SET-A

U/2015/14/II/A

SET-A

U/2015/14/II/A4

8. Which Raag was adopted by North IndianMusic from Karnatak Music—(A) Hindol (B) Patdeep(C) Saajgiri (D) Kirwani

9. To which state Mohini Attam Dance belong—(A) Andhra Pradesh(B) Assam(C) Kerala (D) Tamil Nadu

10. Who is Music Composer of ‘Bande Matram’song—(A) Bankim Chandra(B) Omkar Nath Thakur(C) Ravindra Nath Tagore(D) Nazrul Islam

11. How many beat, does Matta Tala have—(A) Nine (B) Thirteen(C) Fifteen (D) Ten

12. Who is author of ‘Sadragchandrodaya’—(A) Ahobal (B) Pundreek Vitthal(C) Matang (D) Srikanth

13. Which instrument is played with ‘Java’—(A) Sitar (B) Sarod(C) Sarangi (D) Santoor

14. Who was contemporary artist of Ustad HafizAli Khan—(A) Ustad Vilayat Khan(B) Ustad Allauddin Khan(C) Pt. Ravi Shankar(D) Pt. Samata Prasad

15. In which Dance Ataripu is an opening part—(A) Mohini Attam (B) Bharat Natyam(C) Kathakali (D) Kathak

16. Naw Panch Tala is created by—(A) Saurindra Mohan Thakur(B) Ravindra Nath Tagore(C) Kshetra Mohan Goswami(D) Deep Bhattacharya

8. dukZVd laxhr ls mÙkj Hkkjrh; laxhr esa dkSu lkjkx fy;k x;kµ(A) fgUMksy (B) iVnhi(C) lktxhjh (D) fdjokuh

9. eksfguh vêe u`R; fdl jkT; dk gSµ(A) vkU/kz izns'k (B) vklke(C) dsjy (D) rfeyukMq

10. ^cUns ekrje* xhr ds laxhr jfp;rk dkSu Fksµ(A) cafde pUnz(B) vksedkj ukFk Bkdqj(C) jfoUnz ukFk VSxksj(D) ut+#y bLyke

11. eÙk rky esa fdruh ek=kk gSaµ(A) ukS (B) rsjg(C) iUnzg (D) nl

12. ^lnzkxpUnzksn;* ds ys[kd dkSu gSaµ(A) vgkscy (B) iq.Mjhd foV~By(C) erax (D) Jhd.B

13. ^tok* }kjk dkSu lk ok| ctk;k tkrk gSµ(A) flrkj (B) ljksn(C) lkjaxh (D) lUrwj

14. mLrkn gkfQt vyh [kk¡ ds ledkyhu dykdkj dkSuFksµ(A) mLrkn foyk;r [kk¡(B) mLrkn vykmíhu [kk¡(C) ia- jfo 'kadj(D) ia- lkerk izlkn

15. vÙkkfjiq fdl u`R; dk izkjfEHkd Hkkx gSµ(A) eksfguh vêe (B) Hkjr ukV~;e(C) dFkdyh (D) dRFkd

16. uoiaprky dh jpuk fdlus dhµ(A) lkSfjUnz eksgu Bkdqj(B) jfoUnz ukFk VSxksj(C) {ks=k eksgu xksLokeh(D) nhi Hkêkpk;Z

SET-A

U/2015/14/II/A5

17. Who was the founder of Gandharva SangeetVidyalaya at Lahore—(A) V. N. Bhatkhande(B) B. N. Bhatt(C) D. V. Paluskar (D) V. D. Paluskar

18. Which term is used for ‘Orchestra’ in NatyaShastra—(A) Vitat (B) Mandal(C) Krushta (D) Kutap

19. How Biad Laykari is represented in form offraction—(A) 4/5 (B) 5/4(C) 4/7 (D) 7/4

20. Term ‘Kalawant’ was related to—(A) Khayal Gayak (B) Tappa Gayak(C) Dhrupad Gayak(D) Folk Singer

21. How many Rasa are mentioned in NatyaShastra—(A) Eight (B) Seven(C) Nine (D) Six

22. Which Raga is Audav-Audav—(A) Yaman (B) Bilawal(C) Bhopali (D) Todi

23. The main siniger of ‘Samgaan’ is—(A) Prastota (B) Pritiharata(C) Udgata (D) Shubhramanyam

24. In which Tempo Ragakhani Gat is played—(A) Vilambit (B) Ati-V ilambit(C) Madhya (D) Drut

25. In which chapters of Natya Shatra MusicReferences are found—(A) 28th to 35th Chapter(B) 27th to 34th Chapter(C) 20th to 35th Chapter(D) 28th to 34th Chapter

17. ykgkSj esa xU/koZ laxhr fo|ky; dh LFkkiuk fdlusdhµ(A) oh- ,u- Hkkr[k.Ms (B) ch- ,u- Hkê(C) Mh- oh- iyqLdj (D) oh- Mh- iyqLdj

18. ukV~; 'kkL=k esa ok|o`Un ds fy, fdl 'kCn dk iz;ksxfd;k x;k gSµ(A) forr (B) e.My(C) Øq"V (D) dqrqi

19. fcvkM y;dkjh dks fHkUu la[;k esa dSls iznf'kZr djrsgSaµ(A) 4/5 (B) 5/4(C) 4/7 (D) 7/4

20. ^dykoUr* fdl fo/kk ds xk;d dks dgrs Fksµ(A) [;ky xk;d (B) VIik xk;d(C) /kzqin xk;d (D) yksd xk;d

21. ukV~; 'kkL=k esa fdrus jlksa dk mYys[k gSµ(A) vkB (B) lkr(C) ukS (D) N%

22. dkSu lk jkx vkSMo&vkSMo gSµ(A) ;eu (B) fcykoy(C) Hkwikyh (D) rksMh

23. lkexku esa eq[; xk;d gSaµ(A) izLrksrk (B) izfrgjrk(C) mnxkrk (D) lqczeU;e

24. jtk[kkuh xr fdl y; esa ctkbZ tkrh gSµ(A) foyfEcr (B) vfr foyfEcr(C) e/; (D) nzqr

25. ukV~; 'kkL=k ds fdu v/;k;ksa esa laxhr ds lUnHkZizkIr gksrs gSaµ(A) 28 ls 35 v/;k; rd(B) 27 ls 34 v/;k; rd(C) 20 ls 35 v/;k; rd(D) 28 ls 34 v/;k; rd

26. Mahatma Gandhi liked most the song—(A) Banglar Mati(B) Jaditor Tor Dak Sune Keu(C) Aaman Sonar Bangla(D) Mono Mor Megher Sangite

27. What is ‘Shaap Mochan’ ?(A) Nrityanataya (B) Kirtan(C) Khyalang (D) Tappang

28. Rabindar Nath received ‘Nobel Prize’ in—(A) 1912 (B) 1910(C) 1920 (D) 1925

29. Bani Taobo Dhaya Ananta is based on whichTal—(A) Rupak (B) Dadara(C) Teen Tal (D) Chautal

30. In which year ‘Vande-Matram’ was musicallycomposed—(A) 1901 (B) 1902(C) 1903 (D) 1904

31. ‘Man Mohan Gahna’ is based on which tala—(A) Teentala (B) Jhaptala(C) Dadra (D) Dhamar

32. ‘Mondire Mon Ke’ is based on which tala—(A) Dhamar (B) Jhaptala(C) Teentala (D) Ektala

33. ‘Ohe Jibon Ballabh’ song belongs to—(A) Kirtinang (B) Dhrupadang(C) Khyalang (D) Dhamarang

34. ‘Shankochero Bahubalata’ based on—(A) Nature (B) Rain(C) Basant (D) Swadesh

26. egkRek xk¡/kh jfoUnz laxhr dk dkSu lk xkuk ilUndjrs Fksµ(A) ckaxykj ekVh(B) tksnh rksj Mkd lqus D;w(C) vkekj lksukj ck¡xyk(D) eu eksj es ?ksj lafxrs

27. 'kki&ekspu D;k gS \(A) u`R; ukV; (B) dhÙkZu(C) [;kykax (D) VIikax

28. jfoUnz ukFk dks ukscy iqjLdkj dc feykµ(A) 1912 bZ- esa (B) 1910 bZ- esa(C) 1920 bZ- esa (D) 1925 bZ- esa

29. ckuh rkscks /kk;s vuUrk fdl rky ij vk/kkfjrgSµ(A) :id rky (B) nknjk(C) rhu rky (D) pkSrky

30. ^oUns ekrje~* dks laxhrc) fdl o"kZ esa fd;kx;kµ(A) 1901 (B) 1902(C) 1903 (D) 1904

31. ^eu eksgksu xksgksu* fdl rky ij vk/kkfjr gSµ(A) rhurky (B) >irky(C) nknjk (D) /kekj

32. ^eksafnjs eu ds* fdl ij vk/kkfjr gSµ(A) /kekj (B) >irky(C) rhurky (D) ,drky

33. ^vksgs thcksuks* xhr fdlls lEcfU/kr gSµ(A) dhfrZukx (B) /kzqinkax(C) [;kykax (D) /kekjkax

34. ^'kadksÙksjks ckgqcyrk* fdl ij vk/kkfjr gSµ(A) izd`fr (B) o`f"V(C) clUr (D) Lons'k

SECTION-ASET-A

U/2015/14/II/A6

SET-A

U/2015/14/II/A7

35. On which tala ‘Nibiro Gaan Aadhare’ basedon—(A) Teentala (B) Dhamar(C) Ardhjap (D) Navtala

36. What is the ‘Vaitatik-Mantra’ at Shantiniketan—(A) Om Bhur Bhava Swaha(B) Raso Vai Sah(C) Astoma Sadgamaya(D) Sarvmangal Manglaya

37. In which language ‘Bhanushinher Padavali’was written by Tagore—(A) Pali (B) Maithili(C) Bangla (D) Sanskrit

38. The lyric of ‘Vande-Matram’ was composed by—(A) Bankim Chandra Chattopadhyay(B) Sharat Chandra Chatterjee(C) Rabindra Nath Tagore(D) V. N. Bhatkhande

39. On which tala ‘Duare Dao More Rakhiye’ isbased—(A) Teentala (B) Dadra(C) Navtala (D) Ekadashi

40. Which is the birth place of Rabindra NathTagore—(A) Bombay (B) Chennai(C) Rajasthan (D) Kolkata

41. Name of Tagore’s father—(A) Dineder Nath Tagore(B) Shailendar Nath Tagore(C) Dwarka Nath Tagore(D) Davender Nath Tagore

42. Which of the following songs was composedby Tagore to celebrate harvest festival—(A) Toritepadine(B) Sonar Bangla(C) Aye re mora fasal kati(D) Aami chini go chini

35. ^fufcjks xku vk/kkjs* fdl rky ij vk/kkfjr gSµ(A) rhu rky (B) /kekj(C) v/kZ>i (D) uorky

36. 'kkfUr fudsru dk oSrkfrd eU=k D;k gSµ(A) vkse~ HkwHkwZo% Lo%(B) jlkS oS l%(C) vlrks ek ln~xe;(D) loZeúy ekaxY;s

37. VSxksj }kjk ^Hkkuqflagsj inkofy* fdl Hkk"kk esa fy[khxbZµ(A) ikyh (B) eSfFkyh(C) ckaxyk (D) laLd`r

38. ^oUns ekrje~* xhr fdlus fy[kkµ(A) cafdr pUnz pêksik/;k;(B) 'kjr~ pUnz pSVthZ(C) jfoUnz ukFk VSxksj(D) oh- ,u- Hkkr[k.Ms

39. ^nqvkjs nkvks eksjs jkf[k,* fdl rky ij vk/kkfjrgSµ(A) rhurky (B) nknjk(C) ucrky (D) ,dkn'kh

40. jfoUnz ukFk VSxksj dk tUe LFkku dgk¡ gSµ(A) eqEcbZ (B) psUubZ(C) jktLFkku (D) dksydkrk

41. VSxksj ds firk dk uke D;k gSµ(A) nhusUnz ukFk VSxksj(B) 'kSysUnz ukFk VSxksj(C) }kjdk ukFk VSxksj(D) nsosUnz ukFk VSxksj

42. fuEu esa ls dkSu lk xhr VSxksj us d`f"k mRlo ds fy,jpkµ(A) rksjkrsikfnus(B) lksukj ckaxyk(C) vk, js eksjk Qly dkVh(D) vkeh phuh xks phuh

SET-A

U/2015/14/II/A8

43. Which is the favourite song of Tagore—(A) Aamar Sonar Bangla(B) Anand Dhora(C) Jodi Tumi Dak Shuneo(D) O Aamar Deshar Maati

44. Besides India for which country NationalAnthem was composed by Tagore—(A) Nepal (B) Bhutan(C) Bangladesh (D) Pakistan

45. The tune of ‘Abar Tor Mora Gaan Gai’ issourced from—(A) Folk music (B) Kirtnanga(C) Dhrupad (D) Khyalanga

46. On which musical form the tune ‘AmarPraner Manush’ is based—(A) Dhrupad (B) Kirtan(C) Baul (D) Bangla

47. To which of the following Sukumar Ray’spoem did Tagore compose in music—(A) Suntejelam Postagiya(B) Khai Khai Koro Keno(C) Ronde Rangaeenter Panga(D) Bolo Bolo Re

48. The song ‘Sunlo Sunlo Balika’ belongs to—(A) Balmiki Pratibha(B) Geetanjali(C) Mayar Khela(D) Bhanu Sinher Padavali

49. Which was the first opera composed by Tagore—(A) Mayar Khela (B) Balmiki Pratibha(C) Parishad (D) Kaalmrigya

50. Jan-Gan-Man was composed as—(A) Devotional Song(B) Patriotic Song(C) Children Song (D) National Anthem

43. VSxksj dk loZfiz; xhr dkSu lk gSµ(A) vkekj 'kksukj ckaxyk(B) vkuUn /kkjk(C) tksnh rqeh Mkd 'kqusvks(D) vks vkekj ekVh

44. Hkkjr ds vykok fdl ns'k dk jk"Vª xhr VSxksj }kjkjpk x;kµ(A) usiky (B) HkwVku(C) ckaXykns'k (D) ikfdLrku

45. ^vkckj rksj eksjk xku xk;s* xhr fdlls izsfjr gSµ(A) yksd laxhr (B) dhrZukax(C) /kzqin (D) [;kykax

46. ^vkej izk.ksj ekuq"k* fdl xhr fo/kk ij vk/kkfjrgSµ(A) /kzqin (B) dhrZu(C) ckÅy (D) ckaxyk

47. fuEufyf[kr esa ls lqdqekj jk; dh fdl dfork dklaxhr VSxksj us fn;kµ(A) lqurstsyke iksLrkfx;k(B) [kk; [kk; dksjks dsuks(C) jksUMs jUxbZ=kka iaxk(D) cksyks cksyks js

48. ^lquyks lquyks ckfydk* xhr fdlls lEcfU/kr gSµ(A) ckYehfd izfrHkk(B) xhrkatfy(C) ek;kj [ksyk(D) Hkkuq flagsj inkofy

49. VSxksj }kjk fojfpr igyk ^vksisjk* dkSu lk Fkkµ(A) ek;kj [ksyk (B) ckYehfd izfrHkk(C) ifj"kn (D) dkye`x;k

50. tu&x.k&eu dh jpuk fdl oxZ ds fy, gqbZµ(A) HkfDr laxhr (B) ns'kHkfDr xhr(C) cky xhr (D) jk"Vª&xku

26. Which term is used for ‘Janya Rag’ in ancientTamil Music—(A) Paalai (B) Tiram(C) Pan (D) Karuvi

27. Which is not a part of Raagalap Padhati—(A) Akshipthika (B) Vardhani(C) Makarini (D) Vidari

28. Select the traditional musical instrument ofIndia—(A) Violin (B) Sexophone(C) Flute (D) Mandolian

29. Which musical form has only two sections—(A) Daru (B) Tillana(C) Varnam (D) Keetthanam

30. Mention the Raga which was introduced byRamaswamy Dikshitar—(A) Begada (B) Mohanam(C) Kamboji (D) Hamsadhwani

31. What was the basis of classifying AncientTamil Music—(A) Gharana (B) Swar(C) Region (D) Bhav

32. To which ‘Tattakaram’ is associated—(A) Gati (B) Laya(C) Ang of Tala (D) Jati

33. Who composed ‘Ramanatakam’ opera—(A) Arunachalla Kavirayar(B) Ambalvana Kavirayar(C) Chidambara Kavirayar(D) Manikya Kavirayar

34. Which book was written by GovindDikshittar—(A) Sangeet Sudha(B) Sangeet Sudhanidhi(C) Sangeet Saar (D) Sangeet Kalanidhi

35. Who introduced musical form ‘Padam’—(A) Annamayya (B) Narayan Teertha(C) Kshetrajana (D) Ramadasa

26. izkphu rfey laxhr esa tU; jkx* ds fy, fdl 'kCndk iz;ksx djrs gSaµ(A) iYybZ (B) frje(C) i.k (D) d#fo

27. dkSu lk jkx vyki i)fr dk vax ugha gSµ(A) vf{kfIrdk (B) o/kZuh(C) edfjuh (D) fonkjh

28. ikjEifjd Hkkjrh; ok| dks pqfu,µ(A) ok;fyu (B) lSDlksQksu(C) ckalqjh (D) eS.Mkfyu

29. fdl laxhr dyk esa dsoy nks vax gSaµ(A) n# (B) frÙkkuk(C) o.kZe~ (D) dhrZue~

30. jkekLokeh nhf{krj }kjk fdl jkx dh jpuk dhxbZµ(A) csxMk (B) eksbue(C) dkEcksth (D) gal/ofu

31. izkphu rfey laxhr ds oxhZdj.k dk vk/kkj D;kgSµ(A) ?kjkuk (B) Loj(C) {ks=k (D) Hkko

32. rÙkkdkje dk lEcU/k fdlls gSµ(A) xfr (B) y;(C) rky dk vax (D) tkfr

33. ^jkeukVde* vkSisjk dh jpuk fdlus dhµ(A) v#.kkpyk dfojk;j(B) vacyokuk dfojk;j(C) fpnacjk dfojk;j(D) ekf.kD; dfojk;j

34. xksfoUn nhf{kÙkj }kjk dkSu lk xzUFk fy[kk x;kµ(A) laxhr lkj (B) laxhr lq/kkfuf/k(C) laxhr lkj (D) laxhr dykfuf/k

35. ^ine* laxhr 'kSyh dk fdlus vfo"dkj fd;kµ(A) vUukek;k (B) ujk;.k rhFkkZ(C) {ks=kta (D) jkenkl

SECTION-BSET-A

U/2015/14/II/A9

SET-A

U/2015/14/II/A10

36. By which fruit, ‘Shayashastri’s compositionis symbolised—(A) Kadali (B) Grape(C) Coconut (D) Black Berry

37. Who is famous voilin player—(A) Maharajpuram Santanam(B) T. N. Krishnan(C) T. V. Gopalkrishnam(D) T. V. Vasan

38. Who introduced the ‘Keralanatnam’ dance form—(A) Vallatol Narayan Menon(B) Dhanjayan(C) Guru Gopinath(D) Kalamandlam Krishnan Nayar

39. Which is the traditional instrument playedwith the help of water—(A) Mukhar Sankh (B) Rawana Hastha(C) Karatam (D) Patazham

40. Which is not authored by Venkatmakhi—(A) Chaturdandi Prakashikanubandham(B) Vartikabharnam(C) Kalamritam(D) Shastra Deepika

41. Which is authored by Muttusamy Dikshitar—(A) Navavidha Bhakti (B) Navavarna(C) Navaratri (D) Panchratnam

42. Which is the Vaggeykara Mudra used byKoteeswara Ayyar—(A) Koteeswara (B) Kavikunjara dasa(C) Mahadeva (D) Umadasa

43. Which is the opera composed by GopalKrishna Bharti—(A) Shreekrishna Charitam(B) Mahadev Charitam(C) Nandnar Charitam(D) Amba Charitam

44. Which is the musical composition used bothin Abhyasgana and Sabhagana—(A) Varnam (B) Geetham(C) Keerthanam (D) Padam

36. ';kek'kkL=kh dh jpuvksa dk lEcU/k fdl Qy lsfd;k tkrk gSµ(A) dnyh (B) nzk{kk(C) ukfjdsyk (D) tacwQy

37. izfl) ok;kysu oknd dkSu gSaµ(A) egkjktiqje lUrkue(B) Vh- ,u- d`".ku(C) Vh- oh- xksikyd`".ke~(D) Vh- oh- oklu

38. ^dsjykuVue* uR; fo/kk dk fdlus 'kqHkkjEHk fd;kµ(A) oYyrksy ukjk;.k esuu(B) /kuUt;(C) xq#xksihukFk(D) dyk e.Mye d`".ku uk;j

39. ty dh lgk;rk ls ctk, tkus okyk ok| gSµ(A) eq[kj 'ka[k (B) jko.k gLFkk(C) djV~e (D) iVkTe

40. oSadVe[kh }kjk fdldh jpuk ugha dh xbZµ(A) prqjn.Mh izdk'fkdkuqcU/ke(B) ofrZdkej.ke(C) dyke`re(D) 'kkL=k nhfidk

41. eqÙkqLokeh nhf{krj dh jpuk dkSu lh gSµ(A) uofo/kk HkfDr (B) uokoj.k(C) uojk=kh (D) iapjRue

42. dksVh'oj v¸;j }kjk iz;qDr okXxs;dkjk eqnzk dkSu lh gSµ(A) dksVh'oj (B) dfo dqatjk nklk(C) egknsok (D) meknklk

43. xksikyd".k Hkkjrh }kjk jfpr dkSu lk laxhr&ukVd gSµ(A) Jhd`".k pfjre~(B) egknso pfjre~(C) uUnukj pfjre~(D) vEck pfjre~

44. vH;kl xku ,oa lHkkxku nksuksa esa iz;ksx gksus okyklaxhr :id dkSu lk gSµ(A) o.kZe (B) xhre(C) dhrZue (D) ine~

SET-A

U/2015/14/II/A11

45. Who is the son of Veenakuppier—(A) Ghanam Krishnayya(B) Tiruvoltiyoor Tyagayya(C) Pallavi Gopalayya(D) Pallavi Narosayya

46. Which raag of North Indian Music is similarto Mohanam—(A) Bhupali (B) Ramkali(C) Malkaus (D) Bhairvi

47. Match the following—(a) Sangit Sampradaya(1) Attor Krishna

Pradarshini Pisharoti(b) Sangraha (2) Subharama

Choodamani Dikshitar(c) Sangit Sudha (3) Govindacharya(d) Sangit Chandrika (4) Raghunath Naik

Code— (a) (b) (c) (d)(A) 2 3 4 1(B) 1 2 3 4(C) 3 1 4 2(D) 4 2 1 3

48. Match the following—(a) Natabhairavi (1) Hemvati(b) Sooryakantham (2) Kannada(c) Dharmvati (3) Sarmati(d) Shankarabharnam (4) Saurashtram

Code—(a) (b) (c) (d)

(A) 1 4 3 2(B) 2 1 4 3(C) 3 4 1 2(D) 4 3 2 1

49. Sangeet Sampradaya Pradarshini is composedby—(A) Venkalamukhi(B) Raghunatha Nayak(C) Subharama Dikshitar(D) Rang Ramanuja Iyengar

50. Who was the author of ‘Krishna LeelaTarangini’—(A) Papanasam Sivam(B) Kshetragya(C) Narayan Teertha (D) Tyagraja

45. oh.kk dqIi¸;j ds iq=k dk uke D;k gSµ(A) ?kue d`".k¸;k(B) fr#ofV~V;qj R;x¸;k(C) iYyoh xksiky¸;k(D) iYyoh ujl¸;k

46. jkx eksgue ds led{k mÙkj Hkkjrh; laxhr dk dkSulk jkx gSµ(A) Hkwikyh (B) jkedyh(C) ekydks'k (D) HkSjoh

47. lgh feyku dhft,µ(a) laxhr lEiznk; (1) vV~Vj d`".k

fi"kkjfr(b) laxzg pwMke.kh (2) lqCckjkek nhf{krj(c) laxhr lq/kk (3) xksfoUnkpk;Z(d) laxhr pfUnzdk (4) j?kqukFk uk;d

dwVdwVdwVdwVdwV— (a) (b) (c) (d)(A) 2 3 4 1(B) 1 2 3 4(C) 3 1 4 2(D) 4 2 1 3

48. lgh feyku dhft,µ(a) uVHkSjoh (1) gseofr(b) lw;ZdkUre (2) dUuM(c) /keZofr (3) lkjefr(d) 'kdjkej.ke (4) lkSjk"Vªe

dwVdwVdwVdwVdwV—(a) (b) (c) (d)

(A) 1 4 3 2(B) 2 1 4 3(C) 3 4 1 2(D) 4 3 2 1

49. laxhr lEiznk; izn'kZuh ds jpf;rk gSµ(A) osadVeq[kh(B) j?kqukFk uk;d(C) lqczã.;e nhf{krj(D) jax jkekuqt v;axkj

50. ^d`".kyhyk rjafx.kh* ds jpukdkj dkSu Fksµ(A) ikiuk'ke f'kou (B) {ks=kKk(C) ukjk;.k rhFkkZ (D) R;kxjktk

26. Who is the author of Taal Dipika—(A) Swami Pagal Dass(B) Nana Panse(C) Mannuji Maharaj(D) Bhagwat Sharan Sharma

27. Who was the son of Modu Khan—(A) Salari Khan (B) Bahadur Khan(C) Ghaseet Khan (D) Zahid Khan

28. Who was the guru of Anokhe Lal—(A) Janaki Sahay (B) Pratap Maharaj(C) Bhairav Prasad(D) Baldeo Sahay

29. How many Deshi Tal are given in SangeetRatnakar—(A) 108 (B) 128(C) 120 (D) 118

30. How many Avartan does FormaishiChakkardar has—(A) 4 (B) 3(C) 5 (D) 7

31. Who was given the title of ‘Gun Samandar’by Aurangjeb for Mridang—(A) Kripal Rai (B) Khushal Khan(C) Feroj Khan (D) Ghasi Ram

32. Who was the guru of Nana Panse—(A) Pahad Singh(B) Lala Bhawani Deen(C) Babu Jodh Singh(D) Jauhar Singh

33. How many Margs were given by Bharat for tal—(A) Two (B) Three(C) Four (D) Five

26. ^rky nhfidk* ds ys[kd dkSu gSaµ(A) Lokeh ikxy nkl(B) ukuk ikuls(C) eUuw th egkjkt(D) Hkxor 'kj.k 'kekZ

27. eksnw [kk¡ dk iq=k dkSu Fkkµ(A) lykjh [kk¡ (B) cgknqj [kk¡(C) ?klhV [kk¡ (D) t+kfgn [kk¡

28. vuks[ks yky ds xq# dkSu Fksµ(A) tkudh lgk; (B) izrki egkjkt(C) HkSjo izlkn (D) cynso lgk;

29. laxhr jRukdj xzUFk esa fdruh ns'kh rky nh xbZgSaµ(A) 108 (B) 128(C) 120 (D) 118

30. Qjekb'kh pDdjnkj fdruh vkorZu dh gksrh gSµ(A) 4 (B) 3(C) 5 (D) 7

31. vkSjaxts+c }kjk e`nax ds fy, xq.k leUnj dh mikf/kfdl dks nh xbZ Fkhµ(A) d`iky jk; (B) [kq'kgky [kk¡(C) fQjkst+ [kk¡ (D) ?kklh jke

32. ukuk ikuls ds xq# dkSu Fksµ(A) igkM+ flag(B) ykyk Hkokuh nhu(C) ckcw tks/k flag(D) tkSgkj flag

33. rky ds fy, Hkjr us fdrus ekxZ crk,µ(A) nks (B) rhu(C) pkj (D) ik¡p

SECTION-CSET-A

U/2015/14/II/A12

SET-A

U/2015/14/II/A13

34. How many beat does Math Taal have in MiraJati—(A) Ten (B) Sixteen(C) Twelve (D) Fourteen

35. What will be Laykari of one cycle if Dhamartaal is written into one cycle of Kaharwa—(A) Aad (B) Kuad(C) Biad (D) Tigun

36. Which taal of Karnatak Music is denotedby 101 —(A) Dhruv taal (B) Math taal(C) Triput taal (D) Ek taal

37. Match the Artists, with their Gharana—(a) Masit Khan (1) Delhi(b) Gami Khan (2) Farukhabad(c) Kaadir Baksh (3) Punjab(d) Azizuddin Khan (4) Azarada

Code—(a) (b) (c) (d)

(A) 1 3 2 4(B) 3 2 1 4(C) 2 1 3 4(D) 4 2 1 3

38. Match the books with their authors—(a) Mridang Sagar (1) Satya Narain Vashist(b) Taal Martand (2) Subhdra Chaudhary(c) Taal Vadya (3) Ghanshyam Dass

Sahstra(d) Bhartiya (4) Manohar Bhal

Sangeet Mein Chandra RaoMarathe

Code—(a) (b) (c) (d)

(A) 3 1 4 2(B) 1 3 4 2(C) 2 1 3 4(D) 4 1 2 3

34. ehjk tfr esa eB rky dh fdruh ek=kk,¡ gksaxhµ(A) nl (B) lksyg(C) ckjg (D) pkSng

35. /kekj rky dh ,d vko`fÙk dks dgjok rky dh ,dvko`fÙk esa fy[kus ij dkSu lh y;dkjh gksxhµ(A) vkM (B) dqvkM(C) fcvkM (D) frxqu

36. 101 ls dukVZd laxhr dh dkSu lh rky iznf'kZr dhtkrh gSµ(A) /kzqo rky (B) eB rky(C) f=kiqV rky (D) ,d rky

37. dykdkjksa dk muds ?kjkuksa ls esy dhft,µ(a) elhr [kk¡ (1) fnYyh(b) xkeh [kk¡ (2) Q#[kkckn(c) dkfnj c['k (3) iatkc(d) vthtqíhu [kk¡ (4) vtjkMk

dwVdwVdwVdwVdwV—(a) (b) (c) (d)

(A) 1 3 2 4(B) 3 2 1 4(C) 2 1 3 4(D) 4 2 1 3

38. iqLrdksa ls ys[kdksa dk esy dhft,µ(a) e`nax lkxj (1) lR; ukjk;.k of'k"V(b) rky ekr±M (2) lqHknzk pkS/kjh(c) rky ok| 'kkL=k (3) ?ku';ke nkl(d) Hkkjrh; laxhr esa (4) euksgj Hkky pUnz

rky vkSj :i jko ejkBsfo/kku

dwVdwVdwVdwVdwV—(a) (b) (c) (d)

(A) 3 1 4 2(B) 1 3 4 2(C) 2 1 3 4(D) 4 1 2 3

SET-A

U/2015/14/II/A15

45. Chachaput Marg taal is represented as—(A) S S 1 S'

(B) S' 1 1 S(C) S S' 1 S(D) S 1 1 S

46. How many Gur does Udhatt Marg taal have—(A) Two(B) Three(C) Four(D) One

47. How many ang were used for Marg taal—(A) Two(B) Three(C) Four(D) One

48. How many beats does ‘Pasto taal’ have—(A) Six(B) Nine(C) Five(D) Seven

49. Which taal is not used for Pakhwaj—(A) Shikhar(B) Sool taal(C) Gajjhampa(D) Pancham Sawari

50. What is the sign of half beat in VishnuDigambar Taal Padhatt—(A) U(B) |(C) S'

(D) O

45. pkpiqV ekxZ rky dSls iznf'kZr dh tkrh gSµ(A) S S 1 S'

(B) S' 1 1 S(C) S S' 1 S(D) S 1 1 S

46. mn)`r ekxZ rky esa fdrus xqj gSaµ(A) nks(B) rhu(C) pkj(D) ,d

47. ekxZ rkyksa esa fdrus vax iz;ksx fd, x,µ(A) nks(B) rhu(C) pkj(D) ,d

48. i'rks rky esa fdrus ek=kk,¡ gksrh gSaµ(A) N%(B) ukS(C) ik¡p(D) lkr

49. fuEu esa ls dkSu lh rky ijokot ij ugha iz;ksx dhtkrh gSµ(A) f'k[kj(B) lwyrky(C) xt>Eik(D) iape lokjh

50. fo".kq fnxEcj rky i)fr esa vk/kh ek=kk ds fy, D;kfpUg gSµ(A) U(B) |(C) S'

(D) O

26. How many varieties of ‘Shudh-Sud-Prabandh’—(A) 8 (B) 7(C) 6 (D) 5

27. Author of ‘Sangeet Samprdaya Pradarshini’ is—(A) Venkatmakhi(B) Raghunath Nayak(C) Shubharmanya Dikshitar(D) Rang Ramanuja Aiyangar

28. Recognise raga ‘Deshkar’—(A) Sa Re Ma, Pa Ni Pa, Ma(B) Sa Re Ga, Pa Ga, Re Ga

(C) Ga Pa Dha, Saɺ Dha,

Reɺ

Saɺ

Dha

(D) Ga Pa Ni,

Saɺ

Ni Pa Ga

29. How many varietes are there of ‘Sthaya’ inSangit Retnakar—(A) 90 (B) 60(C) 96 (D) 94

30. What is the shruti interval of Madhyam-Gram—(A) 4–3–2–4–3–4–2(B) 4–3–2–4–4–3–2(C) 4–2–3–4–3–4–2(D) 4–3–4–2–4–2–3

31. Who popularised ‘Raganga system’—(A) V. N. bhatkhande(B) V. D. Pluskar(C) N. V. Patwardhan(D) Moreshwar Khare

32. How many ‘Marg Tals’ are there—(A) 4 (B) 3(C) 5 (D) 6

33. Which tala of ten beats is applied in DhrupadGayaki—(A) Jhaptala (B) Sultala(C) Dadra (D) Matttala

26. ^'kq)&lwn&izcU/k* ds fdrus izdkj gSaµ(A) 8 (B) 7(C) 6 (D) 5

27. ^laxhr laiznk; izn'kZuh* ds jfp;rk gSaµ(A) osadVe[kh(B) j?kqukFk uk;d(C) lqczge.; fnf{krj(D) jax jkekuqt v;axkj

28. jkx ^ns'kdkj* igpkfu,µ(A) Sa Re Ma, Pa Ni Pa, Ma(B) Sa Re Ga, Pa Ga, Re Ga

(C) Ga Pa Dha,

Saɺ

Dha,

Reɺ

Saɺ

Dha

(D) Ga Pa Ni,

Saɺ

Ni Pa Ga

29. laxhr jRukdj esa ^LFkk;* ds fdrus izdkj gSaµ(A) 90 (B) 60(C) 96 (D) 94

30. ^e/;e&xzke* dk JqR;Urjky D;k gSµ(A) 4–3–2–4–3–4–2(B) 4–3–2–4–4–3–2(C) 4–2–3–4–3–4–2(D) 4–3–4–2–4–2–3

31. ^jkxkax i)fr* fdlus izpfyr dhµ(A) oh- ,u- Hkkr[k.Ms(B) oh- Mh- IyqLdj(C) ,u- oh- iVo/kZu(D) eksjs'oj [kjs

32. ekxZ&rky fdrus gSaµ(A) 4 (B) 3(C) 5 (D) 6

33. /kzqin xk;dh esa nl ek=kk dh dkSu lh rky iz;ksx dhtkrh gSµ(A) >irky (B) lwyrky(C) nknjk (D) eÙkrky

SECTION-DSET-A

U/2015/14/II/A16

SET-A

U/2015/14/II/A17

34. Which western musical scale is parallel to—‘Sa Re Ga Ma Pa Dha Ni’ of Indian music—(A) F D C G A B(B) C D E F A B(C) A C F D B E(D) E C B F D A

35. In Maseetkhani Gat ‘Mukhra’ starts from—(A) 10 (B) 11(C) 12 (D) 14

36. In which laya ‘Sitarkhani Get’ is played—(A) Vilambit (Slow)(B) Madhya (Medium)(C) Drut (Fast)(D) Atidrut (Very Fast)

37. In which raga Gamak is prominent—(A) Kafi (B) Khamaj(C) Megh (D) Bhairavi

38. Who established swara on its last shruti—(A) V. D. Pluskar(B) V. N. Bhatkande(C) Partap Singh(D) Panna Lal Goswami

39. How many ‘Vikalps’ are described by Matangabout Shrut-Swar-relationship—(A) 5 (B) 6(C) 7 (D) 8

40. ‘Senia Gharana’ is popular for—(A) Flute (B) Tabla(C) Sitar (D) Sarangi

41. What is the name of ‘Surbahar Player’—(A) Jaya Bose (B) Sharan Rani(C) Sidheshwari Devi(D) Annpurna Devi

42. Which raga is associated with Gaudi Giti—(A) Adana (B) Sohni(C) Gaud-Sarang (D) Darbari

34. Hkkjrh; laxhr l js x e i /k uh ds le:i lghik'pkR; Loj lIrd dkSu lk gSµ(A) F D C G A B(B) C D E F A B(C) A C F D B E(D) E C B F D A

35. elhr[kkuh xr dk eq[kM+k fdl ek=kk ls izkjEHk gksrk gSµ(A) 10 (B) 11(C) 12 (D) 14

36. flrkj[kkuh xr fdl y; esa ctkbZ tkrh gSµ(A) foyfEcr(B) e/;(C) nzqr(D) vfrnzqr

37. fdl jkx esa xed dh iz/kkurk gSµ(A) dkQh (B) [kekt(C) es?k (D) HkSjoh

38. Loj dh LFkkiuk vfUre Jqfr ij fdlus dhµ(A) oh- Mh- IyqLdj(B) oh- ,u- Hkkr[k.Ms(C) izrki flag(D) iUukyky xksLokeh

39. erax }kjk of.kZr Jqfr&Loj&lEcU/k ds fdrus fodYigSaµ(A) 5 (B) 6(C) 7 (D) 8

40. ^lsfu;k ?kjkuk* fdl ok| ds fy, izfl) gSµ(A) ckalqjh (B) rcyk(C) flrkj (D) lkjaxh

41. lqjcgkj okfndk dk uke crkb;sµ(A) t;k cksl (B) 'kj.k jkuh(C) fl)s'ojh nsoh (D) vUuiw.kkZ nsoh

42. xkSM+h xhfr ds varxZr dkSu lk jkx gSµ(A) vM+kuk (B) lksguh(C) xkSM+ lkjax (D) njckjh

SET-A

U/2015/14/II/A18

43. Which is ‘Magadhi Giti’—(A) Bhinna (B) Sadharani(C) Sambhavita (D) Shudha

44. Who is the author of ‘Sangeetanjali’—(A) Brihaspati Kailash Chander(B) Onkar Nath Thakur(C) V. N. Bhatkhande(D) V. N. Patwardhan

45. Who is the author of ‘Sangeet Darpan’—(A) Damodar (B) Pundrik(C) Bhavbhatt (D) Somnath

46. Match the raga with respective timings—(a) Gujri Todi (1) Afternoon(b) Bhimplasi (2) Night(c) Marwa (3) Evening(d) Darbari (4) Morning

Code—(a) (b) (c) (d)

(A) 2 1 4 3(B) 4 1 3 2(C) 1 2 3 4(D) 3 4 2 1

47. ‘Shatpitaputrak’ is the name of—(A) Geetak (B) Giti(C) Murchana (D) Marg Tala

48. ‘Akshepiki’ is a variety of—(A) Prabandh (B) Dhruva Gaan(C) Jati Gayan (D) Akshiptika

49. Which Instrument is related to Pt. GopalKrishan—(A) Sarod (B) Flute(C) Vichitra Veena (D) Sitar

50. How many ‘Svasthan-Niyams’ were fixed forancient Alap-gayan—(A) 3 (B) 2(C) 5 (D) 4

43. ekx/kh xhfr dkSu lh gSµ(A) fHkUuk (B) lk/kkj.kh(C) lEHkkfork (D) lq/kk

44. laxhrk×tfy ds jpf;rk dkSu gSaµ(A) dSyk'kpUnz c`gLifr(B) vksadkj ukFk Bkdqj(C) oh- ,u- Hkkr[k.Ms(D) oh- ,u- iVo/kZu

45. ^laxhr niZ.k* ds ys[kd dkSu gSaµ(A) nkeksnj (B) iq.Mjhd(C) HkkoHkV~V (D) lkseukFk

46. jkxksa dks le; ds vuqlkj lgh esy dhft,µ(a) xqtjh rksM+h (1) nksigj(b) Hkheiyklh (2) jkf=k(c) ekjok (3) lk;adky(d) njckjh (4) izkr%dky

dwVdwVdwVdwVdwV—(a) (b) (c) (d)

(A) 2 1 4 3(B) 4 1 3 2(C) 1 2 3 4(D) 3 4 2 1

47. ^"kV~firkiq=kd* fdlls lEcfU/kr gSµ(A) xhrd (B) xhfr(C) ewPNZuk (D) ekxZrky

48. ^vk{ksfidh* fdldk izdkj gSµ(A) izcU/k (B) /kzqokxku(C) tkfrxk;u (D) vf{kfIrdk

49. dkSu lk ok| ia- xksiky d`".k ls lEcfU/kr gSµ(A) ljksn (B) ck¡lqjh(C) fofp=k oh.kk (D) flrkj

50. izkphu vkyki&xk;u ds fy, fdrus LoLFkku&fu;efu/kkZfjr fd, x, Fksµ(A) 3 (B) 2(C) 5 (D) 4

SET-A

U/2015/14/II/A

[SPACE FOR ROUGH WORK / dPps dke ds fy, i=kddPps dke ds fy, i=kddPps dke ds fy, i=kddPps dke ds fy, i=kddPps dke ds fy, i=kd]

SET-A

U/2015/14/II/A