32
Single-view geometry Odilon Redon, Cyclops, 1914

Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

  • Upload
    others

  • View
    3

  • Download
    0

Embed Size (px)

Citation preview

Page 1: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Single-view geometry

Odilon Redon, Cyclops, 1914

Page 2: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Geometric vision• Goal: Recovery of 3D structure

• What cues in the image allow us to do this?

Page 3: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Shading

Visual cues

Merle Norman Cosmetics, Los Angeles

Slide credit: S. Seitz

Page 4: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Visual cues

From The Art of Photography, Canon

Focus

Slide credit: S. Seitz

Page 5: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Visual cues

Perspective

Slide credit: S. Seitz

Page 6: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Visual cues

Motion

Slide credit: S. Seitz

Page 7: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Our goal: Recovery of 3D structure• We will focus on perspective and motion• We need multi-view geometry because

recovery of structure from one image is inherently ambiguous

x

X?X?

X?

Page 8: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Our goal: Recovery of 3D structure• We will focus on perspective and motion• We need multi-view geometry because

recovery of structure from one image is inherently ambiguous

Page 9: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Our goal: Recovery of 3D structure• We will focus on perspective and motion• We need multi-view geometry because

recovery of structure from one image is inherently ambiguous

Page 10: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

)/,/(),,( ZYfZXfZYX a

⎟⎟⎟⎟⎟

⎜⎜⎜⎜⎜

⎥⎥⎥

⎢⎢⎢

⎡=

⎟⎟⎟

⎜⎜⎜

⎟⎟⎟⎟⎟

⎜⎜⎜⎜⎜

10100

1ZYX

ff

ZYfXf

ZYX

a

Recall: Pinhole camera model

PXx =

Page 11: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

⎟⎟⎟⎟⎟

⎜⎜⎜⎜⎜

⎥⎥⎥

⎢⎢⎢

⎥⎥⎥

⎢⎢⎢

⎡=

⎟⎟⎟

⎜⎜⎜

1010101

1ZYX

ff

ZYfXf

PXx = [ ]0|I)1,,(diagP ff=

Pinhole camera model

Page 12: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Camera coordinate system

• Principal axis: line from the camera center perpendicular to the image plane

• Normalized (camera) coordinate system: camera center is at the origin and the principal axis is the z-axis

• Principal point (p): point where principal axis intersects the image plane (origin of normalized coordinate system)

Page 13: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Principal point offset

• Camera coordinate system: origin is at the prinicipal point

• Image coordinate system: origin is in the corner

principal point: ),( yx pp

Page 14: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

)/,/(),,( yx pZYfpZXfZYX ++a

⎟⎟⎟⎟⎟

⎜⎜⎜⎜⎜

⎥⎥⎥

⎢⎢⎢

⎡=

⎟⎟⎟

⎜⎜⎜

⎛++

⎟⎟⎟⎟⎟

⎜⎜⎜⎜⎜

10100

1ZYX

pfpf

ZpZYfpZXf

ZYX

y

x

y

x

a

Principal point offset

principal point: ),( yx pp

Page 15: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

⎟⎟⎟⎟⎟

⎜⎜⎜⎜⎜

⎥⎥⎥

⎢⎢⎢

⎥⎥⎥

⎢⎢⎢

⎡=

⎟⎟⎟

⎜⎜⎜

⎛++

1010101

1ZYX

pfpf

ZZpYfZpXf

y

x

y

x

Principal point offset

⎥⎥⎥

⎢⎢⎢

⎡=

1y

x

pfpf

K calibration matrix [ ]0|IKP =

principal point: ),( yx pp

Page 16: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

⎥⎥⎥

⎢⎢⎢

⎡=

⎥⎥⎥

⎢⎢⎢

⎥⎥⎥

⎢⎢⎢

⎡=

111yy

xx

y

x

y

x

pfpf

mm

K βαβα

Pixel coordinates

mx pixels per meter in horizontal direction, my pixels per meter in vertical direction

Pixel size: yx mm

11×

pixels/m m pixels

Page 17: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

( )C~-X~RX~ cam =

Camera rotation and translation

• In general, the camera coordinate frame will be related to the world coordinate frame by a rotation and a translation

coords. of point in camera frame

coords. of camera center in world frame

coords. of a pointin world frame (nonhomogeneous)

Page 18: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

( )C~-X~RX~ cam =

X10

C~RR1X~

10C~RRXcam ⎥

⎤⎢⎣

⎡ −=⎟⎟

⎞⎜⎜⎝

⎛⎥⎦

⎤⎢⎣

⎡ −=

[ ] [ ]XC~R|RKX0|IKx cam −== [ ],t|RKP = C~Rt −=

Camera rotation and translation

In non-homogeneouscoordinates:

Note: C is the null space of the camera projection matrix (PC=0)

Page 19: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Camera parameters• Intrinsic parameters

• Principal point coordinates• Focal length• Pixel magnification factors• Skew (non-rectangular pixels)• Radial distortion

⎥⎥⎥

⎢⎢⎢

⎡=

⎥⎥⎥

⎢⎢⎢

⎥⎥⎥

⎢⎢⎢

⎡=

111yy

xx

y

x

y

x

pfpf

mm

K βαβα

Page 20: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Camera parameters• Intrinsic parameters

• Principal point coordinates• Focal length• Pixel magnification factors• Skew (non-rectangular pixels)• Radial distortion

• Extrinsic parameters• Rotation and translation relative to world coordinate system

Page 21: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Camera calibration• Given n points with known 3D coordinates Xi

and known image projections xi, estimate the camera parameters

? P

Xi

xi

Page 22: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

ii PXx =λ

Camera calibration

0PXx =× iiiT

T

T

i

i

yx

XPPP

1 3

2

1

⎥⎥⎥

⎢⎢⎢

=⎥⎥⎥

⎢⎢⎢

⎡λ

0PPP

0XXX0X

XX0

3

2

1

=⎟⎟⎟

⎜⎜⎜

⎥⎥⎥

⎢⎢⎢

−−

Tii

Tii

Tii

Ti

Tii

Ti

xyx

y

Two linearly independent equations

Page 23: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Camera calibration

• P has 11 degrees of freedom (12 parameters, but scale is arbitrary)

• One 2D/3D correspondence gives us two linearly independent equations

• Homogeneous least squares• 6 correspondences needed for a minimal solution

0pA =0PPP

X0XXX0

X0XXX0

3

2

1111

111

=⎟⎟⎟

⎜⎜⎜

⎥⎥⎥⎥⎥⎥

⎢⎢⎢⎢⎢⎢

−−

−−

Tnn

TTn

Tnn

Tn

T

TTT

TTT

xy

xy

LLL

Page 24: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Camera calibration

• Note: for coplanar points that satisfy ΠTX=0,we will get degenerate solutions (Π,0,0), (0,Π,0), or (0,0,Π)

0Ap =0PPP

X0XXX0

X0XXX0

3

2

1111

111

=⎟⎟⎟

⎜⎜⎜

⎥⎥⎥⎥⎥⎥

⎢⎢⎢⎢⎢⎢

−−

−−

Tnn

TTn

Tnn

Tn

T

TTT

TTT

xy

xy

LLL

Page 25: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Camera calibration• Once we’ve recovered the numerical form of

the camera matrix, we still have to figure out the intrinsic and extrinsic parameters

• This is a matrix decomposition problem, not an estimation problem (see F&P sec. 3.2, 3.3)

Page 26: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Two-view geometry• Scene geometry (structure): Given

projections of the same 3D point in two or more images, how do we compute the 3D coordinates of that point?

• Correspondence (stereo matching): Given a point in just one image, how does it constrain the position of the corresponding point in a second image?

• Camera geometry (motion): Given a set of corresponding points in two images, what are the cameras for the two views?

Page 27: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Triangulation• Given projections of a 3D point in two or more

images (with known camera matrices), find the coordinates of the point

O1 O2

x1x2

X?

Page 28: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Triangulation• We want to intersect the two visual rays

corresponding to x1 and x2, but because of noise and numerical errors, they don’t meet exactly

O1 O2

x1x2

X?R1R2

Page 29: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Triangulation: Geometric approach• Find shortest segment connecting the two

viewing rays and let X be the midpoint of that segment

O1 O2

x1x2

X

Page 30: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Triangulation: Linear approach

baba ][0

00

×=⎥⎥⎥

⎢⎢⎢

⎥⎥⎥

⎢⎢⎢

−−

−=×

z

y

x

xy

xz

yz

bbb

aaaa

aa

XPxXPx

222

111

==

λλ

0XPx0XPx

22

11

=×=×

0XP][x0XP][x

22

11

==

×

×

Cross product as matrix multiplication:

Page 31: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Triangulation: Linear approach

XPxXPx

222

111

==

λλ

0XPx0XPx

22

11

=×=×

0XP][x0XP][x

22

11

==

×

×

Two independent equations each in terms of three unknown entries of X

Page 32: Single-view geometrylazebnik/spring09/lec11_single_view.pdf · Merle Norman Cosmetics, Los Angeles. Slide credit: S. Seitz. Visual cues. From . The Art of Photography, Canon. Focus

Triangulation: Nonlinear approachFind X that minimizes

O1 O2

x1x2

X?

x’1

x’2

),(),( 222

112 XPxdXPxd +