Russian Dna Discoveries Summarized by Baerbel

8/3/2019 Russian Dna Discoveries Summarized by Baerbel

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RUSSIAN DNA DISCOVERIES summarized by Baerbel

Posted on 04/13/2010 by Ted Edwards DC

RUSSIAN DNA DISCOVERIES Summarized by Baerbel

* Edited and translated

Esoteric and spiritual teachers have known for ages that our body is programmable

by language, words and thought. This has now been scientifically proven and

explained.

The human DNA is a biological Internet and superior in many aspects to the artificial

one. The latest Russian scientific research directly or indirectly explains phenomenasuch as clairvoyance, intuition, spontaneous and remote acts of healing, self healing,

affirmation techniques, unusual light/auras around people (namely spiritual

masters), mind’s influence on weather patterns and much more.

In addition, there is evidence for a whole new type of medicine in which DNA can be

influenced and reprogrammed by words and frequencies WITHOUT cutting out and

replacing single genes. Only 10% of our DNA is being used for building proteins. It is

this subset of DNA that is of interest to western researchers and is being examinedand categorized. The other 90% are considered “junk DNA.”

The Russian researchers, however, convinced that nature was not dumb, joined

linguists and geneticists in a venture to explore that 90% of “junk DNA.” Their

results, findings and conclusions are simply revolutionary!

According to there findings, our DNA is not only responsible for the construction of

our body but also serves as data storage and communication. The Russian linguists

found that the genetic code – especially in the apparent “useless” 90% – follows the

same rules as all our human languages.

To this end they compared the rules of syntax (the way in which words are put

together to form phrases and sentences), semantics (the study of meaning in

language forms) and the basic rules of grammar. They found that the alkalines of our

DNA follow a regular grammar and do have set rules just like our languages.

Therefore, human languages did not appear coincidentally but are a reflection of our

inherent DNA.

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The Russian biophysicist and molecular biologist Pjotr Garjajev and his colleagues

also explored the vibrational behavior of DNA. In brief the bottom line was: “Living

chromosomes function just like a holographic computer using endogenous DNA laser

radiation.” This means that they managed, for example, to modulate certain

frequency patterns (sound) onto a laser-like ray which influenced DNA frequency

and thus the genetic information itself.

Since the basic structure of DNA-alkaline pairs and of language (as explained earlier)

is of the same structure, no DNA decoding is necessary. One can simply use words

and sentences of the human language! This, too, was experimentally proven!

Living DNA substance (in living tissue, not in vitro) will always react to language-

modulated laser rays and even to radio waves, if the proper frequencies (sound) are

being used. This finally and scientifically explains why affirmations, hypnosis and the

like can have such strong effects on humans and their bodies. It is entirely normal

and natural for our DNA to react to language.

While western researchers cut single genes from DNA strands and insert them

elsewhere, the Russians enthusiastically created devices that influence cellular

metabolism through modulated radio and light frequencies, thus repairing genetic

defects.

They even captured information patterns of a particular DNA and transmitted it onto

another, thus reprogramming cells to another genome. So they successfully

transformed, for example, frog embryos to salamander embryos simply by

transmitting the DNA information patterns! This way the entire information was

transmitted without any of the side effects or disharmonies encountered when

cutting out and re-introducing single genes from the DNA.

This represents an unbelievable, world-transforming revolution and sensation: by

simply applying vibration (sound frequencies) and language instead of the archaic

cutting-out procedure!

This experiment points to the immense power of wave genetics, which obviously has

a greater influence on the formation of organisms than the biochemical processes of

alkaline sequences.



Esoteric and spiritual teachers have known for ages that our body is programmable

by language, words and thought. This has now been scientifically proven and

explained.

Of course the frequency has to be correct. And this is why not everybody is equally

successful or can do it with always the same strength. The individual person must

work on the inner processes and development in order to establish a conscious

communication with the DNA.

The Russian researchers work on a method that is not dependent on these factors but

will ALWAYS work, provided one uses the correct frequency. But the higher

developed an individual’s consciousness is, the less need is there for any type of

device: one can achieve these results by oneself. Science will finally stop laughing at

such ideas and will confirm and explain the results. And it doesn’t end there.

The Russian scientists also found out that our DNA can cause disturbing patterns in

a vacuum, thus producing magnetized wormholes! Wormholes are the microscopic

equivalents of the so-called Einstein-Rosen bridges in the vicinity of black holes (left

by burned-out stars).

These are tunnel connections between entirely different areas in the universethrough which information can be transmitted outside of space and time. The DNA

attracts these bits of information and passes them on to our consciousness. This

process of hyper-communication (telepathy, channeling) is most effective in a state

of relaxation.

Stress, worry or a hyperactive intellect prevent successful hyper-communication or

the information will be totally distorted and useless. In nature, hyper-

communication has been successfully applied for millions of years. The organized

flow of life in insects proves this dramatically. Modern man knows it only on a much

more subtle level as “intuition.” But we, too, can regain full use of it.

As an example from nature, when a queen ant is separated from her colony, the

remaining worker ants will continue building fervently according to plan. However, if

the queen is killed, all work in the colony stops. No ant will know what to do.

Apparently, the queen transmits the “building plans” even if far away – via the group

consciousness with her subjects. She can be as far away as she wants, as long as she is

alive.



In humans, hyper-communication is most often encountered when one suddenly

gains access to information that is outside one’s knowledge base. Such hyper-

communication is then experienced as inspiration or intuition (also in trance

channeling). The Italian composer Giuseppe Tartini, for instance, dreamt one night

that a devil sat at his bedside playing the violin. The next morning Tartini was able to

note down the piece exactly from memory. He called it the Devil’s Trill Sonata.

For years, a 42-year old male nurse dreamt of a situation in which he was hooked up

to a kind of knowledge CD-ROM. Verifiable knowledge from all imaginable fields was

then transmitted to him that he was able to recall in the morning. There was such a

flood of information that it seemed a whole encyclopedia was transmitted at night.

The majorities of facts were outside his personal knowledge base and reached

technical details of which he knew absolutely nothing. When hyper-communication

occurs, one can observe in the DNA, as well as in the human, supernatural

phenomena.

The Russian scientists irradiated DNA samples with laser light. On screen, a typical

wave pattern was formed. When they removed the DNA sample, the wave pattern did

not disappear, it remained. Many controlled experiments showed that the pattern

continued to come from the removed sample, whose energy field apparently

remained by itself. This effect is now called phantom DNA effect. It is surmised thatenergy from outside of space and time still flows through the activated wormholes

after the DNA was removed. The side effects encountered most often in hyper-

communication in humans are inexplicable electromagnetic fields in the vicinity of

the persons concerned.

Electronic devices like CD players and the like can be irritated and cease to function

for hours. When the electromagnetic field slowly dissipates, the devices function

normally again. Many healers and psychics know this effect from their work: the

better the atmosphere and energy, the more frustrating it can be for recording

devices as they stop functioning at that exact moment. Often by next morning all is

back to normal.

Perhaps this is reassuring to read for many, as it has nothing to do with them being

technically inept; it means they are good at hyper-communication.

In their book Vernetzte Intelligenz, Grazyna Gosar and Franz Bludorf explain these

connections precisely and clearly. The authors also quote sources presuming that in



earlier times humanity had been just like the animals: very strongly connected to

group consciousness and thereby acted as a group. In order to develop and

experience individuality, however, we humans had to forget hyper-communication

almost completely.

Now that we are fairly stable in our individual consciousness, we can create a new

form of group consciousness – namely one in which we attain access to all

information via our DNA without being forced or remotely controlled about what to

do with that information. We now know that just as we use the internet, our DNA can

feed proper data into the network, can retrieve data from the network, and can

establish contact with other participants in the network. Remote healing, telepathy

or “remote sensing” about the state of another can thus be explained. Some animals

know from afar when their owners plan to return home. This can be freshly

interpreted and explained via the concepts of group consciousness and hyper-

communication.

Any collective consciousness cannot be sensibly used over any period of time without

a distinctive individuality; otherwise we would revert to a primitive herd instinct that

is easily manipulated. Hyper-communication in the new millennium means

something quite different.

Researchers think that if humans with full individuality would regain group

consciousness, they would have a god-like power to create, alter and shape things on

Earth! AND humanity is collectively moving toward such a group consciousness of

the new kind.

Fifty percent of children will become a problem as soon as they go to school, since the

system lumps everyone together and demands adjustment. But the individuality of

today’s children is so strong that they refuse this adjustment and resist giving up

their idiosyncrasies in the most diverse ways.

At the same time more and more clairvoyant children are born. Something in those

children is striving more towards the group consciousness of the new kind, and it can

no longer be suppressed.

As a rule, weather for example is rather difficult to influence by a single individual.

But it may be influenced by group consciousness (nothing new about this to some

indigenous tribes). Weather is strongly influenced by Earth resonance frequencies



(Schumann frequencies). But those same frequencies are also produced in our

brains, and when many people synchronize their thinking or when individuals

(spiritual masters, for instance) focus their thoughts in a laser-like fashion, then it is

not at all surprising that they can influence the weather.

A modern day civilization which develops group consciousness would have neither

environmental problems nor scarcity of energy: for if it were to use such mental

powers as a unified civilization, it would have control of the energies of its home

planet as a natural consequence.

When a great number of people become unified with higher intention as in

meditating on peace – potentials of violence also dissolve.

Apparently, DNA is also an organic superconductor that can work at normal body

temperature, as opposed to artificial superconductors which require extremely low

temperatures between 200 and 140°C to function. In addition, all superconductors

are able to store light and thus information. This further explains how DNA can store

information.

There is another phenomenon linked to DNA and wormholes. Normally, these super-

small wormholes are highly unstable and are maintained only for the tiniest fractionsof a second. Under certain conditions stable wormholes can organize themselves,

which then form distinctive vacuum domains in which for example, gravity can

transform into electricity. Vacuum domains are self-radiant balls of ionized gas that

contain considerable amounts of energy. There are regions in Russia where such

radiant balls appear very often.

Following the ensuing confusion the Russians started massive research programs

leading finally to some of the discoveries mentions above. Many people know

vacuum domains as shiny balls in the sky. The attentive look at them in wonder and

ask themselves, what they could be.

I thought once: “Hello up there. If you happen to be a UFO, fly in a triangle.” And

suddenly, the light balls moved in a triangle. Or they shot across the sky like ice

hockey pucks: they accelerated from zero to crazy speeds while sliding silently across

the sky. One is left gawking and I have, as many others, too, thought them to be

UFOs. Friendly ones, apparently, as they flew in triangles just to please me.



Now, the Russians found – in the regions where vacuum domains often appear – that

sometimes fly as balls of light from the ground upwards into the sky, and that these

balls can be guided by thought. Since then it has been found that vacuum domains

emit waves of low frequency that are also produced in our brains and because of this

similarity of waves they are able to react to our thoughts. To run excitedly into one

that is on ground level might not be such a great idea, because those balls of light can

contain immense energies and are capable of mutating our genes.

Many spiritual teachers also produce such visible balls or columns of light in deep

meditation or during energy work, which trigger decidedly pleasant feelings and do

not cause any harm. Apparently this is also dependent on some inner order, quality

and origin of the vacuum domain. There are some spiritual teachers, like the young

Englishman Ananda, for example, with whom nothing is seen at first, but when one

tries to take a photograph while they sit and speak or meditate in hyper-

communication, one gets only a picture of a white cloud on a chair.

In certain Earth healing projects, such light effects also appear on photographs.

Simply put, this phenomena has to do with gravity and anti-gravity forces that are

ever more stable forms of wormholes and displays of hyper-communication with

energies from outside our time and space structure. Earlier generations that

experienced such hyper-communication and visible vacuum domains were convincedthat an angel had appeared before them: and we cannot be too sure to what forms of

consciousness we can get access when using hyper-communication.

Not having scientific proof for their actual existence, people having had such

experiences do NOT all suffer from hallucinations. We have simply made another

giant step towards understanding our reality. Official science also knows of gravity

anomalies on Earth that contribute to the formation of vacuum domains. Recently

gravity anomalies have been found in Rocca di Papa, south of Rome.

The Infrared Frequencies ofDNA Bases, as Science andArtSusan Alexjander, M.A.Abstract



In 1988 the author and biologist Dr. David Deamer collaborated on a

science/art project which consisted of measuring the vibrational frequencies

of the four DNA base molecules, translating them into 'sound,'

programming them into a Yamaha synthesizer and using this tuning system

as the basis for original compositions entitled Sequencia (1990 and '94 CD).The realization of biological, infrared frequencies into sound has resulted in

unusual insights into the harmonic fabric of DNA, and reactions from

listeners suggest that our bodies may have a way of recognizing their own

electromagnetic patterns through the resonance of tone.

"See deep enough, and you see musically;the heart of Nature being everywhere music,

if you can only reach it."—Thomas Carlyle

Introduction

If we could hear the body, delve into its rhythms and frequencies, what

might it sound like? Would we recognize patterns pleasing to the ear...

consider them beautiful...musical? Is our biology harmonically ordered in

any way? And if so, so what? There are many ways to explore such

questions, and one direct way is to access the frequencies of

deoxyribonucleic acid (DNA), the primary carrier of genetic information for

all living organisms.

In 1988 the author, a composer, posed these questions to Dr. David

Deamer, a cell biologist (now at UC Santa Cruz). Dr. Deamer is

internationally known for his research on the origins of life. Some years

before he had created very interesting music cassettes (DNA Suite and DNA

Music) based on the mapping of sequences of bases in the double helix of

DNA. He was intrigued and offered to help.

One significant constraint with this project required that, rather than

'mapping,' or assigning arbitrary pitches to 'hear' patterns, the actual

vibrational frequencies were to be collected directly from the molecular

realm. These frequencies would then be arranged as 'scales' of tones, and

used as the basis for musical composition. Two years later, on April, 1990,

(Earthday) the cassette version of Sequencia was recorded, and in 1994 the

CD with additional music was produced. Sequencia consists of three

performances of original music - Eikos, Sequencia and Pataphysical

Thymine - performed on traditional instruments plus electronic keyboard,

based entirely on a tuning system derived from certain frequencies that

occur naturally in DNA.

Methods and Materials: The Science



There are about three billion base pairs in the DNA of each human cell. If

they were strung out they would measure about three feet long. Yet each of

these bases remains absolutely consistent in its chemical makeup. The four

DNA bases, adenine, cytosine, guanine and thymine, consist each of

carbon, hydrogen, oxygen and nitrogen. There exists a variety of chemicalstructures, including C=O, N-H, C-H, O-H, and C-O whose bonds bend,

stretch, and rock upon absorbing infrared light with a specific frequency

related to the energy and strength of the bond and the mass of the nucleus

of the atom. A tighter, smaller bond from, say, hydrogen, will absorb light

with a higher wavenumber (number of waves per centimeter), and a higher

'note' in the infrared spectrum. (The original energy for these motions

comes from the sun in the form of infrared radiation. Solar photons cause

heating in the molecule as orbiting electrons jump to a higher energy

state). The tuning system for Sequencia was derived directly from the

laboratory chemistry of the four bases, and had nothing to do with a

particular gene, or configuration of bases along a helix.

The process of "collecting" frequencies from the bases of DNA begins with a

spectrophotometer, a device about the size of a breadbox. In this

instrument, infrared light with frequencies ranging from 600 to 3000

wavenumbers (in units of cm-1) is passed through the sample, in this case

a base molecule of DNA. The bases of DNA and RNA have certain resonance

frequencies related to the absorption of infrared light. This is a common

property of all organic molecules, and in fact infrared spectra are used as a

primary diagnostic characteristic in analytical procedures.

As the light is passed through the sample, it is absorbed by the sample at

specific frequencies and the instrument plots the absorption bands as a

spectrum

(Fig. 1), a process analogous to a glass chime sounding when it is struck.

For example, the C-H (carbon-hydrogen) bond absorbs infrared light with a

wavenumber of approximately 2900 cm-1.



[Figure #1] (Spectrophotometer readouts of wavenumbers of the four DNA

bases: adenine, guanine, thymine and cytosine).

Once the wavenumber is known, the following equation is used to convert it

to hertz (Hz):

Frequency (Hz) = velocity (speed of light) x wavenumber

If the wavenumber is 2900 cm-1:

F = 3 x 1010cm/s x 2900 cm-1 = 8.7 x 1013 Hz

These gigantic hertz numbers are problematic in two ways. First, they are

light frequencies, not sound. And second, they are too high to be heard,

even if they were sound, since our ears can only register frequencies

between 20 - 20,000 Hz. Below 20, vibrations are 'felt' rather than heard,

and frequencies above 20,000 belong to ears more discerning than ours.

The problem of getting the frequencies within hearing range can be solved

by recognizing that any hertz number divided in half or doubled will

produce its corresponding lower or upper octave, respectively, whether it

be sound or light. Thus, 8.7 x 1013 Hz can be divided in half, again and

again, to create lower and lower octaves. Finally we derive, after dividing

36 times, a workable frequency which, if it were sound, would fall within

the range of hearing. Thus we would have for the example above 1266,

which is a very comfortable frequency for the ear, corresponding to a

(slightly sharp) D#.



The question of 'translating' light into sound is more a philosophical one.

Sound sped up can of course never be light, since the former depends upon

molecules to push around while the second derives from electromagnetic

radiation. One could argue that what is important here is not so much the

medium but the ratios involved; the relationships between frequencies. Theears can detect about 10 octaves of sound, while the eyes can only perceive

a little over one octave of light, or color. An octave in light is the same ratio

as an octave in sound....2:1. A perfect fifth, or a relationship of 3:2 is the

same proportion in light as in sound (and can be continued into the world of

geometry, architecture, movements of the planets and so forth; anywhere

there is a periodic or regular vibration). By discovering patterns of ratios in

light, we are simply translating into a sound medium to "hear" what

information they might contain and how they relate to each other. It could

also be argued that both light and sound refer back to a common archetype

which, as yet, is unknown to us, not unlike cousins who relate back to a

common relative.

Again, four base molecules were measured: adenine, cytosine, guanine and

thymine. Each base molecule after being subjected to light yielded about 15

or 18 frequencies; 60 in all. Once this data was collected, it was iterized

down into a hearing range and programmed into a Yamaha DX7 IID

synthesizer which would create sound banks from any hertz numbers

provided as input. A special electronic keyboard was needed because the

tunings that were derived were almost all microtones, or tones smaller than

a normal half-step (for instance any c to c#) on a piano.

The tuning system on ordinary keyboards is an artificial one, based on and

adapted from the natural harmonic series. Around the time of J.S. Bach,

equal temperament as a favored tuning system came into being to solve

the problem of modulating through different keys. (Bach did not entirely

welcome it. Its sound was inferior to the sweet concordances of just

intonation). Equal temperament divides the keyboard octave into twelve

equal parts, assigning a measurement of 1200 cents to the octave, with

each half-step being 100 cents. Half-steps are of course fixed on the piano,but a violin could play a variety of c#s, anywhere from 50 cents to 99 cents

away from the original C, and then 50 cents above the c#. These are

defined as microtones, and are often considered harsh and out-of-tune to

our Western ears, except for the wonderful 'bent' pitches found, for

example, in Blues, Folk, and so on. Other cultures such as those of the

Middle East, Asia and India have been creating music with microtonal scales

for centuries.

Using Editor Librarian and Vision software on a Macintosh computer, the

DNA tunings were programmed in as microtonal "scales" for each base:



[Figure #2] (Infrared tunings and musical scales.)

Story: The Art



Before describing what the tunings sounded like, it is of interest to address

a rational for doing this at all. Pythagorus (6thC BC), who is credited with

explaining musical harmonics to the Western world, is reputed to have

described a stone as frozen music (1. Homage to Pythagoras). He knew

nothing of physics but intuited that the mathematics of frequency whichoccur in processes such as planetary rotations, cycles of the seasons, right

down to the atomic world of elemental matter, are not just lifeless pieces of

data but reveal movements, rhythms, relationships and meanings which

may be loosely translated as 'stories.' Stories in turn generate meanings

and artistic expression. The word 'mathema' comes from the Old French

'mathein', "to be aware; to awaken."

The art, then, assists in 'telling the story' of the data. It is mythic as well as

'mathic.' There is a reasonable degree of certainty that deep within our

molecular beings, beauty will show up as a central issue. It can be found inall other stellar, planetary and natural processes, in the growth of a flower

or wanderings of a river; why not DNA? At another level, if the body

recognized itself in sound, might this mean something in terms of health, or

at the very least, inspire the imagination, and help to understand our

adaptation to the environment, or to persistent stimuli? The process

unfolds, but really, all we want to know is - will I Iike these sounds?

Microtonal World

A first hearing of these 60 pitches from infrared spectra was discouraging.

The scales and clusters they created sounded so strange and alien that one

despairs at first of ever creating a beautiful work of art, or making any

coherent 'sense' out of them. An overall description might be "tight

relationships... densely packed microtones, with curious leaps."

[Figure #3] (Placement of DNA frequencies for each base molecule

arranged from 'low' to ' high' on a keyboard)



The four individual bases - adenine, cytosine, guanine and thymine - are

very similar in terms of the ratio relationships, or the distances between the

separate 'pitches' within each base. If they are configured like a musical

scale, arranged from lowest frequency to the highest, there is about a 2

and l/2 octave span for all four with a noticable gap, or distance, of a Major6th/minor 7th in all bases. Intervals on the keyboard are named major and

minor seconds, thirds, sixths, and sevenths, depending on how many steps

they are away from the beginning note, or tonic. A Major 6th in the scale of

C would be C to the sixth note, or A, above, and a minor 7th would be C to

Bflat above. (To sing a minor 7th interval, begin Bernstein's "There's a

Place For Us" from West Side Story. "There's a...." = a minor 7th). In

addition to major and minor intervals, we also recognize the Perfect fourth

(C to F), the Perfect fifth (C to G) and the tritone (C to F#), the interval

which cuts the scale perfectly in half.

The smaller, microtonal intervals, or ratios, tend to rub against each other

when heard, creating beats. Beats occur when two frequencies are

extremely close together...within a few hertz of each other such as 254 and

257 Hz...two very slightly different middle Cs. The frequencies will be heard

as the same pitch, C, but slightly out-of-phase. The phasing results in

occasional louder moments, or "wa-wa" beats, when they do phase

together. To the ear this bears a striking resemblance to the quality of

'aliveness.'......or organic movement found in any living process.

As these microtones were played over and over on the synthesizer, some

arrestingly beautiful combinations began to appear, but, what to do with

them?

Compositional Considerations

Microtones present formidable complications for composers, not to mention

performers. First of all it is virtually impossible to play them on a normal

keyboard. Microtonal scales can be mastered, with practice, by those

performing on stringed instruments such as cellos and violins, who can play

any pitch on their string, once they have found it. However, microtones are

often too difficult for many 'fixed pitched' instruments such as clarinets and

trumpets. The voice has the easiest time matching microtones. If a singer's

ear can hear it, s/he can produce it. And percussionists, of course, need not

worry about them at all.

In addition to difficulty of tone production, microtones play havoc with the

idea of 'key,' or tonality. What one is working with is a clump of 'random'

sounds with no seeming tone order or organization at all. However,

something very interesting began to happen. After weeks and weeks of experimenting with different sound combinations on the synthesizer, a tonal



center began to emerge. One pitch seemed to draw other pitches to it...to

lend coherency to the mass. This pitch turned out to be a kind of a C#,

common to all the bases:

Adenine: 545.6 Hz Guanine: 550 Average Hz = 544.2 Thymine: 543.4 Cytosine: 537.8

Most pianos are tuned to around 554 for C#. An acute ear would be able to

discriminate between 554 and 544....an approximate 1/4 tone. It is

important to emphasize that this discovery was cemented musically in the

compositions first by the ear, and not by the data. The above numbers

were only discovered later. If one looks at the pitch chart (Fig. 2) one cansee that this C# is found in all four bases almost exactly in the middle of

each column. Also, it is positioned almost exactly in the center of the

absorbency rates, and shows up as the average. This C# seems to act as a

balancer for the entire spectrum of frequencies.

The pitch which shows up the most frequently and ought to have asserted

itself as a tonic, or tonal center, is F#. It is found no less than three times

in each base collection. But instead it is its fifth, the C#, which acts as the

organizing force. The first composition, Sequencia, was written for tabla, or

tuned drum, with the drum tuned to C#. The drum keeps a steady rhythmthroughout the ensemble sections. While the synthesizer plays an ostinato,

or repeating pattern, with the original sounds of the frequencies, the added

instruments- violin, cello and voice - revolve harmonically around this

central stabilizing force and match the tunings with their melodic shapings.

It is interesting to observe that most of the gongs, bells and drums of the

non-Western world are tuned to this keynote, suggesting further that

perhaps we, as a planet (not to mention as a body), may be trying to

collectively tune to something. One theory involves a recently discovered

pulsar called Vela X (PSR 0833) which collapsed into its pulsar state about

11,000 years ago. It is beaming radio waves towards earth with a period

frequency of 11.24Hz, or an F# equivalent (2. Encyclopedia of Science &

Technology). Its fifth, or C#, turns out to be a frequency of 16.86 or

539.52.....exceedingly close to our DNA 544. The emissions, scientists

think, come from a combination of spin and strong magnetic fields. No one

knows for sure if these emissions and their periodicities, which are regular,

have an effect upon our energy fields.

Are The Frequencies in DNA BasesHarmonically Ordered?



They most certainly are. By comparing all 60 pitches one can find all of the

precise ratios found in the first 16 harmonics of the overtone series:

octaves, P5th, P4ths, Major and minor thirds, Major and minor 2nds and

7ths; even a 'flat' seventh. Mathematically, the odds of this happening at

random are almost non-existent. This author has not taken the time tomeasure the higher harmonics, but Randy Masters of Aptos, California, is

refining this step of the process (3. personal conversation). He is trying to

discover a fundamental that could possibly be generating all of the DNA

frequencies as overtones. This finding would be invaluable to all those

involved in sound and the healing arts as well as scientists, and artists.

The compositions did not make particular, conscious use of the simpler,

perfect ratios. But the ratios are there, doing their work, as are all the

microtonal relationships. What is more important is the raw sound. Eikos,

for instance, (only on the CD recording) pays extreme attention to the waythe violin enters into, explores and leaves single synthesized tones. Its

energy is zen-like; subterranean, with a playful middle section.

It is not known what information is encoded in these ratios, but one

particular pattern appears striking. Figure #3 shows a curious leap in all

four bases from the pitch F# up to the D# above, roughly a Major

6th/minor 7th. The interval in-between, G to D, contains no measurable

frequencies at all. Its mirror, the G to D an octave below, contains a tightly

packed cluster of 22 frequencies, over a third of the total frequencies

measured.

What is the function of this 'shadow' gap? Is it just a coincidence, or are we

looking into some kind of anti-matter, fourth dimension? More and more we

are finding that things contain their complements; their opposites. It is

almost a given 'law' of the universe. This 'gap' could be important,

especially because both are balanced on their lower and upper edges by

D#-F# intervals: nine pitches in the lower cluster and 10 pitches in the

upper cluster. Almost perfect symmetry.

Possible Physiological ManifestationsThrough the DNA Code

"The trick is to hear the music that is the body.

If we can do so, the meaning of the body can be transformed.

It becomes not a blind, silent, doomed machine

but a glorious composition,

a part of God's oeuvre... 'The Great Tone.'"

Meaning and Medicine, Larry Dossey, M.D.



Again, MATH makes processes visible. It decodes meanings. We can see the

self-organizing power of the universe, and because the universe is a

community it is constantly communicating. Are the sounds of DNA

communicating anything to us?

Sequencia first begins to communicate through its concept, that we can

hear the hidden beauty of life. This helps to give us a perspective - to find

our place in the "Great Tone." This comes directly out of the ancient Greek

definition of education: the purpose of studying science and the natural

world is to find our proper place in it, allowing us to fulfill our role in the

larger pattern. It is truly "student-centered learning," and the natural world

is the primary educator. Art processes which translate directly from nature

allow us deeper access into levels of being. And art is of course a

celebration.

The second way Sequencia communicates is simply because it is music.

This is more than a casual statement. We are attracted, often like moths to

a flame, to music. One explanation is that composed music can be seen as

a metaphor for life itself.

Music, or organized sound, is just about perfect as a metaphor for life. It is

born, goes through a process of evolution and transformation, perhaps

repeats itself or creates new avenues of life, and dies. (If you really listen,

after it is over you can still hear the sounds continuing). The components of

music express a yearning for balance. Energy is gathered together forforward motion, and then is released. Pulses, small ones for frequencies,

larger ones for rhythms, and still larger ones for phrasing all act in concert.

Relationships are constantly forming and re-forming as new tones, rhythms

and events come into the picture and others recede.

Music is the active way we live our lives; the way we like our lives to be. It

is the very life process itself. If the music doesn't flow we are deeply

disturbed. How long can you tolerate a stuck recording? Bringing physics

into the picture adds to this metaphor. Music (literally) mirrors the essence

of nature itself in its chaos patterns and mathematics.

The same mathematical formula that characterizes the ebb and flow of

music has been discovered to exist widely in nature: the flow of a river,

beating of a human heart, the wobbling of the earth's axis. This is more

than just simple pulse. The rhythms closely resemble irregular patterns of

coastlines, clouds and mountain ranges, and other natural scenery. The

brain must, then, on some level perceive its reality as a musical, complex

landscape. And turning this around, the music we hear must feel like our

earthly home. No wonder we love it.



It is likely that something unusual is being communicated directly through

the combinations and ratios of spectral music. The descriptive adjectives

one hears most often are: soothing, comfortable, a feeling of spaciousness,

expansion. Sequencia is not "new age" or demonstration music, nor was it

composed it to "heal" anyone. It was written because that is what acomposer does in the world; write music. But after ten years of hearing

unique reactions and virtually no complaints from those who hear these

strange tunings for the first time, one cannot help but wonder what is going

on. Some listeners admit that they never (or hardly ever) listen to music

because it 'interferes with what is going on in their heads' or is too invasive.

However, they love, even crave, these DNA sounds. About one in every 4 or

5 persons has a deep, almost devotional response. Movement teachers love

it, saying their students respond deeply. Would people react in the same

way to compositions employing 60 random, microtonal combinations? Who

knows? And certainly there are endless styles of tonal arrangement, given

the same musical materials to begin with. But these particular DNA ratios,

originating in light, are profoundly arresting to the ear. This first wakes up

the nervous system, puts it on alert. What follows in sound is then allowed

to enter our psyches on a deep level. People report feelings of

connectedness, familiarity. "I feel right at home," they say. It is tempting to

speculate that the body is recognizing itself, and is communicating this to

the psyche.

The Impact of Sound Upon The BodyNo one knows how sound, the raw stuff of creation, impacts our being; our

consciousness. Mysteriously, we decode meanings which come to us

through sonic carrier waves, perceiving these waves as a full-body

experience not only through the ears but directly through the bones, tissue

and matter of the body. The body mass feels sound as pressure. We know

that the body is constantly piezoelectric, translating pressure into electrical

signals, such as the way in which the inner ears send signals to the brain.

Sound, therefore, impacts the many realms of the molecular world directly

and somehow finds its way to the parts of us that make meanings.

We know for sure from the work of many medical institutions that sound

can affect hormonal levels and other physiological systems of the body. Dr.

Valerie Hunt of Malibu Beach, Ca. (4. Infinite Mind: The Science of Human

Vibrations.), has done extensive work measuring the strengthening effects

of sound upon the auric field, the energy field surrounding the body. Dr.

Hunt did most of her research while a professor at UCLA. And there is no

doubt that a sophisticated knowledge of resonance has led many

practioners and researchers throughout the world to use sound in a variety

of successful ways. Some introduce sound frequencies directly into the body

with their voices, the client's voice, or by machine. Their methods can often



create coherency, allowing the patient's natural healing ability to take over.

This harmonious state can clear up chaos and static.

Communication on all levels, physiological and emotional, often becomes

clearer and brighter; healthier. Nature loves these resonant states where

very little energy is wasted.

There is every reason to believe that our psyches and physiologies can

recognize the light, infrared patterns of life through the resonance of sound.

What we do with that information is anyone's guess.

Conclusions

The story that presents itself as one works with the spectral tones of DNA is

one of underlying beauty and order...an order suggesting freedom to

express and improvise within the matrix. The fact that perfect harmonic

ratios exist within its frequency data could, and should, lead to further

stories of interconnectedness with the rest of life and the universe, since so

much of our world is so ordered. We express creatively through harmonic

proportions and their variations in our music, our architecture, paintings,

dance - in virtually all that we are and do down to the design of a pack of

cards, using the Golden Rectangle (whose sides have a phi relationship).

Certainly the freedom to express and improvise has been our salvation as a

species for thousands of years. Our music has always reflected these twothings: a love for order and spontaneity. DNA, the chemistry of life, seems

naturally at home in a musical venue. For in our inner beings and in our

listening there has always been a deep yearning; a knowingness that music

is who we are. The mystic Sufi poet Rumi said it best:

"All day and night, music. A quiet, bright reedsong. If it fades, we fade."Quatrains, Rumi

Coda: Future Projects

Composition continues into the exploration of the genesis of musical forms

from the physical properties of matter. The author is writing music for a

multi-media project called Evolution 2000, using tuning banks from the

frequencies of pulsars, from the magnetic spins of atomic nuclei (Larmor

Frequencies) and other natural phenomena. Dr. David Deamer generously

continues to advise and further the research.

Figure Legends:

Spectrophotometer readouts of wavenumbers of the four DNA bases:

adenine, guanine, thymine and cytosine.



Frequencies (Hz) and wavenumbers programmed into the synthesizer for

author's tuning system.

Placement of DNA frequencies for each base molecule arranged from 'low'

to 'high' on a keyboard.

References:

Homage to Pythagoras, Rediscovering Sacred Science. Christopher Bamford

(Ed): Lindisfarne Press, Hudson, NY. 1982.

Encyclopedia of Science & Technology, 8th ed. Mcgraw-Hill. NY, NY, 1997.

Randy Masters. PO Box 64, Aptos, CA. 95001. 831-662-2594.

Hunt, Valerie. Infinite Mind: The Science of Human Vibrations. Malibu

Publishing Co., Malibu, CA. 1989.

Acknowledgements:

The author wishes to thank Dr. David Deamer for his invaluable assistance.

The science sections were either directly written, or edited, by him.

The Music

Sequencia, (cassette and compact disc). Three original compositions by

Susan Alexjander, using microtonal scales derived from the infrared spectra

of adenine, guanine, thymine and cytosine. Performed by voice, tabla,

violin, cello and synthesizer.

DNA Suite: by D.W. Deamer. (Cassette) keyboard realization of direct

translations of nucleotide sequences in the human insulin gene; two

satellite DNAs, and Alu Consensus, a 300 nucleotide repeating sequence

that surprisingly comprises over a tenth of the human genome.

Molecular Meditation: by David Deamer. (Cassette) - synthesizer

translations of nucleotide sequences in an antibody gene.

Produced by Science & The Arts:

Susan Alexjander, aka: Susan Alexander

Science & The Arts

PO Box 428

Aptos, Ca. 95001

831-421-0934

[email protected]

mailto:[email protected]





Dr. David Deamer

Department of Chemistry and Biochemistry

University of Ca. Santa Cruz

Santa Cruz, Ca. 95064

459-5158 (tel/fax)[email protected]

BIOS:

Susan Alexjander holds a Masters degree from San Jose State University in

Composition and Theory. She has taught at the university level and is

currently an adjunct faculty member of Union Institute in Sacramento,

California. Her compositions have been performed throughout the United

States, including collaborations with dance companies. Sequencia is

internationally known and has appeared on CNN, BBC Radio, Wisconsin

Public Radio, and featured at the Boston Museum of Science, the San

Francisco Museum of Modern Art and the Art Museum of Santa Barbara. In

1995 she received a Fellowship from the Alden B. Dow Creativity Center in

Midland, Michigan, to explore the geometry of the mineral kingdom as

musical data.

She is Director of Science & The Arts, a company founded by Dr. David

Deamer, which furthers the research into the 'musical' universe of

frequency. Her book, Sound Healing: A Guide To Therapeutic Practices, will

be published by Crossing Press, Freedom, Ca. in Spring of 1999.

Dr. David W. Deamer is professor of Chemistry and Biochemistry at the

University of California, Santa Cruz. His undergraduate B.Sc. degree was in

Chemistry, at Duke University, Durham NC (1961) and his Ph.D. in

Physiological Chemistry from the Ohio State University School of Medicine

(1965). Following post-doctoral research with Profs. Lester Packer and

Daniel Branton at UC Berkeley, he joined the faculty at UC Davis in 1967.

In 1994 he moved his laboratory and teaching appointment to UC Santa

Cruz.

Dr. Deamer's NASA-supported research concerns the role of membranes in

the evolutionary events leading up to the origin of cellular life. His

laboratory has been continuously supported by the Exobiology program

since 1985. Dr. Deamer's NIH-supported research is related to the

discovery that single stranded RNA or DNA move through a bacterial toxin

channel and can be characterized by the resulting blockades in ionic

current.




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