3 1 O C T - 4 N O V 2 0 1 3

F I R S T A N N U A L

I N D I A N A S A C K B U T W O R K S H O P

2

with

Adam BregmanCo-founder, Espionage

Particulars

Please make all checks payable to:Early Music in Motion

Mail registration form to:

Early Music In MotionIndiana Early Double Reed Workshop

P.O. Box 7921, Bloomington, IN 47407

Space is limited at the workshop in order to preserve the personalized learning experience.

We try our best to help with roommates but cannot guarantee. Please let us know if you are looking to share accommodations.

If you wish to pay via credit card for the workshop, there will be a $25 handling charge for the PayPal transaction. Please v i s i t our webs i te to make PayPa l arrangements.

Should you have any questions about any aspect of the workshop, inc luding scholarships, please feel free to contact Juan Carlos Arango at 812.606.0865 or email: earlymusicinmotion@gmail.com.

We look forward to another successful workshop and meeting new faces along the way!

Sponsored by Early Music In Motionwww.earlymusicinmotion.org

Registration

Name:_________________________________Address:_______________________________ ______________________________________Phone:________________________________Email:_________________________________

Living Space Selection & Feesview living spaces: www.waycrosscenter.org

Cabins: 4 x $50 p/p.................................$200

Main House: 4 x $90 p/p dbl.................$360

Main House: 4 x $120 single..................$480

Totals*

Workshop Fee: $330.....................$________

Living Space...................................$________

Commuter Fee:__ days x $40.......$________

Donation to EMIM 501 (c) 3.......$________

PayPal fee (if applicable)........................$25

Grand Total....................................$________

* 50% deposit due with application. No refunds after October 1, 2013Balance due by October 21, 2013.

W H AT ’ S T H I S A L L A B O U T ?

New for Nov 2013: Besides the concentrated study of the double reed instruments, IEDRW will also be hosting a sackbut workshop. In the afternoons, all participants wil l gather to explore repertoire devoted to the “alta capella” or “loud band” of the renaissance. We will again visit a neighboring church to experience the live setting of our music. In te r m e d i a te to a d v a n ce d p l a ye rs welcome! Pitch will be A=440

Arrive: Thurs, 31 October 5pm with dinner at 6 pm

Depart: Noon on Monday, 4 November after lunch

Place: Waycross Camp and Conference Center, 7363 Bear Creek Rd, Morgantown, IN 46160

Workshop Fee: $330 Thurs - Mon* *Scholarships available through EMIM.

Direct all inquiries to earlymusicinmotion@gmail.com.

Room & Board: $200 and up view living spaces: www.waycrosscenter.org

Commuter Meal Fee: $40 per day (lunch and dinner only)

The Indiana Sackbut Workshop was designed by Adam Bregman, Juan Carlos Arango and Robert Wiemken to provide a unique opportunity for dedicated players of the Renaissance sackbut to improve individual technique, compare and try instruments and play a wealth of wonderful repertoire. For intermediate to advanced amateurs and professionals alike, the workshop seeks to offer the chance to focus solely on building skills and stretching abilities in a relaxed, sylvan setting. The ISW and Waycross together make an ideal combination for achieving these goals. Pitch will be A=440. Visit www.earlymusicinmotion.org for a complete daily schedule.

Indiana  Sackbut  Workshop31  October  -­‐  4  November  2013

Repertoire  Concentration:Music  of  Renaissance  and  Early  Baroque  Italy

Topics  of  Discussion/Performance:Early  Alta  Capella,  Cori  Spezzati  &  Polychoralism,  Madrigal  &  Canzona  and  Italian  Dance  Music

!Adam   Bregman   received   a   Bachelor’s   degree   in  Music  Performance  from  the  University  of   Indiana   in  Bloomington,   where  he  was   under   the  tutelage  of  M.  Dee   Stewart.     Upon   beginning   his   studies   at   the  university   on  modern  trombone,   he   quickly   took   an  interest   in  early  music.    He  took  lessons  on  tenor  and  bass  sackbuts  with  Wendy  Gillespie   (viola  da  gamba)  and  Gregory  Ingles.    Adam  earned  his  Master’s  degree  in   early   music   performance   at   the   Hochschule   für  Musik  in  Cologne  (Germany)  with  Wim  Becu.

Along  with  fellow  historical  trombone  specialist  Adam  Woolf,  Adam  is  a  co-­‐founding  member  of  Espionage,  a  broken   consort   whose   aim   is   to   expose   a   secretive,  predominantly  English   repertoire  from   the  XVIth   and  XVIIth  centuries.    

He   is   a   member   of   Oltremontano   (Belgium),   a  XVIth-­‐   and  XVIIth-­‐   century   brass   ensemble  under  the  direction  of  Wim   Becu.  He  has  performed  in  concert   with   a   variety   of   ensembles   in   Europe  and   the   United   States,   including   Piffaro,   the  Renaissance   Band   (USA),   the   Huelgas   Ensemble  (Belgium),   His   Majestys   Sagbutts   and   Cornetts  (England),  B’Rock  (Belgium),  Capella  Cracoviensis  (Poland)

On   classical   and   romantic   trombones,   he   has  been   invited  to   play  with  orchestras   such  as   the  Orchestre   des   Champs-­‐Elysées   (France)   and   le  Cercle   de   l’Harmonie   (France),   and   Insula  Orchestra  (France).    Additionally,  he  co-­‐founded  a  XIXth-­‐century   brass   quartet   entitled   Les   Enfants  d’Airain   which   focuses   on   Belgian   and  Frenchromantic  repertoire.