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Selected Bibliography
Abbott, Anthony S. Thc Vital Lie: Kealitv and Illusion in Modern Drama.
Tusealoosa: U of Alabama P, 1989.
Adler, Alfred. The Practice and Theorv of Individual Psvchology. 1923. London:
Routledge, 1964.
Agnes, David M. Modem American 1)rama. 1961. New York: Macmillan,
1965.
Albee, Edward. "'l'heatre: Icarus's Mother." Village Voice 25 Nov. 1965: 15.
- - - . "Which Theatre is the Absurd One." Discussion of American Drama. Ed.
Walter J Meserve. Boston: D.C. Heath, 1966. 145-50
Almansi, Guido and Simon Henderson. ~ a r o l d Pinter. London: Methuen, 1985.
Amend, Victor Ii. "Harold Pinter - Some Credits and Debits." Modern Drama 10
(1968): 165-75.
Anderson, Michael. Theatre 'Today: Anger and Detachment: A Study of Arden,
Osborn and Pinter. London: Pitman, 1976.
Anderson, Michael, et al. , eds. A Hand book of Contem~orary Drama. London:
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Artaud, Antonin. The Theatre and Its Ilouble. 1964. Trans. Victor Corti. London:
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Ashmore, Jerome. "Interdisciplinaly Roots of the 'Theatre of the Absurd." Modem
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of Western 'l'hought. 1954. 2nd ed. Ncw York: Barnes, 1961.
Uachman, Charles R. "1)cfusion of Menace in the Plays of Sam Shepard." h,Iodern
Drama 19 (1976): 405-415.
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1973.
Barnes Clive. "A Sam Shepard Double Bill: The Unseen Hand." New York
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Barnes, Hazel. Introduction. Being and Nothingness: A Phenomenological
Essay on Ontology. By Jean I'aul Sartre. New York: Pocket, 1956.
ix-lii.
Barnes, Philip, ed. A Comnanion to the Post-War British Theatre. London: Croon,
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Ilasler, Ray P. Sex, Svmbolism and Psvchologv in Literature. New Brunswick:
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Bassnett-McGuire, Susan. Luigi Pirandello. London :Macmillan 1983.
Becker, Carol. The Invisible Drama: Women and The Anxiety of Change.
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Beckett, Samuel. Interview. "Three Dialogues by Samuel Beckett and Georges
Duthuit." Samuel Bcckett: A Collection of Critical Essavs. Ed. Martin
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- - -. Waiting for Godot. 1956. London: Faber, 1985.
Benedetti, Roben I,. Seeing, Being and Becoming: Acting in Our Century.
New York: Drama Book Specialists, 1976.
Benct, Carol. W h e n a r d on the German Stage: Critics, Politics, Mvths. Vo1.41.
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Bennet, Benjamin. Theatre As I'roblem: Modem Drama and Its Place in
Literature. Ithaca: London, 1990.
Bentley, Eric. Plavwrieht As Thinker. New York: Reynal, 1946.
- - -, ed. The Theon/ o l the Modern Stage. 1968. London: Penguin, 1992.
Berman, Ronald. America in the Sixties: An Intellectual Histow. New York: 1968.
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(1965): 185-91.
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Edward, 1981.
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Bigsby, C. W. E. , and Malcolm Bradbury, eds. Contemuorarv English Drama.
London: Edward Arnold, 1981.
Blau, Herbert. "The American Dream in American Gothic: The Plays of Sam
Shepard and Andrienne Kennedy." Modem Drama 7 (1984): 520-39.
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1-5.
Bloom, Michael. "Visions of the End." American Dreams: The Imagination - of
Sam S h a d . 1981. Ed. Bonnie Marranca. New York: PAJ, 1993.72 -78.
Bogard, Travis, and William I Oliver. Modern Drama: Essavs in Criticism.
I,ondon: Oxford 1. :P, 1965. "
Bogard, Travis, Richard Moody, Waller J. Meserve. The Revels: fIiston/ of Drama
in English. Gen. ed. C. W. Craik. Vol. 8. London: Methuen, 1977.
Bold, Alan, ed. IIarold Pinter: You Never Heard Such Silence. London: Vision,
1984.
Bradbrook., M. <:. F..nelish Dramatic Form. London: Chatto, 1965.
Bradbury, Malcom. Introduction. Catch 22. 1955. By Joseph EIeller. Rev. ed.
New York: Knopf, 1995.vii-xxvi.
Brater, Enoch. "After the Absurd: Rethinking liealism and a Few Other Isms."
Around the Absurd: Essavs on the Modern and the Postmodern Drama. Ed.
Enoch Rrater and Ruby Cohn. Ann Arbor: U of Michigan P, 1990.
293-301.
Brater, Enoch, and Ruby Cohn, eds. Around the Absurd: Essavs on the
Postmodern Drama. Ann Arbor: U of Michigan P, 1990.
Brown, J. A. C. Freud and the Post-Freudians: A Brilliant Introduction to the
Theories of Freud and His Great Successors. 1961. Harmondsworth:
Penguin, 199 1.
Brown, John Kussell. "Mr Pinter's Shakespeare." Critical Ouarterly 5 (1963):
251-65.
- - -, ed. Modern British Dramatists. Englewood Cliffs: Prentice, 1968.
- - -. The Theatre Language: A Study of Arden. Osborne, Pinter and Wesker.
London: I'enguin, 1972.
- - -, ed. Modern British Dramatists. Englewood Cliff: Prentice, 1984.
Brustein, Iloherl. "Sam Shepard's America." New Ke~ublic 21 Apr. 1973: 23.
- - -.The Culture Watch: Fssavs and Society. 1969-1974. New York: Knopf, 1975.
Rurkman, Kathcrinc I-I. "l'inter's A Slight Ache As Ritual." Moder~l Drama 11
(1968): 326-35.
- - -. The Dramatic World of Harold l'inter: Its Basis in Ritual. Columbus: Ohio
State UI', 1971.
Campbell, James. "The Slow Unbaffling of the Pintenvatches." Times Literary
Supplement Mar. 1994: 18.
Camus, Albert. The Mvth of Sisv~hus. 1955. Trans. Justin O'Brien.
EIarmondsworth: Penguin, 1977.
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1984. 33-104.
- - -. Introduction. The Rebel. 1951. By Camus. Trans. Anthony Bower.
Harmondsworth: Penguin, 1984. 11-16.
- - -. The Rebel. 1951. Trans. Anthony Rower. Harmondsworth: 1984.
Cardinal, Roger. Ex~ressionism. London: Paladin, 1984.
Carol, Dennis. "Thc Filmic Cut and "Switch Back" in the Plays of Sam Shepard."
Modern Drama 22 (lC)88): 125-38.
Carpenter, Charles A. "The Absurdity of Dread: Pinter's The Dumb Waiter."
Modern Drama 16 (1973): 279-85.
- - - . "What Have 1 Seen, the Scum or bssence?: Symbolic Fallout in
Pinter's The Birthday Partv." Ilarold Pinter: You Never Heard Such
Silence. Ed. Alan Bold. London: Vision, 1984.93-112.
Carveth, Donald I,. "The Borderline Dilemma in Paris, Texas: Psychoanalytic
Approach to Sam Shepard." Psyart: A Hvnerlink Journal for Psycholo~ical
Study of the Arts 971002 (8 Ilcc. 1997): n. pag. Online. Internet.
18 Nov.2000.
Chaplin, J.1'. Ilictionary of Fsvcholo~v. 1968. Rev. 2nd ed. New York: Laurel,
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Cima, Gay Gibson. "Shifting Perspectives: Combining Shepard and
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Coe, Robert. "Saga of Sam Shepard." New York Times Magazine 23 Nov. 1980:
5 6 i .
Cohn, Ruby. "The World of Harold l'intcr." Tulane Drama Review 6.3 (1962):
55-68.
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United Stales. Eds. Ruby Cohn and Bernard Dukore. New York: Random,
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1reland.the United States. New York: Random, 1966.
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Tutorial P, 1960.
Coppa. Francesca. "Coming Out in The Room: Joe Orton's Epigrammatic
RciVision of Harold Pinter's Menace." Modem Drama 40 (1997): 11-22.
Coveney, Michael "No Man's Land' at the Old Vic." The Best of Plays and
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Crick, Bernard. "Pinter's No Man's Land." Essays on Politics and Literature.
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1986.
Dace, Tish. "Harold Pinter." Great Writers: Student Library Twentieth Century
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Davison, Peter. Contem~oran, Drama and the Povular Tradition in England.
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- - - . "Leonard W. I. Cox's Reading of Shepard's Company: Critical Essays on the
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