Stroy Borrrrdddd

8/10/2019 Stroy Borrrrdddd

1/63

Type of shot,

movement and angle.

Dialogue. Sound. Setting. Colour. Lighting.

Mise-en-scene.

Frame

duration

Shot

No.

1

Production company Still shot

Straight on angle

No movement

Dialogue- N/A

Sound- N/A

Setting-N/A

Colour- Gold and black on white background

Lighting- N/A

Mise-en-scene- N/A

Production company indicated.

0:00

4

seconds

0:04

Editing notes

Fade in and fade out to black

Shot

No.

2

Distribution company Still shot

Straight on angle

Dialogue- N/A

Sound- N/A

Setting- N/A

Colour- Red and white on black background

Lighting- N/A

Mise-en-scene- N/A

Distribution company indicated.

4

seconds

0:08


2/63

Editing notes

Fade in and then fade out to black

Shot

No.

3

Still shot Dialogue- N/A

Sound- scissors cutting and a quiet score

begins

Setting- N/A

Colour- black

Lighting- N/A

Mise-en-scene- N/A

Black screen to signal the opening is to begin.

7

seconds

0:15

Editing notes

Fades in from black and fades out to black

Waiting


3/63

Shot

No.

4

Close up

Handheld camera

No movement other

than handheld

movement

Straight angle

Dialogue-N/A

Sound- Score and pen scribbling (Foley)

Setting- desk in villains home

Colour- Black and white

Lighting- Dark

Mise-en-scene- Props of pen and photos, low

key lighting

Kurtis scribbling out the face of Alex in a

photo.

1

seconds

0:16

Editing notes

Cuts in from black

Cuts outBlack and white


4/63

Shot

No.

5

Still shot

Close up

High angle

Point of view shot

Dialogue- N/A

Sound- Score

Setting- Desk in villains home


Lighting- Dark

Mise-en-scene- Props of pen and photos, gun

and low key lighting

The gun he later shoots Alex with is lay on the

table along with a photograph that tells of

Alexs location at certain times and places.

1

seconds

0:17

Editing notes

Cuts transition before and after

Black and white

Credit:

Sound by

Nicole Daybell and Samantha Leason

Copyright free music


5/63

Shot

No.

6

Still shot

Birds eye

Mid shot

Point of view shot

No movement

Black and white

Dark lighting

Setting at desk in villains house

Score

Dialogue- N/A

Sound- Score and lighter burning (Foley)



Lighting- Dark

Mise en scene- props of pen, scissors, photos,

lighter and notebook

Kurtis notebook and photographs that are

ripped cut and damaged all lay out on the

table with the gun beside them. Kurtis is about

to set this alight.

1

seconds

0:18

Editing notes


Black and white

Credit continued:

Sound by

Nicole Daybell and Samantha LeasonCopyright free music


6/63

Shot

No.

7

Still shot

Ariel shot

Close up

Point of view shot

Dialogue- N/A

Sound- Score and scissors cutting (Foley)



Lighting- Dark

Mise en scene- props of photos and scissors,

low key lighting

Kurtis cutting up a newspaper article about

John leaving the police to become a private

investigator.

1

seconds

0:19

Editing notes


Black and white

Credit continued:

Sound by




7/63

Shot

No.

8

Close up

Still shot

Ariel shot

Point of view shot

Dialogue- N/A

Sound- Score and pen scribbling (foley)



Lighting- Dark

Mise en scene- props of pen and photos, low

key lighting

Kurtis writing the time on a photograph of Alex

when he saw her.

1

seconds

0:20

Editing notesCuts transition before and after

Black and white

Credit continued:

Sound by




8/63

Shot

No.

9

Close up

Panning of camera

Straight on angle

Point of view shot

Shallow focus

Dialogue- N/A

Sound- Score



Lighting- Dark

Mise en scene- prop of gun, low key lighting

Kurtis holding the gun he later will shoot Alex

with.

1

seconds

0:21

Editing notes


Black and White


9/63

Shot

No.

10

Close up

Shallow focus

High angle

Still shot

Point of view shot

Dialogue- N/A

Sound- Score and lighter (Foley)



Lighting- Dark

Mise en scene- prop of lighter, pen and

photographs.

Kurtis holding a lighter to more photos.

1

seconds

0:22

Editing notes


Black and white

Credit

Edited by

Samantha Leason

And Nicole Daybell


10/63

Shot

No.

11

High angle

Mid shot

Still shot

Point of view shotShallow focus

Dialogue- N/A

Sound- Score and lighter (Foley)


Colour- Black and whiteLighting- Dark

Mise en scene- prop of photograph and lighter

Kurtis burning an image of John and Alex.

1

seconds

0:23

Editing notes


Black and white

Credit: Edited by

Samantha Leason

And Nicole Daybell


11/63

Shot

No.

12

Close up

Still shot

High, tilted angle

Point of view shot

Dialogue- N/A

Sound- Score and pen scribbling (Foley)



Lighting- Dark

Mise en scene- prop of photos and pen

Kurtis writing the date of his break up with

Alex.

1 second

0:24

Editing notes


Black and white

Credit continued:

Edited by

Samantha Leason

And Nicole Daybell


12/63

Shot

No.

13

Extreme close up

Still shot

High angle

Point of view shot

Dialogue- N/A

Sound- Score and pages flicking (Foley)



Lighting- Dark

Mise en scene- prop of notebook/diary

Kurtis flicking through his diary

1 second

0:25

Editing notes


Black and white


13/63

Shot

No.

14

Close up

Straight on angle

Still shot

Point of view shot

Dialogue- N/A

Sound- Score and paper ripping (Foley)



Lighting- Dark

Mise en scene- prop of photograph

Kurtis ripping up photos of Alex and John

1 second

0:26

Editing notes


Black and white

Credit:

Directed by Samantha Leason

and Nicole Daybell


14/63

Shot

No.

15

Mid shot

Still shot

High, tilted angle

Point of view shot

Dialogue- N/A

Sound- Score



Lighting- Dark

Mise en scene- Props of photographs

Kurtis moving around the photos

1 second

0:27

Editing notes

Cuts transition before and afterBlack and white

Credit:

Directed by Samantha Leason

and Nicole Daybell


15/63

Shot

No.

16

Point of view shot

Close up shot

Ariel view

Still shot

Dialogue- N/A

Sound- Score



Lighting- Dark

Mise en scene- Props of photographs andnotebook

Kurtis gluing down Johns address into his

notebook

1 second

0:28

Editing notes

Cuts transition before and afterBlack and white

Credit: Directed by Samantha Leason

and Nicole Daybell


16/63

Shot

No.17

Extreme close up

High, tilted anglePanning of camera

Dialogue- N/A

Sound- Score and pen scribbling (Foley)Setting- desk in villains home


Lighting- Dark

Mise en scene- Props of photograph and pen

Kurtis writing a date and time and captioning

the photo of where Alex was at this time.

1 second

0:29

Editing notes


Black and White


17/63

Shot

No.

18

Point of view shot

Close up shot

Still shot

Dialogue- N/A

Sound- Score and scissors cutting (Foley)



Lighting- Dark

Mise en scene- Props of photograph andscissors

Kurtis cutting up a photo of Alex and John.

1 second

0:30

Editing notes


Black and whiteCredit:

Produced by Samantha Leason

And Nicole Daybell


18/63

Shot

No.19

Point of view shot

Close up shotStill shot

High angle

Dialogue- N/A

Sound- ScoreSetting- desk in villains home


Lighting- Dark

Mise en scene- props of pen and paper

Kurtis writing down Alexs address.

1 second

0:31

Editing notes


Black and white

Credit:

Produced by Samantha Leason

And Nicole Daybell


19/63

Shot

No.

20

N/A Dialogue- N/A

Sound- N/A

Setting- N/A

Colour- Black

Lighting- N/A

Mise en scene- N/A

Screen cuts to black and score stops. End of

the montage.

2

seconds

0:33

Editing notes

Cuts in and cuts out at end of 2 seconds duration


20/63

Shot

No.

21

Close up shot

Straight on angle (low

to the floor)

Still shot no movement

Dialogue- N/A

Sound- Score

Setting- Dark Street

Colour- Natural colour

Lighting- Dark

Mise en scene- dark atmosphere, Alex wearingheels and smart business wear confident body

language but slight anxious attitude also. Prop

of bag.

It is late evening and Alex is walking home

from work. She walks confidently but also

slightly anxiously.

3

seconds

0:36

Editing notes

Cut transition to next shot


21/63


22/63

Shot

No.

23

Close up

Straight Angle

No movement

Dialogue- N/A

Sound- Score



Lighting- Dark

Mise en scene- dark atmosphere, Kurtis is

wearing dark hooded clothing.

We then see Kurtis feet at the same time as he

is also walking somewhere. He walks fast and

angrily.

3

seconds

0:44

Cut transition to next shot.


23/63

Shot

No.

24

Long shot

Straight angle

No movement

Dialogue- N/A

Sound- Score and footsteps (Foley)



Lighting- Dark

Mise en scene- dark atmosphere, Kurtis iswearing dark hooded clothing.

We then see Kurtis at the same time as he is

also walking somewhere. He walks fast and

angrily.

3

seconds

0:47

Editing notes

Credit/fade/overlay:

Matt Davies



24/63

Shot

No.

25

Close up shot

Straight angle

No movement

Dialogue- N/A




Lighting- Dark



We then see Kurtis clenched fist as he walks.

.

1 second

0:48

Editing notes



25/63

Shot

No.

26

Long shot

Straight angled shot

No movement

Dialogue- N/A

Sound- Score, footsteps (Foley) and sting



Lighting- Dark



of bag

We see Alex walking again.

2

seconds

0:50

Editing notesCut transition to next shot

Credit/Fade/Overlay:

Callum Neilson


26/63

Shot

No.

27

Straight angle/ low

angle shot

Camera tilts upwards

Dialogue- N/A



Colour- Natural colourLighting- Dark

Mise en scene- dark atmosphere, Alex wearing

heels and smart business wear confident body


of bag

We focus on Alexs feet walking.

2

seconds

0:52

Editing notes


Credit continued/Fade/Overlay:

Callum Neilson


27/63

Shot

No.

28

Close up shots

Straight angle

Panning movement

Dialogue- N/A




Lighting- Dark



of bag

We focus on Alexs feet walking.

2

seconds

0:54

Editing notes



28/63

Shot

No.

29

Long shot

Straight on angle

No movement

Dialogue- N/A




Lighting- Dark



We see Kurtis reaching the house just after

passing the street name previously seen in the

montage of Alexs road.

.

3

seconds

0:57

Editing notes



29/63

Shot

No.

30

Long shot

Straight on/slightly high

angle

No movement

Dialogue- N/A




Lighting- Dark



of bag

We see Alex still walking before stopping to

look in her bag and get out her phone.

5

seconds

1:02


30/63

Editing notes



31/63

Shot

No.

31

High angle

Close up shot

No movement

Dialogue- N/A

Sound- Score


Colour- Natural colourLighting- Dark


heels and smart business wear confident body


of phone

Alex texts John telling him she will be home

soon and will see him at 7.

4

seconds

1:06

Editing notes



32/63

Shot

No.

32

Straight on

long/mid

No movement

Dialogue- N/A


Setting- Outside of Alexs house


Lighting- Dark


Kurtis gets to the door of the house and looks

around cautiously to see who if anyone is

watching him.

2

seconds

1:08

Editing notes



33/63

Shot

No.

33

Close up shot

Straight on angle

Pan movement

Dialogue- N/A

Sound- Score



Lighting- Dark



He reaches for a key in his pocket and goes to

put it in the door.

2 second

1:10

Editing notesCut transition to next shot


34/63

Shot

No.

34

Close up

Straight angle

No movement

Dialogue- N/A

Sound- Score



Lighting- Dark


He turns the key.

2 second

1:12

Editing notes

Cut to next shot


35/63

Shot

No.

35

Close up

High/straight angle

No movement

Dialogue- N/A

Sound- Score and door opening (Foley)

Setting- Alexs house


Lighting- Dark


We see the door opening from inside of the

house and Kurtis feet walking through.

.

2seconds

1:14

Editing notes



36/63

Shot

No.

36

Long Shot

High angle

Pan movement

Dialogue- N/A

Sound- Score



Lighting- Dark


language but slight anxious attitude also.

Cut back to Alex walking along and looking

wary of her surroundings as it gets closer to

night.

3

seconds

1:17

Editing notes



37/63

Shot

No.

37

Close up

Straight angle

No movement

Dialogue- N/A

Sound- Score



Lighting- Dark


Kurtis walking through the house.

1 second

1:18

Editing notes



38/63

Shot

No.

38

Mid shot

Straight/low angle

Tilt movement

Dialogue- N/A

Sound- Score



Lighting- Dark


We see Kurtis walk again before stopping

abruptly. As the camera tilts upwards we see

him holding a photograph, he throws this

carelessly to the floor.

6seconds

1:24

Editing notes


Shot

No.

39

High angle

Close up

No movement

Dialogue- N/A

Sound- Score



Lighting- Dark



We see the photo lying on the floor and

discover it is of John and Alex.

1 second

1:25

Editing notes



39/63

Shot

No.

40

Straight on angle

Long shot

No movement

Dialogue- N/A

Sound- Score

Setting- Alexshouse


Lighting- Dark


Kurtis walks off leaving the photo on the floor.

2

seconds

1:27

Editing notes



40/63

Shot

No.

41

High angle shot

Close/Mid shot

No movement

Dialogue- N/A

Sound- Score and draw opening (Foley)



Lighting- Dark


Kurtis walks over to a draw and opens it and

roots around the contents looking through

Alexs belongings.

5

seconds

1:32

Editing notes



41/63

Shot

No.

42

Straight angle

Long shot

No movement

Dialogue- N/A

Sound- Score



Lighting- Dark


Kurtis walks back through the house towards

the stairs.

3seconds

1:35

Editing notes



42/63

Shot

No.

43

Low angle shot

Close up

No movement

Dialogue- N/A




Lighting- Dark


Kurtis walks up the stairs.

1 second

1:36

Editing notes



43/63

Shot

No.

44

Long shot

No movement

Straight angle

Dialogue- N/A

Sound- Score

Setting- Outside Alexs house


Lighting- Dark



Alex walking up to the door of the same house

(her house).

2

seconds

1:38

Editing notes



44/63

Shot

No.

45

Close up

Straight/High angle

Pan

Dialogue- N/A

Sound- Score

Setting- Alexs House


Lighting- Dark



Alex reaches into the bag to find her key and

lets herself into her house.

4

seconds

1:42

Editing notes



45/63

Shot

No.

46

Close up

Straight Angle

No movement

Dialogue- N/A

Sound- Score



Lighting- Dark



Alex goes into her house.

1 second

1:43

Editing notes



46/63

Shot

No.

47

Long shot

Straight/High angle

Pan movement

Dialogue- N/A

Sound- Score



Lighting- Dark



Alex walks into her house, she walks down the

hall to see the smashed frame on the floor

where she stops still and bends down to look

at the frame on the floor before standing up

again.

5

seconds

1:48

Editing notes



47/63

Shot

No.

48

Mid/Long shot

Straight angle

No movement

Dialogue- N/A

Sound- Score and creak of footsteps (Foley)



Lighting- Dark



Alex looks up and looks around after hearing a

noise upstairs.

2

seconds

1:50

Editing notes



48/63

Shot

No.

49

High angle

Long/Mid shot

No movement

Sound- Score



Lighting- Dark


heels and smart business wear confident bodylanguage but slight anxious attitude also.

Alex walks back down the hall towards the

stairs.

3

seconds

1:53

Editing notes



49/63

Shot

No.

50

Straight angle

Close up

No movement

Dialogue- N/A

Sound- Score



Lighting- Dark



Alex goes upstairs.

1 second

1:54

Editing notes



50/63

Shot

No.

51

Long/Mid shot

Straight angle

No movement

Dialogue- N/A

Sound- Score



Lighting- Dark

Mise en scene- dark atmosphere, Kurtiswearing dark hooded clothing.

Kurtis turns to hear Alex coming upstairs.

1 second

1:55

Editing notes

Cut transition


51/63

Shot

No.

52

Close up

High angle

No movement

Dialogue- N/A

Sound- Score



Lighting- Dark


Kurtis reaches for the gun in his pocket

2

seconds

1:57

Editing notes



52/63

Shot

No.

53

Long shot

Straight angle

No movement

Dialogue- N/A

Sound- Score



Lighting- Dark


Kurtis backs away from the door that Alex is

walking towards.

1 second

1:58

Editing notes



53/63

Shot

No.

54

Close up

Straight angle

No movement

Dialogue- N/A

Sound- Score



Lighting- Dark



Alex opens the door to her bedroom.

1 second

1:59

Editing notes

Cut transition


54/63

Shot

No.

55

Straight angle

Close up

No movement

Dialogue- N/A

Sound- Score



Lighting- Dark


Kurtis lifts the gun to shoot Alex.

2

seconds

2:01

Editing notes



55/63

Shot

No.

56

Straight angle

Mid/Close up

No movement

Dialogue- N/A

Sound- Score



Lighting- Dark

Mise en scene- dark atmosphere, Alex iswearing smart business clothes.

Alex appears frightened and begins to back

away from the door.

1 second

2:02

Editing notes



56/63

Shot

No.

57

Close up

Straight Angle

No movement

Shallow focus

Dialogue- N/A

Sound- Score and gun shot (Foley)



Lighting- Dark


Kurtis pulls the trigger. (slow motion)

2

seconds

2:04

Editing notes


Slow motion


57/63

Shot

No.

58

High angle

Long shot

No movement

Dialogue- N/A

Sound- Score



Lighting- Dark


Alex is shot and falls to the floor.

2

seconds

2:06

Editing notes



58/63

Shot

No.

59

Close up

Ariel angle

No movement

Dialogue- N/A

Sound- Score



Lighting- Dark


We see Alexs hand curl up.

1 second

2:07

Editing notes



59/63


60/63


61/63

Shot

No.

62

Long shot

Straight Angle

No movement

Dialogue- N/A

Sound- Score



Lighting- Dark

Mise en scene- dark atmosphere, Kurtis iswearing dark hooded clothing. Prop of gun

Kurtis steps over Alexs body and leaves.

1 second

2:11

Editing notes



62/63

Shot

No.

63

Close up

High/side angle

No movement

Dialogue- N/A

Sound- Score and phone ringing (Foley)



Lighting- Dark

Mise en scene- dark atmosphere, Alex is dead.

Alexs phone receives a call from John. It rings

out.

2 second

2:13

Editing notes



63/63

Shot

No.

64

Close up

Straight angle

No movement

Dialogue- N/A

Sound- Score and clock tick (Foley)



Lighting- Dark

Mise en scene- dark atmosphere, Alex is dead.

The final shot is of the clock hitting seven.

2

seconds

2:14

Editing notes

Cut transition to end the opening.

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Stroy Borrrrdddd