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Artist Statement
Unlike most contemporary artists who reject traditional arts and crafts in favour of more conceptually driven works, I embrace both traditional crafts and decorative aesthetics. I use the classic songket shuttle weaving techniques and unconventional materials to create densely coloured tapestries, which I describe as “metaphors” for identity and nationhood. My work succeeds in piecing the supposedly firm boundaries between art and textile, contemporary and traditional, abstraction and pattern making.
I am trying to elevate the art of weaving to the next level, transforming it from a two dimensional fabric to a three-dimensional art form.
Anne SamatNovember 2016
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Anne SamatHuntsman Series (Portrait of a Man 3)
2016Pattern drafted weaving structures, rattan sticks, yarns, ceramic &
wooden beads, wall washers, kitchen and garden utensils152 x 76 cm
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Anne SamatHuntsman Series (Portrait of a Woman 3)
2016Pattern drafted weaving structures, rattan sticks, yarns, ceramic &
wooden beads, wall washers, kitchen and garden utensils152 x 62 cm
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Anne SamatHuntsman #1
2016Pattern drafted weaving structures, rattan sticks, yarns, ceramic &
wooden beads, wall washers, kitchen and garden utensils82.5 x 17 cm
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Anne SamatHuntsman #4
2016Pattern drafted weaving structures, rattan sticks, yarns, ceramic &
wooden beads, wall washers, kitchen and garden utensils79 x 17 cm
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Anne SamatHuntsman #5
2016Pattern drafted weaving structures, rattan sticks, yarns, ceramic &
wooden beads, wall washers, kitchen and garden utensils84 x 18 cm
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Anne SamatHuntsman #8
2016Pattern drafted weaving structures, rattan sticks, yarns, ceramic &
wooden beads, wall washers, kitchen and garden utensils94 x 22 cm
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Education
1995 Bachelor Degree in Art and Design (minor in Print & Resist)
Selected Group Exhibition2017 Art Central Hong Kong 2017, Richard Koh Fine Art, Hong Kong
Art Stage Singapore, Richard Koh Fine Art, Singapore
2016 Malaysian Art, A Special Preview, Richard Koh Fine Art, Kuala Lumpur, Malaysia
2015 Hijrah / Migration, The Zetter Hotel, London, United Kingdom
Totem, The Space, Georgetown, Penang, Malaysia
Melukis Puisi: Pyanhabib, White Box, MAP@Publika, Kuala Lumpur, Malaysia
Perolehan Terikini 2012-2014, National Visual Art Gallery, Kuala Lumpur, Malaysia
2014 Malaysian Eye, START at Saatchi Gallery, London, United Kingdom
Open Show Malaysia (Jurors’ Award), National Visual Art Gallery, Kuala Lumpur, Malaysia
Malaysian Eye, MAP@Publika, Kuala Lumpur, Malaysia
2013 Malaysia Eye, Nolias Art Gallery, London, United Kingdom
Selamat Hari Malaysia M50, White Box, MAP@Publika, Kuala Lumpur, Malaysia
2012 Superheroes, The Ledge, One Utama, Kuala Lumpur, Malaysia
Open Exhibition, Shah Alam Gallery, Selangor, Malaysia
2011 Rupa dan Suara, Yayasan Seni Berdaftar Kuala Lumpur, Malaysia
Kasihnya Ibu, National Visual Art Gallery, Kuala Lumpur, Malaysia
2009 Amal Palestine, National Visual Art Gallery, Kuala Lumpur, Malaysia
2008 Islamic Show, Art Case Galleries, Kuala Lumpur, Malaysia
2007 Art for All, Art Case Galleries, Kuala Lumpur, Malaysia
2002 A Woman’s Touch, Art Case Galleries, Kuala Lumpur, Malaysia
Anne Samat (b. 1973, Malaysia) is a fibre textile artist who graduated in 1995 from Mara Institute of Technology, in Malaysia. She holds a Bachelor Degree in Art and Design (textile design) with a major in Weaving and a minor in Print and Resist. Anne is the first prize winner in the PNB/ National Art Gallery of Malaysia Contemporary Young Artist competition held in 1997. She was also selected by the National Art Gallery to represent Malaysia at the International Art and Craft Fair in Bangkok in 1999. Known to inject traditional Malaysian woven techniques and decorative designs with contemporary aesthetics and conceptual ideas, Anne’s work addresses issues of identity and nationhood by pushing the boundaries of weaving techniques infused with everyday materials.
Anne Samat
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1999 Miniaturization Two, Art Case Galleries, Kuala Lumpur, Malaysia
Art Bazaar, Bank Negara Malaysia, Kuala Lumpur, Malaysia
Art Bazaar, Yayasan Seni Berdaftar, Kuala Lumpur, Malaysia
1998 Miniaturization One, Art Case Galleries, Kuala Lumpur, Malaysia
1997 Young Contemporary Artist Competition, Permodalan Nasional Berhad (PNB), Kuala Lumpur, Malaysia
A Question of Balance, Art Case Galleries, Kuala Lumpur, Malaysia
Awards and Honors2014 Jurors’ Award Open Show Malaysia, Kuala Lumpur, Malaysia
2013 Top Ten Malaysian Female Artists, Kuala Lumpur, Malaysia
2012 Incentive Award, Shah Alam Gallery, Selangor, Malaysia
1997 Young Contemporary Artist, Kuala Lumpur, Malaysia
Residencies2002 Yayasan Seri Berdaftar, Kuala Lumpur, Malaysia
Public CollectionNational Visual Arts Gallery, Kuala Lumpur, Malaysia
Wisma Putra, Putrajaya, Malaysia
Yayasan Tun Razak, Putrajaya, Malaysia
Bank Negara, Kuala Lumpur, Malaysia
Malayan Banking Berhad, Kuala Lumpur, Malaysia
Permodalan Nasional Berhad, Kuala Lumpur, Malaysia.
Kuala Lumpur Stock Exchange, Malaysia
Petronas, Malaysia
Esso, Malaysia
Park City Beverly Hotel, Bintulu, Sarawak
Yayasan Seni Berdaftar, Ampang, Malaysia
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Artist Statement
My selection of geometric painted panels displays the exuberance of urban vernacular architecture in Southeast Asia. Inspired by the language of modern Western geometric abstraction and the architectural elements in my home city, Kuala Lumpur, such as grill works on doors and windows in rougher neighbourhoods and columns, I examine the motifs in relation to Western art history and the culturally injected idea of modernity. The panels, which are made into certain standardized sizes, appear at first glance to be machine made, but are actually painted and sanded through a meticulous process of craftwork. The paintings’ often smooth surfaces and at times metallic or fluorescent colours make reference to the prevalence of digital culture and the computer screen. They have also been multiplied and constructed into installations, along with freestanding sculptures, depicting overwhelming fictional city facades of various perspectives.
Haffendi Anuar2016
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Haffendi AnuarBaby Gone Be Gone
2016Oil and enamel on board
155 x 91 cm (7 parts)
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Haffendi AnuarTurn Me Away
2016Oil and enamel on board
147 x 104 cm (7 parts)
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Education
2013 BA Honors (Sculpture), Central Saint Martins College of Art and Design, London, UK
2007 BFA (Foundation), Rhode Island School of Design, Providence, USA
2005 International Baccalaureate Certificate in Fine Art, International School of Kuala Lumpur, Kuala Lumpur, Malaysia
Solo Exhibitions2017 Migratory Objects, Volta NY, Richard Koh Fine Art, New York, United States
2015 Elephant Utopia, Future Section, Art Taipei 2015, Taipei, Taiwan
M13, Richard Koh Fine Art, Kuala Lumpur, Malaysia
Selected Group Exhibitions2017 Art Central Hong Kong 2017, Richard Koh Fine Art, Hong Kong
Art Stage Singapore, Richard Koh Fine Art, Singapore
2016 Malaysian Art, A Special Preview, Richard Koh Fine Art, Kuala Lumpur, Malaysia
Malaysian Art, A New Perspective, Richard Koh Fine Art, Kuala Lumpur, Malaysia
Bazaar Art Jakarta 2016, Jakarta, Indonesia
B-Movie, J: Gallery, Shanghai, China
Art Central Hong Kong 2016, Hong Kong
Art Stage 2016, Singapore
2015 Eyeball Massage, Fingers Exercise, Fergana Artspace, Penang, Malaysia
Synthesis, The Art Center, Chulalongkorn University, Bangkok, Thailand
I am Ten, Richard Koh Fine Art, Kuala Lumpur, Malaysia
Art Stage 2015, Singapore
Malaysian Art, A New Perspective, Richard Koh Fine Art, Singapore
Malaysian Art, A New Perspective, Richard Koh Fine Art, Kuala Lumpur, Malaysia
2014 Art Taipei 2014, Taipei, Taiwan
Haffendi Anuar (b. 1985, Malaysia) is an artist based in Kuala Lumpur. He produces sculptures, paintings and drawings. He did his International Baccalaureate certificate in art at the International School of Kuala Lumpur, his foundation at the Rhode Island School of Design in Providence and his BA Honors at Central Saint Martins College of Art and Design in London. Haffendi is a multidisciplinary artist. Mining history of art, digital technology, nature and local contexts, he creates object-based works that recycle found images, objects and artistic styles from digital and local sources.
Haffendi Anuar
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KIAF/14 (Korea International Art Fair), Seoul, South Korea
Arts Kuala Lumpur – Melbourne , Space@Collins Street, Melbourne, Australia
Cherry on Top(less), Topless, New York, USA
MEAA 2014 (Malaysian Emerging Artists Award), Whitebox @ Publika, Kuala Lumpur, Malaysia
2013 METAMORPH, Hoxton Garage, London, UK
Odysseys, The Gallery @ Starhill, Kuala Lumpur, Malaysia
Void Open 2013, Hoxton Arches, London, UK
Xhibit 2013, SU Gallery, UAL and Four Corners Gallery, London, UK
Green Week, Lower Street Gallery, London College of Communication, London, UK
2012 Show, Elthorne Road, London, UK
Magic Assemblage, Magic Assembly, Petrie Museum, London, UK
2011 Quick – in the Moment…., Nolia Gallery, London, UK
Utopia, the Architecture of Perfection, Nolia Gallery, London, UK
In-Exchange, Lethaby Gallery, London, UK
2010 VAA Exhibtion (Starhill Visual Arts Award), Kuala Lumpur, Malaysia
Breakthrough Exhibition, The Gallery @ Starhill, KL PAC and Dasein Gallery, Kuala Lumpur, Malaysia
Young Malaysian Artists - New Object(ion), Galeri Petronas, Kuala Lumpur, Malaysia
Artriangle 3, National Art Gallery, Kuala Lumpur, Malaysia
NKOTB, Threesixty Art Development Studio, Kuala Lumpur, Malaysia
2007 Art +- 1000, Valentine Willie Fine Art, Kuala Lumpur, Malaysia
2005 Foundation Triennial, Woods-Gerry Gallery, Providence, USA
Public CollectionKhazanah Nasional Berhad, Kuala Lumpur, Malaysia
Corporate collection, Singapore
Singapore Art Museum, Singapore
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Artist Statement
HOL (Higher Order Love), Chapter 2: Grey Marrow consists of drawings that are mostly related to plagues and diseases which surfaced during the post-internet era, from the 80s until today.
Some of my earliest memories of diseases are of those that attack livestock or pets, these include: the foul pox (puru), Newcastle disease (Sampar ayam), asthma attack among cats, polio and fungal growth on fishes… The virus incubation period ranges from two to fifteen days, with varying visible symptoms of alteration. Sampar for example, when contracted, makes the chickens asthmatic, causes limping, swelling of eyes and reduces egg production. These plagues can be transmitted through direct contact or more dangerously, are sometimes airborne. Its inhibition often alters the physical quality of its carrier during the fatal stages by permeating the bloodstream, invading and weakening the respiratory system and other vital organs. If one is lucky, one can be cured with early detection and intervention.
As a child, my mother would often pass down various traditional healing remedies, often done verbally. These home remedies of the kampong would vary in technique, often includes some form of natural herbal medication fused with water. Some of these healing methods would stem from experience, though some might very well be a complete concoction of her imagination. I recall conducting a successful surgery over our infected poultry, keeping to her instructions as she held the bird down.
Amongst these dreadful diseases Polio holds my fascination till today. With its strongholds mostly on remote islands and isolated lands in the 70s, it served as the setting of my most explicit disease-related-memory: a story of an island inhabited only by polio patients, tucked in a remote part of the country in the 70s. This story, coupled with superstitions and stigma around it, further fueled my fascination as I went on to imagine how a supposed polio community would survive and cope with the everyday as the poliovirus continues to invade and alter their body.
The eventual access to the internet allowed me to retrace my memories of these diseases. This memory jog would meander from the scientific to childhood stories, real life experiences and hearsays. They emerge vividly, often evolved in my imagination as astonishing characters, the protagonists mostly polio sufferers themselves.
The drawings in HOL, Chapter 2: Grey Marrow records my journey with medicine. Be it a minor surgical attempt on a pet that I have kept, family members that had cataract operations, or a family member who survived cancer, these relatable mementoes are intimately archived and recontextualised in my drawings.
Hasanul Isyraf Idris2016
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Hasanul Isyraf IdrisAndromeda Kasturi
2016Pencil, color pencil, ink and watercolor on paper
61 x 91.5 cm
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Hasanul Isyraf IdrisBottom of the Bowl
2016Pencil, color pencil, ink and watercolor on paper
61 x 91.5 cm
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Hasanul Isyraf IdrisClose to the Ketayap System
2016Pencil, color pencil, ink and watercolor on paper
61 x 91.5 cm
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Hasanul Isyraf IdrisGuardguard
2016Pencil, color pencil, ink and watercolor on paper
61 x 91.5 cm
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Hasanul Isyraf IdrisHabibi Shingles Market
2016Pencil, color pencil, ink and watercolor on paper
61 x 91.5 cm
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Hasanul Isyraf IdrisHalf Mile Back from Injection
2016Color pencil, ink and watercolor on paper
61 x 91.5 cm
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Hasanul Isyraf IdrisInteractive Tumor Morning
2016Pencil, color pencil, ink and watercolor on paper
61 x 91.5 cm
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Hasanul Isyraf IdrisMilky Angkuway
2016Pencil, color pencil, ink and watercolor on paper
61 x 91.5 cm
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Hasanul Isyraf IdrisMultiview of the Immuni System Market
2016Pencil, color pencil, ink and watercolor on paper
61 x 91.5 cm
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Hasanul Isyraf IdrisThe Entire Ink Showered Her With Scar
2016Pencil, color pencil, ink and watercolor on paper
61 x 91.5 cm
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Hasanul Isyraf IdrisWPV Sanctuary
2016Pencil, color pencil, ink and watercolor on paper
61 x 91.5 cm
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Hasanul Isyraf IdrisWounded Still Frame
2016Color pencil, ink and watercolor on paper
61 x 91.5 cm
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Education Bachelor in Fine Art, Mara University of Technology UiTM, Perak, Malaysia
Solo Exhibitions2016 HOL Chapter 1: The Fall, Richard Koh Fine, Kuala Lumpur, Malaysia
2014 Back from Planet Luvox, Richard Koh Fine Art, Kuala Lumpur, Malaysia
2011 Clash of the Pigments, Richard Koh Fine Art, Kuala Lumpur, Malaysia
Group Exhibitions
2017 Art Central Hong Kong 2017, Richard Koh Fine Art, Hong Kong
Art Stage Singapore, Richard Koh Fine Art, Singapore
2016 Malaysian Art, A Special Preview, Richard Koh Fine Art, Kuala Lumpur, Malaysia
Malaysian Art, A New Perspective, Richard Koh Fine Art, Kuala Lumpur, Malaysia
ARTAID16, White Box @ Publika, Kuala Lumpur, Malaysia
AB+C Charity Arts Exhibition, Georgetown Festival, Penang, Malaysia
2015 Malaysian Art, A New Perspective, Richard Koh Fine Art, Singapore Malaysian Art, A New Perspective, Richard Koh Fine Art, Kuala Lumpur, Malaysia
Open Gate - Asian Sounds Research, with Japan Foundation, Hin Bus Depot, Georgetown, Malaysia
2014 KIAF/14, Seoul, Korea Malaysian Eye, White Box, Publika,
Kuala Lumpur, Malaysia
MEAA (Malaysian Emerging Artists Awards) Finalist Exhibition, Kuala Lumpur, Malaysia
Arts Kuala Lumpur - Melbourne 2014, Space @ Collins, Melbourne
2013 YOUNG MALAYSIAN ARTISTS: NEW OBJECT(ION) II (YMA II), Petronas Gallery, Kuala Lumpur, Malaysia
Hasanul Isyraf Idris (b. 1978, Malaysia) was trained at Mara University of Technology (UiTM), in Perak. He has received a number of awards, including the Young Contemporary Arts Award in 2007 at the National Visual Arts Gallery, Kuala Lumpur, the Incentive Award at the Open Show held at the Shah Alam Gallery and the Consolation Prize for the Young Talent Art Exhibition at the Penang Art Gallery, Penang. Hasanul produces works in a variety of media, from paintings and meticulously crafted drawings to painted oven-baked clay sculptures. Mining inspiration from within and well as local folklore and regional myths, he articulates his personal struggles as an artist by personifying them as strange characters that inhabit his invented universes. Influenced by the graphics of underground comic books, 1960s science fiction, fast food, street art and fashion, he juggles pop -culture references with a personal viewpoint. Recurring topics in his practice are the meaning of life and death, memories and fantasies, sin and reward.
Hasanul Isyraf Idris
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2011 Art Expo Malaysia 2011, Kuala Lumpur, Malaysia 2010 Ringan-ringan, Map White Box, Publika, Kuala Lumpur, Malaysia January Showcase, Chandan Gallery, Kuala Lumpur, Malaysia 2009 International Contemporary Art Show (Imcas), Danga Bay, Johor Bahru, Malaysia Our Hearts For Yours, Chandan Gallery, Kuala Lumpur, Malaysia 18@8, Weiling Gallery, Kuala Lumpur, Malaysia
2008 Semangat Chandan : Contemporary Artist From The Land Of Grace, Chandan Gallery, Kuala Lumpur, Malaysia 2007 Young Contemporary Art Exhibition, National Visual Arts Gallery, Kuala Lumpur, Malaysia
Three New Voices, Wei Ling Gallery, Kuala Lumpur, Malaysia 2006 Pameran Titian Budaya Malaysia, Brunei Darussalam
Open Show, National Visual Arts Gallery, Kuala Lumpur, Malaysia
Tribute To Jeri Azahari, National Visual Arts Gallery, Kuala Lumpur, Malaysia
2005 Miniature Show, Maya Art Gallery, Kuala Lumpur, Malaysia
AID For Tsunami Relief, National Visual Arts Gallery, Kuala Lumpur, Malaysia
Below 1000, Gema Rimba Gallery, Kuala Lumpur, Malaysia 2004 Young Contemporary Art Exhibition, National Visual Arts Gallery, Kuala Lumpur, Malaysia
The Junction, Pelita Hati Gallery, Kuala Lumpur, Malaysia
1999 Open Show, Shah Alam Art Gallery, Kuala Lumpur, Malaysia
Young Talent Art Exhibition, Penang Fest, Penang Art Gallery, Malaysia
1998 Julung, Melaka Museum, Malaysia
Senirupa, Darul Ridzuan Museum, Perak, Malaysia
Residencies2015 South East Asian Art Residency, Rimbun Dahan,
Kuang, Malaysia
Awards & Activities2007 Young Contemporary Arts Award, National Visual
Arts Gallery, Kuala Lumpur, Malaysia
1999 Incentive Award, Open Show, Shah Alam Gallery, Shah Alam, Selangor, Malaysia
Consolation Prize, Young Talent Art Exhibition, Penang Art Gallery, Penang, Malaysia
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Artwork Statement
Working in the veins of gestural abstraction, Yeoh Choo Kuan’s continues to push the boundaries of his self-coined “Fleshing Abstraction” paintings. Yeoh investigates the role of color in this luscious display of tactile surfaces and expressive mark-making on canvas. Exploring the qualities of paint in an intuitive manner, the scratched surfaces of the paintings allude to subject matters that are intimate, violent and humourously dysfunctional. Manipulating layered paint, Yeoh suggests evidence of aestheticized violence lurking in our daily lives.
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Education
2010 Diploma in Fine Arts, Dasein Academy of Art, Kuala Lumpur, Malaysia
Solo Exhibitions2017 Live Leak, Richard Koh Fine Art, Kuala Lumpur, Malaysia
2014 In the Flesh, Richard Koh Fine Art, Kuala Lumpur, Malaysia
2012 Private Sentiment, House of Matahati, Kuala Lumpur, Malaysia
Selected Group Exhibitions2017 Art Central Hong Kong 2017, Richard Koh Fine Art, Hong Kong
Art Stage Singapore 2017, Singapore
2016 Malaysian Art, A Special Preview, Richard Koh Fine Art, Kuala Lumpur, Malaysia
Malaysian Art, A New Perspective, Richard Koh Fine Art, Kuala Lumpur, Malaysia
Art Central Hong Kong 2016, Hong Kong
Art Stage Singapore 2016, Singapore
2015 China International Gallery Exposition (CIGE) 2015, Beijing, China
Synthesis, The Art Centre, Chulalongkorn University, Bangkok, Thailand
I am Ten, Richard Koh Fine Art, Kuala Lumpur, Malaysia
Art Central Hong Kong 2015, Hong Kong
Art Stage Singapore 2015, Singapore
Malaysian Art, A New Perspective, Richard Koh Fine Art, Kuala Lumpur, Malaysia
Malaysia Art, A New Perspective, Richard Koh Fine Art, Singapore
2014 Art Taipei 2014, Taipei, Taiwan
KIAF/14, Seoul, Korea
Arts Kuala Lumpur – Melbourne, Space@Collins Street Melbourne, Australia
Configuration, G13 Gallery, Kuala Lumpur, Malaysia
Yeoh Choo Kuan (b. 1988, Malaysia) lives and works in Kuala Lumpur, Malaysia. His work constitutes a unique synthesis of disintegrating working method, known for his self-coined “Fleshing Abstraction”, a process that focuses on the characteristics of color, texture, surface and construction materials. Choo Kuan works with imageries that both engage the hedonistic and disastrous, in which the results are sculptural whilst appearing painterly.
Yeoh Choo Kuan
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MEAA, White Box, Publika, Kuala Lumpur, Malaysia
2013 50/50 (two man show with artist Zelin Seah), TAKSU, Kuala Lumpur, Malaysia
SAGER III (touring exhibition in 3 countries), HOM Gallery (Malaysia), Perahu Art Connection (Indonesia), Orange Gallery (Philippines)
Frame of Mind II, Orange Gallery, Bacolod City, Philippines
No Random Nonsense, Boston Gallery, Quezon City, Philippines
X Individuals- The Explorations, Art Accent Gallery, Kuala Lumpur, Malaysia
Figuration Trajectory , G13 Gallery, Kuala Lumpur, Malaysia
Up, Group Exhibition, TAKSU, Kuala Lumpur, Malaysia
Locals Only, TAKSU, Kuala Lumpur, Malaysia
2012 Young & NEW Part IV, House of Matahati, Kuala Lumpur, Malaysia
A Meter Diameter, House of Matahati, Kuala Lumpur, Malaysia
2011 MEAA, Soka Gakkai Cultural Building, Kuala Lumpur, Malaysia
The Malaysian Rice Plate Project, KL Convention Center, Suria KLCC, Kuala Lumpur, Malaysia
INSPIRATION OF TOMORROW, Starhill Gallery, Kuala Lumpur, Malaysia
2010 NOW! , Starhill Gallery, Kuala Lumpur, Malaysia
Breakthrough, Starhill Gallery, Kuala Lumpur, Malaysia
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RICHARD KOH FINE ART
229 Jalan Maarof
Bukit Bandaraya, Bangsar
59100 Kuala Lumpur, Malaysia
Open Tuesday – Saturday: 10 am – 7 pm
Tel: +6 (03) 2095 3300
Singapore Office
10 Ubi Crescent
#04-99 Ubi Techpark
Lobby E Singapore, 408564
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