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Sister Nivedita and Ananda Coomaraswamy - Myths of the Hindus and Buddhists (1879)

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    MYTHS

    OF

    THE

    HINDUS SP

    BUDDHISTS

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    Creer

    un

    mythe,

    c

    1

    est-a-dire entrevoir

    dernere

    la

    realite

    sensible

    une realite

    superieure,

    est le

    signe

    le

    plus

    mamfeste

    de

    la

    grandeur

    de

    F

    ame

    humaineet

    la

    preuve

    de

    safaculte

    de

    croissance

    et

    de

    developpement

    infinis.

    A.

    SABATIER,

    1879

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    The

    Victory

    of

    Buddha

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    MYTHS

    OF

    THE

    HINDUS

    &

    BUDDHISTS

    THE

    SISTER

    NIVEDITA

    (MARGARET

    E.

    NOBLE)

    OF

    RAMAKRISHNA-VIVEKANANDA

    ANANDA

    K.

    COOMARASWAMY

    WITH

    THIRTY-TWO

    ILLUSTRATIONS

    IN

    COLOUR

    BY

    INDIAN

    ARTISTS

    UNDER

    THE

    SUPERVISION OF

    ABANINDRO

    NATH

    TAGORE

    C.I.E.

    LONDON

    GEORGE

    G.

    HARRAP

    tf

    COMPANY

    2

    W

    3

    PORTSMOUTH

    STREET

    KINGSWAY

    WC

    1914

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    PRINTED

    AT

    THE

    BALLANTYNE

    PRESS

    LONDON,

    ENGLAND

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    PREFACE

    SISTER

    NIVEDITA,

    to

    whom

    the

    present

    work

    was

    first

    entrusted,

    needs

    no

    introduction

    to

    Western

    or

    to

    Indian

    readers.

    A

    most sincere

    disciple

    of

    Swami

    Vivekananda,

    who

    was

    himself

    a

    follower

    of

    the

    great

    Ramakrishna,

    she

    brought

    to

    the

    study

    of

    Indian

    life

    and

    literature

    a

    sound

    knowledge

    of

    Western

    educational

    and

    social

    science,

    and

    an

    unsurpassed

    enthusiasm

    of

    devotion

    to

    the

    peoples

    and

    the

    ideals

    of

    her

    adopted

    country.

    Her

    chief

    works

    are

    The

    Web

    of

    Indian

    Life,

    almost the

    only

    fair

    account

    of

    Hindu

    society

    written

    in

    English,

    and

    Kali the

    Mother,

    where

    also

    for

    the

    first

    time

    the

    profound

    tender

    ness

    and terror

    of

    the

    Indian

    Mother-cult

    are

    presented

    to

    Western

    readers

    in

    such

    a

    manner

    as to

    reveal

    its true

    reli

    gious

    and

    social

    significance.

    Through

    these

    books

    Nivedita

    became

    not

    merely

    an

    interpreter

    of

    India to

    Europe,

    but

    even

    more,

    the

    inspiration of

    a

    new

    race

    of

    Indian

    students,

    no

    longer

    anxious

    to

    be

    Anglicized,

    but

    convinced

    that all

    real

    progress,

    as

    distinct

    from mere

    political

    controversy,

    must

    be

    based

    on

    national

    ideals,

    upon

    intentions

    already

    clearly expressed

    in

    religion

    and

    art.

    Sister

    Nivedita

    s

    untimely

    death

    in

    1911

    has made

    it

    necessary

    that the

    present

    work

    should

    be

    completed

    by

    another

    hand.

    The

    following

    parts

    of

    the text as

    here

    printed

    are

    due

    to Sister

    Nivedita :

    Mythology

    of

    the

    Indo-Aryan

    races

    (pp.

    1-5)

    ;

    pp.

    14-22

    of

    the

    Introduction

    to

    the

    Ramayana

    ;

    the

    whole

    of the

    Mahabharata

    (except

    pp.

    186-190)

    ;

    part

    of

    the

    section

    on

    Shiva

    (pp.

    291-295)

    ;

    the

    comment

    on

    Kacha

    and

    Devayam

    (pp.

    339-342)

    ;

    v

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    Myths

    of the

    Hindus

    &

    Buddhists

    and

    the

    Story

    of

    Dhruva,

    Shani,

    Star-Pictures,

    etc.

    (pp.

    378-3^8).

    The

    present

    writer

    is

    responsible

    for

    all

    else rather

    more

    than two-thirds

    of the

    whole.

    The

    illustrations

    are

    reproduced

    from

    water-colour draw

    ings

    executed

    specially

    for this

    book

    by

    Indian

    artists under

    the

    supervision

    of

    Mr.

    Abanindro

    Nath

    Tagore,

    C.I.E.,

    Vice-Principal

    of

    the Calcutta

    School

    of

    Art,

    who

    has

    himself

    contributed

    some

    of

    the

    pictures.

    The

    stories

    have thus the

    advantage,

    unique

    in

    the

    present

    series,

    of

    illustration

    by

    artists to

    whom

    they

    have

    been

    familiar from

    childhood,

    and

    who

    are

    thus well

    able

    to

    suggest

    their

    appropriate spiritual

    and material

    environ

    ment.

    It

    may

    be

    well

    to

    explain

    briefly

    the

    principle

    on

    which

    these

    myths

    and

    legends

    have

    been

    selected

    and

    arranged.

    My

    aim

    has

    been to relate

    in

    a

    manner as

    close

    to

    the

    original

    as

    possible,

    but

    usually

    much

    condensed,

    such

    of

    the

    myths

    as

    are more

    or

    less

    familiar to

    every

    educated

    Indian,

    with whom I

    include

    all

    those

    illiterate

    but

    wise

    peasants

    and women

    whose

    knowledge

    of the

    Puranas

    has

    been

    gained

    by listening

    to recitations or

    reading,

    by

    visiting

    temples

    (where

    the

    stories

    are

    illustrated

    in

    sculpture),

    or from

    folk-songs

    or

    mystery-plays.

    The

    stories

    related

    here,

    moreover,

    include

    very

    much

    of

    which a

    knowledge

    is

    absolutely

    essential

    for

    every

    foreigner

    who

    proposes

    in

    any

    way

    to

    co-operate

    with

    the

    Indian

    people

    for

    the

    attainment

    of

    their

    desired

    ends

    nowhere more

    clearly

    formulated than

    in

    mythology

    and

    art.

    Amongst

    these

    are,

    I

    hope,

    to be

    included not

    only

    such

    avowed

    lovers

    of

    Indian

    ideals

    as

    was

    Nivedita

    herself,

    vi

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    Preface

    but

    also

    civil

    servants

    and

    missionaries.

    The

    Indian

    myths

    here retold

    include

    almost

    all

    those

    which

    are

    commonly

    illustrated

    in

    Indian

    sculpture

    and

    painting.

    Finally,

    they

    include

    much

    that

    must

    very

    soon

    be

    recognized

    as

    belonging

    not

    only

    to

    India,

    but to

    the

    whole

    world;

    I

    feel that this

    is

    above

    all

    true

    of

    the

    Ramayana,

    which

    is

    surely

    the

    best

    tale

    of

    chivalry

    and

    truth

    and

    the

    love

    of

    creatures

    that

    ever

    was

    written.

    ANANDA

    K.

    COOMARASWAMY

    vii

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    CONTENTS

    CHAPTER

    PAGE

    I

    MYTHOLOGY

    OF

    THE

    INDO-ARYAN

    RACES

    i

    II

    THE

    RAMAYANA

    6

    III

    THE

    MAHABHARATA

    118

    IV

    KRISHNA

    2I

    7

    V

    BUDDHA

    2

    45

    VI

    SHIVA

    286

    VII

    OTHER

    STORIES

    FROM

    THE

    PURANAS,

    EPICS,

    AND

    VEDAS

    3*4

    VIII

    CONCLUSION

    3

    8

    9

    GLOSSARY

    AND

    INDEX

    4

    01

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    ILLUSTRATIONS

    THE

    VICTORY

    OF

    BUDDHA

    GARUDA

    RAMA

    S

    MARRIAGE

    THE

    DEATH

    OF

    MAR CHA

    RAVANA

    FIGHTING

    WITH

    JATAYU

    RAMA

    SENDING

    HIS SlGNET-RlNG

    TO SlTA

    BURNING

    OF LANKA

    BUILDING

    OF

    RAMA

    S

    BRIDGE

    THE

    RETURN

    OF

    RAMA

    EKALAVYA

    THE

    TRIAL OF

    THE PRINCES

    THE

    HOUSE

    OF

    LAC

    KIRAT-ARJUNA

    KRISHNA INSTRUCTING

    ARJUNA

    YUDHISHTHIRA

    THE

    BIRTH

    OF KRISHNA

    KALIYA

    DAMANA

    RADHA

    AND

    KRISHNA

    THE

    BODHISATTVA

    S

    TUSKS

    DEPARTURE

    OF

    PRINCE SIDDHARTHA

    BUDDHA

    AS

    MENDICANT

    THE FINAL

    RELEASE

    THE

    ASCETICISM OF

    UMA

    THE

    DANCE

    OF

    SHIVA

    SHIVA

    DRINKING

    THE

    WoRLD-PoiSON

    THE

    BIRTH

    OF

    GANGA

    Abanindro

    Nath

    Tagore

    Nanda LSI

    Bose

    K.

    Venkatappa

    K.

    Venkatappa

    K.

    Venkatappa

    K.

    Venkatappa

    K.

    Venkatappa

    K.

    Venkatappa

    K.

    Venkatappa