Upload
debrina-aliyah
View
36
Download
0
Embed Size (px)
DESCRIPTION
T-Qatar Sept-Octoberpal zilerimarket watchsafiyaa
Citation preview
24
Lookout Qatar38 This and That A new collection of Apple Watch from
Herms; The Temple and what it represents; The Freya from Mulberry; Daniela Karnuts goes Elizabethan; Louis Vuittons changed look;
Aigner has a Doha bag; and Montblancs e-Strap.
44 Market Report The regions designers have gone off-kilter this fall with bright colors,
unexpected materials and quirky inspirations.
46 Food Matters Indian celebrity chef Sanjeev Kapoor
serves traditional dishes, and plays with our taste buds, at the Signature Meli Doha.
48 On Heritage Pal Zileri gets new form of patronage,
the preservation of a simple sentiment that the Italians just cut suits better.
54 Art Matters The Frieze Art Fair aims to embrace a
larger fan following, moving away from the niche group of wealthy foundations and private institutions.
Arena Qatar74 On the Verge Fire Station announces the names of 20 artists who have been selected for its maiden Artist in Residence program. What follows is a smorgasbord of media and messages.
80 On Art The British contemporary artist Anish
Kapoor turns the very controlled gardens of the Chteau de Versailles upside down.
MIDDLE EASTERN MIX Thomas Zipp's work will be at the Frieze Fair in London next month.
Page 54
Publisher & Editor In ChiefYousuf Jassem Al DarwishChief ExecutiveSandeep SehgalExecutive Vice PresidentAlpana Roy
EDITORIALManaging EditorSindhu NairDeputy EditorEzdihar Ibrahim Ali
Fashion EditorDebrina AliyahSenior CorrespondentAyswarya Murthy
ART Senior Art DirectorVenkat ReddyDeputy Art DirectorHanan Abu SaiamAssistant Art DirectorAyush IndrajithSenior Graphic Designer Maheshwar ReddyPhotographyRob Altamirano
MARKETING AND SALESBusiness HeadFrederick AlphonsoManager MarketingSakala A DebrassAssistant Manager MarketingMathews CherianHassan RekkabDenzita SequieraSony VellatIrfaan A H MEvents ManagerJasmine VictorAccountant Pratap ChandranSr. Distribution ExecutiveBikram ShresthaDistribution SupportArjun TimilsinaBhimal RaiBasanta P
T, THE STYLE MAGAZINE
OF THE NEW YORK TIMESEditor in Chief Deborah NeedlemanCreative DirectorPatrick LiDeputy Editor Whitney VargasFashion Director Joe McKennaManaging Editor Minju PakPhotography DirectorNadia Vellam
THE NEW YORK TIMES
NEWS SERVICESGeneral ManagerMichael Greenspon Vice President, Licensing and SyndicationAlice TingVice President, Executive Editor The New York Times News Service & Syndicate Nancy Lee
LICENSED EDITIONSEditorial Director Josephine SchmidtCoordinators Ian CarlinoGary Caesar
PUBLISHED BY
Oryx Advertising Co WLLP.O. Box 3272; Doha-Qatar Tel: (+974) 44672139, 44550983, 44671173, 44667584 Fax: (+974) 44550982Email: [email protected] website: www.omsqatar.com
COPYRIGHT INFOT, The New York Times Style Magazine, and the T logo are trademarks of The New York Times Co., NY, NY, USA, and are used under license by Oryx Media, Qatar. Content reproduced from T, The New York Times Style Magazine, copyright The New York Times Co. and/or its contributors 2015 all rights reserved. The views and opinions expressed within T Qatar are not necessarily those of The New York Times Company or those of its contributors.
Copyright 2015 The New York Times
IMA
GE
CO
UR
TE
SY
TH
E T
HIR
D L
INE
T Qatar: The New York Times Style Magazine
Stately SilhouetteStruck by the color palette consistency between her fall collection and the old-world
furnishings of Burghley House, the designer Daniela Karnuts decided to shoot her latest campaign at the 16th-century Elizabethan abode. The fashion label Safiyaa, named after
Karnuts daughter, is a staple in Qatari wardrobes, favored for its lavish evening pieces.The latest collections bold jeweled tones are anchored with earthy textures and find symmetry
with the artworks and antique furniture pieces that fill the halls of Burghley House. Every piece in the house has its place and tells its own story and it gave
meaning to what I wanted to present in this collection, Karnuts says. Signature elements of long capes, dramatic jacquards and feather appliqus are contrasted with Karnuts new perspectives drawn from nature: sequins and stone laces. Silhouettes are
sleek and edgy, featuring drop shoulders, cut-out backs and asymmetric lengths, while the bold capes are fit to throw over anything, she quips. The collection
also marks the introduction of daywear to the usually evening-focused repertoire, all of which are still handcrafted in the labels private atelier.
It has evolved into an ongoing dialogue with women who think as I do, Karnuts says. DEBRINA ALIYAH
The Horse and the CarriageA new collection of Apple Watch in stainless steel
with finely crafted leather bands in distinctive styles from Herms has hit the market, and will soon make
its way to the Middle East. It is a collaboration of two greats, one that merges
Apples unparalleled product innovation with the heritage, iconography and craftsmanship of Herms,
creating a unique expression of Apple Watch.Apple and Herms make very different products, but they
reflect the deep appreciation of quality design, said Jonathan Ive, Apples chief design officer. Both companies
are motivated by a sincere pursuit of excellence and the desire to create something that is not compromised.
Pierre-Alexis Dumas, Herms executive vice president in charge of artistic direction, sees this as the establishment
of an alliance in excellence, like horse and carriage, a perfect team. SINDHU NAIR CL
OC
KW
ISE
FRO
M T
OP
: SA
FIYA
(3);
AN
D H
ER
MS
(3)
Lookout Qatar This and That
50 T Qatar: The New York Times Style Magazine
Market Report
Straight Out of ArabiaThe regions designers have gone off-kilter
this fall with bright colors, unexpected materials and quirky inspirations.
BY DEBRINA ALIYAH
Clockwise from top left: Arwa Al Banawi jacket, QR1,044. Belquis belt, QR600. Braided Tales bracelet, QR295. Dima
Ayad dress, QR3,680. Deema ring, QR503. Ceecode bag, QR2,600.
Lookout Qatar
CLO
CK
WIS
E FR
OM
TO
P LE
FT:
AR
WA
AL
BA
NA
WI;
BE
LQU
IS; B
RA
IDE
D T
ALE
S; D
IMA
AYA
D; D
EE
MA
; CE
ECO
DE
ALL PRICES ARE INDICATIVE
51September - October 2015
Clockwise from top left: Dina Khalif dress, QR1,929, Endemage pants,
QR2,461, House of Nomad crop top, QR1,004, , LAfshar clutch, QR3,633,
Nathalie Trad clutch, QR5,160, Mochi headband, QR100 ,
Madiyah Al Sharqi dress, QR9,222, Kamushki pendant, QR25,532
CLO
CK
WIS
E FR
OM
TO
P LE
FT:
DIN
A K
HA
LIF
; EN
DE
MA
GE
; HO
US
E O
F N
OM
AD
; L'A
FSH
AR
; NA
TH
ALI
E T
RA
D;
MO
CH
I; M
AD
IYA
H A
L S
HA
RQ
I; K
AM
US
HK
I
54 T Qatar: The New York Times Style Magazine
Lookout Qatar
things Italian. After a short glance at the numbers, the investors directed their attention to the intangible values that would shape the brands future. We were taken by surprise. They wanted to hear about the aesthetics, the creative work, and how we would go about preserving the DNA of the brand, rather than the financial projection we had prepared, Krieger recalls.
The new stakeholders avidity on going back to the roots of the company and mapping a new direction that develops and preserves the brands strength. Relatively unfettered by financial expectations, the strategy
allowed time to rebuild Pal Zileri in a direction that is solid and enduring. Italian companies are
increasingly outsourcing manufacturing processes at lower cost, but our investors are absolute on the principle of Italian craftsmanship, which is what our brand truly represents, Krieger says. The idea to connect the future with the strongest skillset of the brand the craft and know-how in menswear came to life through the Avant Craft concept that relaunched Pal Zileri in January this year. Avant Craft was proposed to bridge the gap
IN THE WORLD OF COUTURE, theres an implicit relationship between designers and a few selected clients. These are buyers who amass entire collections as gestures of appreciation toward the work, thus allowing designers to continue their creative pursuit. It is, of course, a borrowed practise from the world of art, where patronage is a familiar concept, albeit an archaic notion. But the rise in global wealth has extended a new form of patronage to the fashion industry, one that is less ornamental but more about giving old soul and culture a new frontier. In the case of Pal Zileri, it is the preservation of a simple sentiment: that the Italians just cut suits better. For his maiden meeting with the new investors who had taken a majority share in Pal Zileri last year, the brands creative director, Mauro Ravizza Krieger, and his team had prepared a presentation of financial information to impress. Mayhoola, the Qatar-based investment vehicle, made news in 2012 by acquiring Valentino and now with a stake in Pal Zileri, it was clearly a demonstration of the love for all
On Heritage
The New DirectionA new form of patronage is
providing a lifeline to traditional craftsmanship.
BY DEBRINA ALIYAH
CHANGE IS A CONSTANT From top: Mauro Ravizza Kreigers new vision at Pal Zileri is a fresh start for the brand; blue ponyskin blazer; the Messenger bag is customizable with personal initials; red turtleneck sweater in lana-seta-mohair IS inspired by Andy Warhol. AL
L IM
AG
ES
CO
UR
TE
SY
OF
PAL
ZIL
ER
I
55September - October 2015
between the old high-hand Italian tradition and the contemporary voice permeating the world of menswear. Starting from all the classic cuts, the brand moves into a high-fashion aesthetic by introducing new ways to wear jackets and suits. Silhouettes become less formal and new categories alluding to an urban lifestyle are introduced.
We start from the past, but with modern techniques like taping, bonding and laser cut. Its utilizing the brands sartorial finesse to produce collections that are relevant to the modern man, Krieger says. While theres a rush for many European labels to define themselves as purveyors of traditional tailoring, the new Pal Zileri wants to bring the term Made In Italy to the next frontier.
This is a new chapter in which modern technologies respond to contemporary needs of the well-informed man, with sensibilities, proportions and techniques executed by the hands of Italian craftsmen, says Paolo Roviera, the brands CEO.
The fall collection hitting stores this season marks the debut of the new philosophy: a wardrobe with all the classic hits, but none of the rigid air. A traditional jacket is paired with stretch leather pants, wool sport jackets are constructed through taping with not a stitch or button in sight, leather is bonded with flannel on shirts, and suits that eschew ties paired with printed shirts. Thats the new attitude in mens dressing. A play between formal and informal, creating synergy between all the pieces in the wardrobe, Krieger says. In true Italian manner, some decadent styles make appearances, but with a sense of tasteful restraint: a blue pony-hair blazer and a satin-collar smoking jacket are pared down with turtleneck tops and leather amphibious boots.
Butter-soft bags take the place of briefcases, while a small selection of accessories, including shoes, are made in Italys famed leather region, Veneto. Inside the jacket, the artisan touch that reminds the wearer of its origins is a special label carrying the name of the tailor who spent hours constructing the garment.
Pal Zileris three decade of history also ascribe to quality, as its archive unearthed a comprehensive collection of fabrics dating back to the 1970s, when the brand came to life. When Krieger came on board in 2014, the company had narrowed its focus so closely to its manufacturing skills that the archive had become secondary. A curious incident led to the discovery of the archive book, which Krieger is basing the upcoming collection on. Old motifs, materials and colors will be restructured and reinterpreted to suit our new discreet sensibility, Roviera says.
With the actualization of a solid creative vision, the brand has begun work on rejuvenating its boutiques worldwide, ten of which are located in this region. The Middle East is a key market where Pal Zileri is very well-known for its heritage and craftsmanship, Riviera says. One of the standalone boutiques in Dubai will be the first to see a new concept this fall, and it is a steamship initiative from here on to promote the dawn of Avant Craft. In the brands newly minted Milanese headquarters at Via Morimondo, an area familiar to the fashion collective, Krieger presented his second narrative for Spring 2016. The runway begins as a moving conveyor belt as the models presented before they walk the show. Exuding a futuristic vibe that is so sharp and yet still human, the new frontier for the modern man is looking bright.
CONCEPT RELAUNCH Above: Paolo Roviera first interned at the brand 15 years ago, and now he rejoins as CEO; looks from the Fall 2015 collection.