Space/Materiality: Project 1 Annabel Monsky 10 Textures 91 ST CPW 8:37pm Quietsmells fine Older crowd Its dark at night Number 1: O-P-E-N Same atmosphere Cars playing music Got a little busier Number 2: Bumpy pavement 92 nd CPW More car movement busier Ridges Number 3: Traffic control box 93 rd CPW Quieter Guy walking his dog Number 4: Sewer Music playing Construction vehicle is parked This is probably illegal Number 5: Construction vehicle 92 nd and 93 rd CPW Subway running throughcan hear it Air flowing Number 6: Grates 95 th CPW Men whistling on bikes Little kids running around Number 7: Dots from telephone booth 96 th CPW Guy on a bike asking for directions Busieracross the street from the bus and subway Number 8: Church intricate design 96 th Columbus & CPW Quieter Cars rushing past Number 9: Air conditioner on a building Doorman watching Cars bustling past Number 10: Bicycle wheel Psychogeographic Map I used color, bubbles, images, drawings, and a timeline to emphasize haptic senses Process Image From Clay to Plaster Changesto Emphasize and do the Opposite Changes to Map I feel like my original map emphasized the dullness and blandness of the textures rather than the excitement of them so I added more colors to demonstrate the range of feelings that the different surfaces evoke; the roughness and smoothness of a surface and of the lines or bumps on a surface I added sunrays to a bumpy pavement I added blue sparkly dots to the whole map Map with Changes Final Tile Choice Final Choice: Why What it is: texture taken from a church Good emphasis on rough and smooth structure Easily evokes different emotions to different people (can be interpreted as barren, empty, sad, or exciting because it is bumpy and wavy and unpredictable). Interesting overall Armature: Arm Sketches Armature: Hand Added contours to my wire hand, unlike in my drawing Armature: Additions Relates to the curves of the tile A wave-like shape Use of multiple line weights (thinner wire wrapped around on the edges of the thicker wire) to show dimension Experimenting with New Material: Paper Experimentation Techniques Cutting out the outline of the new arm armature Drawing the shape of the addition to the arm armature (over and over again repetitively) Implementing wire through the paper in a way that illuminates the shape of the addition to the arm armature Crumpling up paper on the outside of the arm armature to get the implant of it. Final Choice of Material: Papier- mch Why: to emphasize the smoothness of the tile; which the additions to the wire armature did not seem to emphasize enough Why inside: to really emphasize the difference between rough and smoothto make a clear division between the two both literally and metaphorically speaking. Final Armature What I Learned Sometimes when you think of the opposite of what the tile emphasizes helps you think clearer in terms of what the tile actually emphasizes Materials, especially ones that are malleable can be used to express certain feelings or convey certain emotions