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in Vienna, Austria 3-6 th of July 2013 Linking Creative Economy and Real Estate: Lessons and implications from a Swedish case. Stig Westerdahl Department of Urban Studies, Malmö University, Sweden E-mail: [email protected]

S tig Westerdahl Department of Urban Studies, Malmö University, Sweden E-mail: [email protected]

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Paper presented at the ERES conference in Vienna, Austria 3-6 th of July 2013 Linking Creative Economy and Real Estate: Lessons and implications from a Swedish case . S tig Westerdahl Department of Urban Studies, Malmö University, Sweden E-mail: [email protected]. - PowerPoint PPT Presentation

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Page 1: S tig Westerdahl Department of Urban Studies, Malmö University, Sweden E-mail:   stig.westerdahl@mah.se

Paper presented at the ERES conference

in Vienna, Austria 3-6th of July 2013

 Linking Creative

Economy and Real Estate: Lessons and implications from a

Swedish case.Stig WesterdahlDepartment of Urban Studies, Malmö University, SwedenE-mail: [email protected]

Page 2: S tig Westerdahl Department of Urban Studies, Malmö University, Sweden E-mail:   stig.westerdahl@mah.se

A Creative Economy?A Cultural or Creative Economy on the rise.Always existed as a sector or industry – now seen as a driver for the whole society.Essential part of city renewals – spectacular buildings.

Opera House in Sidney Guggenheim in Bilbao

Implications for Real Estate Industry and research?Outline

Page 3: S tig Westerdahl Department of Urban Studies, Malmö University, Sweden E-mail:   stig.westerdahl@mah.se

Creative industry – define or characterise?

Definition – a tricky issue. Several international attempts and suggestions for statistical classification.Examples: arts and crafts, audiovisuals, books, design work, films, music, new media, printed media, visual and performing arts, and creative services. Characteristics:

Micro-enterprises (a few large actors)Usually project-basedHigh risksLow initial costsLow transport costs

Page 4: S tig Westerdahl Department of Urban Studies, Malmö University, Sweden E-mail:   stig.westerdahl@mah.se

The creative industry and the urban bias

Short historical outlineExperience industry (Pine & Gilmore 1999)A production system (Pratt 1997)Policy for creative industry – UK in the 1980’s.Other countries followed (Australia, Sweden with others). The general belief is how

Creative industry is growingIt is important to the entire economyServes as an inspiration to other sectors.

An urban bias is established.

Page 5: S tig Westerdahl Department of Urban Studies, Malmö University, Sweden E-mail:   stig.westerdahl@mah.se

From production to consumption

Richard Florida and his writings:PlaceCreative class: scientists and engineers, university professors, poets and architects, people in music, design, arts, entertainment and education. Health professionals and business managers.(30% of American workforce).3 T’s: Talent, Tolerance and TechnologyMany critics.Large impact in policy circles – manifested also in inititives (and buildings)Competition and place marketingConnections to the real estate sector.From production (previous slide) to consumption.

Page 6: S tig Westerdahl Department of Urban Studies, Malmö University, Sweden E-mail:   stig.westerdahl@mah.se

Creativity and urban changeJane Jacobs ”The Death and Life of Great American Cities”: “intricate sidewalk ballet”.

Not much on gentrification or real estate companies.

Zukin (1989) on “Loft Living” and (2009) on authenticity.De-industrialisationEmpty production space became Lofts for artistsWhen filled with Cultural capital: property developers take overCoincides with changes in the Art World: Galleries.Production out – consumption in.

Pratt (2009) on Hoxton, London: A similar story.Where are the policies to make use of creative industry – no major effects from new residential housing.

Currid (2007) on New York: “The Warhol Economy”.Fashion/art/music much more important that realised.Need for conscious political efforts.The meeting places crucial to creative industry.

The joint view: Passive policymakers – and the property developers as culprits. They ripe the fruits, when artists have infused the cultural capital.

Page 7: S tig Westerdahl Department of Urban Studies, Malmö University, Sweden E-mail:   stig.westerdahl@mah.se

The case: Färgfabriken

NorrIn the middle of Sweden – 600 km north of StockholmÖstersund - small town – 30.000 people. Sparsely populated region of Jämtland.Closure of regimental garrisonsAn Art Hall ”Färgfabriken Norr” opened 2008 in one of the former military buildings.Three year EU-funded project – to merge art with trade&industry. More jobs in an area suffering from loss of employmentThe property developers offered free rent for three years and renovation/adjustment of the premises.No proper calculations: ”gut feeling” and ”intuition”Property developers more committed than the public sector: Create an attractive area for industrial and residential tenants.

Page 8: S tig Westerdahl Department of Urban Studies, Malmö University, Sweden E-mail:   stig.westerdahl@mah.se

ConclusionsÖstersund-case

Focus on ”consumption” – less on ”production”Gut-feeling and intution rather than calculations.The overall situation of the area the main issue.

Real estate industry at large:Tension ”Consumption” vs ”Production” of creative products/services point to

Long term perspective necessary – compare London & New York studies (Zukin, Pratt, Currid and others).Values of mixed use underestimated?

”Gut-feeling and intuition” – Values of co-operation with the creative sector underestimated? Alternative management methods, see things in a new light? Important for a conservative industry such as real estate?

Page 9: S tig Westerdahl Department of Urban Studies, Malmö University, Sweden E-mail:   stig.westerdahl@mah.se

The final conclusionMany question-marks!We know little on the role of property developers – in spite of research on

PlanningCreative industry and its importance at largeThe logics of art economy as opposed to financial economy.Social consequences of gentrificationAnd the many disciplines involved:

Human geography, economics, management, planning, humanities and others..

What about the real estate science?Future research needs to take property developers as point of

departure:o Linkages property developers and financial institutions in urban

development.o Linkages developers and public agencies: the role of creative

industries?o Connections real estate sector and the creative sector – possible

cooperation projects? Is a longer time horizon possible?o Are there openings for a rapprochement between real estate and

the creative sector – beyond mere purchasing the products? What can the industry learn from the creative sector?

Page 10: S tig Westerdahl Department of Urban Studies, Malmö University, Sweden E-mail:   stig.westerdahl@mah.se

Thanks for listening!

Questions and

comments welcome!