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Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790–95, oil on canvas, 42 x 28 cm

Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

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Page 1: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

Self-Portraits-in the time of the

“selfie”

Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790–

95, oil on canvas, 42 x 28 cm

Page 2: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

Portrait Definition

• Portrait painting is a genre in painting, where the intent is to depict the visual appearance of the subject. The term is usually applied to the depiction of human subjects.

• Historically, portrait paintings have primarily memorialized the rich and powerful. Over time, however, it became more common for middle-class patrons to commission portraits.

• http://en.wikipedia.org/wiki/Portrait_painting

Page 3: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

• As Aristotle stated, "The aim of Art is to present not the outward appearance of things, but their inner significance; for this, not the external manner and detail, constitutes true reality." – Gordon C. Aymar, The Art of Portrait Painting, Chilton

Book Co., Philadelphia, 1967, p. 119

RESPONSE: Think about this statement, discuss, and respond in your IWB. Do you

agree or disagree? Why?

Page 4: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

Hierarchy of Genre• Hierarchy of genres: ranks genres in an art

form in terms of their prestige and cultural value.• Formulated for painting in 16th century Italy, little

alteration until the early 19th century. • Formalized and promoted by the academies in

Europe between the 17th century and the modern era.

• ORDER: History, Portrait, Genre (scenes of everyday life), Landscape, Animal, Still-lifehttp://en.wikipedia.org/wiki/Hierarchy_of_genres

RESPONSE: Does this order seem reasonable? Can you understand why historically this was the case? Do you think it still applies?

Page 5: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

Self-Portrait Definition

• A self-portrait is a representation of an artist, created by the artist.

• Although self-portraits have been made by artists since the earliest times, it is not until the Early Renaissance in the mid 15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. http://en.wikipedia.org/wiki/Self_portrait

• RESPONSE: why would an artist make a self-portrait? Why would they become more common

after the mid-15th century?

Page 6: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

• Jan van Eyck, Portrait of a Man in a Turban, 1433

Page 7: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

• Vincent van Gogh, Self-portrait, 1887

Page 8: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

• Katsushika Hokusai, self-portrait, 19th century

Page 9: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

• Marie Élisabeth Louise Vigée, Self-portrait in a Straw Hat, 1782.

Page 10: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

• Lois Mailou Jones, self-portrait, 1940

Page 11: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

• Zinaida Serebriakova, At the Dressing-Table, 1909

Page 12: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

• Gustave Courbet 'Self-Portrait, The Despairing Man' 1843-1845

Page 13: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

• Henri Matisse, Self-Portrait in a Striped T-shirt, 1906

Page 14: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

• Pablo Picasso. Self-Portrait, 1907

Page 15: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

• Frida Kahlo, Self-portrait with Thorn Necklace and Hummingbird, 1940

Page 16: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

• Paul Gauguin, Self-portrait, 1889

Page 17: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

• Marc Chagall, I and the Village, 1911

Page 18: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

Critique• Individual:

– What do you see? (colour, texture, balance, rhythm, focal point, etc)

– What do you think the artist was trying to accomplish?

• Pair: Compare and contrast– Style/technique, colour choices,

representation of self, etc

• Your art:– What made you select these pieces?– What aspects might you use in your art?

Page 19: Self-Portraits -in the time of the “selfie” Francisco de Goya, “Autorretrato en el taller (Self-portrait in the Studio),” 1790– 95, oil on canvas, 42 x

Symmetry

• How do you deal with your lack of symmetry in a self-portrait? – Mirror flips side– Photographs are a different experience of

“self”

• Alan John Beck photo series:– http://www.buzzfeed.com/tabathaleggett/

portraits-thatve-been-photoshopped-to-appear-perfectly-sy