29
Selected Bibliography Abbott, Anthony S. Thc Vital Lie: Kealitv and Illusion in Modern Drama. Tusealoosa: U of Alabama P, 1989. Adler, Alfred. The Practice and Theorv of Individual Psvchology. 1923. London: Routledge, 1964. Agnes, David M. Modem American 1)rama. 1961. New York: Macmillan, 1965. Albee, Edward. "'l'heatre: Icarus's Mother." Village Voice 25 Nov. 1965: 15. - - - . "Which Theatre is the Absurd One." Discussion of American Drama. Ed. Walter J Meserve. Boston: D.C. Heath, 1966. 145-50 Almansi, Guido and Simon Henderson. ~ a r o l d Pinter. London: Methuen, 1985. Amend, Victor Ii. "Harold Pinter - Some Credits and Debits." Modern Drama 10 (1968): 165-75. Anderson, Michael. Theatre 'Today: Anger and Detachment: A Study of Arden, Osborn and Pinter. London: Pitman, 1976. Anderson, Michael, et al. , eds. A Hand book of Contem~orary Drama. London: Pitman, 1972. Artaud, Antonin. The Theatre and Its Ilouble. 1964. Trans. Victor Corti. London: Calder, 1970. Ashmore, Jerome. "Interdisciplinaly Roots of the 'Theatre of the Absurd." Modem I)rama 14 (1971): 72-83, Avey. Albert E. Ilandhook in the Historv of Philoso~hv: A Chronolorrical Survev of Western 'l'hought. 1954. 2nd ed. Ncw York: Barnes, 1961. Uachman, Charles R. "1)cfusion of Menace in the Plays of Sam Shepard." h,Iodern

Selected Bibliography Abbott, Anthony Thc Vital Lie ...shodhganga.inflibnet.ac.in/bitstream/10603/6156/13/... · Beckett, Samuel. Interview. "Three Dialogues by Samuel Beckett and

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Page 1: Selected Bibliography Abbott, Anthony Thc Vital Lie ...shodhganga.inflibnet.ac.in/bitstream/10603/6156/13/... · Beckett, Samuel. Interview. "Three Dialogues by Samuel Beckett and

Selected Bibliography

Abbott, Anthony S. Thc Vital Lie: Kealitv and Illusion in Modern Drama.

Tusealoosa: U of Alabama P, 1989.

Adler, Alfred. The Practice and Theorv of Individual Psvchology. 1923. London:

Routledge, 1964.

Agnes, David M. Modem American 1)rama. 1961. New York: Macmillan,

1965.

Albee, Edward. "'l'heatre: Icarus's Mother." Village Voice 25 Nov. 1965: 15.

- - - . "Which Theatre is the Absurd One." Discussion of American Drama. Ed.

Walter J Meserve. Boston: D.C. Heath, 1966. 145-50

Almansi, Guido and Simon Henderson. ~ a r o l d Pinter. London: Methuen, 1985.

Amend, Victor Ii. "Harold Pinter - Some Credits and Debits." Modern Drama 10

(1968): 165-75.

Anderson, Michael. Theatre 'Today: Anger and Detachment: A Study of Arden,

Osborn and Pinter. London: Pitman, 1976.

Anderson, Michael, et al. , eds. A Hand book of Contem~orary Drama. London:

Pitman, 1972.

Artaud, Antonin. The Theatre and Its Ilouble. 1964. Trans. Victor Corti. London:

Calder, 1970.

Ashmore, Jerome. "Interdisciplinaly Roots of the 'Theatre of the Absurd." Modem

I)rama 14 (1971): 72-83,

Avey. Albert E. Ilandhook in the Historv of Philoso~hv: A Chronolorrical Survev

of Western 'l'hought. 1954. 2nd ed. Ncw York: Barnes, 1961.

Uachman, Charles R. "1)cfusion of Menace in the Plays of Sam Shepard." h,Iodern

Page 2: Selected Bibliography Abbott, Anthony Thc Vital Lie ...shodhganga.inflibnet.ac.in/bitstream/10603/6156/13/... · Beckett, Samuel. Interview. "Three Dialogues by Samuel Beckett and

Drama 19 (1976): 405-415.

Baker, William, and Stephen Ely Thabachnick. Harold Pinter . Edinburgh: Oliver,

1973.

Barnes Clive. "A Sam Shepard Double Bill: The Unseen Hand." New York

2 Apr. 1970, sec.1. 43.

- - - . "Action and Killer's Head." New York Times 16 Apr. 1975, Sec.1. 54.

Barnes, Hazel. Introduction. Being and Nothingness: A Phenomenological

Essay on Ontology. By Jean I'aul Sartre. New York: Pocket, 1956.

ix-lii.

Barnes, Philip, ed. A Comnanion to the Post-War British Theatre. London: Croon,

1986. 182-85.

Ilasler, Ray P. Sex, Svmbolism and Psvchologv in Literature. New Brunswick:

Routledge UP, 1948.

Bassnett-McGuire, Susan. Luigi Pirandello. London :Macmillan 1983.

Becker, Carol. The Invisible Drama: Women and The Anxiety of Change.

New York: Macmillan,l987.

Beckett, Samuel. Interview. "Three Dialogues by Samuel Beckett and Georges

Duthuit." Samuel Bcckett: A Collection of Critical Essavs. Ed. Martin

Esslin. 1-nglewood Cliffs: Prentice, 1965. 16-22.

- - -. Waiting for Godot. 1956. London: Faber, 1985.

Benedetti, Roben I,. Seeing, Being and Becoming: Acting in Our Century.

New York: Drama Book Specialists, 1976.

Benct, Carol. W h e n a r d on the German Stage: Critics, Politics, Mvths. Vo1.41.

New York: Peter lang, 1993.

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Bennet, Benjamin. Theatre As I'roblem: Modem Drama and Its Place in

Literature. Ithaca: London, 1990.

Bentley, Eric. Plavwrieht As Thinker. New York: Reynal, 1946.

- - -, ed. The Theon/ o l the Modern Stage. 1968. London: Penguin, 1992.

Berman, Ronald. America in the Sixties: An Intellectual Histow. New York: 1968.

Bernhard, F. J. "13eyond Realism: The plays of Harold Pinter." Modern Drama 8

(1965): 185-91.

Bertens, IIans. The Itlea of rhe Postmodern : A History. London: Itoutledge, 1995.

Edward, 1981.

Bigsby, C. W. E. A Critical Introduclion to Twentieth Centurv American Drama. 3

vols. Cambridge: Cambridge UP. 1985.

- - -. Modern American Drama (1945-1990). New York: Cambridge UP, 1992.

Bigsby, C. W. E. , and Malcolm Bradbury, eds. Contemuorarv English Drama.

London: Edward Arnold, 1981.

Blau, Herbert. "The American Dream in American Gothic: The Plays of Sam

Shepard and Andrienne Kennedy." Modem Drama 7 (1984): 520-39.

Bloom, Clive, ed. American Drama. London: Macmillan, 1995.

- - -. Introduction. Amcncan Drama. Ed. Bloom. London: Macmillan, 1995.

1-5.

Bloom, Michael. "Visions of the End." American Dreams: The Imagination - of

Sam S h a d . 1981. Ed. Bonnie Marranca. New York: PAJ, 1993.72 -78.

Bogard, Travis, and William I Oliver. Modern Drama: Essavs in Criticism.

I,ondon: Oxford 1. :P, 1965. "

Bogard, Travis, Richard Moody, Waller J. Meserve. The Revels: fIiston/ of Drama

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in English. Gen. ed. C. W. Craik. Vol. 8. London: Methuen, 1977.

Bold, Alan, ed. IIarold Pinter: You Never Heard Such Silence. London: Vision,

1984.

Bradbrook., M. <:. F..nelish Dramatic Form. London: Chatto, 1965.

Bradbury, Malcom. Introduction. Catch 22. 1955. By Joseph EIeller. Rev. ed.

New York: Knopf, 1995.vii-xxvi.

Brater, Enoch. "After the Absurd: Rethinking liealism and a Few Other Isms."

Around the Absurd: Essavs on the Modern and the Postmodern Drama. Ed.

Enoch Rrater and Ruby Cohn. Ann Arbor: U of Michigan P, 1990.

293-301.

Brater, Enoch, and Ruby Cohn, eds. Around the Absurd: Essavs on the

Postmodern Drama. Ann Arbor: U of Michigan P, 1990.

Brown, J. A. C. Freud and the Post-Freudians: A Brilliant Introduction to the

Theories of Freud and His Great Successors. 1961. Harmondsworth:

Penguin, 199 1.

Brown, John Kussell. "Mr Pinter's Shakespeare." Critical Ouarterly 5 (1963):

251-65.

- - -, ed. Modern British Dramatists. Englewood Cliffs: Prentice, 1968.

- - -. The Theatre Language: A Study of Arden. Osborne, Pinter and Wesker.

London: I'enguin, 1972.

- - -, ed. Modern British Dramatists. Englewood Cliff: Prentice, 1984.

Brustein, Iloherl. "Sam Shepard's America." New Ke~ublic 21 Apr. 1973: 23.

- - -.The Culture Watch: Fssavs and Society. 1969-1974. New York: Knopf, 1975.

Rurkman, Kathcrinc I-I. "l'inter's A Slight Ache As Ritual." Moder~l Drama 11

Page 5: Selected Bibliography Abbott, Anthony Thc Vital Lie ...shodhganga.inflibnet.ac.in/bitstream/10603/6156/13/... · Beckett, Samuel. Interview. "Three Dialogues by Samuel Beckett and

(1968): 326-35.

- - -. The Dramatic World of Harold l'inter: Its Basis in Ritual. Columbus: Ohio

State UI', 1971.

Campbell, James. "The Slow Unbaffling of the Pintenvatches." Times Literary

Supplement Mar. 1994: 18.

Camus, Albert. The Mvth of Sisv~hus. 1955. Trans. Justin O'Brien.

EIarmondsworth: Penguin, 1977.

- - -. Calieula 1947. Calieula and Other Plavs. IIarmondsworth, Penguin,

1984. 33-104.

- - -. Introduction. The Rebel. 1951. By Camus. Trans. Anthony Bower.

Harmondsworth: Penguin, 1984. 11-16.

- - -. The Rebel. 1951. Trans. Anthony Rower. Harmondsworth: 1984.

Cardinal, Roger. Ex~ressionism. London: Paladin, 1984.

Carol, Dennis. "Thc Filmic Cut and "Switch Back" in the Plays of Sam Shepard."

Modern Drama 22 (lC)88): 125-38.

Carpenter, Charles A. "The Absurdity of Dread: Pinter's The Dumb Waiter."

Modern Drama 16 (1973): 279-85.

- - - . "What Have 1 Seen, the Scum or bssence?: Symbolic Fallout in

Pinter's The Birthday Partv." Ilarold Pinter: You Never Heard Such

Silence. Ed. Alan Bold. London: Vision, 1984.93-112.

Carveth, Donald I,. "The Borderline Dilemma in Paris, Texas: Psychoanalytic

Approach to Sam Shepard." Psyart: A Hvnerlink Journal for Psycholo~ical

Study of the Arts 971002 (8 Ilcc. 1997): n. pag. Online. Internet.

18 Nov.2000.

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Chaplin, J.1'. Ilictionary of Fsvcholo~v. 1968. Rev. 2nd ed. New York: Laurel,

1985.

Chiari, J. Iandmarks of Contemnorarv Drama. New York: Gordian, 1971.

Cima, Gay Gibson. "Shifting Perspectives: Combining Shepard and

Reuschenbcrg." Theatre Journal 38 (1986): 67-81.

Clurman, Harold. The Naked Image: Observations on the Modern Theatre. 1958.

New York: Macmillan, 1967.

- - - . "Theatre" 30 Mar. 1970: 380.

- - - . "Action" Nation 3 May 1975: 542.

- - - . "Theatre." Nation 23 Oct. 1980: 412-14.

Coe, Robert. "Saga of Sam Shepard." New York Times Magazine 23 Nov. 1980:

5 6 i .

Cohn, Ruby. "The World of Harold l'intcr." Tulane Drama Review 6.3 (1962):

55-68.

- -. . "Harold Pinter." Thc 'I'wentielh Centurv Drama: England. Ireland, The

United Stales. Eds. Ruby Cohn and Bernard Dukore. New York: Random,

1966. 617-21.

- - - . "Sam Shepard C:omments." <:ontemnorarv Dramatists. Ed. James Vinson.

New York: St. James, 1973. 722-23.

- - - . New American Ilramatists 1960-1980. New York: Grove Press, 1982.

.-- . "Thc Word Is My Shepard." New American Dramalists 1960-1980.

Ed. Ruby ('ohn. New York: Grove, 1982. 171-86.

-.- . "Introduction. Around [he Absurd. " Around the Absurd: Fssays on the

Modern and thc Postmodcrn 1)rama. Ld. Enoch 13rater and Iiuby Cohn.

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Ann Arbor: U of Michigan P: 1990. 1-9.

- - -. Anglo American Interplay in Recent Drama. Cambridge UP, 1995.

Cohn, Ruby,and Bernard Dukore, eds. Twentieth Centuw Drama: England,

1reland.the United States. New York: Random, 1966.

Cohen, Marshall. "Theatre 67" Partisan Review 34 (1967): 436-44.

Collins A. S. English Literature of the Twentieth Century. 4th ed. London: U

Tutorial P, 1960.

Coppa. Francesca. "Coming Out in The Room: Joe Orton's Epigrammatic

RciVision of Harold Pinter's Menace." Modem Drama 40 (1997): 11-22.

Coveney, Michael "No Man's Land' at the Old Vic." The Best of Plays and

Plavers. Ed. Peter Roberts. London: Methuen 1989.

Crick, Bernard. "Pinter's No Man's Land." Essays on Politics and Literature.

Edinburgh: Edinburgh UPt 1992.

Cunliffe, Marcus, ed. American Literature to 1900. 1973. London: Sphere,

1986.

Dace, Tish. "Harold Pinter." Great Writers: Student Library Twentieth Century

-.Ed Simon Trusslcr. London: Macmillan, 1983. 221-24.

Daniels? Barey V. , ed. "Preface: Joseph Chaikin and Shepard." Publishers Weekly

29 Scpt. 1989: 56.

David, M Agnes. Modem American Drama. New York: Macmillan, 1961.

Davison. Gerald C and John M. Ncale. Abnormal Ps~chology. 7th ed. New

York: Wiley, 1998.

Davison, Peter. Contem~oran, Drama and the Povular Tradition in England.

London: Macmillan, 1982. 58-67,

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Demastes, William W. Rcyond Naturalism: A New Realism in American Theatre.

New York: Greenwood, 1988.

- - - . "Leonard W. I. Cox's Reading of Shepard's Company: Critical Essays on the

Plays of Sam Shepard." Modern Drama 38 (1995): 428-31.

DcRose, David J. Sam She~ard . New York: Twayne, 1992.

Dhaliwal, Arnrik Singh. The style of the Absurd: A Studv of Harold Pinter's Plav:

The Birthday Party. Sirhind: 'rakshila, 1990.

Diamond, l'hea. Rev. of Shepard: A Casebook. by King Kimball. Modern Drama

34 (1991): 446-49.

Dias, Earl J. " The Enigmatic World of Harold Pinter." Drama Critiaue 11 (1968):

119-24.

DiGaetani, John L. A Search for a Postmodem Theatre: Interviews with

Contemporaw Playwrights. New York: Greenwood, 1991.

Dobrez, A. C. The Existential and Its Exits: Literary and Philosophical

Perspectives on Works of Beckett, Ionesco, Genet and Pinter. London:

Athlone, 1986.

Donogue, Denis. " London Letter: Moral West-end." Hudson Review 14 (1961):

93-103.

Douglas, Reid. " The Failure of English Realism." Drama Review 7.2 (1962):

180-83.

Ilukore, Bernard I-. " 'The Theatre of Harold Pinter." Tulane Drama Review 6.3

(1962): 43-54.

- - -. Wherc I~ur?hLcr Stops: I'inter's Tragicomedy. Columbia: U of

hfissouri 1', 1976.

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- - -. I-Iarold Pinter. London: Macmillan, 1982.

Dutton, Richard. Modern Tragicomcdv and the British Tradition: Beckett. Pinter.

Stop~ard, Albee and Storey. Brighton: Hamester, 1986.

Earley, Michael. "Of Life Irnmense in Passion, Pulse, and Power: Sam Shepard

and 'The American I..iterary .Tradition." ~ m e r i c a n Dreams: The Imapination

of Sam She~a rd . 1981. Ed. Bonnie Marranca. New York: PAJ, 1993.

126-32.

Edelman, Charles. '"The 13irthday I'arty." l%xplicator 52 (1994): 176-79.

Elam, Keir. The Semiotics of Theatrc and Drama. London: Methuen, 1980.

Eliot, T.S. Selected Pmse. 1953. lld. John I-Iayward. Harmondsworth: Penguin,

1963.

Esslin, Martin. "Godot and I-Iis Children: The Theatre of Samuel Beckett and

Harold Pinter." Modern British Dramatists. Ed. John Russell Brown.

Englewood Cliffs: Prentice, 1968. 58-70.

- - - . "Naturalism in Context." The Ilrama Review 13.2 (1968): 67-76.

- - -. Pinter: A Study of His Plavs. 1970. London; Methuen, 1973.

- - -, ed. Samuel Heckett: A Collection of Critical Essavs. Englewood Cliffs:

Prentice, 1975.

- - -. An Anatomy of Drama. London: Temple Smith, 1976.

- - -. The Theatre of the Absurd. IIarmondsworth:Penguin,1980.

Euba, Femi. Archctv~es. Imprecators and Victims of Fare: Origins and

Devclo~rnents of Satire in Rlack Drama. New York: Greenwood, 1989.

Evans, Ifor. A Short 1.Iistory of Lngiish Literature. 1940. London: EIBS,'63.

Eveling, Staiiicy. "l'inter's Stagecraft: Meeting I'eople is Wrong." I-Iarold Pinter:

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You Never Heard Such Silence. ed. Alan Bold. London: Vision, 1984.

74-87.

Feingold, Michael. "Theatre: Everything's So Shocking Inside." Village Voice 21

Apr. 1975: 87.

- - - . "Theatre: Sam Shepard Part-time Shaman." Village Voice 4 Apr. 1977:

72-76.

- - - . "A Banquet of Sam." Villaoc Voice 17 Sept. 1996: 37.

Fennel, Patnik .I. "Sam Shepard: Tlic Flcsh and Blood o f Theatre." Diss. U of

California, Santa Barbara. 1977. m 3 8 (1977): 3145 A.

- - - . "Shepard's I ~ s t Sheep." Sam Sheuard: A Case Book. Ed. King,

Kimball. New York: Garland, 1988.

Foucault, Michael. The I-Iistorv of Sexualitv: An Introduction. Trans. Robert

Hurley. 1Iarmondsworth: Penguin, 1978.

Fraser, John. Violence in the Arts. 1,ondon: Cambridge UP, 1974.

Fredric, Laurance, et al. The Psvchologv of Adiustment Boston: Houghton, 1956.

Freud, Sigmund. The Internretation of Dreams. Ed. and trans. James Strachey.

New York: Avon, 1965.

- - - . "Inhibition Symptoms Anxiety." Ed. Angela Richards. Pelican Freud

Library. 1963. Trans. Jamcs Strachey. Vol.10. Harmondsworth: Penguin,

1983. 15 ~01s . 229-368.

Fromm, Erich. The Fear of Freedom. 1960. London: Routledge, 1963.

Gabbard, I.uci~ia Paquet. The Dream Structure of Pinter's Plays: A Psvchoanalvtic

Approach. Cranbury: Associated UP; 1976.

Gale, Stephen 11. "Thcmatic Changc in the Stage Plays of I-Iarold Pinter,

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1957-1967." Diss. U of Southcrn California. 1970, j&lJ 31 (1971): 3546A.

- - -. Butter Is C;oin~ - Up: A Critical Analysis of Harold Pinter's Work.

Durhum: Duke UP, 1977.

- - -. Harold Pinter: An Annotated 13ibliogra~hv. London: G. Hall; 1978.

- - -. I-Iarold Pinier's Family Voices and the Concept of Family." Harold Pinter:

You Never Heard Such Silence. Ed. London: Vision, 1984.

Gallangher, Kent G. "Harold Pinter's Dramaturgy." Ouarterlv Journal of Speech

5209661242-48.

GaIliennne, Evale, ed. The Wild Duck and Other Plays. New York: Random,

1961.

Ganz, Arthur. "A Clue to the Pinter Puzzle: The Triple Self in The Homecoming."

Educational Theatre Journal 21 (1969): 150-87.

- - -, ed. Pinter: A Collection of Critical Essavs. Englewood Cliffs: Prentice, 1972.

Garsonor, John and Edward Quinn, eds. The Readers Encvclo~aedia of World

Drama. L.ondon: Methuen, 1970. 657-58.

Gascoigne, Bamber. Twentieth Century Drama. London. I-Iutchinson U Library,

1962.

Gelber, Jack. "Sam Shepard; The Playwright as Shaman." Angel City and Other

w. 2nd ed. Neu York: Urizen Books, 1977. 1-4

Gener, Randy. "Fool for Sam." Village Voice 20 Feb. 1996: 72-73.

Gill, A. A. "1Iarold I'auses Antonia Is Silent: A. A. Gill Studies a Pinteresque

I-Iusband and Wife in the Ivy, and Mr. Pinter's New Play on the Printed

Pagc." S ~ c c ~ a t o r 22: Sept. Ic)9G. 31.

Gillen, I'rancis. "All These Bits and Pieces in Pinter's I'lays." Modern Ilrama 17

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(1974): 477-87.

Gilman, Richard. Introduction. Sam Shepard: Seven Plays. By Sam Shepard. New

York: Banlam, 1981. ix-xxv.

Glass, James M. Shattered Selves: Multiple Personalitv in a Postmodern World.

Ithaca: Cornell UP, 1993.

Glasurd, Clarence A. , ed. The Aoe of Anxiety. Boston: IIoughton, 1960.

Goffman, Erving. The Presentation of Self in Evewdav Life. 1959. Woodstock:

Overlook, 1973.

Gottfried, Martin. A Theatre Divided: The Post-war American Stage. Boston:

Little,1969.

Grant, Gary. "Shifting Paradigm: Shepard's Myth and the Transformation of

Consciousness" Modern Drama 36 (1993): 121-30.

Greer, Herb. "Theatre: Down and Out in London." National Review 49.12 (1997):

52-53.

Gregory, Stephen. "Ariel Dorfman and Harold Pinter: Politics of the Periphery and

Theatre of the Metropolis." Comparative Drama 30 (1996): 325-45.

Guerin, Wilfrcd I>. , et al. A Handbook of Critical Ap~roaches to Literature.

4th ed. Ncw York. Oxford UP, 1999.

Gusdorf, Georges. "Condition and Idmits of Autobiography." Autobioorauhv:

Essays Theatric and Critical. Ed. and trans. James Olney. Princeton:

Princeton LIP, 1980. 28-73.

Gussow, Mel. "Thc Ileeply American lioots oF Sam Shepard's I'lays." New York

Times 19 Lkc. 1979, scc. 1: 3.

Ifaber, I-Ieni Fern. I3cvond 1'ostmodcr.n Politics: I.votard. Kortv. 1;oucault. New

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York: Koulledgc, 1994.

Ilall, Ann C. A Kind of Alaska: Women in the Plavs of O'Neill Pinter and

She~ard . Cambridge: S. Illinois UP, 1993.

Hamill, Pete. "The New American IIero: Writer Sam Shepard is a Movie Star for

the Eighties." Ncw York 5 Ilcc. 1983: 75+

Harriot, Esther. American Voices: 17ive Contem~oraw Playwriohts in Essavs and

Interviews. Jefferson: McFarland, 1988.

IIart, 1,ynda. Sam Shcoard's Metaphorical Slates: Contributor in Drama and

Theatre Studies. New York: Greenwood, 1987.

I-Iart, Steven. Rev. of "The Slow and Painful Death of Sam Shepard." By Jeff

Dorchen and the Company. Theatre Journal 41(1989): 538-39.

Hayman, Ronald. Harold Pinter. London: Heinemann, 1969.

- - -. Artaud and After. Oxford: Oxford UP, 1977.

- - -. Theatre and Anti-Theatre: New Movements Since Beckett. New

York: Oxfortl UP, 1979.

Heller, Joseph. Catch 22. 1955. 2nd ed. .New York: Alfred, 1995.

Herman, William. Understanding <:ontemporaw American Drama. Columbia:

U of South California P, 1987.

Henry, Hews, ed. "I'robing Pinter's Play." Saturday Review 8 Apr. 1967: 56.

Higgins, David &I. "lixistential Valuation in Five Contemporary Plays." Bowling

Green State U, 1971. DAI 32 (1972): 4612A.

Hipkiss, Robert .A. 'The American Absurd: Pychon.Vonneeut. and Barthes. Port

Washingtor!: Nalional Ul', 1984 A

I-Iinchliffc, Arnold 1'. D r o l d l'intcr. L.ondon: Macmillan, 1976.

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- - -. The Absurd. The Critical Idiom. London: Methmen, 1985.

Woman, Richard Id. "American Playwrights in 1970s: Rabe and Shepard." Critical

Quartcrlv 24 . I (1982):73-82.

Hoffman, Ted. 1-amous American Plays of the 1970s. New York: Laure1,1988.

I-Iorney, Karen. The Neurotic Personality of Our Time. New York: Norton, 1937.

Howard C, leriel, and Richard Francis l'racz. The Age of Anxietv: Modem

American Short Stories. Boston: hllyn, 1972.

Hudson, John Richard Keith. "I~xistentialist l'sychology in I'inter." State U of

New York at RufSalo 1983, m. 44 (1984). 3072A.

I-Iume, Kath~yn. Fantasv and Mimesis: Res~onse to Reality in Western Literature.

New York: Methuen, 1984.

I-Iunt, Hugh, et al. The Revels: I3istory of Drama in English. Vol. 8.London:

Methuen,l978.

Hutcheon, Linda. A Poetics of Postmodernism: Nistoni,Theory Fiction.

New York: Koutledge, 1988.

Imhof, Kudigcr. "The Impossibility of Communication," Modern Drama 17

(1974): 449-60.

Innes, Christopher. Avant liarde Theatre. 1892-1992. London: Routledge, 1993.

Ionesco, Eugene. N m a n d Counter Notes. Trans. Donald Watson. New York:

Grove, 1964.

Jackson, Rosemary. Fantasy: l'he Iiteraturc of Subve~sion. Iandon: Methuen,

1981.

Jalote, S.A. I'l~e Plavs of IIarold I'inter: A Study in Neurotic Anxiety. New Dclhi:

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