Sec y9 en Book Cover Analys

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    Book cover analysis

    Year 9 writing task

    Framework objectives

    Writing 18

    Write a critical review.

    Writing triplet

    Analyse, review, comment

    Assessment focuses

    AF1 Write imaginative, interesting and thoughtful texts.

    AF2 Produce texts which are appropriate to task, reader and purpose.

    AF3 Organise and present whole texts effectively, sequencing and

    structuring information, ideas and events.

    AF4 Construct paragraphs and use cohesion within and between

    paragraphs.

    AF5 Vary sentences for clarity, purpose and effect.

    AF6 Write with technical accuracy of syntax and punctuation in phrases,

    clauses and sentences.

    AF7 Select appropriate and effective vocabulary.

    AF8 Use correct spelling.

    Time needed

    Two consecutive one-hour lessons. Timings will need to be adapted if lessons

    are longer or shorter than 60 minutes.

    These timings are estimates for guidance rather than obligatory timings.

    The most important consideration is that pupils should have sufficient time to

    complete the task, working independently. Unfinished tasks are unlikely to

    produce evidence on all the assessment focuses.

    Teachers may adjust the timings for the task to take account of their particular

    circumstances, but should bear in mind that spending overmuch time on any

    section may disadvantage pupils.

    Pack includes

    Teacher notes

    OHT 1 taskOHT 2 book cover for The Wind Singer

    OHT 3 table for analysing The Wind Singerbook cover

    OHT 4 pupil analysis ofThe Wind Singerbook cover

    OHT 5 features checklist

    OHT 6 book cover for The Curious Incident of the Dog in the Night-time

    OHT 7 table for analysing the book cover for The Curious Incident of the

    Dog in the Night-time

    Marking guidelines

    Annotated exemplar responses

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    Task outline

    This task requires pupils to write an analysis of the cover for The Curious

    Incident of the Dog in the Night-time, a novel by Mark Haddon. The focus of

    the analysis is the covers effectiveness in persuading a teenage audience to

    buy and/or read the book. As preparation, they study an analysis of the cover

    for The Wind Singer, a novel by William Nicholson, looking particularly at the

    organisational and language features that make it an effective analysis.

    They then write their own analysis of the cover for The Curious Incident of the

    Dog in the Night-time, drawing on the skills highlighted earlier.

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    Teacher notes

    Teaching sequence

    LESSON 1

    I Share the learning objectives with the class, rephrasing as appropriate for

    the group.

    Introduction (20 minutes)

    I Explain that the writing task will be an analysis of the cover of a novel

    aimed at a teenage audience. The purpose of the analysis is to help

    prepare pupils to create their own book cover for a book they have recently

    read in class. The present task does not include the creation of the pupils

    own book cover but this could be completed afterwards as a class activity.

    I Display the task, OHT 1 (page 2 of the pupil booklet).

    You have to design a book cover for a text you have recently read in

    class. To help you prepare for this, analyse the cover of The Curious

    Incident of the Dog in the Night-time, by Mark Haddon. Consider how

    effective it is in persuading a teenage audience to buy and/or read

    the novel and decide whether to use similar ideas in designing your

    book cover.

    Ask the class to turn to page 2 in their pupil booklets and highlight the

    audience, purpose and form of the task.

    I Discuss with the class the purpose of book covers to persuade the

    audience to buy/read the book. Briefly, draw out and discuss some of the

    main ways they achieve this purpose, e.g. by:

    giving some ideas of the books content, using illustrations and words,

    to interest the audience;

    engaging the audience, making them want to know more about what

    the illustrations and words suggest;

    providing other peoples opinion of the book;

    giving factual information about the book.

    I Show the class the cover ofThe Wind Singer, a novel by William

    Nicholson, OHT 2 (page 3 of the pupil booklet). Ask the class to find three

    elements of the book cover that have been put there to persuade the

    audience to read or buy the book.

    I Collect the findings of the class on an OHT or on the board. Briefly, ask

    some pupils to explain how the features they have chosen are seeking to

    persuade the audience.

    I Direct the class to look at the book cover again. Point out to them that noteverything on the cover is persuasion. Ask pupils, in pairs, to highlight the

    detail that is information. Take selective feedback from pupils about the

    information they have found, asking them to explain the need for

    information on a book cover.

    I Show OHT 3 (page 4 of the pupil booklet) and explain that this is a table in

    which to record observations from their analysis of the book cover. Use

    some of their ideas from the discussion to complete the evidence and

    explanation boxes for the first two points. Explain that they will complete a

    similar table later when they prepare for their writing task.

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    Development (30 minutes)

    I Explain that the class are now going to look in detail at an analysis, written

    by a pupil, of the cover for The Wind Singer. Display the pupils analysis,

    OHT 4 (page 5 of the pupil booklet) and read through the first paragraph

    with the class.

    I Discuss the purpose of the first paragraph as an introduction. Ask pupils to

    identify what is included in the introduction.

    I Remind them that paragraphs are organised by:

    introducing a topic;

    making a point;

    giving evidence to support the point;

    explanation.

    I Explain that they are now going to look at how the writer has organised

    their ideas and material. Read through the second paragraph of the pupils

    analysis and ask pupils to tell you the topic of the paragraph. Highlight on

    OHT 4 the sentences which make a point. Then ask pupils to tell you

    which sentences offer evidence for the points that have been made.

    Highlight these in a different colour on the OHT.

    I Now ask pupils, in pairs, to read through paragraphs 3 and 4 of the analysisand to highlight the points that the report is making about the book cover

    in one colour and the evidence to support the points in another colour.

    I Take selective feedback from the class about their findings, asking some

    pairs to identify the main topic of the paragraph, the points made and

    supporting evidence. Clarify any misunderstanding about the way the

    paragraphs are organised. Complete OHT 3, using the points that the

    class offer.

    I Now read the conclusion of the analysis together. Ask pupils to identify

    phrases that come to a conclusion about the suitability of the book cover

    as a model on which to base their own book cover and highlight these on

    OHT 4. Draw out in discussion the effectiveness of the conclusion and how

    it ties in with the introduction to the piece. Emphasise the importance of

    linking the introduction and conclusion in their own writing.

    Plenary (10 minutes)

    I Ask pupils to tell you the main features of the analysis that they have

    looked at in the course of the lesson. Compile a checklist of the features

    for the class, or use the one on OHT 5 (page 6 of the pupil booklet).

    I Ask pupils to reread the article and decide which of the features on OHT 5

    are demonstrated most strongly and which could be improved. Take brief

    feedback on this.

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    LESSON 2

    I Remind pupils of the learning objectives for these two lessons.

    Introduction (20 minutes)

    I Show OHT 5 to remind pupils of the features checklist that was compiled

    in the last lesson.

    I Explain that they are going to look at the book cover that they are going to

    analyse. Show them the book cover for The Curious Incident of the Dog in

    the Night-time by Mark Haddon, OHT 6 (page 7 of the pupil booklet).

    Discuss briefly with the class the persuasive and informative elements of

    the cover, asking them to explain how the examples they suggest are

    either persuasive or informative.

    I Show the table for The Curious Incident of the Dog in the Night-time on

    OHT 7 (page 8 of the pupil booklet) and explain that they are now going to

    complete this table in preparation for writing their analysis of the cover. Use

    some of the points made by pupils about the cover in the initial discussion

    to demonstrate how to complete the top row of the table. Make a note on

    the board of five or six main points so that pupils can use them in the table

    on OHT 7. Suggestions: appealing to imagination;

    others opinions;

    reference to teenager;

    mystery genre;

    unusual;

    simple.

    I Give pupils no more than five minutes to complete the table. Take selective

    feedback from pupils on the entries they have made, drawing out in

    discussion any important features of the cover that have been overlooked.

    Remind them that they can use OHT 3 as a guide.

    Development (40 minutes)

    I Explain that they are now going to write their own analysis of the book

    cover ofThe Curious Incident of the Dog in the Night-time, using the notes

    they have just completed.

    I Remind them to refer back to the analysis ofThe Wind Singeron OHT 4

    (page 5 of the pupil booklet) which they read in the previous lesson, and

    the checklist of features to help them. They should start writing on page 9

    of the pupil booklet.

    These are not test conditions so prompt pupils if necessary (e.g. to writemore, to explain themselves more clearly and so on). Do not, however, provide

    support of a kind that means that pupils are no longer responding to the task

    independently. If this kind of support is necessary for an individual in the

    context of the lesson, you will need to take the degree of support into account

    when making the assessment judgement.

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    It is good practice to:

    I tell pupils if they have not written enough or are writing too much;

    I prompt them to explain their answer more clearly;

    I generally encourage them;

    I clarify a question of issue for the whole class if there seems to be a fairly

    general misunderstanding;

    I remind pupils how much time they have left to complete the task.

    I In the last ten minutes, ask pupils to check their work for technical

    accuracy and against the checklist of writing features. They should tick the

    feature when they have found evidence that it has been addressed.

    Assessment

    I Use the marking guidelines to judge the pupils overall levels on the

    assessment focuses. Highlight, then tick, the sections of the marking

    guidelines according to the features that you find and then consider

    whether the weight of evidence is at secure or low level 4, 5 or 6.

    I Annotated exemplar responses to the task at every level are also included

    for reference and to give guidance on how the criteria are to be applied.

    7 Crown copyright 2006 SecondaryNational Strategy |Assessing pupils progress inDfES 1789-2005 CDO-EN English at Key Stage 3

    These materials have been developed by QCA in partnership with the Secondary National Strategy.

    The help provided by the teachers and pupils who have trialled the materials as part of the Monitoring

    Pupils Progress in English project has been invaluable.

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    8 SecondaryNational Strategy |Assessing pupils progress in Crown copyright 2006English at Key Stage 3 DfES 1789-2005 CDO-EN

    OHT 1/Page 2 of pupil booklet

    Task

    You have to design a book cover for a text you have recently read in class.To help you prepare for this, analyse the cover of The Curious Incident of

    the Dog in the Night-time, by Mark Haddon. Consider how effective it is

    in persuading a teenage audience to buy and/or read the novel and

    decide whether to use similar ideas in designing your book cover.

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    9 Crown copyright 2006 SecondaryNational Strategy |Assessing pupils progress inDfES 1789-2005 CDO-EN English at Key Stage 3

    OHT 2/Page 3 of pupil booklet

    Book cover for The Wind Singer

    ImagereproducedbykindpermissionofthepublisherEgmont2001

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    10 SecondaryNational Strategy |Assessing pupils progress in Crown copyright 2006English at Key Stage 3 DfES 1789-2005 CDO-EN

    OHT 3/Page 4 of pupil booklet

    Table for analysing The Wind Singerbook cover

    Point

    Unusual persuasion

    Mysterious persuasion

    Familiar to teenagers persuasion

    Other peoples opinions persuasion

    Summary information

    Evidence Explanation

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    11 Crown copyright 2006 SecondaryNational Strategy |Assessing pupils progress inDfES 1789-2005 CDO-EN English at Key Stage 3

    OHT 4/Page 5 of pupil booklet

    Pupils analysis of The Wind Singerbook cover

    The book cover that I picked as an example to persuade the audience to buy or read

    the book is The Wind Singer by William Nicholson. The reason I have picked this isbecause it was particularly successful in encouraging me to read the book and

    providing detail about the book and its content.

    The first impression the book cover gives is one that the style is unusual. It appears to

    be covered in sand, with a half-buried symbol made from metal in the shape of an S.

    The effect of this on the audience is that it gives the impression that the setting might

    not be on Earth or in our time and that there is an element of something being

    hidden. This is further supported by the summary on the back, which uses unusual

    names and hints that exams are far more important than they are now. This is

    standard in fantasy and science-fiction, which will attract the audience that is familiarwith these genres.

    The second aspect of the book cover that is persuasive to a young audience is that

    there is a sense of mystery about the book. We are given hints that things are not

    clear. In the illustration, the symbol is half hidden, which adds to the sense of mystery.

    The synopsis offers detail which leaves the audience feeling that there is something

    that needs explaining. In the sentence, When Kestrel dares to rebel, the Chief

    Examiner humiliates her father and sentences the whole family to the harshest

    punishment we are left wondering what rebellion took place and what the

    punishment could have been. As a result, this makes the reader want to read the bookto find out.

    The cover is particularly designed to attract the attention of teenagers, with the

    quotation at the top of the synopsis selected purposefully to help the audience

    identify with the character. This has the effect of making the reader empathise with

    the character and feel as though it would be a good story to read. In addition, in the

    quotations, references are made to teenage books and films, i.e. Star Wars and Harry

    Potter. An audience that enjoys these books will be more likely to choose this book,

    therefore, knowing it has been compared to them. There is a sticker printed on the

    cover, showing that the book won an award that was particularly for young people.This is persuading the reader that the book is thought to be of high quality and will

    encourage people to select it, especially if it is an adult buying it for a young audience

    as a present or to study in class. This is a very important aspect of publishing.

    In conclusion, I believe that this style of book cover is very successful. The image

    portrays an unusual setting, with the content suggesting the topic of the book is one

    of a search and a journey. To make this more attractive and persuasive, they have

    added touches of mystery in the synopsis. It makes readers imagine and predict and

    therefore is very successful in attracting a certain audience, who might like the genre.

    I therefore think that using these ideas would be beneficial in the book cover that Ishall be creating on the book I have chosen.

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    12 SecondaryNational Strategy |Assessing pupils progress in Crown copyright 2006English at Key Stage 3 DfES 1789-2005 CDO-EN

    OHT 5/Page 6 of pupil booklet

    Features checklist

    Features

    Clear overall structure:

    introduction

    analytical paragraphs

    conclusion (which refers back to the introduction)

    Paragraphs include:

    point

    evidence

    explanation

    Connectives are used across the piece:

    to show how the points made within a paragraphare related to each other

    to link paragraphs

    The audience and purpose of the analysis is clear

    Included

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    13 Crown copyright 2006 SecondaryNational Strategy |Assessing pupils progress inDfES 1789-2005 CDO-EN English at Key Stage 3

    OHT 6/Page 7 of pupil bookletBook cover for The Curious Incident of the Dog in the Night-time

    ImagereproducedbykindpermissionofRandomHouseGroup

    TheCurious

    IncidentoftheDogintheNight-timebyMarkHaddonpublishedbyRedFoxBooks2004

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    14 SecondaryNational Strategy |Assessing pupils progress in Crown copyright 2006English at Key Stage 3 DfES 1789-2005 CDO-EN

    OHT 7/Page 8 of pupil booklet

    Table for analysing The Curious Incident of the Dog in the Night-time

    Point Evidence Explanation

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    Annotated exemplar responses

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    Level 4: Response and commentary

    Fitting opening(AF3 L4 b2)signals purpose(AF2 L4 b1)

    Some attempt toestablish simplelinks betweenparagraphs(AF4 L4 b3)

    Relevantinformationchosen withsomeappropriateelaboration(AF1 L4 b1/2)

    Paragraphs helpto organisecontent(AF4 L4 b1)

    Some expansionof general

    vocabulary tomatch topic(AF7 L4 b2)

    Points generallyin logicalsequence, butdirection ofwriting notsignalled(AF3 L4 b3)

    Some attempt tovary length andstructure ofsentences(AF5 L4 b1)

    Almost allsentencesaccuratelydemarcated(AF6 L4 b1) and

    some use ofcommas to markclauses(AF6 L5 b2)

    Most inflectedwords correctlyspelt(AF8 L5 b2)

    Quotation marksfor evidenceused correctly(AF6 L4 b2)

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    18 SecondaryNational Strategy |Assessing pupils progress in Crown copyright 2006English at Key Stage 3 DfES 1789-2005 CDO-EN

    This response clearly signals the purpose of the writing (AF2) and relevant points areselected and sometimes elaborated with appropriate use of detail (AF1). Paragraphs areused to help organise content with some attempt to establish simple links between them(AF4) which are generally logically sequenced (AF3). There is some variation in thestructuring of sentences (AF5), with the demarcation of sentences generally secure and

    some attempt to use commas to mark clauses (AF6). Some use of technical terminologyexpands the general range of vocabulary employed (AF7) and the spelling of inflectedwords is usually accurate (AF8).

    For all the assessment focuses, there is evidence of the pupil fulfilling most of the level 4criteria, and, in some cases, beginning to address the level 5 requirements, although onlyfor AF8 are these actually fulfilled. Hence the overall judgement is secure level 4.

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    Level 5: Response and commentary

    Variation insentence lengthand structure forclarity andemphasis(AF5 L5 b1)

    Sentencesorganised intoappropriateparagraphsaround the areas

    for analysis(AF3 L5 b1)

    Relevant pointsand evidencedeveloped withsome detail(AF1 L5 b1)

    Sentencesdemarcatedaccurately(AF6 L4 b1) andsome use ofthe comma tomark clauses(AF6 L4 b3)

    Main purpose ofthe writingestablished andmaintained(AF2 L5 b1)

    Paragraphsclearly structuremain ideas tosupport purpose(AF4 L5 b1)

    Clear viewpointon the suitabilityof the bookcover established(AF1 L5 b3)

    Personal,informal styleto maintainreaders interest(AF2 L5 b3)

    Reasonably widevocabulary used(AF7 L5 b2)

    Development ofmaterial logicallysequenced andmanaged acrossthe text(AF3 L5 b2/3)

    Generally correctspellingthroughout(AF8 L6 b1)

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    Level 6: Response and commentary

    Individual voiceestablished(AF1/2 L6 b2)

    Material isclearly controlledand sequenced(AF3 L6 b1)

    Paragraph topicsignalled andthen developed(AF4 L6 b1)

    Imaginativetreatment ofmaterials(AF1/2 L6 b1)

    Varied andambitiousvocabularychoices(AF7 L6 b2)

    Controlled useof a range ofsentence lengthsand structureprovide emphasis(AF5 L6 b1)

    Overall directionof the textclearly signalled(AF3 L6 b2)

    Accurate

    demarcation ofsentences andsome use of thecomma to markclauses(AF6 L4 b3)

    This well-structured (AF3) and fluent response confidently analyses the given subjectmatter in some detail, shaping it and adapting it effectively to provide a consistent,individual perspective on the book cover (AF1/2). Points are organised into paragraphsthat are clearly linked and sequenced (AF4). A range of sentence structures is deployedto support the overall purpose of the writing (AF5). Sentence demarcation and the useof commas to mark clauses are accurate, although there is little use of other punctuation(AF6). Vocabulary choices are often ambitious (AF7) and there are virtually no spellingerrors (AF8).

    For all the assessment focuses other than AF6, there is evidence of the pupil addressingthe level 6 criteria, and, in most cases, fulfilling them with some confidence and authority.Hence the overall judgement is secure level 6.

    Generally correctspellingthroughout(AF8 L6 b1)

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