Roseberys 8 & 10th Dec Day 1 & 2 Catalogue

QUARTERLY FINE ART AUCTION

Sunday 8 December & Tuesday 10 December 2013

PART ONE

S0UTH LONDON’S FINE ART & ANTIQUES AUCTION HOUSE S0UTH LONDON’S FINE ART & ANTIQUES AUCTION HOUSE

Lot 241

The Old Chocolate Factory74-76 Knights Hill, West Norwood, London SE27 0JDTel: 020 8761 2522 Fax: 020 8761 [email protected]


PART ONE

To include Wine & Whisky, Ceramics & Glass, Silver & Silver Plate, Jewellery, Frames, Pictures & Modern Sculpture

Sunday 8 December Starting at 2.00pm and Tuesday 10 December 2013 Starting at 10am

www.roseberys.co.uk

DAY 1Sunday 8 December 2013

2pm Wine & Whisky (Lots 1W-90W)

DAY 2Tuesday 10 December 2013

10am Ceramics & Glass (Lots 1-81)

11am Silver & Silver Plate (Lots 119-252)

12.30pm Jewellery (Lots 267-430)

2.15pm Frames followed by Pictures &

Sculpture (Lots 431-811)

DAY 3Separate catalogue available

Wednesday 11 December 2013

10am Islamic, Indian &

Asian Arts (Lots 1033-1608)

4pm Works of Art, Furniture

& Rugs (Lots 1651-1879)

VIEWINGFriday 6 December: 1pm-5pm

Sunday 8 December: 10am-2pm

Monday 9 December: 9.30am-5.30pm

Tuesday 10 December: 9am-9.45am

Wednesday 11 December: 9am-9.45am

Please note the conditions of sale at the back of this catalogue.

Buyers Premium 20% + VAT.Droit de suite: where any lot is affected by this legislation a surcharge of 4% will apply to the hammer price.In effect, the premium will be 24% + VAT.

Condition of items: A catalogue description does not state the condition of an item.

Catalogue Price £10.00 (£12 by post)

Illustrated catalogue online at www.roseberys.co.uk

Front Cover Lot 557

2 www.roseberys.co.uk

TUESDAY CERAMICS & GLASS

CONTACTS

DirectorsIan A. Cadzow Chairman and Managing Director

Marcus Grey Director

Peter Greenway Director

Vicki Wonfor Associate Director

ManagerVicki Wonfor

SpecialistsIan A. Cadzow Furniture and Rugs

Marcus Grey Pictures and Frames

Vicki Wonfor Pictures and Prints

Peter Greenway Asian Arts, Collectors’ Items and Works of Art

Mark Longley Ceramics, Glass and Works of Art

Richard Gibbon Jewellery, Silver and Textiles

Cataloguers & PortersMark Longley Furniture and Rugs

Antonia Woodley Jones Upstairs Saleroom Porter

OrganisationMelissa Hutchings Marketing and PR

Jan Godwyn Accounts

Fiona Slaven Accounts

Lisa Haadem Front of House, Trainee Cataloguer and Valuer

Charlotte Leach Front of House

Antonia Coonan Directors’ Secretary

SUNDAY 8 DECEMBER 2013

WINE AND WHISKY

COMMENCING AT 2.00pm

Lot 72W


SUNDAY WINE AND WHISKY

1W A bottle of Chateau Climens 1961, Barsac, 1er Cru Classe, ullage base neck; and two bottles of Chateau Beychevelle 1961, St. Julian, 4eme Cru Classe, ullages, high shoulder and below shoulder, all Chateau bottled, labels faded and foxed in places, neck labels missing (3) £300 ‑ 500

2W Casillero del Diablo, various dates and grape varieties to include Malbec 2003 (6), Viognier 2006 (6), Shiraz 2010 (30), Chardonnay 2010 (12), Sauvignon Blanc (12) (approximately 65) £200 ‑ 300

3W A mixed selection of American wines, to include Ragged Point 2006 Marsanne Rousanne Muscat (12), Ravens Wood Zinfandel 2000 (6), Jack Tone Ranch Zinfandel 2010 (6), Jack Tone Ranch Viognier 2008 (6), Jack Tone Ranch Shiraz 2009 (6), Fetzer Vineyard Chardonnay Pinot Grigio 2009 (6) (approximately 48) £200 ‑ 300

4W A quantity of Australian wine to include Lindemans Bin 50 Shiraz 2001 (12), Lindemans Cabernet Sauvignon 2001 (18), Hardy’s Nottage Hill Cabernet Sauvignon Shiraz 2002 (12), Oxford Landing Cabernet Sauvignon Shiraz Vine Vale Grenache 1999 (6), Rosemount Grenache Shiraz 2006 (6) (approximately 60) £200 ‑ 300

5W A mixed selection of South African wine to include King’s River Viognier 2007 (6), DGB Chardonnay Colombard 2003 (12), Robertson Winery Merlot 2009 (6), Robertson Winery Chenin Blanc 2009 (6), Porcupine Ridge Sauvignon Blanc 2007 (12) Porcupine Syrah Sauvignon Blanc 2002(6,) Sauvignon Blanc Goats do Roam White (12) (approximately 60) £200 ‑ 300

6W A mixed selection of Spanish wine to include El Bombero Carninena 2003 (12), Berberana Reserva Rioja 2006 (6), Club Privado Rioja 2008 (12), Monasterio de Prieda 1999 (12), Majestic Wine Reales Vinedos 2006 (6), Garland Crest Shiraz 2011 (6), Marques de Carano Gran Selection Carinena 2007 (6), Faustino Rivero Ulecia Pink Label Rosado (6) (approximately 60) £200 ‑ 300

7W A mixed selection of Chilean wine to include Fairhills 1940 Selection Carmenere 2010 (6), Santa Rita 120 Cabernet Sauvignon Rose 2011 (6), Cono Sur Pinot Noir 2005/6 (12), Errazuriz Carmenere 2010 (6), Cono Sur Viognier 2007 (6), Santa Rita Carmenere 120 2011 (12), Errazuriz Estate Shiraz 2004 (6), Porta Reserve 2004 Pinot Noir (6), Montes Sauvignon Blanc 2003 (11) (approximately 72) £200 ‑ 300

8W A collection of Australian wines, to include Tintara Orion’s Belt Shiraz 2008 (6), Oxford Landing Shiraz 2008 (6), Yaldara Estate Shiraz 2009 (6), Penfolds Koonunga Hill Shiraz Cabernet 2006 (6), S A Regional Cabernet Sauvignon 2002 (12), Breakneck Creek Cabernet Sauvignon 2001 (12), Hardy’s Crest Cabernet Shiraz 2001 (12), Hardy’s Nottage Hill Cabernet Shiraz 2002 (2), Tollana Shiraz Cabernet 1990 (6), Peter Lehmann Shiraz Grenache 2004 (4) (approximately 72) £200 ‑ 300

9W A mixed selection of New World wines from South Africa, Chile, Argentina and New Zealand, to include Alamos Malbec 2008 (12), Las Moras Rose Shiraz (6), Fina Flichmann Reserve Shiraz 2004 (6), Riverlands Run Sauvignon Blanc 2001 (12), Tiki Ridge Sauvignon 2011 (6), Valdivesco Sauvignon Blanc 2010 (5), Cono Sur Viognier 2010 (6), Robertson Winery Merlot 2009 (6) (approximately 60) £200 ‑ 300

10W A selection of French wines, to include Chat‑eu‑Oeuf Cotes du Ventoux 2003, 2005 (18) Muscadet Sur Lie Cotes de Grandlieu 2004 (6), Edouard Barthe Cabernet Sauvignon 2001 (6), George Duboeuf Beaujolais 2009 (6), Val St Gregoire Pinot Blanc 2001 (6), Macon Villages 2003, Cave de Beblenheim Pinot Gris 2009 (6), Serret Merlot 2000 (9), Thierry Lesne Gamay 2000 (3) (approximately 60) £200 ‑ 300

21W1W

Please note the following lots of wine and spirits are sold as seen and are not subject to return. Roseberys cannot guarantee the storage or temperature conditions of these lots prior to consignment. No bids will be accepted on these lots from individuals under the age of 18.

IMPERFEC T IONS NOT STATED 5

WINE AND WHISKY SUNDAY

11W A mixed collection of New World wines, to include Beaulieu Vineyard Coastal Shiraz Grenache 2007 (12), Miwok Ridge Shiraz 2010 (6), Rosemont Shiraz Cabernet 2003 (6), Parra Alta Viognier 2004 (12), Seaview Shiraz Grenache 1997 (12), Lindemans Shiraz Bin 50, 2007 (6), Secession Shiraz Cabernet (6) (approximately 60) £200 ‑ 300

12W A mixed selection of Old World and New World wines, to include La Cetto Syrah 2002 (6), Vino Verde 2006 (6), Ironstone Vineyards Zinfandel 2000 (12), Forbes Shiraz 2002 (9), Ravenswood Zinfandel 2000 (3), Ravenswood Zinfandel 2006 (6), and Erazuriz Max Reserve 2006 (6), Fina Munoz 2002 (11) (approximately 60) £200 ‑ 300

13W A mixed selection of New World wines, to include Cono Sur Pinot Noir 2009 (6), Jacob’s Creek Grenache Shiraz 2010 (6), Isla Nerga Reserve Chardonnay 2011(6), Errazuriz Estate Shiraz 2008 (6), Finca Flichman Shiraz 2003 (9), Beaulieu Vineyards Coastal Pinot Noir 2000 (6), and other mixed wines (approximately 60) £200 ‑ 300

14W A selection of New and Old World wines, to include Ironstone Semillion Chardonnay 2004 (12), La Beaune Viognier 2004/2007 (12), Hardy’s VR Cabernet Sauvignon 2010 (6), Cono Sur Pinot Noir 2008 (6), Cono Sur Merlot 2003 (12) and Alamos Viognier 2000 (6), Griffin Vineyards Verdelho 2003 (6) (approximately 60) £200 ‑ 300

15W A selection of Austrian wines, to include Freie Weingartner Wachau Gruner Veltliner 1991 (24), Freie Weingartner Wachau Riesling 1993 (12), Freie Weingartner Wachau Gruner Veltliner 1993 (12), Prieler Pinot Blanc 1993 (12), Freie Weingartner Wachau Gruner Veltliner 1994 (12) (approximately 72) £200 ‑ 300

16W A selection of Argentinian, Chilean and New World wines, to include Aresti Estate Sauvignon Blanc 2004 (12), Partimonio San Juan Viognier 2003 (9), Chukker Malbec 2010 (6), Tiki Ridge Sauvignon Blanc 2011 (6), Noon Gun 2007 (6), Ironstone Shiraz Grenache 2002 (12), Reserva Especial Chilean Sauvignon Blanc 2012 (6), and other loose wines (approximately 60) £200 ‑ 300

17W A selection of New World and Old World wines, to include Codorniu Cava NV (6), Cordorniu Vintage Rose Cava (6), Vina Tarapaca Viognier 2003 (12), Piggot Hill Chardonnay 1991 (12), In Situ Reserva Syrah 2004 (11), Andrew Garrett Shiraz 2004 (12), Pepperwood Grove Old Zinfandel 2005 (4) (approximately 60) £200 ‑ 300

18W A selection of Australian and New Zealand wines, to include Tiltili Langhorn Creek 2002 (12), Penfolds Shiraz Cabernet Sauvignon Bin 35 1990 (11), The Taniwha Sauvignon Blanc 2009 (6), Wyndham Estates Bin 555 Shiraz 2001 (6), Break Neck Creek Shiraz Cabernet Sauvignon 2001 (12), Ironstone Shiraz Grenache 2001 (12) (approximately 60) £200 ‑ 300

19W A selection of Australian and New World wines, to include Cono Sur Viognier 2010 (6), Sisters Run Shiraz 2008 (6), McGuigan Gold Shiraz 2006 (6), various Penfold’s Shiraz Mataro wines 1990 (9), Cono Sur Gewurtztraminer 2005 (12), Jacob’s Creek Shiraz Grenache 2003 (6), Anubis Malbec 2002 (6), Barossa Vines Grant Burge Sauvignon Blanc 2007 (6) (approximately 60) £200 ‑ 300

20W A selection of Old and New World Wines, to include Finca Flichman Malbec 2006 (12), Donoso Silva Estate Carmenere 2003 (12), Lindemans Shiraz Cabernet 2009 (6), Patrimonio San Juan Viognier 2003 (12), Hardy’s Cabernet Shiraz Merlot 2000 (12), Yaldara Estates Shiraz 2009 (6) (approximately 60) £200 ‑ 300

21W A selection of Bordeaux and Bergerac wines, to include Bergerac Cabernet Sauvignon Merlot 2010(30), Roc De Lussac St Emilion 2009(18) and Prestige de Calvet 2008 (6) (54) £200 ‑ 300

22W A selection of Old and New World wines, to include Vina Maipo Merlot 2010 (12), Palastri Primitivo 2008 (6), Piccini Chianti Reserva 2007 (6), Carta Rioja Gran Reserva 2004 (6), Vina Albali Reserva 200 (6), Gigondas La Roche Percee 2008 (6), Vina Albali Gran Reserva 2001 (6), Torretta di Mondelli Nero d’Avola 2010 (6), Carta Rioja 2006 (4), plus Bergerac 2010 (2) (approximately 60) £200 ‑ 300

23W A mixed selection of wines from Bordeaux, various dates and properties (approximately 35) £150 ‑ 200

24W A mixed selection of Italian wines, to include five bottles of Serre Alte Barolo 2001 (approximately 25) £150 ‑ 250

25W A mixed selection of Spanish wine, to include some Reserva and Gran Reserva wines, various vintages (approximately 30) £100 ‑ 200

26W A mixed selection of New World Wines, various countries and vintages (approximately 45) £150 ‑ 200

27W A mixed selection of single bottles of French wines, including bottles of Chassagne‑Montrachet Les Chenevottes 1990, Pommard Premier Cru Jarollieres 1991, with other wines from Burgundy, the Rhone, Montbazillac, the Loire (approximately 45) £150 ‑ 250

28W A selection of Dessert wines, to include various half bottles, of Croix Milhas Muscat Rivesaltes (6), Beaumes de Venise la Chapelle Notre Dame d’ Aubune 2002 (6), Lang Samling 88 Beerenauslese 1997 (12) Gottelmann Munsterer Rheinberg Riesling Spatlese 2006 (6) a mixed case of Freie Weingartner Wachau Feinburgunder Auslese 1995 (5) and 20 loose bottles of various other wines (approximately 55) £200 ‑ 300

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35W A selection of wines, to include Lindemans Shiraz Cabernet 2005 (6), Sister’s Run Shiraz 2008, Old Post House Verdelho 2005 (10), Marlborough Hills Sauvignon Blanc (6), Special Reserve Shiraz 2002(11), a mixed case of wines to include St. Hallet Old Block Shiraz 1990, Tatachilla Partners Reserve Cabernet Sauvignon Shiraz 1990, Rouge Homme Shiraz Cabernet 1991 and others (12), Redlands Estate Shiraz 2003 (10), Sisters Run Shiraz 2002 (2), Riverpath Marlborough Sauvignon Blanc 2010 (5, )Wairau Cove Sauvignon Blanc 2011 (4), Jacob’s Creek Shiraz Cabernet 2008 (3) (approximately 70) £200 ‑ 300

36W A selection of Spanish wine, to include Castillo Jumillo Reserve 2002 (2), Palacio del Conde Gran Reserva 2001 (2), Arco del Castillo Gran Reserva 1999 (2), Conde Galiana Gran Reserva 2000 (2), Bodegas Navarro Lopez Gran Reserva 2000 (2), Val de Cabrera 1999, Marius Marques de Grignon 2001 (6), Finca Antique Syrah 2003 (5), Reales Vinedos 2006 (6), Marques de Concordia Rioja 2005 (6), Remonte Cabernet Sauvignon 1996 (10), Pazo de Seoane Albarino 2007 (6) (approximately 50) £200 ‑ 300

37W A mixed selection of New World wines, to include Constellation wines: Noon Gun 2007 (11), Peter Lehmann Clancy’s Cabernet Sauvignon Shiraz Merlot 2004 (4), Jindalee Circle Collection Shiraz 2008 (2), Yaladara Estate Shiraz 2009 (4) Namaqua Diamond Coast Shiraz 2010 (2), All Out Merlot 2010 (11), Seventh Continent Cabernet Sauvignon 20003 (4), Riddich Cabernet Sauvignon 2004 (2), Willy Willy Shiraz 2007 (2) plus 4 other Australian wines (approximately 46) £200 ‑ 300

38W A selection of French and other European wines, to include Caves de Beblenheim Pinot Gris 2005 (9,) La Difference Viognier Muscat 2008 (5), Chateau Guiot Costiere De Nimes 2001 (12), Tautavel Cotes de Roussillon Villages 2001 (6), Herrick Syrah Vin de Pays d’ Oc 2001 (7), Caves St. Pierre Cote du Rhone Skalli 2008 (2), Albastrele Sauvignon Blanc 2003 (10), Orso Primitivo 2007 (4), and two single bottles (approximately 60) £200 ‑ 300

39W A selection of New World wines, to include Hardy’s VR Shiraz 2007 (6), Rosemount Grenache Shiraz 2007 (6), Tollana Shiraz 1990 (9), Old Telegraph Malbec Shiraz 2002 (2), Montana Sauvignon Blanc 2006 (6), Bonterra Shiraz Carignane 2004 (5), Anthony’s Yard Cabernet Sauvignon Merlot 2001 (6), St Hallett Poachers Blend 2010 (6), Rosemount Grenache Shiraz 2006 (6) (approximately 52) £200 ‑ 300

32W A selection of Australian wines, to include Tata Chilla Semillion, Sauvignon Blanc, Chenin Blanc 2003 (11), Special SA Reserve Cabernet Sauvignon 2002 (12), Hampton Hill Durif 2002 (10), Scrimshaw Semillon Chardonnay Sauvignon Blanc Viognier 2005 (8), Oxford Landing Cabernet Sauvignon Shiraz 2006 (6), Nullarbor Shiraz 2008 (6), Ironstone Shiraz Grenache 2001 (12) and a mixed selection of Jacob’s Creek and Rosemount Reserve reds wines (approximately 72) £200 ‑ 300

33W A selection of American wines, to include Fetzer Vineyards Zinfandel Shiraz 2003 (6), Bonterra Vineyards Zinfandel 2001 (12), Ravenswood Zinfandel 2005 (6), Miwok Ridge Shiraz 2010 (11), Berringer Vineyards Zinfandel 2008 (6), Jack Tone Ranch Viognier 2008 (2), Frey Petite Syrah 2010 (2), Ironstone Vineyards Cabernet Franc 1995 (12) (approximately 55) £200 ‑ 300

34W A selection of wines, to include Vina Alta Chardonnay 2010 (6), Estampilla Famatima Valley Malbec 2005 (8), Anubis Malbec 2006 (12), La Pampa Sauvignon Blanc 2004 (6), Vina La Pinta Verdelho 2005 (6), Alamos Viognier 2006 (6), Argento Malbec 2001(6) (approximately 50) £200 ‑ 300

29W A selection of French wines, to include Prestige Calvet 2009 (6), Blason de Bourgogne Saint Veran 2003 (12), Domaine de Saint‑Aunay 2001 (6), La Passe de Colline Cotes du Ventoux 2003 (6), Clefs de Pontif Grenache Syrah 2010 (10), Hospices Catalans Cotes du Rousillons 2006 (6), Beaujolais Nouveau 1998 (10), Terre du Papes Cotes du Rhone 2000 (8) (approximately 60) £200 ‑ 300

30W A selection of mixed wines, to include Arca del Diablo Zinfandel 2003(5), Aresti Estate Gewurztraminer 2003 (6) a mixed case of Casilero Del Diablo, mostly Merlot 2006 (12), Santa Rita 120 Viognier (6), Errazuriz Estate Cabernet Sauvignon 2001 (6), Curico Valley Sauvignon Blanc 2004 (6), Cono Sur Viognier 2007 (6), Errazuriz Estates Shiraz 2004 (6) (approximately 54) £200 ‑ 300

31W A selection of wines, to include Graham Beck Anthony’s Yard Cabernet Sauvignon Merlot, Cabernet Franc 1999 (10), Porcupine Ridge Syrah 2004 (6), Robertson winery Chenin Blanc 2011 (6), Spier Colombard 2006(12), Constellation Wines Noon Gun 2007(6), Boschendal Shiraz Cabernet Sauvignon 2004 (5), Allesverloren 1974 (6) (approximately 49) £200 ‑ 300

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51W A bottle of Clos de la Roche 1971 £200 ‑ 300

52W A selection of champagnes, table wine and ports, to include Bollinger NV, Veuve Clicquot 1998, Crozes Hermitage 2002, Chateau La Rose Trimoulet, Saint Emilion Grand Cru and other wines (a lot) £120 ‑ 180

53W A selection of Austrian wines, to include Freie Weingartner Wachau Riesling 1993 (20), Freie Weingartner Wachau Geuner Veltliner 1996 (12), Freie Weingartner Wachau Geuner Veltliner 1997(4), Freie Weingartner Wachau Geuner Veltliner 1995 (4), Freie Weingartner Wachau Geuner Riesling Federspiel 1996 (12), Freie Weingartner Wachau Geuner Veltliner 1996 (7) (approximately 59) £200 ‑ 300

54W A selection of Austrian wines, to include Freie Weingartner Wachau Exceptional Reserve Gruner Veltliner 2000 (19), Freie Weingartner Wachau Riesling Smaragd 1997 (5), Freie Weingartner Wachau Riesling Federspiel 1997 (6), Freie Weingartner Wachau Gruner Veltliner Smaragd 2000 (11), a case of mixed Freie Weingartner Rieslings 1993 (7), Freie Weingartner Wachau Riesling Smaragd 1999 (6), Ried Klaus Riesling 1993 (6) (approximately 58) £200 ‑ 300

46W A mixed selection of champagnes, to include Bollinger Special Cuvee (2), with others Tattinger, Louis Roederer and others (6) £80 ‑ 120

47W A collection of French wine, to include Chateau Chantemerle Haut Medoc 1987 (4) and Chateau Ducru Beaucaillou St Julien 1971 (2) (6) £180 ‑ 220

48W A collection of French Burgundy wine, to include Bourgogne Aloxe Corton 1992 (4) and Corton Vergennes 1992 (2) (6) £100 ‑ 150

49W A collection of Old and New World red wines; to include Mouton Cadet 1987, Chateau Lafite Montell 1986, Chateau Leoville Barton 1981, Marques de Riscal 2000, Domaine de Lan Rioja 1978, Palacio de la Vega Crianza 2001, Chateauneuf de Pape Jaune Elle 1987, Chateauneuf de Pape Domaine de Marcoux 1989, Cote du Rhone Caves de la Combette 1987, Volnay Santenay Chanson Pere et Fils, Cahors de Leret Montpezat, 1987, Corbiares Soeur d’Octobian 1983, La Foret Hilaire Bordeaux 2003, Concha y Toro Chile 2004, Barbera d’Alba Giacomo Borgogno e Figli 1997, Barolo Giacomo Borgogno e Figli 1952, Amarone Tedeschi Valpolicella 1988 (a lot) £200 ‑ 300

50W A mixed selection of port and fortified wines; to include Crofts Vintage 1963, Taylors LBV 1994, Dows LBV 1997, Marsala Pellegrino Garibalidi, Creme Bosca Luigi Bosca e figli, Barolo Villadoria 1968 (6) £120 ‑ 180

40W A case of Chateau Latour 1977, in original wrappings and case, minor discolouration to labels, levels lower neck (12) £1500 ‑ 2000

41W A case of Chateau Lascombes Grand Cru Classe Margaux 1989, good levels in neck, labels in good condition, in original wooden case (12) £300 ‑ 500

42W A case of Chateau Cos Estournel St Estephe 1972, label in good condition, in original wooden case (12) £1000 ‑ 1500

43W A selection of Bordeaux and other wines, to include Chateau Petite Faurie de Soutard 1977, Chateau Haut Bailly 1983/1973 (2), Chateau Lascombes 1982/1972, Chateau Musar 1985, Chateau Beard 1962 (2), Chateau Segonzac 1929 (10), and others, some without labels (49 bottles and half) £300 ‑ 400

44W Three magnums of Champagne, to comprise Moet et Chandon 1969, Moet et Chandon NV and Alfred Rothschild et Cie (3) £100 ‑ 200

45W A mixed selection of Bordeaux and other French wines, to include Chateau Haut Bages (3), 1969, Chateau D’Anglude 1964, Chateau de Bousquet 1969, Le Corton 1970, Louis Jadot Nuits St George 1973, and four others, some levels to shoulder and below, labels soiled, together with various ports and champagnes (17) £300 ‑ 400

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59W A selection of New World wines, to include Santa Ines Reserva Carmenere 1999 (6), Barossa Vines Grant Burge Sauvignon Blanc 2007 (6), Flagstone Free Run Sauvignon Blanc 2008 (4), Chandlers Hill Shiraz Cabernet Sauvignon 2004 (12), together with 46 single bottles of various wines (approximately 74) £200 ‑ 300

60W A selection of Old World wines, to include Freie Weingartner Wachau Gruner Veltliner 1995 (12), Quinta de Simaens Vinho Verde 2005 (4), Vinas Del Vero Gewurztraminer 2009 (4), Tinto Pesquera 1999 (3), together with other single bottles of wine (approximately 66) £200 ‑ 300

61W A selection of Spanish wines, to include Vina Eguia 2007 (6), Reales Vinedos 2006 (6), Joseph Foraster 2001 (6), El Bombero 2003 (12), Mesoneros de Castilla 1988 (9), together with other loose wines (approximately 49) £200 ‑ 300

62W A selection of French wines, to include Caves de Tukheim Gewurztraminer 2000 (6), Les Fontanelles Viognier 2002 (12), Chateau Guiot Costiere de Nimes 2001 (12), La Baume Viognier 2003 (12), and 24 mixed bottles of wine, various countries (approximately 66) £200 ‑ 300

63W A selection of mixed Old World and New World wines, to include Guelbenzu Jardin Garnarcha 1996 (10) and others (approximately 68) £200 ‑ 300

64W A selection of Old and New World wines, mostly individual bottles (approximately 80) £200 ‑ 300

65W A selection of mixed New World wines, to include Havenscourt Pinot Noir (11), Tatachilla Grenache Shiraz 2000 (12), and other single bottles of wine (approximately 60) £200 ‑ 300

66W A selection of New World wines, to include Chancet Rocks Pinot Noir 2010 (11), James Ceccato Shiraz Cabernet Sauvignon 2004 (11), and other wines, mostly single bottles (approximately 72) £200 ‑ 300

67W A selection of New World wines, to include Flinders Realm, The Banjo Rose, together with other wines (approximately 72) £200 ‑ 300

57W A selection of Austrian wines, to include Freie Weingartner Wachau Gruner Veltliner 1996 in half bottles (6), Prieler Cabernet Sauvignon 1994 (9), Freie Weingartner Wachau Gruner Veltliner 1993 (12), Tement Sauvignon Blanc 2000 (12), Freie Weingartner Riesling 1993 (12), plus three loose bottles (approximately 54) £200 ‑ 300

58W A selection of New World wines, to include Allesverloren Tinta Barocca 1974 (9), Fuzion Shiraz Malbec 2007 (6), Errazuriz Cabernet Sauvignon 2005 (4), Tiki Ridge Sauvignon Blanc 2010 (6), King’s Ridge Shiraz 2008 (12), Casillero del Diablo Shiraz 2006 (11), Bonterra Vineyards Zinfandel 2000 (6), Trivento Viognier 2010 (5), Neblina Carmenere 2010 (4), 2 Up Shiraz 2006 (6) (approximately 69) £200 ‑ 300

55W A selection of Austrian wines, to include Freie Weingartner Wachau Gruner Veltliner Smaragd 1995 (12), Schloss Wachau Riesling Federspiel 1995 (24), Prieler Blaufrankisch 1997 (8), Prieler Chardonnay 1995 (12), and two cases of various Rieslings (approximately 56) £200 ‑ 300

56W A selection of Austrian and Alsace wines, to include Paul Blanck Gewurtztraminer 1999 (6), Elfenhof Pinot Noir 1997 (6), Gottelmann Riesling Spatlese 2006 (6), Freie Weingartner Wachau Gruner Veltliner 1997 (12), Freie Weingartner Wachau Gruner Veltliner 1993 (12), Freie Weingartner Wachau Gruner Veltliner 1994 (12) (approximately 54) £200 ‑ 300

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80W Six bottles of Otard 7018 1951, issued by the Wine Society, labels in good condition (6) £400 ‑ 600



83W Chateau Pavie 1955, level on shoulders, labels dirty and scuffed, together with Chateau Millet 1976, level at lower neck, labels stained and Clos L’Eglise‑Clinet 1953, levels at mid‑shoulder, labels poor (3) £150 ‑ 200


85W A map of the Department of the Loire and Cher, from the Atlas National Illustre by V. Levasseur, 1849, framed and glazed, 29 x 44cm £80 ‑ 120

74W A selection of sherry, to include Williams and Humbert Pando Fino (6), Harveys Amontillado (5) and three other loose bottles (approximately 14) £100 ‑ 150

75W A mixed selection of spirits, to include Glenfiddich 12 year old (2), El Dorado Special 15 year old (3), together with two bottles of Vodka (7) (approximately 12) £80 ‑ 120

76W A selection of old and new ports, to include Dow’s Finest Reserve (5), Warre’s Warrior (2), Dow’s 10 year old (2), Dow’s Trademark (2), Taylor’s 10 year old (7), Delaforce and Sons Quinte de Corte 1980 (2), Dow’s Quinta Do Bomfim 1986 (1), de Zella (1) and Van Zellaeres 1983 (1), some with soiled and torn labels (20) £200 ‑ 300

77W A selection of ports and fortified wines, to include Taylor’s 1966 (1), Harvey’s 1796 Pale Cortado (1), Smith and Woodhouse 1984 (1), Royal Oporto 1977 (1), Fonseca 1963 (1) and Cockburns 1963 (6) (approximately 11) £150 ‑ 250

78W Three bottles of Glenrothes, 1991, 1994, and Special Reserve, all 43% proof (3) £80 ‑ 120


68W A selection of Old and New World wines, to include Torretta Nero D’ Avola 2010, Carta Roja Monastrella, together with other wines, mostly single bottles (approximately 70) £200 ‑ 300

69W Chateau de Marbuzet, Saint Estephe, 1964, half bottles (9), labels mostly in good shape, but dusty, some wear to caps (9) (approximately 18) £200 ‑ 400

70W Chateau Maucaillou, Haut‑Medoc, 1964, 12 bottles, labels torn and dirty, some caps with fractures, together with (9) bottles of wines, some Italian, most missing labels £300 ‑ 400

71W Chateau de Barbe, Cotes de Bourg 1966, 12 half bottles, all labels soiled and torn, damage to caps, levels shoulder/neck, together with five (5) bottles of Ruffino Riserva Ducale Chianti and another Italian wine (approximately 18) £200 ‑ 300

72W A case of Berry Brothers and Rudd Ltd Grand Cru champagne, in half bottles (24) £150 ‑ 200

73W A selection of champagnes and sparkling wines, to include Champagne Jacquart NV, in metal canisters (6), Heidsieck Monopole Gold Top 2005 (6), Vilmart et Cie (5), Cordorniu Pinot Noir (6), Pelilant Syrah 2002 (12) and 11 other assorted bottles (approximately 35) £150 ‑ 250

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86W A quantity of Wedgwood bisque porcelain cellar labels, impressed marks to back, 8 larger labels and 3 smaller, one damaged (12) £80 ‑ 120

87W A box of Montecristo No. 3 cigars, contains 17 cigars (17) £150 ‑ 250

88W A quantity of Chateau Fourcas Dupre, 1983, levels below high shoulder, labels in good condition, slight tears (11) £400 ‑ 500

89W A quantity of Chateau Batailley Grand Cru Classe Pauillac, 1967, labels in good condition, levels from bottom shoulder to top shoulder (8) £300 ‑ 500

90W A quantity of Australian wine, champagne and sparkling wine, to comprise a case of Seaview Carbernet Sauvignon 1988 (12), Champagne Brossault Pret NV (4), Champagne Ellner & Fils 1986, Bohemia Regal, Seaview Pinot Noir Chardonnay 1986 (4) £100 ‑ 200

89W88W

87W86W

TUESDAY 10 DECEMBER 2013

CERAMICS AND GLASSCOMMENCING AT 10.00am

Lot 10


TUESDAY CERAMICS AND GLASS

1 A pair of oval painted panels, possibly Sevres, 19th century, painted with aristocratic figures within gilt border of continuous foliage and bell flower on Bleu Celeste ground, within pierced ormolu frames of foliate design, 31cm high. (2) £1000 ‑ 2000

2 A Masons Mandarin pattern ironstone part dinner and dessert service, printed and painted in the Imari palette, with urns and floral sprays, late 19th/early 20th century, with printed marks to the base, to comprise tureens with covers, ladles, serving plates, sauce boats, bowls, tea caddies, soup plates, dinner plates and side plates. (a lot) £200 ‑ 400

3 Ten Copeland porcelain botanical plates, pattern D6366, painted with floral sprays and butterflies, gilded to the rims, printed mark to the base, 25cm diam £100 ‑ 150

4 An English stoneware vase, possibly by the Jackfield pottery, late 19th century, of classical form glazed with vignettes of Blue Tits in pine branches and finches in hollyhocks, on a black ground, 39cm high £200 ‑ 300

5 ‘Pomegranate’, a Moorcroft baluster vase designed by William Moorcroft, painted on a blue ground in colours, retail label, impressed marks and signature to base, 15.5cm high £180 ‑ 200

6 ‘Pomegranate’, a Moorcroft vase by William Moorcroft, painted with colours of a blue ground, signature and impressed marks to base, 17.5cm high £200 ‑ 300

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CERAMICS AND GLASS TUESDAY

7 ‘Pomegranate’, a pair of Moorcroft vases, painted with colours on blue ground, impressed marks to base, 7cm high. (2) £150 ‑ 200

8 ‘Pomegranate’, a Moorcroft biscuit barrel by William Moorcroft, painted with colours on a blue ground, signed and impressed marks to base, 18cm high £180 ‑ 220

9 ‘Toadstools’, a Moorcroft tazza bowl, painted with colours on a white ground, impressed marks and signature to the base, 34.2cm diam £400 ‑ 600

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10 A pair of Meissen figures of a boy and girl, late 19th century, he modelled wearing a tricorn hat, blue frocked coat flower strewn waistcoat and trousers, she wearing a dress with a pink bodice and blue striped skirt with flower filled apron, both standing on a naturalistically modelled bases. (2) £1500 ‑ 2500

11 A Continental porcelain box, 19th century, of shaped design, painted to the top and front with vignettes of figures in a classical landscape and a temple landscape, on purple grounds, enlivened with floral and scroll gilding, marks to base for Sevres and Meissen £150 ‑ 250

12 A William De Morgan tile, painted with birds, in a wooden frame, the tile approximately 14cm square £200 ‑ 300

13 An Italian Murano glass twin handled vase, possibly made for the Turkish Market, 19th century, gilded overall with bands of decorative stylised foliage, on a blue ground, retailers label to base Compia di Venezia E Murano 30 St. James Street S W, 23cm high £500 ‑ 800

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14 An extensive Continental glass service, 20th century, mostly moulded with a beaded rim, initialled with a scrolling E; to comprise, 13 wine glasses, 12 sundae glasses, 14 champagne saucers, 2 large plates, 3 smaller platters, 3 oval shaped platters, 13 small bowls, 17 later plates, 17 smaller plates and 34 side plates. (a lot) £250 ‑ 300

15 A Royal Doulton twin handled Loving Cup commemorating the 25th Anniversary of the reign of George V and Queen Mary, edition 378 of 1000, painted in enamels, marks and printed details to base, 26cm high £200 ‑ 300

16 A Doulton vase by Hannah Barlow (1851‑1916), the vase of ovoid form on a spreading base, decorated in scraffito work with a continuous scene of donkeys and sheep, between beaded line moulding, base with impressed marks and initials, 17.5cm high £200 ‑ 300

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17 A Staffordshire bust of George Washington, 19th century, modelled wearing a blue coat, floral waistcoat and black cravat, on a simulated marble socle, 21.5cm high £200 ‑ 300

18 A Royal Worcester twin handled vase, circa. 1888, painted and gilt with flowers and branches on a peach bloom ground, puce printed marks to base, 11.5cm high, and a larger Worcester vase, circa. 1961, of ovoid form with branch form handles, painted with vignettes of roses and branches, on a cloud form ground, printed marks to base, circa, 19.5cm high. (2) £150 ‑ 200

19 A Martinware twin handled stoneware vase, of globular body, moulded to the neck with stylised flower heads, above palmette and beaded motifs, on a circular base, incised marks to base, R W Martin London 5‑1875, 11.5cm high (damages and signs of restoration) £200 ‑ 30021

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20 A Herend model of a cat, painted and gilded, printed mark to base, 22.5cm wide £150 ‑ 250

21 A Hermes faience ice bucket, the handles of toucan form, moulded and glazed with trailing foliage, printed and painted marks to base, 20cm high £200 ‑ 300

22 A Hermes oval faience dish, with a toucan handle, painted and moulded with trailing leaves, printed and painted marks to base, 39cm wide £200 ‑ 300

23 A Whitefriars Kingfisher Blue banjo vase, 20th century, designed by Geoffrey Baxter, 32cm high £300 ‑ 500

24 A Poole pottery vase, 20th century, painted with the Blue Bird design, impressed marks to base, 25.5cm high £200 ‑ 300

25 Janet Leach, American 1918‑1997, a gourd shaped stoneware vase, decorated with sgraffito lines, seal mark to base, 23cm high £300 ‑ 400

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26 Alan Wallwork, British b.1931, a globular stoneware sculpture, incised AW to base, 17cm high, together with a Alan Wallwork vase, with sgraffito decoration to the top, 14.5cm high (2). (may be subject to Droit de Suite) £200 ‑ 300

27 A Victorian Webb glass vase, 19th century, with an elongated body, decorated with brown and white swags, together with another Webb vase with a pinched rim, a blue majolica pottery vase moulded with rats, a Bohemian green glass enamelled with colours, a Victorian flaring vase with pink red colouring and two other clear glass vases. (7) £200 ‑ 300

28 A Goldscheider model of a kneeling woman, 20th century, gold label to base, inscribed marks for 8493, 38cm high £200 ‑ 300

29 A Sevres bowl, 18th century,painted and decorated with sprays of flowers, with gilt line decoration to the rim and base, Crossed L’s to base, 23cm diam £150 ‑ 200

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30 Three le Courteille Cabinet cups and saucers, decorated by Anne Rushott, early 19th century, painted and gilded with vignettes of Drakes Island from Edgecombe, Ragland Castle and Ullswater from Dunmallet, initialled and inscribed to bases, various sizes, the saucers 13.5cm diam. (3) £300 ‑ 500

31 A Sevres sucrier and lid, 18th century, painted and gilt with bands of foliate devices, hung with swags of flowers, marks for 1763 with crossed LL’s, 9cm high. (a/f) £100 ‑ 200

32 A Sevres jug and handled bowl, 19th century, gilded with lines to the rims and bases, and with monograms of crowded L’s, surrounded by wreathes, printed and inscribed marks to bases, the jug 13cm high, the bowl 15.5cm wide. (2) £200 ‑ 300

33 A Napoleonic Sevres saucer, together with a Louis Philippe coffee can and saucer, gilded on blue grounds, the saucer with bees to the rim, the base with monogrammed N, the coffee can and saucer with crowned N monograms encircled with wreaths, printed marks to bases, the saucer 13.3cm diam. (3) £150 ‑ 200

34 An Empire Sevres coffee pot, early 19th century, the lid with acorn finial and looping handle, gilded on a blue ground with bands of leaves and stylised hare bells, between lines, printed and inscribed marks to base, 15cm high £150 ‑ 200

35 A Spode Christmas tree part dinner service, late 19th/early 20th century, printed and painted with christmas trees and presents, printed and painted marks to base, to comprise three square bowls, two oblong platters, twelve dinner plates, twelve side plates, six small bowls, 5 coffee cans and six saucers. (a lot) £100 ‑ 150

36 A pair of Continental cabinet plates, possibly by Samson, decorated with vignettes of a knife grinder and a primrose seller, the rims with gilt shells and foliage borders on deep blue grounds, marks for Derby on the bases, 24.7cm diam. (2) £200 ‑ 400

37 A Samson Armorial vase and dish, in the Chinese style, late 19th century/early 20th century, the vase painted with flower sprays and swags, and a central coat of arms, 36cm high, and the dish with a central armorial with pink flower sprays, puce Chinese marks to base, 27cm diam. (2) £100 ‑ 200

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38 Two English porcelain painted and gilded twin handled urns, in the manner of Coalport, 19th century, one painted with a vignette of a young girl playing a harp in a rocky seashore scene, a landscape to the reverse, the other with a landscape of two travellers by a ruined tower, a landscape to the reverse; and another English porcelain campana urn, 19th century, with mask handles painted with a continuous landscape of cottages, various heights, the two vases 12.5cm high. (3) £300 ‑ 500

39 A pair of English porcelain mask handled classical vases, possibly by Davenport, 19th century, painted with a central vignettes of country landscapes, on salmon pink grounds, enriched with acanthus leaf and corn spray gilding, 24cm high. (2)

Provenance: these vases were purchased from the Valerie Howard sale, Christie’s £300 ‑ 500

40 A pair of Wiltonware lustre vases, 20th century, painted and gilt with fantastical landscapes in the Chinoiserie taste, together with a Carltonware yan yan vase and another cylindrical Carltonware vase, painted and gilt with Chinoiserie scenes, printed marks to bases,the vases 21.6cm high. (4) £200 ‑ 300

41 A set of three graduated ironstone jugs, 19th century, painted in the Imari palette, together with a pair of Continental porcelain candlesticks (a/f), and a Samson double lipped vase, printed and painted in the Chinese taste, the highest jug 19cm. (6) £120 ‑ 180

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42 A Berlin porcelain plaque of the Nativity, late 19th/early 20th century, in a gilt metal frame, 17 x 12cm £800 ‑ 1200

43 A pair of Berlin porcelain vases, late 19th century, moulded with fluted lines and geometric key patterns, painted and gilt with vignettes of courting couples and sprays of flowers, framed in ribbon hung laurel leaf frames, 27.5cm high. (2) £600 ‑ 800

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44 A pair of Satsuma vases, late 19th/early 20th century, painted and gilt with a gecko chasing moths, on a pale green ground, 26.5cm high £200 ‑ 300

45 A set of six Continental majolica plates, late 19th century, moulded and glazed with swimming carp, 23.4cm diam £80 ‑ 120

46 ‘Magnolia’ A Moorcroft ginger jar and cover, painted with colours on a white ground, signed with impressed marks to base, 15.3cm high £200 ‑ 300

47 ‘Hibiscus’, A Moorcroft ginger jar and cover, painted and decorated in colours, printed marks to base, 14.7cm high £200 ‑ 300

48 ‘Clematis’, a Moorcroft squat jar, signed and impressed marks to base, 10.5cm high, together with Anemone, a Moorcroft baluster vase, signed and impressed marks to base, the vase chipped to lip, 23cm high. (2) £200 ‑ 300

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* 49 A pair of Continental oval porcelain plaques, late 19th/early 20th century, each painted with galloping horses within country landscapes, one framed, 7.5 x 10.3cm VAT charged on hammer price £400 ‑ 500

50 A Staffordshire pottery tobacco jar of a gentleman, 19th century, modelled with a removable head and a clay pipe in his mouth, painted in enamel colours, with a green coat, pink breaches and yellow stockings, 31.5cm high £200 ‑ 300

51 A Continental twin handled porcelain vase on pedestal, 19th century, the body of ovoid shape, with spreading foot on a cylindrical socle, standing on a square base with canted corners, painted and gilt overall with bouquets and sprays of flowers (breakages to handles) £300 ‑ 500

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52 A Worcester bowl, 18th century, the body with fluted moulding, painted in cobalt blue with Chinoiserie rock work and sprays of flowers, blue crescent mark to base, 17.4cm diam £200 ‑ 300

53 ‘Pansies’, A Moorcroft squat vase, signature to base and impressed marks, 10cm high £200 ‑ 300

54 ‘Pansies’, A Moorcroft shallow bowl, painted with enamels, impressed marks and label to base, 14.3cm diam £150 ‑ 200

55 Bertil Vallien, Swedish b.1938 for Kosta Boda, Sweden, a glass vase, with a rectangular rounded body and elongated neck, with a ring collar, blown with flecks of yellow, red and iridescent enamelling, signed and numbered to the base 89253, 31.7cm high. (may be subject to Droit de Suite) £150 ‑ 250

56 A pair of European glass bottle vases, made for the Turkish Market, late 19th century, with white opaque glass and green clear glass, over‑enamelled with flowers and leaves, 33cm high £500 ‑ 800

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57 A European glass hookah base, made for the Turkish Market, late 19th century, with white opaque glass cut to reveal red clear glass, enamelled and gilt with flowers, together with a overlay glass decanter, 19th century, the hookah 28.7cm high. (2) £700 ‑ 900

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58 A pair of Austrian glass and metal temple lanterns by R. Ditmar, late 19th/early 20th century, printed marks to cloches, approx 50cm high. (2) £300 ‑ 400



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* 59 A large Art Deco Colottee Nancy cut glass bowl on stand, c.1930, the bowl decorated with hatched panels, frosted geometric handles, stepped frosted and clear glass stand, bears Colottee Nancy, 49cm wide. VAT charged on hammer price £1000 ‑ 1500

60 Dame Lucie Rie, Austrian/British 1902‑1995, a brown glazed stoneware milk jug, decorated with sgraffito work, seal mark to base, 20cm high. (may be subject to Droit de Suite) £800 ‑ 1200

61 A Continental Blackamoor figure, 20th century, modelled holding a cornucopia, wearing a turban with flowing plumes and floral shirt and striped pantaloons, with yellow boots, lacking stand, 96cm high £400 ‑ 600

62 Two Samson porcelain bowls, late 19th/early 20th century, painted and decorated in the manner of Chinese Armorial porcelain with central coats of arms, on grounds of flowers between bands of blue and gilt lining, the largest bowl 29cm diam, together with a Chinese jardiniere decorated with fish, 20th century. (3) £150 ‑ 250

63 A Lladro figure of a Chinese Immortal, 20th century, modelled standing on a rocky outcrop, dressed in flowing robes holding a peach, 54cm high, together with two other Chinese Immortal figures. (3) £150 ‑ 200

64 A Lladro model of a Horse and jockey, 20th century, the horse modelled leaping over a fence, printed marks to base, 35cm high £500 ‑ 800

65 A pair of Royal Worcester figural candlestick bases, 20th century, modelled as standing boys leaning against tree stumps, on circular socles, dressed in flowing robes and animal skins, 24cm high (2) £200 ‑ 300

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66 A German terracotta polychrome model of a girl with a parrot, late 19th/early 20th century, moulded wearing a hat with a feather in the brim and a figure hugging dress with a red corset, standing on a naturalistic base, pressed numbers to back, 37cm high £200 ‑ 300

67 A Wedgwood model of a deer by John Skeaping, 20th century, moulded walking through leaves, on a rectangular base, later mounted on an ebonised base, impressed marks to base, 20cm high £150 ‑ 200

68 A pair of French glass decanters, late 19th/20th century, the bodies of waisted form with moulded lozenge cuts, 36.5cm high. (2) £150 ‑ 250

69 An inverted thistle form glass decanter, with a moulded cut glass body, 30cm high, together with a rectangular form decanter and a moulded cut glass style jug, 20th century. (3) £150 ‑ 250

70 A Royal Worcester candle snuffer, moulded in the form of Mr. Caudle, 8.5cm high £80 ‑ 120

71 A pair of Victorian terracotta vases decorated with Greek figures above a Greek key border, on a black lustre glazed ground, pattern no.489, 13cm a similar vase with Greek figures but on a matt black ground, pattern no 478 and a vase with matt black ground and with floral decoration above a Greek key border, pattern no 573, 14.5cm. (4) £150 ‑ 250

72 A pair of glass pendant temple lights, late 19th/early 20th century, the body of onion moulded form, with lobed knobs, hung by suspension chains from moulded disc corona, approximate 44cm high. (2) £200 ‑ 300

73 A collection of five Pre‑Colombian terracotta figures, two modelled seated with arms crossed, one with hands on hips, one standing and one further seated, the tallest 33cm high. (5) £400 ‑ 600

74 Two paintings on glass, late 19th/early 20th century, depicting children in domestic interiors, on photographic bases in naturalistic colours, in gilt frames, mounted in easel boxes, the pictures 29 x 24cm (2) £400 ‑ 600

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75 A Paris porcelain lamp base, in the form of an elongated urn, 19th century, the body enriched with curling foliage and formal scrolling patterns, 43cm high (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use). £100 ‑ 150

76 A pair of Staffordshire pottery models of Victor Emmanel and Garibaldi, moulded riding on horses, on naturalistic bases. (2) £100 ‑ 200

77 A Bohemian glass garniture of vases, late 19th century, together with one lid, the ovoid bodies, on spreading bases, enamelled with vignettes of birds in flowers and foliage, 34.5cm high (3) £200 ‑ 300

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78 A Worcester tea bowl and saucer, 18th century, painted and gilt with bands of semi‑circles on blue grounds, together with a Victorian plate, a Staffordshire pottery ink stand and a candle snuffer (a/f), and a quantity of Chinese porcelain to include a large bowl, Qianlong, decorated with flowers and swags of flowers, a Japanese bowl painted in the Imari palate and two Chinese blue and white plates, 18th century. (a lot) £200 ‑ 250

79 A mixed collection of English porcelain and pottery, to include a Worcester porcelain jug, printed in blue and white with fruit and flowers, 9.5cm high, a English porcelain mug gilded with “Harriet”, two English tea bowls with saucers, attributed to Lowestoft, and three further tea bowls, a Victorian printed tureen, an pottery tea canister, a Staffordshire jug, a pair of Worcester salts and two pottery tiles decorated with pictures of swallows, various damages and losses. (a lot) £200 ‑ 300

80 A Meissen Empire style milk pot, with elongated loop handle and animal form spout, enriched with line gilding, blue crossed swords to base, together with a selection of Chinese and Continental porcelain to include a Yixing tea pot, three Chinese export mugs and a Continental flower encrusted teapot. (5) £100 ‑ 150

81 A Limoges part dinner service, transfer printed and gilded to the rims, to comprise: 11 soup plates, 36 side or dessert plates, 12 smaller plates, 1 large round plate, 1 large round dish, 1 large round shallow bowl, 1 sauce tureen with lid and stand, 1 dish, 4 oval shallow side dishes, 1 sauce boat and stand, 2 graduated oval tureens with lids. (a lot) £200 ‑ 300

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SILVER AND SILVER PLATE

COMMENCING AT 11.00am

Lot 239


TUESDAY SILVER AND SILVER PLATE

* 119 Twelve Portuguese polished pewter chargers, 20th century, of circular form, with reeded edge, 30cm diam. (12). VAT charged on the hammer price. £200 ‑ 300

120 A large silver sugar sifter, c.1890, Sibray, Hall & Co, approx 22.5cm high, of baluster form with embossed rococo decoration, together with a collection of silver including a further sugar sifter of lighthouse form, a cream jug with floral, foliate and gadrooned decoration, salts, pepperettes, napkin rings and a dressing table pot, approx gross weight 23.8oz. (12) £200 ‑ 300

121 A silver three piece tea service, c.1919, Jones & Crompton, with gadrooned decoration. (teapot handle a/f) together with a silver milk jug, c.1932, William Neale & Son, of Art Deco helmet form, approx 9cm approx gross weight 29.6oz. (4) £300 ‑ 500

123 A vase shaped silver sugar caster on raised foot, 19cm Hamilton & Inches, Edinburgh c.1893. a pair of engraved silver fish servers with beaded handles, Sheffield c.1868, a pair of engraved silver gateau servers with beaded handles, Sheffield c.1894. (5) £200 ‑ 300

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SILVER AND SILVER PLATE TUESDAY

124 Two pairs of silver backed hairbrushes and a silver powder box, assorted silver flatware and plated items £100 ‑ 200

125 A William IV silver campana shaped teapot, London 1832, with semi lobed body and on circular foot, with angle handle, approx 20.9oz £200 ‑ 300

126 A Victorian tapering cut glass claret jug, Birmingham 1884, with strawberry cut panels and with silver neck, lid and scroll handle, approx 30cm high £200 ‑ 300

127 A set of four silver oval bon‑bon baskets with pierced sides and everted foliate cast rims, each 15cm wide £200 ‑ 300 128 A silver rectangular snuff box,

a set of six engraved silver coasters by Hamilton & Inches, Edinburgh 1893 and another larger, 1894, a silver caddy spoon, a Georgian shell bowl spoon, two silver pickle forks, two pairs of sugar nips and a sherry label, approx weighable weight 20.2oz. (15) £180 ‑ 250

129 A collection of scent bottles, some with silver tops, together with silver topped dressing table jars and a manicure set in silver plated tubular holder, also a white metal Indian necklace and earrings. (23) £300 ‑ 500

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130 A Continental silver vesta of Gothic form, probably Dutch, together with a collection of silver including a further silver vesta, a Dutch silver lidded pail, a silver cream jug, white metal whistle with bells attached, silver topped scent bottles and other miscellaneous items. (a lot) £250 ‑ 350

131 A collection of Continental silver spoons and forks, of various ages and designs including straining and sieving spoons, approx 15.2oz. (a lot) £300 ‑ 500

132 A Continental silver pierced bread basket of boat form, approx 33.5cm wide, together with a white metal tazza, approx 15cm high, a Continental silver bowl of plain form, approx 8.5cm diam, a white metal letter rack of pierced floral and foliate design and two silver toast racks, approx gross weight 31oz. (6) £300 ‑ 500

133 A silver handled tortoiseshell page turner, c.1906, Edward Barton, the handle with gadrooned and foliate embossing, approx 40.5cm long £120 ‑ 180

134 A silver teapot, c.1923, Walker & Hall, of Regency style with gadrooned decoration, approx 16cm high, approx 20.3oz £180 ‑ 220

135 A collection silver silver and plated items to include a silver sauce boat, c.1926, Mappin & Webb, approx 14.5cm wide, two pierced silver sweetmeat dishes, two silver fluted bud vases, weighted, two silver bottle labels and various items of silver plate. (a lot) £150 ‑ 250

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136 A pair of silver candlesticks, c.1913, Ellis Jacob Greenberg, approx 17.5cm high, loaded, together with a silver cigarette box c.1939, approx 17cm long. (3) £200 ‑ 250

137 A silver three piece tea service, c.1905 Mappin & Webb, of Regency style, approx 25.9oz. (3) £300 ‑ 400

138 A silver sauce boat, c.1937, Elkington & Co, approx 19.5cm long, together with a further silver sauce boat, c.1922 approx 16cm long and a silver plated example, gross silver weight 10.3oz. (3) £150 ‑ 200

139 A cased silver cruet set, c.1922, Walker & Hall, together with a silver Christening set comprising egg cup, spoon and napkin ring, cased, along with two boxed sets of silver butter knives. (a lot) £200 ‑ 300

140 A mirrored plateau, cast with vine leaves, approx 38cm diam £200 ‑ 300

141 A large silver plated meat cover, of domed form, approx 41.5cm wide, together with a smaller version, approx 30.5cm wide. (2) £180 ‑ 220

142 A pair of silver plated tureens, of oval form, with gadrooned borders, together with four further silver plated tureens. (6) £180 ‑ 220

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143 A collection of silver and plated items to include a cased silver Christening set, c.1895, Joshua Willams & Co, comprising spoon, fork and napkin ring, a silver and glass flask, a silver vinaigrette, c.1853, Edward Smith, with pierced foliate grille, and enamel stick pin in the form of a heart, two money clips, napkin ring and a silver plated and gilded oyster shell by Silver Direct, approx gross silver weight 7.6oz. (a lot) £250 ‑ 350

144 A silver cigarette box with gilt interior, c.1909, approx 13 x 9cm together with a three handled Arts & Crafts coupe, c.1912, James Dixon & Sons, approx 9.5cm high, a silver tankard, Continental silver cup and assorted plated wares including a cocktail shaker, approx gross silver weight 23.6oz. (a lot) £150 ‑ 250

145 A collection of silver items to include a silver toped globular cut glass scent bottle, with hobnail decoration, a pair of dwarf candlesticks, various cruets and pepperettes, a pair of miniature candlesticks and a silver topped dressing table jar. (a lot) £200 ‑ 300

146 Seven assorted silver photograph frames, various styles and sizes, all late 20th century. (7) £150 ‑ 200

147 A silver pierced basket, c.1902, Atkin Bros, with scrolled foliate and floral border above scrolling and pierced body, raised on four foliate feet, approx 29.5cm wide x 10.5cm high, approx 20.4oz £200 ‑ 300

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148 A silver waiter, c.1906, Alstons & Hallam, raised on three pad feet and with shell border, approx 16cm diam, approx 5.7oz, together with a silver capstan inkwell, approx 17.5cm diam, weighted. (2) £200 ‑ 300

149 A silver double inkwell, c.1944, John Collard Vickery, of Art Deco design, with two square covered inkwells and pen rest, on integral oblong tray raised on four ball feet, approx 31cm wide, approx 30.6oz £300 ‑ 500

150 A pair of silver candlesticks, c.1916, Martin Hall & Co. Ltd, of Neo‑Classical form, approx 22.5cm high, weighted. (2) £300 ‑ 500

151 A pair of George V silver candlesticks c.1910, Thomas Bradbury & Sons Ltd, of Classical form on stepped bases, approx 29cm high, loaded. (2) £600 ‑ 800

152 A silver box of domed rectangular form, c.1912, Asprey & Co. Ltd, with engine turned decoration and engraved initials to cover, approx 7.5 x 9.5cm together with matching Asprey tubular container, two silver cigarette cases, a matchbook holder, two silver backed brushes and two silver Albert chains, approx gross weighable weight £180 ‑ 220

153 A commemorative silver chalice, c.1972, A. E. Jones, of Arts & Crafts design, with knopped stem, engraved Lincoln Cathedral 1072 ‑ 1972, approx 10.5cm high, approx 5.8oz, together with a silver capstan inkwell, c.1919, Robert Pringle & Sons, approx 8.5cm diam. (2) £150 ‑ 250

154 A set of six silver place card holders, c.1985, Ari D. Norman, of plain rectangular form with canted corners, boxed. (6) £100 ‑ 150

155 A French silver twin handled tureen and cover, with reeded and ribbon rim and acorn finial, Tête de Mercury French export stamp, approx 20.5cm diam, approx 23oz £100 ‑ 150

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156 A Continental silver and enamel miniature stein, decorated with a pastoral scene of shepherdess and musician, the cover with bird finial, approx 8cm high, together with a similarly decorated engraved silver and enamel miniature ewer, approx 7cm high. (2) £200 ‑ 300

157 An Indian silver and enamel box and cover, the sides with engraved and punched palmette design, the cover with enamelled palace scene, stamped marks, approx 9.5 x 17cm approx 14.5oz £150 ‑ 250

158 A Indian silver three piece tea service, early 20th century, comprising teapot, sugar basin and milk jug, embossed with farming and country scenes, stamped sterling silver, teapot approx 13cm high, approx gross weight 26.2oz. (3) £800 ‑ 1200

159 An Indian silver bowl, early 20th century, with waved rim and raised upon circular foot, the whole with embossed cartouches depicting farming and country scenes including an elephant holding a man aloft with its trunk, approx 15cm high x 27cm diam, approx 20.7oz £700 ‑ 900

160 Nathaniel Mills. A small Georgian silver vinaigrette, with silver gilt interior and pierced grill, the cover with A.P monogram. 20 x 28mm £300 ‑ 400

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161 A Georgian silver snuff box with engine turned decoration. 33 x 53mm £180 ‑ 220

162 A continental silver niello box and cover, with gilt interior, the lid decorated in the Rococo style with mask, urns and cavorting cherubs. 45 x 80mm £200 ‑ 300

163 A continental silver niello box and cover, with gilt interior, the lid depicting a knife grinder. 45 x 75mm £200 ‑ 300

164 A continental silver niello box and cover, with gilt interior, the lid decorated with a domestic scene. 45 x 82mm £200 ‑ 300

165 A pierced silver swing handle basket of boat form, c.1905, Goldsmiths & Silversmiths Co. approx 20.5cm wide, approx 7.9oz £100 ‑ 150

166 A silver case and cover, c.1952, A. Wilcox, of curved rectangular form, with gold thumb piece, approx 8 x 9cm together with three silver cigarette cases, various dates, a silver vesta, approx gross weight 16.8oz, and two silver cigarette boxes, weighted. (7) £150 ‑ 250

167 A Continental silver twin handled bowl, of oval form, with chevron decoration, raised upon four feet and with gilded interior, stamped 925, approx 32cm wide, approx 27.7oz £250 ‑ 350

168 A silver swing handle pierced basket of naïveté form, c.1903, Martin, Hall & Co, raised upon oval pieced foot, approx 28.5cm wide, together with a Continental silver circular bowl, raised upon three feet, the body with gadrooned decoration and reeded waved rim, approx 19cm wide, approx gross weight 28.8oz. (2) £300 ‑ 500

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169 A pair of Greek silver candlesticks, Armaos, 925, approx 14.5cm high, loaded, together with a Greek silver footed bowl with plannished decoration, approx 11.5cm wide and a Continental silver sugar sifter, approx 17cm high, approx weighable weight 9oz. (4) £180 ‑ 220

170 A silver plated twin handled tureen and cover, with acorn finial, together with a pair of silver plated and gilt berry spoons, boxed and a silver plated salver. (4) £100 ‑ 150

171 A collection of silver items to include a stamp box, c.1903, the cover with two glazed compartments containing stamps, a silver quaich, c.1936, Rattray & Co, a silver topped scent bottle of bulbous form, the cut glass body with hobnail decoration, a silver wine funnel, card case and miscellaneous other small silver items. (12) £200 ‑ 300

172 A pair of Russian 84 standard silver vodka beakers, together with two further pairs of similar vodka beakers, a silver fronted photograph frame and a silver plated example. (8) £100 ‑ 150

173 A modern silver photograph frame with applied coronet, c.1984, S.J. Rose & Son, retailed by Asprey, together with a French silver plated champagne bucket and miscellaneous silver items, approx gross weighable silver weight 8.5oz. (a lot) £100 ‑ 150

174 A Stuart Devlin silver gilt commemorative globe celebrating the Royal wedding of HRH Prince Charles and Lady Diana Spencer, 1981, limited edition number 9. The circular ball shape cast with the Royal crest to one side and the Spencer family crest to the other, opening to reveal the silver gilt busts of Charles and Diana, on circular pierced enamel floral disc, engraved Price Charles & Lady Diana 1981 No. 9, approx 8cm diam, boxed, approx 17oz £250 ‑ 350

175 A silver commemorative plate, Her Majesty Queen Elizabeth II and H.R.H Prince Philip Silver Wedding, 1972, with engraved portraits and laurel leaves, approx 23cm diam, boxed and with certificate, approx 12.3oz £120 ‑ 180

176 A silver bowl, c.1928, Goldsmiths & Silversmiths Company, with shaped rim and engraved decoration, approx 26cm wide, approx 19.9oz £250 ‑ 350

177 A Continental silver box and cover, of curved rectangular form, with reed and ribbon border and scrolled decoration to corners, engine turned decoration and gilt interior, stamped GK 800. approx 5.5 x 8.5cm approx 3oz £100 ‑ 150

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178 A pair of gilt metal twin handled serving trays, raised upon four legs with paw feet, approx 50.5cm diam. (2) £100 ‑ 150

179 A silver plated and glass epergne, 19th century, the flaring glass vessel, over reeded column with scrolling arms, the base flaring further and mounted with three stylised swans raised upon three pierced shell feet, 44cm high £120 ‑ 180

180 A pair of Peruvian .900 standard silver dishes with waved border, stamped Industria Peruana, Kohler .900 approx 17.5cm wide, gross weight approx 12.7oz. (2) £150 ‑ 200

181 A sterling silver vase holder with pierced decoration, a further vase holder and an .800 standard silver tazza with deeply embossed fruit decoration. approx gross weight 14.5oz. (AF). (3) £250 ‑ 350

182 A silver baby’s teether with ivory ring, embossed decoration, bells and whistle, also a further baby’s teether with embossed decoration, mother of pearl teether and ring, a silver spoon, boxed and a set of six silver handled knives, boxed. (a lot) £100 ‑ 150

183 A silver etui, 19th century, with engraved and pierced mother of pearl plaques to front, verso and cover, set with goldstone, blue hardstones and bands of rubies and white sapphires, the sides with engraved rococo shell and floral decoration. Internal compartments containing mirror and tortoiseshell brush, vacant compartment to base, bears French swan import marks, approx 11cm high x 7.8cm wide

Note: Purportedly given as a gift by Audrey Hepburn £1200 ‑ 1500

184 A pair of silver plated putto form two branch wall lights, the winged putti holding the lights, raised upon spheres above stylised flowers, 35cm high. (2) £100 ‑ 150

185 A 20th century Danish silver bowl of rectangular form and embossed fluted rim by Christian Frederik Heise stamped J. Paulsen .830 approx 28.5 x 19cm together with an .830 standard silver sauce boat with gadrooned decoration approx 20.5cm long, gross weight approx 17oz. (2) £150 ‑ 250

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* 186 A Victorian silver flask, stopper and chain, of curved rectangular form, bearing engraved monogram and hallmarks, 11cm wide; with a further white metal flask, decorated in relief with maiden and moon, bearing marks. (2). VAT charged on hammer price £120 ‑ 180

187 A silver three piece tea service together with a quantity of silver items, the bachelor tea service c.1921, with gadrooned decoration, a silver cased and glass cylindrical calendar, an Arts & Crafts mustard pot c.1906, W J Myatt & Co, a silver cigarette box of plain form with dedication engraved to front, silver backed dressing table mirror, brushes, cigarette case and various pots and flatware, approx gross weighable weight 57oz. (a lot) £600 ‑ 800

188 Of horse racing interest. A silver mounted cut glass claret jug, c.1984, inscribed Flying Childers Stakes. (Group Two) Winning Owner. Approx 30.5cm high

Note: The Flying Childers Stakes is a group two flat horse race run at Doncaster for two year old thoroughbreds £200 ‑ 300

189 Four various silver wine and spirit labels, including a Queen Elizabeth II Silver Jubilee Whisky label, one inscribed heritage Homes Nursery Redcar Races 1994, a letter G and letter B, approx 2oz. (4) £100 ‑ 150

190 A Continental silver ewer and stand, with embossed decoration, stamped 900, approx 36cm high, approx 56.7oz. (a/f). (2) £500 ‑ 700

191 A pierced silver basket, c.1912, James Dixon & Sons, with pierced and cast vine leaf decoration, approx 15cm high x 35cm wide, approx 40.3oz £400 ‑ 600

192 A silver waiter, c.1891, Daniel & John Wellby, with pie crust edge and raised upon three feet, approx 16cm diam, a small Georgian style silver cream jug, c.1975, Levi & Salaman, approx 8cm high, a silver dish retailed by Asprey & Co, approx 13cm wide and a pair of Continental silver bowls, approx gross weight 33.8oz. (5) £300 ‑ 500

193 A silver bowl engraved with a racehorse, c.1984, Asprey & Co. approx 22cm diam, approx 15.1oz £150 ‑ 200

194 A George IV silver teapot, c.1820, Richard Sibley I, of squat form with gadrooned decoration, approx 22.6oz £200 ‑ 300

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195 Of horse racing interest. A large silver plated punch bowl trophy, The Vodata Conditions Stakes, Epsom, 9th June 1995. The large bowl with lion head mask handles, reed and ribbon rim and standing on a turned wooden base, the bowl approx 22cm high by 36cm wide £100 ‑ 150

196 A pair of Continental white metal chalices, each with pierced floral design knop, the bowls with floral engraving, approx 11.5cm high, together with a silver tortoiseshell mounted trinket box, a Hecho en Mexico silver pin tray, two Sterling silver oval napkin rings, a silver model of a race horse and items of silver plate approx weighable silver weight 14.9oz. (10) £150 ‑ 200

197 A collection of silver spoons, many of golfing interest, some enamelled, together with various medals, approx gross weight 14oz. (a lot) £150 ‑ 200

198 A set of George IV silver fruit knives and forks, with carved ivory handles, c.1826, Aaron Hadfield or Ashforth & Harthorn, consisting eleven knives and ten forks. (21) £120 ‑ 180200

199



199 A collection of silver to include a capstan inkwell, c.1940, a silver bowl of plain form, quantity of napkin rings, various dates and makers, a silver waiter, c.1971, A.E. Jones, silver salts, pin trays, sherry and brandy bottle labels, silver top red glass scent bottles and further double ended coloured glass scent bottles and a small silver model of a horse, approx gross weighable weight 38.9oz. (a lot) £350 ‑ 550

200 A leather travelling case with silver and glass fittings, c.1927, makers mark E.D the case containing various bottles, jars, brushes and playing cards £500 ‑ 700

201 A William IV silver candle wick trimmer, c.1825, approx 17cm long, approx 3.5oz £200 ‑ 300

202 A silver pap boat c.1907, Edward Barnard & Sons Ltd, together with a silver Christening mug, c.1817, makers mark rubbed, with engraved floral decoration, approx 6.5cm high, approx gross weight 4.8oz. (2) £150 ‑ 200

203 A silver vinaigrette, c.1854, Alfred Taylor, of shaped rectangular form with engraved decoration and pierced grille, approx 3cm wide, together with a silver gilt snuff box, c.1909, Deakin & Francis Ltd, approx 4.8cm wide. (2) £200 ‑ 300

204 A pair of William IV silver sauce ladles, c.1837, John & Henry Lias, together with a quantity of tablespoons, desert spoons and teaspoons, approx gross weight 20oz £250 ‑ 350

205 A George I silver tablespoon, c.1722 together with eight further 18th and 19th century tablespoons, approx gross weight 15.6oz. (9) £200 ‑ 300

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206 Eleven 19th century tablespoons, various dates and makers, approx gross weight 20.9oz. (11) £250 ‑ 350

207 A quantity of early 19th century forks, various dates and makers, to include table forks and dessert forks, approx gross weight 43.7oz. (25) £600 ‑ 800

208 A collection of twelve 19th century silver spoons, various dates and makers, approx gross weight 12.5oz. (12) £150 ‑ 200

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209 A collection of various silver spoons, 19th century and later, together with a pair of Georgian bright cut silver sugar tongs, approx gross weight 12oz. (a lot) £150 ‑ 200

210 A pair of George III silver embossed berry spoons, c.1798, John Bourne, together with a collection of further spoons, approx gross weight 18.9oz. (a lot) £250 ‑ 350

211 A collection of silver to include a leaf shape caddy spoon, a plated caddy spoon with agate set handle, a pair of Continental silver scissors and cover, of Celtic design, various needle cases and vestas, approx gross weight 9.5oz. (a lot) £200 ‑ 300

212 A collection of silver desk accoutrements to include a silver and glass inkwell, c.1909 Thomas Edward Atkins, a silver stamp box, a glass and silver roller, cigar cutter with integral vesta, match box holder and clover leaf form ashtray, together with an ebonised desk tray with applied silver shield, approx weighable weight 12.7oz. (a lot) £200 ‑ 300

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213 Christofle. A large silver plated fish tray, with reed and ribbon border, approx 70cm long, boxed £140 ‑ 180

214 Christofle. Twelve silver plated bread plates, with reed and ribbon border, approx 13cm diam, all boxed. (12) £250 ‑ 350

215 Christofle. A silver plated teapot, raised upon three scrolled feet, approx 22cm high, together with a matching coffee pot and a glass and silver plated caviar dish, stand and cover, all boxed. (3) £250 ‑ 350

216 Christofle. A silver plated teapot, raised upon three scrolled feet, approx 22cm high, together with a matching coffee pot and a glass and silver plated caviar dish, stand and cover, all boxed. (3) £250 ‑ 350

217 Christofle. A silver plated and glass cheese board, with scrolled base, together with a further cheese board base minus the glass, a caviar silver plated and glass bowl stand and cover, another caviar dish and stand, minus cover and eleven Lebanese silver plated finger bowls and stands. (a lot) £350 ‑ 450

218 Christofle. Five silver plated and and wooden stands, with engine turned decoration, together with six scrolled silver plated and glass stands and ten silver plated finger bowls. (a lot) £500 ‑ 700

219 A silver teapot, c.1905, Mappin & Webb Ltd, approx 18g, together with five Mappin & Webb silver and mother of pearl handled dessert knives and forks, boxed, a silver plated on copper gallery tray, a pair of plated bottle coasters, a further plated bottle coaster and various other items of silver plate. (a lot) £250 ‑ 350218

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220 A pair of silver plated entrée dishes and covers, together with two further entrée dishes and covers. (4) £100 ‑ 150

221 A quantity of mother of pearl handled flatware, to include fish eaters and dessert knives and forks, some by Mappin & Webb. (a lot) £100 ‑ 150

222 A silver part manicure set c.1910, Walker & Hall, together with a pair of silver salts. (a/f) a pair of silver fluted bud vases, a pair of Georgian silver mustard spoons, a pair of sugar nips, silver teaspoon and two button hooks. (a lot) £100 ‑ 150

223 A silver salver, c.1863, Daniel & Charles Houle, raised upon three feet, with scrolled shell border and engraved decoration, approx 22.5cm diam, approx 12.8oz £120 ‑ 180

224 A silver quaich, c.1937, approx 12.5cm diam, together with a pair of silver sweetmeat bowls, Mappin & Webb, a silver Christening tankard, c.1888, with ivy leaf engraved decoration and a sterling silver twin handled trophy cup, approx 9.5cm high, approx gross weight 16.7oz. (5) £180 ‑ 220

225 A collection silver and plate to include a silver Millennium spoon, c.2000, Gerald Benney, approx 16cm long, with feather textures stem, a silver model of a rat, approx 3cm high, two silver mustards, a pair of silver salts, silver fish slice, a silver caddy spoon in the form of a bush baby, silver egg cup, silver goblet, five napkin rings, a silver swan form preserve spoon and items of silver plate, approx silver weight 31oz. (a lot) £350 ‑ 450

226 A silver dish, Queen Elizabeth II, Royal Lineage collection, c.1972/3, Silverware Manufactures Ltd, centrally mounted with a medallion depicting Her Majesty, approx 13cm diam, approx 4.2oz, boxed, together with a similar dish with medallion of Queen Elizabeth I, approx 4.2oz, boxed and a further dish from the same series showing King Henry VIII, approx 4.2oz, boxed, all with relevant booklets. (3) £120 ‑ 180

227 A horn and silver handled five piece carving set, c.1887, Lee & Wigfull, in fitted red velvet and satin lined case, together with a silver and twisted horn handled toddy ladle, a silver and ivory page turner and a boxed set of Silver Hallmarks tea and coffee spoons, each with different assay office, stamped on the satin lined lid the offices for London, Edinburgh, Britannia, Glasgow, Birmingham and Sheffield. (a lot) £250 ‑ 350

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228 A collection of silver to include a tankard, c.1946, Wakely & Wheeler, approx 11cm high, two further smaller tankards, a twin handled bowl, each handle with acorn finial, napkin rings and spoons, approx gross weight 34oz. (a lot) £300 ‑ 500

229 A collection of silver and plated items to include A WMF Art Nouveau silver plated trinket box, a silver sauce boat of Georgian style raised upon three pad feet, c.1919, approx 16cm a pair of silver dwarf candle sticks, a silver calendar holder, silver and mother of pearl pen knives, a blue agate seal, a Walker & Hall silver plated four piece tea service and various further silver and plated items and flatware £180 ‑ 220

230 A Russian silver gilt and enamel tea caddy, Moscow 1887, 88 standard, assayer Viktor Savinkow, silversmith И.C, of cubic form with domed top, the cover opening to a silver gilt cork lined stopper, enamelled with floral and foliate motifs, approx 13cm high, approx 14.9oz £1500 ‑ 2500

231 A Russian silver gilt and enamel sugar box, Moscow 1887, 84 standard, assayer HK, silversmith И.C, of cubic form with domed top, enamelled with floral and foliate motifs, approx 9.5cm high, approx 13.5oz £1500 ‑ 2000

232 A pair of George IV silver scissor action candle snuffs, c.1800, possibly William Bateman. (marks rubbed) £200 ‑ 300

233 A set of twelve silver place card holders, German, post 1882, Lutz & Weiss, Pforzheim, cased £100 ‑ 150

234 A silver and silver gilt commemorative plate, Her Majesty Queen Elizabeth II Silver Jubilee, 1977, the central boss with royal coat of arms and gilded crests surrounding, approx 26.5cm diam, approx 180.8oz, cased, with certificate £180 ‑ 220

235 Twelve silver and green stained ivory handled dessert forks, c.1829, together with two green agate handled knives and forks. (a lot) £100 ‑ 150

236 A pair of silver and silver gilt commemorative bowls, the Three Hundredth Anniversary of The Laying Of The Foundation Stone Of St. Paul’s Cathedral, 1975, boxed, with certificate, approx gross weight 14.9oz £150 ‑ 250

237 A rare Liberty & Co. Arts & Crafts, Cymric silver, moonstone and amethyst set napkin ring, c.1901, of Celtic design and set with cabochon moonstones and amethysts, approx 34.8g £400 ‑ 600

238 Dr. Christopher Dresser for James Dixon & Co. A silver plated teapot and sugar bowl, design number 2273, of circular form, raised on three feet, the teapot with ebony handle, approx 10cm high £1500 ‑ 2000

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239 A cast silver model of Perseus riding Pegasus, early 20th century, the winged horse and rider upon rocky malachite base, bears partial hallmarks, approx 20cm long x 18cm high £800 ‑ 1200

240 An 18th century Continental white metal vinaigrette, of reeded spherical form, with scrolled and beaded grille and pendant bale, approx 2.5cm diam £300 ‑ 500

241 An impressive Elkington & Co. silver plated table centrepiece, in the form of a vine clad tree, with Bacchanalian cherubs, standing upon mirrored plateau, the whole approx 48cm high £700 ‑ 900

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242 A quantity of silver spoons and flatware to include a pair of Liberty & Co. Arts & Crafts sugar tongs, c.1901, an Arts & Crafts spoon, a pair of Irish mustard spoons, Dublin c.1827, James Brady, a Liberty & Co. West Middlesex Golf Club spoon, c.1924, a pair of gilded spoons with twisted stems and figural terminals and two similar Continental spoons with splayed and pierced terminals, approx 9oz. (11) £180 ‑ 220

243 A collection of miscellaneous silver spoons, British and Continental, various dates, makers and assay offices including provincial, approx 38.3oz. (a lot) £500 ‑ 700

244 A set of silver and mother of pearl handled fruit knives and forks, c.1892, Martin, Hall & Co, with fruit and foliate engraving, comprising twelve forks and eleven knives, boxed, also a boxed set of six white metal teaspoons with floral stems and a collection of silver cruet items. (a lot) £220 ‑ 280

245 A small collection of silver items to include a Continental trumpet form vase, approx 10cm high, a silver cigarette case of Art Deco design, match box holder, match holder, napkin ring and spoons, approx gross weight 13.6oz. (a lot) £150 ‑ 200

246 A set of three silver toast racks, c.1894, Stokes & Ireland Ltd, of gothic revival form, with crested shield to handles, approx 8.5cm wide x 12cm high, also a silver bowl of square form, c.1931, Atkin Bros, a pair of glass and Continental silver rimmed salts of boat form, a pair of plated and gilt twin handled salts with hobnail decoration, five silver teaspoons and a silver plated oval pierced tray, approx gross silver weight 17.8oz. (a lot) £280 ‑ 320

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247 A set of nine silver dessert spoons, c.1923, Cooper Bros. & Sons, together with four matching table forks and four matching dessert forks, also two further silver tablespoons and two plated spoons, approx gross silver weight 33.4oz. (a lot) £300 ‑ 500

248 A quantity of Continental 84 standard silver flatware, German, mid to late 19th century, H. Nevir, comprising knives forks and spoons, gross weighable weight 124oz. (a lot) £1200 ‑ 1800

249 A set of German 900 standard silver fish eaters, comprising nine forks and eight silver bladed knives, with rococo foliate handles. (handles filled) approx gross weight 33.6oz £150 ‑ 200

250 A quantity of German 800 standard silver matching flatware, comprising eight table spoons, eight table forks, eight table knives, twelve dessert forks, eight dessert knives, twelve fish forks, twelve fruit forks, twelve fruit knives, also a set of 800 standard silver fish eaters comprising twelve knives and forks, together with miscellaneous cruets and spoons, approx gross weighable weight 156.5oz £1000 ‑ 1500

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251 A large oval twin handled silver tray, c.1918, Mappin & Webb, the pierced border cast with swag and floral cartouche, the handles with bead and ribbon decoration, approx 73cm wide, approx 145.3oz £2000 ‑ 3000

252 An impressive silver and ivory seven piece tea service, c.1938, Ellis & Co, the Art Deco design with bright cut engraving, ivory handles and ivory pineapple finials, the coffee pot approx 21.5cm high, approx gross weight 89.3oz £1500 ‑ 2500

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JEWELLERYCOMMENCING AT 12.30pm

Lot 332


TUESDAY JEWELLERY

267 A 14ct white gold and diamond set ring, the central row of square cut diamonds flanked by round brilliant cut diamonds, approx total 0.5ct, approx size N/O, approx 3.6g £400 ‑ 600

268 An impressive 14ct white gold, emerald and diamond set ring, the square cut emerald approx 7.3ct surrounded by twenty round brilliant cut diamonds, approx total 1.2ct, approx size O/P, approx 5g £2500 ‑ 3000

269 A 14ct white gold and diamond set crossover ring, the central round brilliant cut diamond with brilliant cut diamonds to the crossover shoulders, approx total 0.8ct, approx size P/Q, approx 3.5g £600 ‑ 800

270 A 14ct white gold, ruby and diamond ring, of Art Deco style, the central emerald cut ruby, approx 3.7ct, with channel set square cut diamonds to the stepped shoulders, approx total 1.08ct, approx size Q, approx 7.3g £1000 ‑ 1500

271 A 14ct white gold, emerald and diamond set ring of marquise form, the marquise cut emerald approx 1.05ct, surrounded by twenty four round cut brilliant diamonds, approx total 0.5ct, approx size O, approx 5.8g £600 ‑ 800

267 269

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JEWELLERY TUESDAY

272 A 14ct white gold and diamond set ring, with five emerald cut baguette diamonds approx total 1.05ct, min. colour H‑I, clarity VVS‑VS. approx size Q, approx 3.75g, together with IGI certificate £1200 ‑ 1800

273 A 14ct white and yellow gold, diamond and fancy yellow diamond cluster ring, the fancy light yellow round brilliant cut diamond approx 1.71ct, collect set in yellow gold and surrounded by twelve round brilliant cut diamonds, approx total 1.5ct, min. colour F‑G, clarity VS‑SI, approx size P, approx 6.84g, together with IGI certificate £4000 ‑ 5000

274 A 14ct white gold, sapphire and diamond cluster ring, the natural sapphire cushion cut, approx 4.55ct, surrounded by fourteen round brilliant cut diamonds, approx 1.8ct total, together with IGI certificate for the diamonds stating min. colour E‑F, clarity VS‑SI, also with a gem testing laboratory certificate stating the sapphire to be natural, 10.13 x 8.30 x 5.52mm. (indications of heat treatment), ring size approx N, approx 8.77g £3500 ‑ 4000

271 272

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TUESDAY JEWELLERY

275 A yellow metal magnifying glass with yellow metal chain, together with a photograph of the original owner wearing the glass and chain, the photograph signed Martin Jacolette, in carved frame: the sitter Lady Frances Pitman (nee Wildman) 1825 ‑ 1919, the frame carved (c.1890) by Maud Pitman (nee Hopley) 1868 ‑ 1960, according th the label verso. Also a white metal scarab pendant on associated chain. Gross weight of magnifying glass and chain approx 47.9g. (4) £400 ‑ 600

276 A collection of 19th century jewellery to include a carved jet and coral brooch, of pierced form with coral flower to centre, a carved jet cameo brooch, a carved jet brooch with female profile, two gold memoriam brooches and a gilt and cabochon garnet brooch. (6) £200 ‑ 300

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JEWELLERY TUESDAY

277 A large collection of costume jewellery including two silver and gold plated ring and earring suites by ‘Columbia Emeralds’, a reverse carved lucite bracelet, 1920s crystal drape necklace, a quantity of faux pearl necklaces, further items of costume jewellery and a burr walnut veneer and suede jewellery box. (a lot) £300 ‑ 400

278 A large collection of costume jewellery to include a Charles Horner silver and enamel maple leaf brooch, yellow metal and enamel bar brooch, other 19ct century yellow metal bar brooches, an early 20th century carved horn waist clasp, amethyst bead necklace, various items of silver jewellery, necklace and earring suites and further miscellaneous jewellery, together with a cream Mappin & Webb jewellery box. (a lot) £350 ‑ 450

279 A large coral necklace together with a coral necklace of tubular form, also a collection of amber cigarette holders. (a lot) £200 ‑ 300

280 An emerald set circle pendant, mounted in silver on fine silver chain, together with a pair of silver Art Deco style pendant earrings and a pair of silver and crystal chandelier earrings. (3) £150 ‑ 200

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TUESDAY JEWELLERY

281 A Continental yellow metal bracelet (tests as 18ct gold) of oval smooth links and textured knot design, approx 17.5cm approx 44.2g £800 ‑ 1200

282 Murrle, Bennett & Co. A silver and amethyst Jugendstil design pendant, c.1905, stamped MB Co and 950, approx 4.3cm £300 ‑ 500

283 A collection of jewellery to include a 22ct gold wedding band, approx size M/N, approx 5.8g, a 9ct gold Albert chain, a 9ct gold signet ring, an oval photograph locket with 9ct gold front and back. (approx 9ct gold gross weight 21.5g,) together with a silver and paste set memento locket with glazed apertures to front and verso, the front with a locket of hair, a garnet set circular brooch, late 19th century, a ruby and mine cut diamond set stick pin in Spink & Co fitted case and a J. W. Benson silver half hunter pocket watch with white enamel face, Roman numerals and subsidiary second hand, in original fitted case. (a lot) £350 ‑ 450

284 A Chinese high carat gold and freshwater pearl hair pin, approx 9cm approx 17.7g £350 ‑ 450

285 A sterling silver and jade mounted rectangular buckle, possibly Oliver Kee, makers mark rubbed. 45 x 52mm £200 ‑ 300

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JEWELLERY TUESDAY

286 An 18ct gold and three stone star ruby ring, with raised textured design, approx size K, approx 13.1g £400 ‑ 600

287 A collection of jet, French jet and black coral jewellery, late 19th century, to include necklaces and brooches. (a lot) £300 ‑ 500

288 A collection of pearl necklaces to include cultured and freshwater, some set with various stones. (a lot) £300 ‑ 500

289 A yellow metal, coral and diamond set dress ring, the cabochon coral surrounded by small diamonds, approx size N, approx 8.8g £300 ‑ 500

290 A large agate brooch, with applied carved classical maiden bust set in a two tone gilt metal frame. 5.2 x 1cm £150 ‑ 250

291 A yellow metal, sapphire and diamond set dress ring, the four rows of square cut channel set sapphires with a diamond set bar to either side, approx size N, approx 11.2g £300 ‑ 500

292 A yellow metal, pearl, diamond and ruby set dress ring, the central half pearl flanked with a gold bar to either side, the terminals set with cabochon rubies, the shoulders with two rows of diamonds, approx size M/N, approx 6.3g £300 ‑ 500

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TUESDAY JEWELLERY

293 An 18th century diamond set tortoiseshell box, in the form of a book, with engraved yellow and white metal scrolled mounts and hinges, the cover mounted with a portrait miniature of a lady, surmounted with a cushion cut diamond, approx 6 x 5mm, the two corner mounts and scrolled mounts either side of the portrait set with old cut diamonds in rub over settings, the box approx 9 x 6cm £2000 ‑ 3000

294 A large collection of amber jewellery, to include necklaces and bracelets, together with bakelite examples. (a lot) £600 ‑ 800

295 A collection of jewellery to include a 19th century gold and cabochon garnet brooch, approx 3.2cm approx 9.6g. together with a 14k Aztec inspired brooch, a 14k textured gold and jadite spray brooch, a 15ct gold plain shirt stud (approx gross weight 19.4g) a 19th century gold, seed pearl and diamond set heart and scroll brooch, and a pair of 9ct gold domed earrings. (approx gross weight 7g.) £300 ‑ 500

296 Mont Blanc. Year Of The Golden Dragon Limited Edition fountain pen, 484/888. The porcelain pen decorated with a dragon chasing the flaming pearl, the 18ct gold nib inscribed 4810 18k 2000, in original fitted case £2000 ‑ 3000

297 A Longines 9ct gold cased ladies wrist watch, with 9ct gold mesh bracelet strap, approx gross weight 16.3g £300 ‑ 500

298 A 19th century continental diamond and pearl brooch, of Rococo Revival design, with large central pearl and pearl drop and old cut diamonds. 8 x 3.5cm £1200 ‑ 1500

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JEWELLERY TUESDAY

299 A 9ct gold box and cover, with engine turned decoration and match striker applied to one end, approx 4.5 x 6cm approx 46g £400 ‑ 600

300 A 9ct gold cigarette case, of curved oblong form with engraved monogram to cover, approx 8 x 6.8cm approx 65.3g £500 ‑ 700

301 A 9ct gold cigarette case of square form, with engine turned decoration, approx 8.3 x 8.3cm approx 81.8g £600 ‑ 800

302 An Indian silver necklace, early 20th century, of typical form, together with a smaller white metal necklace, approx gross weight 8.98oz £150 ‑ 200

296 297 298

299 300

301


TUESDAY JEWELLERY

303 An 18ct white gold single stone diamond ring, approx 0.95ct, approx size K, approx 5.4g £1000 ‑ 1500

304 A single stone diamond ring, approx 1.6ct, mounted in white metal with pierced split shoulders, approx size O, approx 2.8g £2000 ‑ 3000

305 A French Art Nouveau white gold, diamond and sea pearl pendant brooch, with yellow gold brooch fitting and articulated drop, in fitted box. 6.3 x 4.7cm £3000 ‑ 5000

306 A gold sovereign, 1979, approx 8g £180 ‑ 220

307 A gold sovereign, 1980, approx 8g £180 ‑ 220

308 A French ivory cased silver nécessaire, comprising pencil, penknife, scissors, thimble and needle case, the hinge marked Brevetté, approx 11.5cm wide £250 ‑ 350

309 A 9ct gold Albert chain with enamel shamrock fob, approx 43g £400 ‑ 600

308

305304

303


JEWELLERY TUESDAY

310 An Art Deco style coral, onyx and diamond set pendant. 58mm £250 ‑ 350

311 A faceted crystal bead festoon necklace labelled Christian Dior £200 ‑ 300

312 A silver pair cased key wind pocket watch, c.1776, with fusee movement, engraved back plate and pierced balance wheel cover, the white enamel dial with black Arab numerals and gilded hands £500 ‑ 800

311309

312310


TUESDAY JEWELLERY

313 A 9ct gold bi‑colour gate link bracelet, approx 9.5cm long, together with a further 9ct gold gate link bracelet, approx 9.5cm long, approx gross weight 24.2g £250 ‑ 350

314 An 18ct gold and diamond set ring, of marquise form with fifteen old cut diamonds, approx size P, approx 3.3g £700 ‑ 900

315 An 18ct gold cased Omega De Ville ladies wrist watch, 17 jeweled lever movement, with rectangular champagne dial and raised batons, special faceted crystal and integral 18ct gold bracelet strap, approx 8.5cm long, approx weight of case and bracelet 58g, model and case number 8196 248, movement number 331 995 84 together with original box and valuation paperwork £1500 ‑ 2000

317314

315313

316


JEWELLERY TUESDAY

316 A pair of 18ct gold gentlemen’s cuff links, of curved rectangular form, the convex face with cross hatch design, approx 13.3g £200 ‑ 250

317 An 18ct gold and diamond set cluster ring, of flower head design, the central stone approx 0.2ct, surrounded by six further diamonds, approx size L, approx 4.9g £2000 ‑ 2500

318 A 19ct gold, amethyst and diamond set brooch of flower head form, the double layered gold petals set with 16 round brilliant cut diamonds and centred with a large approx 21 x 17mm cushion cut amethyst, stamped marks to verso including 800 gold mark, approx 4 x 3.8cm £1000 ‑ 1500

319 A gold Art Nouveau pendant in Suffragette colours, set with peridot, amethyst and seed pearls, approx 4.5cm long, approx 1.7g £100 ‑ 150

320 A late 19th century 15ct gold and seed pearl bar brooch mounted with a swallow, approx 4cm long, approx 2.4g, in original fitted box, together with a string of pearls with 9ct white gold and diamond set clasp, approx 43.5cm long. (2) £200 ‑ 300

321 A large oval citrine and split pearl brooch, the faceted citrine surrounded by half pearls, mounted in unmarked gold, approx 4.3cm wide £250 ‑ 350

322 A carved shell cameo brooch, in Etruscan style, high carat yellow metal mount, the cameo depicting a classical female in profile, approx 5 x 4.5cm in original fitted box £200 ‑ 300

323 A garnet, aquamarine and diamond set spray brooch, approx 6cm in original fitted box £300 ‑ 500

318

320

323322321


TUESDAY JEWELLERY

324 An opal and diamond ring, the central oval cabochon opal flanked by two round brilliant cut diamonds, each approx 0.15ct, set in yellow metal, approx size K/L, approx 3.6g £400 ‑ 600

325 A Persian carved carnelian plaque pendant, the oval plaque carved with Arabic script and mounted in an unmarked gold frame. 3.5 x 4.5cm £150 ‑ 250

326 An Art Nouveau brass and pearl waist clasp, in the style of Piel Freres, depicting two stylized large finned fish encompassing 2 fresh water pearls, buckle fittings to verso. 6 x 1.1cm £120 ‑ 180

327 A 9ct gold collar necklace of lattice links, approx 40.4cm together with a 9ct gold long guard chain, a 9ct gold box link chain and a gilt metal necklace, approx gross 9ct weight 51.7g. (4) £500 ‑ 700

328 A Georg Jensen silver brooch, London 1950, of square form with birds and ear of wheat, stamped to verso G.J Ltd, Sterling, Georg Jensen Silversmiths Ltd, 250, approx 3.8cm £150 ‑ 200

329 A five stone diamond set gold knife edge bar brooch, the largest stone approx 0.25ct, approx 4cm long, in original fitted box £500 ‑ 700

329

327

324


JEWELLERY TUESDAY

330 A pair of diamond set pendant earrings, set in 18ct white gold, in the form of three diamond clusters in ascending size, approx 1.5cm long £300 ‑ 500

331 A pair of diamond and ruby half hoop earrings, each comprising a line of alternating stones, approx 2cm long £300 ‑ 500

332 An 18ct gold, emerald and diamond set brooch, 1970, maker RDP, the the three dimensional bark effect gold batons centred with a large uncut emerald and scattered with six round brilliant cut diamonds, approx 6.5cm wide, approx 22.3g

Note: Purchased by the vendor in November 1970 at an exhibition by The Goldsmiths Company at Kendal Milne Co. Manchester £600 ‑ 800

333 An 18ct gold full hunter key wind pocket watch, with floral and foliate engraved case, white enamel face and Roman numerals, approx 3.5cm diam, approx gross weight 28.7g £400 ‑ 500

334 A 19th century micro mosaic brooch, depicting a classical scene, set in goldstone and with silver mounts. 32 x 40mm £200 ‑ 300

332331

334333

335 An 18ct white gold and platinum diamond set ring, c.1920s, the central diamond approx 0.4ct, in square setting with a mine cut diamond to each corner, with further mine cut diamonds to the split shoulders, approx size M/N, approx 4.4g £600 ‑ 800

335


TUESDAY JEWELLERY

336 A silver and silver gilt cased Zenith open face high regulator pocket watch, case stamped 3041435 9521, movement number 2269985, approx 5.3cm diam, approx gross weight 98.9g £250 ‑ 350

337 A Continental silver cased half hunter pocket watch, with white enamel face and subsidiary second hand, Arabic numerals to the case and Roman numerals to the dial, approx 5cm diam, approx 80.5g £200 ‑ 300

338 A 14ct yellow gold, silver and diamond Lasque Plateau ring, the curved oval disc with various flat set irregular cut foil backed diamonds in oxidized silver, approx size N, top approx 3.4 x 2.9cm diamond weight 2.28ct £1000 ‑ 1500

339 A Continental silver square cased half hunter timepiece, Glasgow import marks for 1924, case stamped Brevet 98835, white enamel dial stamped Barraclough & Sons Ltd. Leeds, approx 4.5 x 4.5cm approx gross weight 55.6g £300 ‑ 400

340 An Art Deco diamond set plaque ring c.1930, of geometric design, the principal diamond approx 0.7ct. approx 2.4 x 1.8cm approx size O £2500 ‑ 3500

341 A Victorian seed pearl suite with gold fittings, consisting of necklace, brooch, earrings and two stick pins, in purple velvet lined box labeled Luigi Pallotti Venezia

Note: By descent from Lindsay Johnstone née Campbell, sister of Lord Campbell, according to a note with the parure £500 ‑ 700

342 A silver cased open face key wind pocket watch, with Art Nouveau engraved and embossed case back, white enamel face with floral decoration and twenty four hour Roman and Arabic numerals, approx 4.5cm diam, approx gross weight 64.1g £120 ‑ 180

343 An Omega steel cased open face pocket watch, with screw back, white enamel face, Art Nouveau Roman numerals and subsidiary second hand, case stamped 321665, movement number 4498425, approx 5cm diam £150 ‑ 200

344 A George III silver pair cased key wind pocket watch, c.1790, the movement engraved Geo Howard, London, approx 5cm diam £500 ‑ 700

337336

344339


JEWELLERY TUESDAY

341

340338


TUESDAY JEWELLERY

345 A golden sapphire and diamond set platinum ring, the oval cushion cut sapphire of strong golden amber colour, approx 12 x 10 x 7.5mm, approx 7.59ct, the platinum band with diamond set split shoulders, approx size T/U, approx gross weight 7.9g £2000 ‑ 3000

346 Boucheron. A c.1940s invisible set sapphire and diamond dress clip of scrolled design, the double pronged clip stamped Boucheron Paris, with French gold control marks and etched number 11390, approx 4cm long, approx 23g £3000 ‑ 5000

347 A Jaeger Le Coultre travel clock with leather case and black dial, c.1930s, eight day movement, the dial stamped Dimmer, approx 10.5 x 6.5cm £250 ‑ 300

348 A c.1930s travel clock in the form of a leather book, the square copper face with luminous hands and numerals, the book spine stamped Livre D’Heures, approx 11 x 9cm £250 ‑ 300349

348347

346345


JEWELLERY TUESDAY

349 A large aquamarine ring, the emerald cut stone set in a white metal mount, approx 22 x 15mm, approx size O/P, approx 8.5g £300 ‑ 500

350 A diamond and fancy yellow diamond ring, together with a matching half eternity ring. The diamond solitaire, round brilliant cut, approx 0.6ct, approx colour H/I, clarity approx SI1/SI2, in rub over setting, the shoulders set with eight fancy yellow channel set diamonds (enhanced intense yellow) the shank stamped PT, tests as platinum, approx size I, the half eternity ring channel set with eight fancy yellow diamonds. (enhanced intense yellow) and three round brilliant cut diamonds, each stone approx 0.04ct, approx size K/L, together with insurance valuation. (2) £1800 ‑ 2500

351 Christian Dior. A faux pearl and crystal brooch and clip earrings, signed Chr. Dior 1960, the brooch approx 4.5cm diam. (3) £100 ‑ 150

352 A 9ct gold and clear stone dress ring together with a quantity of costume jewellery, to include a 19th century gilt metal and enamel ‘Forget‑Me‑Not’ locket, a silver and marcasite set galleon brooch, a 9ct gold and clear stone pendant and further paste set brooches and earrings. (a lot) £100 ‑ 150

353 An 18ct white gold, ruby and diamond set suite comprising necklace, bracelet, ring and clip earrings, the necklace with fifty six oval rubies interspersed with baguette cut diamonds. The rubies thermal treated and glass filled. (5) £8000 ‑ 10000

350

353


TUESDAY JEWELLERY

354

354 A large ruby and diamond parure, the articulated necklace set with heart shape rubies surrounded with brilliant cut diamonds, en‑suite with matching bracelet, ring and drop earrings. The rubies thermal treated and glass filled. (5) £8000 ‑ 10000

355 An impressive ruby and diamond parure consisting of necklace, bracelet, ring and earrings, set in 18ct white gold, the necklace formed of one hundred and two ruby and diamond clusters arranged in three rows and two raised diamond set hearts each with central pear shape ruby, the matching bracelet, ring and drop earrings en‑suite. The rubies thermal treated and glass filled. (5) £8000 ‑ 10000


JEWELLERY TUESDAY

356 Carlo & Arthur Guiliano. An early 20th century enamel pendant and chain, the pendant of scrolling leaf design set with an emerald cut Spessartite garnet, the neck chain with black and white enamel batons, pendant approx 6cm long, the chain approx 38.5cm £3000 ‑ 5000

357 A 19th century yellow metal fob with craved armorial carnelian seal, approx 3cm high, together with another yellow metal fob with carved agate crest approx 2.8cm high and a miniature yellow metal fob, the crystal carved with a cherub chasing a butterfly, approx 1.5cm high, approx gross weight 18.3g. (3) £250 ‑ 350

355

357

356


TUESDAY JEWELLERY

358 An early 19th century miniature portrait of a young man, guilloché enamel locket to verso, with decorative lock of hair, approx 7 x 5.5cm a gold 19th century memorial brooch, with plaited hair and split seed pearls, approx 2.2cm wide, also a yellow metal and diamond set cluster ring of flower head form and a Georgian paste buckle converted into a brooch. (4) £300 ‑ 400

359 A pair of 18ct gold and chalcedony drop earrings, each fluted ball stud with textured chain link hung with a faceted blue chalcedony, approx 4.5cm long, approx gross weight 7.9g £150 ‑ 200

360 An 18ct gold and citrine set bracelet, the six cushion cut citrines spaced with gold scrolled wire design links, approx 18cm long, approx 30.5g £600 ‑ 800

361 An Arts & Crafts Ruskin glazed ceramic brooch, the ceramic plaque signed Ruskin, England and set in a silver flower head decorated frame, approx 6cm diam £120 ‑ 180

362 An 18ct gold, citrine and diamond ring, the 13.43ct cabochon citrine surrounded by diamonds, total 0.47ct, approx size M, approx 11.4g £800 ‑ 1200

360

358


JEWELLERY TUESDAY

363 A pair of 18ct white gold and diamond set fine dangle earrings, the shaped diamond set stud hung with a diamond encrusted torpedo on fine white gold chain with tear shape drop, total diamond weight 1.02ct, approx 5.5cm long, approx 4.1g £800 ‑ 1200

364 An 18ct rose and white gold, yellow sapphire, diamond and brown Tahitian pearl pendant and chain, the shaped pearl approx 15 x 13mm suspended below a 0.02ct diamond and a 1.07ct pear shape yellow sapphire, the rose gold chain approx 40.5cm approx gross weight 6.6g £400 ‑ 600

365 A pair of 18ct rose and yellow gold, diamond and brown diamond and brown Tahitian pearl earrings, the spherical pearl approx 12mm diam suspended below three open pear shape mounts set alternately with brown and white diamonds, approx 3.7cm long, diamond weight 0.87ct, approx gross weight 9.5g £1000 ‑ 1500

363362

365364


TUESDAY JEWELLERY

366 An 18ct white gold, briolette citrine and diamond retro design ring, the faceted 4.90ct citrine flanked by a total of 0.07ct diamonds, approx size M/N, approx 6.4g £300 ‑ 500

367 An 18ct white gold, cabochon amethyst and diamond set ring, the 15.30ct amethyst surrounded by 1.45ct baguette diamonds, approx size M, approx 14.2g £1600 ‑ 1800

368 A pair of 18ct white gold, briolette citrine, tzavorite garnet and diamond set spiral drop earrings, approx 6cm long, approx gross weight 7.8g £600 ‑ 800

369 An 18ct rose and white gold and fancy diamond ring, of flower head design set with 0.69ct round fancy colour diamonds, approx size N/O, approx 4.9g £700 ‑ 900

370 A pair of 18ct rose and white gold and fancy diamond earrings, of flower head design set with 0.93ct round and fancy round diamonds, approx 3cm long, approx 5.1g £900 ‑ 1200

371 An 18ct white gold and princess cut diamond bar pendant, the fourteen princess cut diamonds totalling 1ct mounted on a 3cm bar and suspended from a 41cm spiga chain £800 ‑ 1200

370369

368

366

367


JEWELLERY TUESDAY

372 An 18ct white gold and diamond set Trilogy ring, the diamond set crossover shank enclosing three diamond set circular clusters, total diamond weight 0.26ct, approx size N, approx 1.7g £350 ‑ 450

373 An 18ct white gold, briolette smoky quartz and diamond set pendant, the 20.29ct square domed smoky quartz set into a 0.18ct diamond studded mount and hung from a 40.5cm 18ct white gold chain, approx gross weight 8.7g £400 ‑ 600

374 An 18ct white gold, sliced onyx, white agate and diamond set pendant with matching earrings en suite, the pendant with reuleaux triangular sliced onyx and 10.46ct domed white agate free swinging from a diamond set triangle and suspended from a 40.5cm 18ct white gold chain, together with matching earrings en suite, earrings white agate 18.19g and 0.27ct diamonds. (3) £800 ‑ 1200

375 A pair of 18ct gold and diamond set stud earrings, each with cross design and set with four round diamonds, with concealed hook for a drop, approx 11mm diam, approx 5.1g £300 ‑ 400

374371

375

373

372


TUESDAY JEWELLERY

376 A 15ct gold circular locket set with a single diamond, together with gold chain, approx gross weight 11.3g, also a yellow metal and three sided faceted citrine spinner fob pendant. (2) £200 ‑ 300

377 A Charles Horner Art Nouveau silver and enamel pendant, c.1909 of winged scarab form, approx 4.5cm wide £200 ‑ 300

378 A silver and enamel Art Nouveau pendant, Shaverian & Eastmead, c.1909, of typical Art Nouveau form, with enamelled drop, approx 4.5cm high £200 ‑ 300

379 A pair of rose, yellow and white gold and diamond set earrings, of circular target design, set with old cut diamonds, approx 2cm diam, approx. 9.3g, together with a pair of 9ct gold, ruby and diamond set earrings, of canted rectangular form approx 3.3g, a rose and white gold and single stone diamond ring, approx. size O, approx. 2.5g and a pair of mother of pearl set earrings. (4) £300 ‑ 400

380 An 18ct white gold, green amethyst and diamond ring, the 15.73ct green amethyst flanked either side of the shoulders by a crescent of diamonds, 0.3ct total, approx size K, approx 10.4g £800 ‑ 1200

381 A pair of white agate and diamond set heart shape earrings, the white agate hearts, 8.67ct bordered by diamonds and suspended from diamond encrusted links, 0.93ct total, approx 3.5cm long £1000 ‑ 1500

382 An 18ct rose gold, diamond and porcelain ring, the tri‑sectional flower head design bordered by diamonds, 0.20ct total, approx size O, approx 4g £500 ‑ 700

378 379

377376


JEWELLERY TUESDAY

383 A pair of white and rose gold, diamond and white porcelain earrings, of tri‑sectional flower head design, bordered by diamonds, 0.30ct total, approx 3cm long, approx 6.2g, these earrings match the ring in the previous lot £700 ‑ 900

384 A silver and gold plated large link charm bracelet, hung with a variety of charms including a silver and black rhodium four leaf clover, silver and enamel dice, green enamel half ball and black enamel and fluffy ball charm, approx gross weight 56g £200 ‑ 300

381380

383382

384


TUESDAY JEWELLERY

385 A silver and black rhodium plated large link charm bracelet, hung with various charms including a silver and sapphire set enamel cocktail glass, black enamel dice, enamelled flower head and blue enamel half ball charm, approx 59.4g £300 ‑ 400

386 A silver large link charm bracelet, hung with various charms including a sapphire set enamel cocktail glass, red enamel heart and green enamel and sapphire set fish charm, approx 55.6g £250 ‑ 300

387 An opal bead and faceted crystal necklace, approx 41cm together with a pair of opal cluster earrings, set in silver and 9ct gold screw backs. (3) £200 ‑ 300

388 A collection of jewellery to include a jet bracelet, together with a French jet fringe necklace and a silver and marcasite set snake necklace with matching bracelet. (4) £200 ‑ 300

389 An Edward Vll gold sovereign 1910, set in a 9ct gold frame and mount, sovereign alone weighs approx 7.9g, mount weighs approx 1.5g £180 ‑ 220

390 A 9ct gold cased Tissot ladies wrist watch, with integral 9ct gold mesh bracelet strap, approx 19ct long, approx gross weight 36g £300 ‑ 500

391 An 18ct gold seven stone diamond ring, c.1795, approx size R, approx 4.7g £400 ‑ 600

392 An 18ct gold and diamond set ring, of retro design, the rectangular domed plaque set with fifteen diamonds, approx size R/S, approx 10.2g £300 ‑ 500

393 A collection of eight various gem set rings, including an 18ct sapphire and diamond set ring, some stamped 9ct, various sizes. (8) £300 ‑ 500

386385

388387


JEWELLERY TUESDAY

394 A pair of 9ct gold and enamel cufflinks with matching stick pin, the St. Andrews pennant with red crown, together with a further pair of 9ct gold cufflinks, approx gross weight 21.6g. (3) £400 ‑ 600

395 A 9ct gold, abalone and seed pearl cufflinks and shirt studs set, in original red Moroccan leather case £300 ‑ 500

395394

393

392391

390


TUESDAY JEWELLERY

396 An 18ct white gold and diamond set necklace, of looped crossover design, approx 43cm approx 34.7g £1000 ‑ 1500

397 A platinum and diamond set Art Deco plaque brooch, the central diamond approx 0.4ct, approx 4.2 x 2cm approx 10.4g £2200 ‑ 2600

398 An 18ct gold and diamond Art Deco design plaque ring, the three principal stones in pierced mount surrounded by a diamond set waved border, approx 2.3cm long, approx size P, approx 4.5g £1500 ‑ 2000

399 A pair of 18ct gold, diamond and pearl earrings, of swirled flower head form, approx 2.6cm diam, approx 24g £800 ‑ 1200

400 An unusual carved ivory and gold stick pin in the form of a skull, 19th century, together with a carved shell cameo and gold stick pin with the profile of Lord Byron. (2) £180 ‑ 220

401 A yellow metal (tests as 18ct gold) and diamond set brooch in the form of an eagle in flight, the bird clutching a single diamond in its claws, with pin and pendant loops to verso, approx 6cm wide, approx 19.2g £800 ‑ 1200

402 An 18ct gold necklace of trefoil openwork design, approx 44.5cm long, approx 38.5g £900 ‑ 1200

403 An 18ct white gold, ruby and diamond collet set line bracelet, approx 18.5cm approx 11.5g £500 ‑ 700399

397

396

398


JEWELLERY TUESDAY

404 A 9ct yellow and white gold, blue gem set brooch, approx 5.5cm approx 14.1g, together with a 10k yellow and rose gold and blue gem set bracelet, with leaf form links, approx 16.5cm approx 6.4g. (2) £400 ‑ 600

405 An unusual carved bone necklace, the various carved animals hung from a white metal chain, approx 48cm £150 ‑ 200

403402

401

404410


TUESDAY JEWELLERY

406 A collection of jewellery to include a 15ct gold hinged bangle with seed pearl set star and crescent decoration, a 9ct gold Aesthetic movement bar brooch set with sapphires and seed pearls, a 9ct gold and sapphire set heart shape pendant and miscellaneous other items. (a lot) £200 ‑ 300

407 A white metal and carved hardstone necklace and pendant, of tribal figural form, together with a silver and onyx fringe necklace, a jet bead necklace and silver and crystal necklace. (4) £150 ‑ 200

413 412

411

406


JEWELLERY TUESDAY

408 A collection of jewellery to include a 14k gold and cultured pearl floral spray brooch, an amber bodied spider brooch, silver and marcasite floral spray brooch, a silver and turquoise negligee pendant necklace and various other items. (a lot) £300 ‑ 400

409 A 19th century silver Aesthetic movement hinged bangle, with engraved decoration of birds and bamboo, together with a silver and marcasite set ladies wrist watch of 1920s design. (2) £180 ‑ 220

410 An articulated hairpin in the form of a coiled snake, the head set with an emerald, pearl and with ruby eyes, tests as 18ct gold, on gilt metal prongs £300 ‑ 400

411 A diamond solitaire ring, the round brilliant cut stone approx 0.6ct flanked to either side with a baguette diamond, approx size M, approx £1000 ‑ 1500

412 An Edwardian silver belt, c.1903, with Arts & Crafts cruciform pierced decoration, approx 72cm long £200 ‑ 300

413 A pair of 18ct gold and diamond set earrings, approx 6.3g £250 ‑ 350

414 A collection of tribal jewellery, including coral set necklaces and trade bead necklaces. (a lot) £200 ‑ 300

415414

408


TUESDAY JEWELLERY

423

416


JEWELLERY TUESDAY

415 A collection of malachite jewellery, to include necklaces and bangles and a lapis lazuli necklace. (a lot) £200 ‑ 300

416 A collection of silver jewellery, to include gate bracelets, charm bracelet, Mexican pendant, brooches, necklaces and earrings. (a lot) £200 ‑ 300

417 A 1.07ct round brilliant cut diamond, clarity SI3, Colour G, unmounted, together with EGL USA certificate £1200 ‑ 1500

418 An 18ct gold hinged bangle, with chevron design, approx 11.1g £200 ‑ 300

419 An 18ct gold and diamond set ring, the two oval brilliant cut stones in a crossover setting, approx size K/L approx 3g £600 ‑ 800

420 A 9ct gold three stone pear shaped tanzanite and diamond ring, approx size O/P approx 2.9g £500 ‑ 700

421 A pair of 18ct white gold and tanzanite stud earrings £150 ‑ 200

422 A 14ct white gold and diamond set pendant, of double flower head cluster design, on 14ct white gold chain, the pendant approx 2.5cm long, approx 3.4g £120 ‑ 180

423 A blue and white sapphire set line bracelet, the oval blue Sri Lankan sapphires 7.5 x 6.8mm to 4 x 3.5mm, interspaced by round white sapphires, approx total sapphire weight 10ct, set in silver and gold backed, approx 18cm, with insurance valuation £500 ‑ 700

424 A collection of tribal jewellery including a c.1920s ivory and jadite bead necklace of Art Deco design, a porcupine quill necklace and various bead work necklaces. (a lot) £200 ‑ 300

418417

424420

419


TUESDAY JEWELLERY

425 A collection of costume jewellery to include a black and amber Art Deco style buckle, three Michaela Frey enamel bangles, a faux pearl multi strand necklace with matching bracelet and miscellaneous other items. (a lot) £200 ‑ 300

426 A collection of Selro style jewellery, to include Oriental female mask necklace, brooch and earrings, similar pendants and earrings and charm bracelet. (a lot) £120 ‑ 180

427 A silver gilt and turquoise bead three strand necklace, together with similar bracelet and earrings. (4) £150 ‑ 200

428 A 9ct gold and diamond set V shape pendant, together with a 9ct gold oblong pendant with Oriental symbols, approx gross weight 12.2g. (2) £150 ‑ 200

429 A pair of 18ct gold and ruby ear studs £200 ‑ 300

430 A collection of gold jewellery, to include an 14ct yellow and white gold chain with heart shape pendant attached, approx 7.8g, a single 18ct gold earring, crescent and star pendant and a quantity of assorted 9ct gold items approx 14.4g. (a lot) £280 ‑ 320

430

425

429


FRAMES, PICTURES

AND MODERN

SCULPTURECOMMENCING AT 2.15pm

Lot 501


TUESDAY FRAMES, PICTURES AND MODERN SCULPTURE

Please note the following lots of frames are sold as seen and are not subject to return. Whilst Roseberys will do its utmost to ensure the safe handling of these frames please be aware that due to the age and fragility of gesso and carved frames there may be losses of moulding and gesso

431 A Carved and Gilded Louis XV Style Swept Frame of Large Proportions, 19th century, with shell cartouche centres and corners in high relief, the hollow with hand tooled cross‑hatching, 169 x 138cm: A Louis XVI Style Architrave Frame of Large Proportions, late 20th century, with cavetto sight, frieze, stiff leaf and plain front edge, 162 x 188.5cm. (2) £300 ‑ 500

432 A Pair of Parcel Gilt and Ebonised Architrave Frames of Large Proportions, late 20th/early 21st century, with cavetto sight, frieze and plain ogee section, one bears label for Simon Beaugé Picture Frames 161.5 x 181cm, ea: together with a modern mahogany veneered gallery frame of reverse section, 200cm x167.5cm. (3) £200 ‑ 300

433 A Hand‑Gilded Gilt Composition Neoclassical Style Frame of Large Proportions, late 20th century, with leaf sight, sanded frieze, plain hollow and gadrooned front edge, bears title tablet B W Leader Sabrina’s Stream, 114 x 185cm £70 ‑ 80

434 A Carved and Gilded Louis XV Swept and Pierced Frame, late 20th century, with parcel gilt and linen mounted slip, leaf sight, sanded frieze and schematic shell cartouche centres and corners, 149 x 121.5cm: A Swedish Hardwood Moulding Frame of Reverse Section, late 20th century, with ripple moulded sight, beige velour mounted frieze, torus and dentil back edge, stamped on reverse Claus Hultberg A‑B Stockholm, 127 x 155cm. (2) £100 ‑ 150

435 An English Carved and Gilded Frame, 19th century, with leaf sight, sanded frieze, plain hollow, gadrooned front edge and lapped leaf back outer, 106.5 x 131cm: A Gilt Composition Carlo Maratta Style Frame, late 20th century, 102.5 x 128cm: together with two gilt composition Neoclassical style frames, both 20th century, 118 x 111.5cm and 102 x 128cm. (4) £150 ‑ 200

436 A Hand‑Gilded Gallery Frame of Large Proportion, late 20th early 21st century, with cavetto sight, plain front edge with walnut veneering to the sides, bears label for Pendragon Fine Frames Ltd., London, 163.5 x 181.5cm: together with three other matched gallery frames, 178 x 161cm, 142 x 132cm 91.5 x 101.5cm, and a further seven other modern frames of various styles and sizes. (11) £200 ‑ 300

437 A Gilt Composition Panel Frame, early 20th century, with cavetto sight, raised leaf course, the punched ogee with foliate acanthus corners, c‑scroll back edge, 58 x 99cm: Gilt Composition Reverse Profile Frame, early 20th century, with leaf sight, scrollwork centres and corners, relief cartouche panels to the ogee, stop fluted outer, 90 x 68.2cm: A French Composition Frame with Decapé Finish, 19th century, with linen mounted slip, plain sight, leaf decoration in shallow relief to the ogee, reduced, 56 x 32cm. (3) £100 ‑ 150

438 A Carved and Gilded Régence Style Frame, early 19th century, with cavetto sight, scroll work course, sanded frieze, the ogee with flower heads, foliage and shell cartouche centres and corners, schematic leaf back edge, 51.5 x 67cm £200 ‑ 300

439 A Carved and Gilded Louis XIII Style Frame, late 18th/early 19th century, with schematic leaf sight, plain hollow, flower head leaf and bud to the torus, hazzle and demi fleur back edge, 53.5 x 70.2cm: A Gilt Composition Convex Frame, late 18th early 19th century, with raked leaf sight, hollow, hazzle, laurel leaf to the front edge, plain stepped outer, 74 x 61.5cm. (2) £150 ‑ 200

440 A Carved and Gilded Louis XIV Style Convex Frame, early 19th century, with cavetto sight, rocaille work course, sanded frieze, the cross‑hatched front edge with foliate scrollwork, flower head centres and acanthus leaf corners, gadrooned outer, 70.2 x 55.5cm £250 ‑ 300

441 An English Carved Giltwood Pierced and Swept Louis XV Style Frame, late 18th/early 19th century, with flower head sight, the hollow with foliate scrollwork, shell centres and egg and cartouche corners, rais‑de‑coeurs to the back edge, bears label Colonel Newton attached to the reverse, 58 x 45cm £200 ‑ 300

442 An English Silver Gilt Modern British Moulding Frame, early‑mid 20th century, with white painted sight edge, bears label for Arthur Tooth & Sons Ltd, London, 67 x 118cm: An English White Painted Modern British Moulding Frame, mid/late 20th century, with plain white painted slip and hand‑colouring to the hollow, torus front edge, bears labels for The Waddington Gallery, London, to the reverse, 47.6 x 144.5cm: together with four moulding frames of various proportions, all mid/late 20th century, one silver gilt, 87 x 158cm, 92.5cm x 122.5cm, 120.5 x 74.5cm and 87 x 116cm. (6) £150 ‑ 200

436432431


FRAMES, PICTURES AND MODERN SCULPTURE TUESDAY

443 A Spanish Carved, Gilded and Marbled Architrave Frame, 19th/20th century, with linen mounted slip, cavetto sight, foliate scrollwork to the front edge, the plate with acanthus and foliate corners, bud and husk outer, 60.8 x 51.5cm £250 ‑ 300

444 An English Gilt Composition Neoclassical Style Frame, mid‑late 19th century, with double gilt slip, lamb’s tongue, the hollow with anthemion running pattern, the torus with laurel leaf and berry in high relief, stylised leaf back edge, 61.5 x 92cm: A Gilt Composition Neoclassical Style Frame, 19th century, with stop fluted hollow, 79.7 x 95.5cm: A Gilt Composition Louis XIV Style Frame, mid 20th century, 77.5 x 101.5cm: A Gilt Composition Louis XIII Style Frame, late 20th century, with acanthus ornaments and ebonised hollow, 59.5 x 76.5cm. (4) £100 ‑ 150

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445 An English Carved and Gilded Bolection Frame, late 19th century, with plain slip, flower head sight, gadrooned front edge with acanthus centres and corners, plain hollow and flower head back edge, 108 x 102cm: An English Gilt Composition Neoclassical Frame, early‑mid 19th century, with cavetto sight, beaded course, plain frieze, stiff leaf and plain front edge, 129.5 x 103.8cm: An Early Victorian Gilt Composition Running Pattern Frame, with plain slip, titled on the slip Clearwell EDWd Goodaker Rover, 65.5 x 86cm: A Gilt Composition Frame, mid‑late 19th century, rod and bead course, torus front edge, 71.5 x 92cm: together with two other early 19th century frames, 64 x 76.5cm and 18.5 x 25cm. (6) £200 ‑ 300

446 A Hand Gilded Moulding Frame, late 20th century, of plain form, 91.5 x 62cm: together with a collection of five other gilt composition and moulding frames of various styles sizes. (6) £100 ‑ 150

447 A Victorian Rococo Revival Double Swept and Pierced Gilt Composition Frame, with cavetto sight, gadrooned course, the cross‑hatched ogee with flower heads, foliate scroll work and cartouche centres and corners, 81.2 x 71cm £100 ‑ 150

448 A Gilt Composition Neoclassical Style Frame, 19th century, 26.5 x 16.2cm: together with a collection of twenty‑three various gilt composition and moulding frames, most of small proportions. (24) £100 ‑ 200

449 A Gilt Composition Pierced and Swept Louis XV Style Frame, mid‑late 19th century, with cavetto sight, schematic linked course, sanded frieze, the finely grooved hollow with floral scroll work and shell cartouche rocaille work centres and corners, cabochon flower head back edge, 115.7 x 92cm £250 ‑ 300

450 An English Carved Gilt Wood and Gessoed Rococo Trophy Frame, mid 19th century, with raked gadrooned front edge, pierced and swept scrolling rocaille work, flower head and schematic leaf corners, surmounted by a shell cartouche, 128.3 x 102.5cm £400 ‑ 600

451 A Northern European Gilt Composition Louis XIV style Frame, early 20th century, 91.8 x 121.8cm A Northern European Gilt Composition Louis XIV Style Frame, early 20th century, 120.5 x 71cm. (2) £100 ‑ 150

452 A Modern British Grey Painting Moulding Frame, mid 20th century, with wedge sight and plain hollow, 52 x 62cm: A Parcel Gilt and Brown Stained Cassetta Frame, mid 20th century, 65.8 x 55.5cm: together with four various gilt moulding frames of varying proportions, all 20th century. (6) £100 ‑ 150

453 A Gilt Composition Empire Frame, early‑mid 19th century, with cavetto sight, stiff leaf, plain hollow and front edge, 77 x 64cm £150 ‑ 200

454 An Ebonised Moulding Frame, late 19th/early 20th century, with reeded gilt sight, plain frieze, hollow and ovolo front edge, 48.9 x 61.8cm: A Stained Moulding Frame, late 20th century, 63.5 x 53cm: A Grey Painted Modern British Moulding Frame, mid 20th century, with reeded sight and front edge, 47.5 x 37.3cm. (3) £100 ‑ 150

455 A Pair of Carved and Gilded Belle Époque Frames, late 19th/early 20th century, with schematic leaf sight, ribbon and stave, plain front edge, both surmounted by a tied ribbon, 47 x 58cm, ea. (2) £100 ‑ 150

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456 A French Carved and Parcel Gilt Reverse Profile Frame of Lapped Construction, late 18th century, with stepped sight, bell flower course, plain front edge, stiff leaf and plain back edge, 88 x 69.5cm A French Gilt Composition Frame, early‑mid 19th century, with cavetto sight, frieze, scrolling leaf to the cushion moulded front edge, 82.4 x 66.5cm. (2) £200 ‑ 300

457 An English Gilt Reeded Moulding Frame, early 20th century, bears label for Chapman Bros (Chelsea) Ltd., 241 King’s Road Chelsea, 107 x 77.5cm £100 ‑ 150

458 A Grey Painted and Parcel Gilt Gallery Frame, mid/late 20th century, with broad cushion moulded sight, plain front edge, 92.5 x 92cm £100 ‑ 150

459 A Gilt Composition Swept and Pierced Louis XV Style Frame, late 20th century, with linen mounted slip, cavetto sight, stiff leaf, foliate scrollwork and shell cartouche centres and corners to the hollow, hazzle back edge, 47.5 x 38cm: together with two gilt composition double swept and pierced frames, both late 20th century, 42 x 62 and 32 x 51.5cm. (3) £100 ‑ 150

463 A Gilt Composition Louis XIV Style Frame, late 20th century, with plain slip, leaf course, sanded frieze, foliate strapwork and cartouche centres and corners to the cushion moulded front edge, dental outer, 38.5 x 46cm: A French Gilt Louis XIV Style Composition Frame with Decapé Finish, mid 20th century, bears label for Maison E *aynal Fils, Henry Sabatier Gendre Succr, 14 Rue de Seine, Paris, attached to the reverse, 47.2 x 39.5cm: A Gilt Composition Louis XIV Style Frame with Decapé Finish, 37 x 30.2cm. (3) £100 ‑ 150

464 A Gilt Composition Lebrun Style Panel Frame, late 19th century, with cavetto sight, flattened leaf, sanded frieze, the ogee with hand tooling, corners with flower head and lambrequins in high relief, bears label for Carnegie Institute Pittsburgh. PA. U.S.A. Peintre: Henri Lebasque Propriétaire: Galerie George Petit, Adresse 8, rue de Sèze, Paris, attached to the reverse, 89 x 106cm: A Gilt Composition Louis XV Style Swept Frame, mid 20th century, 74.2 x 106.5cm. (2) £150 ‑ 200

465 A Silver Gilt Scotia Frame, mid 20th century, 92.5 x 122.5cm: together with two other gilt composition frames of varying proportions. (3) £70 ‑ 100

460 A Gilt Composition Swept Louis XV Style Frame, early‑mid 19th century, with plain sight, lamb’s tongue, flower head and foliate scrollwork, shell cartouche corners to the plain hollow, with later bronze re‑gilding, 38.5 x 46cm £100 ‑ 150

461 A Gilt Composition Running Pattern Frame, mid/late 19th century, with cavetto sight, zig zag course, schematic leaf, plain hollow, the front edge with shell and cartouche in high relief, foliate and flower back edge, gesso ornamentation re‑cut, 36.5 x 35.4cm: together with four various gilt composition frames, late 19th century and later, various sizes. (6) £100 ‑ 150

462 A Carved and Gilded Louis XIV Style Frame, early‑mid 19th century, with leaf sight, sanded frieze, foliate scroll work and shell cartouche centres and corners to the hatched ogee, dental back edge, 56.7 x 43.5cm £150 ‑ 200

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466 A Carved and Gilded Swept and Pierced Louis XV Style Frame, early 19th century, with leaf and rocaille work sight, the plain hollow with foliate scroll and shell cartouche corners, linked cabochon back edge, 44.5 x 55cm £150 ‑ 200

467 A Carved and Gilded Louis XV Régence Style Frame, 18th century, with plain gilt slip, cavetto sight, sanded frieze, the cross‑hatched ogee with scrollwork, medallions of floral trellis, anthemion and shell scrollwork centres and corners, schematic leaf back edge, bears label Exposition de Bruxelles 1935, Cinq Siècles D’Art, Titre de désignation: Landschaft, Nom de l’auteur: M. Hobbema, attached to the reverse, 30.7 x 41.5cm £150 ‑ 200

468 A French Carved and Gilded Louis XVI Style Frame, mid‑late 19th century, with swept bottom and top rails, corners with scrollwork volutes and flower heads, surmounted by a shell cartouche with floral garland, 140.5 x 107cm £300 ‑ 500

469 An English Carved and Gilded Neoclassical Style Frame, early 19th century, with step sight, beaded course and gadrooned front edge, 143 x 156cm A Gilt Composition Reverse Profile Frame, late 19th/early 20th century, of plain form with foliate back edge, 130 x 104cm A Parcel Gilt and Grey Painted Scotia Frame, late 20th century, 141 x 115.8cm. (3) £200 ‑ 300

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470 A Gilt Composition Empire Style Frame, mid‑late 19th century, with a plain slip and stiff leaf, the plain hollow with applied shell corners, ribbon moulding and ovolo front edge, 129 x 103.5cm £150 ‑ 200

471 Edward Wesson RI RBA RSMA, British 1910‑1983‑ Wooded river landscape at twilight; oil on canvas laid down on board, signed, 36 x 77cm. (may be subject to Droit de Suite) £400 ‑ 600

472 Australian Colonial School, early 20th century‑ “Burragorang”’ watercolour, inscribed, mounted in a glazed gilt composition frame decorated with a boomerang shaped mount with gilt metal engraved plaque, 26 x 47cm £150 ‑ 200

473 Marc Chagall, Russian/French 1887‑1995‑ “En Chemin”, from Illustrations for Nicolas Gogol’s ‘Les Âmes mortes (Dead Souls), from the suite of 96 plates publ by Tirade, Paris, 1948; etching with drypoint on wove paper, signed within the plate, watermark MNM, 22 x 28.5cm. (may be subject to Droit de Suite) £250 ‑ 300

474 Sharif Hamdy, Egyptian b.1952‑ Untitled abstract composition; relief with collage and mixed media on panel, signed on the reverse, 83 x 42.5cm. (unframed) £400 ‑ 600

475 André Fau, French 1896‑1982‑ Portrait of the clown Albert Fratellini; oil on canvas, signed, inscribed, 55 x 46cm. (may be subject to Droit de Suite) £1000 ‑ 1500

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476 Guerrino Guardabassi, Italian 1841‑1893‑ Boy seated full length playing a flute in a farmyard; oil on canvas, signed, bears label for David Brand, 260 Sauchiehall Street, attached to the reverse of the frame, 140 x 97cm £4000 ‑ 6000

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477 Joseph Mason Reeves, American 1898‑1974‑ Female draped nude standing full‑length; oil on canvas, bears studio stamp on the reverse, 46 x 31cm £800 ‑ 1200

478 John Bainbridge Copnall LG, British 1928‑2007‑ Untitled abstract composition; oil on board, signed and dated 60, 90.5 x 60cm. (may be subject to Droit de Suite) £400 ‑ 600

479 John Randall Bratby RA, British 1928‑1992‑ “The Rock between the two Villages”; oil on canvas, signed, 35.8 x 45.5cm. (may be subject to Droit de Suite) £500 ‑ 700

480 Frank‑Boggs, French 1855‑1926‑ Beach scene with boats and a figure; watercolour over black crayon, 14.8 x 20.6cm £250 ‑ 300

481 Augustus Edwin John OM RA, British 1878‑1961‑ Portrait of a lady, head study turned to the right; pencil, signed, 24.5 x 19cm. (may be subject to Droit de Suite) £600 ‑ 800

482 Thomas Rowlandson, British 1756‑1827‑ “Johnny Newsome Goes to Sea”; pen and brown ink, 10.5 x 18cm

Provenance: with Gerald M Norman Gallery, London: Collection L G Duke, according to label attached to the reverse of the frame £300 ‑ 400

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483 David Tindle RA, British b.1932‑ “Shingle Street, Suffolk”; oil on board, signed with initials, 20 x 35cm. (may be subject to Droit de Suite)

Provenance: with Roland, Browse & Delbanco, London, according to label attached to the reverse of the frame £300 ‑ 400

484 Hugh Buchanan, Scottish b.1953‑ “Baker’s Step, New Delhi”; watercolour, acrylic and pencil, signed and dated 2001, 28.5 x 38.5cm. (may be subject to Droit de Suite)

Provenance: with Francis Kyle Gallery, London, according to the label attached to the reverse of the frame £1000 ‑ 1500

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485 Devieux, French/British, mid‑19th century‑ Figures by a gate with a cottage and woodland beyond; oil on canvas, signed, 49.5 x 81cm: Devieux, French/British, mid‑19th century‑ Figures by a brook in a wooded landscape with a village beyond; oil on canvas, laid down on panel, 49 x 55cm. (2) £400 ‑ 600

486 Bernard Dunstan RA, British 1920‑2005‑ The concert; oil on board, signed with initials, 30.5 x 25.5cm. (unframed). (may be subject to Droit de Suite) £400 ‑ 600

487 Follower of Andrew Robinson, British 1775‑1845, a portrait miniature, depicting a gentleman quarter‑length, turned to the right in a brown coat and white stock, in a rectangular ebonised pendant frame with oval aperture, 8 x 6.5cm: British School, mid 19th century, a portrait miniature, depicting a lady seated half‑length turned to the right, in a red Morocco and plush mounted rectangular case, 10 x 8cm. (2) £200 ‑ 250

488 Cyril (Charles) Mahoney, British 1903‑1968‑ Coastal scene with groins; oil on board, signed with initials and dated ‘55, 28 x 37.5cm. (may be subject to Droit de Suite) £400 ‑ 600

489 Edward Wesson RI RBA RSMA, British 1910‑1983‑ “St Catherine’s Market, Belgium”; oil on canvas board, signed and dated 51, 35 x 39.5cm. (may be subject to Droit de Suite) £400 ‑ 600

490 Edward Wesson RI RBA RSMA, British 1910‑1983‑ Autumnal landscape; watercolour, signed, 32 x 50cm. (may be subject to Droit de Suite) £200 ‑ 300

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491 Sarah Medway, British, fl. late 20th/early 21st century‑ “Morocco” 1994, oil on canvas, signed, titled and dated on salvage, 91.5 x 91.5cm (unframed). (may be subject to Droit de Suite)

Note: a printed catalogue of the artist’s work accompanies this lot £400 ‑ 600

492 French School, early 19th century‑ “Le Braconnier dans l’embarras”; oil on metal panel, in a gilt moulding frame, inscribed on the reverse, 8.5 x 12.5cm £200 ‑ 300

493 Irish School, early/mid 20th century‑ “The Sand Pit” and “The Gravel Pit”; gouache, a pair, both inscribed in pencil on the reverse, 26.2 x 48.5cm, ea. (2) (unframed) £400 ‑ 600

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494 Basil Beattie, British b.1935‑ Abstract composition; screenprint in colours, signed, dated ‘82 and numbered 10/75 in pencil, 84 x 61.5cm: Terry Setch RA, British b.1936‑ “Beach Car Wreck”; screenprint in colours, signed, titled and numbered 9/75 in pencil, bears Advanced Graphics, London blind stamp, 84 x 61.5cm: Garry Wragg, British b.1946‑ Abstract composition; screenprint in colours, signed, dated ‘82 and numbered 9/75 in pencil, bears Advanced Graphics, London blind stamp, 84 x 61.5cm: British School, late 20th century‑ Abstract composition; screenprint in colours, signed, titled, dated ‘82 and numbered 10/75 in pencil, bears Advanced Graphics, London blind stamp, 84 x 61.5cm. (4). (unframed). (may be subject to Droit de Suite) £200 ‑ 300

495 William Bowyer RA, British b.1926‑ Figures on a beach; oil on panel, signed, 20 x 50.5cm. (may be subject to Droit de Suite) £400 ‑ 600

496 David Tindle RA, British b.1932‑ “The Garden, Rosnay, France”, 1990; watercolour and acrylic on paper, signed with initials, 34 x 34.5cm (mat be subject to Droit de Suite) £300 ‑ 400

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497 British School, 17th century and later‑ Portrait of a boy, seated half‑length in a green jacket; oil on canvas, in a carved giltwood Maratta frame, 49 x 40cm £1000 ‑ 1500



498 British School, early 20th century‑ Pastoral river landscape with mountains and woodland; oil on canvas, bears manufacturer’s stamp for Newman, Soho Square London, 38 x 55.5cm £250 ‑ 300

499 Norman Adams RA, British 1927‑2005‑ “The Dale”; brush and black ink and watercolour, signed with initials, inscribed and dated 56, 10 x 16cm

Provenance: with Roland, Browse & Delbanco, London, according to label attached to the reverse of the frame £200 ‑ 300

500 William Harry Williamson, British 1820‑1883‑ Fishing vessels off the English coast; oils on canvas, a pair, both signed, both dated indistinctly, in matching gold painted gilt composition frames, 30 x 61cm, ea. (2) £1000 ‑ 1500

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501 Rudolf Petrik, Austrian 1922‑1992‑ Untitled composition; oil on board, signed, 86.5 x 117cm. (may be subject to Droit de Suite) £500 ‑ 700

502 Charles Wyatt Warren, Welsh 1908‑1993‑ Farmhouse near Newborough; oil on board, signed, titled and inscribed on the reverse, 25 x 37.5cm. (may be subject to Droit de Suite) £400 ‑ 600

503 Edna Bizon, British b.1929‑ Two women in discussion on a street corner; oil on canvas, signed, 30.5 x 25.5cm. (may be subject to Droit de Suite) £300 ‑ 400

504 Patrick Hughes, British b.1939‑ “Love Letters”; screenprint in colours, signed, dated ‘82 and numbered 41/150 in pencil, embossed with blind stamp, 72.5 x 53.5cm (sheet): together with seven further screenprints in colours by the same hand entitled “Steps and Ladders”, “Print of Prints” and five depicting interiors and rainbows from the same series, all signed, dated ‘81, ‘82 and ‘79 and inscribed 67/200, 126/150 and A/P in pencil respectively, 75.5 x 57cm 76 x 109cm and 22 x 14cm (sheet) respectively. (8). (unframed). (may be subject to Droit de Suite) £350 ‑ 400

505 Edward Wolfe RA, South African/British 1897‑1982‑ “Song of Songs”; offset lithographs printed in colours, suite of twelve plates, with text, wraps, in original hard cased green portfolio, ea. signed and numbered 220/250 in pencil on the wraps, four framed, eight unframed in portfolio, plated 25.5 x 36.5cm. (12). (may be subject to Droit de Suite) £300 ‑ 400

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506 John Tunnard ARA, British 1900‑1971‑ “Cluster”; gouache, signed and dated ‘67, 38.5 x 55.5cm. (may be subject to Droit de Suite) £2000 ‑ 3000

507 Armando Baldinelli, Italian/South African 1908‑2003‑ “Portrait of Mariana”; oil on canvas, signed and dated 1976, 116 x 89.5cm, Provenance: with Pretoria Art Museum, South Africa, according to label attached to the reverse: After Armando Baldinelli, Italian/South African 1908‑2003‑ “Portrait of Mariana” poster for an exhibition entitled ‘New Paintings by Armando Baldinelli’, Pretoria Art Museum, 2.3.1977‑27.3.1977; reproduction print, signed by the artist in green pen, 60.5 x 38cm: After Armando Baldinelli, Italian/South African 1908‑2003‑ “The Juggler” poster for an exhibition entitled ‘Armando Baldinelli’, The Gertrude Postel Gallery University of the Witwatersrand, 29th October‑21st November, 1975; reproduction print, signed and dedicated in blue pen, 70 x 46.5cm: Armando Baldinelli, Italian/South African 1908‑2003‑ Lady with mask, poster for an exhibition entitled ‘Italia’, Royal Swazi Hotel, 25‑28 November, 1977‑ lithograph, signed and inscribed ‘litho edit. 100’ in pencil, 69.5 x 47cm. (4). (may be subject to Droit de Suite)

Note: a collection of letters sent from Baldinelli to a British patron accompanies this lot. Within these letters, Baldinelli makes reference to the “Portrait of Mariana”, the mural for the State Theatre of Pretoria and a mosaic mural commissioned by Sage Holdings £600 ‑ 800

508 Berenice Sydney, British 1944‑1983‑ “The Dancers”; oil on canvas, signed and dated ‘66, signed on the reverse, 122 x 137cm (unframed). (may be subject to Droit de Suite)

Note: Berenice’s oeuvre consists of paintings on canvas and paper, drawings, prints, children’s books, costume design and performance. Berenice represented Britain at the Biennale della Grafica d’Arte, Florence, 1974. Notable solo exhibitions include Ashmolean Museum, Oxford, 1975, Gallery d’Arte, Milan, 1975, Royal Academy, London 1984. Notable group exhibition include Royal Institute Galleries, London, 1969, F.B.A Galleries, London 1972, Bibliotheque Nationale, Paris, 1973 and Museum of Modern Art, Buenos Aires, 1976.

Sydney’s art works form part of the permanent collection of various Universities and Public Collections. Examples include The British Museum, The Victoria & Albert Museum, The Tate Gallery, Philadelphia Museum and Brooklyn Museum of Art £600 ‑ 800

509 Follower of David de Coninck, Flemish 1644‑1701‑ A cockerel, rabbits, a turkey, a goose alarmed by a cat; oil on canvas, 92 x 127.5cm £800 ‑ 1200

510 Ruskin Spear CBE RA, British 1911‑1990‑ Portrait of Derek Cliffe; oil on board, with a signed dedication attached to the reverse, 61.5 x 51.5cm. (may be subject to Droit de Suite)

Provenance: gifted by the artist to the sitter and thence by descent £500 ‑ 700

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511 Augustus William Ennes RBA, British 1876‑1948‑ “Landscape at Sunset‑ Sutherland”; oil on panel, signed, bears remains of a Royal Institute of Painters label on the reverse, 38.5 x 51cm. (may be subject to Droit de Suite) £200 ‑ 300

512 Charles Williams, British 1914‑2007‑ “Fishing Boats at Dusk”; oil on board, signed, bears title on the reverse, 25.5 x 41cm: together with two other small oils on board by the same artist, “Retired Boats” and “Boat on the Bank”, ea. signed and bearing title to the reverse, ea. 13 x 18cm. (3). (may be subject to Droit de Suite) (see illustration on page 112) £400 ‑ 600

513 William I Ward ARA, British 1766‑1826‑ “Three Children Feeding a Cat”; pastel and charcoal, signed, 47 x 32cm

Provenance: with The Leger Galleries Ltd, 13 Old Bond St, May 1966: with Heather Newman, Painswick according to the labels attached to the reverse of the frame £200 ‑ 300

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514 Ronald F. Smith RSW RGI, Scottish b.1946‑ “Mallang Harbour, Winter”; oil on canvas, signed and signed on the reverse, 35.5 x 75.5cm. (may be subject to Droit de Suite)

Provenance: with Ainscough Contemporary Art, London, according to the label attached to the reverse £800 ‑ 1200

515 Ronald F. Smith RSW RGI, Scottish b.1946‑ “Mediterranean Harbour”; oil on canvas, signed and signed on the reverse, 80.5 x 101cm. (may be subject to Droit de Suite)

Provenance: with Ainscough Contemporary Art, London, according to the label attached to the reverse £800 ‑ 1200

516 Frank Beanland, British b.1936‑ “Scarlet & Cadmium Green”; oil on canvas, signed, titled and dated July 1980 on the reverse, 76 x 68cm: together with an acrylic on panel by the same hand entitled “The Balcony”, signed, titled and dated April 2001 on the reverse, 19 x 25cm. (2). (may be subject to Droit de Suite) £700 ‑ 900

517 Siramdasu Venkata Rama Rao, British b.1936‑ “Kanaka Durga Temple”; oil on board, signed and dated ‘65, bears label on the reverse, 60 x 92cm. (may be subject to Droit de Suite)

Note: Born in Andra Pradesh, India. Studied at Madras School of Art 1956‑62. Came to London and studied at the Slade 1962‑5. Had several one‑man shows in England during the 1960s including at the New Vision Centre, Bear Lane Gallery, Oxford and the Leicester Galleries, before leaving for USA in 1969. £600 ‑ 800

518 Siramdasu Venkata Rama Rao, British b.1936‑ Abstract composition; oil on board, signed and dated ‘65, 46 x 61cm. (may be subject to Droit de Suite)

Note: Born in Andra Pradesh, India. Studied at Madras School of Art 1956‑62. Came to London and studied at the Slade 1962‑5. Had several one‑man shows in England during the 1960s including at the New Vision Centre, Bear Lane Gallery, Oxford and the Leicester Galleries, before leaving for USA in 1969. £500 ‑ 700

519 William Lee‑Hankey RBA RE RI RMS ROI RWS, British 1869‑1952‑ “The Flight from Belgium”,1914 (Hardie124); etching with aquatint, signed in pencil, with artist’s blind stamp, 43 x 49cm. (may be subject to Droit de Suite) £250 ‑ 350

520 Clifford Hall, British 1904‑1973‑ “Hannah at the Dressing Table”, c.late 1930s‑early 1940s; oil on canvas, signed, 53 x 38cm. (may be subject to Droit de Suite) £600 ‑ 800

521 William John Bertram Newcombe, Canadian 1907‑1969‑ “Pacific”; mixed technique oil and collage on canvas, signed, signed, inscribed with title and dated on the reverse, 90 x 122cm

Note: Born in Victoria, British Columbia, Canada; largely self‑taught, the artist settled in Britain in the 1950s. Best known for his mixed‑media paintings and for his subtle watercolours. Had many one‑man shows including the New Vision Centre Gallery.

Exhibited: Nottingham Commonwealth Festival Exhibition, 1966, according to label attached to the reverse; Bede Gallery, Jarrow, New Vision 56‑66, 1984 No.18 £400 ‑ 600

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522 Eric Atkinson, British b.1928‑ “England Again”; oil on canvas, signed, titled, inscribed and dated 1964 on the reverse, 125 x 76.5cm. (may be subject to Droit de Suite)

Note: Born in Hartlepool. His art and life is detailed in the monograph ‘The Incomplete Circle ‑ Eric Atkinson ‑ Art and Education’, ed. David Lewis, Scolar Press. The artist has had numerous one‑man shows, including those at the Redfern Gallery, Zwemmer and Molton Galleries in the 1950s and 60s, and in Canada where he has lived since 1970

Exhibited: Molton Gallery, Contemporary Paintings and Sculpture, London, Cat no 3, according to label attached to the reverse £600 ‑ 800

523 Denis Bowen, South African/British 1921‑2006‑ “Eclipse Series”; oil on board with mixed technique and metallic paint, signed, titled and dated July 1999 on the reverse, 70.5 x 47cm. (may be subject to Droit de Suite) £400 ‑ 600

524 Denis Bowen, South African/British 1921‑2006‑ “Planetscape”; mixed technique on paper, signed, titled and dated 2004 in blue ink on the reverse, 50 x 35cm: together with another mixed technique with metallic spray and collage on paper by the same hand entitled “Sea Planet Series” (Davies33), signed and dated 1979 in pen, 64 x 44cm. (2). (may be subject to Droit de Suite) £500 ‑ 700

525 Max Chapman, British 1911‑1999‑ Abstract composition; oil on board, signed with initials and dated ‘59, signed twice and dated on the reverse, 60 x 76cm: together with a monoprint with mixed technique by the same hand depicting an abstract composition, signed with initials and dated ‘64, 44.5 x 45cm. (2). (may be subject to Droit de Suite)

Note: Born in Dulwich, studied at the Byam Shaw School of Art 1927‑30. Went to Newlyn, Cornwall in 1936 where he lived for many years. Later, in London, he combined his career as artist with that of art critic. Had numerous one‑man shows in London and elsewhere. £500 ‑ 700

526

524



526 Henry Cliffe, British 1919‑1983‑ Abstract composition in red and black; lithograph printed in colours, signed, dated 64 and numbered 19/20 in pencil, 51.5 x 70cm: together with one other lithograph printed in colours by the same hand entitled “The Cylinder”, signed, titled, dated 64 and numbered 28/50 in pencil, 51 x 74.5cm. (2). (may be subject to Droit de Suite) (see illustration on page 115) £300 ‑ 500

527 William Lee‑Hankey RBA RE RI RMS ROI RWS, British 1869‑1952‑ Street vendors in a doorway; oil on canvas, signed, 51 x 61cm. (may be subject to Droit de Suite) £1500 ‑ 2500

528 Clifford Fishwick, British 1923‑1997‑ “Aerial View” (Davies45); oil on board, signed and dated ‘59, 56 x 44.7cm. (may be subject to Droit de Suite) £600 ‑ 800

527

528 529



529 Douglas Portway, South African 1922‑1993‑ Abstract composition with hand and fish; etching with aquatint printed in colours, signed and numbered 45/100 in pencil, 39 x 49cm: together with one other etching with aquatint printed in colours depicting an abstract composition, signed and numbered 26/75 in pencil, 39 x 49.5cm. (2) £200 ‑ 300

Lots 530‑534 were produced by Porthia Prints in 1955; the project was organised by Denis Mitchell and Stanley Dorfman. Designs were produced by many artists working in St Ives, with each artist receiving two dozen mats as payment. (See F Carey & A Griffiths, Avant‑Garde British Printmaking 1914‑1960, pp.185‑6 for further information)

531

530



532

533



530 Denis Mitchell, British 1912‑1993‑ Untitled; screenprint in colours on linen, signed within the plate, 29 x 43.75cm. (may be subject to Droit de Suite) (see illustration on page 117) £400 ‑ 600

531 Denis Mitchell, British 1912‑1993‑ Two fish on a plate; screenprint in colours on linen, signed within the plate, 29.5 x 43.5cmcm. (may be subject to Droit de Suite) (see illustration on page 117) £400 ‑ 600

532 Wilhelmina Barnes‑Graham CBE, British 1912‑2004; screenprint in colours on linen, signed with initials within the plate, 30.5 x 44cm. (may be subject to Droit de Suite) £400 ‑ 600

533 John Forrester, British 1922‑2002‑ Abstract, striped composition; screenprint in colours on linen, signed within the plate, 30 x 44.5cm. (may be subject to Droit de Suite) £200 ‑ 300

534 Stanley Dorfman, British, mid 20th century‑ Abstract composition; screenprint in colours on linen, 30 x 44.5cm. (may be subject to Droit de Suite) £200 ‑ 300

535 Victor Anton, British 1909‑1980‑ Abstract forms; scraper board, signed and dated 50/52, 25.5 x 23.25cm. (may be subject to Droit de Suite)

Note: Artist, sculptor, printmaker and journalist, was born in Worthing. Self‑taught. He had several one‑man shows including at Gimpel Fils in 1953, Grabowski Gallery in 1963 and Lords Gallery in 1965. A Retrospective was held at the University Centre Birmingham in 1974 £300 ‑ 500

536 Roy Turner Durrant, British 1925‑1998‑ “Space Head II” and “Space Head III”; watercolour, gouache, ink and white chalk on card, two, both laid down on shared mount, both signed and dated ‘75, both 31 x 21.8cm. (may be subject to Droit de Suite) £300 ‑ 500

536

535

534



537 Roy Turner Durrant, British 1925‑1998‑ “Head Inscape No.1”; gouache, signed and dated ‘62, 38 x 28cm. (may be subject to Droit de Suite) £300 ‑ 500

538 Roy Turner Durrant, British 1925‑1998‑ Untitled; gouache, signed and dated 61, 55.5 x 38cm. (may be subject to Droit de Suite) £400 ‑ 600

539 Derek Carruthers, British b.1935‑ Supported white shapes; gouache and pencil, signed and dated 1960 in pencil, 20 x 42cm: Roy Ray, British b.1936‑ “Mulfra”; oil on cast plaster, signed, titled, dated ‘93 and numbered 24/30 in pen on the reverse, 18 x 15cm. (2). (may be subject to Droit de Suite)

Exhibited: Belgrave Gallery, London, ‘Affordable Abstracts’, 1994 £250 ‑ 300

540541

538537



540 Sir Terry Frost RA, British 1915‑2003‑ Untitled (Figure). (Kemp30); linocut, signed and numbered A/P 1/5, 19 x 25cm. (may be subject to Droit de Suite) £200 ‑ 300

541 Augustus Edwin John OM RA, British 1878‑1961‑ Portrait of Dorelia seated; pencil, signed, 33.5 x 21.5cm. (may be subject to Droit de Suite) £500 ‑ 700

542 James Digman Wingfield, British 1800‑1872 fl.1832‑1872‑ “Interior view of John Bunyan’s Chapel, in Palace Yard Lambeth”; watercolour, signed within initials and dated 1848, bears inscribed label to the reverse of the frame, 26 x 36cm £200 ‑ 300

543 Roger Hilton CBE, British 1911‑1975‑ Seated Woman; lithograph, signed and dated 74 within the plate, numbered 9/15 in pencil, 41.5 x 32cm. (may be subject to Droit de Suite) £200 ‑ 300

544 Theodore Casimir Roussel NEA RBA ARE, British 1847‑1926‑ Boats in a harbour; oil on canvas, signed, 51 x 61cm £600 ‑ 800

543

544542

539



545 Attributed to William Collins RA, British 1788‑1847‑ Fishermen unloading their catch; oil on canvas, signed indistinctly, 22.5 x 30.7cm

Provenance: Lot 162, 12.2.74, Sotheby’s £250 ‑ 300

546 Alan Davie CBE HRSA, Scottish b.1920‑ Untitled; lithograph printed in colours, signed, dated ‘62 and numbered 56/75 in pencil, bears blind stamp, bears GoldmarkART, Rutland, label attached to the reverse of the frame, 62.5 x 88.5cm. (may be subject to Droit de Suite) £200 ‑ 300

547 Sir Charles D’Oyly, 7th Bart, British 1781‑1845‑ “No.2, Indian Sports”, printed by Behar Lithographie; containing twelve lithographs on chine‑collé and a frontispiece, depicting Indian hunting scenes. (plate) 23.5 x 28.5cm (sheet) 28.3 x 41.5cm: Girolomo Ruscelli, Italian 16th century‑ “Natolia Nvova Tavola”, Publ. 1598, Venice; engraved map with hand‑colouring, 19 x 26cm: together with four further engraved maps by the same hand entitled “Marmarica Nvova Tavola”, “Evropa Tabvla IX”, “Tabvla Asia IX” and “Tabvla Asia VI”, ea. approx. 19 x 26cm. (a lot) £300 ‑ 500

548 Joan Miró, Spanish 1893‑1983‑ Plate 3 from Miró Lithographe I (Mourlot 857 & Cramer 160); lithograph printed in colours, 30.5 x 24cm: together with three other lithographs printed in colours by the same hand from Miró Lithographe I, to include Plate 4 (Mourlot 858), Plate 5 (Mourlot 859) and Plate 7 (Mourlot 861) and two further associated lithographs printed in colours from the same or similar suite, ea. approx. 30.5 x 24cm. (6) £700 ‑ 1000

548546

547

545



553 Bruce Mclean, Scottish b.1944‑ ‘Pipesmoker’; screenprint in colours, signed, dated 1984 and numbered 3/30 in pencil, 101 x 79cm. (may be subject to Droit de Suite)

Provenance: with Flowers East Gallery, London, according to label attached to the reverse £150 ‑ 200

554 John Hoyland RA, British 1934‑2011‑ “Snow Bird”; screenprint in colours, signed, dated ‘90 and numbered 56/100 in pencil, 81 x 65.3cm. (may be subject to Droit de Suite) £400 ‑ 600

551 Philip Dunn, British b.1945‑ “Empty Deck Chairs”, 1973; oil on canvas, signed, 81 x 91.5cm. (may be subject to Droit de Suite)

Provenance: with John Whibley Gallery Ltd according to the label attached to the reverse of the frame £400 ‑ 600

552 Graham Sutherland OM, British 1903‑1980‑ “Three Standing Forms” 1978; etching with aquatint printed in colours, signed and numbered 63/90 in pencil, bears publishers blindstamp, 49.1 x 38.1cm, issued with a special edition of ‘The Art of Graham Sutherland’ by John Hayes, publ. 1980, Phaidon Press, Oxford. (2). (may be subject to Droit de Suite) £400 ‑ 600

549 Bryan Organ, British b.1935‑ Still life of flower pot by a window; oil on canvas, signed and dated 1975, dedicated on the reverse and signed and dated 1980, 101 x 101cm (unframed). (may be subject to Droit de Suite) £2000 ‑ 3000

550 Myles Birket Foster RWS, British 1825‑1899‑ “From Chelsea Bridge”; watercolour heightened with white, signed with monogram, inscribed and dated July 1871, 21 x 12cm. (mounted) (unframed) £400 ‑ 600

550 551

549



555 Tom Phillips CBE RA, British b.1937‑ “Veltro (Levels of Allegory) Canto I”; 1982, from a series of nine entitled “Dante’s Inferno pt. I”; screenprint in colours, signed and numbered 24/75 in pencil, 52.2 x 39cm: together with one further screenprint in colours by the same hand entitled “Flying Man (Ape of Nature) Canto XXIX” 1982, from a series of ten entitled “Dante’s Inferno pt II”; screenprint in colours, signed and numbered 24/75 in pencil, 54.8 x 38.7cm: Bruce Mclean, Scottish b.1944‑ Head and ladder; screenprint in colours, signed and numbered 9/30 in pencil, 70 x 100cm. (3). (unframed). (may be subject to Droit de Suite) £300 ‑ 350

* 556 Russian School, late 19th/early 20th century‑ Portrait of a lady in a pink dress reading; oil on canvas, bears signature, 65.5 x 45.5cm. VAT charged on hammer price £600 ‑ 800

557 Edward Seago RWS RBA, British 1910‑1974‑ The Pont Neuf, Paris; oil on board, bears studio stamp and titled on the reverse, 30.7 x 40.6cm. (may be subject to Droit de Suite) £8000 ‑ 12000

558 William Hayes, British 1729‑1799‑ “Golden Pheasant Male” and “Silver Phoenix”; engravings with hand‑colouring, two, ea. titled, signed and dated 1794, 21 x 33cm and 22 x 33cm respectively. (2) £400 ‑ 600

559 Adrian Ryan, British 1922‑1998‑ French Hilltop Village; watercolour with pencil, signed in pencil, 19 x 25.5cm: together with a further watercolour with pencil by the same hand depicting a view of a French village from a river bank, signed, 26.5 x 19.5cm. (2). (may be subject to Droit de Suite) £300 ‑ 400

560 Follower of Francesco Solimena, Italian 1657‑1747‑ The Visitation; oil on canvas, in an 18th century carved giltwood Maratta style frame, 63.5 x 76cm £1500 ‑ 2000

561 Ronald Threlkeld Jackson BCSFA CSMA, Canadian 1902‑1992‑ “Devil’s Thumb”; oil on canvas board, signed, bears inscription on the reverse, 40 x 50.3cm £1000 ‑ 1500

561

559

558



557

560555



562 Harold Rupert Leofric George Alexander KG GCB OM GCMG CSI DSO MC CD PC, British 1891‑1969‑ “View of Gatineau Ottawa”; oil on board, bears tablet with inscription as follows “View of Gatineau Ottawa, by Field Marshall Earl Alexander of Tunis, 1951”, bears inscription on the reverse, 45.5 x 60.5cm. (may be subject to Droit de Suite) £700 ‑ 1000

563 George William Bates CSMA FCA, British/Canadian b.1930‑ “Above Second Beach, Vancouver”; oil on canvas signed, 51 x 61cm. (may be subject to Droit de Suite) £400 ‑ 600

564 Canadian/British School, late 19th/early 20th century‑ View of a factory; oil on canvas laid down on panel, bears inscription and Rowley Gallery, London, label on the reverse, 33.3 x 44cm £250 ‑ 350

565 William Arthur Winter OSA RCA, Canadian 1909‑1995‑ “Italian Women”; graphite, signed, bears exhibition label on the reverse The Women’s Committee of The Art Gallery of Toronto, Sale of Canadian Art, 34.5 x 50cm £250 ‑ 300

* 566 Pavel Tchelitchew, American/Russian 1898‑1957‑ Study of a male nude; pen and brown ink, signed and dated ‘34, 25 x 13.5cm. VAT charged on hammer price £500 ‑ 700

567 Callum Innes, Scottish b.1962‑ Untitled; photopolymer etching, with chine‑collé, signed and numbered 7/140 in pencil, 27 x 25.5cm. (may be subject to Droit de Suite) £200 ‑ 300

568 John Talbert McLean, Scottish b.1939‑ “Mainstay”; etching with aquatint printed in colours with chine‑collé, signed and numbered 3/27 in pencil, bears Flowers Graphics, London, label attached to the reverse of the frame, 19.2 x 19cm: Trevor Sutton, British b.1948‑ “Bringing it Home II”; drypoint printed in colours with chine‑collé, signed, dated 2007, inscribed ‘II’ and numbered 3/15 on pencil, bears Flowers Graphics, London, label attached to the reverse of the frame, 12.3 x 12.3cm. (2). (may be subject to Droit de Suite) £200 ‑ 300

569 Mark Francis, Irish b.1962‑ “Orbital”; lithograph printed in colours with spot varnish, signed, dated ‘01 and numbered 49/150 in pencil, 74 x 59cm. (may be subject to Droit de Suite) £400 ‑ 600

564

563

562



565

569568

567

566



* 570 Léo Gausson, French 1860‑1944‑ View of a back garden and church; oil on canvas, signed and dated ‘91, 35 x 27cm. (may be subject to Droit de Suite), VAT charged on hammer price £400 ‑ 600

Lots 571‑584 are the Property of A Private Collector

571 Lajos Bruck, Hungarian 1846‑1910‑ “Nagyatád, Hungary”; oil on panel, signed and titled indistinctly, 12.5 x 21cm £150 ‑ 200

572 Italian/Roman School, 18th century‑ Three figures gathered beneath a tree; oil on canvas, in a gilt composition swept frame, 18 x 22.2cm £300 ‑ 400

573 Flemish School, 17th century‑ Brigands in an Arcadian mountain landscape; pen and ink on laid, 10.5 x 16cm £200 ‑ 300

574 Follower of Francesco Salviati, Italian 1510‑1563, 17th/18th century‑ Mother and Child; pen and brown ink heightened in white, 10 x 8cm: Italian School, 17th/18th century‑ Putti and Lion; pen and brown ink on laid, inscribed, 9 x 15cm: Italian School, 17th/18th century‑ A clergyman preaching to the people; pen and brown ink on laid, a fragment, with two stamps to the corner. (max) 9 x 16cm. (3) £300 ‑ 500

575

574

571

570



575 Italian School, 17th/18th century‑ The Resurrection; pen and brown ink and wash on laid, 24.5 x 16cm: Italian School, 17th/18th century‑ Head of a man; red pencil on laid, 14 x 10cm: Northern European School, 17/18th century‑ Head study of a man looking up; red pencil on laid, oval, 12 x 11cm. (3) £300 ‑ 400

576 Roman School, 17th/18th century‑ Tobias and the Angel; pen, ink and wash heightened in white on blue, 24 x 21cm £400 ‑ 500

577 Ken Howard RA, British b.1932‑ “The Railway Station”; oil on board, signed, 27 x 30cm. (may be subject to Droit de Suite)

Provenance: with The New Grafton Gallery, London, exh. December 1969 according to the label attached to the reverse £1000 ‑ 1500

577576

572



578 James Holland RWS, British 1799‑1870‑ Woman praying in a church interior; oil on panel, in a carved giltwood Maratta frame, 25 x 19cm

Note: bears inscription to the reverse of the panel ‘painted by James Holland who gave it to George Lance who gave it to me John Gilbert.’

Provenance: with J S Maas & Co Ltd according to the label on the reverse of the frame £500 ‑ 700

579 Philip Hermogenes Calderon RA, British 1833‑1898‑ “She sang a song of willow”, a study for the picture of 1864; pen, ink and watercolour, 10.8 x 14cm

Provenance: with J S Maas & Co Ltd according to the label attached to the reverse of the frame £400 ‑ 600

580 Thomas Edward Roberts, British 1820‑1901‑ The artist and his family; oil on canvas, 33 x 43.5cm £800 ‑ 1200

581 Louis B Davis, British 1861‑1941‑ “A Banquet”; pencil, 9 x 26.3cm

Provenance: with J S Maas & Co Ltd, Victorian Exhibition 1971, No. 51, according to the label attached to the reverse of the frame £200 ‑ 300

582 Frederick Dubery, British b.1926‑ “Snowberries and Cuckoo Pint”; oil on board, signed, 24.2 x 14cm. (may be subject to Droit de Suite)

Provenance: with Roland, Browse & Delbanco according to the label attached to the reverse £250 ‑ 300

581

580

579578



583 Attributed to James Hayllar RBA, British 1829‑1920‑ Portrait of an Italian boy; watercolour on grey, 22.5 x 8cm £300 ‑ 400

584 Albert Goodwin RWS, British 1845‑1932‑ “Terraza (sic) Verona Chapel”, 1889; watercolour, bears inscription to the reverse of the frame, 13 x 32cm

Provenance: with J S Maas & Co Ltd according to the label attached to the reverse of the frame £400 ‑ 600

* 585 Johan‑Barthold Jongkind, Dutch 1819‑1891‑ “Moulins au Claire de Lune”; oil on panel, signed, 8.5 x 20.8cm VAT charged on hammer price £5000 ‑ 7000

* 586 André Albert Marie Dunoyer de Segonzac, French 1884‑1974‑ “Pour Les Croix des Bois”; drypoint etching, signed, titled and inscribed ‘epreuvre d’artiste’, 16 x 11cm: together with eight further drypoint etchings by the same artist, “D’apres André Gide”, signed, titled, inscribed ‘epreuvre d’artiste, 1er etat’, 13 x 17cm “André Gide de Profil”, signed, titled and numbered 24/33, 15.5 x 12cm “André Gide Lisant”, signed, title and inscribed ‘epreuvre d’artiste’, 11 x 15cm Man camping, signed and inscribed ‘epreuvre d’artiste’, 15.5 x 11cm “Un Soldat 1916”, signed and titled, 15.5 x 11cm “Somme 1916”, signed, titled and numbered 5/15 in pencil and pen, 16 x 10.5cm “Croit de Bois”, signed, titled and inscribed ‘epreuve d’essai’, 16.5 x 10.5cm “Les Totos”, signed, titled, dated Mars 1919 and numbered 52/75 in pencil and pen, 9 x 12cm. (9) (unframed) (maybe subject to Droit de Suite). VAT charged on hammer price £800 ‑ 1200

584

583582

585



* 587 Alexander Archipenko, Russian 1887‑1969‑ Stylized standing figure; gouache, c.1913‑1925, with inscribed label to the reverse of the mount, 31.5 x 20cm (unframed). VAT charged on hammer price £4000 ‑ 6000

Provenance: with Kunstausstellung Der Sturm, Leitung: Herwarth Walden, Berlin, WG, Potsdamer Strasse 134a, according to the label attached to the reverse of the mount

Note: Archipenko’s great promoter in Germany was Herwarth Walden; director of Der Sturm journal and gallery. Walden gave Archipenko solo exhibitions in 1913, 1918 and 1921, and included him in the 1913 ‘Erster Deutscher Herbstsalon’ as well as in at least fifteen group shows at the Sturm gallery in Berlin between 1914 and 1925. Walden’s support was undoubtedly crucial for Archipenko’s choice to move to Berlin. Having spent the years of the First World War in Nice in the south of France, Archipenko re‑established contact with Walden in Germany in the summer of 1919. That autumn, he twice asked Walden to send him ‘reviews and everything that has appeared on me during the war’. Archipenko’s final decision to settle in Berlin in February 1921 coincided with a large travelling exhibition of his work organized by Der Sturm with stops in Berlin, Dresden, Wiesbaden, Hanover and Munich

587



* 588 Attributed to Théophile Alexandre Steinlen, Swiss/French 1859‑1923‑ Two French ladies in a crowd; charcoal, 25.5 x 31.5cm: together with another charcoal/conte crayon work attributed to the same artist depicting a crowd scene, 27.5 x 42cm. (2). (unframed). VAT charged on hammer price £400 ‑ 600

* 589 Richard Müller, German 1874‑1954‑ “Der Zaun”; pencil, signed with initials and dated 1936, 23.5 x 18cm. (may be subject to Droit de Suite). VAT charged on hammer price £300 ‑ 400

* 590 Roberto Matta, Chilean 1911‑2002‑ “Centre Noeuds”, Edition Antonin Artaud, publ. Georges Visat and Alexander Kahan, Paris France 1974; etchings with aquatint printed in colours on arches, ten, ea. signed and numbered X/XV in pencil beneath the plates, with original portfolio case, frontispiece and justification, ea. plate 35.5 x 26.5cm (folio). VAT charged on hammer price £2000 ‑ 3000

590589

588



591 Adrian Heath, British 1920‑1992‑ Untitled; lithograph printed in colours, signed, numbered 34/64 and dated 64 in pencil bears blind stamp for Addenbrooke’s Hospital Art Collection, 81.5 x 58cm. (may be subject to Droit de Suite) £200 ‑ 300

592 Bruno Marquardt, German 1878‑1916‑ Fishermen and boats; watercolour, signed in pencil, 43 x 32.5cm £150 ‑ 200

593 Peter Howson OBE, Scottish b.1958‑ “Old Man”; etching, signed, titled, numbered 36/50 and dated 90 in pencil, 30 x 23cm. (may be subject to Droit de Suite) £200 ‑ 300

594 Christine Bachelor Nisbet, American 1902‑1990‑ Summer Evening, Florence. (2)”; oil on canvas board, signed, bears inscribed label attached oto the reverse, 50.5 x 40.5cm £150 ‑ 200

595 Augustus Edwin John OM RA, British 1878‑1961‑ Portrait of Thomas Earp, head and shoulders, in light brown jacket, against a blue ground; oil on canvas, 54.5 x 46cm. (may be subject to Droit de Suite)

Provenance: Christie’s sale, Drawings and Paintings from the Studio of the Late Augustus John, OM RA, Friday, 20th July 1962 lot 154, page 45 in the catalogue

Note: The portrait is illustrated in John Rothenstein: Augustus John (s.d.) pl. 53 This Augustus John is of the same subject as that in the National Museum of Wales collection at Cardiff (TW Earp) and is reputed to be the origin of the word first penned by Tolkein (twerp) who TW Earp was with at Oxford £1000 ‑ 1500

596 Thomas Lindsay NWS, British 1793‑1861‑ “A Sunset Landscape”; watercolour, dated 12 June 1831, 11.5 x 21.5cm £300 ‑ 500

597 Attributed to Miles Edmund Cotman, British 1810‑1858‑ Fishing vessels on the open waters; oil on canvas, 30.5 x 45cm £400 ‑ 600

598 Geoffrey Tibble, British 1909‑1952‑ “Woman with Tray”; oil on canvas, signed, signed and dated March ‘48 on the reverse, 67 x 49cm. (may be subject to Droit de Suite)

Provenance: with Arthur Tooth & Sons Ltd, London, according to the label attached to the reverse of the frame £1000 ‑ 1500

599

597

595593



599 Charles Dufresne, French 1876‑1938‑ “La Guinguette”; pastel on buff laid down on board, signed and dedicated indistinctly, in a glazed gilt composition frame, 45.7 x 74.3cm £2000 ‑ 3000

* 600 Alfred Olsen, Danish 1854‑1932‑ Ships sailing near Kronborg; oil on canvas, signed and dated 1891, 51 x 84cm (unframed). VAT charged on hammer price £600 ‑ 800

601 Sir Robin Darwin RA RSA PRWA NEAC, British 1910‑1974‑ “Brandenburg Concerto”; oil on canvas, dated indistinctly, 30.5 x 40.5cm. (may be subject to Droit de Suite)

Provenance: with Agnew’s, 43 Old Bond Street, London, according to remains of label attached to the stretcher £300 ‑ 400

602 Clarisse Loxton Peacock, British 1926‑2004‑ Flowers in a vase; oil on canvas, signed and dated 64, 76.5 x 64cm. (may be subject to Droit de Suite) £300 ‑ 400

602598

600



603

604

603 Dutch School, 17th century‑ Still life of a larder with a maid; oil on cradled panel, in an ebonised ogee moulding frame, 96 x 124cm £3000 ‑ 4000

604 Eastern European School, early 20th century‑ View of a village street in spring; oil on canvas, signed, 34 x 50cm £300 ‑ 500



605 Polish/German School, early 20th century‑ View of a lake, woodland and boathouse; oil on board, bears label F A Schnibbe, Hundegasse 18 Danzig, attached to the reverse, 31.5 x 45.5cm £400 ‑ 600

606 Northern European School, mid 19th century‑ Figures on a shore with church towers in the distance on a promontory; oil on panel, signed, in a glazed gilt gesso Empire frame, 12.5 x 21cm: Northern European School, mid 19th century‑ Frozen river landscape; oil on panel, in glazed gilt composition Empire frame, 16 x 12.5cm. (2) £500 ‑ 700

607 William Frederick Settle, British 1821‑1897‑ A British ship of the line off a shore at sunset; oil on board, in a gilt composition frame with arched top, 18.5 x 27cm £600 ‑ 800

607

605



608



608 Marc Chagall, Russian/French 1887‑1985‑ Self‑Portrait with bouquet of flowers; pen and black ink and pastel, on title page of Chagall, l’Oeuvre Gravé, Biblioteque National, Paris, 1970, 23 x 21cm. (sheet): together with a collection of 26 black and white silver gelatin prints taken by Alfred Neuman between 1974‑1984 depicting the artist Marc Chagall at work in his studio, max. 33.2 x 30.5cm, and a copy of Chagall, by Jean Cassou, publ by Thames & Hudson, London 1965, signed, dedicated and dated 1966 on the half‑title page by Marc Chagall. (unframed) (26 photographs and two books). (may be subject to Droit de Suite)

Provenance: Bloomsbury Auctions, Marc Chagall, The Collection of Irmgard and Alfred Neuman, Thursday 29th January 2009, lots 10, 32 and 50.

Note: Certificate No 2013045 dated Paris, 5th April 2013 issued by the Comité Marc Chagall accompanies this lot £8000 ‑ 12000

609 Lord Paul Ayshford Methuen RA RWS PPRWA, British 1886‑1974‑ “Château de St André d’Hébertôt. (Calvados)”; pen and black ink and gouache o blue coloured paper, inscribed and dated 23 September 1944 in pen and black ink, signed in pencil, 27 x 36.5cm. (may be subject to Droit de Suite)

Exhibited: Royal West of England Academy, Retrospective Exhibition of Works by Lord Methuen,Cat No 165, according to label attached to the reverse of the frame. This exhibition was held from the 24th April ‑ 20th May, 1972 £200 ‑ 300

610 Ulrico Schettini, Italian b.1932‑ Untitled abstract composition; mixed technique on tissue thin paper laid down on card, signed and dated 59, 3.5 x 47cm. (may be subject to Droit de Suite) £150 ‑ 200

611 Neil Murison RWA, British b.1930‑ “Granville”; acrylic on canvas, signed, 57 x 67cm. (may be subject to Droit de Suite)

Provenance: with the Thackeray Gallery, London, according to label attached to the reverse £200 ‑ 300

612 Katherine Church RIBA, British 1910‑1999‑ “Theo’s Bunch”; oil on canvas, signed, dated indistinctly, 71 x 66cm. (may be subject to Droit de Suite)

Exhibited: Duncalf Galleries Harrogate & London 25th International Harrogate Festival, according to label attached to the reverse £700 ‑ 900

612



616 James Scott ARUA, British b.1920‑ “The Chapel of St Nicholas at Mykonos”; oil on canvas, signed, 58.5 x 76.3cm. (may be subject to Droit de Suite) £300 ‑ 500

617 Manner of Jean‑Marc Nattier, 18th century‑ Portrait of a lady, seated half‑length turned to the left in a blue dress; oil on canvas, 78.5 x 62.5cm £1000 ‑ 1500

618 Mick Rooney RA, British b.1944‑ “The Man from the Pru”; oil on paper, signed with initials and dated ‘02, 103 x 85cm. (may be subject to Droit de Suite) £1500 ‑ 2000

613 Andrew Macara NEAC RBA, British b.1944‑ Beach scene with figures; oil on canvas, signed, 51 x 61cm. (may be subject to Droit de Suite) £500 ‑ 700

614 Andrew Macara NEAC RBA, British b.1944‑ Village scene with a goat; oil on canvas, signed and dated 1999, 35.5 x 45.5cm. (may be subject to Droit de Suite) £300 ‑ 500

615 Andrew Macara NEAC RBA, British b.1944‑ “Green Ring, Spain”; oil on canvas, signed and dated 1993, 40 x 51cm. (may be subject to Droit de Suite) £400 ‑ 600

617

616615

614613



619 Anthony Eyton RA, British b.1923‑ “Machinery & Pipes, Bankside”; pastel on paper, signed and dated 1995 in pencil, 148 x 100cm. (may be subject to Droit de Suite)

Provenance: Exhibited at The Royal Academy Summer Exhibition, London, 1997; with The South London Gallery, according to the labels attached to the reverse of the frame £400 ‑ 600

620 Brendan Neiland, British b.1941‑ “Suck, Squeeze, Bang, Blow”, 2000; oil on canvas, signed with stencil on the reverse, 122 x 92cm (unframed). (may be subject to Droit de Suite) £1000 ‑ 1500

621 Humphrey Spender, British 1910‑2005‑ “Cottages in Lavenham”; pastel, signed and dated 47, 38 x 29cm. (may be subject to Droit de Suite)

Provenance: with the Redfern Gallery, London, according to label attached to the reverse of the frame £600 ‑ 800

620

619618



622 Donald Hamilton Fraser RA, British 1929‑2009‑ “Still life, Toys on a Chest”; oil on paper, signed, 41.5 x 49cm. (may be subject to Droit de Suite) £1500 ‑ 2000

623 Timur D’Vatz, Russian b.1968‑ “Sunset”; oil on canvas, signed with symbol, 120 x 115cm (unframed) £500 ‑ 700

624 Gabriel Anastassios, French b.1952‑ “Paysage au Vallon”; oil on canvas, signed and dated ‘01, signed, titled and dated on the reverse, 27 x 46cm. (may be subject to Droit de Suite) £500 ‑ 700

625 Sir John Lavery RA RSA RHA, Irish 1856‑1941‑ “A Dancing Girl”; oil on panel, signed and dated ‘92, bears inscribed label to the reverse of the frame, in a glazed gilt composition frame, 22 x 13.5cm

Note: for a comparable example see Bonhams European Paintings San Francisco, 16 May 2006, lot 3185 £3000 ‑ 5000

* 626 Bryan Organ, British b.1935‑ “Girl with Violin”; oil on canvas, signed and dated ‘67, signed, titled and dated May ‘67 to the stretcher, 101 x 101cm. (may be subject to Droit de Suite). VAT charged on hammer price

Provenance: Texas Commerce Bank £2000 ‑ 3000

* 627 Claude Weisbuch, French b.1927‑ Buste d’homme; oil on canvas, signed, 40.5 x 33.5cm. (may be subject to Droit de Suite). VAT charged on hammer price £1500 ‑ 2000

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* 628 Maurice Denis, French 1852‑1943‑ “Maternite”; pencil on buff, signed, 22.5 x 18.5cm. VAT charged on hammer price

Note: this drawing was executed c.1895, the drawing depicts the artist’s wife and their son Jean‑Paul, it is a study for a painting formerly in the collection of the Petit Palace, Geneva which was offered at auction at Sotheby’s 4th July 1979, lot 235 £800 ‑ 1200

629 Attributed to David Cox Snr OWS, British 1783‑1859‑ The Red Fort, Delhi; pencil on buff, 13 x 35cm £400 ‑ 600

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630 Donald Hamilton Fraser RA, British 1929‑2009‑ “Islands” 1996, oil on canvas, signed, 76 x 100cm. (may be subject to Droit de Suite)

Exhibited: The Royal Academy Summer Exhibition 1996 according to the label attached to the reverse of the frame £4000 ‑ 6000

631 Manner of Pieter van Avont, 18th century‑ The Triumph of Bacchus; oil on canvas, 45.5 x 60cm £800 ‑ 1200

632 Italian School, 18th century‑ The Doge’s Palace and the Campanile, Venice, seen from the Grand Canal; oil on canvas, 46 x 71.5cm £600 ‑ 800

633 French School, mid 20th century‑ “Eviter de Rouler”; oil on canvas, signed and dated 63, inscribed on the reverse, 61 x 51cm. (unframed). (may be subject to Droit de Suite) £200 ‑ 300

634 Attributed to Enrique Serra, Spanish 1859‑1918‑ View of the Pontine Marshes; oil on canvas, bears title and inscription to the reverse, 73 x 118cm £400 ‑ 600

635 Northern European School, early 20th century‑ Horse and cart and figure on a street on a winter’s day; oil on canvas, signed with monogram ‘ES’, 23 x 30cm £400 ‑ 600

636 Ronald Forsyth Millen, Australian 1922‑1990‑ “Baroque Crucifixion, No 1 Mallorca”; oil on board, signed and dated 57, bears inscription on the reverse, 85 x 51cm £200 ‑ 300

637 Claude Marks, French act. 1899‑1915‑ Figure by a church beneath the moonlight; oil on panel, signed, 50 x 70cm £300 ‑ 400

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638 Benjamin Green, British 1739‑1798‑ “The Horse and Lion”, after George Stubbs ARA, publ 1st Sept 1769 Benj Green Drawing Master to Christ’s Hospital and at the Print Shops; mezzotint, initialled within the plate, 45 x 56cm £400 ‑ 600

639 Albert Wilfrid Hudson, British b.1874 exh 1923‑35‑ “Orta, Italy”; oil on board, bears inscription on the reverse, in a striped carved frame, 37.5 x 44.5cm. (may be subject to Droit de Suite) £150 ‑ 200

640 Christian Peder Mørch Zacho, Danish 1843‑1913‑ Figures along a palm tree lined pathway with a Mediterranean town and coastal landscape beyond; oil on canvas, signed with initials and dated 09, in an ebonised frame, 28 x 36cm £1000 ‑ 1500

641 William Charles Rushton, British 1860‑1921‑ Figures on a country lane; oil on canvas, signed, 40.5 x 61cm £150 ‑ 200

642 E S England, British act.1890‑1910‑ Chickens in a farmyard; oil on canvas, a pair, both signed, in matching gilt composition frames, both bear labels for The City Frame Co Ltd 34 Coleman St EC attached to the reverse, 25.2 x 30.3cm, ea. (2) £300 ‑ 400

643 Bruno Marquardt, German 1878‑1916‑ Hillside viewed from a glade; oil on canvas, signed, 62.5 x 76cm. (unframed) £300 ‑ 400

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644 John Bellany CBE RA, Scottish 1942‑2013‑ Portrait of Philip Rawson; brush and black ink, signed, inscribed and dated 83, 75 x 56cm. (unframed). (may be subject to Droit de Suite) £200 ‑ 300

645 Reginald Alfred Borstel, Australian 1875‑1922‑ “Vimeira, Owen Griffiths, Master. Laidlaw & Harris, 64 Union Street Pyrmont Sydney NSW”; oil on canvas, signed, inscribed and dated 1917, 51 x 76.5cm £400 ‑ 600

646 William James Müller, British 1812‑1845‑ “Winterbourne Bristol”; oil on board, mounted in a glazed gilt oak and composition frame, 14 x 20.5cm: together with a river landscape study with figures in oils on board by the same hand, mounted in a glazed gilt oak and composition frame, 11 x 15cm. (2)

Exhibited: Newport (Mon.) Museum & Art Gallery, according to label attached to the reverse of one of the above £400 ‑ 600

647 Maggi Hambling CBE, British b.1945‑ The Laugh”; etching with carborundum printed in colours, signed, numbered 30/50 and dated 91 in pencil, 60 x 42cm: Robert Taverner, British 1920‑2004‑ “Horseguards & St James’s Palace”; woodcut printed in colours, signed, titled and numbered 41/75 in pencil, 49 x 75cm. (2). (may be subject to Droit de Suite) £250 ‑ 350

648 Norwich School, early 19th century‑ Fisherman on the banks of a river with an old cottage and trees; oil on cradled panel, 35.5 x 32cm £300 ‑ 400

649 John Alexander, American b.1945‑ “Gay Cardinals”; oil on canvas, signed, 102 x 91.5cm

Provenance: with Marlborough Fine Art (London) Ltd, London, according to label attached to the reverse £1500 ‑ 2000

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650 Ronnie Copas, British b.1932‑ “Communal Kashering” from the Haggadah Series 1985; tempera on panel, signed and dated ‘85, 38.5 x 43.5cm

Provenance: with Portal Gallery, London according to label attached to the reverse £500 ‑ 700

651 Keiko Minami, Japanese 1911‑2004‑ “Fleurs Rouges et Poissons”; etching printed in colours, signed and numbered 36/75 in pencil, 34.8 x 29cm £300 ‑ 500

652 Humberto Calzada, Cuban b.1944‑ “Puerto Calzada”; acrylic on paper, signed and dated ‘78, 49 x 32cm £1000 ‑ 1500

653 Ken Moroney, British b.1949‑ Still Life with Three Cherries”; oil on board, signed, 51 x 61cm. (may be subject to Droit de Suite)

Provenance: with The Bourne Gallery, Surrey, according to label attached to the reverse of the frame £400 ‑ 600

654 George Rowlett, British b.1941‑ “Dark Day, Walmer Beach”; oil on board, in a glazed silver gilt box type frame, 30.5 x 40.5cm. (may be subject to Droit de Suite)

Provenance: with Art Space Gallery, London, according to label attached to the reverse of the frame

Note: Two exhibition catalogues of the artist’s work to be included with this lot, George Rowlett, Paintings 2005,East Kent and the River Thames, and George Rowlett, East Kent and Rover Thames and Wast Water Paintings, 2009, both at Art Space Gallery, London; see Dept £400 ‑ 600

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655 John Hopkinson, British b.1941‑ “Snowballs”; oil on board, signed, bears inscription and date 1980‑82 on the reverse, 61.5 x 77cm. (may be subject to Droit de Suite) £300 ‑ 500

656 James Hamilton Hay LG, British 1874‑1916‑ Self Portrait of the Artist; drypoint etching, signed and dated 1915 within the plate, signed in pencil beneath the plate, 22.5 x 23.5cm

Note: Aside from three experimental etched plates made between 1898 and 1900, James Hamilton Hay did not make any original prints until 1913. Inspired by the example of Francis Dodd (to whom he sat for a drypoint portrait in 1912), he took up drypoint engraving. Between the years 1913 to his death in 1916 Hamilton Hay made 53 original drypoints £150 ‑ 200

657 Arthur Edward Davies RBA RCA, British 1893‑1988‑ “Regatta Bawdsey Ferry, Felixstowe”; watercolour, signed, 34.5 x 48cm (unframed). (may be subject to Droit de Suite) £150 ‑ 200

658 William Teulon Blandford Fletcher, British 1858‑1936‑ Rocky coastal scene with a figure in a rowing boat; oil on panel, signed, in original glazed gilt composition frame, 25 x 33.2cm

Note: Blandford Fletcher was born in Hampstead, London and trained at the South Kensington School of Art, during his time there he visited Brittany to experience the European method of ‘plein air’ realism. In 1885 he joined his friend Stanhope Forbes in Newlyn and briefly became part of this school. He felt that much of the Newyln art lacked subjects that appealed to him to paint and as such whilst remaining friends with many of the Newlyn School artists and adhering to their ethos of plein air realism throughout his career he left Cornwall for Oxfordshire where he remained until his death in 1936 £800 ‑ 1200

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665 Brian Willsher, British 1930‑2010, Large double fanned wooden sculpture, signed and dated 1994 to the base, height 49.5cm. (may be subject to Droit de Suite) £200 ‑ 300

666 Brian Willsher, British 1930‑2010‑ Untitled. (Homage to Bridget Riley); carved relief panel in American white oak, signed and dated 1996 on the reverse, 56.5 x 58.5cm. (may be subject to Droit de Suite) £400 ‑ 600

667 Marzia Colonna ARBS, Italian b.1951‑ “Brother Sun, Sister Moon”; bronze, signed, inscribed ‘N I’ and with foundry stamp, height 125cm. (may be subject to Droit de Suite) £3000 ‑ 5000

662 Brian Willsher, British 1930‑2010‑ Abstract Composition; carved stained wood, signed and dated ‘65 to the underside of the base, height 39.5cm. (may be subject to Droit de Suite) £200 ‑ 300

663 Brian Willsher, British 1930‑2010‑ “Eurydice”, a large carved wood fan sculpture, signed and titled to the underside of the base, height 47cm. (may be subject to Droit de Suite)

Provenance: acquired from the artist £250 ‑ 300

664 Brian Willsher, British 1930‑2010‑ “Iroko”, a large abstract wooden sculpture, signed and titled to the underside of the base, height 50cm. (may be subject to Droit de Suite)

Provenance: acquired from the artist £250 ‑ 300

659 John Randall Bratby RA, British 1928‑1992‑ Study of a child sleeping; pencil on buff, signed and dated 19 June 61, 35.5 x 55cm (unframed). (may be subject to Droit de Suite) £150 ‑ 200

* 660 Maximilien Luce, French 1858‑1941‑ “Aubord de la Riviere”; charcoal and wash, signed, 31 x 48cm. VAT charged on hammer price £300 ‑ 400

661 Raymond Mason OBE, British 1922‑2010‑ “La Rue du Jour aux Halles”, 1969; painted resin, signed with initials and dated ‘69, numbered 7/8 in pencil, in a perspex box type frame, 20 x 29cm. (may be subject to Droit de Suite)

Provenance: with Marlborough Fine Art Ltd according to the label attached to the reverse of the frame £600 ‑ 800

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672 Karel Dupon, Dutch late 20th/early 21st century‑ “Kat”; composite stone, signed, width 32cm. (may be subject to Droit de Suite) £100 ‑ 150

673 Paul Johnson, British b.1972‑ “The Journey of a Lifetime is Waiting”; paper sculpture, signed, titled and dated ‘89, in a perspex box, height 26cm. (may be subject to Droit de Suite) £100 ‑ 200

670 John Huggins FRBS, British b.1938‑ “Maquette Mannequin (Partner)”, 1987; bronze, signed with initials and numbered 4/7, height 32.5cm. (may be subject to Droit de Suite) £200 ‑ 300

671 Clifford Benjamin Cundy NS, British 1926‑1992‑ “Sitting Figure”; bronze with green patina, signed and numbered 1/4, height 26.5cm. (may be subject to Droit de Suite) £400 ‑ 600

668 Margaret Lovell FRBS RWA, British b.1939‑ “Vertical Wave” 2003; bronze, number 1 from an edition of 4, height 32cm. (may be subject to Droit de Suite)

Note: A certificate of authenticity accompanies this lot £500 ‑ 700

669 Sergio Bustamante, Mexican b.1942‑ “Frog Boy with Flower”, 1996; resin, signed and numbered 100/100 in pen, height 16cm £100 ‑ 200

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The following four lots are the Property of a Private Collector of Salvador Dali bronzes from the Clot Collection

The sculptures in the Clot collection were all created by Dali by the swimming pool at his house in Port Lligat in Spain. They derive from the late 1960’s to the 1980’s. Dalí modelled the wax for the sculptures during the summer when it was hot thus making the wax soft and malleable. When Dalí finished, they were later cast in bronze by his friend Isidro Clot who ran the foundry Diejasa: together with his son in law Adrian Campos

The Clot collection is unique in Dali’s oeuvre in that it manages to show all his interests in a most personal accessible way, The subjects of this series of bronzes derive from Dali’s abiding fascinations with Christianity, Spain and the nature of culture and his passion for his muse and lover, Gala. It is also special because it literally shows Dali’s personal touch ‑ the mark of his fingers in the wax which have been transferred magnificently to the bronze surface. The sheer variety of the sculptures are as important as Dali’s wide palette in his paintings

The sculptures represent an overview of his life. Importantly they are purportedly the only three dimensional objects which can be justly described as original Dalí sculptures because he was so closely involved with their casting

Notes taken from Robert Descharnes, Dali, The Hard and the Soft, sculpture & objects, publ. Eccart, 2003

676 Salvador Dali, Spanish 1904‑1989‑ “Dragon, Swan, Elephant” (Descharnes 429), c.1969; bronze, signed and numbered 2/19 PE, height 31cm. (may be subject to Droit de Suite)

Note: The theme of swan and elephant was first explored by Dali in his 1937 painting ‘Cygnes réfléchis en éléphants’. In the 1930’s Dali developed the Paranoiac Critical Method, he applied it in his paintings and sculpture creating optical illusions and double or multiple images and is prevalent in this sculpture which can be viewed either as a dragon, elephant or swan £20000 ‑ 30000

674 Dirk de Keyzer, Belgian b.1958‑ “Embrace”; bronze, signed, foundry stamp, numbered 4/8, height 43cm height with plinth 163cm. (may be subject to Droit de Suite)

Provenance: Absolute Art Gallery, Bruges, Belgium, where purchased by the current owner £1500 ‑ 2000

675 Lorenzo Quinn, American b.1963‑ “Serenity Table”; bronze with a glass top, signed and numbered 8/10, height of bronze 48.5cm £4000 ‑ 6000

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679 Salvador Dali, Spanish 1904‑1989‑ “Saint Narcissus of the Flies” (Descharnes 421), c.1974; bronze, signed and numbered 2/75 AP, height 28cm. (may be subject to Droit de Suite)

Note: Legend has it that this Bishop of Gerona performed a miracle from beyond the grave in 1285. As the city was being sacked by an army of non‑believers, the saint released swarms of flies from his tomb which caused the soldiers to run away. Dali highlights elements that allow the audience to recognize the saint including the chasuble, the mitre, crosier and a large fly out of his chest £1500 ‑ 2000

678 Salvador Dali, Spanish 1904‑1989‑ “Winged Triton” (Descharnes 411), c.1972; bronze, signed and numbered 25/49 AP, height 33cm. (may be subject to Droit de Suite)

Note: This sculpture depicts a young man whose body has metamorphosed under the fingers of Dali and the anatomical references of the human form now better evoke the tumultuous movement of the sea as the figure rises up and stands on the water. There is also reference made to Greek mythology and the gods of Olympus who had two winged messengers to transmit orders £1500 ‑ 2000

677 Salvador Dali, Spanish 1904‑1989‑ “Madonna of Port Lligat” (Descharnes 427), c.1969; bronze, signed and numbered 105/999, height 23cm

Note: Dali already addressed this theme in his paintings “Madonna of the Mystic Rose” 1963 and “Madonna of Port Lligat” 1950 which remain the most popular images of his religious works along with “St. John of the Cross”. The face of the Madonna is inspired by Gala who was his lover and muse £1000 ‑ 1500

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684 Dennis Oppenheim, American 1938‑2011‑ “Figure with A Future” 1984; steel, wooden spools and fabric, height 141cm £5000 ‑ 7000

685 Howard Marsden, British late 20th/early 21st century‑ Abstract figure; welded bronzed metal, signed with initials, height 45cm (may subject to Droit de Suite)

Provenance: purportedly sold via Nicholas Treadwell Gallery in December 1971 £150 ‑ 200

682 Kobe, Belgian b.1950‑ “La Danseuse de Nuit”, 1994; bronze with green patina on a white marble base, signed and inscribed ‘Sculptor’, height 62.5cm. (may be subject to Droit de Suite) £3000 ‑ 4000

683 Robert Harding, British b.1957‑ “Eye‑opener” 1987; painted stainless steel, with artists label to the reverse, dia. 70cm. (may be subject to Droit de Suite) £200 ‑ 300

680 Salvador Dali, Spanish 1904‑1989‑ “Saint Narcissus of the Flies” (Descharnes 421), c.1974; bronze, signed and numbered F020/100, height 14.5cm. (may be subject to Droit de Suite) £600 ‑ 800

681 Michel Delaere, Belgian b.1943‑ “Et se Brise de la Brume”; assembled wood and board sculpture, signed, titled and dated ‘93 on the reverse, 91 x 91cm. (may be subject to Droit de Suite) £400 ‑ 600

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686 Neil Willis, British late 20th/early 21st century‑ Reclining Figure; bronze, signed and numbered 1/1, length 80cm. (may be subject to Droit de Suite) £200 ‑ 300

687 Manuel Marín, Spanish 1942‑2007‑ Untitled; polychrome painted metal mobile sculpture, stamped marks, height 170cm. (may be subject to Droit de Suite) £1500 ‑ 2000

688 Stephen Cox, British b.1946‑ “Untitled Study” 1982; Bardiglio imperiale marble, 96.5cm and 56cm. (2). (may be subject to Droit de Suite)

Provenance: Private Collection, London; gifted by the artist, thence by descent Literature: The Sculpture of Stephen Cox by Stephen Bann, No.208 £1000 ‑ 1500

689 Rose Rafferty, British b.1940‑ Untitled abstract composition; mixed soft textile relief panel, stamped with monogram, 96.5 x 96.5cm (see illustration on page 156) £400 ‑ 600

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* 690 Christo, American b.1935‑ “Wrapped Book”, 1973. (Schellmann 68); mixed media sculpture, book wrapped in canvas with artist’s twine, signed and numbered 68/100 in black pen, 30 x 30cm VAT charged on hammer price £2000 ‑ 3000

691 Anthony Eyton LG RWA RWS NEAC RA, British b.1923‑ “Still life with Jewellery”; oil on canvas, signed, 49 x 51cm. (may be subject to Droit de Suite) £400 ‑ 600

692 Anthony Eyton LG RWA RWS NEAC RA, British b.1923‑ Seated Woman; oil on panel, signed, 80 x 58.5cm. (may be subject to Droit de Suite)

Provenance: with Austin Desmond Fine Art, London, according to the label attached to the reverse of the frame £300 ‑ 400

693 Anthony Eyton LG RWA RWS NEAC RA, British b.1923‑ “Mrs Beasley”; oil on canvas, signed, 71 x 53.5cm. (may be subject to Droit de Suite) £300 ‑ 400694

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698 Simon Willis, British 1933‑2003‑ “Twisted Landscape”; oil on canvas, signed, titled and dated 1974 on the reverse, 41.5 x 70cm: together with two other other works by the same artist, one oil on board, dated 25/8/85 and with Estate stamp on the reverse, 50 x 65cm the other oil on canvas, with Estate stamp on the reverse, 41 x 71cm. (3). (unframed). (may be subject to Droit de Suite)

Provenance: from the Estate of the artist

Note: a copy of Simon Willis, Abstract Structures catalogue accompanies this lot £200 ‑ 300

694 Richard [Dick] Dale Lee, British 1923‑2001‑ Portrait of Ruth; oil on panel, signed, 61 x 51cm. (may be subject to Droit de Suite)

Note: Dick Lee trained at Camberwell School of Art 1947‑50, and had strong associations with the Euston Road School artists such as William Coldstream and Victor Pasmore. His work draws very much on the linear, clean styles of this group and he enjoyed working on the spot, concentrating mainly on interiors and landscapes. He returned to Camberwell School of Art in 1953‑1982 as a tutor

Dick Lee has an impressive exhibition record both in England and abroad ‑ showing with Francis Hoyland in France. More recently he exhibited with the New Grafton Gallery and Cadogan Contemporary. His work is held by the Arts Council, the Royal Academy and the Beaverbrook Foundation among others £250 ‑ 350

695 Inez Estella Hoyton, British 1903‑1983‑ “Acropolis”; oil on board, signed, titled on the reverse, 50.5 x 61cm. (may be subject to Droit de Suite) £200 ‑ 300

696 Maurice Desmond, Irish b.1944‑ “Landscape in Movement”; acrylic on paper, signed, titled and dated 1990 to the reverse of the frame, 36.5 x 45.5cm. (may be subject to Droit de Suite) £300 ‑ 400

697 Maurice Desmond, Irish b.1944‑ “Blue Dance”; acrylic on board, signed, titled and dated 1990 to the reverse of the board, 34.5 x 40.5cm. (may be subject to Droit de Suite)

Provenance: with Austin Desmond Fine Art, London, according to the label attached to the reverse £300 ‑ 400

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699 Faith Heather Jacques, British 1923‑1997‑ “Tilly’s Rescue”; gouache, signed and titled in pencil, original illustration for the book of the same title publ. 1980, 16.5 x 38.5cm: together with a further gouache illustration for the same book depicting a woman climbing a bunch of carrots, oval, 10 x 8.5cm and a copy of the book, Provenance: both with Abbot and Holder according to the labels attached to the reverse of the frames: Bettina Bauer [Ehrlich], Austrian 1903‑c.1985‑ “Angelo and Roseline”, 1957; watercolour and pen and ink, two, original illustrations from the book of the same name publ. 1957; bears inscription to the mounts, 10.5 x 18cm and 14.5 x 20cm. (5) (part unframed and book). (may be subject to Droit de Suite) (see illustration on page 157) £300 ‑ 500

700 Marin Genoud, French 1893‑1966‑ “Grossglockner vom Kostnitztal”; oil on canvas, signed, bears title on the reverse of the stretcher, 71 x 101cm. (may be subject to Droit de Suite) £400 ‑ 600

701 Cuthbert Edmund Swan, British 1870‑1931‑ Polar bears on an ice flow; watercolour, signed, 17 x 35.5cm. (mounted) (unframed) £400 ‑ 600

702 Tadeusz Ilnicki, Polish 1906‑1993‑ Portrait of a woman. (recto), Untitled. (verso) oil on canvas, signed and dated 52, 79 x 49cm. (may be subject to Droit de Suite) £200 ‑ 300

703 Tadeusz Ilnicki, Polish 1906‑1993‑Untitled abstract composition; oil on canvas, signed and dated 59, bears Ex Libris for Marii Ossowskiej attached to the reverse, 76.5 x 50.5cm. (may be subject to Droit de Suite) £200 ‑ 300

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704 Ed Smith, British 1923‑1988‑ “New York Bridge”; watercolour over pencil, signed and dated 59, 56.5 x 107cm. (may be subject to Droit de Suite) £200 ‑ 300

705 Romano Stefanelli, Italian b.1931‑ Portrait of Genevieve; oil on canvas board, signed and dated LXIX, bears inscription on the reverse, 56.8 x 39cm. (may be subject to Droit de Suite) £200 ‑ 300

706 Joe Andoe, American b.1955‑ “Moon as Sun”, 1987; oil on canvas, 54.5 x 64.5cm

Provenance: with Damon Brandt Gallery, 568 Broadway, New York N.Y., according to label attached to the reverse, frame by Heydenryk, New York, according to further label attached to the reverse £600 ‑ 800

707 William Harris Weatherhead, British 1843‑1903‑ Fisherfolk waiting on a shore with a harbour and village beyond; oil on canvas, bears back stamp for P Shea Artist’s Colourman, 21 Warren Street, Tottenham Ct R, London W, signed, 77 x 127cm £2000 ‑ 3000

708 John Randall Bratby RA, British 1928‑1992‑ “Icklesham Church, Sussex”; pencil and coloured crayon, signed, inscribed and dated 9 February 1979, 28 x 19.7cm. (may be subject to Droit de Suite)

Note: A first edition copy of John Bratby’s Breakfast at Elevenses publ by Hutchinson, 1961 accompanies this lot £200 ‑ 300

709 Lawrence James Isherwood, British 1917‑1988‑ St Pauls Pink Rain; oil on board, signed and dated 70, bears inscription on the reverse, 35.5 x 41cm. (may be subject to Droit de Suite) £1200 ‑ 1800

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710 Ayman Kadry, Egyptian b.1987‑ “Pop Art”; oil on canvas, signed and dated 2013, 59.3 x 89.5cm. (unframed) £1000 ‑ 1200

711 Ayman Kadry, Egyptian b.1987‑ “Musicians”; oil on canvas, signed and dated 2013, 60 x 79.5cm. (unframed) £800 ‑ 1000

712 Sharif Hamdy, Egyptian b.1952‑ Untitled; mixed technique and collage on board, bears inscription on the reverse, in a gilt composition frame of Arabic inspiration, 60 x 80cm £800 ‑ 1000

713 Hans Bellmer, German 1902‑1975‑ “Les Bas Rayés”, publ; lithograph printed in colours, signed and numbered 103/175 in pencil, 49.5 x 69.8cm: Dieter Kessel, German b.1925‑ Bird cage and chair; etching printed in colours, signed, numbered 94/110 and dated 73 in pencil, 47.5 x 32cm. (2) (unframed). (may be subject to Droit de Suite) £200 ‑ 300

714 FAILE, 1999. (Patrick McNeil, Canadian b.1975 and Patrick Miller, American b.1976)‑ “Captivating”; screenprint, numbered 742/750 in pencil, bears publisher’s blind stamps, 70 x 50cm. (unframed) £300 ‑ 500

715 Dame Laura Knight DBE RA, British 1877‑1970‑ “Youth and Age”, 1925; etching with aquatint, signed in pencil, 36 x 37.5cm. (may be subject to Droit de Suite) £300 ‑ 400

716 After Laurence Stephen Lowry RA, British 1887‑1976‑ “Burford Church”, publ by Grove Galleries Ltd, Manchester; colour reproduction print, signed and numbered 300/850 in pencil, 63 x 48cm. (unframed) £300 ‑ 500

717 Debangshu Das, Indian b.1970‑ “Krishna and Radha by the river”; opaque watercolour, signed and dated 03, 72 x 55cm

Note: The artist attended the Government Art College, graduating in 1995, following which he working at the Golpark Ramkrishna Mission in 1996. In 2003, the artist had his first solo show at the Chemould Art Gallery where ‘Nude Study’ received special praise in the leading Newspaper (Telegraph) of Kolkata by art critic Kishore Chaterjee £500 ‑ 700

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718 Walter Edward Westbrook, South African b.1921‑ “Northern Cape Landscape; watercolour, 48 x 67cm: together with two further works in watercolour by the same hand, one titled “Dry Pan near Upington” and the other “Morning Light”, the latter signed, 49 x 69 and 33 x 55cm. (3) £300 ‑ 500

719 Sir Matthew Smith LG, British 1879‑1959‑ “Studies of Tulips”; watercolour, signed, 53 x 40cm. (may be subject to Droit de Suite) £500 ‑ 700



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720 A de Groote, Dutch 1892‑1947‑ Skaters and figures on a frozen river with woodland and a cottage; oil on panel, in a hardwood veneered moulding frame, 30.3 x 40.5cm. (may be subject to Droit de Suite) £1500 ‑ 2000

721 William Heath Robinson, British 1872‑1944‑ “Quick Service in a Breakfast Parlourette”; pen and black ink and wash, inscribed with title, 26 x 14.5cm

Illustrated: ‘How to Live in a Flat’, published by Hutchinson in 1936, page 93. Exhibited: Chris Beetles Limited, The Illustrators, 28th November‑14th December 1990 no 328 £400 ‑ 600

722 Charles Edmund Brock RI, British 1870‑1938‑ “Missus, Missus, three’s company coomin’!”’ pen and black ink, signed, inscribed with title and dated 1903, 30 x 19cm

Illustrated: ‘The Book of Snobs’, by William Makepeace Thackeray, published by Dent, 1903, Chapter XXVI, facing page 146. Exhibited: Chris Beetles Limited, The Illustrators, 28th November‑14th December 1990 No 92 £300 ‑ 400

723 Evert Moll, Dutch 1878‑1955‑ Busy harbour scene; oil on canvas, signed, bears label J A C van Gotum, Breda attached to the reverse of the frame, 61 x 1001cm. (may be subject to Droit de Suite) £500 ‑ 700

724 Gerard Johannes Koekkoek, Dutch 1871‑1956‑ View of a windmill at the mouth of the harbour at Amsterdam; oil on canvas, signed and dated 1892, bears inscribed label attached to the reverse, 84 x 64cm. (may be subject to Droit de Suite) £800 ‑ 1200

725 François Arnal, French 1924‑2012‑ “Privez Garde aux Incendiaries”; oil on canvas, signed, signed, inscribed and dated ete 59 on the reverse, 100 x 81cm (a/f). (may be subject to Droit de Suite) £300 ‑ 400

726 Christiaan Cornelis Kannemans, Dutch 1812‑1884‑ Shipping in a storm; oil on panel, signed, 36.8 x 54.5cm £1500 ‑ 2000

727 Christiaan Cornelis Kannemans, Dutch 1812‑1884‑ Frigate off a fortified headland with figures in a dinghy; oil on panel, signed, 48 x 61.5cm £2000 ‑ 3000

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728 Jacob Taanman, Dutch 1836‑1923‑ Mother with children in a kitchen; oil on panel, signed, inscribed ‘Amsterdam’ and dated 1881, in a good 19th century gilt composition frame, 31 x 41cm £500 ‑ 700

729 Circle of James Webb, British 1825‑1895‑ Figures on a rocky shore with a shipwreck; oil on canvas, 61 x 102cm £600 ‑ 800

730 Charles Hollman, Dutch 1877‑1953‑ Haystack; oil on panel, signed, 30.5 x 35.5cm. (may be subject to Droit de Suite) £150 ‑ 200

731 Dutch School, mid 19th century‑ Woman milking a cow; oil on panel, signed and dated 1863, 12.5 x 10cm £200 ‑ 300

732 W A Gyzeman, Dutch 1821‑1894‑ Figures in a church; oil on panel, signed, 34 x 27cm £150 ‑ 200

733 Gerardus Johannes Delfgaauw, Dutch 1882‑1947‑ Cottages and woodland by a canal; oil on canvas, signed, bears label for J A C Gotum, Breda, attached to the reverse, 30.2 x 40.2cm. (may be subject to Droit de Suite) £500 ‑ 700

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734 Théophile de Bock, Dutch 1851‑1904‑ Chickens in a farmyard; oil on card laid down on panel, signed, 30 x 36cm £300 ‑ 400

735 Attributed to Albert Thomas Jarvis Gilbert ROI, British d.1927 ‑ Figure drawing water at a well in a temple garden; oil on board, signed, bears remains of paper label attached to the reverse, 35.5 x 25cm £250 ‑ 300

736 Sami Ben Ameur, Tunisian b.1954‑ “Au Dela de la Surface/Beyond of Surface”; mixed technique relief on panel, signed and dated 06, bears inscription on the reverse, 100 x 100cm £1000 ‑ 1500

737 Howard Warshaw, American 1920‑1977‑ Standing figure; pen and black ink heightened with white on buff paper, signed and dated 47, 23.5 x 13cm £200 ‑ 300

734

733

735

729

732

736



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738 Nico Lebrun, American 1900‑1963‑ Multiple head study; pen and black ink and wash, signed and dated 1953, 13.5 x 29.5cm £250 ‑ 300

739 After Albrecht Dürer, German 1471‑1528‑ “The Sojourn of the Holy family in Egypt”, from The Life of the Virgin, (Bartsch 90; Meder, Hollstein 202); woodcut, on laid paper, watermark fleur‑de‑lis, a good impression, after the Latin Text Edition of 1511, trimmed just on the borderline, generally good condition, 29.3 x 20.7cm: After Albrecht Dürer, German 1471‑1528‑ “Ecce Homo”, from The Large Passion, (Bartsch 9; Meder, Hollstein 118); woodcut, a good impression, trimmed to or just inside the subject, various paper losses and defects to the paper edges, 49 x 30cm. (plate). (2) (unframed) £400 ‑ 600

740 Albrecht Dürer, German 1471‑1528‑ “St. Peter and St. John Healing the Cripple”, from The Engraved Passion (B. M. Holl. 18); engraving, 1513, on laid paper, overall good impression, trimmed on or just outside the borderline, various unobtrusive defects, 10.3 x 7cm. (unframed) £250 ‑ 350

741 Rembrandt Harmensz van Rijn, Dutch 1606‑1669‑ “The Baptism of the Eunuch”, (B.098, H.182, N‑U.98); etching on fine laid paper, second state of II, trimmed within the plate to the top section and on the remaining plate, various minor defects, 14.3 x 21cm: After Rembrandt Harmensz van Rijn, Dutch 1606‑1669‑ “The Descent from the Cross”, second plate, (B.Holl.81, H.103); etching with engraving, laid paper, possibly a later impression of the fifth (final) state, trimmed within the plate mark but leaving a filet of blank paper on each side, various defects, laid down, 451.5 x 40.5cm. (2) (unframed) £700 ‑ 900

742 After Pierre‑Auguste Renoir, French 1841‑1919‑ “Le Chapeau Epinglé”, (La fille de Berthe Morisot et sa cousine) (Delteil; Stella 8) etching, 1894, on cream laid paper, signed within the plate, first edition, published by Dentu, Paris, 1894, the second (final) state, with full margins, 12 x 8cm. (unframed). (may be subject to Droit de Suite) £200 ‑ 300

743 After Claude Gellée, Le Lorrain, French 1600‑1682‑“Le Troupeau en Marche par un Temps Orageux”, (Mannocci 40); etching on laid paper, narrow to thread margins, possibly Second state, 15.8 x 21.5cm. (sheet) (unframed) £200 ‑ 300

744 After Henri de Toulouse‑Lautrec, French, 1864‑1901‑ “Jeanne Granier”, 1898; lithograph, in dark grey on cream wove paper, signed with monogram within the plate, from the edition of 400, 29.5 x 24cm. (sheet): After Henri de Toulouse‑Lautrec, French, 1864‑1901‑ “Ta Bouche”, plate five of Vieilles Histoires, 1893; lithograph in olive on cream, watermarked wove, signed with monogram within the plate, 27.8 x 38cm. (2) (unframed). (may be subject to Droit de Suite) £250 ‑ 350

744

743738



745 William Ward, British 1766‑1826‑ “The Daughters of Sir Thomas Frankland, Bt”, after John Hoppner RA; mezzotint, good impression, trimmed without text, 61 x 48.5cm. (unframed) £200 ‑ 300

746 Mstislav Valerianovic Dobuzinskij, Russian 1875‑1957‑ Church and graveyard; watercolour and charcoal, two, ea. signed, signed with monogram and dated 1937, 37 x 29.5cm and 31.5 x 43cm. (2) £2000 ‑ 3000

747 Douglas Yeoman Blakiston, British 1832‑1914‑ Portrait of Rev. Edward Armett Powell (1806‑1892); oil on board, with letter and inscription to the reverse of the frame, 23 x 19.5cm

Note: Rev. Edward Armett Powell was a Scholar and Fellow of Christ’s College Cambridge; the artist Douglas Blakiston was his nephew £200 ‑ 300

748 Elliot Seabrooke LG, British 1886‑1950‑ Landscape scene; oil on board, signed, 29.5 x 34.5cm: together with another oil on board by the same artist depicting a house in a landscape, signed, 33.5 x 29cm. (2). (may be subject to Droit de Suite) £400 ‑ 600

746745

749

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751 Edward Bawden CBE RE, British 1903‑1988‑ “Newspaper Printers”; linocut printed in colours, signed and inscribed ‘Artist’s Proof’ 24/50, 62.5 x 84cm (rolled, unframed). (may be subject to Droit de Suite) £500 ‑ 700

752 French School, mid/late 19th century‑ Coastal Scene; oil on panel, 38.5 x 61.5cm (unframed) £200 ‑ 300

753 George Fullard, British 1923‑1973‑ Mother and child; black wash on grey, signed and dated ‘56, 63 x 46cm (unframed). (may be subject to Droit de Suite) £600 ‑ 800

754 Johann Melchior Roos, German 1659‑1731‑ A shepherdess and sheep in a mountain landscape and Shepherd with his dog and sheep in a mountain landscape; oils on canvas, a pair, in matching moulding frames, 45.5 x 61.5cm, ea. (2) £1500 ‑ 2000

755 Sir John Tenniel, British 1820‑1914‑ “Church Preservation” illustration for Punch magazine, 17th July 1875; pencil on buff, titled and inscribed on the reverse, inscription reads “Is the Church worth preserving dear Madam?, Preserving‑ Well I fancy it’s in a pickle already.”, 27x20cm, (unframed)

Note: The male figure depicted in this drawing is The Right Honourable William Ewart Gladstone FRS FSS, 1809‑1898, who served as the British Prime Minister for four periods of time, 1868‑1874, 1880‑1885 , Feb‑July 1886 and 1892‑1894

749 John Martin, British 1789‑1854‑ “Fall of Babylon”, mezzotint, 26.4 x 35.2cm: John Martin, British 1789‑1854‑ “The Expulsion”, Book 12, Line 641 from Milton’s Paradise Lost, publ. by Septimus Prowett, 62 Paternoster Row, 1827, lettered proof, printed by J Lahee; mezzotint, 19 x 27.5cm: John Martin, British 1789‑1854‑ “David Spareth Saul at Hachilah”, publ. London, May 1st, 1835 by John Martin, 30 Allsop Terrace, New Road, Mefs Ackermann & Co. A Pris, chez M Victor Morlot, Pafsage Vivienne No 26, Part VIII; mezzotint, 26 x 35cm: John Martin, British 1789‑1854‑ “The Deluge”, London, Publ. September 19th 1831 by John Martin, 30 Allsop Terrace, New Road, Mr Ackermann, Mefs Moon Boys & Graves, A Paris chez M Victor Morlot, Pasage Vivienne, No 26, Dipose a la direction; mezzotint, 26.5 x 35.2cm. (4) £400 ‑ 600

750 Edward Bawden CBE RE, British 1903‑1988‑ “Three Scenes from the York Mystery Plays”, The Risen Christ, The Adoration and Satan at Hell’s Mouth; lithograph printed in colours, a poster for the British Railways, York, The Historic City, 1954, 80 x 122cm. (may be subject to Droit de Suite) £300 ‑ 400

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754752



756 Keith Frederick Grant, British b.1930‑ “Creation of the Elements II”, 1994; acrylic on board, relief, signed, bears inscription to the reverse, 105 x 105cm. (may be subject to Droit de Suite) £500 ‑ 700

757 Ruth Stage NEAC, British b.1969‑ “Brooklyn Heights”; egg tempera on board, 91.5 x 91.5cm. (may be subject to Droit de Suite) £300 ‑ 500

758 Adrian Berg RA, British 1929‑2011‑ “Barclays, Canary Wharf”, 2000; watercolours, four in a shared mount, ea. 33 x 48cm: together with further brown ink drawings of Barclays, Canary Wharf by the same artist, eight in a shared mount, ea. 20 x 26cm. (2). (may be subject to Droit de Suite) £800 ‑ 1200

759 Christopher Le Brun PRA, British b.1951‑ “The Top Most Branch”; oil on canvas, signed, titled and dated 26.05.2004 on the reverse, 131 x 120.5cm. (may be subject to Droit de Suite) £3000 ‑ 4000

760 Yuri Leonidovich Kuper, Russian b.1940‑ Paintbrush; oil and collage on canvas, signed, 55.5 x 46cm £600 ‑ 800

760

757756



759



* 761 Bernard Cohen, British b.1933‑ Untitled; pencil, signed and dated ‘64, 52 x 63.5cm. (may be subject to Droit de Suite). VAT charged on hammer price

Provenance: with Kasmin Ltd, London according to the label attached to the reverse of the frame £300 ‑ 400

762 Anne Estelle Rice, American 1877‑1959‑ Trees in a lake scene; pencil on buff, 23 x 28.5cm: together with another pencil drawing on buff by the same artist depicting figures in a harbour scene, 20.5 x 26.5cm. (2). (may be subject to Droit de Suite) £500 ‑ 700

763 John Bainbridge Copnall LG, British 1928‑2007‑ “Star, (Black Background)”; watercolour and gouache, 36.8 x 38cm. (may be subject to Droit de Suite)

Provenance: with Austin Desmond Fine Art, London, according to label attached to the reverse of the frame £300 ‑ 400

764 Francis Hoyland, British b.1930‑ The Art Studio (recto), Coastal Scene (verso); oil on canvas, signed with initials, 76 x 102cm. (may be subject to Droit de Suite)

Biography: Francis Hoyland was born in Birmingham and studied at Camberwell School of Art from 1946‑49 and then for a year at the Slade School of Fine Art. He has been a lecturer at Chelsea School of Art and was a senior lecturer and then course director at Camberwell from 1966‑92 £200 ‑ 300

765 Linda Sutton RCA, British b.1947‑ Untitled, Tiger; mixed media on paper, signed, 103 x 91cm. (may be subject to Droit de Suite) £200 ‑ 300

766 Ron Russell, Australian/British 1923‑1994‑ Abstract in blue; oil on canvas, signed and dated 64, inscribed and dated on the reverse, 50.5 x 61cm. (may be subject to Droit de Suite)

Provenance: Purchased from Nicholas Treadwell in 1964 by the current owners

Note: The artist exhibited at the New Vision Centre Gallery and the Grabowski Gallery, see: David Buckman, Artists working in Britain since 1945 page 1389. Exhibitions included Fifteen Contemporary Australian Painters, 21 March 1960, New Vision Centre Gallery and Commonwealth Vision, Commonwealth Institute, 1961 £150 ‑ 200

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765

762



767 Ron Russell, Australian/British 1923‑1994‑ Abstract in red; oil on canvas, signed and dated 64, inscribed and dated on the reverse, 46 x 61cm. (may be subject to Droit de Suite)

Provenance: Purchased from Nicholas Treadwell in 1964 by the current owners

Note: The artist exhibited at the New Vision Centre Gallery and the Grabowski Gallery, see: David Buckman, Artists working in Britain since 1945 page 1389. Exhibitions included Fifteen Contemporary Australian Painters, 21 March 1960, New Vision Centre Gallery and Commonwealth Vision, Commonwealth Institute, 1961 £150 ‑ 200

768 John Henry Boel, British fl.1890‑1910‑ “Windsor Castle from the Thames”; oil on canvas, signed and monogrammed, dated 1895, inscribed on the reverse, 125 x 75cm. (unframed) £500 ‑ 700

769 Hans Kownatzki, German/American 1866‑1947‑ Rocks In Central Park, Manhattan Schist, New York; oil on canvas, 33.5 x 41.5cm (unframed) £200 ‑ 300

770 Maud Bullen, British Naïve School, 1906‑1993‑ “Fun in the Snow”; gouache, signed, titled on the reverse, 51.7 x 75.5cm: together with six further gouaches by the same hand entitled “Enjoying the Snow”, “Winter Snow”, “Wintry Day”, “Lets go Skiing”, “Village Centre at Ten to Three” and “The Orange Bus”, ea. signed, ea. titled on the reverse, ea. 51.7 x 75.5cm. (7). (may be subject to Droit de Suite). (unframed)

Note: Maud Bullen 1906‑1993‑ Watercolourist, born and lived in Dorking, Surrey, a physically handicapped Naïve artist, studied with Ursula Hulme MBE NRD FPS RA at Brentwood Occupational Therapy Centre at Fetcham. Exhibitions at the Mall Galleries, New Metropole Arts Centre in Folkestone and best of British Naïve Artists at the Lyric Theatre, Member of the Free Painters and Sculptures. a detailed biography compiled by Ursula Hulme and Barbara Bullen is available to view. (Source David Buckman, Artists in Britain Since 1945) £150 ‑ 250

763

764



773

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771 Joseph Halevi, Israeli 1923‑2009‑ Animals; oil on canvas, signed, 92.5 x 55cm

Provenance: with the Neil Sack Gallery, Durban according to the label attached to the reverse of the frame £300 ‑ 500

772 Théo Tobiasse, Israeli/French 1927‑2012‑ “Hommage à Goya”; lithograph printed in colours, signed and numbered 15/175 in pencil, 73 x 53cm: together with another lithograph printed in colours by the same artist entitled “Kisses of his mouth” from the Song of Songs suite, signed and numbered 198/200 in pencil, 68 x 50.5cm. (2). (may be subject to Droit de Suite) £300 ‑ 400

773 Sami Briss, Romanian/Israeli, b.1930‑ Woman with a feathered scarf by a village; oil on panel, signed, 50.5 x 70cm £600 ‑ 800

774 Kelyne, Vietnamese b.1955‑ “L’enfant Porté”; oil on canvas, signed and titled to the reverse, 150 x 50cm £1500 ‑ 2000

775 Kelyne, Vietnamese b.1955‑ “Joies Familiales”; oil on canvas, signed, titled to the reverse, 195 x 96.5cm £1500 ‑ 2000

775

772



776 British School, 19th century‑ Battle of Trafalgar; oil on canvas, 56 x 72cm £250 ‑ 350

777 Capt. George Booth, British late 19th/early 20th century‑ “HMS Sultan at under sail”; oil on canvas, with James Bourlet & Sons Ltd label attached to the reverse of the stretcher, 61.5 x 91cm £200 ‑ 300

778 William Mills, British 1923‑1997‑ “Dorset Coast”; oil on canvas, signed with initials, signed, titled and dated ‘89 on the reverse, 51 x 61cm. (may be subject to Droit de Suite) £200 ‑ 300

779 William Mills, British 1923‑1997‑ “Abstract 4”; oil on canvas, signed with initials, 122.5 x 150.5cm (unframed). (may be subject to Droit de Suite) £250 ‑ 350

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780 William Mills, British 1923‑1997‑ “Abstract 1”; oil on canvas, signed with initials, 84 x 80.5cm (unframed). (may be subject to Droit de Suite) £150 ‑ 200

781 Alphonse Isambert, French 1818‑1870‑ Woman by a fountain with two putti; oil on canvas, signed, in a gilt composition Aesthetic movement frame, bears label for W A McKinley, 5 George Street, Ramsgate, attached to the reverse, 59 x 38cm

Provenance: F H Loudon, according to inscription on the stretcher £400 ‑ 600

782 Geoffrey Raymond Reeve, ARCA, British b.1936‑ “Kind of Blue”; oil on canvas, signed with initials and inscribed with dedication, 91 x 101.5cm. (may be subject to Droit de Suite) £400 ‑ 600

783 Neapolitan School, 20th century‑ Via Reale, Naples and View of the Harbour of Naples and Vesuvius; gouache, a pair, in matching glazed gilt composition frames, 30 x 45cm, ea. (2) £400 ‑ 600

784 Neapolitan School, 20th century‑ Ship portrait of the S S Redstart with Vesuvius in the distance; gouache, 37.5 x 58cm £150 ‑ 200

781



785 Edmund Joseph Ramus, French 1822‑1890‑ “Silence”, after Laurens Alma Tadema RA, publ by l’Art, printed by A Clement, Paris; etching, 28 x 22cm: Hélène Formstecher, French b.1852‑ “A Christmas Breakfast”, after Henry Bacon, publ by ‘’Art, printed by A Clement, Paris; etching, 36 x 25cm: Eugene Andre Champollion, French 1848‑1901‑ “Paysanne Italienne” after Mariano Fortuny, publ by l’Art, printed by A Salmon; etching, 28 x 19.5cm: Alexis Vollon, French 1865‑1945‑ “Scene de Carnival”, publ by l’Art, printed by A Clement, Paris; etching, 31 x 26cm L Lambert‑ “Une Soubrette Louis XV”, after Ch Monginot; etching: together with a further quantity of etchings by different hands including examples by the following: Ch de Billly, Henri Lefort, Léon Gaucherel, Leterrier, Em Salmon, L Lesigne, D Mordant, C O Murray, Letitia Byrne and others, various sizes. (18) (unframed) £150 ‑ 200

786 Pierre Lombard, French 1612‑1682, after Sir Anthony van Dyck‑ “Anne de Morton Comtissa”, “Rachel Middlesexiae Comtissa”, “Penelope Domina Herbert”, “Elizabeth Comtissa Devoniae”, “Elizabeth Castlehaven Comtissa”, “Lucia Comtissa de Carlile”, “Margarita de Carlile Comtissa”, “Anna Sophia Comtifsa de Canaruaen”, “Anna Comtissa de Bedford”, “Henricvs Arvndelliae Comes”, “Philippvs Comes Pembrokiae”, “Dorothea Comtissa de Svnderland”; copper engravings on laid paper, tipped onto blue wove sheets from an album, most double sided, 35 x 25.8cm, approx average: George Vertue, British 1684‑1756‑ “William Cavendish Duke of Newcastle”, publ by J & P Knapton, London 1739;m copper engraving on laid, 36 x 23.5cm. (13) (unframed) £300 ‑ 400

787 Valerio Adami, Italian b.1935‑ “Caen”, publ. Maeght, Paris; screenprint in colours, signed and numbered 7/100, 128.5 x 81cm. (may be subject to Droit de Suite) £200 ‑ 300

788 Valerio Adami, Italian b.1935‑ Untitled domestic scenes; screenprints in colour, three, ea. signed, dated ‘69 and inscribed ‘P.A’, 31 x 23cm. (3). (may be subject to Droit de Suite) £200 ‑ 300

789 Valerio Adami, Italian b.1935‑ “La Sabata” 1978; screenprint in colours, signed and numbered 66/100, 55.5 x 75cm: together with another screenprint by the same artist, “La vie simple d’un homme génial”, signed titled and numbered 63/75, 41 x 59cm. (2). (may be subject to Droit de Suite) £200 ‑ 300

790 Valerio Adami, Italian b.1935‑ “En promenade vous le jardin”; etching with aquatint printed in colours, signed, titled and numbered 58/75, 53.5 x 70.5cm: together with another etching with aquatint printed in colours by the same artist, “Harold LLoyd”; signed titled and numbered 69/75, 51.5 x 66cm. (2). (may be subject to Droit de Suite) £200 ‑ 300

790

789

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791 After Andy Warhol, American 1928‑1987‑ “Diamond Dust Diamond”, published by Sunday B Morning; screenprint on museum board paper, numbered 122/2500 in pencil and stamped in blue to the reverse, ea. 91.5 x 91.5cm (unframed)

Note: this lot is accompanied by a certificate of authenticity from the publisher Sunday B Morning £600 ‑ 700

792 Steven Pyke, British b.1975‑ “Buzz Aldrin, Lunar Module Pilot, Apollo 11”, 1998; silver bromide print, 93 x 93cm. (may be subject to Droit de Suite) £400 ‑ 600

793 Leonard H Rosoman OBE RA, British 1913‑2012‑ “Figures on a curved street, Florence”; gouache, signed and dated 1989, 32.5 x 52cm. (may be subject Droit de Suite)

Provenance: with The Fine Art Society, November 1998 according to the label attached to the reverse of the frame £400 ‑ 600

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794 Stephen Farthing RA, British b.1950‑ “Bad (A study of Broad Street)”; mixed media and acrylic on paper, signed and titled, 28 x 40.5cm: together with four further mixed media and acrylics on paper by the same artist, “5 (A study of Oxford)”, signed and titled, 24.5 x 41.5cm “Bad (A study of a streetscene), signed and titled, 31 x 45.5cm “OUP (A study of Walton Street)”, signed and titled, with date stamp 10 Sep 1992, 30 x 47cm “Queens. (A study of a streetscene), signed and titled, 25 x 41cm. (5). (may be subject to Droit de Suite) (see illustration on page 179) £500 ‑ 700

795 Nile Jade, British b.1945‑ “Pastel de Charme”; mixed technique oil on board, signed, 64.5 x 54cm. (may be subject to Droit de Suite) (see illustration on page 179) £300 ‑ 400

796 Ioannis Kardamatis, Greek b.1916‑ “Nausicaa”; mixed media on canvas, signed, titled and dated 1961 on the reverse, 100 x 50.5cm (unframed). (may be subject to Droit de Suite) (see illustration on page 179) £600 ‑ 800

797 Nicos Hajikiriakos‑Ghika, Greek 1906‑1994‑ “Eclipses”; black watercolour, signed, titled, dated 1966 and dedicated, 65.5 x 48.5cm. (may be subject to Droit de Suite) £3000 ‑ 5000

798 A Bourdon, early 20th century, A Suite of Portrait Miniatures, depicting Mary Berry, Elizabeth Rushout, Anne Rushout, Comtesse de Salisbury, Lady H Duncannon, all quarter‑length, ovals, each signed, in matching oval glazed brass frames with applied title plaques to the reverse, 8 x 6.5cm, ea. (5) £500 ‑ 700

799 Septimus Edwin Scott, British 1879‑1962‑ Unloading on the banks of the Seine; oil on canvas board, signed, 23 x 30cm. (may be subject to Droit de Suite) £200 ‑ 300

800 Helena Ben‑Zenou, British b.1970‑ “Social Polyester II”; mixed media on canvas, signed, titled and dated 2002 on the reverse of the stretcher, 194 x 152cm (unframed). (may be subject to Droit de Suite) £400 ‑ 600

801 Richard Slater RI, British b.1927‑ “Gardens & Trellis”; gouache, signed and dated indistinctly, 23.5 x 33cm. (may be subject to Droit de Suite) Note: For biographical details on the artist see David Buckman’s The Dictionary of Artists in Britain since 1945, 2006, page 1463 £200 ‑ 300

798

797



802 Celine, French, mid 20th century‑ Design for a birthday card; pen and black ink and watercolour on two sheets, both laid down on single sheet of card, signed, inscribed and dated 28.5.51, 35.3 x 11.3cm. (unframed). (may be subject to Droit de Suite) £200 ‑ 300

803 Attributed to Sir Charles D’Oyly, 7th Bart, British 1781‑1845‑ Soldier with a horse with a camel sheltering beneath a tree beyond; watercolour, 18.8 x 22.3cm: together with two other watercolours attributed to the same hand, to include one depicting a man seated outside a dwelling smoking a hookah pipe (recto), a man washing at a pool (verso) and a man giving a haircut to another man (recto), Camel with an attendant (verso), 12.5 x 16cm and 12 x 16.8cm. (3) (mounted) (unframed) £400 ‑ 600

804 J Ireland, Provincial School, late 18th/early 19th century‑ “Chateau du Duc de Penthicure proche de la Ville d’Eu en Normandie”; watercolour over black chalk, signed in pen and ink on the mount, bears inscription with date Oct 16 91 on the mount, 15.5 x 22cm: together with one other watercolour by the same hand titled “Rochefoucault, late Archbishop of Rouen’s Palace at Gallion, Normandy”, signed in pen and ink on the mount, bears inscription with date Oct 20 91 on the mount, 16 x 25cm. (2) (mounted) (unframed) £150 ‑ 200

805 British Provincial School, early 19th century‑ “A View of Wantage Berks”; watercolour, bears inscription, 13.5 x 21.5cm: together with three other watercolours by the same or a related hand of architectural related subjects, to include: “The Roman Catholic Chapel at Shefford in Bedfordshire”, “Lord Ongley’s Mausoleum in the N E corner of Old Warden Church ye Bedfordshr” and “Denham Church Buckinghamshire from the South‑East”, 16.5 x 20cm, 17.2 x 16.5cm and 16 x 21cm, respectively. (4) (mounted) (unframed) £300 ‑ 400

803

801

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806 After Carl Friedrich Heinrich Werner, German 1808‑1894 and Rinaldo Werner, German 1842‑1922, a small collection of prints, engravings and ephemera relating to the artists’ work, to include a booklet entitled Festlieder zur Carl Werner Feier auf 4 Dec 1888, a printed exhibition notice Rinaldo Werner, Aquarelliste, Rue Margutta 53B, Premier étage, Exposition d’Aquarelles, ouverte tous les jours de 10H à 5 H commençant de Jeudi 15 courant, and a quantity of albumen photographs of the artists’ works. (a lot) (unframed) £100 ‑ 150

808

807



807 Carl Friedrich Heinrich Werner, German 1808‑1894‑ “Fountain at Cairo”; pencil and watercolour, sketch, signed, inscribed and dated 1864, 35 x 48.5cm: together with a small collection of unfinished watercolour studies and sketches by the same hand to include those entitled “Strada Monte Gianicola, Rome”, signed, inscribed and dated 1849, “Triason”, and “Studie for the picture of the Poor Man, Sir Frances Scott”, signed, inscribed and dated 1848, and further works, some relating to subjects in the Middle East and Italy, various sizes. (20) (unframed) £200 ‑ 300

808 Carl Friedrich Heinrich Werner, German 1808‑1894‑ View of an Italianate sunken garden with avenue of cypresses; pencil, inscribed, 43.8 x 57.3cm “Sermoneta, Pontine Marshes, Monte Felice”, signed, inscribed and dated 1844, 26 x 43.5cm: together with a quantity of studies in pen and ink and pencil relating to architectural, Northern European & Italian views, and figure studies by the same hand, many inscribed, some signed, various sizes. (40) (unframed) £300 ‑ 400

809 Carl Friedrich Heinrich Werner, German 1808‑1894‑ “Carnival, Rome”; pencil on tissue‑thin paper, inscribed on the mount, 40 x 54cm: together with a large quantity of further studies for larger compositions in pencil and pen and ink on tissue‑thin paper, many of Venice, Italian scenes, costumed figures studies, group figure studies, architectural views etc., most numbered on the mount, various sizes. (approx. 60) (unframed) £600 ‑ 800

810 Carl Friedrich Heinrich Werner, German 1808‑1894‑ The Wailing Wall; pencil on tissue‑thin paper, 40 x 53cm: together with a large quantity of pencil and pen and ink studies on tissue‑thin paper for larger compositions, mostly of subjects in Egypt, Jerusalem and the Middle East, most numbered on the mounts, various sizes. (approx. 30) (unframed) £600 ‑ 800

810

809



811 Carl Friedrich Heinrich Werner, German 1808‑1894‑ Arab figures in Middle Eastern mountain landscapes, one with a coastal landscape beyond; watercolours, a pair, 60.5 x 90.2cm, ea. (2) (unframed) £2000 ‑ 3000

811

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PART TWOSeparate catalogue available

Wednesday 11 December 2013 Starting at 10am

10am Islamic, Indian and Asian Arts (Lots 1035-1608)4pm Works of Art,

Furniture and Rugs (Lots 1651-1877)

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EXPLANATION OF PICTURE CATALOGUING TERMS

Any statement as to authorship, attribution, origin, date, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. Roseberys reserve the right, in forming their opinion, to consult and rely upon an expert or authority considered by them to be reliable.

1. ‘Peter Paul Rubens 1577-1640’ * In our opinion, a work by the artist.

2. ‘Attributed to Peter Paul Rubens 1577-1640’ * In our opinion, probably a work by the artist.

3. ‘Circle of Peter Paul Rubens 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style

and during the period of the artist’s life.

4. ‘Follower of Peter Paul Rubens 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style,

contemporary or near contemporary.

5. ‘School of Peter Paul Rubens, 17th century’ * In our opinion, a work executed at that time and in the style associated

with that artist.

6. ‘Flemish School, 17th century’ * In our opinion, a work executed at that time and in the style associated

with that location.

7. ‘Manner of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style

but at a later date, although not of recent execution.

8. ‘Style of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style

and of recent execution.

9. ‘After Peter Paul Rubens 1577-1640’ * In our opinion, a copy by an unidentified artist of a named work by the artist.

10. A picture catalogued with accompanying dates e.g. 1577-1640 relates to the identification of the particular artist and is not proof of attribution or indicative of authenticity.

11. The term signed and/or date and/or inscribed means that in our opinion the signature and/or date and/or inscription are of the artist.

12. The term with signature and/or date and/ or inscription means that in out opinion that artist’s name and/or date and/or inscription have been added by another hand.

13. All references to signature, inscriptions and dates refer to the present state of the work.

14. Dimensions are given in centimetres, height before width, and are measured from the mount or the frame, from the front.

15. All pictures are framed, unless otherwise stated in the catalogue.

16. Please note, catalogue and website images may not be a true representation of an item due to printing or photographing processes.

ALL SALES ARE SUBJECT TO THE CONDITIONS PRINTED IN THIS CATALOGUE

CONDITIONS OF SALE

THE SELLER1. In these conditions the following words shall have

the following meanings:-

“The Auctioneer” means Rosebery Fine Art Limited.

“Hammer Price” the price at which the Lot is sold to the Buyer.

“Buyer” the highest bidder for any Lot acceptable to the Auctioneer.

“Lot” goods delivered to the Auctioneer by the Seller for sale by auction.

2. The Auctioneer sells as agent for the Seller and as such is not responsible for any default of the Seller or Buyer.

3. All goods delivered to the Auctioneer’s premises will be deemed to be delivered for sale by auction unless otherwise stated in writing, they will be catalogued and sold at the Auctioneer’s discretion and are accepted by the Auctioneer subject to these conditions. By delivering goods to the Auctioneer for inclusion in auction the Seller acknowledges accepts and agrees to all these conditions, and grants the Auctioneer full authority to photograph and illustrate any Lot and use such photographs at any time at his discretion.

4. The Seller warrants the Auctioneer and the Buyer that he is the true owner of the Lot or is properly authorised to sell the Lot by the true owner and is able to transfer good title thereto free of any third party claims.

5. The Seller shall indemnify the Auctioneer, its servants and agents and the Buyer against all claims made or proceedings brought by persons entitled to the Lot and shall reimburse the Auctioneer on demand for all payments, cost, or expenses or any other loss or damage whatsoever made, incurred or suffered as a result of any breach by the Seller of these conditions.

6 (a) The Seller may place a reserve on any Lot by agreement in writing with the Auctioneer. The Auctioneer shall have the sole right to bid on behalf of the Seller up to the amount of the reserve. The Seller shall not bid on any Lot on which a reserve has been placed. The Auctioneer holds itself responsible only for reserves or other sale instructions received in writing from the vendor.

(b) Where any Lot fails to sell the Auctioneer retains the right to re-offer the Lot at a reduced estimate and reserve (if any) and sold at the Auctioneers discretion unless written instructions are received to the contrary.

(c) If the Seller does not wish to re-enter the Lot, or the Auctioneer advises the Seller that it does not wish to re-enter the Lot on their behalf, the Seller shall collect the Lot within 5 working days of the last auction, failing which they shall be responsible for storage charges at £2 per Lot per day in addition to any other charges to which they are liable.

(d) If the Lot remains uncollected 2 months after the date of the sale, the Auctioneer shall have the right to sell the Lot at auction without reserve and to deduct from the “hammer price” any sum owing to the Auctioneer including expenses arising from all sales in which the Lot has been included and storage and insurance charges.

7. The Auctioneer shall remit the proceeds of the Seller 28 days after the day of the auction provided that the Auctioneer has received the total sum

due from the Buyer. The Auctioneer shall not be deemed to have received the total sum until any cheque delivered by the Buyer has been received and cleared. If the Auctioneer exercises its right to rescind the sale under clauses 9 and 18 hereof it shall not have any obligation to the Seller hereunder.

8. If the Seller withdraws instructions to the Auctioneer to sell any Lot the Auctioneer may charge the Seller such amount as the Auctioneer deems necessary to compensate the Auctioneer for all expenses incurred in respect of the Lot together with a cancellation charge which shall not be less than 15% of the Auctioneers low estimate of the auction price of the Lot withdrawn together with VAT thereon.

9. If before the net proceeds of the sale have been paid to the Seller the Auctioneer receives notice from the Buyer that in its view the Lot is a forgery (and is not as described in the catalogue) and the Auctioneer agrees with that view, the Auctioneer will rescind the sale and refund the Buyer any amount paid to the Auctioneer in respect of that Lot.

10. (a) Loss & Damage Of Goods

Loss and Damage Warranty - Roseberys is not regulated by the FSA for the provision of insurance to its clients. However Roseberys for its own protection, assumes liability for property consigned to it at mid pre-sale estimate. To justify accepting liability, Roseberys makes a charge of 1.75% of the hammer price plus vat. Should an item(s) be subject to a claim following its sale by auction, the settlement figure will be the price achieved less charges and should the item be subject to a claim following an auction where it has been unsold, then the highest bid, if any, shall be the settlement figure.

(b) The Auctioneer it’s servants or agents shall not be responsible for loss or damage of any kind to Lots whether caused by the negligence or otherwise unless such a Lot is covered by insurance effected by the Auctioneer in accordance with 10 (a) above.

(c) Any liability of the Auctioneer its servants or agents for any claim for loss or damage whatsoever and howsoever arising in respect of the Lots whether caused by negligence or otherwise shall be limited to the amount of insurance cover affected in accordance with Clause 10(a) above.

11. Vendors Commission

A commission rate of 15% is payable by the vendor on the hammer price of all lots up to £1,000 and a commission of 10% is payable thereafter.

Loss & Damage Warranty

The rate payable by the vendor is 1.75% of the hammer price plus VAT. Insurance cover is provided at mid auction estimate. In the event of a claim settlement will be made at this level less normal charges as if the lot had actually sold for the mid estimate price.

Lottage (Saturday auctions)

There will be a charge of £5 per lot that is sold.

VAT

Lots that are subject to VAT on the hammer price are marked in the catalogues with a (*) star. Buyers from outside the European Union must pay the vat, this will then be refunded to the buyer on provision of the necessary proof of export. VAT,

which is applied to the Buyer’s Premium and or the Vendors Commission and all other charges, cannot be refunded and must be paid in full in all circumstances. Lots which appear without the (*) symbol indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

11 a. Catalogue Illustrations

A charge will be made for illustration of any lots. Illustration will be at Roseberys discretion, and is normally £10 per black and white illustration and £20 per colour illustration.

Internet Images

There is a high level of interest and bids generated by the internet and where relevant we endeavour to post an image of the majority of the lots in our antiques auction. The charge for posting an image on our website is £10 plus VAT and is at our discretion.

THE BUYER Buyers Premium

A buyer’s premium of 20% of the hammer price is payable by the buyer, together with VAT on this premium unless specified otherwise in the auction catalogue.

Droit de Suite

A surcharge of 4% will be made to the hammer price for any lot subject to the recently introduced legislation relating to ‘droit de suite’. In effect the premium chargeable will be 24% plus VAT. Further details are available from our offices on request.

12. The highest bidder acceptable to the Auctioneer shall be the Buyer. The Auctioneer shall have absolute discretion to settle any dispute and to refuse bids or to advance the bidding as seen fit.

13. Every bidder shall be deemed to act as principal unless in receipt of written acknowledgement by the Auctioneer that the bidder is acting as agent on behalf of a disclosed principal.

14. The Buyer must complete a registration form prior to bidding and will be given a paddle number. The Auctioneer may refuse a bid or re-offer a Lot if a Buyer has not registered and/or has no current paddle number. Following a successful bid the Buyer shall pay the Auctioneer in full the Hammer Price (plus VAT payable in accordance with clause 15 below), together with a premium of 20% of the Hammer Price and VAT at the standard rate on the premium, within two working days of the day of the sale.

15. Where a Lot is marked by a *VAT is payable on the Hammer Price at the standard rate.

16. The ownership of a Lot shall not pass to the Buyer and the Buyer shall not be entitled to remove any Lot until he has made full payment to the Auctioneer of the total amount due. Payment shall be deemed to have been made only after the Auctioneer has received cash or sterling bankers draft or the Buyers cheque has been cleared.

17. All Lots must be removed at the Buyers risk and expense. All furniture and rug Lots must be cleared by 5:00pm on the Monday following the sale. All other Lots must be cleared by 5:00pm on the Wednesday following the sale. Storage charges of £2 per lot per day + VAT will be strictly enforced thereafter.

BUYERS TERMS & CONDITIONS

18. Should a Buyer breech either of conditions 14 and 17 the Auctioneer, at is absolute discretion and without prejudice to any other rights he may have, may exercise any of the following rights and remedies:-

(a) Proceed against the Buyer for breach of contract;

(b) rescind the sale of all or any Lots sold to the Buyer;

(c) re-sell all or any Lots by public auction or private treaty and deficiencies in the purchase price resulting from such sale (after giving credit for any prior payment received from the Buyer) together with full costs incurred in connection with the Lot or Lots shall be paid to the Auctioneer by the Buyer. Any surplus over the proceeds of the sale shall go to the Seller;

(d) remove, store and insure (on any premises) the Lot or Lots at the expense of the Buyer;

(e) charge interest on the purchase price of 5% over the base lending rate of the National Westminster Bank PLC on any amount out-standing from the Buyer more than 7 days after the date of sale;

(f) retain the Lot or any other Lot sold to the Buyer at the same or any other auction and release the same only after payment of the full purchase price.

(g) reject any bids made by or on behalf of the Buyer at the same or any other future auction, or obtain part payment before accepting any future bids;

(h) apply any proceeds of sale then due or at any time thereafter becoming due to the Buyer towards settlement of the total amount due and exercise a lien on any property of the Buyers which is in the Auctioneers possession for any purpose.

19. (a) Many items are of an age or nature which precludes their being in perfect condition. The catalogue description is for guidance only and does not imply an item is free from defects nor does a reference to specific defects imply the absence of others.

(b) Prospective Buyers are strongly advised to examine personally any goods in which they are interested before the auction takes place. The Auctioneer can provide condition reports on request but provide no guarantee to reports given other than in relation of forgeries as referred to in clause 19(d).

(c) Any Lot which is claimed by the Buyer to be a forgery may be returned to the Auctioneer, in the same condition in which it was sold, within two weeks of the sale. If the Auctioneer is satisfied that the claim is justified and that the Buyer is able to transfer good marketable title to the Lot free from any third party claims Roseberys will rescind the sale and refund any amount paid by the Buyer to Roseberys for the Lot.

(d) Any claim by the Buyer under this condition shall be limited to the amount paid by the Buyer to the Auctioneer for the Lot.

20. The Auctioneers will, on the Buyer’s written instructions, execute bids on their behalf, but neither the Auctioneer nor his employees nor agents shall be liable for any neglect in doing or failure to do so.

21. These conditions shall be governed by and construed in accordance with English Law.

1. All bids must be left at reception at least one hour prior to the start of the relevant section of the auction.

2. Please telephone after the auction to see if you have been successful.

3. Successful bidders shall pay the hammer price + 20% buyers premium plus VAT on the premium.

4. Lots marked with asterisk (*) in the catalogue are subject to VAT on the hammer price.

5. All furniture and rug Lots must be paid for and collected by 5:00pm on the Wednesday following the auction. All other Lots must be cleared by 5:00pm on the Friday following the auction.

6. Roseberys will strictly enforce a storage charge of £2 per lot per day, + VAT if Lots are not paid for and collected as outlined above in item 5.

7. Roseberys endeavour to execute all commission bids as accurately as possible but cannot be held responsible for any mistakes or omissions.

8. Buyers should satisfy themselves before bidding as to the physical condition of an item. The description of a lot does not imply any item is free from defect.

9. Shipping of goods. Buyers must make their own arrangements for collection and delivery of purchases. (please see website for recommended shippers)

10. New Buyers: If you have not previously registered with Roseberys for buying at auction, please complete a Registration form at Reception before the auction and provide Proof of Identification. We cannot accept bids unless registration is completed prior to an auction.

11. Coloured Gems: It is common practice for gemstones to be treated in order to enhance colour and clarity. Unless stated, buyers should presume coloured stones may well have been exposed to some sort of treatment.

12. Condition Reports & Images: All lots containing a large quantity of items should be viewed in person. Roseberys are unable to give condition reports or additional images on these lots.

13. Electrical Goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

14. Export Of Goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory.

15. Droit De Suite Royalty Charges

From 14th February 2006 all UK art market professionals are required to collect a royalty payment for all works of art that have been produced by living artists. This payment is only calculated on qualifying works of art, which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000 - the UK sterling equivalent will fluctuate in line with prevailing exchange rates. It is entirely the responsibility of the buyer to acquaint himself with the precise EURO to UK Sterling exchange rate on the day of the sale in this regard. and the auctioneer accepts no responsibility whatsoever if the qualifying rate is different to the rate indicated. All items in the catalogue that are marked with (maybe subject to droit de suite) are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000. The royalty charge will be added to all relevant buyers’ invoices, and must be paid before items can be cleared. All royalty charges are passed on to the Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneers. The royalty charge that will be applied to qualifying items which achieve a hammer price of more than the UK sterling equivalent of EURO 1,000, but less than the UK sterling equivalent of EURO 50,000 is 4%. For qualifying items that sell for more than the UK sterling equivalent of EURO 50,000 a sliding scale of royalty charges will apply - for a complete list of the royalty charges and threshold levels, please see www.dacs.org.uk. There is no VAT payable on this royalty charge.

16. Condition: (a/f) in a description indicates an item is “as found” and has significant damage.

FORTHCOMING AUCTION

Saturday 18 January 2014 Art and Antique Auction

to include: Ceramics & GlassSilver & Silver PlateJewelleryPaintings & PrintsCollector’s ItemsWorks of ArtFurniture & Rugs

Entries for this sale are invited until 8 January

LOT NUMBER £ BID PRICE EXCLUDING PREMIUM

LOT NUMBER £ BID PRICE EXCLUDING PREMIUM

FULL NAME:

ADDRESS:

POSTCODE:

DAYTIME TELEPHONE NUMBER

MOBILE:

EMAIL:

All bids are entered subject to rosebery’s standard terms and conditions of asle and to any special terms stated by the auctioneers to apply to lot(s) which the prospective purchaser hereby acknowledges and accepts.

Please see over for terms and conditions for absentee bidding

PLEASE CHECK YOUR BIDS AND MAKE SURE YOU HAVE ENTERED ALL DETAILS CLEARLY

Please write clearly and place your bids at least one hour prior to the start of the relevant section of the auction

I authorise Rosebery’s to bid on my behalf for the following lot(s) up to the price(s) stated.I confirm I have read and agreed to the buyers terms of sale overleaf.

Signed:

Date:

The Old Chocolate Factory74/76 Knights Hill, West Norwood

London SE27 0JD

Tel: 020 8761 2522Fax: 020 8761 2524

Email: [email protected]

ABSENTEE BID FORM

Saturday 18 January Art and Antique Auction

Saturday 8 February Art and Antique Auction

Tuesday 18 and Wednesday 19 MarchQuarterly Fine Art Auction including Decorative Arts and Modern Design, Antique Picture Frames and Modern Sculpture

Saturday 12 April Art and Antique Auction including Antique Textiles and Vintage Fashion

Saturday 10 May Art and Antique Auction

Tuesday 24 and Wednesday 25 June Quarterly Fine Art Auction including Asian and Islamic Art, Antique Picture Frames and Modern Sculpture

Saturday 19 July Art and Antique Auction

Tuesday 9 and Wednesday 10 September Quarterly Fine Art Auction including Decorative Arts and Modern Design, Antique Picture Frames and Modern Sculpture

Saturday 4 October Art and Antique Auction including Antique Textiles and Vintage Fashion

Saturday 1 November Art and Antique Auction

Tuesday 9 and Wednesday 10 December Quarterly Fine Art Auction including Asian and Islamic Art, Antique Picture Frames and Modern Sculpture

www.roseberys.co.uk

Roseberys is now accepting consignments for its forthcoming Spring 2014 auction.

CONSIGNING

2014 AUCTION CALENDAR

Viewing for Saturday Auctions: Thursday: 1pm to 5pm Friday: 9.30 am to 5.30 pm Saturday: 9am to 9.45am

Viewing for Quarterly Fine Art Auctions:Friday: 1pm to 5pm Sunday: 10am to 2pm Monday: 9.30am to 5.30pm Tuesday and Wednesday: 9am to 9.45am

Lot 623

The Old Chocolate Factory74-76 Knights HillWest NorwoodLondon SE27 0JD

Tel: 020 8761 2522Fax: 020 8761 [email protected]

www.roseberys.co.uk

Documents

Roseberys 8 & 10th Dec Day 1 & 2 Catalogue