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[Preface] Author(s): Pamela Thompson Source: Fontes Artis Musicae, Vol. 53, No. 3, Russia (July-September 2006), p. 175 Published by: International Association of Music Libraries, Archives, and Documentation Centres (IAML) Stable URL: http://www.jstor.org/stable/23510741 . Accessed: 15/06/2014 01:34 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . International Association of Music Libraries, Archives, and Documentation Centres (IAML) is collaborating with JSTOR to digitize, preserve and extend access to Fontes Artis Musicae. http://www.jstor.org This content downloaded from 195.78.109.96 on Sun, 15 Jun 2014 01:34:40 AM All use subject to JSTOR Terms and Conditions

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[Preface]Author(s): Pamela ThompsonSource: Fontes Artis Musicae, Vol. 53, No. 3, Russia (July-September 2006), p. 175Published by: International Association of Music Libraries, Archives, and Documentation Centres(IAML)Stable URL: http://www.jstor.org/stable/23510741 .

Accessed: 15/06/2014 01:34

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

International Association of Music Libraries, Archives, and Documentation Centres (IAML) is collaboratingwith JSTOR to digitize, preserve and extend access to Fontes Artis Musicae.

http://www.jstor.org

This content downloaded from 195.78.109.96 on Sun, 15 Jun 2014 01:34:40 AMAll use subject to JSTOR Terms and Conditions

Page 2: Russia || [Preface]

MOSCOW

The Moscow material in Fontes contains not only some overviews of specific music collections in Moscow but also conference papers or summaries of pa pers given at the series of conferences organised by the Moscow Conserva toire to bring together information about collections of Russian music mate rials elsewhere in the world, with contributions from delegates, from both Russia and many other countries. The papers were selected and organised by Emilia B. Rassina, Director of the Taneyev Library of Moscow Conservatoire.

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