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Samson Tam
PORTFOLIO 2015ARCHITECTURE + GRAPHICS + ART
CURRICULUM VITALE
EDUCATION
2013 - Present Master of Architecture, Candidate 2017 University of Toronto, Toronto, ON
2013 Certifi cate with Honors in Computer Aided Design and Drafting Kwantlen Polytechnic University, Cloverdale, BC Specialty in Mechanical Piping, Final Project in Wood-Frame House Construction
2007 - 2012 Bachelor of Fine Arts in Visual Arts, Minor in Art History University of British Columbia, Vancouver, BC
LANGUAGES English (fl uent), Cantonese and Mandarin (profi cient), Japanese (conversational), French (basic)
TECHNICAL SKILLS Apple Mac and Microsoft Windows Microsoft Offi ce - Excel, Outlook, Word, Powerpoint Adobe Creative Suite 6.0 - Photoshop, Illustrator, InDesign Drafting Software - AutoCAD 2013 3D Modeling/Rendering - Rhinoceros 5.0, V-Ray, Solidworks 2013 Marketing Platforms - Twitter, Constant Contact Basic Knowledge in HTML, Final Cut Pro Photography, Sketching, Printmaking
PROFFESIONAL WORK
2012 - Present 1.5+ years management experience with non-profi t, cultural organizations Major Employers: Gendai Gallery (Board of Directors, Toronto, ON) Topdown Bottomup (Artist-run-centre member, Vancouver, BC), 2010 - 2014 4 years museum/gallery experience, primarily designing promotional materials and exhibit content Major Employers: Blackwood Gallery (Toronto, ON) Museum of Anthropology (Vancouver, BC) Nikkei National Museum (Burnaby, BC)
2011 - 2013 2 years marketing experience developing promotional materials and graphics Major Employers: Rebus Creative (Vancouver), Quimera Theatre Collective (Vancouver)
[email protected] | 604.230.1228
FORM MAKING
URBAN FABRIC
VISUAL REPRESENTATION
Stacking: Peak Singles Sports Pavillion
Aggregation: Quartz Footbridge The Hourglass Reliquum
Expression: Ceramic Typologies
Graphics & Modeling: Matsunoyama Natural Science Museum Study R.C. Harris Water Center Arts-Bridge Community Center
Photography: Canada, Japan, Hong Kong, Taiwan
X-Large: Allen Road Master PlanX-Small: Storefront Typologies
toronto + vancouver + global
toronto + global
SELECTED WORKS
toronto + global
Competition: UIA-HYP Cup 2014 International Student Competition in Architectural DesignHosts: School of Architecture at Tianjin University and Urban Environment Design Magazine Press
PEAKToronto Team:
Ashkan NazemiMartin Lui
Primary Duties:Conceptual Design
Renderings + Text
Peak functions as an urban park development operating on existing green space in the rural suburbs of Tianjin in Jinnan, Outer Ring. Through a series of three pathway levels, residents from the region are provided new elevation views of their existing, yet ever-changing environment. Users are able to observe the pre-existing tree canopies and the surrounding neighbourhoods of the old versus the new – the HuTong versus the metropolitan tower, now seen at varying new heights. Winding wooden bench seating on all levels encourage
social congregation at the site. A central glass and steel-framed core provides a semi-enclosed public space where larger group activities can occur. Each level, while designed as individual loops, comes together to form a single hilltop space – a reinterpretation of Chinese garden design elements.
Peak is for the 21st century Tianjin city dweller an opportunity to refl ect and reinterpret an evolving landscape of mixed historical and cultural traditions.
Left to right: Final renderings, physcial model and diagrams of the modular system
SINGLES SPORTS PAVILLION
An exerice in creating structural form. The pavillion is a trianglular folded structure that is independent and possesses adaptable confi gurations based on various needs and programs.
Open gaps between modules were utilized as a means of introducing exterior courtyard space.
Requires in the project involved the production of a spanning form with a support system covering 70% to 80% of a rectangular area of 56’x 64’
Further challenges in the project involved the development of strong forms without the need for freestanding support columns.
Top: Final rendering showing ping pong tables - a design requirementBottom: Early prototyping and renderings
Left: Final renderings, diagrams of the overall formRight: Cross-sections of the fi nal project
QUARTZ FOOTBRIDGE
105'1'CROSS SECTION 3/16" = 1'
1' 5' 10LONG SECTION 3/16" = 1'
1' 5' 10PLAN 3/16" = 1'
PERSPECTIVE 1 PERSPECTIVE 2
VOID AND STAIRCASE GEOMETRY
The proposed project is the exploration of creating a transitional space between two buildings. Program is to contain within the placement of three void spaces within the bridge
Two trapezoids intersect each other with one producing a “slit-hole” allowing for “fl ickering” glimpses of passing people. The third trapezoid allows for full-scale light to enter into the space. The exterior is a mute, blank curvilinear form while the interior is angular, bright and colorful.
Parameters considered in the design include one needed intersection between two voids and the establishment of providing links between two fl oors in each of the opposing buildings.
1' 5' 10CROSS SECTION 1/4" = 1'
1' 105'CROSS SECTION 1/4" = 1'
Left: Additional cross-sectionsRight: Light analysis renderings
Competition: UBC New Student Union Center Interactive Art InstallationHosts: University of British Columbia, SEEDS Initiative
THE HOURGLASS
Vancouver Team:Mike Nield,
Annie HongAmadine Kaya
Primary Duties:Form Development
In a team made up of both architecture and fi ne art students, the proposed project is an art installation that would be the centerpiece within the new student union building on the University of British Columbia Vancouver campus.
The proposed installation consists of two parts: a mechanical system of three ramps that would trigger a suspended water sculpture when stepped upon.
The development of various envelope design variations aimed to develope a form that could be site-specifi c and interactive.
to the bottom water reservoir
set of nine steps linked to the pumping system
lounge area
small hole punched on thetop of the platform that links
Above: Prototyping schemes
RELIQUUM
Client: Rebus CreativeLocation: Library Plaza, Downtown Vancouver Public Library
For the 18th annual “Word On The Street Festival,” the organizers sought out art installations for their “Unwritten Word” initiative.
The installation was designed on the basis of cost-effi ciency, easy setup, and maximum display of photographs belonging to authors from all across Canada.
The fi nal proposal utilized the manipulation of leftover corrugated plastic sheets into usable display stands for photograph.
Above: Sketches, Prototyping
CERAMIC TYPOLOGIES
In one year of experimentation, twelve hand-size ceramic forms were create from basic pottery techniques ranging from hand-thrown methods to using the potter`s wheel.
The resulting forms were the assemblage of resulting limits to the materiality of the clays used and a developing research-knowledge base regarding ceramics.
ALLEN ROAD URBAN DEVELOPMENT SCHEME
BUILDING FORMperimeter block
BLOCKbased on site
EXCAVATEto create individual buildings
EXCAVATEfor pathways
STACKINGto increase/decreaseprogram
NODESvarying buildinng heightscreate key regions of interst
Left & Middle: Final axonometric and with close-up cross-sectionRight: Diagrams and ground swatch
PARKINGPARKING
PARKINGPARKING
plazagreen spacepedestrian yardssidewalks / paths
MIXED-USEresidential (10 storey)offices (3 storeys)commercial (2 storeys)
RESIDENTIAL(5 storeys)
COMMUNITY/CULTURAL(5 storeys)
BUILD
ING
TYPO
LOG
IES
public plazasparking
private gardenspublic green space
bike lanepedestrian boulevards
Parks [30%]
Parking [17%]
Public Plazas [5%]
Bike Lane [8%]
Boulevards[5%]
Private Gardens [3%]
BuildingFootprint [32%]
Commercial [9%
Offices [15%
Parking [7%]
Residential [37%
Community/Cultural [11%]
Open Space [20%
OPEN SPACE PROGRAM
Accessibilitiy and mobility remain poor and dangerous along Allen Road in North York, Toronto, ON. with a lack of walkability and safety for pedestrians.
The proposal bridges the west with the east connecting heavily in regions where existing green space and parks reside through trails and pedestrian boulevards. To foster use and community within the new decked Allen Road, community/cultural centres and new mixed-use housing typologies are introduced.
The proposal includes the provision of a centralized bike lane creating a continuous loop of circulation with the existing bike lane on Marlee Avenue.
Above: Initial urban development schemes, metrics and building forms
STOREFRONT TYPOLOGIES
STOREFRONT TO STREET
INTERACTION + RELATIONSHIP
intergrated
overlapping
confronted
associated
inserted
extended
suspended
street edge
windowless frontprovides exclusivness
visual frontbig display with opening
recessed frontadded displays, limited frontage
fl at, closed front1-2 windows
sloping frontdisplay at right angles
large recessed frontmax. display, limited frontage
mixed frontlobby fl anked by displays
attached garage frontprovides parking space
interactive frontmovable facade formsusable furniture (chairs + tables)
Above: Typological study of various storefront variations
The analysis of North York, near Allen Road, reveals the reality of the North American cityscape: a landscape of isolated communities with cul-de-sacs and limited pedestrian friendly spaces.
The storefront is analyzed on the belief of their ability to encourage walkability and social interaction between people. Consideration is made to include both general typologies of storefronts alongside specifi c precedant studies.
shuto expressway
shibuya station
platform
Shibuya, TokyoJapanstore under expressway
Rotterdam,Netherlandsstore within residence
Toronto, Ontario, Canadatypical storefront + street
5.6 5.5 street 5.5 5.6
Above: Notable precedant studies of storefronts
MATSUNOYAMA SCIENCE MUSEUM STUDY
Exterior Envelope:6mm thick corten steelCan withstand a verticalload of 2,000 tons
Properties: 20cm expansion & contractionbetween summer &
Acrylic Windows:5.5cm - 7.5cm thick98% transparency
Above: Echigo-Matsunoyama Science Museum, Japan. Cross-Site Drawing
rice terraceparking lot
The Matsunoyama Natural Science Musum by Tezuka Architects was studied and redrawn in order to analyze the building`s ability to integrates itself into its existing landscape.
Analysis included looking into the Tezuka Architects` selection of materials in order to address the harsh climate of Northern Japan and to endow a building with a memorable exterior form.
Left: Axonometric RenderingRight: Site Plan
Above: Final rendering of swimming pool facilities
R.C. HARRIS WATER CENTER
Accessibilitiy and mobility remain poor and dangerous along Allen Road with a lack of walkability and safety for pedestrians.
The proposal bridges the west with the east connecting heavily in regions where existing green space and parks reside through trails and pedestrian boulevards. To foster use and community within the new decked Allen Road, community/cultural centres and new mixed-use housing typologies are introduced.
The proposal includes the provision of a centralized bike lane creating a continuous loop of circulation with the existing bike lane on Marlee Avenue.
1
1
1: 200PLAN VIEW
INDOOR SPA
CHANGE ROOMS / SHOWERS
DINING LOUNGE
EXISTING BEACH
EXISTING ROCK WALL
OLYMPIC-SIZED POOL
2
1
1
2
3
3
Above: Plans of main building (left) and swimming facilities (right)Bottom: Additional rendering and axonometric site plan
Above: 1:250 model, streetscape view
ARTS-BRIDGE COMMUNITY CENTER
Tasked with redeveloping the Lawrence Height community along Allen Road in Toronto, ON, Canada, provided is a proposed project featuring the creation of a art community center.
The material palettes of hand-crafted black foam, laser-cut 1/8” millboard and wire mesh express a fi nalized scheme where the interior is consisted of mute facades with an exterior envelope that is perforrated, transluscent and held up by steel trusses.
Above: 1:250 rendering with model, view from the Allen Expressway
PHOTOGRAPHY
Canada
Japan3. sapporo4. kyoto5. miyajima 3
4
5
1. vancouver2. toronto
12
3
4
45
2
1
22
Hong Kong
Taiwan
6
6. central7. jordan
7
9
10
8
11
8. jiufen9. taipei10. taichung11. kenting
6
7
66
8
9
1110