THEORY OF ARCHITECTURE1. It is a comparison showing differences, the opposite of simiarit!.a. rh!thm ". character c. proportion d. contrast#. The most important $ind of character in architect%re is that which res%t from thep%rpose of the "%iding or reason of erection.a. proportion ". contrast c. f%nctiona character d. persona character&. 'ost eementar! means of organi(ing forms and spaces in architect%re.a. "aance ". a)is c. scae d. character*. Characteri(ed "! an arrangement where a the part radiate from a center i$e the spi$es in a whee.a. radia ". forma c. centrai(ed d. %ns!mmetrica+. It means e,%ait!.a. rh!thm ". contrast c. forma d. "aance-. It gi.es a feeing of grande%r, dignit! and mon%mentait!.a. centrai(ed ". radia c. scae d. "aance/. 0hen ines, panes, and s%rface treatments are repeated in a reg%ar se,%ence.a. "aance ". rh!thm c. contrast d. proportion1. A $ind of character that came from the inf%ence of ideas and impressions reated to orgrowing o%t of past e)perience.a. associated char. ". persona char. c. characterd. f%nctiona char.2. It is e.ident "! a comparison which the e!e ma$es "etween the si(e, shape and tone ofa .ario%s o"3ect or part of a competition.a. proportion ". rh!thm c. scae d. "aance14. 5eas with the reationship "etween the different parts of the whoe to the .ario%s parts.a. reati.e proportion ". a"so%te proportionc. proportiond. "aance11. It "ears a certain reation to the same attri"%te to the ife of an indi.id%a.a. f%nctiona char. ". reati.e proportion c. persona char.d. "aance1#. These s!stems are "ased on the dimension and proportion of the h%man "od!.a. proportion ". "aance c. anthropometricd. anthropomorphic proportion1&. The si(e and proportion of an eement appear to ha.e reati.e to other eements of $nown or ass%med si(e.a. .is%a scae". mechanica scae c. generic scae d. h%man scae1*. 6ind of rh!thm where e,%a! spaced windows are introd%ced on the "ro$en wa, then reg%ar repetition is presented.a. accented rh!thm". %naccented rh!thm c. rh!thm of motion d. rh!thm1+. The si(e of a "%iding eement or space reati.e to the dimensions and proportion of h%man "od!.a. generic scae ". .is%a scae c. h%man scae d. mechanica scae1-. The art and science of "%iding design and constr%ction.a. architect%re ". theor! c. .is%a scae d. rh!thm1/. 0ho said that 7The magnificent dispa! of .o%me p%t together in the ight8a. Adof Hiter ". Fran$ 9ehr! c. :o%is 6ahn d. :e Cor"%sier11. That which the e!e identifies, the mind percei.es and interprets.a. shape ". te)t%re c. form d. orientation12. 0ith respect to an o"ser.er.a. si(e ". orientation c. .is%a inertia d. position#4. A series of form arranged in se,%ence in a row.a. c%stered form ". inear form c. radia form d. grid form#1. A set of mod%ar forms reated and reg%ated "! &5 grid.a. inear form ". radia form c. grid form d. c%ster form##. ;%"tracting a portion of a forms .o%me to create another.a. s%"tracting transformation ". additi.e transformation c. s%"tracti.e transformation d. dimensiona transformation#&. This refer to the manner in which the s%rface of a form come together to define its shape and .o%me.a. artic%ation of form ". formc. c%stered form d. architect%re#*. 0ho said 7The wi of the epoch transated into spacepercei.e form.a. inear ". c%stered c. centrai(ed d. grid form#1. One or more dimension are atered "%t wi retain its identit!.a. s%"tracti.e". dimensiona trans.c. additi.e trans.d. ?OTA#2. A coection of forms gro%ped together "! pro)imit! or the sharing of a common .is%a trait.a. grid form ". c%stered form c. radia form d. inear form&4. Can "e reg%ar or irreg%ar, primar! characteristic that identifies.a. si(e ". coor c. orientation d. shape&1>&/. @/A composition of design&1>*4. @&A t!pes of character*1>*#.@#A $inds of rh!thm*&>*+. @&A t!pes of "aance*-. Is the most famo%s for the e!e catching tower he constr%cted in Baris for thee)position %ni.ersa! of 1112 wor$ of Eiffe tower.a.Ae)andre 9%sta. Eiffe". Ae)ander 9%sta. Eiffec. Ae) 9%sta. Eiffe */. One of the pioneers of the modern mo.ement in American architect%re. 0or$a%ditori%m "%iding, U.;.a. 5anie C%rnham". :o%is Henr! ;%i.anc. 0iiam :e Caron =enne!*1. Arch of the famo%s Twin Tower 0ord Trade Center.a. Yamasa$i and Roth". I.'. Beic. Cr%neeschi*2. One of the most s%"ime painters and sc%pt%re and one of the most inf%entia architect and draft man.a. 'ichae Angeo". Baa((o 5%caec. Richard 6iping+4. The inf%entia architect "orn in 1+41 I Bad%a. He designed the Baa((o Chierecati, Dicencia, Ita!. 6nown as the grandest town residence.a. Hoand". Andrea di Bietro 5ea 9ondoac. Andrea Baadio+1. ;cottish architect and designer who was prominent in the arts and crafts mo.ement in 9reat Critain.a. Chares 'ac$intosh c. Beter Cehrens". Ro"ert Adam d. 'ies Dan de Rohe+#. Recei.ed the 7Batn%"a! ng ;ining at 6ainanagan 7award for the cit! of mania, who is the architectEa. Bhiip Recto c. =%an ?a$pi". Tomas 'ap%a e. Antonio Toedo+&. In 1212 he recei.ed the prt($er pri(e common! referred to as 7The ?o"e ofArchitect%re8 the oftiest recognition. It is a ifetime achie.ement award granted toi.ing architect whose "od! of wor$ represents a s%perati.e contri"%tion to the fied.a. 'inor% Yamasa$i c. Fran$ 9ehr!". Ren(o Biano d. 6en(o Tange+*. His first designs were drawings of fantastic architect%ra .isions in stee and gass aswe as cost%me and poster design.a. ?orman Foster c. Ieoh 'ing Bei". Fran$ 9ehr! d. Erich 'endesohn++. '%ch of his wor$s has "een descri"ed as post modern, since he re3ected the e)cessi.ea"stractionism of architects s%ch as :e Cor"%sier and stro.e instead to incorporate the.aid eements of oder st!e.a. 6ahn, :o%is c. Ieoh 'ing Bei". 'a)we, Fr! d. 'arce Cre%er+-. ;panish architects, one of the most creati.e practitioners of his art in modern times. His st!e is often descri"ed as a "end of neo>gothic and art no%.ea%, "%t is aso has s%rreaist and c%"ist eements.a. 'arce Cre%er c. Adof :oos". Antonio 9a%di d. :%cio Costa+/. One of the wordgeni%s into the st!e which cameto "e $nown as Caro,%e> a f%sion of the arts of archre, sc%pt%re and painting to create newforms which a"o.e a created a dramatic impact and in.o.ed the spectator.a. Corromini Fransesco c. Cernini 9io.anni :oren(o". Cartning Ottod. Ro"ert Adam11&. The !o%ngest of the pioneer modernists, was instr%menta in shifting the "ias of theCa%ha%s from the Arts and Crafts8 to Art and technoog!.a. Beter Cehrens c. Ro"ert Adam". 'arce Cre%erd. A.ar Aato11*. Architect, sc%ptor and engineer who was the main initiator of st!istic changes inRenaissance archre. The engineering feat represented "! the c%poa of Forence cathedrastaggered "! his contemporaries.a. Cr%neeschiFiippo c. Cernini :oren(o". Corromini Fransescod. Antonio 9a%di11+. Architect of the U?E;CO "%iding in Baris which the stri$ing feat%re of this compe) is theenormo%s 7Y8 shaped office and conference room "oc$.a. Cass 9i"ert c. A.ar Aato". Ro"ert Adam d. 'arce Cre%er11-. Architect and painter, one of the personaities of Itaian renaissance archre. Aread! in hisear! wor$s he changed con.entiona archre space "! inserting i%sionist feat%res moret!pica of painting and storage settings.a. Cr%neeschi Fiippo c. Cramante 5onato ". :eonardo da Dinci d. Cernini :oren(o11/. ?ic$named 7The ;he "%ider8 "eca%se of his e)tensi.e e)poration of the str%ct%rapossi"iities of ightweight concrete roof constr%ction, often %sing compe) c%r.e forms toe)poit the tensie strengths within this .ersatie materia.a. Fran$ :o!d 0right c. Bier :%igi ?er.i". Fei) Candead. Eie ;aarinen 111. Architect of the 7;ains"%r! Centre for Dis%a Arts8, ?orwich.a. ?orman Foster c. Ren(o Biano". 6en(o Tange d. Ba% R%doph112. One of his strangest wor$ is a fish>shaped resta%rant in =apan caed 7Fishdance1&.a. Henr! :o%is ;%i.an c. Cass 9i"ert ". 5anie C%rnham d. 'inor% Yamasa$i1#1. His wor$ e.o.ed awa! from concern with the roots of modernism towards a wide ranging "orrowing from architect%ra histor!.a. :e Cor"%sierc. Henr! ;%i.an". 'ichae 9ra.es d. Richard 'eier1##. Fo%nder of the Ca%ha%sa. 9ropi%s 0ater c. Beter Cehrens". :e Cor"%sierd. Adof 'eier1#&. His architect%re is nota"e for its simpe, patonic forms and compositions thro%gh the %seof "ric$s and po%red concreteJ po%red in pace concrete masonr!. He de.eoped acontemporar! archre of great power and mon%mentait!.a. Henr! :o%is ;%i.an c. Fei) Candea". 'ies .an de Rohe d. :o%is 6ahn1#*. Architect of the pigrimage chape of ?otre dame de Ha%t at Ronchamp. a. :o%is ;%i.an c. :e Cor"%sier ". Fr! 'a)wed. Ba% R%doph1#+. 'aison 5omino, "asic "%iding diagram, a protot!pe for mass prod%ction with free standingpiars and rigid o.er saiing foors "eongs toEa. Fran$ :o!d 0right c. :%cio Costa". :e Cor"%sierd. ?orman Foster1#-. Atho%gh he "%it itte or nothing, he has man! architect%ra drawings re.ea a new concern with form that anticipates the high renaissance st!e of Cramante in Rome and in partic%ar the designs for the ?ew ;t. Beters. a. :eonardo da Dinci c. Cramante 5onato". Fiippo Cr%neeschid. Cernini :oren(o 1#/. O%tstanding ;cottish architect, f%rnit%re designer and painter, seen as a pioneer of the'odern 'o.ement and perhaps more important!, as the greatest fowering of the Critish Arts and Crafts mo.ement.a. :%cio Costa c. Ro"ert Adam". Ba% R%doph d. Chares 'ac$intosh1#1. His manner of design wor$ing %p an architect%ra designJidea from an e)pressionistic t!pes$etch as we as his persona phiosoph! of 75!namism8 at a .er! ear! stage an attit%de todesign that was "oth idios!ncratic and "riiant.a. Chares 'ac$intosh c. Erich 'endesohn". Richard 'eier d. Ba% R%doph1#2. Architect of the 7;eagram "%iding8 ?ew Yor$a. 0ater 9ropi%s c. :o%is ;%i.an". 'ies .an de Rohe d. Cesar Bei1&4. 9erman architect who was responsi"e for "ringing the tent into the #4th cent%r!, it was hisspecia gift to see minima ightweight str%ct%re as i"erating and a "ridge to nat%ra ororganic str%ct%re.a. Frei Otto c. Eero ;aarinen ". Fr! 'a)wed. 'ichae 9ra.es1&1. U.;. "ased architect, $nown "est for his .ast shimmering towers %sed as corporate head,%arters. He descri"es himsef as a 7pragmatist8 who fees that there is strength and energ! fowing in e.er!thing inc%ding the energ! in his pro3ects themse.esJa. 5anie C%rnham c. Fran$ 9ehr!". 'ies .an de Rohe d. Cesar Bei1. :eading Itaian architect and designer concerned with technoogica inno.ation anden.ironmenta! "aanced "%idings.a. Fran$ 9ehr! c. Ren(o Biano". ?orman Fosterd. 6en(o Tange 1&&. Inf%entia Itaian architect and %r"an theorist who initiated the contemporar! schoo of rationa archre d%ring the 12-4cotta c. "ric$". m%d d. ?OTA&41. As the peope de.eoped toos, the! created specia "%iding materias. 0hat do the?omadic peope do to ma$e a tent for their sheterEa. wo.e coth c. find "roader ea.es". s$inned animas d. ?OTA&42. MMMMMMM inf%ences made it sef fet in s%ch 'osem feat%res as a horseshoe arch andpierced stone tracer!, and nota"! in rich s%rface decoration of intricate geometrica andfowing patterns.a. 'osem craftsman c. aash". 'oorishd. ?OTA&14. An ornate iron grie or screen, a characteristic feat%re of ;panish ch%rch interiors.a. =are c. Re3a". 6orae d. ?OTA&11. The co.ering %s%a! of wood "oards or p!wood, paced o.er e)terior st%dding or rafters of a "%idingI pro.ides a "ase for the appication of wa or roof "%iding.a. sheathing c. terra>cotta". teg%a d. ?OTA&1#. He was the one who first to %se Bortand stone in his :ondon "%idings.a. ;ir Christopher 0ren c. B. ?er.i". I. =ones d. ?OTA&1&. A "ric$ wor$ with aternate co%rses of stretchers and headers.a. Femish "ond c. Engish "ond". aternate "ond d. ?OTA&1*. A masonr! %nit aid so that its ends are e)posed, o.erapping two or more ad3acent withesof masonr! and t!ing them togetherI a "ondera. header c. "ond". stretcher d. ?OTA&1+. A masonr! %nit aid hori(onta! with its ength in the direction of the face of the wa.a. header c. "ond". stretcher d. ?OTA&1-. Dertica 3oints of one co%rse faing midwa! "etween those of ad3acent co%rse.a. header c. stretcher "ond". header "ond d. ?OTA&1/.A "ond in which each co%rses consists of headers and stretchers aid aternate!, each header is centered with respect to the stretcher a"o.e the stretcher "eow it.a. Femish "ond c. aternate "ond". Engish "ond d. ?OTA&11. A pattern "ond the facing "ric$ is aid with a .ertica 3oints contin%o%s! aigned.a. Femish "ond c. ?OTA". stac$ "ond d. AOTA&12.'asonr! %nit which is set on end, with its face showing on the wa s%rface.a. stretcher c. sodier". header d. ?OTA. Earth "a$ed @%nga(edA or "%rnt in mo%ds. For %se in constr%ction and decoration, harder in,%ait! than "ric$.a. terra>cotta c. "ric$". teg%a d. ?OTA. In ear! renaissance, it is an architect%re which foowed T%dor, was a transition st!e withgothic feat%res and renaissance detai. It was sec%ar rather than eccesiastica in its nat%re. a. =aco"ean architect%re c. ;t%art architect%re". Ei(a"ethan architect%re d. ?OTA#. A comm%nicating passage or wide corridor for pict%res and stat%es. An %pper store! for seats in the ch%rch.a. oggia c. gaer!". pinacotheca d. ?OTA&. ;%n$ panes, caissons or ac%naria formed in ceiings, .a%ts or domes.a. coffers c. a,%ed%ct". dado d. ?OTA*. A portion of a pedesta "etween its "ase and cornice. A term aso appied to the ower portion of was when decorated separate!.a. coffers c. a,%ed%ct". dado d. ?OTA+. An order of architect%re with a massi.e, short, s,%at, and fat co%mns that stands witho%t a"ase direct! on a st!o"ate.a. ionic c. doric". t%scan d. ?OTA-. It came from the :atin word 7pedare8 meaning to s%pport, a triang%ar piece of wa a"o.ethe enta"at%re which fis in and s%pports the soping roof.a. pediment c. trig!ph". reg%a d. ?OTA/. Optica i%sion percei.ed on! in a 5oric co%mn, it c%r.es o%twards or tapering and sight! con.e) profie.a. "attered c. optica i%sion". entassis d. ?OTA. From the :atin word 7cap%t8 meaning head, the crowning feat%re of a co%mn or piaster.a. cap%s c. capita". co%mnar d. ?OTA. The space "etween the astraga of the shaft and commencement of the capita proper. The tracheion.a. nec$ing c. ?OTA". h!potracheion d. AOTA&&4. An order that is contemporar! of 5oric with a scroJ .o%te capita, has a "ase and pinth,the shaft is thinner, onger ma$ing it taer.a. 5oric c. t%scan". ionic d. ?OTA&&1. An order from 9reece which empo!ed the first %se of foiate designs and capita.a. t%scan c. Corinthian ". composite d. ?OTA&. A fower, hone! s%c$es or pamette ornament in cornice.a. anthemion c. c!ma". astraga d. ?OTA&&&. From the :atin word 7facis8 meaning face, .ertica face or a itte pro3ection.a. faLade c. AOTA". fascia d. ?OTA&&*. 0ho in.ented the Corinthian orderEa. $aima% c. caimach%s ". ?e"%chadne((ard. ?OTA&&+. Is the term appied to wood after it is sawed or siced into "oards, pan$, tim"er, etc..a. %m"er c. %m"ering". ogging d. ro%gh %m"er&&-. It is that fi"ro%s s%"stance which composes the tr%n$ and "ranches of trees that ies "etweenthe pitch and the "ar$.a. wood c. pitch". "oard d. "ar$&&/. Are dressed %m"er wherein the n%m"er connotes the n%m"er of smooth side.a. s#s K s*s c. std". sss d. Cd. Ft.&&1. It is a piece of %m"er ess than * cm. thic$ with at east 14 cm. wide.a. "oard c. sa"". pan$ d. fitch&&2. It is a thic$ piece of s%m"er.a. fitch c. "oard". sa" d. pan$&*4. Is a %m"er ta$en from a croo$ed tree.a. croo$ed or crossed grain c. fine grained". co%rsed grain d. grain&*1. Composed of se.era heart sha$es which radiate from the center of the og in 7star>i$e8 manner.a. star sha$es c. "oard mem"er". heart sha$es d. "oard inch&*#. Is the %nit of meas%rement %sed in comp%ting the .o%me of the og.a. "oard foot c. "oard inch". "oard meter d. "oard mem"er&*&. Occ%r at the starting point of a im" or "ranch of the wood.a. $nots c. star sha$e". wind sha$e d. heart sha$e&**. 1- pieces #)&)1- is e,%a to how man! "oard ft.a. 1#1 "d. ft. c. 1&1 "d. ft.". 11- "d. ft. d. 141 "d. ft.&*+. Is sod either in cement "ags of *4 $ios weight or in "%$ in cement tr%c$s.a. Bortand cement c. concrete". cement d. aggregate&*-. Is an artificia stone made "! "inding together partices of some inert materias with a pastemade of cement and water.a. concrete c. gra.e". sand d. aggregate&*/. ;ame materias as norma Bortand e)cept in coora. white portan cement c. masonr! cement". po((oand d. water proofed Bortand cement&*1. This is a specia cement @BortandA %sed inJfor seaing oi wes.a. oi we cement c. po((oand". masonr! cement d. ordinar! cement&*2. Are aggregates smaer than P inch diameter stones.a. fine aggregate c. gra.e". sand d. co%rse aggregate&+4. Used to speed %p the initia set of concrete.a. acceerators c. retarders ". retarded d. acceeration &+1. Concrete mi)ed %sed in a concrete pant "o)es etc.a. cass A c. cass peds". cass CC d. cass C&+#. ;ma amo%nt of certain air>entraining agents are added to the cin$er and gro%nd with it toprod%ce air effecti.e %se for resistance to se.ere frost.a. air>entraining cement c. masonr! cement ". white Bortand cement d. oi>we cement&+&. Has "een specia! designed to prod%ce "etter mortar than that made with norma Bortandcement or with a ime>cement com"ination.a. masonr! cement c. white Bortand cement". waterproofed d. ime cement&+-. ?orma! prod%ced "! adding a sma amo%nt of steariate, %s%a! caci%m or a%min%m tothe cement cin$er d%ring the fina grading.a. water proofed Bortand cement c. white Bortand cement". air>entraining Bortand cement d. Bortand cement&+/. Concrete contains microscopic "%""es of air formed with the aid of a gro%p of chemicas caed s%rface acti.e agents.a. air>entraining agents c. acceerators". dispersa agents d. retarders&+1. Is %sed to dea! or e)tend the setting time of the cement paste in concrete.a. retarders c. dispersa agent". acceerators d. air>entraining agents&+2. This wi aow earier remo.a of forms and in some cases red%ce the whoe c%ring period.a. acceerators c. retarders". dispersa agent d. ?OTA&-4. An admi)t%re %sed to speed %p the initia set of concrete.a. acceerators c. dispersa agents". air>entraining agents d. concrete hardeners&-1. Bain concrete s%rface which are s%"3ected to roing i.e oads, the impact action of foottraffic and other t!pes of wear "egin d%st and cr%m"e at the s%rface after period of time.a. concrete hardeners c. retarders". acceerators d. dispersa agents&-#. Concrete mi) %sed for %nder water, retaining was, and the i$es constr%ction.a. cass AA c. cass A*1FCI". cass A d. cass C&-&. Common ,%ait! contro test of concrete "ased on / and #1 da!s c%ring period.a. compressi.e strength test c. s%mp test". compression strength test d. %rina test&-*. A test which is done to a mi)ed concrete to ens%re that the specified s%mp is "eing attainedconsistent!.a. s%mp test c. compressi.e strength test". s%m test d. compression strength test&-+. Fo%r parts of ime stone to one part ca! are the "asic ingredients.a. Bortand cement c. concrete". cement d. masonr! cement&--. ;pecia cementa. Bortand cement d. air>entraining cement". oi we cement e. water proofed Bortand cementc. masonr! cement f. white Bortand cement&-/. Concrete mi)es @"ase on the so%rce "oo$Aa. cass AC d. cass AA". cass C e. cass Cc. cass A&-1. Crands of white cement.a. snow white cement d. $eene white cement". foro white cement e. snowcrete white cementc. trinit! white cement&-2. 'aterias %sed to red%ce permea"iit! and aso damp roofers.a. fine metaic aggregate d. water repeents". air>entertaining agent e. fim appied to s%rfacec. cement dispersa agent&/4. Cross section of a tree @"! partsAa. pan$ e. o%ter "ar$". pitch f. sap woodc. heart wood g. inner "ar$d. mod%ar ra!s h. can"i%m&/1. Brocess of preser.ing wood.a. man%a c. e)terna". interna d. ?OTA&/#. Common ca%ses of deca! in wood.a. "ritte or maea"e d. heat and confined". f%ngi or mods e. aternate moist%rec. insect or worms&/&. 'ost common defects in wood @ca%se "! a"norma growthAa. soi defects d. star sha$es". hearth sha$es e. $notsc. wind sha$es or c%p sha$es&/*. Cassification of treesa. sap wood e. "oar". hard wood f. fitchc. softwood g. fined grainedd. croo$ed or cross grained&/+. 'ethods of sawing the og.a. chopping c. ogging". %m"ering d. sawing&/-. Raw water is made to pass on pipes of tin! sie.es and e)posed to air of fine mist.a. sedimentation d. aeration". chemica treatments e. ?OTAc. fitration f. AOTA&//. Rigid pipe or its t!pe can "e.a. BDC @po! .in! chorideA d. BB @po!prop!eneA". UBDC @%npastici(ed BDCA e. AOTAc. CBDC @chorinated BDCA f. ?OTA&/1. A d%ra"e pipe materia which is e)treme! corrosi.e resistant easiest to insta.a. copper pipes d. as"estos pipes". ead pipes e. ?OTAc. BDC pipes f. AOTA&/2. ;imiar to a compression coc$ "%t has a screw o%tside for connection of water hose.a. sef cosing fa%cets d. hose "i""". $e! coc$ e. AOTAc. compression coc$ f. ?OTA&14. A comprehensi.e term, inc%ding a constr%ction for coection, transportation, p%mping, treatment and fina disposition of waste.a. sewer d. drain". sewerage e. ?OTAc. sewage f. AOTA&11. 5egrees or grades of waste water, it is a t!pe of p%m"ing s!stem.a. storm water d. fitered water". drainage water e. AOTAc. sewer water f. ?OTA&1#. The setting of fi)t%res.a. ro%ghing>in d. setting". f%rnishing e. AOTAc. finishing f. ?OTA&1&. A s%ction ca%sed "! the fow of i,%ids in pipes.a. sipitonage d. sewerage". epitomage e. AOTAc. siphonage f. ?OTA&1*. 'aterias for p%m"ing instaations.a. p%mps d. risers". tan$s e. ?OTAc. ma)im%m demands f. AOTA&1+. Hori(onta pipes that ser.e the fa%cets or fi)t%res are caed.a. "ranches d. hot water ine". risers e. AOTAc. cod water ine f. ?OTA&1-. It inc%des transformers, switch"oards, pane "oard, arge switches and circ%it "rea$ers.a. instaation d. power handing e,%ipment". wiring e. ?OTAc. %tii(ation e,%ipment f. AOTA&1/. Eectrica power is generated from so%rce of energ!.a. wind d. fossi f%es". water e. ?OTAc. n%cei f%sionf. AOTA&11. Coth metric and c%stomar! s!stems %se as the "asic %nits of meas%rement.a. .ots d. ohms". amps e. ?OTAc. watts f. AOTA&12. Are spring eaded de.ices in which a strip of meta "ends when heated and trips a switch which disconnect power to the circ%it.a. gro%nd fa%t circ%it interr%pters d. thermostat". f%ses e. AOTAc. parae circ%it f. ?OTA&24. Are simpe de.ices in which a piece of meta mets when the circ%it is heated and interr%ptsthe c%rrent.a. f%ses d. wires". receptaces e. AOTAc. cond%it f. ?OTA&21. Are the materias %sed to carr! or aow the fow of eectric c%rrent.a. reciprocators d. copper wires". cond%ctors e. ?OTAc. ins%ator f. AOTA&2#. Refers to the c%tting off or disconnection of the s%pp! of c%rrent.a. short circ%it d. tapping". aternatinge. ?OTAc. staggering f. AOTA&2&. Opposition or friction to the fow of c%rrent.a. receptace d. stranded wire". resistance e. ?OTAc. ins%ator f. AOTA&2*. Rate at which energ! is %sed r aternati.e!, the rate at which wor$ is done.a. mi d. energ!". effort e. ?OTAc. resistance f. AOTA&2+. Use for high>c%rrent carr!ing appication.a. "%s"ars d. ins%ators". "%sd%ct e. ?OTAc. p%g>in f. AOTA&2-. The frames on either of the mo.ing steps of an escaator.a. "a%strades d. car". raiings e. ?OTAc. "%ffer f. AOTA&2/. A .esse or arrangement of pipes or t%"ing in which .apori(ed refrigerant is i,%efied "! the remo.a of heat.a. condenser d. compressor". refrigerant e. ?OTAc. "oier f. AOTA&21. The dri.en %nit of an e,%ipment.a. hoist wa! d. d%ct". machine e. ?OTAc. d%m"waiter f. AOTA&22. Oi or spring %s%a! paced in the ee.ator pit.a. "%ffers d. armat%re". sh%tter e. AOTAc. go.ernor f. ?OTA*44. The .eocit! of fow thro%gh an opening is in.erse! proportiona to the area of its cross section.a. co%nterweights d. ioni(ation detectors". car e. ?OTAc. .ent%re effect f. AOTA*41. The! raise and ower the car.a. ca"es d. shaft". co%nterweights e. AOTAc. go.ernor f. ?OTA*4#. A singe so%rce of heat that is distri"%ted "! pipes or d%cts.a. ACCU d. centra heating". direct c%rrent generator e. ?OTAc. deh%midifier f. AOTA*4&. A materia s%ch as specia! treated paper that retards the passagewa! of .apor or moist%re into was and pre.ents condensation within the was.a. moist%re "arrier d. newe". parging e. AOTAc. minera woof. ?OTA*4*. A cond%ctor ser.ing to maintain eectric contact "etween stationar! and mo.ing indi.id%aparts of a machine or other apparat%s.a. comm%tator d. "r%shes". go.ernor e. ?OTAc. fied circ%it f. AOTA*4+. 'eans a machine for ifting or owering a oad and mo.ing it hori(onta!, the hoistingmechanism "eing a n integra part.a. tractor machine d. ee.ator". ift machine e. ?OTAc. hoist wa! f. AOTA*4-. A too %sed to g%ide penci or scri"er in mar$ing straight ine.a. straight edge d. e.e". r%er e. ?OTAc. miter s,%are f. AOTA*4/. 'eas%ring toos that are "eing %sed in "%iding constr%ctions.a. (ig(ag r%e d. mar$ing ga%ge". side caiper r%e e. ?OTAc. side caiper r%e f. AOTA*41. 0ith water is one of the "est and acc%rate too for g%iding wor$ in esta"ishing a hori(onta e.e.a. hose d. .ise". e.e e. ?OTAc. pipe f. AOTA*42. Is a "asic constr%ction too %sed in man! of the dirt! wor$ of concrete mi)ing andpastering.a. pai d. foat". "oard e. ?OTAc. trowe f. AOTA*14. A mechanica de.ice %sed for ifting hea.! weight.a. hoist d. crane". p%e! e. ?OTAc. ta%t f. AOTA*11. 0hich is the process of sawing into smaer pieces after the remo.a of the "ranches.a. "%shing d. %m"ering". s$idding e. ?OTAc. feing f. AOTA*1#. Dertica shaft which contains a staircasea. spandre d. straight fight". stringer e. ?OTAc. stairwe f. AOTA*1&. Art of "%iding with stone, "ric$s, concrete "oc$s or simiar materias.a. pastering co%rse d. dr! wa constr%ction". ashars e. AOTAc. mosaics f. ?OTA*1*. Refers to the state of f%idit! of fresh! mi)ed concretea. d%ra"iit! d. compression test". s%mp test e. ?OTAc. wor$a"iit! f. AOTA*1+. C%iding materia re3ected as "eow gradeJ "eow standard grade.a. chec$s d. c%". co%rse e. AOTAc. re3ected f. ?OTA*1-. Considered as a %ni.ersa man.a. :oren(o Biano d. Fran$ :o!d 0right". Thomas =efferson e. ?OTAc. Fran$ 9ehr! f. AOTA*1/. Architect of the ?C; s%per "ranch in Araneta a.e., in C%"ao, H.C.a. Rogeio Diarosa d. Cesar Concio". =%an ?a$pi e. ?OTAc. 0iiam Barsonsf. AOTA*11. 7Honest!, Integrit! and 5iigence8 "eongs toa. =%an ?a$pid. Cesar Concio". Francisco 'anosa e. AOTAc. Bhiip Recto f. ?OTA*12. The indi.id%as who demand a radica shaft in emphasis from the "%iding of the past to the design of those which meet the demands of modern ife.a. mon%mentaism d. radicaism". c%"ism e. ?OTAc. rationaism f. AOTA*#4. 5esigned the proposed Chicago master pan.a. Fran$ :o!d 0right d. ;$idmore, Owings and 'eri ". Ba% R%dophe. ?OTAc. :%cio Costaf. AOTA*#1. 5rawing of "%idings and a!o%ts in simpified, %ndetaied forma. s$etches d. poche". parti>scheme e. ?OTAc. "oc$>pan f. AOTA*##. The st%d! of creati.e processes, especia! as appied to the stating and so%tion of pro"em that in .a%es free %se of metaphor and anaog! in informa interchange within a sma gro%p of di.erse indi.id%as.a. s!nectics d. mod%ar". pro)emics e. AOTAc. ergonomicsf. ?OTA*#&. A state or ,%ait! of ac$ing .ariet!.a. distortion d. inter.a". chaos e. ?OTAc. a"stractf. AOTA*#*. A standard, r%e or principe on which a 3%dgment or decision ma! "e "ased.a. order d. ordinances ". commandment e. ?OTAc. goden r%e f. AOTA*#+. The e)terior framewor$ or was and roof of a "%iding.a. s$in d. she". s%"str%ct%re e. AOTAc. faLade f. ?OTA*#-. Cipped or trimmed into ornamenta and fantastic shapes, or the wor$ or art.a. topiar! d. compe)it!". s%r!thm! e. AOTAc. a"stract f. ?OTA*#/. A sa%ghterho%sea. mar$et d.manor ho%se". a"attoire. ?OTAc. $iing fied f. AOTA*#1. To form an idea or concept in the mind.a. schemed d. form%ated". metaphored e. ?OTAc. .is%ai(ed f. AOTA*#2. Harmon! of proportion or mo.ement.a. rh!thm d. inter.a". s%r!thm! e. ?OTAc. harmon! f. AOTA*&4. :arge pict%re gi.en additiona reait! "! optica i%sions and i%mination and .iewedthro%gh an apert%re in a dar$ room.a. diorama d. "ercea%". pict%res,%e e. AOTAc. &5 effects f. ?OTA*&1. Father of modern archrea. Fran$ :o!d 0right d. AOTA". :%cio Costae. Henr! :o%is ;%i.an c. Fran$ 9ehr! f. ?OTA*. Architect designer of the Canta! Cata Chidreni$e car.ing.MMMMMMMMMMMMM +-&. The "ishops throne set at the end of the apse in ear! Christian ch%rches.MMMMMMMMMMMMM +-*. The home ch%rch of a "ishop %s%a! in the principa ch%rch in a diocese.MMMMMMMMMMMMM +-+. The semi circ%ar tiered seating area of an ancient theatre @esp. romanAMMMMMMMMMMMMM +--. The sanct%ar! of a cassica tempe containing the c%t stat%e of the god. MMMMMMMMMMMMM +-/. Bertaining to the cassica 9ree$ period ro%gh! from *14 ".c to the deathof Ae)ander in & ".c.MMMMMMMMMMMMM +-1. Characteristic of the st!e of 9ree$ art after the death of Ae)ander in &".c.MMMMMMMMMMMMM +-2. 7Yo%th ;t!e8 the 9erman .ersion of art no%.ea%.MMMMMMMMMMMMM +/4. A niche in the mos,%e or an! reigio%s '%sim. MMMMMMMMMMMMM +/1. A hori(onta "rac$et or consoe, %s%a! in the form of a scro with acanth%s s%pporting he corona %nder a cornice.MMMMMMMMMMMMM +/#. A sma too %sed for the fine spa! appication of paint, d!e, water coor, pigment or in$ "! compressed air. MMMMMMMMMMMM +/&. A tr%c$>mo%nted dr%m for transporting fresh! mi)ed concreteI rotatinginterna paddes or rotation of the dr%m pre.ents the setting of the mi)t%reprior to its dei.er!.MMMMMMMMMMMMM +/*. Fine>grained, trans%cent .ariet! of .er! p%re g!ps%m genera! white or deicate! shaded.MMMMMMMMMMMMM +/+. A white ine %sed for st%ccoI made "! "%rning mar"e.MMMMMMMMMMMMM +/-. A screw ha.ing he)agona! shaped recess in its head.MMMMMMMMMMMMM +//. The spitting of a fim of paint in a pattern resem"ing an aigator s$in.MMMMMMMMMMMMM +/1. A composition of two or more metas f%sed together %s%a! to o"tain adesired propert!.MMMMMMMMMMMMM +/2. A sma tooth which fits the ch%c$ of a "race or dri, and "! which it is rotated.MMMMMMMMMMMMM +14. A "race or s!stem of "races, paced "etween 3oists @or the i$eA to stiffen them, to hod them in pace and to hep distri"%te the oad.MMMMMMMMMMMMM +11. A pate %sed to anchor a stair to concrete.MMMMMMMMMMMMM +1#. A protecti.e pate appied on the ower rai of a door to pre.ent marring.MMMMMMMMMMMMM +1&. An opening in a wa or parapet that aows water to drain from a roof.MMMMMMMMMMMMM +1*. A sma an.i %sed for the wor$ing of thin sheet meta, so caed "eca%se it is s%pported "! a sharp .ertica prop which is inserted in a hoe in a wor$"ench.MMMMMMMMMMMMM +1+. One of the principa ongit%dina components of a "eam or girder which resists tension or compression.MMMMMMMMMMMMM +1-. A thic$ tim"er c%t with "ar$ on one or more edges.MMMMMMMMMMMMM +1/. A concrete mem"er that is cast and c%red other than its fina position.MMMMMMMMMMMMM +11. A 3oint "etween two sheets of meta.MMMMMMMMMMMMM +12. The principa cham"er in a gree$ tempe containing the stat%e of deit!.MMMMMMMMMMMMM +24. Roman apartment "oc$ that rose fo%r or more store! high.MMMMMMMMMMMMM +21. A ong arcaded entrance porch to a Christian Casiican ch%rch.MMMMMMMMMMMMM +2#. The c%mination of ear! Christian architect%re. 5e.eoped &&4 A.5. whenConstantine esta"ished the imperia capita.MMMMMMMMMMMMM +2&. Bre>historic architect%re that preser.es remains of mon%ment made partia! or who! of giant stones.MMMMMMMMMMMMM +2*. 9enera inf%ence in architect%re indicating the emotiona temperamentand spirit%a tendencies of the peope.MMMMMMMMMMMMM +2+. 0hat period that cantie.er or cor"e "ecame one of the constr%ctionprincipes.MMMMMMMMMMMMM +2-. A passage gra.e that has a corridor ined with arge stone sa" eading to a circ%ar cham"er often ha.ing a cor"eed %nit.MMMMMMMMMMMMM +2/. 'on%menta gatewa! to an Eg!ptian tempe consisting with santing was fan$ing the entrance porta.MMMMMMMMMMMMM +21. First t!pe of Eg!ptian tom".MMMMMMMMMMMMM +22. A piared ha in which the roof rest on co%mns.MMMMMMMMMMMMM -44. The grandest Eg!ptian tempe.MMMMMMMMMMMMM -41. The principa room of an Anatoian ho%se.MMMMMMMMMMMMM -4#. Bri.ate apartment in Ass!rian architect%re.MMMMMMMMMMMMM -4&. The space "etween 5oric and Trig!phs.MMMMMMMMMMMMM -4*. ;acred encos%re %s%a! the highest part of a cit!, aowed to "e the Citade, an Acropois or %pper cit!.MMMMMMMMMMMMM -4+. In Heenic period, this tempe "oost "eca%se of its 144 ionic co%mns designed "! 5einocrates. MMMMMMMMMMMMM -4-. A s%"terranean stone, .a%t constr%ction shaped i$e an od>fashioned "eehi.e.MMMMMMMMMMMMM -4/. ;c%pt%red femae fig%res %sed as co%mns or s%pports.MMMMMMMMMMMMM -41. Car.ed mae fig%re.MMMMMMMMMMMMM -42. ;c%pt%red femae "earing "as$ets on their heads.MMMMMMMMMMMMM -14. An ornaments %sed especia! of foors and is often in che.ron or herring"one pattern.MMMMMMMMMMMMM -11. Co%ntr! ho%se in Roman. MMMMMMMMMMMMM -1#. 6ind of "%ttress %sed for co%nter act o"i,%e tr%ss.MMMMMMMMMMMMM -1&. In C!(antine architect%re, it is the ch%rch of di.ine wisdom.MMMMMMMMMMMMM -1*. A commemorati.e mon%ment in honor of .ictorio%s generas.MMMMMMMMMMMMM -1+. In Roman architect%re, it is considered to "e the most sacred shrine and the center and so%rce of Roman ife and power.MMMMMMMMMMMMM -1-. The on! fortification that can "e seen from the moon that is 1*44 miesong with was #4 ft>&4 ft high and #+ ft in thic$ness.MMMMMMMMMMMMM -1/. The most t!pica Chinese "%iding %s%a! octagona in pan, odd n%m"er of stories %s%a! 2>1& store!s.MMMMMMMMMMMMM -11. Odest e)isting pagoda with 1+ store!s.MMMMMMMMMMMMM -12. The! are caed inns for tra.eers or merchants in '%sim str%ct%re.MMMMMMMMMMMMM -#4. A ta tower in or contin%o%s to, a mos,%e arch stairseading %p to one or more "aconies from which the faithf% are caed to pra!er.MMMMMMMMMMMMM -#1. Americai$e "%iding witho%ts%rro%nding co%mns.MMMMMMMMMMMMM -&&. A c%r.e in the .ertica profie of a co%mn.MMMMMMMMMMMMM -&*. The c%r.ed c%shion>i$e eement in a doric or sometimes ionic capita ma$ing the transition from the shaft of the co%mn to the a"ac%s.MMMMMMMMMMMMM -&+. A gaer! "ehind an open coonnade or arcade.MMMMMMMMMMMMM -&-. The tapering termination of a tower which the res%t of eongating an ordinar! p!ramida or conica roof.MMMMMMMMMMMMM -&/. Is an arch starting form a detached pier and a"%tting against the wa to ta$e the thr%st of the .a%ting.MMMMMMMMMMMMM -&1. A tower crowned with a spire.MMMMMMMMMMMMM -&2. A sender spire rising from the roof.MMMMMMMMMMMMM -*4. A contin%o%s pedesta.MMMMMMMMMMMMM -*1. That part of the ch%rch where the atar is paced.MMMMMMMMMMMMM -*#. That part of a cr%ciform ch%rch pro3ecting at right anges to the main "%iding.MMMMMMMMMMMMM -*&. Co.ered passages aro%nd an open space or garth, connecting the ch%rch tothe chapter ho%se, refector! and other parts of the monaster!.MMMMMMMMMMMMM -**. A tower raised a"o.e a roof pierced to admit ight.MMMMMMMMMMMMM -*+. A "%iding contains pict%res or pict%re gaer!.MMMMMMMMMMMMM -*-. A "%iding in cassica architect%re for pans, fowers and r%nning water ornamented with stat%es forming a coo and agreea"e retreat.MMMMMMMMMMMMM -*/. The dome @cop%aA of a circ%ar "%iding.MMMMMMMMMMMMM -*1. A contin%o%s "ase or s%"str%ct%re on which a coonnade is pace.MMMMMMMMMMMMM -*2. A t!pe of haf apped 3oint %sed to resist tension.MMMMMMMMMMMMM -+4. One of a n%m"er of short .ertica mem"ers often circ%ar in section, %sed to a stair s%pport hand raiMMMMMMMMMMMMM -+1. Arrangement and design of window in a "%iding.MMMMMMMMMMMMM -+#. Tota .o%me of hoow "oc$ ce.MMMMMMMMMMMMM -+&. :atera ties %sed for +/ mm main "ars for co%mn.MMMMMMMMMMMMM -+*. Refer to the portion of a "eam where "ending moment changes front.MMMMMMMMMMMMM -++. A "ric$ aid on its edge so that its end is .isi"e.MMMMMMMMMMMMM -+-. A short fat piece of %m"er which is "oted, naied or screwed to "%tting pieces in order to spice them together.MMMMMMMMMMMMM -+/. 5iagona "racing in pairs "etween ad3acent foor 3oists to pre.ent the 3oist from twisting.MMMMMMMMMMMMM -+1. A "ar %sed to hod the reinforcement on a "eam.MMMMMMMMMMMMM -+2. A roof wherein the fo%r sides are soping towards the center terminating at a point.MMMMMMMMMMMMM --4. A meta seat %sed to connect girder and foor 3oist at the same e.e.MMMMMMMMMMMMM --1. A sender str%ct%ra %nit introd%ced into the gro%nd to transmit oad to %ndergro%nd strata.MMMMMMMMMMMMM --#. Cric$ set on end with the narrow side showing.MMMMMMMMMMMMM --&.Consists of fine! di.ided soid partices added to the .ehice to contri"%tecoor and d%ra"iit! to the paint.MMMMMMMMMMMMM --*. End apping of corr%gated -.1 roofing sheets.MMMMMMMMMMMMM --+. Incined str%ct%ra mem"er that s%pports the steps of a stair.MMMMMMMMMMMMM ---. ;tr%ct%ra stee shape ha.ing %ns!mmetrica "aance.MMMMMMMMMMMMM --/. Hoo$ed end of a 1# mm stirr%ps.MMMMMMMMMMMMM --1. Contin%o%s footing which s%pports se.era co%mns in a row.MMMMMMMMMMMMM --2. A de.ice %sed a g%ide of the hand saw in c%tting o"3ect to form a meter 3oint.MMMMMMMMMMMMM -/4. 'inim%m thic$ness of s%spended RC sa".MMMMMMMMMMMMM -/1. OY:A5ECOR is a prod%ct of.MMMMMMMMMMMMM -/#. 0a that s%pports weight from a"o.e as we as their own deed weight.MMMMMMMMMMMMM -/&. The distance "etween infection points in the co%mn when it "rea$s.MMMMMMMMMMMMM -/*. Amo%nt of space meas%red in c%"ic meters.MMMMMMMMMMMMM -/+. A "ended rod to resist shear and diagona stresses in a concrete "eam.MMMMMMMMMMMMM -/-. 'ost important to define the strength of a concrete mi).MMMMMMMMMMMMM -//. Another term for paster "oard.MMMMMMMMMMMMM -/1. Face or front of a "%iding.MMMMMMMMMMMMM -/2. An opening on the roof for admitting ight.MMMMMMMMMMMMM -14. 0ood coming from trees with neede ea.es, rather than "read ea.es.MMMMMMMMMMMMM -11. 6ind of "ric$ %sed for high temperat%re.MMMMMMMMMMMMM -1#. A raied strip incorporated in ro%gh concrete wa to "e pastered to act as g%ide and s%pport for finish trim aro%nd opening and near the "ase of the wa.MMMMMMMMMMMMM -1&. 5istance "etween two str%ct%ra s%pports.MMMMMMMMMMMMM -1*. ;tone paced on a sope to pre.ent erosion.MMMMMMMMMMMMM -1+. Brocess of remo.ing concrete forms in the c%r.ed concrete.MMMMMMMMMMMMM -1-. A str%ct%ra mem"rane spanning from tr%ss to tr%ss or s%pporting rafters.MMMMMMMMMMMMM -1/. A passagewa! aro%nd the apse of a ch%rch or co.ered wa$ of a coister.MMMMMMMMMMMMM -11. In medie.a ch%rch archre, a shaow passage a"o.e the arches of the na.e and choir and "eow the cerestor!.MMMMMMMMMMMMM -12. A roman p%"ic s,%are, s%rro%nded "! mon%menta "%idings, %s%a! a "asiica and a tempe, the center of ci.ic ife.MMMMMMMMMMMMM -24. The spine>shaped termination of a pro3ecting point or ange of a roof.MMMMMMMMMMMMM -21. A term appied to an edifice s%rro%nded "! a singe row or range of co%mns.MMMMMMMMMMMMM -2#. A t!pe of inaid wor$ %sed "! the ear! Romans to em"eish foors, panes and the i$e.MMMMMMMMMMMMM -2&. A process wherein pieces of meta is heated prior to changing its shape ordimension, %nder FCB.MMMMMMMMMMMMM -2*. The finished frame s%rro%nding a door.MMMMMMMMMMMMM -2+. 5oors oc$ with a spring "ot controed "! one or "oth $no"s and dead "ot controed "! a $e!.MMMMMMMMMMMMM -2-. A raised patform reser.ed for seating of spea$ers dignitariesMMMMMMMMMMMMM -2/. 5oor consisting of two separate ea.es, one a"o.e the other.MMMMMMMMMMMMM -21. Biipino term for "ase"oard.MMMMMMMMMMMMM -22. Ca! roofing appro)imate! semi c!indrica in shape aid in co%rses with %nits ha.ing their con.e) side aternate! %p and down.MMMMMMMMMMMMM /44.Biipino term for rafter.MMMMMMMMMMMMM /41. The wa of Intram%ros.MMMMMMMMMMMMM /4#. A mon%menta foor>sided stone shaft most! co.ered with hierog!phics.MMMMMMMMMMMMM /4&. The owest mem"er of enta"at%re.MMMMMMMMMMMMM /4*. The "asic arrangement of an architect%ra composition.MMMMMMMMMMMMM /4+. The trans.erse portion of a ch%rch crossing the pain a)is, at a right ange and prod%cing a cr%ciform pan.MMMMMMMMMMMMM /4-. A simpified .ersion of the roman order ha.ing a pain frie(e and no m%t%es in the cornice.MMMMMMMMMMMMM /4/. 5esign which is panned, arranged or organi(ed.MMMMMMMMMMMMM /41. A ong arcaded entrance porch to a Christian "asiican ch%rch.MMMMMMMMMMMMM /42. E)terna e)pression of a f%nction of a "%iding.MMMMMMMMMMMMM /14. ;c%pt%red femae fig%res "earing "as$ets on their heads %sed as co%mns. MMMMMMMMMMMMM /11. A gaer! "ehind an open arcade or coonnade.MMMMMMMMMMMMM /1#. The de.eopment of .a%ting is one of its characters.MMMMMMMMMMMMM /1&. Harmonio%s repetition of treatment of detais.MMMMMMMMMMMMM /1*. ;cro or spira occ%rring in Ionic, Corinthian or composite capitas.MMMMMMMMMMMMM /1+. One of the contri"%tions of 9othic archre.MMMMMMMMMMMMM /1-. The midde aises of the ch%rch.MMMMMMMMMMMMM /1/. Bresence of two conficting eements in a composition.MMMMMMMMMMMMM /11.;o%nd a"sorption %nits in honor of a pioneer in architect%ra aco%stics.MMMMMMMMMMMMM /12. A so%nd ha.ing energ! at one and on! one fre,%enc!.MMMMMMMMMMMMM /#4. The n%m"er of press%re f%ct%ations per second ca%sed "! the passage of so%nd wa.es.MMMMMMMMMMMMM /#1. A de.ice for con.erting aternating c%rrent into direct c%rrent.MMMMMMMMMMMMM /##. A cimate factor that is considered in the str%ct%ra and architect%ra designof ta "%idings.MMMMMMMMMMMMM /#&. The hori(onta distance "etween the nosing of two consec%ti.e steps.MMMMMMMMMMMMM /#*. ;t%d! of h%man space and mo.ement needs.MMMMMMMMMMMMM /#+. Impies in most architect%ra compositions, rea differences e)ist among their forms and spaces.MMMMMMMMMMMMM /#-. Refers to the manner in which the s%rfaces of a form come together to define its shape and .o%me.MMMMMMMMMMMMM /#/. 9i.en "! the phenomena of the aternating fig%re and gro%nd aternating perspecti.e and retina ri.ar!.MMMMMMMMMMMMM /#1. To p%t side "! side or cose together. To pose for a painting or pict%reta$ing, to p%t in position.MMMMMMMMMMMMM /#2. Use of intimate f%sion "etween different eements of the same or different materias is a reati.e! new techni,%e "ased on a certain modern in.ention s%ch as reinforced concrete, pastic aminated p!wood and weded iron str%ct%res.MMMMMMMMMMMMM /&4. These s!stems are "ased on the dimensions and properties of the h%man "od!.MMMMMMMMMMMMM /&1. A harmonio%s meas%re to h%man scae %ni.ersa! appica"e toarchitect%re and mechanics.MMMMMMMMMMMMM /. H%man dimensions. Tangi"e "asis for prod%cing man>machine reationship.MMMMMMMMMMMMM /&&. 0hich the form is generated "! some two or three dimensiona geometric s!stems, originated "! the Eg!ptians gi.en e)tensi.e phiosophica stiffening "! the 9ree$s.MMMMMMMMMMMMM /&*. A form%a disco.ered "! the a%thor as "ased from :e Cor"%sier.MMMMMMMMMMMMM /&+. ;t%d! of meaning, which is %s%a! tho%ght of the meanings of words.MMMMMMMMMMMMM /&-. Ass%mes primar! importance as the "asic strateg! of perception where"! earning and perhaps heredit! esta"ish what s!m"os define the important feat%res of the sensor! miie%.MMMMMMMMMMMMM /&/. 0hich a.aia"e materias are %sed, earth, stones, tree tr%n$s, ea.es, reeds, "am"oos, anima s$in, tendons were p%t together initia! "! tria and error %nti a "%iding form is achie.e which act%a! wor$ed.MMMMMMMMMMMMM /&1. 0hich mem"er of a partic%ar c%t%re share a fi)ed meta image of whatthe design of the "%iding form sho%d "e i$e %sing the materias whichhappen to "e a.aia"e at a partic%ar pace with a partic%ar cimate toho%se an esta"ished ifest!e.MMMMMMMMMMMMM /&2. 5rawing of anaogies @%s%a! .is%aA into the so%tion of oneoperated, ad3%sta"e "affes set "e!ond a wide, heat dispersing "acon!.MMMMMMMMMMMMMM 1&+. It is a period in French gothic which is characteri(ed "! circ%ar windowswith whee tracer!.MMMMMMMMMMMMMM 1&-. 'eas%rement of the si(e proportions of the h%man "od!.MMMMMMMMMMMMMM 1&/. 'eas%rements of man impemented to accommodate him to machines.MMMMMMMMMMMMMM 1&1. A arge entrance gatewa! into a co%rt!ard. A $ind of porch roofpro3ecting o.er a dri.ewa! at an entrance as of a ho%se. Entr! porch for"%idings.MMMMMMMMMMMMMM 1&2. A pro3ection from a wa to create additiona strength and s%pport.MMMMMMMMMMMMMM 1*4. Roman "ridges.MMMMMMMMMMMMMM 1*1. A pro3ection o.er windows and doors to protect them from the weather.MMMMMMMMMMMMMM 1*#. An! p%"ic space or thoro%gh fare which has "een dedicated or deeded to the p%"ic or p%"ic %se as a passagewa! with a width or not more than &.44 mts. MMMMMMMMMMMMMM 1*&. A str%ct%re of thin wooden or meta strips crossing each other in an openpattern of s,%ares, diamonds, etc., on which .ines or other creeping pantsare attice. MMMMMMMMMMMMMM 1**. 0ater cistern fo%nd in the center of the atri%m.MMMMMMMMMMMMMM 1*+.@ roc$ wor$A a term appied to a t!pe of renaissance ornament in which roc$ i$e forms, fantastic scros and crimped shes are wor$ed %p together in a prof%sion and conf%sion of detais, often witho%t organic coherence, "%t present! a a.ish dispa! of decoration.MMMMMMMMMMMMMM 1*-. A arge pipe or cond%it made for "ringing water from a distant so%rce, an! ee.ated str%ct%re "%it to s%pport s%ch as a pipe or cond%it.MMMMMMMMMMMMMM 1*/. 0as designed to carr! atera oad.MMMMMMMMMMMMMM 1*1. 'id stee reinforcement rods and forms to "oc$ off openings in the sa" are a in pace, read! for ne)t sa" to "e po%red.MMMMMMMMMMMMMM 1*2. A pro3ection in a masonr! wa made "! setting co%rses "e!ond the ower ones.MMMMMMMMMMMMMM 1+4. An! of .ario%s pasters %sed for co.ering was, especia! an e)terior wa co.ering in which cement is %sed.MMMMMMMMMMMMMM 1+1. A notch, hoe, or space c%t, as in piece of wood, to recei.e a pro3ecting part shaped to fit.MMMMMMMMMMMMMM 1+#. Range of .ision or sight.MMMMMMMMMMMMMM 1+&. The %nder s%rface at a pro3ecting str%ct%re.MMMMMMMMMMMMMM 1+*. A ong "ridge consisting at a series of short concrete or masonr! spanss%pported on piers or towers, %s%a! to carr! a road or rairoad o.er.ae!, gorge etc.,MMMMMMMMMMMMMM 1++. A sma str%ct%re "%it on top of a roof to pro.ide .entiation.MMMMMMMMMMMMMM 1+-. A .er! ta "%iding.MMMMMMMMMMMMMM 1+/. An! of a series of sma s,%are "oc$s pro3ecting i$e teeth, as from %nder a cornice.MMMMMMMMMMMMMM 1+1. Concrete shapes mad separate! "efore "eing %sed in a str%ct%re.MMMMMMMMMMMMMM 1+2. A gassed>in porch room, etc., where the peope s%n themse.es, as in treating inessI s%nroom.MMMMMMMMMMMMMM 1-4. A ong passagewa! or ha. Especia! one of which se.era rooms open.MMMMMMMMMMMMMM 1-1. The o%tine of a fig%re, mass, and, etc.,MMMMMMMMMMMMMM 1-#. An open space, as in a par$ or rairoad station.MMMMMMMMMMMMMM 1-&. Are reser.ed for entertaining g%est in "aha! $%"o.MMMMMMMMMMMMMM 1-*. The argest and odest ca.e dweing fo%nd in so%thwest of Baawan.MMMMMMMMMMMMMM 1-+. If%gao ho%se so%thern strain.MMMMMMMMMMMMMM 1--. The ow ta"e fo%nd in the "%wagan.MMMMMMMMMMMMMM 1-/. The granar! in traditiona Contoc ho%se.MMMMMMMMMMMMMM 1-1. Used as fod storage in the "aha! na "ato. It is the room ad3acent to the $itchen %sed as food storage.MMMMMMMMMMMMMM 1-2. The I"ao! ho%se for the we to do famiies.MMMMMMMMMMMMMM 1/4. The Apa!ao ho%se northern strain.MMMMMMMMMMMMMM 1/1. The cistern in the "aha! na "ato.MMMMMMMMMMMMMM 1/#.The passagewa! in the 'ang!an comm%na ho%se.MMMMMMMMMMMMMM 1/&. The on! entr! aowed to "e %sed "! the Chinese in Intram%ros.MMMMMMMMMMMMMM 1/*. The 'aranao ro!a ho%se and the ancestra ho%se for the dat% and hisfami!.MMMMMMMMMMMMMM 1/+. The gro%nd foor of the Contoc ho%se.MMMMMMMMMMMMMM 1/-. Another name for narra wood in Iocos.MMMMMMMMMMMMMM 1//. The centra space %sed as a seeping area in a Tshaped ho%se of the 6aingaE MMMMMMMMMMMMMM 2&1. In Chinese constr%ction, what t!pe of 3oint connects cose! arrangedco%mns ined aong the depth of the "%iding "! sma "eams et into theco%mns to form a framewor$EMMMMMMMMMMMMMM 2&2. In =apanese detais, what do !o% ca a car.ing enshrined on a "eam, too$ its name from its shape, itera!, 7frogescape to the pastFMMMMMMMMMMMMMM 1424. Ret%rned in the %se of Roman orders in modern age. 5esign patterned to cassica design.MMMMMMMMMMMMMM 1421. A sef>em%ating st!e on partic%ar oca historica motifs and de.ices as wes the associati.e aspects of the great historica periods on architect%re so "eo.ed "! ecectics.MMMMMMMMMMMMMM 142#. Reates to the theor! of p%re pastic art which had a prono%nced inf%ence on 5%tch architects.MMMMMMMMMMMMMM 142&. It is the .er! antithesis of the geometric organi(ed facades of those architects who "eie.ed that the architect%re sho%d intr%de on the en.ironment on the cassic, neo>cassic and gothic sense.MMMMMMMMMMMMMM 142*. Bop%ari(ed "! 6en(o Tange and was first appied to architect%re at the 0ord 5esign Conference To$!o, 12-4. this concerns with the pro"emof cities s%ch as To$!o. MMMMMMMMMMMMMM 142+. Interest in e)paining s%ch thing as the nat%re of the ho%se in the cit! and are concerned with intricate design in sma sites.MMMMMMMMMMMMMM 142-. Hierarch! of space. 5efine specia se,%ence. Harmon! with e)isting str%ct%re.MMMMMMMMMMMMMM 142/. Architect%re of cac%ation of iron, of gass and a those s%"stit%te for wood, stone and "ric$ which ma$es possi"e ma)im%m easticit! and ightness.MMMMMMMMMMMMMM 1421. First referred to the wor$ of :o%is 'ies Dan 5e Rohe whose str%ct%re design shown a dispa! of the process technoog! of gass and stee.MMMMMMMMMMMMMM 1422. Iron constr%ction and other arge scae.MMMMMMMMMMMMMM 1144. ;o%ght for economic so%tion or ow .a%e sites as we as aternati.e cheap forms of constr%ction in tim"er, "ric$ and meta.MMMMMMMMMMMMMM 1141. '!thica monsters each with the "od! of a ion and a head of a man, haw$, ram or a woman.MMMMMMMMMMMMMM 114#. 'on%menta gatewa! to an Eg!ptian tempe consisting of santing was fan$ing the entrance porta.E9YBTIA? ARCHITECTUREMMMMMMMMMMMMMM 114&. An ancient Eg!ptian rectang%ar, fat>topped f%nerar! mo%nd with"attered sides, co.ering a "%ria cham"er "eow gro%nd.MMMMMMMMMMMMMM 114*. A hea.! attice grating of tim"er, or iron, siding in .ertica groo.es in the 3am"s of a porta of a defended "%iding.MMMMMMMMMMMMMM 114+. A massi.e f%nerar! str%ct%re of stone or "ric$ with a s,%are "ase and fo%r soping triang%ar sides meeting at the ape), %sed main! in ancient Eg!pt. The finest tr%e p!ramids are the famo%s three at 9i(eh, "%it "! the *th d!nast! s%ccessors of ;enefer%.MMMMMMMMMMMMMMM 114-. :argest of the famo%s three, origina! 1*-.* m high, and #&4.- s,. m.on pan with an area of 1& acres.MMMMMMMMMMMMMMM 114/. ;econd of the three at 9i(eh, #1- m. side and 1*& m. high.MMMMMMMMMMMMMMM 1141. ;maest of the three and is 142 s,. m. and --.+ m. high.MMMMMMMMMMMMMMM 1142. 0ith a stee %s%a! a"%tting the east side of the p!ramid "%toccasiona! on the north.MMMMMMMMMMMMMMM 1114. An %pright sa" carr!ing an inscription.MMMMMMMMMMMMMMM 1111. Used for the worship of the dead and deified pharaoh.MMMMMMMMMMMMMMM 111#. :eads to the western edge of c%ti.ation.MMMMMMMMMMMMMMM 111&. In which em"amment was carried o%t and interment rites performed.MMMMMMMMMMMMMMM 111*. 0ordscae mon%ment in stone changed no ess than fi.etimes. Architect was Imhotep. MMMMMMMMMMMMMMM 111+. A t!pe of ser.ing for no"iit! rather than ro!at!.MMMMMMMMMMMMMMM 111-. For ministrations to deified pharaohs.MMMMMMMMMMMMMMM 111/. For the pop%ar worship of the ancient and m!sterio%s gods. MMMMMMMMMMMMMMM 1111. The grandest of a Eg!ptian tempes.MMMMMMMMMMMMMMM 1112. One of the roc$>hewn tempes commanded "! Rameses II. An entranceforeco%rt eads to the imposing faLade, &- m. wide and m. highformed as a p!on, with * roc$>c%t seated stat%es of Rameses, o.er #4m. high.MMMMMMMMMMMMMMM 11#4. A c%t tempe.MMMMMMMMMMMMMMM 11#1. H%ge monoiths s,%are on pan and tapering to an eectr%m>capped p!ramidion at the s%mmit, which was the sacred part, originating in the sacred s!m"o of the s%n god Heiopois. The! ha.e a height of 2 or 14 times the diameter of the "ase.MMMMMMMMMMMMMMM 11##. 5weings were of cr%de "ric$, one or two>store!s high, with fat or arched ceiings and a parapet roof pert! occ%pied "! a oggia.MMMMMMMMMMMMMMM 11#&. A gaer! "ehind an open arcade or coonnade.MMMMMMMMMMMMMMM 11#*. 0as for protection.MMMMMMMMMMMMMMM 11#+. Consists of a narrow strip of fertie a%.ia soi aong "oth "an$s of the ?ie, fan$ed "! "arren and of r%gged ciffs, "e!ond which ie arid, desert patea%.MMMMMMMMMMMMMMM 11#-. 0as a trade ro%te to eastern and western foreign trade "eca%se of its o.erfowing and fertii(ing waters, made desert sands into fr%itf% fieds.MMMMMMMMMMMMMMM 11#/. ;ited their .iages and cemeteries on the "an$s of the ?ie.MMMMMMMMMMMMMMM 11#1. Is a"%ndant in Eg!pt in ,%antit! and .ariet!.MMMMMMMMMMMMMMM 11#2. Two seasons of Eg!pt.MMMMMMMMMMMMMMM 11&4. Bictoria representation of reigio%s rit%a, historic e.ents and dai! p%rs%its.MMMMMMMMMMMMMMM 11&1. 6ings of Eg!pt. ;ometime the! appear as gods and demigods, priest, as "%iders, "%t rare! as fathers of their peope.MMMMMMMMMMMMMMM 11. 0as monotheistic in theor!, "%t po!theistic in practice.MMMMMMMMMMMMMMM 11&&. 0as %sed for "etter "%idings.MMMMMMMMMMMMMMM 11&*. 0ere sometimes %sed for roofs.MMMMMMMMMMMMMMM 11&+. Inward incination of the o%ter face of the wa.MMMMMMMMMMMMMMM 11&-. Binpoints the ocation of a partic%ar co%ntr!.MMMMMMMMMMMMMMM 11&/. 5escri"es the materias fo%nd in the ocait!, the character and the composition of the earth and the conto%r of the gro%nd.MMMMMMMMMMMMMMM 11&1. The pre.aiing weather in the co%ntr!.MMMMMMMMMMMMMMM 11&2. This is the emotiona temperament and spirit%a tendencies of the peope in a partic%ar co%ntr!.MMMMMMMMMMMMMMM 11*4. The "ac$gro%nd of the peope as a whoe.MMMMMMMMMMMMMMM 11*1. How the peope i.ed and go.erned.MMMMMMMMMMMMMMM 11*#. :asted ro%gh! from 1444 to &444 CC "efore the ?eoithic Age, man %sed ca.es for sheter.MMMMMMMMMMMMMMM 11*&. Consists of se.era arge stones set on end with a arge co.ering sa".MMMMMMMMMMMMMMM 11**. 5ominant megaithic tom" t!pe, which ma! e)ist in France and Engand, has a corridor ined with arge stone sa"s eading to a circ%ar cham"er often ha.ing a cor"eed .a%t.MMMMMMMMMMMMMMM 11*+. A mo%nd of earth or stone protecting a tom" cham"er or simpe gra.e.MMMMMMMMMMMMMMM 11*-. Are singe great stones set on end and arranged in parae rows, someof which r%n for se.era mies and consists of tho%sands of stoneswhose p%rpose is of reigio%s nat%re.MMMMMMMMMMMMMMM 11*/. Co.ered with spit reed matsI "%it on a reed patform to pre.ent settement.MMMMMMMMMMMMMMM 11*1. 'ade of stripped ogs seaed with ca!, with a ca!>ined chimne! and roof of "ar$ or shinges.MMMMMMMMMMMMMMM 11*2. C%it of poes with pam>eaf thatch.MMMMMMMMMMMMMMM 11+4. 'ade of r%sh mats o.er a wooden frame, with anima>s$in door.MMMMMMMMMMMMMMM 11+1. C%it of tim"er and pam ea.es, the fenced pen %nderneath for i.estoc$.MMMMMMMMMMMMMMM 11+#. 'ade of hard pac$ed snow "oc$s "%it %p spira!.MMMMMMMMMMMMMMM 11+&. 0ith m%d was and roof of pam ea.es.MMMMMMMMMMMMMMM 11+*. 0ith granite was and chimne! and a thatch roof.MMMMMMMMMMMMMMM 11++. 0ith wo.en "am"oo was and roof of ea.esI "%it on stits to pre.ent tigers from cawing thro%gh was.MMMMMMMMMMMMMMM 11+-. 'ade of pam ea.es and wood with a shaded .eranda.MMMMMMMMMMMMMMM 11+/. Remodeed "! Urnamm% and his s%ccessors. The compe) comprised the Qigg%rat and its co%rt, and three great tempes. The (igg%rat of Ur was "%it a"o%t #144 CC for ;%eected co%ncis.MMMMMMMMMMMMMMM 1+*1. A $indred t!pe of theatre.MMMMMMMMMMMMMMM 1+*#. A foot race co%rse in the cities, where games were cee"rated.MMMMMMMMMMMMMMM 1+*&. ;imiar to the stadi%m, tho%gh onger t!pe of "%iding for horse and chariot racing.MMMMMMMMMMMMMMM 1+**. A protot!pe of hippodrome in Roman "%iding.MMMMMMMMMMMMMMM 1+*+. 9ree$ wresting.MMMMMMMMMMMMMMM 1+*-. A pace for a t!pes of ph!sica e)ercises. Brotot!pe of the Roman thermae.MMMMMMMMMMMMMMM 1+*/. The most famo%s of a the tom"s and one of the se.en wonders of the word erected for 6ing 'a%soos.MMMMMMMMMMMMMMM 1+*1.One of the "est e)ampes of a s%r.i.ing megaron t!pe of 9ree$domestic "%iding.MMMMMMMMMMMMMMM 1+*2. 9ree$ tempes stood on a fo%ndation of three steps.MMMMMMMMMMMMMMM 1++4. One is st!o"ate, made %p the two parts of the crepidoma..MMMMMMMMMMMMMMM 1++1. Dertica feat%res s%ch as co%mns were incined inwards towards thetop to correct the appearance of faing o%twards. The contin%ation ofthe f%ted shaft in the 9ree$ 5oric co%mn.MMMMMMMMMMMMMMM 1++#. 0ater>eaf and tong%e.MMMMMMMMMMMMMMM 1++&. Anthemion or hone! s%c$es.MMMMMMMMMMMMMMM 1++*. Egg and dart or egg and tong%e.MMMMMMMMMMMMMMM 1+++. Cead and reed.MMMMMMMMMMMMMMM 1++-. Ornament of tor%s.MMMMMMMMMMMMMMM 1++/. Bainting on a corona ornament.MMMMMMMMMMMMMMM 1++1. The mo%ding that is often fo%nd in the 5oric order.MMMMMMMMMMMMMMM 1++2. The characteristic of 9ree$ s%rface ornament.MMMMMMMMMMMMMMM 1+-4. 9ree$ sc%pt%res ma!"e cassified as architect%ra sc%pt%re, free standing stat%ar!.MMMMMMMMMMMMMMM 1+-1. H%adrigas.MMMMMMMMMMMMMMM 1+-#. 9ree$ order that does not ha.e a "ase.MMMMMMMMMMMMMMM 1+-&. Attri"%ted the origin of the Corinthian capita which is disting%ished "! its "e shape and acanth%s eaf.MMMMMMMMMMMMMMM 1+-*. The proper ion of the 9ree$ 5oric co%mn.MMMMMMMMMMMMMMM 1+-+. The proportion of the 9ree$ Ionic co%mn.MMMMMMMMMMMMMMM 1+--. The proportion of the 9ree$ Corinthian co%mn.MMMMMMMMMMMMMMM 1+-/. 0here the shaft of the 9ree$ 5oric order terminates.MMMMMMMMMMMMMMM 1+-1. ?%m"er of reg%a and m%t%es distri"%ted e,%a! in three rows.MMMMMMMMMMMMMMM 1+-2. In the atter Ionic order, a ower tor%s was added to the "ase which origina! consisted of an %pper tor%s and scotin.1) dia MMMMMMMMM 1+/4. Enta"at%re height of the 9ree$ 5oric. 2 ) diaMMMMMMMM M 1+/1. Enta"at%re height of the 9ree$ Ionic.14 ) diaMMMMMMMM1+/#. Enta"at%re height of the 9ree$ Corinthian.MMMMMMMMMMMMMMM 1+/&. The wa of a coonnade encosing the temenos.Ictin%s K Caicrates1+/&. The architects of the Barthenon.Bheidias MMMMM 1+/*. The master sc%ptor of the Barthenon.MMMMMMMMMMMMMMM 1+/+. The architect of the Erectheion.MMMMMMMMMMMMMMM 1+/-. Architect of the Tempe of ?i$e Apteros, Athens.Theron MMMMMMM 1+//. 5esigned the Tempe of Qe%s, Agrigent%m.5emocratesMM 1+/1. 5esigned the Tempe of Artemis, Ephes%sI aso caed as the Heenistic tempe.5oric MMMMMM 1+/2. Barthenon %ses this $ind of order.Escopas MMMMM 1+14. The master sc%ptor of the Tempe of Artemis, Ephes%s.Car!atid BorchMMM 1+11. Un%s%a feat%re of the Erectheion, Athens which stands on the Acropois ?orth of the Barthenon. MMMMMMMMMMMMMMM 1+1#. 'ade the Tempe of Qe%s, Agrigent%mI the second argest 9ree$ tempe %n%s%a.MMMMMMMMMMMMMMM 1+1&. 'ade the tempe of Qe%s, Agrigent%mI the second argest 9ree$ tempe %n%s%a.5ia(omaMMMMMM 1+1*. ;eparates the tiers of seats in the 9ree$ theatre.Bo!ceitosMM 1+1+. The theatres of Epidi%raos, the most "ea%tif% and "est preser.ed of the 9ree$ theatres was designed "!.Bh!tiasMMMMM 1+1-. Together with ;at!ros, the! designed the 'a%soe%m, Haicanassos,the most famo%s of a tom"s and one of the wonders of the ancientword.Ceps!draMM 1+1/. A water coc$ or instr%ment for meas%ring time "! the discharge of water thro%gh a sma opening.T!mpan%m MMMM 1+11. The triang%ar s%rface "o%nded "! the soping and hori(onta cornicesof the pediment.Fret MMMMMMMMM 1+12. In an ornament in cassic or renaissance architect%re consisting of an assem"age of straight ines intersecting at right anges and of .ario%s patterns.Choragic 'on%ment 1+24. A t!pe of mon%ment erected to s%pport a tripod as a pri(e for athetic e)ercises or m%sica competitions in 9ree$ festi.as.Termini MMMMMM 1+21. Fig%res of which the %pper parts aone are car.ed, the rest r%nning into a parae piped or diminishing pedesta.MMMMMMMMMMMMMMM 1+2#. A fat circ%ar eementsJ ornament which resem"es the cassica so%rces %sed for wine in sacrificia i"ations.C!rtost!e MMMMMM 1+2&. A circ%ar protecting portico.AnconesMMMMMM 1+2*. Consoes on either side of doorwa! s%pporting a cornice of an e,%asi(e and contrasted "%t connected "! a fowing ine from the "ac$ ofthe %pper one to the inner con.o.ing face of the ower.MMMMMMMMMMMMMMM 1+2+. Coc$s resisting on the .erte) and ower e)tremities of the pediment to s%pport stat%ar! or ornament.Atri%mMMMMMMM1+2-. Etr%scan ho%ses originated.T%scan MMMMMM 1+2/. In.ented "! Etr%scans.MMMMMMMMMMMMMMM 1+21. Character of the Roman architect%re.Op%s H%adrat%mM 1+22. 0a facing de.eoped "! the Roman architect%re of rectang%ar "oc$sof stone wor$ witho%t mortar 3oints "%t fre,!ent! sec%red with dowes or cramps.Op%s Insert%mM 1-44. The wa facing de.eoped "! the Romans which is made of sma stones aid in a oose pattern ro%gh! assem"ing the po!gona wor$.Op%s Rectic%at%m 1-41. 0a facing de.eoped "! the Romans which is made of reg%ar, neti$e stone wor$.Op%s Testaci%mMM 1-4#. 0a facing de.eoped "! the Romans which is made of "ric$ facingwith stones c%t in triang%ar form.Hemic!ceMMM 1-4&. The "%ttress which is %sed for retaining earth.;p%r MMMMMM 1-4*. The "%ttress which catches the thr%sts of the main .a%ts where the! are concentrated in the poc$ets a"o.e the co%mned piars.BinnaceMMMMM 1-4+. The "%ttress which were paced on the top of the sp%r "%ttress to hep "! their weight to dri.e the o"i,%e thr%sts more steep! down to earth.Op%s rectieMMM 1-4-. 'ar"e mosaic pattern %sed on ceiings of .a%ts and domes.Op%s ;pic%at%m M 1-4/. 'ar"e mosaic %sed on foor.Bodi%mMMMMMMMM 1-41. 0here Roman rectang%ar tempes stood.CasiicasMMMM 1-42. The str%ct%re were has of 3%stice and commercia e)changes "! the Romans.ThermaeMMMMMMMM 1-14. The paatia p%"ic "ath genera! raised on a high patform within encosing wa.H!poca%stMMMMMM 1-11. The f%rnace that pro.ided the warm "aths to the thermae.;%datori%mMMMMMM 1-1#. The fr! sweating room in the thermae.Apod!teriaMMMMM 1-1&. The dressing room in the thermae.Unct%ariaMMMMMM 1-1*. The room containing the ois and %ngents in the thermae.CoameteriaMMMMMM 1-1+. The Roman s%"terranean .a%t.Co%m"ari%mMMMM 1-1-. ?iches, simiar to pigeon hoes, formed in the roc$ where ashes of thedead paced in the %rn were deposited.CowiMMMMMMMMM 1-1/. Recesses for the corpse seaed with a front sa" inscri"ed with the name of the dead.U circe MMMMMM 1-11. The difference "etween the Roman and 9ree$ theatre the Roman a%ditori%m encirced.9adiator Contest 1-12. Uses of amphitheatres.Rostra Co%ms 1-#4. The %s%a mon%ment "%it to cee"rate .ictorio%s na.a campaigns ofthe genera.5om%sMMMMMMMMMM 1-#1. Bri.ate ho%se of the Romans.Dia MMMMMMMMMM 1-##. The %)%rio%s co%ntr! ho%se of the Romans which is s%rro%nded "! theterraces and gardens.Ins%a MMMMMMMMM 1-#&. The m%ti>store! tenement ho%sing for the wor$ers.A,%ed%ct MMMMMMM 1-#*. The arched waterwa! erected to s%pp! most parts of Rome with water.BonsMMMMMMMMM 1-#+. Roman "ridges.:oc%stMMMMMMMM 1-#-. A roman fo%ntain designed with a arge "asin of water.;aientes MMMMM 1-#/. A roman fo%ntain designed with spro%ting sects.0aggon Headed 1-#1. The .a%t that is carried thro%gho%t its ength on the # parae was of a rectang%ar apartment.Cross Da%t MMM 1-#2. The .a%t which was formed "! the intersection of # semicirc%ar .a%ts of e,%a span and %sed o.er a s,%are apartment.CorinthianMMM 1-&4. The fa.o%rite of the Romans among the + orders.Acant%s ;croMM 1-&1. The specia characteristic of the roman ornament.For%m MMMMMMM 1-. For Romans, that which corresponds to the 9ree$ agora.For%m Roman%mM 1-&&. The odest and most important e)ampe of roman for%m.Bantheon MMM 1-&*. The crowning gor! of architect%re.;ta 'onica Rot%nda 1-&+. 6nown toda! as for Bantheon, RomeApoodor%s MMM 1-&-. The architects of Tra3an:a>Chapee CathedraMM;tited archMMMMMM 1/1+. An arch ha.ing its springing ine higher than the ine the mo%dings are.MMMTrifori%mMMMMMM 1/1-. The space "etween the soping roof o.er the aise and the aise.a%ting.MMCerestore!MMMMMMM 1/1/. The %pper stor! of the na.e was rising a"o.e the aise roof whichis pierced with windows.MMMMMCor"eMMMMMMM 1/11. A "oc$ of stone pro3ecting from a wa, often ea"orate! car.ed or mo%ded, s%pporting an! inc%m"ent weight.MMMHem RoofMMM1/12. A t!pe of roof in which fo%r faces rest diagona! "etween the ga"es and con.erge at the top.MMM;t!e Ogi.aeMMMM 1/24. 9othic in France.'iard de Hanneco%rt 1/21. Forer%nner of the gothic in FranceMMCaro 'adernaMM1/2#. Forer%nner of the gothic in Ita!.MMBeter Bar$erMMMMMMM1/2&. Forer%nner of the gothic in 9erman!.MMMMMMMMMMMMMMMMMM 1/2*. One of the two forer%nners of the 9othic in Engand.MMMMMMMMMMMMMMMMMM 1/2+. The term appied to the Episcopa ch%rch of the diocese and asothe important str%ct%re of the gothic period.MMMMMMMMMMMMMMMMMM 1/2-. The period $nown as the ear! Engish period of the gothic st!e in Engand and which is ess massi.e in character and simpe inornament.MMMMMMMMMMMMMMMMMM 1/2/. It was d%ring this period if the Engish gothic when the trifori%m disappeared d%e to the increase of height of the cear store! and aise window.MMMMMMMMMMMMMMMMMM 1/21. The intermediate ri"s "etween the main ri"s of a gothic .a%t.MMMMMMMMMMMMMMMMMM 1/22. 5%ring the T%dor period of the Engish gothic architect%ra acti.it! was geared towards.MMMMMMMMMMMMMMMMMM 1/24. A pro3ecting "oc$ of sp%r of stone car.ed with foiage to decorate the ra$ing ine formed "! anges of spines and canopies.MMMMMMMMMMMMMMMMMM 1141. The %pper portion of a pinnace, "ench>end or other architect%rafeat%re.MMMMTower CotMMMMM114#. A sma t%rret>i$e termination on the top of "%ttresses parapets oresewhere, often ornamented with "%nches of foiage caedcroc$ets.MMMMMMMMMMMMMMMMMM 114&. A mo%ding made %p of a con.e) and conca.e c%r.e and which co%d aso "e appied to an arch.MMMMMMMMMMMMMMMMMM 114*. The ornamenta pattern wor$ in stone fiing the %pper part of agothic window.MMMMMMMMMMMMMMMMMM 114+. A term appied to an! ri" other than a ridge ri" which does not start from the springing of the .a%ting compartment.M;tear .a%tMMMMMMM 114-. The pattern pro.ided "! the ierneMMMMMMMMMMMMMMMMMM 114/. 6e!stone which were %sed to co.er the mitres prod%ced "! the meeting of mo%ded ri"s.MMconnoida .a%t MMMM 1141. The stear .a%ting ed to fann .a%ting is aso $nown as.MMMMMMMMMMMMMMMMMM 1142. It is .er! %s%a in Engish gothic cathedras to inc%de a chape in honor of the Dirgin 'ar!.MMMMMMMMMMMMMMMMMM 1114. It is a chape where mass is said for the so%s of p%os fo%nders and their famiies.MMMMMMMMMMMMMMMMMM 1111. The eariest and simpest open tim"er roof %sed d%ring the gothic inEngand.MMMMMMMMMMMMMMMMMM 111#. It is a t!pe of open tim"er roof in gothic Engand which consists of a series of tr%sses repeated at inter.as to s%pport the intermediate p%rins and rafters whose o"3ects is to transmit thr%st of the roof as ow down as possi"e in the s%pporting wa.MMMMMMMMMMMMMMMMMM 111&. It is a ?orman con.e) mo%ding %s%a! V of a circe appied to an ange, a form of ro mo%ding.MMMMMMMMMMMMMMMMMM 111*. A ro mo%ding in which two faces meet in a "%nt arris.MMMMMMMMMMMMMMMMMM 111+. A ate gothic mo%ding consisting of two ogee mo%dings withcon.e) faces ad3oining.MMMMMMMMMMMMMMMMMM 111-. A mo%ding of the decorated period consisting of a sight con.e)it!foowed "! hoows.MMMMMMMMMMMMMMMMMM 111/. A mo%ding formed of two ogee c%r.es meeting in a sharp arris.MMMMMMMMMMMMMMMMMM 1111. A mo%ding at the end of which pro3ects o.er the other part.MMMMMMMMMMMMMMMMMM 1112. A wide fat hoow mo%ding so caed "eca%se it encased "%nches of foiage.MMMMMMMMMMMMMMMMMM 11#4. The pro3ecting mo%ding o.er the heads of doorwa!s, windows andarchwa!s to throw off rain is a drip store.MMMMMMMMMMMMMMMMMM 11#1. The characteristic of Engish gothic cathedra.MMMMMMMMMMMMMMMMMM 11##. The argest medie.a cathedra in E%rope.