944 VioletteColor Lithograph1923Russian K.10.4

Non-objective artInteresting arrangement of shapes in muted primary colors and black on white background.Added in 1994

Kandinsky, Wassily 1866-1944. Landscape with factory chimney.Painting, oil on canvas1910Russian K.10.6

Landscape with factory in his Blue Rider style. Bright, energetic colors.26 x 32 1/4”Guggenheim Museum, NY

Kandinsky, Wassily 1866-1944. The White DotPaintingRussian K.10.02

Kunsthalle, Hamburg

Kano Yosetsu, 16th Century Blue MagpieHanging scroll, ink and colors onJapanese K.12.1

Momoyama periodBlue and white magpie sits on dead branch of white blossomed camellia? Mounted on brocade.Textured brush strokes.18 1/2” x 17 7/16”Asian Art Museum, San Francisco.

Kelly, Ellsworth, 1923- Spectrum Colors Arranged by ChanceOil on Wood1951-3American K15.1

60“ x 60”. SFMOMA.Bright and cheerful colors

Kirchner, Ernst (1880-1938) Forest with BrookPainting, oil on canvasGerman K.19.2

Kunsthaus, ZurichGerman Expressionist forest

Kirchner, Ernst Ludwig (1880-1938) Forest with brookPaintingGerman K.19.1

Mountain forest in mauve, blues, greens

Kirchner, Ernst, 1880-1938 Sertig ValleyPainting, oil on canvas1920German K.19.3

Alpine-like ski area


Kiyonaga, Torii Young Woman under a Willow near a BrookBlock Print AS.10.10

Also called Girl Under a Willow.

Kiyonaga, Torii 1752-1815 Young Woman under a Willow near a BrookBlock PrintJapanese A.10.10

Freer Gallery, Washington D.C. Ukiyo-e Wood Block Print. Kiyonaga-type woman, tall and stately inoutdoor setting.

Klee, Paul Red and WhitePaintingGerman K.20.11

Klee was born in Switzerland but maintained a German citizenship. This picture has white lines on a redbackground. Looks like scratchboard.

Klee, Paul 1879-1940 Sinbad the SailorPainting1923Swiss K.20.07

Checkerboard background with abstract man in a boat spearing fish.

Klee, Paul 1879-1940 Around the FishPainting1926Swiss K.20.05

Tempera and oil. 46.3 x 64.1 cm. The Museum of Modern Arts, New York, NY, USA. Fish on a plate.Oil on Canvas

Klee, Paul 1879-1940 The Temple GardenWatercolor1920German K.20.09

The Met. Gouache and traces of ink on paper.

Klee, Paul, 1879-1940 Cat and BirdPainting, oil and ink on canvas1928Swiss K.20.12

Face of cat with heart-shaped nose with bird on her mind. Simple shapes and color. Humorous.

Klee, Paul, 1879-1940 Before the Gates of Kairouan.Painting, watercolor on paper1914Swiss K.20.13

North African in feeling. Geometric areas of color washes. Silhouettes of camel and mosques. Hasappearance of sketch rather than finished painting. Blues, purples, yellows, and browns. Great for colorlesson.

Klee, Paul, 1879-1940 The Tree of HousesWatercolor, gouache, india ink1918Swiss K.20.14

9 5/8” x 7 7/8”Norton Simon Museum, Pasadena, CA.


Klee, Paul, 1879-1940 Blossoms in the NightWatercolor on paper1930Swiss K.20.15

9.25” 12.25”SFMOMANight time flowers under red moon. Crosshatched background

Klee, Paul, 1879-1940 Lady in GreenPaintingSwiss K.20.02

Klee, Paul, 1879-1940 SenecioPainting1922Swiss K.20.16

Kunstmuseum, Basel, CH. 40.5 x 38cm. Oil on Gauze. Self Portrait

Klee, Paul, 1879-1940 Viaducts Break Ranks1937Swiss K.20.08

Arches with feet

Klimt, Gustave 1862-1918 Portrait of Eugenia PrimavesiPainting1912Austrian K.23.01

the Met. Mäda Primavesi (1903–2000), 1912Gustav Klimt (Austrian, 1862–1918) Oil on canvas; 59 x 43 1/2 in. (149.9 x 110.5 cm)

Korin, Ogata 1658-1716 Irises (detail from a 6 panel screen)Painting, ink, color and gold leaf onJapanese K.35.4

Blue Japanese iris on gold background. See van Gogh’s Iris.Based on a 10th Century poem Tales of Ise. A man stops at the bridge and the iris make him homesick.70 1/2/” x 146 1/4” (entire screen).Metropolitan Museum of Art

Korin, Ogata, 1658-1716. Chrysanthemums and waterPanel screen, ink, colors and goldEdo PeriodJapanese K.35.1

Freer Gallery, Smithsonian.White, red, and dark pink flowers on background of brown earth and gold water

Korin, Ogata, 1658-1716. Irises (detail of 6 paneled screen). See K.35.3Panel screen (Detail)Edo period.Japanese K.35.2

Blue Japanese iris on gold leaf background.Based on 10th century poem Tale of Ise. A man stops at the bridge and the iris make him homesick.

Korin, Ogata. 1658-1716. Iris and bridge.Panel screen, gold leaf on paper.Japanese K.35.3

Six panel screen.Metropolitan Museum of Art, New York.Blue irises surround bridge. Background is gold leaf on paper.


Koryusai, Isoda WinterBlock Print1770Japanese AS.10.8

“Winter” has a charming atmosphere of fragility. The oiled paper umbrella holds a load of snow. Thelady’s hands are hidden in her sleeves, and she stands huddles against the bitter winter. Delicate colorand white permeate the entire atmosphere.

Koryusai, Isoda AutumnBlock Print1765Japanese AS.10.9

Rain falling in lightly indicated slanting sheets. Fine lines and exact detail. Vaguely indicated landscape.

Koson aka Ikeda Sanshin 1801-1866 On the WingBlock Printc. 1820Japanese AS.10.3

Ducks in flight in front of circle of sun.Bibliotheque Nationale, Paris

Koson aka Ikeda Sanshin 1801-1866 On the WingBlock Printc. 1820Japanese AS.10.7

Ducks in flight in front of pale circle of sun. Bibliotheque Nationale, Paris

Koson aka Ikeda Sanshin 1801-1866 Birds in Bamboo TreeBlock PrintJapanese AS.10.75

Two birds sitting in bamboo tree

Koson aka Ikeda Sanshin 1801-1866 Falcon on BranchWood Block PrintJapanese AS.10.78

falcon sitting on branch

Kuhn, Walt (1880-1949) The Blue ClownPainting, oil on canvas1931American K.50.1

Man in blue costume with white face makeup and white scalp hat for under wigWhitney Museum, NY

Kunisada, 1786-1864 The Actor Shikan in the Role of the WarriorPrint1818Japanese K.58.1

Full length portrait of actor wearing costume and makeup with theatrical gestures. Barefooted.

Kuniyoshi, 1798-1861. The Actor Evizo in the Role of the Pirate KezoriPrint1837Japanese K.60.1

Kabuki theater actor in costume and make-upHalf-torso viewCalligraphy


Kuznetsov, Yuri View from Yellow Planet to the Blue OneK.65.01

Kyosai, Kawanabee (1831-1899) TigerPrintJapanese K70.1

Happy tiger - goal off canvas. Great texture in fur.

Kyosia, Kyobee TigerPrintJapanese K.70.2

Tiger stalks his prey. Yellow gleaming eyes. Realism of the forward motion is emphasized by theabstract sweeping brushstrokes of the background.

La Tour, Georges de The Cheat with the Ace of Clubs (detail)Painting, oil on canvasc1630French L.07.1

Detail showing elegant woman and serving woman presenting wine. Part of a card game. See TheCardsharps by Caravaggio for idea of entire composition.

La Tour, Georges de, 1593-1652 St. Joseph CarpenterPainting, oil on canvasc. 1640French L.07.2

54” x 40”Louvre, ParisFrench Baroque painter inspired by Carvaggio.

Landseer, Edwin, 1802-73 Dignity and impudencePainting,English L.02.1

Animals to embody human virtues. A Victorian painting showing a type of hound and a small terrier.Designed to evoke emotion.Tate Gallery, London

Lawrence, Jacob 1917 - 2000 The LibraryPainting1960American L.15.06

Tempera on fiberboard. 24 x 29 7/8”. Smithsonian American Art Museum (National Museum ofAmerican Art). Scene from a library.

Lawrence, Jacob, 1917-2000 Dreams No. 2, 1965.Painting1965American L.15.2

Woman seated in chair having grotesque wedding dream.Teal, pink, and purpleTempera on fiberboard35 3/4/” x 24”National Museum of American Art, Washington

Lawrence, Jacob, 1917-2000 Study for the Munich Olympic gamesGouache on paper1971American L.15.3

Five relay teams head for the finish line, the front three straining and stretching. Bright, flat colors - novalue change. Primary colors quite bright.

Seattle Art Museum39 7/8” X 28 15/16”


Lawrence, Jacob, 1917-2000 ParadeGouache on paper1960American L.15.01

African American parade unitsHirshorn Collection

Lawrence, Jacob, 1917-2000 Play StreetGouache on paper1942American L.15.4

Summer urban scene. African-American children playing in spray of giant showers in street. Mural ofIcarus on building wall.78.4 X 56.8 cmPrivate collection

Lawrence, Jacob, 1917-2000 The PhotographerWatercolor, Goauche and Pencil1942American L.15.5

Unknown dimensions. NY Metropolitan.Street scene. with cart and horse (Junkman), man in manhole, delivery men. Family having portraittaken.

Lawrence, Thomas 1769-1830 Pinkie (Sarah Barrett Moulton)Painting1795English L.18.01

Oil on canvas, 58 1/4 x 40 1/4 inches. Huntington Library, CA.Pinkie is an extraordinarily fresh and livelywith the sitter standing on a hill, her dress blown by the wind. The movement of her dress in conjunctionwith her frank gaze gives a sense of immediacy to the composition and expresses the animation of thesitter.

Le Nain, Louis 1593-1648 Family of Peasants in an InteriorPaintingc. 1642French L.32.01

Oil on canvas44 1/2 x 62 1/2 in. (113 x 159 cm)Musée du Louvre, Paris. Family life around meagerly furnished table. subdued light and shadowy space

Ledent, Pol AbstractPainting, watercolorBelgium L.19.01

Lee-Smith, Hughie 1915- Boy with a TirePainting1952American L.20.01

Oil on prestwood panel. Detroit Institute of Arts. 23 3/4 x 32 in. Street scene of African American boyholding a tire.

Leger, Fernand, 1881-1955 The Three MusiciansPainting, oil on canvas1924-44French L.30.4

Strong arrangement of a bass player, conertina player, and a baritone player. Bold forms outlined inblack against a yellow and red background.Based on his own drawing, 1924-25.68 1/2” X 57 1/4”Museum of Modern Art, NY

Leonardo da Vinci Vitruvian ManPen and ink on paper1490Italian L.35.6

male figure in two superimposed positions with arms and legs apart and simultaneoously inscribed in acircle and squareGallerie dell”Accadmia, Venice, Italy


Leonardo da Vinci, 1452-1519 Ginevra de BenciPainting, oil on woodc.1474Florentine L.35.1

Portrait with small realistic landscape in background.

Leonardo da Vinci, 1452-1519 Cecilia Gallerani (Lady with the Ermine)Painting, oil on panelc.1483-86Florentine L.35.4

Full face 3/4 body portrait.Cracow, Czartoryski MuseumCecilia Gallerani the mistress of Ludivco Sforza, the Duke of Milan. Inscription in upper left corneradded. X-rays reveals presence of window to right of the head. Decorative trim on dress probablyadded by Leonardo’s assistant.21 3/4” x 15 7/8”

Leonardo da Vinci, 1452-1519. Genevra de’ BenciPainting, oil on woodc. 1474Florentine L.35.2

Portrait with small realistic landscape in background. Head surrounded by leaves of juniper tree whichrefer to her name. Only Leonardo in USA. .Painting on verso: garland of laurel and palm leavesenclosing the juniper twig “Beauty is the ornment of virtue” in Latin. The qutation the motto of BernardoBembo, the Venetian Ambassador to Florence.National Gallery, Washington, DC15 1/8” x 14 1/2”

Leonardo da Vinci, 1452-1519. Portrait of Mona Lisa called the La Gioconda.Painting, oil on wood1503-1506Florentine L.35.3

Portrait of woman with landscape as background.30 1/4” x 21”Louvre, ParisPainting has been cropped, pillars that framed her.

Lichtenstein, Roy Interior with Skyline1992American L.52.5

Lichtenstein, Roy Red barn IIPainting, Oil, Magna1969American L.52.6

Red barn, benday dots

Lichtenstein, Roy, 1923 Stepping OutAmerican L.52.3Stylized comic strip couple in primary colors.Metropolitan Museum of Art

Lichtenstein, Roy, 1923-1997 Cold shoulderMagna on canvas1963American L.52.4

Comic view blonde with pony tail on red back ground icily saying, “Hello”68 x 48”Los Angeles County Museum of Art

Lomas Garza, Carmen “Compleanos De Lala Y Tudi”Painting, oil on canvas1989American L.68.1

36” x 48”Folk-art style.Large family group gathered for birthday celebration in Texas backyard. Shows children playing avariety of games.


Lomas Garza, Carmen Camas para Suenos (Room for Dreaming).Painting, gouache1985American L.68.2

23” x 17 1/2”Collection of the Artist.Two girls gaze at night sky from house roof while mother makes bed below.

Lomas Garza, Carmen (1948- ) Tamalada.Painting, oil on linen mounted on1988American L.68.3

Large, exteneded family preparing tamalesKitchen24 x 32”Austin, MedioDia.

Lomas Garza, Carmen (1948- ) Birthday PartyPainting, Oil on canvas1989American L.68.4

36” x 48”Folk-art style.Large family group gathered for birthday celebration in Texas backyard. Shows children playing avariety of games.

Louis, Morris 1912-1962 Point of TranquilityPainting; Acrylic on canvas1959/1960American L.70.3

Non-objective painting that is reminiscent of child’s color paddles.101 3/4” x 135 3/4/”Added 1996

Macke, August, 1887-1914 Indians on horses.Painting, oil on wood1911German M.05.2

44m x 60 cmStadtische Galerie im Lenbachhaus, Munich.Artist a member of Blue Rider group.Killed in WWI.

Madison, Winifred BuildingsTextile1970American M.6.01

Magritte, Rene The ReturnPainting1940French M.07.6

Magritte, Rene, 1898-1967 The Blank SignaturePainting, oil on canvas1965Belgian M.07.2

32” x 25 5/8”National Gallery of Art, Washington

Magritte, Rene, 1898-1967. Golconde.Painting, oil on canvas1953.Belgian M.07.8

Raining men in bowler hats. All wearing same outfit. red-roof urban buildings with curtained rectangularwindows.Houston, Menil Collection.80 x 100 cm


Magritte, Rene, 1898-1967. The Son of ManPainting, oil on canvas1964Belgian M.07.9

The artist wearing bowler hat and overcoat with green apple blocking facial features.Private Collection45 11/16 x 35 1/16”

Magritte, Rene, 1898-1967. The Son of ManPainting, oil on canvas1964Belgian M.07.10

Self-portrait in bowler hat and overcoat with green apple in face.

Magritte, Rene, 1898-1967. Time Transfixed.Painting, oil on canvas1938Belgian M.07.5

Steam engine coming through clean fireplace which has mirror, empty candlesticks and clock on mantle.57 1/2 x 38 1/8”Art Institute of Chicago

Makoto, Oide CatInk on silk1868-1905Japanese M.11.01

Cat looking at spider

Makovsky, Konstantin The Russian Bride’s AttirePainting, oil on canvas1889Russian M.15.1

Bride surrounded by wedding party, family in wood paneled room. Her mother is grooming her inpreparation for wedding crown to be palced on her head. Beautiful studies of clothing and jewelry.

Manet, Edouard, 1832-1883 The Monet Family in Their Garden.Painting; oil on canvas1874French M.20.6

Claude Monet shown gardening while Camille and one child relax under a tree as barnyard fowl searchfor food.Metropolitan Museum of Art

Manet, Edouard, 1832-1883 Races at LongschampsPainting, oil on canvas1864French M.20.7

Race horses coming at viewer. Useful for study of perspective and action. Hills of Saint - Cloud inbackground.17 1/4” x 33 1/4”Art Institute of Chicago

Manet, Edouard, 1832-1883 PeoniesPainting, oil on canvas1864French M.20.9

Metropolitan Museum of Art, New YorkPink and white peonies against a grey background in vase almost the same color as background.

Manet, Edouard, 1832-1883. The Railway.Painting, oil on canvas1873French M.20.8

36 3/4” x 45 1/8”National Gallery of Art, WashingtonWoman with book and puppy in lap looksa t viewer while young girl watches train. Strong verticals offence. Steam seems to indicate presence of train.Model who posed for Olympia.


Marc, Franz Blue HorsePainting1911German M.30.04

Oil on canvas


oil on canvas

Marc, Franz The LambPainting1913-14German M.30.6

lamb (sheep)Expressionist abstract use of color, spiritual side of nature, feelings

Marc, Franz Two CatsPainting1912German M.30.7

Two Cats,Expressionism, animals, blue and yellow, Kunstmuseum Basel, Basel, Switzerland


Oil on canvas

Marc, Franz, 1880-1916 Yellow Cow.Painting, oil on canvas1911German M.30.51

Contented yellow cow with purple spots dancing in colorful landscape. Purple mountains, reddish-orange foothills, green foreground.55 3/8” x 74 1/2”Guggenheim, New York

Marc, Franz, 1880-1916 Yellow Cow.Painting, oil on canvas1911German M.30.52

Contented yellow cow with purple spots dancing in colorful landscape. Purple mountains, reddish-orange foothills, green foreground.55 3/8” x 74 1/2”Guggenheim, New York

Marin, John Movement on the Road, Maine, 1946Painting, watercolor1946American M.40.1

Abstract Expressionishm, watercolor

Marryat, Francis The Winter of 1849Lithograph, colored1855American M.50.01

Town scene


Matisse, Henri Vegetables/PlantsPainting1951/52French M.60.22

Colorful collage-like arrangement of shapes representing vegetables.

Matisse, Henri Still life with goldfishPainting, Oil on canvas1911French M.60.23

Goldfish tank on small round tableStrong use of complementary colors

Matisse, Henri Verve - CoquelicotsCollage1954French M.60.16

Matisse, Henri Still Life with Apples on Pink ClothPainting1925French M.60.31

Matisse, Henri La VisSerigraph1951French M.60.33

Matisse, Henri Tree of LifeStained glass window1951French M.60.40

Matisse, Henri L'oiseau et le Requin1947French M.60.34

Matisse, Henri AmphitriteSerigraph1947French M.60.32

Matisse, Henri The Mermaid and the ParakeetGauche on paper, cut and pasted,1952French M.60.45

11’ 11/16” x 25’ 2 9/16″ (337 x 768.5 cm). Stedelijk Museum, Amsterdam


Matisse, Henri Still life with goldfishPainting, Oil on canvas1911French M.60.10

Goldfish tank on small round tableStrong use of complementary colors

Matisse, Henri Harmony in RedPainting, Oil on canvas1908French M.60.35

Hermitage Museum, St. Petersburg (180cm x 220 cm) 70.9 in x 86.6 in

Matisse, Henri Still Life with Apples on Pink ClothPainting1925French M.60.36

Matisse, Henri Interior with DogOil on canvas1934French M.60.13

Cone Collection, Baltimore Museum of Art

Matisse, Henri FlowersPainting, oil on cardboard1903French M.60.21

White vase of flowers on table13 3/8 x 10 1/4 in.

Matisse, Henri 1869-1954 Purple Robe and AnemonesPainting1937French M.60.02

Baltimore Museum of Art. Oil on Canvas.

Matisse, Henri 1869-1954 Still Life with Sleeping WomanPainting1940French M.60.28

National Gallery of Art, Washington D.C. 32 1/3” x 39 5/8”. Oil on Canvas. Woman asleep with head ontable next to fruit. She is wearing a peasant blouse.


Baltimore Museum of Art. Oil on Canvas.



Matisse, Henri (1869-1954) Ivy in flowerCollage, gouache on paper, cut and1953French M.60.26

Maquette for a stained-glass windowDallas Museum of Art9’ 3 7/8” X 9’ 4 5/8”

Matisse, Henri (1869-1954) The Blue windowPainting, oil on canvas1911French M.60.27

Still life in front of window51 1/2 x 35 5/8”MOMA, New York

Matisse, Henri 1869-1954 Seville Still Life IIPainting, oil on canvas1910-11French M.60.17

Unstructured produce still life with potted geranium and pitcher. Bold colors and patterns in surroundingfurniture.Hermitage Museum, St. Petersberg

Matisse, Henri, 1869-1954 ApolloCollage1953French M.60.24

Central figureLooks like a puzzle

Matisse, Henri, 1869-1954 The Broom TreesPainting, oil on panel1905French M.60.25

Muted color scheme landscape painted with coarse brush strokes. Reproduction larger than the original.12 x 15 5/8”SFMOMA

Matisse, Henri, 1869-1954. Anemones in an earthware vase.Painting, oil on canvas1924French M.60.18

Primary color scheme in still life of flowers in room with many patterns.Kunstmuseum, Bern.28 3/4/ x 36 1/4

Matisse, Henri, 1869-1954. The Girl with Green Eyes.Painting, oil on canvas1908French M.60.19

Green-eyed lady in orange garment wearing a purple hat. Secondary color composition.San Francisco Museum of Modern Art20” x 26”

Matisse, Henri, 1869-1954. The Woman with a Hat.Painting, oil on canvas1905French M.60.20

Fauve portrait of Mrs. Matisse. (Green face with yellow tipped nose).San Francisco Museum of Modern Art31 3/4” x 23 1/2”

Matisse, Henri, 1869-1954. Interior with EggplantsPainting1911French M.60.29

82 3/4” x 96 1/8”. Tempera on canvas. Grenoble, France. Musee’ des Beaux Arts. A view of the artist’sstudio.


Matisse, Henri, 1869-1954. Anemones in an earthware vase.Painting, oil on canvas1924French M.60.15

Primary color scheme in still life of flowers in room with many patterns.Kunstmuseum, Bern.28 3/4/ x 36 1/4

Matisse, Henri, 1869-1954. The Woman with a Hat.Painting, oil on canvas1905French M.60.46

Fauve portrait of Mrs. Matisse. (Green face with yellow tipped nose).San Francisco Museum of Modern Art31 3/4” x 23 1/2”

Matthews, William 1949- Four MasksPaintingAmerican M.70.01

Native American Masks of the Southwest.

Michelangelo Buonarroti, 1475-1564 The Creation of AdamFresco1508-12.Florentine M.77.01

Detail from Sistine Chapel ceiling.The Vatican.

Miller, Barbara Ann, Mariner’s compass patternQuilt1847American M.80.1

108” x 107 1/2”Metropolitan Museum of Art, New YorkPieced printed fabric5 blocks by 5 blocksUnified color schemeArtists signiture inscribed on center block.

Millet, Jean-Francois, 1814-75 The GleanersPainting, oil on canvas1857French

peasant women gleaning a wheat field, realism, Musee d'Orsay

Miro, Joan, 1893-1983 Dutch Interior IPainting, oil on canvas1928Spanish M.90.7

Surrealistic interpretation of a 17th Century Dutch interior

Miro, Joan, 1893-1983. A Toute EpreuveSpanish M.90.8Translated Without fail”Childlike abstract using primary colorsBig red sun

Miro, Joan, 1893-1983. Personages and Dog Before the Sun1949Spanish M.90.4


Miro, Joan, 1893-1983. Personages and Dog Before the Sun1949Spanish M.90.45

Modigliani, Amadeo 1884 - 1920 Woman with BabyPainting1919Italian M.100.01

National Gallery of Art, Washington D.C. Gypsy woman holding baby

Modigliani, Amadeo 1884 - 1920 Bride and GroomPainting1915Italian M.110.02

Portrait of couple in evening dress in sculptural technique. Painted in Montparnasse one of two majornight spot distrticts in Paris during WWI. Our reproduction has poor color.MOMA, NY21 3/4 X 18 1/4”

Modigliani, Amadeo 1884-1920 Woman with a NecklacePainting M.100.05

A young woman with upswept hair the color of oranges, her uneven bangs and starkly penciled eyebrows framing her heart-shaped face. The rouge on her cheeks matches the hair and directs your eye down to her beestung lips and triangular chin,itself an arrow pointing to her impossibly attenuated neck. Her gaze is composed and disarmingly frank, as if she knows herown beauty and is quite content to have it closely inspected.

Modigliani, Amedeo 1884-1920 Woman with Red HairPainting1917Italian M.100.04

National Gallery of Art. 36 1/4” x 23 7/8”. three quarter length portrait of woman seated in red chair.Black dress with white lace collar.

Modigliani, Amedeo, 1884-1920. Bride and groomPainting, oil on canvas1915-16Italian M.100.3

Portrait of couple in evening dress in sculptural technique. Painted in Montparnasse one of two majornight spot distrticts in Paris during WWI. Our reproduction has poor color.MOMA, NY21 3/4 X 18 1/4”

Mondrian, Piet Trafalgar SquarePainting, oil on canvas1939-43Dutch M.105.1

lines and colors,museum of Modern Art New York

Mondrian, Piet Broadway Boogie-WoogiePainting1943Dutch M.105.2

lines and colors, abstract art

Mondrian, Piet Composition IIPainting1921Dutch M.105.31



Mondrian, Piet Composition with color areasPainting1914Dutch M.105.4


Mondrian, Piet Composition IIPainting1921Dutch M.105.32


Monet, Claude Branch of the Seine Near GivernyPainting1897French M.110.22

Monet, Claude White and Purple WaterlilliesPainting1918French M.110.23

Monet, Claude Water liliesPaintingFrench M.110.24

Painint, oil on canvasWater lilies with pink blooms in the foreground and green vines hanging on left and right sides

Monet, Claude Effects de NeigePainting1873-74French M.110.26

Boulevard des CapucinesOil on canvas31 5/8 x 23 3/4 in.The Nelson-Atkins Museum of Art, Kansas City, MissouriPurchase: Kenneth A. and Helen F. Spencer Foundation Acquisition Fund

Monet, Claude Two HaystacksPainting1891French M.110.27

two haystacks, impressionism, Art Institute of Chicago

Monet, Claude, 1840-19226, The Red CapePainting, oil on canvas1869-1871French M.110.20

Painter’s wife seen seen through French doors to the outside wearing winter clothing.39” x 31 1/2”Cleveland Museum of Art

Monet, Claude, 1840-1926 Madame Monet in her Garden at GivernyPaintingFrench M.110.15

Figure of woman standing with a blue parasol that matches her dress behind a border of flowers.


Monet, Claude, 1840-1926 The magpiePainting, oil on canvas1868-69French M.110.16

2’11” x 4’3 1/4/”Musee d’Orsay, ParisSunny winter day, landscape with soft snow. Magpie sitting on stile.

Monet, Claude, 1840-1926 Bouquet of Sunflowers.Painting, oil on canvas1881French M.110.17

Bouquet of sunflowers in crockery vase on red tablecloth.101 x 81.3 cmThe Metropolitan Museum, New York

Monet, Claude, 1840-1926 Water liliesPainting, oil on canvasFrench M.110.18

Two water lily blossoms floating with pads in dark green water.26” x 41”Los Angeles County Museum of Art

Monet, Claude, 1840-1926 Boulevard des CapucinesPainting, oil on canvas1873-74French M.110.19

Street scene in winter.31 5/8” x 23 3/4”Kansas City, Nelson-Atkins Museum of Art

Monet, Claude, 1840-1926. Floating ice at Bennecourt.Painting oil on canvas1893French M.110.21

Winter scene with golden trees reflected in river.25 1/4 x 39 3/8”Water House Collection

Monet, Claude, 1840-1926. Corn PoppiesPainting, oil on canvas1873French M.110.11

Path through a field of corn poppies, women and children

Moran, Thomas 1837-1926 The Grand CanyonPainting1913American M.125.2

View looking down the Grand Canyon.Looks as though lighting influenced by Turner.Gilcrease Museum, Tulsa

Morgan, Frederick (1847-1927) The Sea HorsePainting, oil on canvas1894English M.133.1

Three children pretending to be horses and driver at the seashore76.5 x 107.6 cm

Morisot, Berthe, 1841-1895 The cradle.Painting, oil on canvas1872French M.130.4

1’10” x 1’6”Musee d’OrsayThe artist’s sister Edma looking at newborn daughter Blanche.


Morse, Samuel F. B. (1791-1871) Gallery of the LouvrePainting; oil on canvas1832-33American M.132.1

73 7/8” x 108”Terra Museum of American Art, Chicago. Gallery of Louvre, paintings shown include Mona Lisa.

Mowbray, H. Siddons. Le Destin.Painting, oil on canvas1896American M.135.1

Romantically costumed ladies work on tapestry, threads of which are held by goddess-like figure. Onelooks into a Victorian gazing globe. Greek-pillared terrace frame a landscape. Clover at their feet..Tompkins Collection.30” x 40 1/2”

Munch, Edvard The ScreamPastel on paper1893Norwegian M.137.21

Man on bridge screaming.National Gallery, Oslo91 x 73.5 cm.

Munch, Edvard, 1863-1944 The StormPainting, oil on canvas1893Norwegian M.137.3

Perhaps an evening scene, windows in houses illuminated, anonymous women protecting their earsfrom the wind.36 1/8” x 51 1/2”Museum of Modern Art, New York

Munch, Edvard, 1863-1944. The ScreamTempera and pastel on board1893Norwegian M.137.2

Man on bridge screaming.National Gallery, Oslo91 x 73.5 cm.

Munch, Edvard, 1863-1944. Girl on a BridgePaintingNorwegian M.137.1

Girl in white dress staring into space. Two other girls with backs to view looking over the water.16” x 26”Kunsthalle, Hamburg

Nahl, Charles Sunday morning in the minesPainting1872American N.6.01

Oil on canvasMiners relaxing on Sunday morning, their day off of work in the CA hills in front of a wooden house

Nahl, Charles Sunday morning in the minesPainting1872American N.6.02

Oil on canvasMiners relaxing on Sunday morning, their day off of work in the CA hills in front of a wooden house

Nast, Thomas (1840-1902) Christmas Eve '62Wood Engraving1889American N.7.1

Woman kneeling, praying, and looking at moon, at foot of bed of her children; and soldier sitting under treelooking at photographs of his family.


Nayanaa Kanodia PicnicPainting1996Indian K.13.1

Family in auto rickshaw oil on canvas30” x 36”

Nayanaa Kanodia PicnicPainting1996Indian K.13.2

Duplicate of print in Family lessonFamily in auto rickshaw oil on canvas30” x 36”

Nechis, Barbara Unknown (floral)Painting1980American N.8.01

Floral Watercolor

Neel, Alice 1900-1984 ThanksgivingPainting1965American N.10.02

Philadelphia Museum of Art. Oil on canvas. 30 x 34 in. Capon thawing in sink.

Neel, Alice, 1900-1984 Two girls, Spanish Harlem.Painting, oil on canvasc.1959American N.10.01

Two young girls thoughtfully looking at the artist.30” x 25”Private Collection

Nigerian unknown Pendant maskMaskearly 16th C.Nigerian, Court of N.15.1

Ivory, iron, and copperMetropolitan Museum of ArtRealitic face with stylized hair and surrounding trim.Frontal view.

Nolde, Emil, 1867-1956 Blue iris, IIpainting, oil on canvasGerman N.30.3

Garden scenePurplish iris in foreground, low red flowering plants lines garden path. Woman seated near the gate.Kunsthalle, Hamburg

Nolde, Emil, 1867-1956. Blumen.Watercolorca. 1920’sGerman N.30.4

Primary colored flowers with contrasting shapes. A summer bouquet?20 x 14”SFMOMA

Nolde, Emil, 1867-1956. Red evening cloudWatercolorGerman N.30.1

Sunset dominates a country house. Red, yellow, purple clouds. Low horizon.


O'Keefe, Georgia Cow's skull and calico rosesPainting1931American O.20.22

skull, rose, white

O’Keeffe, Georgia Red Hills with FlowersPainting1937American O.20.21

Oil on canvas. 50.8 x 63.5 cm. The Art Institute of Chicago

O’Keeffe, Georgia 1887-1986 The Lawrence TreePainting, oil on canvas1929American O.20.15

Worm’s eye view of starry night through a tree. Terra cotta red against the night sky. Tree named afterT.H. Lawrence.30 x 40”Wadsworth Atheneum, Hartford

O’Keeffe, Georgia 1887-1986 Black IrisPainting, Oil on canvas1926American O.20.05

The Alfred Stieglitz Collection

O’Keeffe, Georgia, Radiator Building - Night, New YorkPainting, oil on canvas1927American O.20.4

48 X 30”Fisk University

O’Keeffe, Georgia, 1887-1986 PoppyPainting1927American O.20.10

Red PoppySt. Petersburg, Museum of Fine ArtsAdded 1996

O’Keeffe, Georgia, 1887-1986 White flowerPainting, oil on canvas1929American O.20.11

30 1/8” x 36 1/8”Cleveland Museum of ArtWhite flower with yellow center.White poppy?

O’Keeffe, Georgia, 1887-1986 Ram’s Head White Hollyhock, and Little HillsPainting, oil on canvas1935American O.20.12

Horned skull hovers over little hills with grey sky as background.30” x 36”Downtown Gallery, NY

O’Keeffe, Georgia, 1887-1986 White Shell with RedPastelc.1938American O.20.14

White shell on a red background.22” x 28”


O’Keeffe, Georgia, 1887-1986 Winter Cottonwoods, East VPainting, oil on canvas1954American O.20.18

Leafless trees adorned with winter haze.40 x 36”Georgia O’Keeffe Museum, Santa Fe

O’Keeffe, Georgia, 1887-1986 Taos Pueblo.Painting, oil on canvas1929American O.20.19

Eitelkorg Museum of American Indian and Western Art, Indianapolis.

O’Keeffe, Georgia, 1887-1986 Grey HillsPainting1942American O.20.06

Oil on Canvas. Indianapolis Museum of Art.

O’Keeffe, Georgia, 1887-1986. Radiator Building - Night, New YorkPainting, oil on canvas1927American O.20.13

Fisk University48 x 30”Skyscapers at night.

O’Keeffe, Georgia, 1887-1986. Blue RiverPainting, oil on canvasAmerican O.20.16

Looking up the canyon of the blue river. Little red hills.30.5 x 16.5”Museum of Fine Arts, Museum of New Mexico.

O’Keeffe, Georgia, 1887-1986. Sunflower, New MexicoPainting, oil on canvas1935American O.20.17

Single sunflower against a field of blue.20 x 16”Cleveland Museum of Art

O’Keeffe, Georgia, 1887-1986. Ends of BarnsPainting1922American O.20.20

16 “X 22”. Oil on canvas.Museum of Fine Arts, Boston.

Opper, E. Fire EngineAmerican O.30.01Main Street in Newark, NJ

Overstreet, Joseph 1934- Justice, Faith, Hope and PeacePainting O.50.01


Papas, Pamela The Road Home IIPaintingAmerican P.5.01

Peale, Charles Willson, 1741-1827 George Washington at PrincetonPainting1780American P.15.10

Full length portrait of Washington dressed in his fawn and blue uniform with moire sash.Leaning against cannon, soldiers in background.This is a copy by Peale of his original painting. Original painting has more detail in the battle flags, et.al..

Peale, Charles Willson, 1741-1827 The Staircase GroupPainting1795American P.15.03

89 1/2" x 39 3/8". Philadelphia Museum of Art; The George W.Elkins Collection. Portrait of RaphaellePeale and Titian Ramsay Peale on a staircase.

Peale, Charles Willson, 1741-1827 George Washington at PrincetonPainting1780American P.15.11

Full length portrait of Washington dressed in his fawn and blue uniform with moire sash.Leaning against cannon, soldiers in background.This is a copy by Peale of his original painting. Original painting has more detail in the battle flags, et.al..

Peale, Charles Willson, 1741-1827. The Peale Family GroupPainting, oil on canvasc.1770-73 andAmerican P.15.2

56 1/2” x 89 1/2”New York Historical SocietyMulti-generational family seated at table

Pernath, Johan Peter Mohn and AnemonenPaintingGerman P.20.01

Persian Art, Mongol School Bahram Gur Slays the Rhino-wolfPaintingc. 1520Persian S.62.1

Illustrated manuscript. The Met. Persian miniature on paper. Shah-nameh-Book of Kings. Composedby the poet, Firdowsi. Legendary history of Iran.

Peto, John Frederick, 1854-1907 The Poor man’s storePaintingAmerican P.25.2

Museum of Fine Arts, Boston.Trompe l’oeil of store window. Objects include gingerbread cookies, candy canes, peanuts in shell.Rectangular.

Phillips, Ammi, 1788-1865. Girl in Red Dress with Cat and DogPainting, oil on canvasc.1834-1836American P.30.1

Charming American folk art portrait of girl in red dress seated hold a cat in her lap.Woodstock, Museum of American Folk Art


Picasso, Pablo Mother and ChildPainting1922Spanish P.40.24

Baltimore Museum of Art. Between 1918 and 1938, we find at least four different women - Olga Picasso,Sara Murphy, Marie Therese Walter, and Dora Maar- associated with Picasso's shifting classical ideal.As each woman is assimlated to this ideal, her individual features are transformed and on someoccasions, merged with her rivals. Similarly the characteristic costume of one woman may also be foundin a portrait of another.

Picasso, Pablo The OstrichPrint1936Spanish P.40.31

Picasso, Pablo CorridaPainting1960Spanish P.40.32

Picasso, Pablo The DogDrawing1957Spanish P.40.35

Lump, Picasso’s dogline drawing

Picasso, Pablo Man with a pipePainting1915Spanish P.40.36

humor, color, dots, pipe, man, Art Institute of Chicago

Picasso, Pablo 1881-1973 Portrait of a WomanPainting1938Spanish P.40.22

The painting is seen as a representative work of the period of "analytical cubism," the most rigorous andmethodical period of Picasso's experiments with geometric form.

Picasso, Pablo 1881-1973 the Seated AcrobatPainting1923Spanish P.40.16

Picasso, Pablo (1881-1973) The TragedyPainting1903Spanish P.40.25

Oil on wood, 1.053 x .690 m (41 7/16 x 27 3/16 in.), National Gallery of Art, Washington, Chester DaleCollection. From 1901 to 1904 Picasso travelled between France and Spain. These years comprisedPicasso's so-called Blue Period., named for the monchromatic palette he used to depict largely drawnfrom the socio-economic underclass in Barcelona and Paris. His choice of blue as his means of pictoria;expression accentuates this feeling of hopelessness.

Picasso, Pablo 1881-1973 The Artist’s SonPainting1924Spanish P.40.23

Young boy dressed in Harlequin outfit. Main colors are blue and gold.


Picasso, Pablo 1881-1973 Woman with a Blue VeilPaintingSpanish P.40.18

Los Angeles Museum of Art. Oil on canvas. 39 1/2 x 32 in. (100.33 x 81.28 cm). Romantic in feelingand composition. Soft and delicate. Colors are pale blue and white against gold.

Picasso, Pablo 1881-1973 Portrait of M.Gustave Coquiot - 1901Painting1901Spanish P.40.30

Picasso, Pablo, 1881-1973 Three Musicians.Painting, oil on canvas1921Spanish P.40.27

Harlequin, Pierrot, and Singing Monk with dog.Cubism.(Laminated reproduction)6’6” x 7’3”Museum of Modern Art, New York

Picasso, Pablo, 1881-1973 Three musiciansPainting, oil on canvas1921Spanish P.40.29

6’7” x 7’3 3/4”MOMA, New York

Picasso, Pablo, 1881-1973. Child with a DovePainting1901Spanish P.40.14

Dressed up girl holding a dove (or pigeon). Ball in foreground

Picasso, Pablo, 1881-1973. Weeping Woman.Painting, oil on canvas1937Spanish P.40.28

Tate Gallery, LondonHead of woman wearing a hat, prominent tears. World War II style.

Piero della Francesca, c.1420-1492. Portraits of the Duke and Duchess of Urbino.Painting, tempera on panelc.1465Italian P.43.1s

Portraits in profile in continuous landscape of Federico da Montefeltro and Battista Sforza.Pendant portraitsVaguely Flemish backgroundEach is 18 1/2 x 13”Uffizi Gallery, Firenze

Pippin, Horace 1888-1946 Victorian InteriorPainting1945American P.55.03

The Met. Interior of a lower/middle class home. The scene includes typical inexpensive furniture andornaments widely available in the 1920’s.

Pippin, Horace (1888-1946) The Domino PlayersPainting1943American P.55.02

The Phillips Collection, Wash.DC.. African Americans playing dominos on a table. Woman sewing aquilt in a chair. One domino player is smoking a pipe. the young boy is very likely to be Pippin himself.


Pippin, Horace (1888-1946) The Domino PlayersPainting1943American P.55.04

The Phillips Collection, Wash.DC.. African Americans playing dominos on a table. Woman sewing aquilt in a chair. One domino player is smoking a pipe. the young boy is very likely to be Pippin himself.

Pippin, Horace, 1888-1946. Holy Mountain IIIPainting, oil on canvas1945American P.55.1

Painted August 4, 1945Black shepherd and Black children in Peaceable Kingdom style.25” x 30”Joseph Hirshhorn Collection

Pissaro, Camille 1830 - 1903 Vegetable Garden and Trees in Blossom,Painting1877French P.60.3

1877. Oil on canvas. Musée d'Orsay, Paris, France

Pollaiuolo, Antonio del, c.1432-1498. Portrait of a Young WomanPainting, oil on panel1460’sItalian P.65.1

One of last profile portraits done in Renaissance. Blonde with elaborate hairdo. Snood with pearls.18 1/8” x 13 3/8 “Milan, Museo Poldi Pezzoli.

Pollock, Jackson, Autumn rhythm; number 30, 1950.Painting, oil on canvas1950American P.70.2

8’8” x 17’3”Metropolitan Museum of Art, New YorkDone by pouring and spattering his colors instead of applying them with a brush. Shapes the result ofthe proces

Pollock, Jackson, 1912-1956 LuciferPainting, oil enamel and aluminum1947American P.70.3

Abstract expressionism41” x 8’9 1/2”Anderson Collection

Pollock, Jackson, 1912-1956 CompositionPaintingAmerican P.70.01

Pollock, Jackson, 1912-1956 #27, 1950Painting1950American P.70.04

Prendergast, Maurice 1858-1924 Swings-Revere BeachPainting1897American P.80.05

Watercolor


Prendergast, Maurice 1959-1924 Boat LandingPaintingAmerican P.80.01

watercolor

Prendergast, Maurice 1959-1924 Central ParkWatercolor1901American P.80.03

Whitney Museum of Art.14 1/8” x 21 3/4”. Figures on a bench watching horse and buggies ride by.

Prendergast, Maurice 1959-1924 Ponte Della PagliaPainting1898-99American P.80.02

The Phillips Collection, Washington D.C.28” x 23”

Prendergast, Maurice 1959-1924 The Mall, Central ParkWatercolor1901American P.80.04

The Art Institute of Chicago, 38.7 x 56.4 cm. Women and children on steps, in park with parasols.

Prior, William, 1806-1873. Nancy LawsonPainting, oil on canvas1843American P.82.1

Portrait of African-American woman in elegant green dress.30 x 25”Shelburne Museum, VT

Qin Shi Hunagdi, 221-207 BC (dynasty) Tomb of Qin Shi Hunagdi. View of Pit 1.Sculpture3rd CenturyChinese C.62.4

Photograph of contents of pit one of Qin Shi Hunagdi’s tomb. Shows infantry and some horses. DonHamilton is the photographer.

Raphael 1483-1520 School of AthensFresco1509-10Italian R.10.06

Vatican Museum. Fresco, 500 x 770 cm.The most famous philosophers of ancient times move within an imposing Renaissance architecturewhich is inspired by Bramante's project for the renewal of the early Christian basilica of St Peter. Someof these are easily recognizable. In the centre Plato points upwards with a finger and holds his bookTimeus in his hand, flanked by Aristotle with Ethics; Pythagoras is shown in the foreground intent onexplaining the diatesseron. Diogenes is lying on the stairs with a dish, while the pessimist philosopher,

Raphael 1483-1520 Madonna Della SediaPainting1513-14Italian R.10.1

Madonna and ChildPalazzo Pitti collection in Florence

Raphael 1483-1520 The Alba MadonnaPainting1510Italian R.10.2

Madonna and Child and John the BaptistNational Gallery of Art


Raphael (Raffaello) Saint George and the DragonPainting, oil on panelc.1506Umbrian R.10.4

Mounted on white horse in full suit of body armor. George’s lance pierces the dragon’s heart. One ofthree masters of High Renaissance.

Raphael, 1483-1520. Maddalena Strozzi DoniPainting, oil on panelc.1506Italian R.10.5

Composition based on the Mona Lisa.Wife of a wealthy merchant25 5/8 x 18 1/16”Pitti Palance, Firenze

Rauschenberg, Robert, 1925- CollectionPainting, oil paper and fabric on1954American R.20.2

Rectangular areas of color with objects and paint imposed on top. A Rauschenberg combine.80” x 96” x 31/2”SFMOMA

Rauschenberg, Robert, 1925- ReservoirPainting1961American R.20.1

Combine painting,84” x 60”National Museum of American Art

Redon, Odilon, 1840-1916 Wild flowersPastelc.1905French R.30.5

Primary colored wildflowers in a green vase. Floating.Mysticism24 3/8” x 18 7/8”National Gallery, Washington

Redon, Odilon, 1840-1916. The Large Green VasePainting; oil and pastelFrench R.30.6

Assorted spring flowers in green jug.

Museum of Fine Arts, Boston

Redon, Odlon Wild flowers in a long necked vasePastel1912French R.30.2

Assorted primary colored flowers in a long necked vase. Musee d'Orsay, Paris

Rembrandt van Rijn Sampling Officials of the Draper’s GuildPainting, oil on canvas1661-2Dutch R.40.15

Directors of cloth guild interrupted during a meetings. Traditional black and white Dutch clothing.75 1/8” x 109 4/5”Rijksmuseum, Amsterdam.

Rembrandt van Rijn (1606-1669) The Militia Company of Captain Frans BanningPainting, oil on canvas1642Dutch R.40.12

Commissioned group portrait to show local civic guard company. Noisy and active.11’8” x 14’4”Rijksmuseum, Amsterdam


Rembrandt van Rijn 1606-1669 Portrait of Joris De CaulerijPainting, oil on canvas1632Dutch R.40.11

Portrait of standing man wearing yellow tunic of The Hague militia. Iron ring collar, a ceremonial swordon a shoulder strap, in right hand a small musket. Traditional choice to be depicted in such clothing.Sea captain, naval career, died in active service.40 3/8” x 33”Fine Arts Museums of San Francisco

Rembrandt van Rijn 1606-1669 Night WatchPainting 1642Dutch R.40.04

Oil on canvas, 363 x 437 cm Rijksmuseum, Amsterdam. Also called “The Company of Captain Cocq.” A group portrait of a companyof Amsterdam defence volunteers. Dramatic lighting.

Rembrandt van Rijn Harmensz, 1606-1669 Portrait of a Boy, Presumed to Be the Artist'sPainting c. 1645-50Dutch R.40.01

Oil on canvas, 25-1/2 x 22 in. The Norton Simon Foundation. In its unfinished state, this exceptionalpicture offers invaluable insight into Rembrandt's working method. Over the rich, dark ground, the bodyand costume have been indicated merely with a few broad, sure brushstrokes. The collar, hair and headhave been developed further, with layers of scumbles and glazes, while the face, particularly the eyes,has been fully modeled and highly finished. The child's face, bathed in an even, frontal light, radiatesfrom the velvety darkness of the background. This unusually straightforward presentation reflects and

Rembrandt, Harmensz van Rijn, 1606-69 RembrandtPainting 1669Dutch R.40.07

Oil on canvas, 59 x 51 cmMauritshuis, The Hague.The last self portrait of the artist.

Rembrandt, Harmensz van Rijn, 1606-69. Sampling Officials of the Draper’s GuildPainting, oil on canvas1661-2Dutch R.40.13

Directors of cloth guild interrupted during a meetings. Traditional black and white Dutch clothing.75 1/8” x 109 4/5”Rijksmuseum, Amsterdam.

Rembrandt, van Rijn 1606-1669 Man in a Golden HelmetPainting1650-Dutch R.40.14

Oil on canvas, 67,5 x 50,7 cm, Staatliche Museen, Berlin. Recently the attribution to Rembrandt has beenquestioned by both art historians and conservators.

Remington, Frederic An episode of the buffalo hunt.Painting, oil on canvas1908American R.50.12

Collision of Indian pony and buffalo. Indian launched. Based on artist’s sculpure The Buffalo Horse,1907

Remington, Frederic Episode of a Buffalo HuntPainting1908American R.50.18

Collision of Indian pony and buffalo. Indian launched. Based on artist’s sculpure The Buffalo Horse,1907

Remington, Frederic, 1861-1909 A Dash for TimberPainting, oil on canvas1889American R.50.13

Cowboys shoot over shoulders at Indians in Apache-style dress in background.Amon Carter Museum, Fort Worth48 1/4/ “ x 84 1/8”


Remington, Frederic, 1861-1909 The Smoke SignalPainting, oil on canvas1905American R.50.14

30 1/2” x 48 1/4/”Amon Carter Museum, Fort WorthPlains Indians with horses and rifles look out in the distance while sending smoke signal. In 1961 firstart work reproduced in color to celebrate 100 anniversary of birth. (The signal fire portion - no horses).Follow up to Making a Nation

Remington, Frederic, 1861-1909 Touchdown, Yale vs. Princeton, ThanksgivingPainting1890American R.50.15

Formally dressed male spectators stand behind rope fence watching football game. Players wear nohelmets or padding.Yale University Art Gallery

Remington, Frederic, 1861-1909 Self Portrait on a Horse(c) 1890American R.50.16

29-3/16" X 19-3/8". Sid Richardson Collection of Western Art, Fort Worth, TX

Remington, Frederic, 1861-1909 A Dash for TimberPainting, oil on canvas1889American R.50.17

Cowboys shoot over shoulders at Indians in Apache-style dress in background.Amon Carter Museum, Fort Worth48 1/4/ “ x 84 1/8”

Renoir, Auguste-Pierre Flowers in a VasePainting1866French R.60.15

Oil on Canvas 32” x 25 8/8” National of Gallery of Art Washington. wild flowers in an earthenware jug ona marble table. Informal arrangement.

Renoir, Pierre Auguste 1841-1919 Children on the SeashorePaintingFrench R.60.07

MFA Boston. Children at the shore, on the beach. Young girls in dresses and young man in knickers.

Renoir, Pierre Auguste 1841-1919 On the terracePainting, oil on canvas1879French R.60.21

Young woman and girl wearing colorful hats seated outside overlooking river with boaters. They are inpark along the Seine. Same location as Luncheon of the Boating Party.Triangle of sewing basket, girl,and the woman.24 1/4/” x 19 7/8”Art Institute of Chicago

Renoir, Pierre Auguste, 1841-1919 The Luncheon of the Boating PartyPainting, oil on canvas1881French R.60.22

Identifiable group of friends on restaurant terrace overlooking the Seine.4’3” x 5’8”Phillips Collection, Washington, DC

Renoir, Pierre Auguste, 1841-1919 Danse a la Ville.Painting, oil on canvasFrench R.60.24

Formally dressed couple dancing. Interior.


Renoir, Pierre Auguste, 1841-1919 Luncheon of the Boating PartyPainting, oil on canvas1881French R.60.25

Shorewood Print

Renoir, Pierre Auguste, 1841-1919 Boating on the SeinePaintingFrench R.60.27

National Gallery in Washington, D.C. 27.2/3” x 35 3/4”

Renoir, Pierre Auguste, 1841-1919 A Girl with a Watering CanPainting1876French R.60.29

Oil on linen. 39 1/2” x 28 3/4”. National Gallery of Art, Washington D.C.

Renoir, Pierre Auguste, 1841-1919 Girl with a hoopPainting, oil on canvas1885French R.60.30

Girl holding a hoop and stickNational Gallery of Art, Washington, DC

Renoir, Pierre Auguste, 1841-1919. Dance at BougivalPainting, oiul on canvas1883French R.60.26

70 7/8” x 38 5/8”Museum of Fine Arts, Boston.Couple dancing in relaxed outdoor setting.Compare with Danse a la ville.

Renoir, Pierre-Auguste 1841-1919 Portrait of Mademoiselle LegrandPainting1875French R.60.28

Oil on canvas. 32” x 23 1/2”. Philadelphia Museum of Art.

Renoir, Pierre-Auguste, 1841-1919 Madame Charpentier and Her ChildrenPainting, oil on canvas1878French R.60.20

Interior portrait of mother with children and family Newfoundland, Porto.Setting is red and gold Japanese-style drawing room. Paul, 3 yrs.old;Georgette, 6 yrs. old. Margueritewears a Worth designed gown.Metropolitan Museum of Art60 1/2/” x 74 7/8/”

Renoir, Pierre-Auguste, 1841-1919 Madame Georges Charpentier and herPainting, oil on canvas1878French R.60.23

Informal portrait of woman with her two children and large black and white dog in richly decorated room.

Metropolitan Museum of Art

Renoir, Pierre-Auguste, 1841-1919 Children at the SeashorePaintingFrench R.60.9

MFA Boston. Children at the shore, on the beach. Young girls in dresses and young man in knickers.


Renoir, Pierre-Auguste, 1841-1919 Gabrielle, Jean Renoir et une FillettePaintingFrench R.60.8

Two women with female baby. Mother with two young daughters.

Ringgold, Faith, 1930- Freedom of SpeechAcrylic & pencil on paper1990American R.68.1

Painting of American flag with text of first amendment on red stripes and names of controversial peopleand organizations on stars and white stripes.Metropolitan Museum

Rivera, Diego, 1886-1957 The Flower CarrierPainting, oil and tempera on1935Mexican R.70.3

Woman assists man with basket of flowers on his back. Dressed in traditional Mexican peasant clothing.Strong composition.Museum of Modern Art, San Francisco.48” X 47 3/4”

Rivera, Diego, 1886-1957 Flower festival; feast of Santa AnitaPainting, encaustic on canvas1931Mexican R.70.4

Three children kneeling in front of man holding a huge bouquet of calla lilies.6’6 1/2” x 64”New York, Museum of Modern Art

Rivera, Diego, 1886-1957 ModestaPaintingMexican R.70.06

Portrait of a young girl sitting on a chair barefoot.

Rivera, Diego, 1886-1957 The Flower CarrierPainting, oil and tempera on1935Mexican R.70.1

Woman assists man with basket of flowers on his back. Dressed in traditional Mexican peasant clothing.Strong composition.Museum of Modern Art, San Francisco.48” X 47 3/4”

Rivera, Diego, 1886-1957 The Flower Vender (Girl with Lilies)Painting, oil on masonite1941Mexican R.70.2

Girl selling lilies48 x 48 in. (121.9 x 121.9 cm)Norton Simon Museum, Gift of Mr. Cary Grant

Rivera, Diego, 1886-1957. Baile en TehuantepecWatercolor and charcoal1935Mexican R.70.5

Couples wearing traditional dress dancing with onlookers watching..18 15/16” x 23 7/8”Los Angeles County Museum of Art

Roberts, David View Under the Grand Portico of the Temple ofLithographScottish R.80.01


Rockwell Norman. 1894-1978 Freedom of SpeechPainting1943American R.90.8

Norman Rockwell Museum at Stockbridge. 45 3/4” x 35 1/2”.Saturday Evening Post cover Feb 20, 1943.

Rockwell, Norman Going and ComingPainting1947American R.90.9

Cover illustration for the August 30, 1947 Saturday Evening Post in two panels featuring a family in a cargoing and coming from a trip.

Rockwell, Norman A Day in the Life of a GirlPainting1952American R.90.11

Saturday Evening Post cover form August 30, 1952. A series of 22 narrative paintings showing day inthe life of a girl.

Rockwell, Norman Marbles ChampionPainting1939American R.90.12

Saturday Evening Post cover from Sept. 2, 1939

Rockwell, Norman 1894-1978 The Art CriticPainting1955American R.90.4

Humorous painting that became cover of Saturday Evening Post of April 16, 1955.

Rockwell, Norman 1894-1978 A Day in the Life of a BoyPainting1952American R.90.10

A series of 24 narrative paintings showing the day in the life of a boy.

Rockwell, Norman, 1894-1978 Triple self-portraitPainting1960American R.90.5

Using mirrors and canvases artist has created different sized portraits of himself.References to theportait in art history included.Saturday Evening Post cover for 2/13/1960

Rockwell, Norman, 1894-1978 Freedom from FearPainting1943American R.90.7

Norman Rockwell Museum at Stockbridge. Parents tucking children into bed.

Rockwell, Norman. 1894-1978 The Art CriticPainting1955American R.90.6

Humorous painting that became cover of Saturday Evening Post of April 16, 1955.


Roesen, Severin, 1820’s - c. 1872. Still life: flowers and fruitPainting, oil on canvasc.1850American R.93.1

Fruits and flowers and bird’s nest.

Roesen, Severin, 1820’s-c.1872. Still life: flowers and fruitPainting, oil on canvasc.1850American R.93.2

Assorted fruits and flowers with bird’s nest with eggs.

Rothko, Mark, 1903-1970 UntitledPainting, oil on canvas1949American, Russian R.110.4

Color fieldRectangles of yellow, green, black, purple, white, orange..

Rothko, Mark, 1903-1970. Blue, green, and brown.Painting, oil on canvas1951American R.110.2

Color field.Intense blue with one stripe of green and brown.Private Collection83” x 103”

Rothko, Mark, 1903-1970. Untitled (Number 13).Painting, oil, acrylic and powderedAmerican R.110.3

Color fieldGold field with white and red sections.Metropolitan Museum of Art95 3/8” x 81”

Rothko, Mark, 1903-1970. Orange and yellowPaintingAmerican R.110.1

Color field.

Rouault, Georges (1871-1958) Clown TragiquePaintingFrench R.120.1

Two Clowns Pierrots Harlequins, Circus Clowns, Works Clown, Expressionism, Fauvism

Rousseau, Henri The Sleeping GypsyPainting, oil on canvas1897French R.130.10

Toy-like lion snuffs at recumbant nomad. Dreamscape.Night sky with moon and stars.

Rousseau, Henri The Sleeping GypsyPainting, oil on canvas1897French R.130.4

Toy-like lion snuffs at recumbant nomad. Dreamscape.Night sky with moon and stars.


Rousseau, Henri (1844-1910). Carnival eveningPainting, oil on canvas1886French R.130.13

Twilight exterior, winter forest, peaceful mood,Philadelphia, Philadelphia Museum of Art46 x 35 1/4”

Rousseau, Henri 1844-1910 Exotic landscapePainting, oil on canvas1910French R.130.8

Apes eating oranges in fantasy floral landscape.51 1/4 “ x 64”Norton Simon Museum, Pasadena

Rousseau, Henri, 1844-1910 The Young GirlPaintingFrench R.130.9

Naive portrait of 8 year old Charlotte Papouin in white dress. Daughter of a stone cutter, friend andsupporter of artist. She is standing on blocks of limestone and milestones in acknowledgement of herfather’s profession. Backgound of flowering trees (real or backdrop?).Phikladelphia Museum of Art61 cm x 46 cm

Rousseau, Henri, 1844-1910 The Primeval ForestPainting, oil on canvasFrench R.130.11

Kunstmuseum, Basel

Rousseau, Henri, 1844-1910 Myself.Landscape portrait, 1890.Painting, oil on canvas1890French R.130.12

Beret clad Rousseau holding brush and palette stands in front of French canal. Hot air balloon in sky.Paris and Eiffel Tower in background.4’8” x 3’7”Prague, Narodni Gallery

Rousseau, Henri, 1844-1910 Merry JestersPainting, oil on canvasc.1906French R.130.14

Jungle painting, monkeys with dog faces, white bird,Philadephia, Phladelphia Museum of Art57 1/2 x 44 3/4”

Rousseau, Henri, 1844-1910 Jungle Scene with Setting SunPainting, oil on canvasFrench R.130.3

jungle painting, animal, red setting sunBasle Museum, Switzerland

Rousseau, Henri, 1844-1910 The Tiger HuntPainting, oil on canvasFrench R.130.15

Tiger HuntThe gallery of Fine Arts, Columbus, Ohio

Rousseau, Henri, 1844-1910 Jungle Scene with Setting SunPainting, oil on canvasFrench R.130.16

jungle painting, animal, red setting sunBasle Museum, Switzerland


Russell, Charles M 1864-1926 The Buffalo HuntPainting1900American R.160.8

Many Indians surrounding herd of buffaloSimilar grouping in backgroundFar western landscapeGilcrease Institue, Tulsa

Russell, Charles M 1864-1926 Wagon BossPainting1909American R.160.9

Wagon Master looking back on wagon train as it leaves fort.Far western landscapePerspectiveGilcrease Institute, Tulsa

Russell, Charles M 1864-1926 Carson’s MenPainting1913American R.160.7

Three men on horseback in far west landscape.Gilcrease Institute, Tulsa.Follow up to Making a Nation

Sakai Hoitsu 1761-1828. Iris and Mandarin ducks.Hanging scroll, ink and pigment onJapanese S.10.1

Calm mood. Blue iris, grasses, two ducks on rock surrounded by water.Late Edo period.51” x 22 3/16”Dallas Museum of Fine Arts

Sargent, John Singer, 1856-1925 The Daughters of Edward D. Boit.Painting, oil on canvas1882American S.20.2

Interior scene. Four young siblings. The older two in shadows. Youngest holds a doll.87” x 87”Museum of Fine Arts, Boston.Mary Louisa, Florence, Jane, and Julia.

Sargent, John Singer, 1856-1925 Carnation, lily, lily, rose.Painting, oil on canvas1885-6American S.20.3

Two girls dressed in white lighting paper lanterns in a garden surounded by lilies, carnations, and roses.68 1/2 X 60 1/2”Tate Gallery

Sarment, John Singer 1856-1925 TreesPaintingAmerican S.20.4

Sarment, John Singer 1856-1925 Pine ForestPainting, watercolor1908American S.20.5

pine forest

Seamon, Victor Oh boys I've struck it heavyDrawing, watercolor, pen, & pencil1853American S.30.01

Panning for gold in CA


Sekkyo BullBlock PrintJapanese S.18.13

Kwansei period (1789-1801). Black bull on white background

Seurat, Georges 1859-1891 the Harbour at HonfleurPainting1886French S.50.02

La Maria, Honfleur. Oil on canvas20 3/4 x 25 in.National Gallery, Prague

Seurat, Georges 1859-1891 Bathing place at AsnieresPainting1883French S.50.04

200 x 300 cm. National Gallery, London.Landscape with people. The feeling of repose is heightened by the lateral directions of figures, stylizedshadows and river bank.

Seurat, Georges, 1859-1891 Sunday Afternoon on the Island of La GrandePainting, oil on canvas1884-1886French S.50.5

PointilismPeople relaxing in the park in 19th C. clothing.Art Institute of Chicago207.6 cm. x 308 cm.

Seurat, Georges, 1859-1891 Sunday Afternoon on the Island of La GrandePainting, oil on canvas1884-1886French S.50.7

Pointilism. Large composition showingpeople relaxing in a park. Artist concerned with science of color.207.6 cm x 308 cmArt Institute of Chicago

Seurat, Georges, 1859-1891 Sunday Afternoon on the Island of La GrandePainting?French S.50.09

PointilismPeople relaxing in the park in 19th C. clothing.Art Institute of Chicago207.6 cm. x 308 cm.

Seurat, Georges. 1859-1891 Le CirquePainting1891French S.50.08

Musee d’Orsay. 6’1” x 4’111/8”

Shahn, Ben 1898 - 1969 March 3 - March 28Museum posterAmerican S.60.04

Blurred double superimposed skeletal figure. Advertisement for one of his shows.

Shahn, Ben 1898 - 1969 Still MusicPainting1951American S.60.01

Empty chairs and music stands drawn with black lines against a multi-colored, collage-like background.


Shahn, Ben 1898-1969 Poster January 18 - February 12Museum poster?Lithuanian S.60.03

Man dressed in Harlequin outfit using a brush or pen to paint his name. Standing on a drawn horse.

Shahn, Ben 1898-1969 Ohio MagicLithograph1945American S.60.05

California Palace of the Legion of Honor, S.F. Perspective Painting with red buildings and a yellow buscoming down the middle of the street, filled with passengers. Tempera on composition board.

Shanren, Bada 1626-1705 Master of the Lotus GardenMuseum poster1681Chinese S.67.1

The Art Museum , Princeton University..Museum poster of a detail of Two Grasshopers on a Lotus Leaf.

Shaw, Richard 1941- Little French GirlSculpture1996American S.70.01

Porcelain with decal overglazes. 61 x 17 1/4 x 12”. San Jose Museum of Art. Humorous parody ofConstantin Brancusi’s circa 1914 sculpure of the same name. Made out of fast food.

Sheeler, Charles 1883-1965 Golden GatePainting; Oil on canvas1955American S.70.1

Golden Gate BridgeDramatic color contrast.Metropolitan Museum of Art

Sheeler, Charles, 1883-1965 Bucks County BarnPrint1923American S.70.2

Precisionist print of barn. No background. Architectural perspective. Contrast of sun and shadow.

Sho-son White Bird Flying in SnowBlock PrintJapanese AS.10.12

White birds flying in snow on blue background.

Silberman Flat Iron BuildingB.140.01

Photograph

Sisley, Alfred, 1839/1840-1899 Snow at Louveciennes.Painting, oil on canvas1875French S.150.3

Lone woman walking through town on a snowy day.24 x 19 7/8”Musee d’Orsay


Smyth, William The Presidio and Pueblo of MonterreyPainting, watercolor on paper1827American S.170.01

Landscape

Sosen Mori Japanese macaques, detail #2Painting, ink and colors on silkJapanese S.180.1

Family of monkeysMetropolitan Museum of Art

Soto, PennyWatercolor2003? S.182.1

Bicycle wheel showing colors and values in the shadow

Springer, Cornelius, 1817-1891. The Town of Enkhuizen, 1868.Painting1868Dutch

Steen, Jan (1626-1679) The Dancing CouplePainting, oil on canvas1663Dutch S.233.1

People outside under vine covered pergola eating, drinking, dancing, talking, making music. Outdoor market scene in background.

Steinlen, Theophile-Alexandre, 1859-1923 Les chatsPainting, oil on canvasFrench S.234.1

Two cats (one black the other a tabby) against a vermillion background and a gold-yellow ground. Verystylized. Shows influence of Japanese prints and Toulouse Latrec on Steinlin.

Stella, Joseph 1880-1946 Brooklyn Bridge 1939Painting1939Italian/American S.235.1

Tunnel view of Brooklyn Bridge of New York City.Whitney Museum of New York

Stella, Joseph. 1877 - 1946 BridgePainting1936Italian S.235.03

SFMOMA. oil on canvas. 50 1/8” x 30 1/8”.

Stella, Joseph. 1877 - 1946. Italian Born Flowers, ItalyPainting1931American (Italian S.235.2

Phoenix Art Museum.


Stinski, Gerald, 1929- Three ApplesPaintingAmerican S.247.1

Red apples with white napkins

Stuart, Gilbert George Washington - after 1796Painting1796American S.250.1

Portrait of George Washington after 1796Located at the Sterling and Francine Clark Art Institute in Williamstown, MAFollow up to Making a Nation

Stuart, Gilbert George Washington - after 1796Painting1796 S.250.12

Portrait of George Washington after 1796Located at the Sterling and Francine Clark Art Institute in Williamstown, MAFollow up to Making a Nation

Stuart, Gilbert The SkaterPainting, oil on canvas1782American S.250.3

Portrait Sir William Grant as a skater, National Gallery of Art, Washington, DC

Sully, Alfred California Rancho ScenePainting, watercolor on paper1848American S.255.01

California Rancho scene

Sully, Thomas 1783-1872 The Torn HatPainting1820American/English S.260.02

19 1/8x14 5/8”oil on panel. MFA Boston. Sully’s nine-year-old son looks to the viewer in innocence andunderstanding in contemporary dress. The young boy is not conceived as a symbolic adult according tostiff, prefabricated conventions, but Sully gave this boy all the attention and care that he would an actualperson.

Sully, Thomas 1783-1872 Lady with a Harp: Eliza RidgelyPainting1818American/English S.260.01

National Gallery of Art. Oil on Canvas 84 7/16” x 56 1/8”. The satin of her Empire gown is carefullydescribed through fluid brushwork and brilliant highlights. Eliza, as a young lady of culturalaccomplishment, posed with her European pedal harp. She idly plucks the harp strings and gazesdreamily into space, as if musing on the lyrical chord she strikes. A fiery sunset heightens the romanticreverie. Miss Ridgely's figure has been greatly idealized. Sully, for the sake of fashionable elegance,exaggerated her legs to half again as long as any conceivably normal proportion. Sully once wrote,

Taito, Katsushika A Carp Leaping in a PoolPrintJapanese T.11.01

Taito, Katsushika A Carp Leaping in a PoolPrintJapanese T.11.02


Tamayo, Rufino, 1899-1991 Messenger in the WindPainting, oil on canvas1931Mexican T.13.1

“Angel” in the night sky with power/telephone lines. Limited palette.31 x 34”Los Angeles County Museum of Art

Tanner, Henry Ossawa, 1859-1937 The Banjo LessonPainting, oil on canvas1893American T.15.01

Grandfather teaching banjo to child standing between his knees.Lighted hearth off canvas.Hampton Institute, VA

Tanner, Henry Ossawa, 1859-1937. Portrait of Booker T. Washington.Painting1917American T.15.2

Traditional half-length portraitRough brush strokesSubject not aware of viewer.

Tanner, Henry Ossawa, 1859-1937. The Banjo LessonPainting,1893American T.15.30


Tanner, Henry Ossawa, 1859-1937. The Banjo LessonPainting, oil on canvas1893American T.51.31


Tansey, Mark, 1949- The Innocent Eye Test.Painting, oil on canvas1981American T.20.1

Humorous concept. Monochromatic painting (reminiscent of old photographs) with dairy cow gazing atDutch painting of cows in landscape next to a Monet haystack surrounded by six men, some art curators,some scientists, one holding a mop. (Paulus Potter the Dutch artist).Metropolitan Museum of Art, New York.

Taylor, Bayard San Francisco in November, 1848Lithograph1849American T.30.1

Lithograph of San Francisco Harbor

Ter Brugghen, Hendrick, 1588-1629. Musical group (aka The Concert).Painting, oil on canvasc.1626-27Dutch T.54.1

CaravaggistaThree figures in circular arrangement making music by candlelight.

39 X 46”London, National Gallery

Thiebaud, Wayne, 1920- Football PlayerPainting, oil on canvas1963American T.70.2

Football player sitting on benchNumber 88Virgina Museum of Fine Arts, Richmond


Thiebaud, Wayne, 1920- Sunset StreetsPainting, oil on canvas1985American T.70.3

Bird’s eye view of SF hill scene. Exaggeration of hills.48” x 35 3/4”San Francisco Museum of Modern Art

Thiebaud, Wayne, 1920- Cake slices.Painting, oil on canvas1994American T.70.4

Cake slices on plates in three horizontal rows.20” x 16”San Francisco, Museum of Modern Art

Thiebaud, Wayne, 1920- Flatland river.Painting, oil on canvas1997American T.70.5

Bird’s eye view of CA Central Valley landscape (orchard, aqueduct, tilled fields)38” x 58”SF, Museum of Modern Art

Thiebaud, Wayne, 1920- Park PlaceEtching with aquatint1995American T.70.6

City scene (echoes SF)

Thiebaud, Wayne, 1920- SunglassesAmerican T.70.7Sunglasses with different frames arranged in horizontal rows.

Thiebaud, Wayne, 1920- Sunset StreetsPainting, oil on canvas1985American T.70.8

Geometric exaggerations of urban center.SFMOMA(second copy of .3)

Thiebaud, Wayne, 1920- River and FarmsPainting1996American T.70.09

Oil on canvas. 60 x 48”. Fine Arts Museum of San Francisco.

Thompson, Bob 1937-1966 TreePainting1962American T.80.01

National Gallery of Art. Oil on canvas, 198.6 x 274.8 cm (78 3/16 x 108 3/16 in.) Disturbing, hallucinatory sceneof interpenetrating zoomorphic creatures and ghoulish specters. Looming on the left and monitoring the situation isa formidable winged female figure

Thone, Franz 1851 - 1906 BubblesPaintingGerman T.72.01


Tissot, James Jacques, 1836-1902. Hide and SeekPainting, oil on woodc.1877French T.73.1

Four girls playing hide & seek while in the corner of exotically furnished room, nanny reads newspaper.Mirror shows outdoors.Understand that it shows the artist’s mistress with her children.28 7/8” x 21 1/4”

Toulouse-Lautrec, Henri Jane AvrilLithograph1899French T.120.8

MOMA. 22 1/6” x 14 1/6”. Red headed woman/cabaret star in a black dress encircled by a snake.designed to be a poster.

Toulouse-Lautrec, Henri Woman with GlovesPaintingFrench T.120.11

Toulouse-Lautrec, Henri La GouluePoster1891French T.120.4

191 x 117 cm

Toulouse-Lautrec, Henri de 1864-1901 Morning Ride in the bois de BouloguePaintingFrench T.120.03

Toulouse-Lautrec, Henri de 1864-1901 Jane Avril Leaving the Moulin RougePainting1892French T.120.05

pastel and oil on millboard. 40 x 21 3/4”. Courtauld Institute of Art, London.

Toulouse-Lautrec, Henri de 1864-1901 Monsieur Boleau in a CafePainting1893French T.120.0

Owner/Location:Cleveland Museum of ArtMedium: Gouache on cardboard

Toulouse-Lautrec, Henri de (1864 - 1901) Aristride Bruant dan son CabaretLithograph1893French T.120.9

Back view with profile of head.

Toulouse-Lautrec, Henri de (1864 - 1901) Profile of a WomanPaintingFrench T.120.10

Musee du Louvre, Paris.


Toyo (1753-1839) Deer, Pine, and Bat.Panel screen, ink and colors onJapanese T.124.2

Two panel screen. Deer by Toyo. Other artists are Toyohiko (1778-1845) and Keibun (1779-1843).

Toyo, 1753-1839. Deer, stork, and plum blossoms.Panel screen, ink and colors onJapanese T.124.1

A two panel screen. Deer by Toyo. Blossoms by Goshun (1752-1811). Stork by Ganku (1756-1838). Ofthe Kyoto School.

Museum of Fine Arts, Boston

Toyokuni, Utagawa 1769-1825 Geisha and MaidBlock PrintJapanese AS.10.20

Female figures in landscape

Toyonobu Ishikawa, 1711-1785. [Woman with Scroll]PrintJapanese T.125.1

Barefoot woman wearing elegant kimona and obi unrolling a scroll with calligraphy. Obi has butterflypattern and kimono trees.Freer Gallery, Smithsonian Institute

Trumbull, John, 1756-1843 The Declaration of Independence.Painting, oil on canvas1786-1797American T.130.1

21 1/8” x 31 1/8”Yale University Art GalleryPortraits of all the signers of the Declaration of Independence gathered around J. Hancock, T. Jefferson,B. Franklin.... Larger version completed later in rotunda of capitol.Follow up to Making a Nation

Trumbull, John, 1756-1843 The Declaration of Independence.Painting, oil on canvas1786-1797American T.130.11

21 1/8” x 31 1/8”Yale University Art GalleryPortraits of all the signers of the Declaration of Independence gathered around J. Hancock, T. Jefferson,B. Franklin.... Larger version completed later in rotunda of capitol.Follow up to Making a Nation

Ts’ui-Po, active c. 1060-1085 (after) Swallows and apricot blossoms.Hanging scroll, embroidery onChinese T.133.1

Taipei, National Palace MuseumBranch and blossoms, two swallows, and elaborate garden rock. Cluttered composition. A cluster ofseals (red stamps).Actually done in Ming Dynasty (1368-1644)

Turner, Joseph Mallard William, 1775-1851 Yacht approaching the Coast.Painting, oil on canvas1835-40English T.135.6

Abstract seascape with reflection of unseen sun. Pastel palette.Almost unseen horizon. Influenced Impressionists and Abstract Expressionists.40 1/4/” x 56”Tate Gallery, London

Turner, Joseph Mallard William, 1775-1851. Folkestone from the Sea..Painting, watercolorc. 1830English T.135.7

Composition of blue and orange.Landward view of a sunset. Shows fishermen working with their nets. Low horizon.Emphasis on the light.Tate Gallery, London.488 mm x 684 mm


Turner, Joseph Mallard William, 1775-1851. Santa Maria della Salute; Night Scene withPainting1833-1835English T.135.8

Abstract of fireworks at night in Venice.Tate Gallery, London

Turner, Joseph Mallord William 1775-1851 Peace; burial at sea.Painting1841English T.135.5

Seascape with silhouettes of ships.Light more important than ships.Burial of fellow painter and friend Sir David Wilkie. Buried off Gibralter on way home from Middle East.Event occured in 1841.Mood.

Twachman, John Henry, 1853-1902 Winter HarmonyPainting, oil on canvasc.1890/1900American T.140.1

National Gallery of Art25 3/4 x 31 15/16”Early winter landscape

Uccello, Paolo 1397-1475 Niccolo Mauruzi Da Tolentino at the battle ofPainting, tempera and silver foil onc. 1455Italian U.30.1

Sytlized bloodless early Renaissance battle scene.Early work in style of scientific perspective.6’ x 10’5 3/4”National Gallery, London

Unknown Chinese Brocaded Hanging with Willow TreeEmbroidery on fabric18th CenturyChinese AS.10.1

Embroidered silk. Willow Tree with Birds and butterflies.

Unknown View of an Ideal CityPaintingItalian AR.01.06

Unknown UnknownAcrylic on Board AS.10.3

Abstract Acrylic on Board

Unknown UnknownPainting AS.10.4

Paintig of yellow and gray sun over blue and black water. Abstract

Unknown Figure from the Temple of IshtarSculpture2500 B.C.E.Sumerian US.40.1

Limestone, alabaster, & gypsumIraq Museum, Baghdad


Unknown Peace side of the Standard of UrBox2600 B.C.E.Sumerian US.41.1

Wood inlaid with shell, lapis lazuli, and red limestone, approx. 8” x 1’7”British Museum, LondonFrom Tomb 779, Royal Cemetary, Ur (modern Iraq)

Unknown Bull-headed lyreWood carving2600 B. C.E.Sumerian US.42.1

Bull-headed lyre from tomb 789, Royal Cemetery, Ur (Iraq)Gold leaf and lapis lazuli over a wooden core, approx. 5’5” highUniversity Museum, University of Pennsylvania, Philadelphia

Unknown AKKAD Head of an Akkadian rulerSculpture2300-2200 B.Sumerian US.43.1

Bronze head of an Akkadian Ruler (possibly Sargon or his grandson, Naram-Sin), 14 3/8”Iraq Museum, Baghdad

Unknown Stele with law code of Hammurabi from SusaRelief carving1780 B.C.E.Babylonian UB.44.1

Stele with law code of Hammurabi from SusaBasalt relief carvingapprox. 7’4”from Iranat Louvre, Paris

Unknown Assurnasirpal II Killing LionsRelief carving850 B.C.E.Assyrian UA.20.1

From the palace omplex of Assurnasirpal II, Kalhu (modern Nimrud, Iraq)Alabaster, height approx. 39”British Museum, London

Unknown Wounded LionessRelief carving645-640 B.C.Assyrian UA.21.1

Detail of a relief from the palace of Ashurbanipal, Nineveh (near modern Kuyunjik)Gypsum, figure is approx. 1’4” highBritish Museum, Londen

Unknown Ishtar GateArchitecture575 B.C.E.Babylonian UB.45.1

Ishtar GateGlazed brickBabylon (Iraq)Staatliche Museum, Berlin

Unknown Ishtar Gate detailArchitecture575 B.C.E.Assyrian UB.45.2

Lion detail on Ishtar GateGlazed brickStaatliche Museum, Berlin

Unknown View of San Francisco Harbor 1850 or 1851Daguerreotype1850/51American UA.30.01

View of San Francisco Harbor, 1850 or 1851


Unknown Elizabeth Clarke Freake (Mrs. Freake) andOil on Canvas1671 & 1674American UA.31.10


Unknown Elizabeth Clarke Freake (Mrs. Freake) andOil on Canvas1671 & 1674American UA.31.11


Unknown 18th Century Chinese Brocaded Hanging with Birds in FlightEmbroidery on fabricChinese AS.10.2

Embroidered silk with birds in flight.

Van Eyck, Jan (active 1422-d.1441) Arnolfini Marriage (The Marriage of Giovanni?Painting; Oil on panel1434Flemish V.50.1

Lush interior scene of couple holding hands as if in the midst of marriage rite.(95% detail).33” x 22 1/2”National Gallery of Art, LondonAdded 1996Painter to first perfect techniques of oil painting.

van Gogh, Vincent IrisesPaintingDutch V.60.59

Oil on canvas28 x 36 3/4 in. (71 x 93 cm)Getty Museum, Malibu, California. Blue irises in the wild.

van Gogh, Vincent First StepsPaintingDutch V.60.63

van Gogh, Vincent The CypressPaintingDutch V.60.54

Stedelijk Museum Amsterdam

van Gogh, Vincent Vase of RosesPainting1890Dutch V.60.66

Oil on canvasvase of white rosesPrivate collection Bridgeman art library, London

van Gogh, Vincent The Starry NightPainting1889Dutch V.60.68

The view outside of his sanitarium room window at Saint-Remy-de-Provence at nightMuseum of Modern Art, New York, NY


van Gogh, Vincent 1853-1890 SunflowersPaintingDutch V.60.26

Stedelijk Museum

van Gogh, Vincent (1853-1890) Self portrait .Painting, oil on canvas mounted on1887Dutch V.60.51

Straw hat, bearded.Detroit Institute of Arts14 X 10 1/2”

van Gogh, Vincent (1853-1890) Le Sumeur (The Sower)Painting1888Dutch V.60.57

Van Gogh Museum, Amsterdamn. 32 x 40 cm. Van Gogh made a number of variations on a themedepicting a sower in front of a setting sun. Especially striking in this version are the bright, unnaturalcolours and the unusual composition, in which the knotty tree in the foreground constitutes a diagonaldivision of the canvas. His inspiration for this may have come from a Japanese print.

van Gogh, Vincent 1853-1890 The Old MillPainting Oil on canvas1888Dutch V.60.33

Landscape in soft color values.

Buffalo, NY. The Albright-Knox

van Gogh, Vincent, 1853-1890 The Starry NightPainting1889Dutch V.60.34

Swirls of light in a night skyTextured surfaceOil on canvas29” x 36 1/4/”Museum of Modern Art, New York

van Gogh, Vincent, 1853-1890 Peach blossomPainting, oil on canvas1889Dutch V.60.35

Peach orchard in bloomPointilistic skyStrong horizontal organization landscape Same scene as “Blue Cart” also called “Harvest at La Crauw”No actionCourtaulb Institute Galleries, London.25 3/4” x 32 1/8”

van Gogh, Vincent, 1853-1890 Farmhouse in Provence, Arles.Painting1888Dutch V.60.36

Farm with fields that look ready for harvest. Large haystacks in the distance.

van Gogh, Vincent, 1853-1890 Irises.Painting, oil on canvas1890Dutch V.60.39

Metropolitan Museum of ArtIrises in white pitcher

van Gogh, Vincent, 1853-1890 Potato Eaters.Painting, oil on canvas1885.Dutch V.60.42

Peasant family eating together in dark interior.81.5 cm x 114.5 cmAmsterdam, The van Gogh Museum


van Gogh, Vincent, 1853-1890 The BedroomPainting, oil on canvas1888Dutch V.60.44

Interior scene with bed, desk, and two chairs. Five painting on the wall. Artist’s bedroom.38 3/8/” x 35 7/16”Amsterdam, The Van Gogh Museum

van Gogh, Vincent, 1853-1890 Public garden with round clipped shrub andPainting, oil on canvas1888Dutch V.60.45

Yellow sky, green grass with shrubs and tree.Art Institute of Chicago28 3/4 x 36 1/4”

van Gogh, Vincent, 1853-1890 Fishing boats on the beach at Saintes-Maries-Painting, oil on canvas1888Dutch V.60.47

Four colorful boats beached, four in the water. Grey-blue days.65 x 81.5 cmAmsterdam, Van Gogh Museum

van Gogh, Vincent, 1853-1890 Almond blossom.Painting, oil on canvas1890Dutch V.60.49

Japonisme painting of almond blossoms against a turquoise background.28 3/4 x 36 1/4”Van Gogh Museum, Amsterdam

van Gogh, Vincent, 1853-1890 The Yellow House (“the street’).Painting, oil on canvas1888Dutch V.60.50

House Van Gogh shared with Gauguin in Arles. Street scene with people passing by. Steam engine inbackground. Intense blue sky.28 1/3 x 36”Van Gogh Museum, Amsterdam.

van Gogh, Vincent, 1853-1890 L’Arlesinne, Madame Joseph-Michel Ginoux.Painting, oil on canvas1888-9Dutch V.60.52

Woman in blue dress seated at table with open books. Yellow background.Metropoitan Museum, NY36 X 29”

van Gogh, Vincent, 1853-1890 Portrait of Joseph RoulinPainting, oil on canvas1889Dutch V.60.53

Frontal view of the postman in front of arte nouveau fabric or wallpaper.25 3/8 X 21 3/4”MOMA, New York

van Gogh, Vincent, 1853-1890 IrisesPainting1889Dutch V.60.56

Oil on canvas28 x 36 3/4 in. (71 x 93 cm)Getty Museum, Malibu, California. Blue irises in the wild.

van Gogh, Vincent, 1853-1890 The Starry NightPainting1889Dutch V.60.60

Swirls of light in a night skyTextured surfaceOil on canvas29” x 36 1/4/”Museum of Modern Art, New York


van Gogh, Vincent, 1853-1890 the Potato EatersPainting1885Dutch V.60.61

Peasant family eating together in dark interior.81.5 cm x 114.5 cmAmsterdam, The van Gogh Museum

van Gogh, Vincent, 1853-1890 First StepsPaintingDutch V.60.29

van Gogh, Vincent, 1853-1890. Olive OrchardPainting, oil on canvas1889Dutch V.60.38

Olive grove with long shadows on hot day. Orange and blue color-scheme. Color values make distictionbetween earth and sky.Goteborgs Konstmuseum

van Gogh, Vincent, 1853-1890. Self-portrait with bandaged ear.Painting, oil1889Dutch V.60.40

Courtauld Institute, London.Wearing overcoat and fur hat with bandaged ear.Japanese print and easle in background.

van Gogh, Vincent, 1853-1890. Self-portrait with bandaged ear.Painting, oil on canvas1889Dutch V.60.41

Wearing winter coat and fur hatJapanese print and easel in background.

The “old” copy.

van Gogh, Vincent, 1853-1890. Potato EatersPainting, oil on canvas1885Dutch V.60.43

Peasant family eating meal together.(Old reproduction)

van Gogh, Vincent, 1853-1890. Self-portraits, four versions.Museum posterDutch V.60.46

Museum poster of different self-portraits.

van Gogh, Vincent, 1853-1890. The HarvestPainting, oil on canvas1888Dutch V.60.48

Also known as The Blue Cart.Expansive view of rural France, with blue cart. Ladders on haystacks.Amsterdam, The Van Gogh Museum73 x 92 cm

van Gogh, Vincent, 1853-1890. Blossoming Pear TreePainting1888Dutch V.60.58

Van Gogh Museum (Netherlands) Height: 73 cm (28.74 in.), Width: 46 cm (18.11 in.). Oil on canvas.Young blossoming tree in foreground. Blue sky ad stone wall in background.


van Gogh, Vincent, 1853-1890. Peachtree in BloomPainting1888Dutch V.60.62

81 x 60 cm. Oil on canvas. Arles.

van, Gogh, Vincent, 1853-1890. Postman Joseph Roulin.Painting, oil on canvasDutch V.60.37

Portrait of bearded man wearing blue postmans uniform with gold decorations. Blue background.32” x 25 3/4”Museum of Fine Arts, Boston

van, Gogh, Vincent, 1853-1890. Postman Joseph Roulin.PaintingDutch V.60.55

Portrait of bearded man wearing blue postmans uniform with gold decorations. Blue background.32” x 25 3/4”Museum of Fine Arts, Boston

VandenBerge, Peter 1935 Couple Watching Saturday Night MovieSculpture1969Norwegian V.20.01

13”x12”x11”. San Jose Museum of Art. Ceramic sculpture of two carrots sitting in an overstuffed chair.One of many carrot sculptures. Born in the netherlands, grew up in Indonesia. Moved to California in1954

varied Examples of HousesPhotographvaried AR.01.01

Examples of Architecture. Ludwig’s Castle, Bavaria. Pueblos. English Tudor. Face House, Japan

varied Post Renaissance ArchitecturePhotographvariedvaried AR.01.02

Keble College, Oxford, late 15th century.French Chateau, 1536Austrian Monastary, 1702

Velasquez, Diego, 1599-1660 Los Meninas, also called The Maids of HornorPainting, oil on canvas1656Spanish V.100.5

Royal princess with court attendants. Includes self-portrait of painter plus a dog and a dwarf.10’5” x 9”The Prado, MadridV.100.5laminated

Vermeer, Jan 1632-1675 The Girl with the Red HatPainting on woodc. 1665Dutch V.110.4

Portrait of woman with red hat.9 1/8” x 7 1/8”National Gallery, Washington, DC

Vermeer, Jan, 1632-1675 The MilkmaidPainting, oil on canvasc. 1658-1660Dutch V.110.5

Maid poring milk in pantry with kitchen wares of colors and textures. A quiet painting with a still life.Details for visual exploration.Rijks Museum, Amsterdam.45.5 cm x 41 cm


Vermeer, Jan, 1632-1675 Girl with a Pearl EarringPainting, oil on canvasc, 1665Dutch V.110.6

Lovely, simple portrait of woman wearing blue and gold turban and pearl earring that is highlighted.Expression is enigmatic. Possibility that it is a wedding portrait.46.5 cm x 40 cm.The Hague. Mauritshuis.

Vermeer, Jan, 1632-1675 The Astronomer.(detail).Painting, oil on canvasDutch V.110.10

The LouvreMan in dressing gown and cap gazing at celestial globe.Table covered with books and instruments.

Vermeer, Jan, 1632-1675 Girl Asleep (A Maid Asleep)Paintingc. 1656–57Dutch V.110.11

oil on canvas 34 1/2 x 30 1/8 in. (87.6 x 76.5 cm) The Metropolitan Museum of Art New York. A sleeping or inebriated woman in a restricted space between a heavily-laden table and ahalf-opened door leading to a distant light-filled room. Palette of earth tones and deep reds. Unusualspatial organization,

Vermeer, Jan, 1632-1675. A Woman in Blue Reading a LetterPainting, oil on canvasc. 1662-64Dutch V.110.8

Three quarter length portrait of woman, dressed in blue, standing in front of map and reading a letter.Amsterdam, Rijks Museum.46.5 x 39 cm

Vermeer, Jan, 1632-1675. The Art of Painting (a detail).Painting, oil on canvasc. 1666-67Dutch V.110.9

Kunsthistorisches Museum, Vienna47 1/4 x 39 3/8”

Vermeer, Jan, 1632-1675. The LacemakerPainting, oil on canvas mounted onc. 1669-70Dutch V.110.7

Frontal view of woman bending over her lacemaking project. Details of lacemakers art, a respectablecottage industry.24.5 cm 21 cm.Paris, The Louvre

Vigee-Le Brun, Marie-Elisabeth-Louise Self-portrait with Julie.Painting, oil on wood1789French V.120.1

Mother and daughter embrace|Fashionable Greek clothingThe Louvre4’2” x 3’ 6”

Vlaminck, Maurice de Restaurant de la machine a BougivalPainting, oil on canvasc.1905French V.140.4

Fauve streetscene, no people.

Vlaminck, Maurice de 1876-1958 Les Chaumieres (Thatched Cottages)PaintingFrench V.140.02

Thatched roofed cottages along a road. Stormy sky. Vivid colors applied with slashing brush strokes.


Wallace, Barbara Nether RegionsPaintingAmerican W.10.01

Tropical fish.

Wang Hui, The K’ang-hsi Emperor’s Second Tour of theInk and colorsChinese W.20.1

Landscape, mountains, temples, continuous perspective, blue and green style.Metropolitan Museum of Art

Wang Hui, 1632-1717. Summer mountains, Misty Rain (detail)Painting, ink on paper (handscroll)1668Chinese W.20.2

Black and white landscape, oval mountains and waterfalls. Textured brush strokes.Qing Dynasty17 1/4/” x 8’ 2” (entire scroll)Asian Art Museum, San Francisco.

Wang Hui, 1632-1717. Summer mountains, Misty Rain (detail)Watercolor1668Chinese W.20.03

Black and white landscape, oval mountains and waterfalls. Textured brush strokes.Qing Dynasty17 1/4/” x 8’ 2” (entire scroll)Asian Art Museum, San Francisco.

Warhol, Andy 1928-1987 Two Golden Mona LisasPainting and Silkscreen1980American W.30.2

26 5/8” X 40”Synthetic polymer paint and silkscreen ink on canvas. Private collection.

Warhol, Andy 1928-1987 100 CansPainting1962American W.30.3

75” x 52”. The Andy Warhol Foundation for the Visual Arts, Pittsburg, PA. On white mat board

Warhol, Andy 1928-1987 100 CansPainting1962American W.30.4

75” x 52”. The Andy Warhol Foundation for the Visual Arts, Pittsburg, PA. On white mat board

Warhol, Andy 1928-1987 Self-portraitPainting and Silkscreen1967American W.30.5

Six images in different colors of Warhol in hand to chin pose.Horizontal, 3 across, 2 down

Warhol, Andy 1928-1987 Ten MarilynsPainting1967American W.30.6

Ten images of Marilyn Monroe


Warhol, Andy, 1928-1987 Self-portraitSilkscreen on canvas; synthetic1966American W.30.1

Six images in different colors of Warhol in hand to chin pose.Museum of Modern Art, New YorkW.30.1Each canvas 22 5/8/” x 22 5/8”

Weeks, James, Two musiciansPainting, oil on canvas1960American W.64.1

Semi-abstract painting of two Afro-Americans. Strong verticals of color. Feeling of strength.Museum of Modern Art, San Francisco

Wendel, Theodore, 1859-1932 Bridge at Ipswich.Painting1908American W.65.1

Oil on canvasLandscape scene of small village’s bridge over the river. Trees turning fall colors.24 1/2/” x 30”Museum of Fine Arts, Boston

Wendel, Theodore, 1859-1932 Bridge at IpswichPainting1908American W.65.2

Oil on canvas. Stone BridgeLandscape scene of small village’s bridge over the river. Trees turning fall colors.24 1/2/” x 30”Museum of Fine Arts, Boston

West, Benjamin 1738-1820 Penn’s Treaty with the Indians 1771Painting1771English born W.75.1

Oil on canvas 75 1/2 x 107 1/2 in. Pennsylvania Academy of the Fine Arts. In 1771 Thomas Pennwanted a painting of his father meeting with the Native Americans. He commissioned Pennsylvania-bornartist Benjamin West to capture the dramatic encounter on canvas. When finished, William Penn's Treatywith the Indians reinforced the legends of friendship and peace established between cultures.

West, Benjamin 1738-1820 Benjamin Franklin Drawing Electricity from thePainting1816English born W.75.2

13 3/8 x 10 1/16 inches. Philadelphia Museum of Art. The painting is a sketch for a large-scale portrait,never executed, that Benjamin West planned for the Pennsylvania Hospital in Philadelphia. It showsBenjamin Franklin engaged in the famous experiment of June 1752 that proved that lightning waselectricity. West depicts the moment when a spark of electricity, passing through a key attached to a kiteflying in a stormy sky, jumps to Franklin's raised knuckle. The scene rises to the level of allegory,however, with Franklin perched on clouds and surrounded by angelic assistants.

Whistler, James McNeill 1834-1903 Nocturne in black and gold, the falling rocket.Painting, oil on oak panel1875American W.90.4

Fireworks display at night, semi-abstract.

23 3/4/” x 18 3/8/”Detroit Institute of Arts

Whistler, James McNeill 1834-1903 Arrangement in black and gray; the artist’sPainting, oil on canvas1871American W.90.5

Profile of seated woman.His mother was 67 years old. (Stern, stingy, Bible thumping woman whose goal was total domination of his public and private lives).57” x 64 1/2” (4’8 3/4/” x 5’3 3/4/”)Musee d’Orsay, Paris

Whistler, James McNeill 1834-1903 Symphony in white, no.2; the little white girl.Painting, oil on canvas1864American W.90.6

Woman in white holding Japanese fan.Reflection of face in mirror.

30 1/8” x 20 1/8”Tate Gallery, London


Whistler, James McNeill 1834-1903 Caprice in Purple and Gold #2Painting; oil on panel1864American W.90.3

Woman in kimono seated on floor looking at Japanese prints.Freer Gallery, Smithsonian Institution19 3/4” x 27”

Wood, Grant (1892-1942) American GothicPainting1930American W.130.5

Armerican Regionalism painting of midwestern farm couple.29 7/8” x 24 7/8”Art Institute, Chicago

Wood, Grant, 1891-1942 American GothicPainting, oil on beaver board1930American W.130.2

Armerican Regionalism painting of midwestern farm couple.29 7/8” x 24 7/8”Art Institute, Chicago

Wood, Grant, 1892-1942 Dinner for ThreshersPainting, tempera on panel1934American W.130.4

Doll house view of farm hands seated at long table.20” x 81”Fine Arts Museum, San Francisco

Wood, Grant, 1892-1942. Stone CityPainting, oil1930American W.130.3

Stylized farm and landscapeOmaha, Joslyn Museum

Woodruff, Hale 1900-1980 Poor Man’s CottonPainting1944American W.140.05

bird’s eye view of African Americans picking cotton. Strong diagonal lines. Primary colors.

Woodville, Richard Caton, 1825-1855 Waiting for the StagePainting1851American W.150.1

Three men wile away time while waiting for the stage coach.Corcoran Gallery, Washington, DC

Wyeth, James, 1946- DragonfliesMixed media1986American W.210.2

Goose swimming in pond.Two dragonfliesRealisticBrandywine Museum

Wyeth, James, 1946- Draft AgePainting1965American W.210.1

Leather-clad young man wearing sunglassesBlonde bikerStrong chiaroscura36” x 30”Private collectionSubject friend of the young artist


Wyeth, Newell Convers, 1882-1945 Dying winterPainting, oil on canvas1934American W.215.1

Three blackbirds on a rail fence. Melting snow - almost gone. In shadow of fence.42 1/4” x 46 3/8”Brandywine River Museum

Wyeth, Newell Convers, 1882-1945. [Corn huskers in the Brandywine Valley]Paintingc.1940American W.215.2

Vanishing harvesting style. Horse drawn wagon, corn shocks, huskers.Brandywine Museum

Xia, Ren Wang Xizhi Watching GeeseHanging scroll1896Chinese X.50.01

Ink and color on paper

Xiaoling, Pan Family Snap ShotPaintingChinese X.54.1

Chinese family eating at table.

Yanagisawa, Kien, (attr). PeacockPainting, ink and colors on silk1616-1868Japanese Y.10.1

Painting of peacock.Edo period, Naga School

Freer Gallery, Smithsonian Institution

Yuan Jiang (active 1690-1746). The palace of nine perfections (detail).Hanging scroll, ink & color on silk1691Chinese Y.75.1

One of 12 hanging scrolls.Metropolitan Museum of Art

Yun Shou-p’ing, 1633-1690 PeoniesPainting; Ink and colors on paper1672Chinese Y.80.1

Red, blue, and white peonies with calligraphy.28.5 cm x 43 cmNational Palace Museum, Taipei

Documents

Reproduction Catalog By Artist