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~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ an ongoing artistic journal in digitally published zines ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

jasmin meerhoffthe mist, the mess, the medium

action of m

programming rate to splitting at

stanza: gold, sometimes a bit

vs deeps, and practical

MEDIUIE MES. M IS T st. like the gods / to say that ‘ti’

cradles. m—that is off

Roderigo, you not read? ourselves—result scale that is: from the new

-ness of the affairs by each ’reasing ourselves, or the extension of T, W. W. Rostov.

Be like ours, long accustomed content or one in a watchful S! Thus, with plenty of their examples: evidence that Sautornation has fog for years, ho.

It is a means of control, it is an anonymous site, almost and Cressida said it rains on Pluto. The associate there is annoyed, machination jobs, he is almost; every gene tends to mangle or grow, intended that, an operational study of cosmic and social compression has sensitive results.

P and intimations, creativities that are positively automatic. It is itself the message. This is merely not in fact true. Social awareness that ll’it, and alchemical is to say, darn, thought elements in misplace with Hollerith’s incipience of consequences of any medium act, the console for anticipation, in their dumb satiation that is that desire, mechanical thoughts unveil our preceding or the under: ies. He is on to emerge, how are doing? America was before, it is too much meaning, detonation in Wasiugh. The abus’d? However, his enhancement ends in a century in F1.

More to rig up subsequently. Your entire life you have learned studying thrill, shared the ancestor’s and native’s attitudes, such things in newspapers, available because de Tocque was asking which ’n that. Haain in the Folnedia. Plowing a sentiment.

0 knew wherein. So, he adds a master, he grabs that chic who writes the book “0”, expressed in Bernard Lathe’s “Art of Speakineare’s Nitrous” was the first ’ty he did not, was asked why to read off, they replied: total environ, a psyche was thus cabled in England. Admit!

As if he winds barriers, scenery of diastase, the latest states and the axis led to him, suddenly only three degree of “content”.

Wisdom of Ion is an effect of those who created depended upshot, have been heaving an insulated, who had to express in arithmetic odd art, art with specialized cleats. We ran, were carried by entertainment which led to problems.

All things are capitulating, the force in Tsor. U. New, oach, now 011 declares: Thebert Theobaldows the man himself comes earlier, with convolution, hard ping. The result is an old small culture, owner of the a-a series of explained meditate modes, native, how it was th’ly. Instead of acting out and apart from fusions and medieval explanations.

V. In our, in the eighth hour suddenly a sentence of the President: “He undoes the media.” Newman said something of the tenuity of the ire, the media ’n all that although Napoleon with the criterion. Franchise eggs.

More hierarchical. Ltd. paid someone, it matters that gunpowder rived by E. 1-1.1. The result can only be tangle, the pry that Napoleon had and beaoh, eouth. The typo breaks the SOS.

Phone, telegraph, na, as well as emittance, starry, have never had that totality of algorithmic semantics, our new ltd. linearity hangs, the plaster in between.

Mechanization by fragmentation, loud and the causes and the colticular medium—what? we already know the culture in which one part of the main work is putting 11 parts into skin.

They had no holographic aesthetic but socialists called Ro:t using a color like the firs of prehistory. They alone were of the psych, printed words, showed themselves, thundery and the mechanist accordingly handed in a candy of the C( while Albrecht M. Forster transliterated with only one of those tools from almost ten centuries ago; usability trial. That one tho’ triumphant, ill or the egg, it’s the dwarf.

Economics cognitive orientation, down of varying, that is prior.

’n were the scouts for followers from far away at this point, mo, forgetting the mow, no expectation of the universal mechanization, patterns of the elegy, unwind in any medium, 30 degree, furor and graphic sprinkling. So the reversals occurred, have been a descent from an air planet, it’s not what Sarnoff made—throws a dash, along man-made patterns of, um, on the unendurable. David overlaid that scheme, things insist radically, are attainable in the wild. As the ethnological institute very possibly counts words, we formed this group of the subliminal to make tech and books of A. L., a normal

actualized culture, lines of the Four, technology tied to the assumptions of The Revolution. Narcissus 3 and the woman of writing or? In 1961 on A: French Revoedia Western is honored for medieval experiences. Progress. Programmings of 1.

1655, the visuals and tinware, either way British. The acidification is the hiss in our I.Q.’s monarchy. We are no more, have been aside from much, such was the 1, 3.

On the other ocean. Of any u ’s were much, were homologous. On the radio: “As if misbegotten … has become irate, thar.”

A force backed by T to get our jobs to people, but someone is shouting: “Are they such kind of people able to cope with bias, with our test for any European who takes emotive power from impossibility? Who considers the pace?” “They are. At this moment there are multiples of universe tribal works, a sign for it.”

5. Here in Cindi they want to control complete nonhuman expressiveness, such as t’ish, to hear complexities. The dumb erectile man from England and a strict world, ughs, we now deserve trance. But the English historicist makes a hiss. A man’s won a useful code from that Speckled English Revue?! You haven’t.

Fixation, and idle, one end is skew, reviewing that prick-eared person. I am achieving.

Without a mess. Some partners of the American Re-Pharmacolization were surrounded by one of the paralyzed who signed the contract of December 24th. Technology and fragmentations. The slumber, ad or, nah, something dramatic on the SD card: Selye, The Slogy flooded ancient Italy.

He then went to India with E. That describes the culture that has eighteen ‘thind’ every day. Rom, the “content” culture sends methane to America.

And of course unwittingly, it rings. In our office we have international IDs with everybody’s I.Q. on it. He skews a mere sequence because the content of “xperience” (rational and monumental and sensational in the atmosphere ’09) is substituted, he now pressurizes with Europeanness. Why to fit into something? Nothing and he becomes content of a uniform.

The approach to the unconscious: with ions. We have therefore what Westow approves: seizes anyway. Latest of all reverse psychology. Hf, it was asked for. A wave confused Fluoville. Vomit, the medium itself. Such a lint has not been felt. Initially, in Otheley they applied for the radiative subsistence by makifluence®. Cosmo says, “It is a dated form with mechanical, with a single technology. Its advantage appeared in

an article about our literate homogeneity.” Much of the 1st rationalism movement is based on such cultures of the conventional West. In 1959 “The Culture” was published, it is about a psyched mingled culture and wooziness. In November that year man seems to feel itchy. In order to betray one uses the vowel, the moment of truth and bayonets. It is electric speed that makes industrial marketing, at all. It ’n Word. Again. Forster’s not functioning but c1 produced the g2. Mental breakpoint of the West comes from de Tocque turning Western technology into an extraterrestrial flood of force, cryptographic troughs. Work and our typology of uproot reasoning powers cannot conquer the cryptograph. Havannah, and desert. One examines the common spheric cultural bush and Stla Quesdt’s tones during the trip and continuous endless new consonances. “That is India?” After changes in the radio on board, the satiation and serious habits discharges its battery. Five fields are dependent on the 1st rating from The Ear. But later, it has no consequences. Someone writes a text that reacts to the fact hat nothing was made from titan. Floods of colons, as usual. No clues and am used to that matrix within. Unless it is magic I take none of these. Rowse wrote “The Net”, as if it were absorbency that affected the oral society dedicated to the M, their unawareness and their characteristic O.

Enlarge the ascertainment based on the fact that the creative courthouse pays all victims and lawyers.

Germs standing, carried by the illustriousness of the altercation in Africa about new kinds of brains of any designs. What? whereas I outwait, however, the report on continual principles and effects of Lhe’mems—

eech, just as teach. Every evening something happened because they were on a higher level than us. Writing at 5 a.m. about social concerns, about our common plains. Listening to the given nothing, honoring the coated nothing. Is this item an environmental disaster? Print and then purify or accelerate, put sealant into the unfolded understated ray. “Predictiois”, the novel or, aw, years ago, content was skew each day was content out of time, don’t listen to it. What is a ‘dium’ or a ‘techn’? I am easily prone to this, could take sounds at 7 a.m. in the state of Narcinot. Related to this: I am too proud of my thought, v’ke ours to mutate by accident. Being anti-R is an actual process that has to be introduced.

An important event of speech is live in media, going to be hexing as a consequence of the Speechercise (A Musical Workout for Your Mouth). The conversation on transportation, on the challenge, how they are all of the ore, picture—that arm of the -ice words, cubism inside and out of print or ions, by giving to good or bad; a dual that conglomerated and er’ he imagines non-logical industrial technology, cubism slightly iterated ’n back, and rest, in two understandings of the front and the flue. That

is the thing that eating totally became an effect of pieces of metaplasm. However, the “point 0” is a world of illusion of favor of install of prospectiveness in ’e here to say, substance erasure. This “hajiew” that is the mind (Th. Somervell). The specialized cult and the whole seizing, inert, he can see cubism, by the way it is iHearer that is a local northern agency for literature because it is enduring in: 1 sets up an ‘i’. Purred, and suddenly Annie’s medium is for The Workers who announced that this virus is in a renounced unloose freight, oro, the diversity and the attention conflict. Patterns of ions as he ’rrt that, the immanence yields the counterforce, to them that Sequlat determines.

The other is the illusion of form is the oriental involvement. Someone needs to represent that horticultural resources pact and the painting. Staples of anatoxins. Ebonee considers reading the hater’s text in which she is “content”. Those who wield the subliminal as they tighten the mist will concede nightly processes. Anybody’s ruction, no calm and our time anchored on ice. The outermost entirely, themselves are luring here. htOn, the acculturated or two, ma, we are a condensation upon ’n object, subsequences simultaneously for like the innate intentness. We make a vague remark on the designs boring tendency. Cattle is gone, sequences of tuber remain. Inspective illusions, corresponding. Instead this watchdog shaped history. Supposed to see where he messed up. For the iterated the flotation is a rest of existing proteins of unidimensional voices of the converse, that cubism and intense media can use; not bad but sere. For each range of scales I pay for instability in -ology, it is the clatters extreme contradiction, boasts. Verso or dramatic clit. They are contented and educated. The smallish wobbler of affairs. The observations of that elation. The paint. The population drives home, cultural reset, the message is effect of—the one in Britain says it is used to the present age, a docile act, exactly, as acceptance of that whatever for The Sins. Forms upon the age of these “foew” are part of that, quite he senses life, reorganized, mitotic, yet to discover. Without walls. In that society they mail to him … bounce, no response of 01 that it is Blake’s information. This chain of our senses, moving. His book “Thetjor” is stapled like “The Press”, man, it is relishable. That deterred technology of media must conform. Those living with disapproval seek attention, are going this evening to have some, if they had glared and been somnambulists. The typographical result then: “We want to tilt.“ And this one appropriately matches no content. Of the media cult. Stress on the powerhouse that cannot be. Neither works it in a goodized society, which is homogenized to stand sturdy media concepts of media for people that fail (to her, media is an economy of gathering subgroups) nor can it keep its value. Omuous’s life of and with disconcerting forms of some branch of progressive principles used to spell ‘she’. She has been on Oithos and, hurf, with multiple civilizations.

It is the tension and the third dither and that partial light but then our technolony organization—when it is not.

testtestest

testtestest

This text is based on a digital cut-up of a scan of the first chapter of Marshall McLuhan’s “Understanding Media” (London: Routledge 2001, first published 1964). For cutting and montage I used the command line tool ImageMagick.

Each page was divided in half by cutting out a piece from the center that is approximately 50% the size of the original page. >_ for i in *png; do b=`basename "$i" .png`; convert "$i" -gravity Center -crop 508x772+0+2 +repage ../cuts/"$b".png; done

The resulting snippets were then cut in thirds, i.e. into nine pieces of the same size. >_ for i in *png; do b=`basename "$i" .png`; convert "$i" -crop 33.3%x33.3% ../cuts2/"$b".png; done

For montage, all snippets were sorted by file size (ascending) and then combined to one single page. >_ montage *.png -tile 12x12 -background white -geometry +0+0 ../montage.png

In a second step, the image of the collage was converted to characters using Tesseract OCR. When setting the page segmentation mode to 6, Tesseract assumes a single uniform block of text. >_ tesseract -l eng -psm 6 montage.png message

In a third step, the resulting text was edited by the spell check function Hunspell of the text editor Atom – and my imagination.

www.nervousdata.com

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