Special Worlds Extremely Fascinating to Me

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Stefano Mirti's facebook wall: thematic albums 2009/2011----------------------------even more curiosities----------------------------more albums & info in "thematic albums" collection

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    Special

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    Fascinating to Me

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    thematic album:

    Stefano Mirtis

    facebook wall

    https://www.facebook.com/stefano.mirti.

    3/media_set?set=a.

    10150202798666216.311619.634251215&type=3

    Retrace your steps: remember tomorrow.

    ~ Cedric Price

    https://www.facebook.com/stefano.mirti.3/media_set?set=a.10150202798666216.311619.634251215&type=3https://www.facebook.com/stefano.mirti.3/media_set?set=a.10150202798666216.311619.634251215&type=3https://www.facebook.com/stefano.mirti.3/media_set?set=a.10150202798666216.311619.634251215&type=3
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    Cappella San Severo, 1753

    Giuseppe Sammartino, Veiled Christ

    The Cappella San Severo dates from the first halfof the 16th century ehen its construction was

    requested by Prince Don Paolo di Sangro di

    Sansevero. The palace was transformed in the 18th

    century by Prince Raimondo di Sangro, a legendary

    figure of alchemy and humanism who has givenrise to many mysterious anecdotes, partly deriving

    from popular imagination and partly from the

    undoubted originality of his character.

    Raimondo di Sangro was responsible for the faade

    of the palace, decorating it with stuccowork andproviding it with a portal bearing the family coat

    of arms.

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    It was built as a burial place for the members of

    the Sangro family, princes of Sansevero, and

    modernised by his son Alessandro in the 17th

    century.

    The chapel was again refurbished by Raimondo di

    Sangro, seventh Prince of Sansevero, who

    embellished it with decorations, calling on the

    most illustrious artists and sculptors of the time to

    carry out the work from 1749 up to his death.

    The idea of death suggests a link with the most

    celebrated work of art in the chapel: the Veiled

    Christ, dated 1753 at the indication of its author,

    the sculptor Giuseppe Sammartino, a young

    sculptor who, despite his local artistic training,

    managed to instill his work with a universal feel.

    The shroud in wich Christ is wrapped follows

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    every contour of the body but a particularly

    impressive details is the beauty, at once sublime

    and human, of Christ's dying breath is wonderfully

    suggested by the close adhesion of the veil to

    Christ's nostrils.

    1981

    Cedric Price, Cities of the Future

    -a study of ageing, which links escalators, slabs

    and Georgian windows-

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    Cedric Price, Project for a British

    Embassy for the Twenty-First Century

    Writes Price: "Has Tony Blair done away with the

    need for embassies? This embassy for the twenty-

    first century features a large mobile canopy and a

    vast sofa, which could be erected wherever Blair

    lands next".

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    1999

    Cedric Price, Project for "A lung for

    Midtown Manhattan"

    -first English edition: 1978-

    The book contains numerous short fiction pieces

    demonstrating or related to the cut up method.Also included is poetry by Gysin and an interview

    with Burroughs. Some chapters had previously

    been published in various literary journals

    between 1960 and 1973.

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    London, 1964

    Cedric Price, South Bank Centre

    A proposal for a raft of balloons forming a canopy,

    whose height could vary in order to accomodate

    temporary exhibitions underneath.