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Psychology 001 Introduction to Psychology Christopher Gade, PhD Office: 621 Heafey Office hours: F 3-6 and by apt. Email: [email protected] Class WF 7:00-8:30 Heafey 650

Sensation and Perception

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Psychology 001 Introduction to Psychology Christopher Gade , PhD Office: 621 Heafey Office hours: F 3-6 and by apt. Email: [email protected] Class WF 7:00-8:30 Heafey 650. Sensation and Perception. - PowerPoint PPT Presentation

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Page 1: Sensation and Perception

Psychology 001Introduction to Psychology

Christopher Gade, PhDOffice: 621 Heafey

Office hours: F 3-6 and by apt. Email: [email protected]

Class WF 7:00-8:30 Heafey 650

Page 2: Sensation and Perception

Sensation and Perception Sensation: the conversion of energy from

the environment into a pattern of responses by that nervous system.

Perception: the interpretation of that information.

In order to understand our perception of information, we first need to understand how we are sensing that information.

Page 3: Sensation and Perception

What Exactly Do We See? Light is composed of

pulses of electromagnetic energy that vary in both wavelength and amplitude.

The amplitude of the electromagnetic wave is what determines the intensity (brightness) of the light.

Page 4: Sensation and Perception

What Exactly Do We See (cont.)?

The wavelength (i.e. frequency) of the light pulse is what determines the hue (color) of the light wave.

Page 5: Sensation and Perception

• Humans are able to see light on a range of 400 to 700 nanometers (nm). Other animals have sensitivity at different wavelength ranges.

Page 6: Sensation and Perception

The Path of Vision (After the Eye)

Page 7: Sensation and Perception

And… The fact that many of our areas are

arranged very intricately• Layering and columns (related to brain

structures and the paths to those structures)• Specialization of

function Location receptors Orientation receptors Ocular information

receptors Color receptors

Page 8: Sensation and Perception

Color SensationThe Young-Helmholtz/trichromatic theory.

• Proposes that our receptors respond to three primary colors: blue, green and red.

• “Color vision depends on the relative rate of response by the three types of cones.”, I.e. the combination of different levels of firing in each type of cone gives rise to the broad spectrum of colors perceived.

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Visual SensationColor: • What about yellow, white, and black?• What about negative afterimages?

“ON” “OFF”red greengreen red blue yellow yellow blue black whitewhite black

The Opponent Process Theory:• We sense color not in terms of

separate categories but rather in a system of paired opposites: red vs. green, blue vs. yellow and black vs. white.

Page 12: Sensation and Perception

The Interpretation of Colors and Patterns The Brightness Contrast

• Method of determining the colors of objects (going beyond just the frequency of the electromagnetic waves).

• The brightness of surrounding objects influences our perception of the color and brightness of an object.

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Visual SensationThe Retinex Theory:

• The Cerebral Cortex also plays a role in how we experience color, I.e. color constancy, by comparing different patterns of light from different areas of the retina.

Page 18: Sensation and Perception

Perception and Gestalt Psychology Knowing the visual

system is great if we want to know about the basics of vision.

But what about interpretation? How do we make sense of ambiguous stimuli?

Gestalt and perception psychology address this problem.

Page 19: Sensation and Perception

Gestalt Psychology (cont.) Gestalt psychology is

a field that focuses on our ability to perceive overall patterns.

“The whole is different (and often greater) than the sum of its parts”.

Our perception is based on our attempts to create semblance out of the mess of stimuli that we are presented with.

Page 20: Sensation and Perception

Tricks to Determining Distance/Depth

Binocular Cues (two eyes)

• Retinal disparity: the position of an object is determined by the different signals received by the two eyes.

• Convergence: the distance of an object is determined by the amount of eye movement required to focus on an object.

Page 21: Sensation and Perception

Monocular Cues (two eyes are not required)

Object size (relative size): nearer objects look bigger.

Accommodation: Our brains can detect how much the lens of the eye needed to shift in order to focus on an object.

Detail (relative clarity): more detail signifies a closer object.

Page 22: Sensation and Perception

Visual Illusions So we interpret stimuli in our world

to make sense of it… great. Is there any situations where this comes at a cost?

Most of the time, this translation of information is very useful for our interaction with the real world.

But sometimes, there are situations that trick the mind.

Page 23: Sensation and Perception

The Muller-Lyer Illusion

Page 24: Sensation and Perception

Depth Perception Illusions

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The Ponso Illusion

Page 26: Sensation and Perception

The Moon

Illusion

Page 27: Sensation and Perception

The Ames Room