8
Volume 19, Issue 4 www.stlws.org November 2015 SLWS 18th ANNUAL MEMBERSHIP AWARDS EXHIBITION - BIG SPLASH The OA Gallery, located at 101A Argonne in Kirkwood, MO, hosted the Saint Louis Watercolor Society’s 2015 Big Splash, September 4 - 26. The art exhibit showcased the work of 93 of our member artists. The SLWS wishes to thank OA Gallery for inviting us back to exhibit our show in their gallery. We also thank Robert Lee Mejer, an artist and Distinguished Professor of Art at Quincy University, where he serves as Art Program Coordinator and Gray Gallery Curator, for being our show judge this year. We share his statement to our membership on the show: “I was delighted to have the opportunity to serve as juror of awards for the Saint Louis Watercolor Society. My credentials (over forty-eight years as an artist, professor and gallery curator) in one way inform how I consider and evaluate a work of art. For me being a juror allows me the rich experience of viewing actual works reflecting many unique voices via the medium of watercolor, a medium that is unique, popular and exciting in America. The expression of ones existence in a frozen moment of time I find very exhilarating! I commend all the artists who took the time to participate and make this exhibition happen and especially for baring their souls to the public. It is important for me to spend time before each artwork and make a thoughtful consideration before making an award decision. I appreciate coming to know the artists through their work. It is assumed on my part that all the watercolorists in this exhibition reflect a seriousness of purpose, carefully considered the elements and principles of art, understood the importance of light and the use of color, have good observational and draftsmanship skills, showed proficiency in the use of the medium and has consistent overall quality. The selection of work for awards possess that special quality of uniqueness- elevated consciousness, that separates them from the rest: they are personal; sensitive and compassionate; they challenge our mind; stimulate our imagination; are evocative with a clarity of vision; have staying power; are compelling; show inventiveness with a pioneering spirit whose cumulative effect reflects the authentic “voice-signature” of the artist. A special Thank You to the exhibit chair, Jeanne Thomas, and her staff who helped make this exhibit possible and to the gallery owners of OA Gallery for their input and for providing the necessary space to showcase such wonderful work. As with most exhibitions that I have juried, I wish there were more awards to give out as encouragement and financial support for the artist. The human creative spirit is alive and well and recognizes the healthy importance of the arts in society. “ We especially wish to thank the OA Gallery’s staff and all our volunteers for their assistance and support with this endeavor, and all our members who volunteered with receiving, hanging, retrieval, creating the database and catalog, and participated in exhibiting their artwork.

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Page 1: SLWS 18th ANNUAL MEMBERSHIP AWARDS EXHIBITION - BIG SPLASH · PDF fileVolume 19, Issue 4   November 2015 SLWS 18th ANNUAL MEMBERSHIP AWARDS EXHIBITION - BIG SPLASH The

Volume 19, Issue 4 www.stlws.org November 2015

SLWS 18th ANNUAL MEMBERSHIP AWARDS EXHIBITION - BIG SPLASH

The OA Gallery, located at 101A Argonne in Kirkwood, MO, hosted the Saint Louis Watercolor Society’s 2015 Big

Splash, September 4 - 26. The art exhibit showcased the work of 93 of our member artists. The SLWS wishes to thank

OA Gallery for inviting us back to exhibit our show in their gallery.

We also thank Robert Lee Mejer, an artist and Distinguished Professor of Art at Quincy University, where he serves

as Art Program Coordinator and Gray Gallery Curator, for being our show judge this year. We share his statement to

our membership on the show:

“I was delighted to have the opportunity to serve as juror of awards for the Saint Louis Watercolor Society. My

credentials (over forty-eight years as an artist, professor and gallery curator) in one way inform how I consider and

evaluate a work of art.

For me being a juror allows me the rich experience of viewing actual works reflecting many unique voices via the

medium of watercolor, a medium that is unique, popular and exciting in America.

The expression of ones existence in a frozen moment of time I find very exhilarating! I commend all the artists who took

the time to participate and make this exhibition happen and especially for baring their souls to the public.

It is important for me to spend time before each artwork and make a thoughtful consideration before making an award

decision. I appreciate coming to know the artists through their work.

It is assumed on my part that all the watercolorists in this exhibition reflect a seriousness of purpose, carefully considered

the elements and principles of art, understood the importance of light and the use of color, have good observational

and draftsmanship skills, showed proficiency in the use of the medium and has

consistent overall quality.

The selection of work for awards possess that special quality of uniqueness-

elevated consciousness, that separates them from the rest: they are personal;

sensitive and compassionate; they challenge our mind; stimulate our imagination;

are evocative with a clarity of vision; have staying power; are compelling; show

inventiveness with a pioneering spirit whose cumulative effect reflects the authentic

“voice-signature” of the artist.

A special Thank You to the exhibit chair, Jeanne Thomas, and her staff who helped

make this exhibit possible and to the gallery owners of OA Gallery for their input

and for providing the necessary space to showcase such wonderful work. As with

most exhibitions that I have juried, I wish there were more awards to give out as

encouragement and financial support for the artist. The human creative spirit is

alive and well and recognizes the healthy importance of the arts in society. “

We especially wish to thank the OA Gallery’s staff and all our volunteers for their

assistance and support with this endeavor, and all our members who volunteered with

receiving, hanging, retrieval, creating the database and catalog, and participated in

exhibiting their artwork.

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Page 2

MEMBERS BOARD

OF DIRECTORS

Mirka Fetté, President

Mary Mosblech

Vice President/

Programs

Linda Lynch,

Treasurer

Jane Hogg,

Secretary

Florine Porter,

Graphics & Design

Cynthia Klatt

Workshops

Vacant

Workshops

Nora Schomogy

Exhibits

Fran Kempin

Exhibits

Barbara Shaffer

Publicity & Awards

Mary Ellen Maender

Hospitality/

Membership

COLD PRESS PAPER

Copyright © 2015

by the Saint Louis

Watercolor Society

P O Box 16893

St. Louis, MO

All rights reserved

Jane Hogg, Editor

www.stlws.org

SLWS 18th ANNUAL MEMBERSHIP AWARDS EXHIBITION

BIG SPLASH AWARDS

JUDGE’S CHOICE

AWARD

M Graham Paints

$200 Paint Set

Barbara Shaffer

“Reaching the End”

AWARD OF

EXCELLENCE

Winsor Newton

$181 Paint Set

Alicia Farris

“Hat Dance”

AWARD OF

ACHIEVEMENT

HK Holbein, Inc.

$169 24-Tube Paint Set

Judy Brown

“Picture Passing Years”

AWARD OF RECOGNITION #1

Jack Richeson & Co.

$150 Gift Certificate

Margaret Schneider “Sisters”

AWARD OF

RECOGNITION #2

Jack Richeson & Co.

$125 Gift Certificate

Lee Walter

“Stop Ahead”

AWARD OF

RECOGNITION #3

HK Holbein

$120 18-Tube Paint Set

Linda Meyer

“Master Weavers”

AWARD OF

RECOGNITION #4

ArtMart

$117 Paint & Brush Set

Mary Ellen Maender

“Look Out Below”

AWARD OF

RECOGNITION #5

Jerry’s Artarama

$100 Gift Certificate

Elizabeth Concannon

“Earth Music Two”

AWARD OF

RECOGNITION #6

Dick Blick Art Materials,

St. Louis

$100 Gift Certificate

Marilynne Bradley

“Homage to Escher”

AWARD OF

RECOGNITION #7

Jack Richeson & Co.

$100 Gift Certificate

Charles Wallis

“Winter Sun”

AWARD OF

RECOGNITION #8

Creative Catalyst

Productions

$60 DVD Gift Certificate

Marty Spears

“Vicki’s Clematis”

AWARD OF

RECOGNITION #9

Creative Catalyst Produc-

tions

$60 DVD Gift Certificate

Fran Kempin

“Home Delivery”

AWARD OF

RECOGNITION #10

Daler-Rowney and Armadillo

Art & Craft

$50 Paint Set & Paper

Suzanne Galli Koenen

“Paint-Out July 22, 2015”

HONORABLE MENTION #1

Dick Blick Art Materials, St.

Louis

$25 Gift Bag

Julie Wurglitsch

“Truck Garden”

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Page 3

LOOK WHO’S

JOINED THE

CREW

Nancy Jacobs

Kathy Skelton

Barbara Tenholder

Carolyn Cleveland

Mary Berry Friedman

Tammy Greenland

Patty Meyer

Beverly Powell

Jane Willhoite

Change of Address

Since Directory

Printing

Judy Brown

Janet Doll

LeRoy Fink

Address Correction

Since Directory

Printing

Dawn Murray

In gratitude for their generous award donations,

the SLWS also wishes to thank our sponsors:

Armadillo Art & Craft, ArtMart, Dick Blick Art Materials-St. Louis, Creative

Catalyst Productions, Daler-Rowney, HK Holbein Inc., Jerry’s Artarama,

M. Graham & Co., Jack Richeson & Co., & Winsor & Newton

Please remember to support our sponsors

when purchasing your art supplies.

More About Our Judge, Robert Lee Mejer

Robert Lee Mejer is Distinguished Professor

of Art at Quincy University, where he

serves as Art Program Coordinator and

Gray Gallery Curator. He holds a M.F.A.

in from Miami University of Ohio, a B.S. in

Art/Art Education from Ball State

University, Muncie, Indiana and

signature 1986 charter membership in

Watercolor U.S.A. Honor Society and

currently serves as President 2012-16. Other

Board positions and signature memberships

include Nautilus Fellow-International

Society of Experimental Artists- Vice

President 2003-04, Mid-America Print

Council, Board Member 2006-7, Illinois

Watercolor Society, Missouri Watercolor

Society, Transparent Watercolor Society of

America- Life Member and in the National

Watercolor Society.

He has presented over 65 one-man

exhibitions, served as juror both regionally

and nationally, presented numerous water-

based monotype workshops, and his works

have been selected for exhibition in over

500-juried competitions and invitational

exhibitions. His monotypes were also

included in a 1978-80 Smithsonian

Institution Traveling Show entitled

“New American Monotypes”, and the 2001

International Biennial Watercolor

Invitational, Parkland Art Gallery,

Champaign, Illinois. Mejer is listed

in “Who’ s Who in Amer i can

Art” and “Who’s Who Among America’s

Teachers.”

Take PC #31

Watercolor

by Robert Lee Mejer

Triad, Monotype

Assemblegraph

by Robert Lee Mejer

HONORABLE

MENTION #2

Dick Blick

Art Materials,

St. Louis

$25 Gift Bag

Anne Hysmith “Lake of the Ozarks

HONORABLE MENTION #3

Dick Blick Art Materials, St.

Louis

$25 Gift Bag

Gloria Henderson

“East of Eden – The Expulsion”

PEOPLE’S CHOICE

AWARD

$50 Patsy Rae Damsgaard

Memorial Gift

from the Saint Louis

Watercolor Society

Diane Ayres “Estes Park”

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Page 4

SLWS’s

HOLIDAY

PARTY

Wed., Dec. 2, 2015,

6:30 to 9 p.m.

at C J Muggs,

101 W. Lockwood Ave.

Webster Groves, MO,

in their

lower level room.

Musical

entertainment by

Double Clique.

$10 per person

(each member may

bring 1 guest);

cash bar, delicious

food and desserts!

Raffle tickets and

a fun game.

Gift exchange: new

or gently used art

item

(tubes of paint,

brushes, books, etc.)

Bev Jozwiak Workshop

July 13- 17, 2015

by Doris Schwartz

Hot press paper! When pigs fly! Bev's pig

made the class smile...and we all used hot

press paper! Time did fly as a lot of

paintings were produced - none equal to

Bev's, which were amazing.

Bev did two demos each day, offered

instruction and welcomed questions. She

often expressed her thinking regarding her

decisions as she painted. Bev Jozwiak simply

enjoys painting.

Some points repeated were: SEE SHAPES,

DRAW SHAPES, PAINT SHAPES, also watch

for hard and soft edges. She stressed not to

think foreground vs. background but create

entire painting as one.

Preferring a limited

palette, a triad of Burnt

Sienna, French Ultra-

marine Blue and

Cad. Red, to establish

value, she begins with a

dark shape. Her lighter

choice of colors were

often Rose Madder

Genuine, Yellow Ochre

and Manganese Blue. A

heavy application of

pigment allowed the

colors to blend and

drip and could be

scraped with a palette

knife to show lines and

soften edges Often splattering was added,

then touched with a brush loaded with

water. A final step was a pencil line, as

needed, to add definition to an edge of a

shape.

In pencil, the title of each painting was

written along with her signature. Her

preferred method

of framing was to

float the painting

rather than use a

mat.

The week passed

quickly as we all

were impressed with Bev's expressive

paintings and her joyful laugh.

Visit Bev’s website for more information:

www.bevjozwiak.com

Shirley Nachtrieb Demos

Collage with Stitching

by Mirka Fetté, Karen Papin and Sue Link

St. Charles, artist,

Shirley Nachtrieb,

was our guest

speaker at the

September

meeting. She

shared with us

that she is also a

member of the

International

Society of

Experimental

Artists (ISEA) and

much of her art is

experimental. With that in mind, she likes to

work in a series as she paints to explore every

possibility, pushing the limits.

Shirley shared with us the evolution of her

current fish series, inspired by her husband

being an avid fisherman. Her interest in the

fish grew not only for her husband’s sake but

because of their Biblical reference. She began

by painting him fishing in watercolor, then

progressed to acrylics. As each new painting

began, new ideas began to surface and

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Page 5

SHOW YOUR

ARTWORK:

CJ Muggs is a themed

exhibition, changed

quarterly, with no entry

fee or commission.

There is space for about

30 paintings. Please

contact Beth Gygax to

participate. There will be

a one hour time period

immediately after our

membership meeting to

drop off submissions for

the change out exhibit,

and a half hour, from

8:30 to 9:00 a.m., the

following morning for

submissions and retrieval

of previous submissions.

Upcoming themes and

dates are:

Winter: Oct. 21/22 - Jan.

20/21.

Spring: Jan. 20/21 -

Apr.20/21.

Fall: Apr. 20/21 - Jul.

20/21.

collage was added. Fabric followed the hand-

painted papers then she interpreted her

subject in quilting.

Shirley displayed

the six basic value

patterns of design

as a reminder to

follow as she

painted. She also

recommended The

Artist’s Way book

to awaken our

inner child. For her

painting demo, she

used her triad of

Quinacridone

Crimson, Quinacridone Nickel Azo Gold and

Thalo Turquoise, and showed us a color

wheel using those colors to make all 36 hues.

She designs her collages using hand-painted

papers. She demonstrated painting on wet

crinkled Masa paper, and then demonstrated

how to mix Elmer’s Craft Paste powder (1

bag mixed with 1 gallon of distilled water) to

put on her palette to mix in with her Golden

liquid acrylic paints. It renders the paint

more luminous and shiny. She uses these

methods on both BFK Reeves and Arches

watercolor paper. When she brushes onto

these papers she uses playful strokes and

sometimes scrapes script into it.

As she continued to demonstrate she told us

how stitching adds to the dimension of the

painting and in doing how it led to stitching

over the collaged papers then adding fabric as

the next step to dimension. What you paint

on paper, can also be done on fabric. Finally

she created an all fabric collage with stitching

and painting which ended up as a quilt.

Shirley paints on a wipe able surface, using a

freezer paper covered card board. It’s

lightweight and easy clean up. She shared

many tips . . . one of which was to lay the

wet freshly painted background paper on top

of another piece of dry “breathable” paper to

avoid curling or warping. You can also

flatten a warped painting by very lightly

pressing it with a steam iron. For visual

textures on paper, she often uses wax paper,

plastic wrap, gauze, etc.

For fabric work, she uses dye-ready cotton

found at the Quilted Fox, 10403 Clayton Rd.,

St. Louis, MO 63131. Use a mister with

water to keep from getting hard edges when

painting fabric. Shirley demonstrated how to

use Golden liquid acrylics to paint on fabric

with beautiful effects. You can vary the

amount of water used and even mask shapes

out. She protects her work surface with large

plastic white kitchen trash bags taped to the

table.

She demonstrated how to use a business card

to block out color when applying paint to

cloth. She had a beautiful cotton cloth that

she painted images of leaves on by first dying

with dilute fluid acrylics, drying the cloth,

then laying on leaf fronds and negatively

painting around the leaves. The eco dyed

fabric she brought using leaves collected in

the fall to transfer their pigment to the cloth

by wrapping the leaves inside the cloth then

simmering it in hot water for several hours.

The pigment from the leaves transfers to the

fabric. This may also be accomplished on

paper. These fabrics may be used as part of

her collage or quilting work.

Shirley believes in having fun and

experimenting while you paint. Spend time

just pretending you are six-years old again.

When you take away the fear of failing,

wonderful things can happen. If you don’t

know what to do with a painting, stop.

Come back to it later. Fresh starts are better

than over-worked paintings. There is no

hurry. Don’t do anything until you know

what you want to do or that inner voice

speaks to you. When it does, then proceed!

We thank Shirley for stretching our

boundaries of creativity. Visit her website for

more information: www.nachtrieb.com

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Page 6

To place an

advertisement in

The Cold Press Paper,

contact Jane Hogg at

vividimagination13-

[email protected]

5” X 6” $75

5” X 3” $45

2½” X 3 $25

1½” X 1½” $15

Copyright ©2015 by

The Saint Louis

Watercolor Society.

The publishers reserve

the right to limit the

number, size, and

content of advertising.

Deadline for the

next issue is

Jan. 15, 2016.

Please send your

articles, kudos, and ads

to Jane Hogg at

vividimagination13-

[email protected]

INVITATION

to share interesting

articles about creativity

& art: please send to

vividimagina-tion13-

[email protected] and

they will be included as

space permits.

Classes Offered

by Members

Daven Anderson,

Michael Anderson,

Marilynne Bradley,

Alicia Farris, Beverly

Ho f fm an , T om

Hohn, Carol Jessen,

Maggie McCarthy,

Jean McMullen,

Nancy Muschany,

Shirley Nachtrieb,

Judy Seyfert, and

Linda Wilmes.

Use our membership

directory to contact

them for more

information.

AROUND OUR TOWN KUDOS

Sandy Baker’s painting His Old Army Boots was juried in to the show entitled “Passage of

Time” at Framations Art Gallery, located in St. Charles, MO. The exhibition ran from Jul

24 – Aug 27.. Sandy also exhibited her watercolor/collage at the Kirkwood Train Station,

Aug 31 – Sept 28, which is sponsored by the Kirkwood Arts Commission.

Jewel George is now one of Missouri's Starred Bob Ross Landscape Instructors.

Maggie McCarthy won the Best in Category Award - Watercolor at the 44th Annual

Lakeshore Arts Festival, Evanston, IL, August 1-2, 2015. As an award winner, Maggie receives

$100 and is invited to return next year with the jury fee for next year's festival waived. She

was also an invited exhibitor at the John Burroughs School Unique Boutique, 755 South

Price Road, Ladue, MO, on Nov. 21 & 22, 10 a.m. to 4 p.m. Maggie is also an invited

exhibitor at the 2015 OA Gallery Small Works Invitational, 101A W. Argonne, Kirkwood,

MO, Nov. 6 to Dec. 31, with an Artist Reception on Nov. 20, 6 - 9 p.m.

At the Missouri Watercolor Society’s 2015 Member’s Judged Exhibition, Shirley Nachtrieb

received the George ‘Papa’ Tutt Merit Award for Highcliff #1 and Mirka Fetté received

Blick’s Merit Award for Calamari on the Run. Steve Morris was the judge of this event. The

exhibition ran from September 13 – November 1, at the Boone County Historical Society in

Columbia, MO.

Shirley Nachtrieb had her “Natural Instincts” Exhibit at the Componere Gallery of Art, 6509

Delmar Blvd., October 4 – 24. Shirley also was in the “Pairings” Exhibit at the St. Louis

Artists’ Guild. It was on view through October 17, then it traveled to Fulton, MO to William

Woods College. Shirley and her sister collaborated on a “book” in the exhibit. The fabric

that Shirley painted with fluid acrylics became the cover for the book and the clam shell

box. They also had separate pieces on the wall behind the book.

Gene O’Hara was awarded “Best of Show” in the Jefferson County Art Guild 2015 Annual

Show for his painting A Stream Runs Through It. The show opened on October 3rd at the

Arnold Recreational Center, Arnold, MO.

Barbara Martin Smith is exhibiting original watercolors and reproductions in her show

entitled “Rhythmscapes” at The Women’s Institute and Gallery, 916 East Granary Street,

New Harmony, IN 47631, from October 9, 2015 to January 24, 2016. The gallery is having

an Artist Reception and Gallery Stroll on November 21, 2015, from 4-7 p.m.

Florine Porter was invited to exhibit her watercolors at the St. Louis Bridge Center, 8616

Olive Blvd., St. Louis, MO, from Oct. 11 to Dec. 31.

Congratulations to you all!

CLASSES AND WORKSHOPS

The 2016 SLWS sponsored workshops:

Sterling Edwards, $430 members, $465 non-members; Apr. 4 - 8, 2016

http://sterlingedwards.com

Don Andrews, $450 members, $485 non-members; Jun. 13 - 17, 2016

www.donandrews.net

Anne Abgott, $285 members, $310 non-members; Oct. 7 - 9, 2016

http://anneabgott.com

Complete our registration form available on our website (www.stlws.org) and mail a non-

refundable $100 deposit to our P. O. Box to hold your place for the 2016 workshops.

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Page 7

Membership Invitation

We invite you to join us as a member of the Saint Louis Watercolor Society. Dues are $35 for the calendar year July

1, 2015 to June 30, 2016. You may join at any time but dues are not prorated. Please complete this form and return

it with a check in the amount of $35, made payable to Saint Louis Watercolor Society, PO Box 16893, Clayton, MO

63105.

Name to appear in directory: ___________________________________________________

Address: ______________________________________________________________________

City: _____________________________________ State: ____________ Zip: ____________

Phone (include area code) ______________________________________________________

E-mail address: _________________________________________________________________

Web site: _____________________________________________________________________

I would like to “go green” and read my newsletter on line instead of receiving a printed

copy: ______

Please indicate your preferences for Volunteer Work

Exhibits Newsletter Hospitality Publicity

Workshops Programs SLWS Board

DANIEL J. PODGURSKI JR. - Dec. 28, 1948 to Oct. 15, 2015

It is with great sorrow that we mark the passing of Daniel J. Podgurski, Jr., loving husband of Debra

Podgurski (nee: Thurston), dear father of Elizabeth and Andrew Podgurski, dear brother of Robert

(Roxanne) and John (Brenda) Podgurski, dear Uncle of 5 and great-uncle of 8.

Daniel was retired from Lyondell-Basell as plant manager in Tuscola, IL. He was an active Signature

member and on the Board as Workshops Co-chair of the Saint Louis Watercolor Society.

Memorial contributions to M. D. Anderson Hospital at gifts.mdanderson.org preferred.

We have lost a dear friend, gifted artist, and dedicated SLWS volunteer who brought excellence to the Workshops position

and served as our interim Treasurer, bringing improvements to the way we do business and making our reports more useful .

Everyone he encountered was touched by his kind and gentle spirit. He will live on in our hearts and memories through his

friendship, good works and beautiful artwork.

HARRY B. RICHMAN - Jul. 24, 1922 to Oct. 14, 2015

We are saddened by the passing of Harry B. Richman, beloved husband of Shirley Richman; dear father

and father-in-law of Martin (Lisa), Eric and Suzanne Richman; dear grandfather of Michael and Brian

Richman, Megan Madigan and Adin Buchanan; dear brother of David Katz; as well as dear uncle, cousin

and friend to many.

During WWII he achieved the rank of Captain in the Army Air Corps and served in the South Pacific as a

meteorologist. When the war ended, he returned to St. Louis and enrolled in the Washington University

School of Architecture, from which he graduated in 1949. As a student, he was asked to help with logistics for the design

competition for the Jefferson National Expansion Memorial. In 1957, Harry worked with the firm of Murphy & Mackey. In

1968, he became a principal with the firm Murphy, Downey, Wofford & Richman, where he was closely involved with many

projects for Barnes-Jewish Hospital and Washington University Medical School. In 1995 he retired after nearly 50 years in

practice. Following his retirement, Harry began painting water colors and received multiple awards. Harry combined an

architect’s eye with a keen instinct for light and color, creating vibrant images of buildings and landscapes. This prolific

body of work remains as one of the lasting legacies of his life.

Memorial contributions of your choice.

We were honored to have Harry as a long time member of the Saint Louis Watercolor Society and graced by his artwork.

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Page 8

PO Box 16893

Clayton, MO 63105

DATES & TIMES 2015 - 2016

Nov. 18, 7 p.m., membership meeting, Daven Anderson -

demo.

Dec., no membership meeting

Dec. 2, 6:30 - 9 p.m., SLWS Holiday Party at CJ Muggs.

Jan. 20, 7 p.m., membership meeting, Spencer Meager -

demo.

Jan. 20, 1 hour after membership meeting & Jan 21, 8:30 -

9 a.m., receiving/retrieval of paintings at CJ Muggs.

Feb. 17, 7 p.m., membership meeting, Arden Goewert -

watercolor on silk screen.

Mar. 16, 7 p.m., membership meeting, Jim Peters - demo

(perspective).

Apr. 1, 10 a.m. - noon & Apr. 2, 10 a.m. - 1 p.m., receiving

for 17th Annual Juried Exhibition at Missouri Artists on

Main Gallery.

Apr. 4 - 8, 9 a.m. - 4 p.m., Sterling Edwards Workshop,

Maria Center.

Apr. 8, 6:30 - 9 p.m., Opening Reception for 17th Annual

Juried Exhibition at Missouri Artists on Main Gallery.

Apr. 20, 7 p.m., membership meeting, Angie Jungbluth -

nature journaling.

Apri. 20, 1 hour after membership meeting & Apr. 21,

8:30 - 9 a.m., receiving/retrieval of paintings at CJ Muggs.

Apr. 30, 10 a.m. - 4 p.m., retrieval of artwork in the 17th

Annual Juried Exhibition at Missouri Artists on Main

Gallery.

May 18, 7 p.m., membership meeting, Charles Wallis -

retrospective slide show.

Jun. 13 - 17, 9 a.m. - 4 p.m., Don Andrews Workshop,

Maria Center.

Jul. 20, 9 - 10 p.m. & Jul. 21, 8:30 - 9 a.m., receiving/

retrieval of paintings at CJ Muggs.

Oct. 7 - 9, 9 a.m. - 4 p.m., Anne Abgott Workshop, Maria

Center.

Meetings are held at the First Congregational Church of

Webster Groves on the corner of Lockwood and Elm

from 7:00 to 9:00 PM on the 3rd Wednesday of the

month in the Kishlar Room, on the 2nd floor of the

building, from September thru May (except Dec).

The building is equipped with an elevator.

Parking is available in the front lot off S. Elm Ave.

In case of inclement weather conditions, please check your

email for our notice of cancellations of any meetings or

activities. Members without email will be called by

3 p.m. the day of the event.