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Robin Nolan - The Gypsy Jazz Vol. 6

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Page 1: Robin Nolan - The Gypsy Jazz Vol. 6
Page 2: Robin Nolan - The Gypsy Jazz Vol. 6
Page 3: Robin Nolan - The Gypsy Jazz Vol. 6

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Page 4: Robin Nolan - The Gypsy Jazz Vol. 6

i spio~ai~uOcl~~~l~soijlicizraIM~~~ ria il,yt<i~(: >cl'(;

I<OL$ !]),,l!z by rn«wq)tt II,?,>> .~!I.*I>,~II~$ .>y> ,.T!; 111j.7 WOK .9f.61 - ~$6, ,~#<~-is$.?;i d~~/W / 6s,?,vs- £3pa ,,1. , , , y , Y! ICI pu y $8 ,A , . c LUOTÇT>IO~~A~ W' .auqaiw~~~ >"s,~>~ly iriol<irr>,ti!p,~,, pqi!ii<,, ,~,sv,>pi -,>!~,yj IJLI~~N ,SA!$ S,L,NX ,TP 61<!)~)1~!

4q.3 xtj(: Ils.tAb 11i,271,77%.> x!s )r~flvp?~~n~ fs)~ ,"Y' 'q) ICCTL>X yc1x I1y )2,777>)~~~~c1 ii)s~a?t~ ~II<!$IX )>,?]II>? pyl!) #V"< v < OUQ01310" MMM > bll!J1II iasilb< I<L,l)*Oinl« bl<l>l« )!,')'1i»1 ,"11>y spLO.?,>x Ir?);) ZOW pl<>,

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Page 5: Robin Nolan - The Gypsy Jazz Vol. 6
Page 6: Robin Nolan - The Gypsy Jazz Vol. 6
Page 7: Robin Nolan - The Gypsy Jazz Vol. 6
Page 8: Robin Nolan - The Gypsy Jazz Vol. 6
Page 9: Robin Nolan - The Gypsy Jazz Vol. 6
Page 10: Robin Nolan - The Gypsy Jazz Vol. 6

let chord ring /

S o l o C h a n y s io7 Sec t ion - R h Y t h ~ ~ Chan4es in e

I I .

1 C6/9 Cg 1 F F#dirn / E-7 A1 3b9 / D-7 G13b9:)

I br 8019 I~SI? l lor G ~ U S C 2nd Ci!l j

l for A1 3b9 use "13 Ire1 l x G1 3b9 x

7 0 7 rhr iiriii:;~< s<.cti<l,i mec,

chi, sii>iii ~ ' 7 r.ii<,irl rli,ipc

41 2 ,,>,,l ii,..,.'. i t 'i...,.,, ri,,. 8161.

4 bori,,i dv,ir fi,,, ' i t ( 8 ri,sti..

e:;. Z7 . w rite 7rli hi.t. i ior E-7 iiso i 7111 fret.)

Page 11: Robin Nolan - The Gypsy Jazz Vol. 6

'77,,ch ,;. S w i n 5 de +avis .ntl,,:ij,7 'Tta,ii~hitv,(r

1" (0 solos "

m &clid pltiyed in ulzisori one octnvo hishce

, to soos k==3

1 F7 1 ;/ I C / CIE Ebdim 1 I 1 . & 3 .

1 D-7 1 (37 1 CIE Ebdim 1 D-7 G7 j/ 'C / B-7 E7 II

[HI

II A 1 B-7 E7 1 A 1 B-7 E7 /

Page 12: Robin Nolan - The Gypsy Jazz Vol. 6
Page 13: Robin Nolan - The Gypsy Jazz Vol. 6

[Ai Guiiar lablature - I>On<l

9 (1 1 tO 12) 9 6 7

x G/B x x pJ 5f#/#f 3f6#77f+m1 sr ( 2

(for F#7, F7 & E7 use 9th, 8th & 7th frets) llT[l l o f l l j l 8 f l l f - l

6f 2

Page 14: Robin Nolan - The Gypsy Jazz Vol. 6

!

1 G-7 C7 1 F F#dirn 1

1 G-7 C7 1 F F#dim 1

1 G-6 A7 1 D- Ddirn 1 Bb7 A7 1 D- A7 $

Page 15: Robin Nolan - The Gypsy Jazz Vol. 6

Sc~ootdlq, 'Bj,i>t;jc r t w t t to tht 7 ($4 to ?d'1t1 n!itlt thc, ;y,<vitc~<t Li;; h,tnLi O# ,111 citw, tlw a9n>i,c;; O r ~ i t t c t , ~ t

<$ 'Btake Slli,5ton. d m i ' 'Bj,i,i:;<i Iic,zt~<i AC AC sic i d K i ~ h ~ p r l > t l i tAi, hi<;; i t ,ni$ cviliitiic;; iri di<, jri;;

m ~ t l i i . cri>! ber t h ~ t <fvc.7y siii;;l<. »it<:iciriri i>i 2 l l i x ; ; tonb ovchi>utrti r,vis trilkiii:; ,ihor<t " S i n i " ii>vA

" 'Di iq" . 'Bjr i>lr jo e*tbnic.eti this ri<.ro iii,<sic. /oucd the ,,i.ci>~~iiri:;e of thrw i i ,~i<iî i i l : ; rsu<c.icilins risici

nJI-z he 7i . tutnd to ;h i i r i s hi, svt <ih>r<t i i i 'd t i r i~ ci >coi, reFarti>is,ir ,irtii t?r~ns#or»iin:; hi< ~ippmiich. Y'i ~:orrri<iiiil

O# his ifntis, 'Djri>r:;o luid ha( Iiis d<ii,, ~ i i s i h t i p thc pi>i>wi~l<, '7: hi* P L , C < > ~ , C ~ ~ M ~ <,>cri n~ i i t in ; ; < . I IZ~ ,~ , wi>te S ~ V L . I I

to t r n qcms enritlie? nuth th'. ,il1 qirirt;; s~an; ; .;<miid 06 the QUC73. 2 1 ~ v t t t < ~ i l l 1 ~ AC r,~t,s ro >P~DII,~ t h f i t h i

T h i s , i r . ~ ~ i ln~i<rir h,id iicn. r,<li.i.. 3 i ~ s t l ~ ~ thr i ,istrt~,rir.rit,iriii>i. S<ir<ipbiir i<,r i i i i r i rl,<>uprti. ii,c.rt r l i i

kinrjs. <Lhi.tl shrired thi. "&ciids". oiftcrri iri u>tiso>z, one octiitu. ~ i p a r r i i > i i i <ir t,ciil #<isi tonpo'..

E<.hop i i lgo n-orkcd rriith r i cosiipl<~ti.li( ritizi rhythritiç riyy,<iriçli. (SAi* >>tort i > ~ i p < ~ t t ~ i i ~ t instrr<r i i iv~t iit

t h e vhythm section i>i,cnwic tlic dti<ins. mirh the bits$ ,,irilkiri:j 4 ro th< Art? rinii t l i i . r<.uiil,<tio,i,i~,i( hii7-

*ionY ~ 0 m i n 5 i fmm the pinpio. 'The Eupr .9 ,~ n~mt ~ i , M e . r lhcy pl,i~,r,i swt;;r ris f i < i w t <ig po*siblc.

C h n t 9 whnt rci<i<iis tk r >ri,<sic. so isxcititi:; nrrd th<, c h r i l l c ~ ~ c so rci i l .

'Djr inr jo çor<lii nor plriy B<,bc~~i iiiitA c i tv<irlitiunrtl " U o t C'/,<A'' l i ~ ~ ~ . ~ r < p . V h i s i s r i r. i>nti i i i i ict ioi i

i n terma. 'Th'. " d o t Cl~<b" r i l l <tvi,i;; s o u ~ i i i r i m i i>tetvuiwiir i t t ioi l iaiwi. r i rhiit:; o$ th'. j r i s t rixi1

beli>,yjed t e the S n i n : ; 2 2 , i . <The 4 to the briv, i<p #tarit, "<711ps~I Smin;;" I I C O ( I ~ ~ ~ C rbq t l~m : j i t i t i i i

bccrimr. obsid~-r<. iil>*ioet o t i ~ r ~ i i : j l ~ t . ~ rp l r t i e r i hgl th', pi,irio ,1n<1 ,iri<izis. Ilt ~ ~ t ~ i s i i ' t i<r i t i l '7Jjiiri;;o p1,it1t,(

w i t h the picni hrec'i oif iq<r,<ng S<,bol> i>rapiwd p n ~ i s i ~ i , t ,n,~sicitins itc t h , ,,ivIv 50's <i t r11c C'(,<A Sr.

Qhe 2lertzic guita2 .Iitt<.~csti>iqly arior<:;h Si.di>p ci>i>i<.icii.<i itiirli rhc itrlu<~zcr O$ the 5aitc47 p ickup, the eli,crri<. ;j,<ir,il ,iii,

thi, ; ; i~ i t i i , i i i n i ~ l l i i f i i . ~ i i l l o$ n-hich 'njci i i ; ;<, ,,s,,i asho h , ,tppenvcd i n the 7 ( S A iiiirh ch<, 'niik, 2 l l i i i : ; t c r t O w h r s t * n . ' B j ~ i n ~ ; o <o,dci i f i ,~.d l , 11e,ir hi'asrlf oscr tha top 115 hmic ri.rti<i,rq ,,riil ,ir,<ii

>(.it<. p l 1 Ili. li,+ h~ hriif L t o i plriqirig rir.i>iirtii-,illy d c ~ e L o ~ i > ~ ~ <i ~ ~ ~ r i s s i t i i ' t ~ ~ h ~ ~ i ~ , < ~ s , L ~ I I ' , 08 60tIo ji<viqii,.

r i i r a i i.l,iritil. bor>u o,<t O# the nec<rssitil r i , b t .ar<dihli. iirid li<iviris ti> cr<t thr' iryh thc ci>iiihiic<..i i,ol,(iii,

<i4 O hoiid j ns t to 6c he,i>il. Non ri11 kc h,i,l ro rio n>ri~ t u ~ n th', volr<m<, k>tob ,<p. f r r l l !

Q I i c odd thin:; ic. thf i t hi*toricrilh, thc d ~ i q ' B j r ~ r i ~ j o picked r p thc el rctr i r y < i t t w h' i,t,at(~><.rt<,,~tI~,

los? i i l<ii:;c p m p o ~ t i o x LI# Ili9 i i / < d i ~ n ~ < ~ . ' 7 1 i < > ~ j ' ? ~ II f i ~ k l e b,mch.

<Tlxc oii:ji>~,il " d o t Clizb" ~ C V < I I I ~ ~d i ( i i . i < i l l ~~ c ~ r d ~ , i ON f ia7ch ro, 194s wi th thi, 1,ti:t :;rs.,ii

ni~ i>c la i<d t /~? r i~ r~~c l l i session. >riurd<,il iii ifor thc "sn>inq" Lbel. C h i a recorAiiw; r,n.irb.,l tl,,

hic.rorira1 endiii5 05 n stqlt '6 j t iz i . l i t c ~ ~ i l l ~ ~ iii~rci~t<,zi by tltrse t ~ o Nien, thr,* hnd I<istoi ifor iii,i.r & v i r

twri ycrir<. T h r " d o t C l u b " P L I ~ I A nvts ti i*>~ii jr(<. 2,<7opt,in phenornoin n s nirw the iico,<<t;<. iii!zrrti

rur>itr tli<ir tlie :;,tit,i'tistS p f ~ i l ~ d . 7 0 h c 7 t ' b j r i i i : jo atmpped on 4 nrn- Stiriii.v pi<k-,<,r III 111,

/LZi i~~wf<. t r i , plr~;jj.cd i t into rin i i iq i [ i# i i . i ,i,111 li<.,idd if01 Xcbop hc ltft his S,eopotii r~<.~. i<: : t i , " < / ( , i l

C7/1<6" t? i id i t i i~ t t kh ind hi ri^ doriscv. a i s i,ii<c.ic (.y zic$iinition nad 6i1 clrctzic instr,olsririiric,,t L.<.,iiiii

po?e 57>cd St, Ncnr Y o r k C7itil, Z(S7fl. .It >cvis ci r ~ i j o 7 t7,iras~ormation i n C O ~ C C ) ~ ~ , grillt. ,tiil( .:ii<iti,l

fl. i~ienti<x,iei( riidii.r th<,sa ooli:;s r i r g h,isi,it oii th', ?hi,thniis concept9 ' i nd i , xs t r ,o i i t~ i t r r i t i~~ ,~ O/

Er,bop. Qii jtllttl tlteae tt<rzr.s n i r l t i i "&t C'I,<h" l i i t ~ i<p nwis >iot ' B j a n g o P i>jti.,iti<iia. Y 0 i l i , i i , , ' tdr i?~t<' i th<,<r, soiisjs to f i t th', "&ot C'/ri!-" {<~rn,eit hy plriilitrf; thrm the same rii<it, nc n i iy oilirr :jql,m,

jr izr r,<ia<.s. 'Th<, jioirit i s thrit th'. gori:;< sri11 iI-ixtk. but , this i s t iot whnt the gtelit >watt 11,id i l , iioi>o,(,

'Th<zi> y~obnb l i ~ rohnt vaikcs chie p<,.iiogi of Ais ri t ,<sic/l i#a su srriinse. d i s o ld i i l~dii.r i<-c <iiici h i i , i i i

iiimi> co>>ij>li~ti,ly sori#r<ser( by his ii<siii d i i r i t i i i i i iiiir( thc riein nud i rncrs nnd 6e60p *ir<si<-irt,i:: iti<vi<.ii'i

w,illq i>ite?rrt<zd iinilrito?<, i i ~ the " K i n g 08 ,C.>i,ii>~;'.. OII th', '>ni hnnn hc w i i s too h ip ~ i n i i t o i t rit<, oihi.,,

11,. n r is >i i>t l i ip ivco,z;;h. ri(< nifis ,>,Zr O# stcp ~ c i r h l t i ~ t , ~ r ~ ~ ,lad hc didri ' t hnirr mr<ek tirzic. lcbt.

I l t .vis in ,,if L ? o i ~ i ç #riirst>orizj thiir i r avis iiir.r<vliMe c n o ~ g h thn t the mnn hnd sr<roiv<.,i y r ~ t . ~ r th'

tigf L$ {ille '2s sit15/c pt~,ettt ~ h i l c i sz<woi<>ii l~~ti 611 ~~t7e> iae j> i l~et tq, disrnsc. i l i i t rmcy , >,i<-i.wi , if,, I

harw,i roithor<r be<.cu>ning r>,ia L># thc 5w,ittc.t jlzzi i j~p?ixi isevs <7t '111 tirne. ( Z ~ C S,II*IC c,i,( h, ::,)il/

' a j , ~ , , ~ ~ iç r i> ihnrd t . f ld, icd t o this l i s t , if horm7. hr rirr>x mrinngad to survi i ie tind ovcr<.r>,iii, ,i ,J I .<,

oi<a dr.bilitritir~;; i f i r nnd liire th?or<:;h r i n%i>?/ri iti<lt. ' .D j r~n :~o Eeinhavdt dicd on f i n y I(I, rw, ; t,,,.~

mortths nfte? his Inct tccotdirig. Ur, N(119 4: yez11* <>Id nnii w i / l /ive #<1ttuev a s the gventt<t j l , i i : jui

t,i*ist ',if th,. z ~ t h C'~.t~tl<tq. P h < , ~ r $inrd -I~VZ:;S <>?i, pi i r t <$ th'. rm11011 nrhy. Ei ,ct nic fiit:;<,r. .?c.

Page 16: Robin Nolan - The Gypsy Jazz Vol. 6

Ticirk i7 J: i8. Nuits de Bj,,,,:icv ~ , . i , , ~ , , , , c $ ~

2% qeqiriain des pnes

Page 17: Robin Nolan - The Gypsy Jazz Vol. 6
Page 18: Robin Nolan - The Gypsy Jazz Vol. 6

4

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LL

W

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CE a

0

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CC

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C)

4

4

C7 C3

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CC

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Page 19: Robin Nolan - The Gypsy Jazz Vol. 6

307 th< &criri ~ / 8 1 ' ~ 3 *injo* $02 th* ~hde 8 b<iw 06 f l ~ ~ * c t i < ~ s i, 2 ci>td 5. 'Thil: is ' / ^ l j r ~ n : ~ c

M o p . gus t t o $ive !I<,U m idtci. to plriy rhis soi,:; <ont,irici>azjly rit S'nrnois LjO(pS11 fiwt s ~ < " o ~ s

y..u Anar<, rci he r i h l i . r'r :;et the te>ripu ,,fi r'r r i t ir<ist oiio b.p.>n.

I F I F I F I

S o l o C h ' l l ~ ~ e s $0'1 7q S e c t i o n - Rhythm Chalz;;~s iti 3

, 11.Z.3.

1 F6/9 F7 1 Bb Bdirn 1 A-7 D l 3b9 1 G-7 CI 3b9:) 12.

(for Bb use ôih fret ) ) ( G-7 C13b9 1 F6/9 1 1

3 4 1 0 f 2 3 4

(for C7 use 3rd fret I Bdim , fmi ,2f

, . . . . ,

5f [m 5f+m,of+@JJ l l f 2

Page 20: Robin Nolan - The Gypsy Jazz Vol. 6

R N T B l RNTB2 1. Diiielle 2. Mlnor Blues

3. 11 Dm' l Metin A Thing 3. Orierilal Sliidlle il. Djoiigo'a C~st le 4 . Ali Of Me 5. Sweel Georgia Browri 5. Rhythm Cliaiges 8. Honeysii&le Rme G. Swiiig 42

7 , 0111 Lady Be Good 7. Dapllne 8. Bellwille

9. Douce Ambience 9. Rose Rooin

< , . , , _, ,,, ,, 10.1 Love You 11. Dtik Eyes 11. H~rngsria

RNTBS RNTB4 1. Troublant Balero 1. I'1I See You 111 MY Drearns 2. B01er0 Blue 2. Tearç 3 Caiavan 3. MeIodie Au Crepiisciile I. ~ a r nd Pi 4. Nighl And Day 5. Manha De Carnaval Ci. Anouman 6. Luna Tango G w i a i 1s m,s nilrig CalIed I 7. Ersler Tango 7. Sweel Choriis 8. Bossa Dorado 8. limehouse Bl~iaî 9. For Sephoia 9. Exaclly Like You 10. Nuinber 1 10. Jailendrai 11 Suinilienimc Il celandc Folksong 12 Mediterrazan BI i ec

(The Robin Nolan (Lsio - D i s c o q ~ n p h y R N T l - Robin Nolan Trio. (Ociouer lk1Yül Hypnolic ihylhms and rippling iiielodic Iliemcs over Lalin. J a r and Ho1 Cliib de France Iliifnrgellable rendilionî of 'Sweel ümrgtii Rri>w#f". Gershi\ii>s "Suilliliefiiille" and Ihe w~ siaiale gypsy amhem "Dark E y ~ s "

"Robin rnanagcs 10 make wrir Ii!llilciiig arp+gg10 Iiis own His Iiiies aaie iinnnchingly melod~ C . lhis barking 101% Seliner . a~k\r'i>ioveri aiici Iiis 11reciçe t)?iwery sweel yel lhiged wlh m & i ~ choly, The yoimg Nolan plays brillnrily Andy Ellis - "Guilar Player USA.

RNT2 - Street. (JUIY IS~RI Tlie secoiid CD in the Serins Iratiires a re lnke of Nolari's 'Fiiar Park'. a dedaalion Io George Hamson who rqul;irly iiiviled lhe 'IN" la wiom al Iiis Englisli eslale of Ihe same inaina. Also featured is lho sa~,( i ''A~xd Tlieii Tlieie Woie Thiec'' Iiom ll'e MGM Movie "Autumn In New York." 1 - . 1

-

,,#.,\,,,,,,,,,,,. ,., ,,,,, "ln these days of 'Cacl<opliony ils g<i>rl II' wl i r sanie "Propei miisic.' George Harrison.

RNT3 - Swirigs & Roundabouls . (Noveliher 1998) "Siuings 8 Roindabould' lealvres ciossi. reidilio~is 01 sangs siich as "Tea h r TLVO' ard Re~nhardt's famous "Nuages" alicl "Miini Swlrig olongside Nalan and Meaderk powerliii original compositimç.

''The RNT mus1 beconsidered ailiorig ihr Iiitwnnlioiial Iop Iive' . . . ,,, , , , .., . , , , Jan Larsen Hot Club Records.

1. I Cari1 G~va Yoii Aciylhing Rtit 1 ove RNT4 -The Latin Affair (May I ~ C I O I A compilalicn CD projecl wilh ri collecli<iii ci! I iilin Iiines wrillen by Rabin Nolan and Paul Meader Fealur~ng ~ o n y s such a!; ' Niiiii1,iir 1". "Biiiero Blue'. 'Cai ino and "Bar Dei Pi"

4. Slornpin al Dïçcrl 5. Dlaiigo's Tiger A coiioction 01 self-penne0 sangs lealiirri'i sornr 01 the yraups mosl innovalive air ange^

6. Thein There Eycb ments and k t music. Made up a l a selenioii of lioleros, Tangos, and ather latinl~iige0 nstrmirnenlrli~. il's a tour de lorco Michael Dregni - Vinlage G~iiliir Migar~i,e lJSA

9 Nuils de SI. Gorinulii des Pres

I l POche a la Moudie RNTS - Nat Meels Django. ( i eb r iav 211011 12. Bab~k 'I've always lwod Nolan's Gypsy Jarr y<iilni biil lhis recad lakes a new lack. II contailis

) a n slnndards, played wilh I;iiio.swiql vrrw. and lwlurcs wonderfc.1 vocds Iby ex~pal ihe CD arid Book oie lNCREDlFlLEll 1 can'l r-iiimr!i:'J Iliis c;ii>i.illi Io i l iyli idenlr" Puiil Mdilno M t Cioh d? S n Friinaisco Amencan vocalisl R n d y Greer Nolari's liliiy~np s siupify~ngy mcodic. ceen. sassy hi[>.

vori bauli s tieirianmus II r; a geat aïcm~plshmcnl ;iiil n s i i c io tiuo ,>layeri gaii,~ gieeter uiide<siaiid~ny 01 lhis ilenie ul iiiudc. i'>nelul and lkee as a bi rd Sacn bleii. yoii miisl hear lhis ! A monslai lalenl Na1 meeis lei1 Anne:sï_nn - Peai: Dlmgo. Dldllgo IS so ~o!ideilul . 1.m a renl loii". rhey nre ri?gly fho #nexi b a t 3hiny on ll>epl;inet lo811iiig iii rviln In= <hiintelle tlu HoI Uiih de Frnilcp!'mlop trlrh. irnïiiuislmi.Jl , , , . , , ,, Aridy Efiis. Guilar Pfapr USA. 2001

rhese D,IOI<S and ai:compuiiying CD's nie sri esîeiilis Iiiirchaîc 1 i ï ivev gypsy iazmr ' Andy MacKcnie Jimt Jazz (iiilsi.

1 lsnlmli:: lob. P n y ~ e nave h-n ~oi ,~ng,o i mis for a long t>lrlrl" ~ , i c y ana ~ c l e r lioncoop - Rosenberg Tr~a vretr slle hoslï, rhey ha"<! becorne on #con in llw gmsy lm commmily ancl are nwi liic rir(iucd reJdiny lar ariyore pbyiny in Ihe slyle. "Sli:~? R<wa41' rhe b a s arenwerosie ihw have re . igniipii mY oass~on ici, p~riviriy mnnks .leif ~d,zilrilr? (mai clislc>merl RNTG - Ballads. (Marc;? 20011

lus! have to çm~ir rpnt mon thoexempsw pb p me m c oii the txnk !CO 01 Gyp~y ~ a 2 z liim I h m imde nmre omyms 1') ilni A re~work~ng of sonie nf Djangri's niosi Irnious ballads including Nuayes. Anaiimaii.

ay8ng it? Ihc a l Iwo wesks I b n 1 hiid in the Csi hvo pars Y Dsve Hariei Canwla - lemsil ciL*lmierl Crcpuscuie. Tears am DjargoS Ciislle.

ooio ooi w,we miwhelpl~l your b m k one vias w im I heard il hke ollier:: v e struggw wilh !lie iiiuric rspprially chord8iin ancl 1 cllcke~ the firs! plss lhroigh!' sleveii W. LISA - lemail iiieaipr) "Deep iuid intnpecl ive intense aiid passionale a collection of antliems for the hean 1"

ira Smokin - IS Promolions

'e. Ite amurirkis WI dane and the etieotim IO deta isrefresiitng Tlianh yaii far nvpsiiny th0 enon and<:ornnidmenl mcesi ih Io shvre YoiJi iowiedgs of Jm2 Manourhe" M n Gunn. L w temeil curfoiiierl

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