Spring News from the Color-Mill - Kremer Pigmente

www.kremer-pigmente.com

Spring News from the Color-Mill

April 2017

In 2017 we present our choice of new product high-lights! Be inspired by our spring news and immerse yourself in the world of colorful pigments and new opportunities for working techniques.

The entire variety of our product range can be found in the main catalog or in the online shop at www.kremer-pigmente.com which also contain further information, like product specific recipes, safety data sheets or instructions for use.

Always up-to-date with the Kremer Pigmente Face- book Community! You will receive information on publications, dates for courses and workshops as well as everything about art.

You also have the opportunity to receive our monthly newsletter from the Color-Mill. Simply register at [email protected].

Colorful greetings from the Color-Mill

Dr. Georg Kremer & David Kremer

Pigments11312 Thulit, skin-colored finer 63 µ Very lightfast pigment and stable in binding agent. Thulit is a pink-red Zoisit specialty from Norway. The shade is suitable for incarnate for skin illustration together with Kremer White. 20 g 100 g 1 kg 7,50 32,00 310,00

17020 Persian Yellow Hormuz Iron Oxide Yellow, natural 100 g 1 kg 10 kg 25 kg 3,00 11,80 109,00 223,00

17280 Persian Red Hormuz Iron Oxide Red, natural 3,00 11,80 109,00 223,00

23380 Pigment Yellow 83 Beautiful, warm yellow. Very lightfast, for all aqueous painting techniques. 20 g 100 g/T 100 g/D 1 kg 4,00 9,80 12,00 68,00

23403 Novoperm Carmine Red Novoperm Carmine Red is a blue shade benzimidazolone pigment. It exhibits excellent overall fastness properties. One important application is in inks for decorative laminated papers. It is recommended for paste inks and for solvent- and water based packaging gravure and flexographic printing inks. 5,60 --- 19,20 158,00

23495 Mahogany Brown High transparent pigment brown 25 High lightfastness, very good for oily techniques. For water based binders a wetting agent might be necessary. 7,50 22,00 24,00 200,00

All prices are net prices in Euros plus applicable VAT (Books incl. 7% VAT). Due to raw material price increases, all prices are subject to change. Please visit www.kremer-pigmente.com for valid prices.

XSL PigmentsThe pigments easily disperse in water and aqueous binders thanks to a special treatment with dispersing agents. Due to their excellent solubility in water XSL-Pigments can also be used for wood stains. XSL-Pigments are very lightfast. Special effects can be obtained by sprinkling XSL-Pigment particles onto a wet surface.

26100 XSL Bismuth Vanadate Yellow very lightfast, colorful, alkali-resistant 100 g 1 kg 10,00 88,00

26400 XSL Cobalt Blue very lightfast, colorful, alkali-resistant 10,00 88,00

26410 XSL Dioxazine Violet very lightfast, colorful 20 g 100 g 1 kg 4,50 17,00 158,00

36004 Indigo, japanese polygonum japanese knotweed Organically grown in Belgium. Extra-fine, first quality product for painting and textile dyeing. 10 g 50 g

12,00 52,00 50928 Paliochrome Dynamic Green

Green pigment with a light golden reflection. 50 g 100 g 1 kg 12,00 20,00 180,00


Products for Violin MakersWe present you a new base coat produced according to an alchemi-stic recipe from the High Renaissance. Brown stained sculptures, wood carving and the violins from the cremonese masters exist since the late-Gothic. Until today the characteristics of this base coat has been unknown. We have combined the best of natural resources to gain the curiously hardness and colorfulness of this secret base coat. The wood from maple and fir gets stony-hardened and amber-colored. Due to the base coat the wood loses its absorp-tion and the sound gets precise and sustainable.

Application: The wood needs to be polished multiple times as usual. The base coat is applied evenly inside and outside with a soft brush or a sponge. After a few minutes the outside surplus should be re-moved with a cloth. The process should be repeated outside up to three times. The consumption is about 100 gram per violin. Varnish after the last polish with spirit or oil varnish.

79720 Ground Coat GD Shelf life is at least 12 months if stored at room temperature. 100 ml 1 l 30,00 280,00


Kremer WatercolorsThere is no other technique of painting intended to achieve bright and clear color, as precise as watercolors. By these standards, Kremer Pigmente guarantees their product. Highest quality in the manufacturing process and the choice of materials ensure an ex-traordinary brilliancy. Kremer watercolors are made with recipes calling for complex hand-made techniques using our historical and modern pigments. Selected pigments are combined with Kremer Watercolor Medium and the basis of Gum Arabic.

1 pan560008 Fluorescent Pigment White 9,50560508 Fluorescent Pigment Blue 9,50561008 Fluorescent Pigment Green 9,50561508 Fluorescent Pigment Lemon Yellow 9,50562508 Fluorescent Pigment Orange 9,50563508 Fluorescent Pigment Flame Red 9,50564008 Fluorescent Pigment Magenta Red 9,50

881042 Watercolor Set Fluorescent Colors - Small 42,00 box with 8 full pans, pure pigments, not lightfast

472508 Furnace Black560008 Fluorescent Pigment White560508 Fluorescent Pigment Blue561008 Fluorescent Pigment Green

561508 Fluorescent Pigment Lemon Yellow562508 Fluorescent Pigment Orange563508 Fluorescent Pigment Flame Red564008 Fluorescent Pigment Magenta Red

Kremer Color Pastes Daylight Fluorescent Colors

Color Pastes are the first choice to high quality, intense and light-fast waterbased paint. They are concentrated pigment dispersions in water and easily make 2 – 8 times their original volume in vibrant paints.

100 g 250 g 1 kg29200 Daylight Fluorescent Yellow 6,60 11,00 35,0029210 Daylight Fluorescent Orange 6,60 11,00 35,0029220 Daylight Fluorescent Pink 6,60 11,00 35,0029230 Daylight Fluorescent Magenta 6,60 11,00 35,0029240 Daylight Fluorescent Green 6,60 11,00 35,00


Kremer Retouching Chips in Paraloid® B 72Our Retouching Chips are prepared in Paraloid® B 72. The color chips can be dissolved in all solvents suitable for dissolving Paraloid® B 72. Recommended is the solvent Methoxypropanol PM. The sets constist of 12 Retouching Chips in cups, sorted in a metall box. All Retouching Chips are also available individually.

14911 Conservation Set Van Eyck 1 67,50

2101093 Cadmium Yellow No. 1, lemon2104093 Cadmium Yellow No. 6, medium2110093 Cadmium Orange No. 1, medium2112093 Cadmium Red No. 1, light2114093 Cadmium Red No. 3, dark 2335093 Indian Yellow Imitation

2361093 Alizarine Crimson Dark4420093 Chrome Oxide Green4425093 Viridian Green4501093 Ultramarine Blue, dark4572093 Cobalt Blue Light4620093 Titanium White Rutile

14912 Conservation Set Van Eyck 2 67,50

1200093 Ivory Black, genuine4001093 French Ochre JTCLES4022093 Italian Gold Ochre Light4040093 Raw Sienna, Italian4043093 Dark Burnt Sienna4051093 Venetian Red

4054293 English Red Light4061293 Raw Umber, greenish4071093 Burnt Umber, brownish4081093 Bohemian Green Earth4725093 Furnace Black4821093 Iron Oxide Red 160 M


Restoration Material87084 KSG 350 Z Silicone Gel A ready-to-use emulsifying silicone elastomer for cleaning pastes. 30 ml 100 ml 1 l 11,50 29,00 225,00

Supplies883360 Palette, solvent resistant 36,50 white enameled with 22 cups, without contents

Books990231 Oskar Emmenegger: Historische Putztechniken 95,00 532 pages, 22 × 30 cm, about 900 illustrations, cloth-binding

Von der Architektur- zur Oberflächenge-staltung. Erstmals wird der während mehr als 50-jähriger Tätigkeit erarbeitete Erfah-rungsschatz des Professors und Restau-rators Oskar Emmenegger zu historischen Verputztechniken – entstanden in einem Zeitraum von über 9000 Jahren Bautä-tigkeit – zusammengefasst und systema-tisch aufgearbeitet und so einem breiten Publikum von Handwerkern, Lehrenden und Planenden für deren tägliche Arbeit zugänglich gemacht. Der leider rasch vor-anschreitenden Zerstörung oft nicht

erkannter älterer Verputze soll durch die spezifische Informationszusammenstellung der Publikation und deren reich bebilderte Beispielsammlung Einhalt geboten werden.

990234 Hermann Heiss: Handbuch u. Nachschlagewerk 48,00 für den bildenden Künstler 480 pages, hardcover, numerous illustrations and recipes

Hermann Heiss vermittelt in seinem Buch Werkstoffe und Techniken für das Zeichnen und Malen. Dem Autor gelingt es, mehr als 100 Rezepte, Abbildungen und Malweisen so genau und ausführlich zu beschreiben, dass jeder Künstler diese verstehen und damit arbeiten kann. Dazu tragen nicht nur die zahlreichen Abbildungen bei, es sind vielmehr die Rezepte, welche aufs Genau-este mit Gewichtsangaben, der Mischungen usw. beschrieben werden. Dabei geht der Autor nicht nur auf gängige Malweisen ein. Er beschreibt auch alt meisterliche

Malweisen wie die Schichtmalerei oder das Arbeiten mit dem Silberstift. Ergänzt wird das Buch durch viele Tabellen, Zusammenfassungen und Übersichten.

991214 Ulrich Binder: Physik der Farbe 29,00 112 pages, 19 × 25 cm, ca. 70 illustrations, half fabric tape

Eine praktische Farbenlehre für Architek-tur, Design und Handwerk. Ulrich Binder wagt eine neue Farbenlehre: Abseits von Grundfarben, Sattheitsgraden und Misch verhältnissen nähert er sich dem Thema Farbe über die Beschaffenheit und die Empfindung des Materials. Jeder, der bereits gepinselt, lackiert oder gestrichen hat, weiß, dass es über den «objektiven» Farbwert hinaus, weitere Eigenschaften


gibt, die in der Literatur nicht vorkommen, die aber wesentlich für das Erleben von Farbe sind: Wie geschmeidig ist eine Farbsubstanz, bleibt ihr Glanz auch nach dem Anstrich? Lässt sie sich gut verrühren, mischen oder in Schichten auftragen? Bleibt sie elastisch oder wird gar bröselig?

992312 Michael Price: 49,00 Renaissance Mysteries Volume I Natural Colour 240 pages, 22 x 28 cm

Volume I presents the artist as a painter- craftsman with the preparation of natural colour from rocks and crystals and their application in appropriate binding mediums. The difference in colour quality between natural mineral pigments and modern synthetic paint is examined. Chap-ters include comprehensive step-by-step instruction for the contemporary artist and conservation scientist on how to prepare and paint with the incomparably luminous colours of the Renaissance palette,

as well as the preparation of historical painting supports and grounds.

992313 Michael Price: 49,00 Renaissance Mysteries Volume II Proportion and Composition 260 pages, 22 x 28 cm

Volume II, the artist as a creative intel-lectual, links the painter’s craft with the creative process and elucidates the degree of compositional planning starting with the painting’s rectangular format. The demonstrated evidence for the application of Euclidean geometry is based upon exact measurements of painted surfaces on panels, X-radiographs, and infrared images from paintings. The final chapter conclu-des with the reasons for the demise of this painting traditi on and how industrialization

and the standardization of art materials led to a new painting tradition from the nineteenth century.


Available againThis serves as a notice regarding the price increase which our company had to put into effect for the established Cyclododecane. This increase is caused by the continuing rise of manufacturing.

87100 Cyclododecane 1 kg Granulate, 2 x 500 g cans 335,00 Cyclododecane, a temporary consolidant for treatment of artworks, including paintings, textiles and stone. Used for temporary consolidation, adhesion, cleaning and protection during transport. Melting point 58 - 61°C.

Price reductions85083702 Badger Hair Brush, round, No. 2 17,9085083704 Badger Hair Brush, round, No. 4 21,8085083706 Badger Hair Brush, round, No. 6 29,7085083802 Badger Hair Brush, round, flat, No. 2 17,9085083804 Badger Hair Brush, round, flat, No. 4 21,8085083806 Badger Hair Brush, round, flat, No. 6 29,7088311 Paper Stomp, set of 3 2,8088313 Paper Stomp, set of 3 3,80883220 Bone Folder, 13 cm, 1 piece 5,50883226 Bone Folder, 16 cm, 1 piece 5,80


Price increasesThe prices for the following products had to be increased. Please visit our online shop at www.kremer-pigmente.com.

42605 Ultramarine Red B, dark pink46200 Titanium White Rutile47100 Bone Black48000 – 48447 Iron Oxide48710 Caput Mortuum dark54800 Aluminum Powder59700 – 59720 Dralon-Fiber59980 Volcano Ash62010 Venetian Turpentine67020 Polyvinyl Acetate 3067280 – 67284 Regalrez®67400 – 67470 Paraloid™ B67760 Polyvinyl Alcohol (PVA) thin70100 Citrus Turpentine70320 Iso-Amyl Acetate75100 Primal® AC 3575250 Primal® WS 2475600 Plextol® B 50076000 Plextol® D 49876101 Dispersion K 36076900 Thickener ASE 6076910 Rohagit® SD 1578032 Orotan 731 K78100 Texanol®81010 Lascaux® Acrylic Emulsion d 498 M840010 – 8497771 Golden Artists Colors®850819 Fresco Brush, round87099 Cyclododecane Spray881640 – 881702 Silicate Chalk Restone88401 – 88451 Agate Burnisher94236 Uranine94900 Rhodamine B97240 Transparent Adhesive Resin992133 Barbara Berrie: Artist’s Pigments – Volume 4

Courses 2017The knowledge of pigments, of their use and application are the fundamentals of painting and restoration. In these courses our ex-perienced teachers will show you a wide range of pigments and bin-ders and you have an opportunity to work with selected materials, according to historical recipes. The teaching language is German.

Find upcoming dates at www.kremer-pigmente.com/en/courses.

You are welcome to contact us by phone 0049 7565 914480 or by mail [email protected].

Events 201710.09.2017 Tag des offenen Denkmals (Germany)

11.10. – 13.10.2017 Future Talks in Munich (Germany)

International Fairs 2017 / 2018Kremer Pigmente will take part in the following international meetings and trade fairs for art, culture and conservation.

13.04. – 16.04.2017 Salon in New York (USA)

28.05. – 02.06.2017 AIC in Chicago (USA)

29.09. – 01.10.2017 Mondumusica in Cremona (Italy)

02.11. – 05.11.2017 Patrimoine in Paris (France)

11.01. – 13.01.2018 Monumento in Salzburg (Austria)

27.01. – 30.01.2018 Creativeworld in Frankfurt (Germany)

21.02. – 25.02.2018 CAA in New York (USA)

22.02. – 25.02.2018 art in Karlsruhe (Germany)

04.03. – 06.03.2018 Namta in Dallas (USA)

Raw Materials for Art & Conservation

Pigments

Dyes & Vegetable Color Paints

Fillers & Building Materials

Mediums, Binders & Glues

Solvents, Chemicals & Additives

Ready-made Colors, Gold & Gilding Materials

Linen, Paper & Foils

Brushes

Tools, Packaging & Supplies

Books & Color Charts

Recipes

Kremer Pigmente GmbH & Co. KGHauptstrasse 41–4788317 Aichstetten/AllgäuGermany

Phone 0049 7565 914480Fax 0049 7565 [email protected] www.kremer-pigmente.com

Documents

Spring News from the Color-Mill - Kremer Pigmente