Stoughton Opera House 2010-11 Season

2010 11 Arts & Culture Guide Performance Schedule Inside

Jeff DanielsNovember 13, 2010

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ARTIST FALL 2010 TIME PAGERamblin’ Jack Elliott Sat, September 11 7:30 pm 4Esperanza Spalding—Chamber Music Society Sun, September 19 7:30 pm 4Junior Brown Fri, September 24 7:30 pm 5

Capitol Steps “Liberal Shop of Horrors” (2 shows) Sat, October 2 6:00 pm

8:30 pm6

The Amazing Acro-Cats (2 shows) Sun, October 3 1:00 pm

3:00 pm7

The Travelin’ McCourys Fri, October 8 7:30 pm 8Suzanne Vega Sun, October 10 7:30pm 8

Maggie Mae & The Heartland Country Band (2 shows) Thur, October 14 3:00 pm

7:00 pm 10

The Wailin’ Jennys Sat, October 16 7:30 pm 11Michael Hecht presents: Myths and Legends Sat, October 23 1:00 pm 12An Evening with Patty Loveless Sun, October 17 7:30 pm 12

Drakula: The Performance (2 days) Fri, October 29Sat, October 30

7:30 pm 7:30 pm

13

An evening with Jake Shimabukuro – Solo Ukulele Wed, November 3 7:30 pm 13Peter Rowan Bluegrass Band Fri, November 5 7:30 pm 14Ancora String Quartet Sat, November 6 7:30 pm 14Paul Barrere & Fred Tackett of Little Feat Fri, November 12 7:30 pm 15An Evening with Jeff Daniels Sat, November 13 7:30 pm 16Yahara River Show! Ho! Ho! Version 2.0 Sat, November 20 7:00 pm 17Playtime Productions – date/time tba Nov/Dec 7:30 pm 17Stoughton Chamber Singers There Will Always Be An England! Sun, December 5 2:00 pm 18Stoughton Festival Choir & City Band—Holiday Concert Sun, December 12 4:00 pm 18Riders in the Sky—Christmas the Cowboy Way! Sat, December 18 7:30 pm 19Pro Arte Quartet Sun, January 23 4:00 pm 20Madison Brass Band Sat, February 5 7:30 pm 20Dan Newton’s Café Accordion Orchestra Fri, February 11 7:30 pm 20Bonnie Koloc Sat, February 12 7:30 pm 21

Four Bitchin’ Babes Hormonal Imbalance (2 shows) Sat, February 26 3:00 pm

7:00 pm21

Del McCoury Band Fri, March 4 7:30 pm 21

The Actors Factory presents Novel IdeasFri, Mar 11 Sat, Mar 12Sun, Mar 13

7:30 pm 7:30 pm 2:30 pm

22

Chris Smither in Concert Fri, March 18 7:30 pm 22Tim O’Brien and Bryan Sutton Fri, March 25 7:30 pm 22Commonweal Theatre: Henrik Ibsen’s—An Enemy of the People Sat, March 26 7:30 pm 24

Branson on the Road with Maggie Mae Thur, March 31 3:00 pm

7:00 pm25

Iris DeMent Sat, April 2 7:30 pm 25The Emmitt-Nershi Band Fri, April 8 7:30 pm 25Adrian Legg Fingerstyle Guitar Sat, April 9 7:30 pm 26Opera for the Young “Pirates of Penzance” w/Kegonsa Elementary Students Sun, April 10 1:30 pm 26

Glenn Miller Orchestra (2 shows) Thur, April 14 3:00 pm

7:00 pm26

Harry Manx Fri, April 15 7:30 pm 27Yahara River Show—Syttende Mai Edition Sat, April 16 7:00 pm 27Janis Ian and Tom Paxton Natalia Zukerman opens Sat, April 30 7:30 pm 28Tony Rice Unit Fri, May 6 7:30 pm 28Michael Hecht presents: Walt Whitman and Norman Rockwell Sat, May 7 1:00 pm 29Playtime Productions – date/time tba Apr/May 29

St. Ann’s Drama Department (2 days) Fri, May 20 Sat, May 21

7:00 pm

1:30 pm29

Stoughton Chamber Singers America Sings! Sun, May 22 7:00 pm 29

Fox Prairie Elementary presents: A Wisconsin History (2 days) Wed, May 25Thur, May 26 6:30 pm 29

Bach Dancing and Dynamite Society Fri, June 10 Fri, June 24

7:30 pm 7:30 pm

29

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2 www.stoughtonoperahouse.com

More than a century of songs and stories remain vibrant and alive within the Opera House. We are truly indebted to those who came before us for their foresight in preserving this treasure-trove of dreams.

We are privileged to have the opportunity to gather in the Opera House with friends from near and far and share in so many wonderful moments. Each season we search for an interesting mix of performers to entertain and enlighten our audiences. We know that you and the performers find that the warmth and excellent acoustics of the Opera House are just part of the reason so many of you return year after year.

We also thank our sponsors, volunteers and all the Friends of the Opera House. Without the support of our many friends, the continued health and success of the theater would simply not be possible. As Bob Dylan wrote, “I’ll let you be in my dream if I can be in yours.”

See you at the show!

William Brehm, Christina Dollhausen, Director Event Coordinator

All Aboard!

Bring your group: Everything from bank bus groups, to Red-Hatters, to senior groups, to mys-tery tours, to field trips, to alumni gatherings. We are committed to providing you with engaging entertainment to make your trips to the Stough-ton Opera House unforgettable experiences. All SOH events are able to accommodate groups.

As a group you’ll enjoy: Best seats available. Ticket discounts for groups of eight or more and free, convenient bus parking.

Book your group: Contact Event Coordinator Christina Dollhausen at (608) 646-0019 or email her at [email protected].

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Ramblin’ Jack ElliottSat, Sept 11 • 7:30 pm

Long before every kid in America wanted to play guitar, Ramblin’ Jack had picked it up and was passing it along. He was mentored by Woody Guthrie and called a “long lost father” by Dylan. From Johnny Cash to Tom Waits, Pete Seeger to Lou Reed, Beck to Bonnie Raitt, Ry Cooder to Bruce Springsteen, the Grateful Dead to The Rolling Stones, they all pay homage to Ramblin’ Jack Elliott. He is a folk musician, a poet, a storyteller, and most of all, a cowboy.

Legend has it that Ramblin’ Jack Elliott ran away from home at 14 to be a cowboy at the rodeo. By the time he was collared and brought home, his ambition had changed, his ear turned by the songs the cowboys sang at the rodeo, so he taught himself to play guitar. Elliott is a true troubadour, traveling the country, absorbing authentic American music everywhere the wind takes him. He learned the blues first-hand from Leadbelly, Mississippi John Hurt, and the like. With over 40 albums under his belt, a Grammy and a National Medal of Arts Award, Ramblin’ Jack Elliott is considered one of the country’s legendary foundations of folk music. His lovely melodic quality and a country twang belies his urban upbringing. He is also a fine guitarist in both finger and flat pick style and occasionally plays harmonica on a harp rack.

Ramblin’ Jack Elliott is a national treasure and an opportunity to see him live is an experience you will not want to miss. It’s like hearing your grandpa tell stories you actually want to hear, but with famous people as characters.

www.ramblinjack.com

Stoughton Opera House: 2010 2011 SeasonYour Seat is Waiting . . .

Esperanza Spalding

Chamber Music Society

Sun, Sept 19 • 7:30 pm

If “esperanza” is the Spanish word for hope, then bassist, vocalist and com-poser Esperanza Spalding could not have been given a more fitting name at birth. Blessed with uncanny instrumen-tal chops, a multi-lingual voice that is part angel and part siren, and a natural beauty that borders on the hypnotic, the 26-year-old prodigy-turned-pro might well be the hope for the future of jazz and instrumental music.

Esperanza’s show Chamber Music Society is a place where connoisseurs of classical music and jazz devotees, and fans of other music as well, can find common ground. Esperanza creates a modern chamber music group that combines the spontaneity and intrigue of improvisation with sweet and angu-lar string trio arrangements. The result is a sound that weaves the innovative


elements of jazz, folk and world music into the enduring foun-dations of classical music. Spalding’s voice soars and provides an angelic counterbalance to her deep bass work.

Esperanza first took the world by storm in 2008 with her self-titled Heads Up debut recording that spent more than 70 weeks on the Billboard Contemporary Jazz Chart. Spalding was then booked on the Late Show with David Letterman, Jimmy Kimmel Live, the CBS Saturday Early Show, the Tavis Smiley Show, Austin City Limits, National Public Radio and more. Other highlights included two appearances at the White House, a Banana Republic ad campaign and many high profile tour dates. 2009 was capped by invitations from President Obama to perform at the Nobel Prize Ceremony in Oslo, Norway.

“I’m confident that this music will touch people,” she says of Chamber Music Society. “We all want to hear sincerity and originality in music, and anyone can recognize and appreciate when love and truth are transmitted through art. No matter what else has or hasn’t been achieved on this tour, those things are definitely a part of this music. Those are the things I really want to deliver.”

www.esperanzaspalding.com

Junior BrownFri, Sept 24 • 7:30 pm

“A lot of people tell me they don’t like country music, but they like what I am doing,” says Junior Brown. “I hear that line more than anything else,” which is ironic because a couple of licks are all it takes to erase any doubts concerning Junior’s stylistic allegiance. His music combines the soul of country and the spirit of rock n’ roll.

Following years as Austin’s best-kept secret, then a few more as the town’s one must-see act for visiting musicians and label heads, Junior Brown and his music have since found an audi-ence far beyond the Lone Star border. Junior’s first two albums (“12 Shades of Brown” and “Guit With It”) have helped establish him as a crowd favorite from Texas roadhouses to the hippest clubs of New York City and Europe. There’s usually a wide-eyed look accompanying one who witnesses Junior’s unique instru-mental prowess for the first time... or the second, or third, for that matter. Junior invented his own guitar, one that combines the standard 6-string guitar and the steel guitar. He calls it the “guit-steel.”

Junior Brown is a singer and demon guitarist whose raucous blend of Western swing, honky tonk, electrified Bakersfield country, and rock & roll made him the toast of Austin and then the world. Factor in his rumbling, strikingly deep baritone voice, and you’ve got a true original; an artist who’s a sensation in country music and the fringier Americana circles.

www.juniorbrown.com

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The Capitol Steps LiberaL Show of horrorS! Sat, Oct 2 • 6 pm & 8:30 pm

Come join us for the comic stylings of the only group in America that attempts to be funnier than the Congress. Capitol Steps is a troupe of current and former Congressional staffers who satirize the very people and places that once employed them. They monitor events and personalities on Capitol Hill, in the Oval Office and other centers of power, taking a humorous look at serious issues and pro-viding laughs for millions.

Since they began over 25 years ago, the Capitol Steps have record-ed 31 albums to date. They’ve been featured on NBC, CBS, ABC, and PBS, and can be heard 4 times a year on National Public Radio stations nationwide during their Politics Takes a Holiday radio specials.

The material is updated constantly. Current examples of songs you will hear at the show include the Democrats’ plan to defeat the deficit, Return to Spenders, and thoughts for health care reform, Cash for Codgers, and we can’t leave out a sure to be hit How Do You Solve a Problem Like Korea?

No matter who or what is in the headlines, you can bet the Capitol Steps will tackle both sides of the political spectrum and all things equally foolish. What more would you expect from the group that puts the “MOCK” in Democracy!

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The Amazing Acro-CatsCircus Cats of ChicagoSun, Oct 3 • 1 pm & 3 pm

Gather the family and see the Amazing Acro-Cats live and in purr-son at the Opera House. This one-hour show contains some of the most amazing feline feats you will ever see, including cats that ride skateboards, ring bells, push carts, turn on lights, walk a high wire, jump through hoops and more! For the grand finale, there is an all cat band called “The Rock Cats” which consists of a terrific trio of cats that play guitar, drums and piano to their own unique style of music.

The Amazing Acro-Cats are celebrated internationally and have appeared on numerous national television shows, including TMZ, The Tonight Show and Animal Planet, as well as films, commercials and print advertis-ing campaigns.

Popular with cat lovers of all ages, Purr-formances are known to sell out, so get your tickets early.

www.circuscats.comKid-Friendly Events

When you see this hand symbol next to a show, the kid in your life—or the kid inside you—won’t want to miss it! Free admission for lap sitters (age 3 and under).


The Travelin’ McCourys Fri, Oct 8 • 7:30 pm

The Travelin’ McCourys is an all-star offshoot of the most awarded band in the history of bluegrass, the Del McCoury Band, with Ron McCoury on mandolin, Rob McCoury on banjo, Jason Carter on fiddle, and Alan Bartram on bass. Known for their individual instrumen-tal prowess, they are gaining a reputation for collabora-tion with numerous musical icons from Vince Gill to the Allman Brothers and Phish. This touring unit blends the best of the Appalachian tradition with the improvisa-tional magic of jazz. Unique live collaborations are the hallmark of their performances, and demonstrate why critics and musicians across the country hail them as the best bluegrass band in the world. They are able to push so far forward because their roots are so deep. The band has a confidence that only comes with having paid their dues on the bluegrass road with the great Del McCoury. Their experience shows in tight rhythm, soulful material, and the confidence to take bluegrass from the safety of the shore into uncharted waters.

Ronnie says, “We like to go in and play traditional bluegrass music the way we do it with Dad, but we also like to be able to step into situations where we can re-ally stretch out. If we need to plug in, we’ll plug in. We’re open to anything.”

It’s that attitude, backed up by talent that marks great musicians, traditional or progressive. The Travelin’ Mc-Courys are twenty-first century musical pilgrims and adventurers. They’re onto something new, just like Bill Monroe was in the 1940s, but now we can see and hear that adventure live at the Opera House.

www.myspace.com/thetravelinmccourys

Suzanne Vega Sun, Oct 10 •7:30 pm

Widely regarded as one of the most brilliant songwriters of her generation, Suzanne Vega emerged as a leading figure of the folk-music revival of the early 1980s when, accompany-ing herself on acoustic guitar, she sang folk-pop songs of her own creation in Greenwich Village clubs. Since the release of her self-titled, critically acclaimed 1985 debut album, she has given sold-out concerts in many of the world’s best-known halls. With a performance style devoid of outward drama that nevertheless conveys deep emotion. Vega sings in a distinctive, clear vibrato-less voice that has been described as “a cool, dry sandpaper- brushed near-whisper” and as “plaintive but disarm-ingly powerful.”

With the release in 1987 of Solitude Standing, her second album, and in particular, its hit singles “Luka” and “Tom’s Diner”, Vega vaulted to a position of prominence in the world of pop music. Without turning her back on her roots in folk music she continued to stretch the boundaries of her music still further to encompass what has been variously dubbed industrial folk, technofolk, and technofolk rock. Vega is said to have paved the way for such singers as Tracy Chapman, Michelle Shocked, Edie Brickell, Melissa Etheridge, and Shawn Colvin.

It’s simply impossible not to be touched by the simple, direct poetry of Suzanne Vega’s music. Vega has established herself as a vocal and lyrical talent on par with the classics of folk music such as Bob Dylan, Leonard Cohen, Lou Reed and Joni Mitchell. After a quarter of a century she is still as unassumingly fabulous as ever.

www.suzannevega.com


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Maggie Mae & Heartland Country BandThurs, Oct 14 • 3:00 pm & 7:00 pm

Maggie Mae is singing and strumming her way into the hearts of country music lovers everywhere. A natural talent, who wouldn’t even sing a solo with her high school choir, was “discovered” by her husband, Roger Hilliard when he noticed folks would pause in their meals to listen to her singing in the café kitchen that they own in Oxford, WI.

After a customer brought a guitar into Maggie Mae’s Cafe and sang to the customers, she decided to learn the instru-ment. It wasn’t long before his wife was wowing customers over breakfast with her songs.

Since then, Maggie Mae and her band, Heartland Country, have brought her singing, yodeling and guitar playing to enthusiastic fans at dances, fairs, festivals and other events throughout the Midwest. She has recorded five albums, includ-ing a Christmas CD, and appears regularly on the “Midwest Country Show” on the cable network RFD-TV. She recently made a successful debut in Branson, Mo., at the RFD Theater. Although Maggie Mae is well on her way to being a star, she still resides on the family farm in Oxford with her husband, where they hold barn dances during the summers as they operate the café. Every so often she will treat a customer to a few songs over breakfast.

Her singing and infectious spirit will knock your socks off. Get your tickets early, we expect a large, enthusiastic crowd.

www.maggiemaecountry.com


The Wailin’ JennysSat, Oct 16 • 7:30 pm

The Jennys are three distinct voices that together make an achingly perfect vocal sound. They are a Juno Award-winning Canadian folk trio consisting of soprano Ruth Moody, mezzo Nicky Mehta, and alto Heather Masse. They also tour with fid-dler and mandolinist Jeremy Penner. All established instru-mentalists and singer-songwriters in their own right, they have a strong following and are winning over fans with their warm stage presence, amazing musicianship, powerful singing and thoughtful songwriting.

Intelligent, dynamic stories and vivid imagery abound in their songs, which run the gamut from classic and contemporary folk to Celtic roots and country, with a few surprising covers thrown in for good measure.

Over the past few years, The Wailin’ Jennys have made many appearances on Garrison Keiller’s A Prairie Home Companion, have won numerous music awards, and have shared the stage with luminaries such as Bonnie Raitt, Meryl Streep and Rose-anne Cash.

The Jennys music is easy on the ears, and their music is something that has the power to lure you in with the various voices melding into one soulful sound. This will be a wonderful show that will combine nicely with the renowned acoustics of the Opera House.

www.thewailinjennys.com

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An Evening with Patty LovelessSun, Oct 17 • 7:30 pm

A real life coal miner’s daughter, Patty Loveless is Country Music’s most enduring female traditionalist. Her restrained, emotion filled, vocal delivery can heal any wound and lift any spirit. In a time when many country artists have forgotten country’s past, Patty Loveless’ refusal to abandon the traditional sound is as refreshing as anything being done today.

It could be no other way for Patty Loveless. Patricia Ramey was born January 4, 1957 in Pikeville, Kentucky to an Appalachian coal miner and his homemaker wife. Poverty was a real concept to Patty, so was her dream of being a Country singer.

Patty discovered her passion for performing by watching her older sister, Dottie, perform at local venues. At age 11 she started strum-ming a guitar, at 14 she started touring with her older brother and during weekend summers in high school, she began traveling with Dolly Parton. Since the release of her first self-titled album in 1987, Patty has consistently rewarded her fans with new and creative music in her blend of honky-tonk and county rock style.

Patty has achieved many respected accolades including CMA’s Top Female Vocalist (1996 and 1997); AMA’s Favorite New Country Artist (1989); and CMA’s Album of the Year (1995). She was inducted into the Grand Ole Opry in 1988.

On her latest album, Mountain Soul II, Patty’s Kentucky roots shine through like a breath of fresh air, featuring her crystalline country vocals amid bluegrass-tinged accompaniment. Patty is surrounded by a stellar supporting cast, including country and bluegrass legends Emmylou Harris, Vince Gill, Al Perkins, and Del and Ronnie McCoury, making the experience completely authentic and a true listening pleasure.

CMA Award-winner Patty Loveless has racked up a half dozen gold & platinum albums, nearly 50 chart hits and reached #1 with classics like Blame it on Your Heart, You Can Feel Bad, Chains, Lonely Too Long and You Don’t Seem to Miss Me. You can expect an intimate performance, as if you are in Patty’s living room, playing many familiar favorites, hear stories of her musical life, as well as songs from her recent album Mountain Soul II.

www.pattyloveless.com

Opera House BenefitMichael Hecht presents: Myth and LegendsSat, Oct 23 • 1:00 pm

Come explore this unexpectedly informa-tive juxtaposition of legends & historical figures. Literary artist Michael Hecht consid-ers knights: From Sir Gawain, Beowulf, to the Lord of the Rings. Is Nessie of Loch Ness a Dragon myth or real? Helen Keller: a legendary journey. General admission, free-will donation at door.

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An Evening with Jake ShimabukuroWed Nov 3 • 7:30 pm

Though some still have trouble pronouncing his last name and the instrument he plays, Jake Shimabukuro (she-ma-BOO-koo-row) is recognized as one of the world’s most exciting and innovative ukulele (oo-koo-LAY-lay) players and composers.

Renowned for lightning-fast fingers and revolutionary play-ing techniques, Jake views the ukulele as an “untapped source of music with unlimited potential”. His virtuosity defies label or category. Playing jazz, blues, funk, classical, bluegrass, folk, flamenco, and rock, Jake’s mission is to show everyone that the ukulele is capable of so much more than the traditional Hawai-ian music – or corny showbiz routines -- many associate it with.

Jake creates sounds never thought possible on the tiny four-string, two-octave instrument. A true showman, demonstrated by his sold-out shows that have left lines wrapped around the buildings he has played, dazzle audiences with intricate strumming and plucking, electrifying high-energy grooves and deeply felt melodic ballads.

Jake’s been a guest on the Conan O’Brien show, played the national anthem at Madison Square Garden, stirred ‘em up at the House of Blues, Bonnaroo and Montreal Jazz Festival as well as at Japan’s Fuji Rock Festival. He’s played alongside such luminary musicians as Les Paul, Bela Fleck, Steve Lukather, Tommy Emmanuel, Stanley Clarke, Chance, Stephen Bishop, Blues Traveler and John Hiatt.

People usually laugh if one admits liking the ukulele but Jake Shimabukuro is no Tiny Tim, he is a virtuoso musician who hap-pens to play ukulele. When you hear the depth of feeling, tone and musicality Shimabukuro gets from the instrument, you’ll get it.

www.jakeshimabukuro.com

“StageWorks Drakula’s

a Treat” –77 Square,

Oct 31, 2009

Drakula–The PerformanceStageWorks Projects, Inc.Fri, Oct 29 & Sat, Oct 30 • 7:30 pm

Last year’s critically acclaimed, original production returns to the Opera House stage bigger and better than ever. This fusion of dance and drama is a fast-moving tale of the vampire Count Drakula—the perfect way for adults to celebrate Halloween. In this multi-disciplinary version, Renfield narrates the story of the Count he so fervently follows. All the familiar characters are here…Lucy, Mina, Van Helsing, Jonathan Harker… plus gargoyles, bats and the Counts’ beautiful, hungry vampire brides. The dramatic fusion of drama and dance heightens the suspense and seduction of Bram Stokers classic novel. See the story you thought you knew in a new spellbinding version. Call StageWorks Projects for tickets 873-0717.

www.stoughtonperformingarts.com

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Peter Rowan Bluegrass BandFri, Nov 5 • 7:30 pm

Peter Rowan is a bluegrass singer-songwriter with a music career that spans nearly 50 years. Rowan was playing guitar by the time he was 12, and began his professional career in 1964 as lead singer and rhythm guitarist for Bill Monroe and his Bluegrass Boys. He played with Monroe throughout the late ’60s, touring internationally and also becoming a fixture at the Grand Ole Opry. After leaving Monroe, he spent the later part of the ’60s and ’70s collaborating in rock,

folk and bluegrass combinations. He played with Earth Opera, Seatrain and Muleskinner before joining Old and In the Way, the seminal “newgrass” band featuring Jerry Garcia and David Grisman.

Rowan has built a devoted, international fan base through his continuous stream of original recordings, projects, and tours. His career has been a wild ride through multiple genres, collaborations, a fearless collection of instru-ments, and prolific songwriting throughout.

The Peter Rowan Bluegrass Band is a quartet featuring artists Jody Stecher, Keith Little, and Paul Knight. They are dyed-in-the-wool traditional players with over 100 years of combined live gigging experience. Peter’s stage presence, his stories and the bands magnificent playing and harmonizing makes this show a must see!

www.peter-rowan.com

“Tight focus meets passionate lushness...refined skill, disciplined ensemble playing and joyous con-viction. Madison should be proud

to have such a string quartet.” - John Barker, Isthmus

Ancora String QuartetA Renowned Madison TreasureSat, Nov 6 • 7:30 pm

Back by popular demand, the classical music talents of ASQ will grace the acoustically perfect Opera House stage.

The Ancora String Quartet is a critically-acclaimed string quartet based in Madison, Wisconsin. The quartet was founded in Madison in 2000. Its musicians studied at some of the lead-ing music schools in the United States, including the New England Conservatory of Music, the Eastman School of Music, the Indiana University School of Music, and the University of Texas-Austin; they also serve as members of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Madison Bach Musicians, and other groups.

The current members of the Ancora String Quartet are: Leanne Kelso League, first violin, Robin Ryan, second violin, Marika Fischer Hoyt, viola, Dr. Benjamin Whitcomb, cello.

Their musical selections range in style from baroque compos-ers such as Bach and Handel, to classical composers such as Mozart and Haydn, to romantic composers such as Beethoven and Brahms.

www.ancoraquartet.com


Paul Barrere and Fred Tackettof Little FeatFri, Nov 12, • 7:30 pm

Paul Barrere and Fred Tackett are guitar players.In fact they are the guitar players with the legendary band

Little Feat...Now they have joined forces to form an acoustic duet that will quite frankly blow you away. Performing songs from their Little Feat catalogue and more with a decidedly dif-ferent twist.

Paul Barrere plays guitar and slide guitar, and sings lead and background vocals for Little Feat. Paul joined Little Feat for the band’s third album Dixie Chicken, and has been with the band since. During Little Feat’s early 80’s hiatus, Paul led the group Chicken Legs.

Fred Tackett plays guitar, trumpet, and mandolin for Little Feat. Hailing from Arkansas, Fred Tackett worked as a side man on many Little Feat albums before becoming a full member of the band for Let It Roll.

Don’t miss this opportunity to witness a great show by members of one of the longest running rock and roll bands in history.

Little Feat are a seminal rock band that came to prominence in the 70’s by bringing all the strands and history of American music into one melting pot and serving a mighty meal of modern music that has effected the lives of music fans around the world ever since. These days the band still produce great albums and tour the world playing festivals and concert halls in all the major cities, they even have their own fan festival every year at a holiday resort in Negril Jamaica where they take over a beach and its hotel for two weeks. In-between times Paul and Fred also release albums and tour the world as “The Little Feat Guitar Duo”, perhaps reaching the places the band can’t reach.

www.paulandfred.com


An Evening with Jeff DanielsSat, Nov 13 • 7:30 pm

Jeff Daniels is well aware of how the public perceives ac-tors crossing over to the singer-songwriter realm. He knows they often have terrific careers in front of the camera, but get questionable results behind a microphone. And that’s why he deflates his own ego with the first song on his “Live and Unplugged” CD: If William Shatner Can, I Can Too.

He doesn’t need the disclaimer song, because when one experiences a live performance by Daniels, you can tell right away that he is not an actor who sings, but an accomplished singer/songwriter whose musical talent does not require the support of his acting.

Although it took him some time to feel comfortable on stage behind his guitar, Daniels’ confidence has matured as a songwriter, being invited to perform a few songs with legends such as Lyle Lovett, John Haitt, and Guy Clark during their rare “Songwriters” tour. Having his pal Keb Mo’ join Jeff on stage was equally rewarding (Jeff calls it a “free guitar lesson”).

Daniels is best known for his roles in Hollywood hits The Purple Rose of Cairo, Terms of Endearment, Arachnophobia, The Squid and the Whale, and Dumb and Dumber. His songs, not sur-prisingly, mirror the diversity of his acting—some offer honest insight, others provide humorous observations.

“My songwriting and playwriting are similar,” he said. “It can be sincere, and it can be outrageous. I enjoy the challenge of going back and forth. I’ve been writing songs for over thirty years. I don’t write hits. I don’t send out demos to famous singers. I just write songs. They’re my diaries ... all of them had a time and a place that marked some moment in my life. If you really wanted to get to know me, you’d find me in there.” – Jeff Daniels

www.jeffdaniels.com

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Opera House BenefitYahara River Show Ho! Ho! Version 2.0Sat, Nov 20 • 7:00 pm

The popular Yahara River Show returns to the Opera House with the Yahara River Show! Ho! Ho! 2.0 Edition. Sid Boersma once again hosts this delightful holiday special, joined as always by the regular cast, the Yahara River Bottom Boys and a line up of special guests to help get you in the holiday spirit.

Regular features like the sing along, the half-time stretch, and the continuing adventures of Private Guy Eye–Private Eye make the Yahara River Show fun for the whole family. Join Sid and the gang for a great kick off to the holidays.

www.stoughtonartscouncil.org

Playtime Productions Children’s TheaterNov/Dec (Time & Date TBA)

Playtime Productions Children’s Theatre delights Stoughton Opera House audiences with its creative and spirited renditions of classic tales. When performed by the talented troupe, each of these endearing stories is retold with an eye to the present, always with a twist and many a surprise. Each year, PTP brings the magic of theater to thousands of people throughout Dane County, Wisconsin. $5 Suggested donation at door

www.playtimeproductions.org


Stoughton Chamber SingersVictorian Holiday Concert There Will Always Be An England!Sun, Dec 5 • 2:00 pm

England has a tradition of glorious choral music. From the first existing copies in the 13th century, the Madrigals of the 16th & 17th centuries, the English Baroque anthems of Purcell and Arne, to the works of Elgar and Holst that lead into the 20th Century, great choral music has poured forth from the pens of composers in England. Come join us for this survey of familiar and new choral music in the English tradition. Ticket information to be announced.

www.stoughtonoperahouse.com

Stoughton Festival Choir & City BandSun, Dec 12 • 4:00 pm

The holidays have never sounded so sweet! Both the City Band under the baton of Roger Gohlke and the Festival Choir conducted by Beth Gardner will dazzle with a variety of sacred and secular music, plus a carol sing-along. Freewill donation at the door.

We Create FuturesMusic • Dance • Drama • Poms

Stoughton Center for the Performing Arts515 East Main St, Stoughton WI [email protected]

Victorian Holiday Weekend

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from our FriendsWhen you become a Friend of the Stoughton

Opera House, your donation helps to ensure success for our beautiful facility — through programming and

continued maintenance. Your support also helps to keep ticket prices affordable for all our patrons.

As other sources of revenue are declining, now is a perfect time to become a Friend of SOH.

If you are already a Friend, please consider increasing your donation. Your donation is tax-deductible!

MembershipLevels

Friend—$25 • Patron—$50 • Partner—$100Ambassador—$250 • Director—$500Producer—$1,000

Become a Friend of the Opera House! (608) 877-4400


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Riders in the Sky: Christmas the Cowboy Way!Sat, Dec 18 • 7:30 pm

Don’t let anyone think that a Christmas on the range is all baked beans, lonely sleeping bags, and pathetically exchang-ing gifts with your hoofed friends, Riders In The Sky return with a holiday-tailored take on their Western harmonies. The quar-tet’s been reviving the swinging two-steps, yodeling choruses, and harmony-filled ballads of the singing-cowboy era of the ’30s, ’40s, and ’50s for three decades now, keeping the sound both authentic and comical.

Riders In The Sky consists of Ranger Doug, the lead singer; Woody Paul, on fiddle and vocals; Too Slim on string bass and guitar and the group was formed in the mid- ‘70s. Formerly, Ranger Doug was a member of Bill Monroe’s Bluegrass Boys. Woody Paul played with Loggins Messina, and Too Slim was a member of Dickey Lee’s band in addition to being a songwriter. They used to play gig at a Nashville nightclub and later that led to a slot on Tumbleweed Theater on cable television’s Nashville Network (TNN). In the mid 90’s “Cowpolka King” Joey Miskulin joined the band, on accordion. Riders In The Sky are stars of the stage, screen, the Grand Ol’ Opry, National Public Radio, XM Satellite Radio, Saturday morning TV, and are the only exclu-sively Western artist to have won a Grammy Award. They truly are “America’s Favorite Cowboys!

www.ridersinthesky.com


Stoughton Opera House: Spring 2011

Pro-Arte QuartetSun, Jan 23 • 4:00 pm

The Pro Arte Quartet has enjoyed a long and dis-tinguished career as one of the most enduring string quartets in existence. Founded in Brussels in 1912 by violinist Alphonse Annou and violist Germain Prevost, the Pro Arte became the court quartet to Queen Elisabeth of Belgium. Its world reputation soared with a European tour in 1919, earning the group such

outstanding acclaim that many composers - including Bartok, Milhaud, and Honegger - com-posed new works for the Pro Arte. In 1940, stranded in the United States by the outbreak of World War II, the University of Wisconsin-Madison offered the Quartet the position of Artist-in-Residence, which continues to the present day. Current members, David Perry and Suzanne Beia, violins, Sally Chisholm, viola, and Parry Karp, cello, have continued the Pro Arte legacy.

proartequartet.org

Madison Brass BandSat, Feb 5 • 7:30 pm

The first members of the original Madison Brass Band, founded in 1863, were businessmen, cobblers, cigar-makers, stone-cutters, and a saloon proprietor. Only one member was a professional musician. Revived in the early 2000’s its mission is to bring the great British and American brass band tradition back to the greater Madison area. In addition to concerts, festivals

and many Wisconsin events, MBB has also performed twice at the Grand Celebration of Brass Bands in Iowa.

Under the leadership of Craig Mason, The Madison Brass Band has become Southern Wisconsin’s premier brass ensemble. They use cornets, flugelhorn, alto horns, English baritones, trombones, euphoniums, Eb tubas, Bb tubas, and percussion. The Madison Brass Band takes pride in the members being both good musicians and good people. They believe in playing good music, music without pretention. Come and hear an excit-ing and varied program of original compositions, marches, overtures, hymns, jazz, and new and traditional works for brass band.

www.madisonbrass.com

Dan Newton’s Café Accordion Orchestra Fri, Feb 11 • 7:30 pm

“Berets and Bongos” describes the Cafe Accordion experience, a loungy, eclectic mix, full of French flare, Latin heat and Bohemian attitude. The heart of the Café Ac-cordion repertoire is the romantic, gypsy-influenced valse-musette. The group complements the mu-settes with swing, ballads, tangos, cha chas, rumbas, and cumbias. They inject their music with good humor and expressive abandon. Their high level of musicianship and passion for performance makes them an entertaining con-cert to experience.

The Cafe Accordion Orchestra is led by Dan Newton on accordion and vocals, with Eric Mohring on mandolin, violin and vocals, Erik Lillestol on bass, and Joe Steinger on percussion. They have appeared at the Lincoln Center’s Midsummer Night Swing series, the Interna-tional Akkordeon Festival in Vienna, Austria, The Minnesota State Fair, as well as festivals, theaters and dance halls across the United States.

www.cafeaccordion.com

“The Pro Arte Quartet plays all very demanding music with perfect sym-

pathy and superb musicianship...” –American Record Guide


Bonnie KolocSat, Feb 12 • 7:30 pm

Crossing the boundaries of folk, jazz and blues, Bonnie Koloc was a mainstay in folk circles along with Steve Good-man and John Prine forming the “trinity of the Chicago folk scene”, drawing crowds that stood in lines around the block, hoping for a place to stand to catch the hottest act in town. With her crystalline voice and exquisite songs, she is renowned for her warm, powerful voice, stage presence and music which has elements of Folk, Gospel, and Blues in the spirit of Alberta Hunter.

Bonnie has sung on John Prine’s clas-sic ‘Bruised Orange’ record, sung with Charles Neville as part of his Diversity Band at the Jazz & Heritage Festival, has appeared on ABC’s Nightline, has re-ceived terrific response from the Ravinia to the BBC, and is critically acclaimed by the New York Times. She has also received the Governor’s Award for Best Singer, the Theatre World Bronze Award for Outstanding New Talent on Broad-way, and a Drama Critics Award nomi-nation for Best Actress in a Musical.

In addition to her talents as a singer and songwriter, Bonnie is also a print maker, painter, ceramist, and book il-lustrator. She is an passionate artist, and her artistry knows no bounds. Don’t miss this show, Bonnie will enchant you from the very first note she sings.

www.bonniekoloc.com“A folk-ballad-pop-blues singer of enormous range, charm, and

charisma.” –New York Times

Four Bitchin’ BabesHormonal Imbalance ...A Mood Swinging Musical RevueSat, Feb 26 • 3:00 pm & 7:00 pm

Start with four richly gifted singer-songwriters, add 3/4 cup married life, four kids, three cats, one piano, four guitars, one rocking’ purple bass, a dol-lop of sharp social commentary, and a pinch of PMS. Set this on the road to tour for nearly 20 years, throw in a hot flash or two, and you’ve got Hormonal Imbalance...A Mood Swinging Musical

Revue!, an estrogen-fueled, hilarious show that celebrates the best of babes, boys, and botox, starring The Four Bitchin’ Babes.

Spend an evening with these outrageously funny and multi-talented musicians as they examine and ultimately celebrate the lives of today’s women. With sorority sister chemistry they perform original songs and stories offering both poignant views and unbridled comedic commentary on the joys and dilemmas of everyday life. With heav-enly harmony, they share our struggles to balance careers and family, chocolate obses-sions and low carb inner peace, CNN and TV Land, and finally, dealing with inadequate pay and inadequately cut swimwear.

The Four Bitchin’ Babes are Sally Fingerett, Debi Smith, Nancy Moran and Deirdre Flint, all successful musicians in their own right.

www.fourbitchinbabes.com

Del McCoury BandFri, March 4 • 7:30 pm

It’s hard to imagine that the Del McCoury Band can continue to get better and better. Could it be that Del’s 50+ years of experi-ence make him one of the most skilled in the business? Could it be that his singing epitomizes the heart and soul of bluegrass music? Could it be that the band includes some of the best and engaging instrumentalists today? Could it be that the group navigated head-on into the new millennium with snappy material that is eclectic and tastefully rendered? The answers to all of the above are an undeniable “YES!”

You couldn’t ask for better playing and singing, which is why we’ve asked them to return to the Opera House for the third year in a row. It’s amazing to hear a familiar old Gospel number as much as it is to hear them deliver, with impeccable musicianship, tunes from contemporary country, bluegrass and folk songsmiths. Hands down, one of the best bluegrass outfits in the world.

www.delmccouryband.com


The Actors FactoryNovel IdeasFri, March 11 & Sat, March 12 • 7:30 pm Sun, March 13 • 2:30 pm

Actor’s Factory presents “Novel Ideas,” new works by 7 tal-ented writers, including both established local playwrights and young alumni of Actor’s Factory. The show features new takes on classic literature by Jane Austen, Sir Arthur Conan Doyle and Miguel de Cervantes.

The Actor’s Factory is a youth performance group seeking to produce vibrant and sophisticated theater for audiences of all ages.

www.actorsfactory.com

Chris Smither in ConcertFri, March 18 • 7:30 pm

Chris Smither has been around the block a few times. You can hear it in his voice and you can hear it in his songs where over four decades of experience and hope mingle. Chris’s music draws as deeply from the blues as it does from American folk music, modern poets and humanist philosophers. Over the years he has made timeless art with just voice, guitar and a stomping foot. Smither considers himself a performer first and foremost, though the strength of his songwriting skills is clear from the multitude of artists who have covered his songs – from Bonnie Raitt to the Dixie Chicks and Diana Krall.

www.smither.com

“ Smither taps his foot to keep the rhythm, much like the late blues legend John Lee Hooker. His finger-picked guitar

lines are sleek, unhurried and insistent. And then there’s the voice—equal parts gravel and molasses. Smither’s

singing sounds like a distillation of the folk and blues he-

roes he grew up listening to in New Orleans.”

--National Public Radio

Tim O’Brien and Bryan SuttonFri, March 25 • 7:30 pm

When multi-instrumentalist and vocalist extraordinaire Tim O’Brien performs, it becomes a musical journey, exploring many different musical forms. He sings and plays guitar, fiddle, mandolin, banjo, bouzouki and mandocello. His songs tell sto-ries like a good folk singer should, but his sound is pure “Ameri-cana”. As co- founder and lead vocalist of Hot Rize and Red Knuckles & the Trailblazers, O’Brien served as a bridge between the traditional sounds of the hill country and the modern styles of bluegrass in the 1980s. Since the band’s breakup, O’Brien has continued to expand the music’s borders as a soloist, a duo partner with his sister Mollie, and with his band, the O’Boys.

With a Grammy and several International Bluegrass Music Association singer of the year awards, O’Brien has been touted by PBS as ‘The best songwriter we have.’ He has been known to perform songs ranging from Irish jigs played on the bouzouki, to his politically humorous banjo tune ‘World of Trouble,’ to his classic fiddle cover of Bill Monroe’s gospel favorite ‘Working on a Building,’ O’Brien makes perfectly clear his mastery of musical genres and his admiration of the artists that have preceded him. Tim O’Brien is a very rare breed of combined talents and there aren’t many musicians that can touch him.

Flatpicker extraordinaire, Bryan Sutton started turning heads in his early 20s as a member of Ricky Skaggs’ band, Kentucky Thunder. Now, with acclaimed solo albums, a clutch of awards, and 15 years as a first-call Nashville session player under his belt, Sutton is ranked by bluegrass aficionados alongside such masters as Doc Watson (with whom he shares a Grammy), Clar-ence White, Tony Rice, and Norman Blake. To hear Sutton spin lightning-fast phrases on his guitar, it’s hard to imagine anyone picking a flattop with more power and finesse.

These two musicians solo are outstanding, and together they are unbelievable, come check them out for yourself!

www.timobrien.netwww.bryansutton.com

“It is not just good youth theater, it’s good theater, period!” –

Jerry Shenk, Channel 3 Movie Critic


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Henrik Ibsen’s An Enemy of the PeopleCommonweal TheatreSat, March 26 • 7:30 pm

Henrik Ibsen was the most famous of Norwegian playwrights and is known for his non-conformist views and themes and was largely responsible for the rise of the modern realistic drama. Even though Ibsen wrote his plays over 100 years ago, they are filled with metaphors that paint a picture, in an incred-ibly accurate way, of contemporary society. It is said that Ibsen is the most frequently performed dramatist in the world after Shakespeare.

In this particular play, An Enemy of the People, disagreement becomes the primary focus, and the adversary is the entire community. Basically, it is a criticism of democracy. Ibsen’s critique of democracy is dual as he brings the spotlight to the spitefulness of the majority and how leaders can be the tyrants in this sort of community.

The Commonweal Theatre, based in Lanesboro, Minnesota, is a professional theatre company dedicated to delighting and challenging the audiences of our region. It is the only theatre company in North America with an annual commit-ment to producing the works of Norwegian playwright Henrik Ibsen, the Father of Modern Drama. Since 1998, the company celebrates this tradition with the Ibsen Festival and every other year, the company tours an Ibsen production throughout the region.

www.commonwealtheatre.org


Branson on the Road with guest Maggie Mae!Thur, March 31 • 3:00 pm & 7:00 pm

BACK BY POPULAR DEMAND! What do you get when you bring together a fiddle, mandolin, banjo, guitar, rhine-stone costumes, hilarious comedy and great classic country, bluegrass, rocka-billy and gospel music to the Stough-ton Opera House? You get “Branson On The Road.”

Branson On The Road has more than 20 years of experience performing at the top theaters in Branson on the fa-mous 76 Country Music Boulevard. The show delivers the Branson traditions of good, clean, family fun wherever they go.

The show spotlights three of Bran-son’s top performers. Guitarist, Debbie Horton holds the distinction of being the only woman to have played lead guitar for the great Johnny Cash. Don-nie Wright is an expert musician ver-satile on many instruments including the fiddle, mandolin, guitar, banjo and bass. Brian Capps plays upright bass and sings songs reminiscent of Marty Robbins and Hank Williams.

Also welcome back Wisconsin’s coun-try music sweetheart, Maggie Mae, who will be guest starring for the shows! These popular shows sell out quickly, so please get your tickets early.

www.bransonontheroad.comwww.maggiemaecountry.com

Iris DeMentSat, April 2 • 7:30 pm

Artists like Iris DeMent aren’t supposed to exist anymore in this cynical world. Sing-ing unironically about family, forgiveness, and other real-life mysteries, DeMent has established herself as a straightforward singer/songwriter with the ability to touch the heart and soul of an audience. Her songs, performed on piano and guitar, are punctuated by humorous anecdotes which intensify an audience’s vulnerability to the gripping message of those songs.

Iris was the last of 14 children born to a church-centered family. Within the family and the church she learned to sing and play piano. Iris was three years old when the family moved from Paragould, Ark. to Orange County, Cal., where as a teen she discovered she was in conflict with much of what was being said in church and left. At 17 she quit high school, got a GED and went to work at K-Mart. This was the start of a string of unfulfilling jobs, but it was also those years and the time spent questioning herself that led her, at age 25, to embrace the dream she’d had since childhood--to “write songs and sing ‘em for people”.

She writes about life’s inescapable beginnings and endings, its meaning, our social fabric and our shortcomings. Her albums, marked by great songwriting, honest presentation and resonant vocals, have received wide critical acclaim. Iris has toured extensively in the United States and Europe to enthusiastic receptions. She has ap-peared in support of John Prine, Nanci Griffith, Emmylou Harris, Shawn Colvin and Tom Petty. Her television and radio appearances include The Late Show with David Letter-man, The Tonight Show with Jay Leno, The Conan O’Brien Show, Austin City Limits and A Prairie Home Companion.

www.irisdement.com

The Emmitt-Nershi BandFri, April 8 • 7:30 pm

With years of collective experience under their belts, Drew Emmitt and Bill Nershi exemplify the forward-thinking modern bluegrass musi-cian. As linchpins of two legendary jam-bands (Drew with Leftover Salmon, Bill with the String Cheese Incident) both men have done the stadium-filling, high-profile rock ‘n’ roll thing to perfection. Along the way, however, they’ve honed their songwriting and playing chops and studied the bluegrass, rock and jazz masters they admire. Their newest quartet — with Emmitt on mandolin, Nershi on guitar, Tyler Grant on bass and Andy Thorn on banjo — is a bluegrass band that’s much more grassroots. Think less stadium show, more up-close-and-intimate-with-your-fans.

Above all, Drew and Bill have shared a commitment to keeping music that is human-scaled and honest. Those qualities are found in abundance on their latest and great-est collaboration, “New Country Blues.” On this album, and in concert, ENB delivers a dynamic blend of bluegrass, newgrass, country and Americana that appeals to fans of these genres and more.

www.emmittnershiband.com


Adrian LeggFingerstyle GuitarSat, April 9 • 7:30 pm

If you are not familiar with Adrian Legg, al-low us to describe to you what kind of player he is. First of all, he is unlike any guitarist you have ever heard. He uses various tunings and quite often changes tunings mid-song. He may be described as a finger style player, but he incorporates virtually every genre on his guitar in a virtuosic instrumental style with ef-fects. He plays custom guitars that are a hybrid of electric and acoustic, and his fingestyle picking technique has been acknowledged by the readers of Guitar Player who voted Legg the “best acoustic fingerstyle” player four years in a row (1993–1996) and has been Voted “Guitarist of the Decade” by Guitarist maga-zine. Adrian is one of the few guitarists that you could describe as a technical wizard but still has the uncanny ability to write tender and touching music, definitely a lost art.

From his early start as a bench technician customising electric guitars, he’s played at the Montreux Jazz Festival and toured with Richard Thompson, David Lindley, Joe Satriani, Eric Johnson and Steve Vai.

He’s also shared the wealth of his talent and experience with teaching DVDs, videos and books. In recent years, he has also been a commentator-at-large for National Public Radio’s “All Things Considered”, and even more recently, regular listeners have heard his guitar versions of the show’s theme music Vai called Legg “Uncle Adrian” and Satriani said of Legg’s musicianship “He’s simply the best acoustic guitar player I’ve ever heard. I don’t know anyone else who can create such a cascade of beautiful notes... Adrian plays like he’s got hammers for fingers.”

www.adrianlegg.com

Opera for the Young

with Kegonsa Elemetary

StudentsPirates of Penzance

Sun, April 10 • 1:30 pm

Welcome aboard, matey! Join in the fun as the Pirate King, Ruth, and Frederic meet Mabel and the Major General for some olde English merriment. Romance blossoms, loyalty is put to the test and mistakes are forgiven in this “jolly good” adaptation of Gilbert and Sullivan’s comic masterpiece.

With its zany word play and physical comedy, The Pirates of Penzance is an excellent springboard for discussion of time-honored values such as honesty, integrity, and respect for commitment.

Local Kegonsa Elementary students will perform on stage as the chorus of rollicking pirates, carefree wards, and timid police constables.

Opera for the Young brings live, professional opera to audi-ences with annual Fall and Spring tours. All productions are fully staged, sung in English and adapted especially for kids.

www.operafortheyoung.org

Glenn Miller OrchestraThur, April 14 • 3:00 pm & 7:00 pm

With its unique jazz sound, The Glenn Miller Orchestra is considered to be one of the greatest bands of all time. The band was formed in 1937 by Glenn Miller and was arranged around a clarinet and tenor saxophone playing melody, while three other saxophones played the harmony. The band became very popular and recorded a number of chart successes—among these were the ever-popular, Moonlight Serenade, In the Mood, Chattanooga Choo Choo and more. In 1944, while traveling to entertain U.S. troops in France during World War II Miller’s plane disappeared in bad weather over the English Channel and was never found.

The music lives on as the present orchestra has been touring consistently since 1956. They seem to open a portal to the past, evoking the spirit of Miller who loved nothing more than great music. Glenn Miller’s music reconfirms that great music has no time limitations and good things just don’t end! Trombonist Larry O’Brien is the orchestra’s present musical director.

Don’t miss these shows memorable shows with the masters of swing. www.glennmillerorchestra.com


Harry ManxFri, April 15 • 7:30 pm

He’s been called the “Mys-ticssippi blues man” and the “essential link” between the music of East and the West.” Whatever you call Harry Manx, he’s a one-of-a-kind musician. Combining the sensuality of traditional blues

with transcendent Eastern sounds, Harry creates a unique sound and atmosphere that is hard to resist and deliciously addictive, which is precisely the reason we asked him to return to the Opera House for yet another one of his exceptional performances.

Born on the Isle of Man, he immigrated to Canada as a child, played blues slide guitar all over Europe, lived in Japan, and then studied and toured with the great Indian mohan-veena player V.M. Bhatt. He also plays a lap-slide guitar, a modified banjo or cigar-box guitar and he sings with a rich, warm, and soulful voice. He covers everything from Muddy Waters to Jimi Hendricks and writes intelligent and compassionate songs. Now he lives in British Columbia and writes original songs -- short stories that use the essence of the blues and the depth of Indian melody to draw you in. It’s in the live setting, Harry says, that the bridge between “heavenly” India and “earthy” American blues is most effectively built. “Indian music moves inward,” Harry Manx explains. “It’s tradi-tionally used in religious ceremonies and meditation, because it puts you into this whole other place. Western music has the ability to move out, into celebration and dance. So when we play the Indian material on stage, it has the tendency to draw people into something really deep; they’ll get kind of quiet and spacey. Then we’ll play some more Western music, and it grounds them once more, they sort of come out of the mood the Indian music had put them in and get into the perfor-mance. ”

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The Arts of the Stoughton Opera House

Opera House BenefitYahara River Show Syttende Mai EditionSat, April 16 • 7:00 pm

The Yahara River Show returns to the Opera House with the Syttende Mai Edition. Sid Borersma hosts this delightful show that celebrates local talent. He’’ll be joined by the regular cast, the Yahara River Bottom Boys, and a line of of special guests to help get you ready for summer.

www.stoughtonartscouncil.org


Tom Paxton & Janis IanNatalia Zukerman opensSat, April 30 • 7:30 pm

Tom Paxton has become a voice of his generation, addressing issues of injustice and inhumanity, laying bare the absurdities of modern culture and celebrating the tender-est bonds of family, friends, and community. In describing Tom Paxton’s influence Pete Seeger said, “Tom’s songs have a way of sneaking up on you. You find yourself hum-ming them, whistling them, and singing a verse to a friend. Like the songs of Woody Guthrie, they’re becoming part of America.”

Paxton’s songs have enduring appeal, including modern standards such as The Last Thing on My Mind, Bottle of Wine, The Marvelous Toy, and Ramblin’ Boy”.

Tom received a 2009 Lifetime Achievement Award. His place in folk music is secured not just by hit records and awards, but by the admiration of three generations of fellow musicians. Don’t miss the chance to experience to this legendary musician who wrote and lives the words, “Peace will come, and let it begin with me.”

The life and experience of a songwriter like Janis Ian is forever woven into the fabric of her songs, and Janis has proven time and time again that what she feels and thinks and writes touches the hearts of those who listen.

Janis Ian recorded Society’s Child in 1965 when she was just 14 years old. This song of interracial romance was a huge hit but very controversial. By the 1970’s Janis Ian had become a respected and brilliant singer/songwriter who produced a series of excellent albums and single releases. Her song, At Seventeen, earned her five Grammy nominations and she performed the song on the first episode of Saturday Night Live.

At times her music can lull you and at other times make you think. To experience Janis Ian live will take an audience on a thoughtful and creative journey through her musical life and mind. It is a journey that is well worth the time.

Hand picked by Janis to open the show, Natalia Zukerman’s slithery bottleneck slide will lure you in with the very first lick—and once you’ve heard the tender resonance of her blues-folk melodies, you’ll sink even deeper into the intimate, sweetly sophisti-cated lyrics that layer her dexterously played tunes with tales of discovery, love, irrever-ence, and reinvention.

Natalia Zukerman, the daughter of classical musicians Eugenia and Pinchas Zuker-man, found her musical self when she took up slide guitar. You can call her songs folk music if you like, but there’s jazz there too, and some sultry blues. She’s a real triple threat who combines a unique slide guitar sound with some extremely seductive vocals and fresh original songs that tie everything together into a real, honest whole. Says Andy Friedman of the New Yorker: “Natalia’s voice could send an orchid into bloom while her guitar playing can open a beer bottle with its teeth.”

www.tompaxton.com www.janisian.com www.nataliazukerman.com

Tony Rice UnitFri, May 6, • 7:30 pm

We’re willing to bet that most flat-

pickers remember the first time they heard Tony Rice play. Their reaction was similar to ours -- a mouth opened in astonishment. It’s hard to believe such power, tone, timing, and fluidity comes from one acoustic guitar, thus the reason for asking him to return to the Opera House. Even today, after hearing countless great flatpickers, there’s still something about Tony Rice’s playing that sets him apart.

Tony Rice spans the range of acoustic music, from straight-ahead bluegrass to jazz-influenced new acoustic music, to songwriter-oriented folk. Over the course of his career, he has played alongside J.D. Crowe and the New South, David Grisman, and collaborated with fellow pickers Norman Blake and Peter Rowan, and recorded with his brothers. With grace, technical skill, and exquisite taste and timing, Rice is still growing. The Current Tony Rice Unit line-up: Tony and Wyatt Rice, guitars; Rickie Simpkins, fiddle; Josh Williams, mandolin; Bryn Davies, bass.

www.tonyrice.com


Fox Prairie ElementaryA Wisconsin History Wed, May 25 & Thur, May 26 • 6:30 pm

Performed by the talented 5th grade students from Fox Prai-rie, this will be a musical performance celebrating the people and the history of Wisconsin. Free will donation at the door.

Bach Dancing and Dynamite SocietyFri June 10 & 24 • 7:30 pm

Call BDDS directly for ticket information: (608) 255-9866.

www.bachdancinganddynamite.org

Playtime ProductionsChildrens TheaterApril/May (Date & time TBD)

www.playtimeproductions.com

St Anns Drama ClubFri, May 20 • 7:00 pm & Sat, May 21 • 1:30 pm

For the last few years, St Anns Drama Club has been delight-ing audiences of all ages with their colorful musicals at the Op-era House. Past performances include Willy Wonka Jr., Aladdin Jr. & Alice in Wonderland. Keep an eye out for this year’s theme, as it is an end of school-year treat for the whole family. Call St Ann’s School for ticket information (608) 873-3343.

Stoughton Chamber Singers America Sings!Sun, May 22 • 7:00 pm

From the original anthems of William Billings during the American Revolution to the 20th Century’s George Hershwin, the United States has given rise to its own unique style of music. Come join the singers to listen to, to learn about, and to celebrate our American musical heritage. Ticket information to be announced.

www.stoughtonoperahouse.com

Opera House BenefitMichael Hecht presents:Walt Whitman and Norman RockwellSat. May 7 • 1:00 pm

Are they so popular that we ignore them? A soft talk about these two great artists and their creative expressions about American and its citizens. An introduction to ‘reading’ both a

Stoughton Wellness & Athletic Center • Impact Sports Enhancement Academy• Navitas Health & Fitness• Heights Event Center• Karate America Stoughton• True Coffee Roasters

• Stoughton Hospital Rehab and Sports Medicine

2300 US Highway 51-138, Stoughtonwww.stoughtonswac.com


S TOUGHTONHO S P I TA L . C OM

Care that’s worth asking for.

When you need medical care, you have the power to choose where you’ll be treated. Consider discussing Stoughton Hospital with your physician. You’ll enjoy the warm, personalized service and care of our physicians, nurses and sta� and bene�t from our advanced technology. Best of all, there’s no need to travel far. It’s no wonder Stoughton Hospital consistently ranks above the 90th percentile in patient satisfaction.

We accept a wide variety of health plans, including Medicare, Dean Health Plan, Group Health Cooperative, Physicians Plus, Unity, �e Alliance, United Healthcare and many other insurance providers. Please check with your individual plan regarding coverage of services at Stoughton Hospital.

Discover why Stoughton Hospital has been a trusted neighbor for more than 100 years, consistently providing care that’s worth asking for.

900 Ridge Street | Stoughton, WI 53589608-873-6611

Where everything is on Course.PUBLIC GOLF & DINING

“Inquire about our package plans”• Challenging 27 Hole Golf • Fully stocked Pro Shop

• Driving Range • Cart & Club Rentals • New Outdoor Swimming Pool• Lodging Available • Sunday Brunch • Fine Dining & Cocktails

• Serving Lunch and Dinner Specials • Outstanding Salad Bar• Serving: Choice Steaks, Seafood & Pasta

DISCOVER THE UNEXPECTED PLEASURE IN DININGAward-Winning Wine List

Call For Reservations & Tee Times(608) 884-8484

www.coachmans.com Opera House Special! Bring in this coupon, buy one Medium Sundae, get one FREE!

Encore! Bravo!


We get by — with a little help from our Friends

When you become a Friend of the Stoughton Opera House, your donation helps to ensure success for our beautiful facility —

through programming and continued maintenance. Your support also helps to keep ticket prices affordable for all our patrons.

As other sources of revenue are declining, now is a perfect time to become a Friend of SOH.

If you are already a Friend, please consider increasing your donation. Your donation is tax-deductible!

MembershipLevels

Friend — $25Patron — $75

Partner — $100Ambassador — $250

Director — $500Producer — $1,000

10 11

Plus many who gave at the Patron and Friend level. Thank you!

Become a Friend of the Opera House! Call (608) 877-4400

FRIENDS OFSTOUGHTON OPERA HOUSE

PRODUCERSIn Memory of Shirley BickleyIn Memory of Erwin StensaasIn Memory of Lorraine WardMary & Robert Bennett Steven LandfriedMerlin & Anita LebakkenCarol & Ross ScovottiMary-Carel & Henry VerdenI-K-I Manufacturing CompanyStoughton Packaging Corporation

DIRECTORS Kathy ChristensonNancy & Gary HollowayGordon & Anna KopkeDon & Carol WahlinStoughton High School Class of ‘56

AMBASSADORSClass of 1950Richard & Jean AslesonLaurene BratvoldBill & Sherry CressRichard & Diane HalomPatricia HoltanBetty J HullDon & Kathy MinerThe Nordic CompanyDavid & Peggy SharpeTom & Laurie StoehrSteven & Kristine VaughnSharon WelschGenevieve WilbergLloyd & Tina WithersNora Ylvisaker

PARTNERSIn Honor of Weekenders Social ClubIn Memory of Juliet Johnson DooleyIn Memory of Timothy N. FastIn Memory of Odvar HaugIn Memory of Alvar OlsonIn Memory of Sarah Pleggenkuhle- PennewellIn Memory of Harlow WrightTom AndersonMyra AndreassenMark AslesonSteve & Pam BarnesJohn BeutelSharon Beckman & Ron PileTrish BrehmRobert & Joann BrunsellJim & Arlene BurkeFritz & Laurine CarstensThomas & Kathleen CzynszakDarryl & Nancy DahmJeff & Mary DavisKay & Leslie DavisRon & Lou Ann EllingsonElaine EmkowKittie & Chuck EndresJon EricksonWilma FursethGerry GraffinRon & Joann GrimmRoger & Cyndi GullicksonLinda & Rodger HansenWilliard HansonRichard & Carol Heacox

Gerard HealyDon & Cheryl HeiligerPerry & Pat HellumTom & Suzanne HotterHomer HowardHelen JohnsonMary Louise KellerEda L LamosOlaf & Rebecca LundeSandra MaerzFelipe & Monita ManaloLawrence & Shirley MandtMargie MartinGeorgiann & Peter McDonaldAmy & Tom McFarlandRick & Joan McLaughlinDiane & Dan MatsonDan MoeserDick MorrisseyNancy & David NedveckTom & Carol NovakCress-Olson-Holzhuter HomeRuth Mary Olson Sharon OwenDeb & Randy PadfieldRuth PaulsonNancy & Wayne PaulsonJeff & Vicki RaymondDan & Mary RamsdenJulie & Brian RamsdenTim ReillyTimothy Reilley & Janet NelsonBob & Jean RistauDesi Rohling

Trevor & Roberta RushPauline & Ted SchneseJeanne & Edward SchultzJim & Mary SeversonChristine Schelshorn & Jim Danky Nancy ScovottiJames & Deloris SkilesEvelyn L. Stingley TrustGale A. StoneJames & Erma SundbyUrsula ThomasCliff & Barb TomasCraig & Peggy ThompsonJoyce Tikalsky /John HallinanRichard & Ruth TookNorm & Linda VendenLori & Peter VogelMarvin & Grace WagnerDon & Carol WahlinSpencer & Valli WarrenJan & Jahn WitzelWoodland StudiosBill & Mary ZimmermanStoughton High School Class of ‘37Stoughton High School Class of ‘38The Actors Factory


Stoughton Opera House— Timeline of Growth•1900–1901 City Hall constructed. “City Auditorium” opens to the public.

•1950–1955 In decline, the Opera House is closed to the public.

•1961 Amidst questions of structural integrity, the original clock tower is removed.

•1980–1983 Debate rages over whether the entire building is worth saving.

•1983Citizens form the Friends of the Opera House to fund restoration.

•1988Enabled by $105,000 in private donations, a new clock is installed on the tower.

•1990An additional $74,000 in donations funds the addition of an enclosed fire stairwell.

•1992 Radiators replaced by central heating and air conditioning.

•1992–2000 Opera House restoration underway.- Balcony reinforced.- Modern dressing rooms constructed.- Main entrance restored.- Elevator installed.- Walls replastered and painted.- Gold leaf fleur-de-lis and scrolls restored.- Embossed metal ceiling restored and highlighted.- Original chandelier upgraded with modern wiring, lamps, and tulip bowls.- All woodwork restored.- Aisles widened.- New carpet installed with embedded light tracks.- Original curtain restored.- Modern light, sound, and intercom systems installed.

•2001 The Stoughton Opera House grand reopening.

1900

1950

1983

2001

OPEN OPENCLOSED RESTORATION

Photos:Above right: The cast of the 1910 Junior Class Play, The Deacon’s Second Wife, posed for a photograph.

Center right: The Senior Class Play, A Pair of Sixes, delighted a packed house on May 23, 1924.

Lower right (left to right): Bill Lustgarten varnishing the office floor. Volunteers helped paint the opera house balcony.

Restoration Coordinator John Vorndran and his wife Judy with the restored chandelier and refinished seats. Photos: Henry Koshollek/

Capital Times.


1900 marked the beginning of the Progressive Era in America, a time when, as Eleanor Roosevelt remarked, “you were kind to the poor, you did not neglect your philanthropic duties, you assisted the hospitals and did something for the needy.” In this climate of hope, optimism, and social responsi-bility, a community of forward-thinking individuals, intent upon building a future for their town, began construction on the “City Auditorium” known today as the Stoughton Opera House.

On February 22, 1901, the Opera House opened its doors for the first time to a crowd of 600 expectant audience members. An opening night gala marked the performance of the first public theatrical event to be held in this space, A Doctor’s Warm Reception. Individuals, families, and friends from the local community and beyond gathered for this landmark event, commemorating the completion of Stoughton’s first large-scale performance venue.

Little did these first audience members know that they were initiating a tradition that would continue for over a century to come, but their presence in that historic moment and space laid the groundwork for a future of community participation and enjoyment.

The people of Stoughton have defined themselves through the Opera House for the past century, creating a tradition that speaks about who they are today. For over 50 years, the Opera House served the community as a venue for a wide variety of cultural experiences and opportunities. These events ranged

from the theatrical, including operas, musicals, and minstrel and vaudeville performances, to the more personal, community-defining events, such as annual graduations, junior and senior class plays, and even political speeches and activist meetings.

However, by the mid-20th century, the historic venue was on the brink of decay; its original construction was unequipped to accommodate the wear and tear of use and those harsh Wisconsin winters. The local community once again answered the call to social responsibility, to restore and reclaim the space as the foundation for a present and a future. They defined the communal goal to restore this living icon of Stoughton’s heritage to its former glory and to deliver it into the modern era, while preserving the little details that make it a work of art today.

By 1985 the restoration project was well underway, with con-tributions of over $10,000 from individuals and organizations within the community and from afar. The project continued to blossom as donors stepped forward to ensure that the Stoughton Opera House would continue to deliver audiences to the realm of imagination while providing the comforts and necessities of a modern facility. The staff and volunteers continue to dedicate themselves to the preserva-tion and growth of the Stoughton Opera House. It is a gift from a community that knows itself to current generations and those yet to come.

Reinvention and Rebirthby Bill Brehm

OPEN

Photo courtesy John Rindahl / Archer Photography


Save when you order three or more shows.

10 11Stoughton Opera House Order Form

Step One—Select Single or Series Tickets

www.stoughtonoperahouse.com — (608) 877-4400

Step Three—Become a Friend of the Opera House

Step Two—Check Off Your Seating Preference: Main Floor Balcony Box Seats

Step Four—Complete/Submit Your Order

Payment: Check VISA MasterCard

Card #: Exp. Date:

Name:

Address:

City: State: Zip:

Phone (day): Phone (eve):

Signature:

Please sign me up for SOH email newsletter:

Ticket Sales Total (A) $

Membership Total (B) $

Ticket Service Fee $ 4.00

Grand Total $

MAIL/DELIVER TO: Stoughton Opera House381 E. Main Street, Stoughton, WI 53589BOX OFFICE: (608) 877-4400 • FAX: (608) 873-0875EMAIL: [email protected]*Include your email to receive newsletters and show updates.

We promise we will never sell your info to anyone.

Opera House Policies: Page 35

Friend—$25 Patron—$50 Partner—$100 No Thank You

Ambassador—$250 Director—$500 Producer—$1,000 B–Subtotal:

-

NEW! Online Ticketing now available at www.

stoughtonoperahouse.com

A–Subtotal:Suggested group-friendly eventsShows not appearing on this form are available direct from the producing organizations or at the door.

*A group is 8 or more—call for group rate.

PAGE ARTIST DATE/TIME QTY SINGLE SERIES TOTAL4 Ramblin’ Jack Elliott Sat, Sept 11, 7:30 pm $25 $234 Esperanza Spalding—Chamber Music Society Sun, Sept 19, 7:30 pm $40 $385 Junior Brown Fri, Sept 24, 7:30 pm $25 $236 Capitol Steps—Liberal Shop of Horrors (2 shows) Sat, Oct 2, 6:00 pm & 8:30 pm $35 $337 The Amazing Acro-Cats (2 shows) Sun, Oct 3, 1:00 pm & 3:00 pm $8 $68 The Travelin’ McCourys Fri, Oct 8, 7:30 pm $30 $28

8 Suzanne Vega Sun, Oct 10, 7:30 pm $30 $2810 Maggie Mae & The Heartland Country Band (2 shows) Thur, Oct 14, 3:00 pm & 7:00 pm $20 $1811 The Wailin’ Jennys Sat, Oct 16, 7:30 pm $30 $2812 An Evening with Patty Loveless Sun, Oct 17, 7:30 pm $45 $4313 An Evening with Jake Shimabukuro—Solo Ukulele Wed, Nov 3 , 7:30 pm $25 $2314 Peter Rowan Bluegrass Band Fri, Nov 5 , 7:30 pm $30 $2814 Ancora String Quartet Sat, Nov 6 , 7:30 pm $20 $1815 Paul Barrere & Fred Tackett of Little Feat Fri, Nov 12, 7:30 pm $30 $2816 An Evening with Jeff Daniels Sat, Nov 13, 7:30 pm $30 $2819 Riders in the Sky—Christmas the Cowboy Way! Sat, Dec 18, 7:30 pm $35 $3320 Pro Arte Quartet Sun, Jan 23, 4:00 pm $20 $1820 Madison Brass Band Sat, Feb 5, 7:30 pm $20 $1820 Dan Newton’s Café Accordion Orchestra Fri, Feb 11, 7:30 pm $20 $18

21 Bonnie Koloc Sat, Feb 12, 7:30 pm $25 $23

21 Four Bitchin’ Babes Hormonal Imbalance (2 shows) Sat, Feb 26, 3:00 pm & 7:00 pm $35 $33

21 Del McCoury Band Fri, March 4, 7:30 pm $35 $33

22 Chris Smither in Concert Fri, March 18, 7:30 pm $25 $23

22 Tim O’Brien and Bryan Sutton Fri, March 25, 7:30 pm $30 $28

24 Commonweal Theatre: Henrik Ibsen’s An Enemy of the People Sat, March 26, 7:30 pm $25 $23

25 Branson on the Road with Maggie Mae (2 shows) Thur, March 31, 3:00 pm & 7:00 pm $20 $18

25 Iris DeMent Sat, April 2, 7:30 pm $30 $28

25 The Emmitt-Nershi Band Fri, April 8, 7:30 pm $30 $30

26 Adrian Legg Fingerstyle Guitar Sat, April 9, 7:30 pm $25 $23

26 Glenn Miller Orchestra (2 shows) Thur, April 14, 3:00 pm & 7:00 pm $30 $28

27 Harry Manx Fri, April 15, 7:30 pm $25 $23

28 Janis Ian and Tom Paxton, Natalia Zukerman opens Sat, April 30, 7:30 pm $30 $28

28 Tony Rice Unit Fri, May 6, 7:30 pm $30 $28


Main Floor Balcony Box Seats

Opera House PoliciesThe house opens at least one-half hour before the curtain. Parents should exercise discretion in deciding which events are ap-propriate for children (aisle seats are recommended). Regardless of age, a seat must be purchased for everyone attending an event, unless otherwise noted. Programs and events are subject to change without notice. Patrons arriving late will be seated at a suitable pause in the performance.

AccessibilityPatrons with special needs should call the Box Office for information on handicap parking, wheelchair seat-ing, audio amplification headsets, and other special services. Signed in-terpretation (pending availability of interpreters), braille, and large-print programs are available if requested three weeks in advance.

Facility/Wedding RentalThe Stoughton Opera House is available for rental to individuals, corporations, and community orga-nizations for weddings, conventions, meetings, concerts, and recitals.

For more information or to book your next event, call our Event Coordinator at (608) 646-0019 or email her at [email protected].

Box Office InformationThe box office is open Monday–Friday 9 am–4:30 pm. Open 90 minutes prior to curtain, 30 minutes after performances. Summer hours may vary. Individual and group guided tours are available by appointment by calling (608) 877-4400.


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Stop at Halverson’sCoachman’sRestaurant along Hwy 51 (just outside Stoughton) for dinner before an evening show.

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B&B and Hotels

If you are looking for lodging or restaurants for before or after the shows, we encourage you to visit these fine establish-ments who support the Stough-ton Opera House by advertising in this guide! Hotels

Naeset Roe Inn— 877-4150, 126 E. Washington St

Country Inn and Suites—221-0055, 400 River Place, Monona

Coachman’s Golf Resort —884-8484, 984 CTH A, Edg-ertonRestaurants

Cheesers—873-1777 183 E. Main Street

Coachman’s Golf Resort —884-8484 984 CTH A, Edgerton

Culver’s—873-6635, 916 Nygaard Street

El Rio Grande—877-0160 524 W. Main Street

Fosdal Home Bakery (lunch only) 873-3073 243 E. Main Street

Halverson’s Restaurant —873-3001 1965 Barber Drive

Page Street Pizza —877-8500 971 N. Page Street

Pour House—877-1747 121 E. Main Street

Springers of Lake Kegonsa—205-9300 3097 Sunnyside Street

Vincenzo’s—205-9364 176 E. Main Street

Yahara River Grocery Cooperative—877-0947 229 E. Main Street

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Stoughton Office207 S. Forrest St

608.873.6681

Lake Kegonsa Office3162 County Rd B

608.873.2010

www.evergreenstatebank.com800.863.2265Also offices serving

Sun Prairie and Janesville communities

Evergreen State Bank

is proud to support the

Opera House and

Stoughton’s cultural

community

Your seat is waiting.

The stage is set and the lights are on but one key element is missing — You.

The meticulously restored Stoughton Opera House is one of Wisconsin’s premiere live music theaters and the 2010–2011 season includes so much more! See legendary performers in the intimate atmosphere of an era gone by.

Southern Wisconsin’s most charming theatrewww.stoughtonoperahouse.com

Documents

Stoughton Opera House 2010-11 Season