7
TABLE OF CONTENTS Foreword by Debbie Welch 4 Introduction 4 Technique Learn the Lingo 5 General Hints 5 Materials and Supplies 6 Choosing Fabric 6 Preparing Arcs and Templates 7 Cutting the Background and Pie Shapes 8 Piecing the Arc Foundations 9 Assembling and Trimming the Blocks 12 Top Assembly 15 Adding Borders 16 Quilting 16 Troubleshooting 18 Quilts and Projects – from Easiest to Challenging Wall Street Beauties on Broadway Jones Beach Cosmos at the Copa Rock Around the Christmas Blocks Fifth Avenue Fiesta The Lights on Broadway Midnight in Manhattan Soho Botanical Bonsai Blooms in Binghamton Park Avenue Pansies Rockefeller Ice Chelsea Market Autumn in the Adirondacks Crowns of Ellis Geisha Girls The Minis New York Leading Lady Tote NYB Sweatshirt NYB Practice Sheet Gallery (ank you, my students!) Resources About the Author T T T A A AB BL L LE E E O OF F F C C CO ON N N NT T T T T T TE E E E EN N N N N N NT T T TS S S F F Fo o or re ew w o ord by D D De e eb b bb b bie W W e el l lch h 4 4 Intro od d d du u u uc ction n 4 4 4 T e ec ch hn niq qu ue e e Learn the Li Li Ling n n o o o o 5 G G G G G Gen e e er er er ral H H H H Hints 5 M M Materials a d nd Supplie e e e es s s s 6 Choosing Fa a Fa Fa a a a a abric 6 Prepa a pa ari r r r r ng n ng n n ng Arcs an an an and d d T emplates s s s 7 Cut u u ting the e e Background and Pie Shapes e e e 8 Piecing the A A A Arc r Found n n n ations 9 Assembl lin i i g and d d d T rim m m mm m mi m m ng the he he he B B B B B B Blo lo lo lock ck cks 12 2 2 2 Top Assembly 15 1 Add d di in i g Borders 16 Q Q Qui ui uilting 16 6 6 6 6 T roubleshooting ng ng 18 Q Q Q Q Q uil l lt t t ts a a an n n nd d d d P P Pr ro o oj ject ts f f f f fr rom m E E Easiest to C C Ch h ha a al l ll l le en ng gin n ng g Wa W W W W ll Street B B B B Beauties on Bro o ad a way J J J J J J Jon on ones Bea e e ch h Cosmos at the e C C Cop op opa a a Rock Ar A A A ound the e e C C Christmas Blocks F F F Fifth Avenue Fiesta T he Light ht hts on o o o o Broadway Midnight in in in in n Manhatt an Soho Bot t t ot o an a a ical l Bonsai Blooms in Bingham a a ton P ark Avenue Pansies R R R Rockefeller Ice Chelsea Market Aut u u u umn in the Adirondac a a a ks s Cro owns of Ellis Geisha Girls The Minis New York Leading Lady T T T ot ot ot o o o o e NYB Sweats s shi hi hi hirt r NYB Pract tice Sh Sh Sh Shee ee eet t t G G G G G Ga a a a al l l l ll l l l le e er r r y y y ( ( ( ( a an n n n nk k k k k k k y y y y y y y y o o o o ou u u, , m m m m m my y y y s s s t t t tu u u ud d d de e n n n n nt ts s! !) ) R R Re e es s s s s so o o ou u u u u u ur r r rc c c c c c ce e e s s s s s s A Ab bout t t t t t th h h h h he e A Au u ut th h ho or r

TABLE OF CONTENTS - American Quilter · fabric, right side against the previous fabric. Remember to overlap the crease by approximately ¼". Th e arc foundation paper should be aligned

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Page 1: TABLE OF CONTENTS - American Quilter · fabric, right side against the previous fabric. Remember to overlap the crease by approximately ¼". Th e arc foundation paper should be aligned

TABLE OF CONTENTSForeword by Debbie Welch 4

Introduction 4

TechniqueLearn the Lingo 5

General Hints 5

Materials and Supplies 6

Choosing Fabric 6

Preparing Arcs and Templates 7

Cutting the Background and Pie Shapes 8

Piecing the Arc Foundations 9

Assembling and Trimming the Blocks 12

Top Assembly 15

Adding Borders 16

Quilting 16

Troubleshooting 18

Quilts and Projects – from Easiest to Challenging

Wall Street

Beauties on Broadway

Jones Beach

Cosmos at the Copa

Rock Around the Christmas Blocks

Fifth Avenue Fiesta

The Lights on Broadway

Midnight in Manhattan

Soho

Botanical Bonsai

Blooms in Binghamton

Park Avenue Pansies

Rockefeller Ice

Chelsea Market

Autumn in the Adirondacks

Crowns of Ellis

Geisha Girls

The Minis

New York Leading Lady Tote

NYB Sweatshirt

NYB Practice Sheet

Gallery (Th ank you, my students!)

Resources

About the Author

TTTAAABBLLLEEE OOFFF CCCOONNNNTTTTTTTEEEEENNNNNNNTTTTSSSFFFooorreewwwoord by DDDeeebbbbbbie WWeelllchh 44

Introodddduuuucctionn 444

TeecchhnniqquueeeLearn the LiLiLingnn o ooo 5

GGGGGGenee erererralaa HHHHHints 5

MMMaterials a dnd Supplieeeeess ss 6

Choosing FaaFaFaaaaaabric 6

Prepaapaarirrrr ngnngnnng Arcs anananand dd Templatesss s 7

Cutuu ting theee Background and Pie Shapeseee 8

Piecing the AAAArcr Foundnnn ations 9

Assembllinii g and ddd Trimmmmmmmimm ng thehehehe BB B BBBBlolololockckcks 12222

Top Assembly 151

Addddiini g Borders 16

QQQuiuiuilting 166666

Troubleshootingngng 18

QQQQQQuillltttts aaannnndddd PPPrrooojjectts –––––– fffffrromm EEEasiest too CCChhhaaalllllleenngginnnggggg

WaWWWW ll Street

BBBBBeauties on Broooada way

JJJJJJJononones Beaee chh

Cosmos at thee C CCopopopa a a

Rock ArAAA ound theee CCChristmas Blocks

FFFFifth Avenue Fiesta

The Lighththts onoooo Broadway

Midnight ininininn Manhattan

Soho

Botttoto anaa icall Bonsai

Blooms in Binghamaa ton

Park Avenue Pansies

RRRRockefeller Ice

Chelsea Market

Autuuu umn in the Adirondacaaa kss

Croowns of Ellis

Geisha Girls

The Minis

New York Leading Lady TTTotototoooo e

NYB Sweatssshihihihirtr

NYB Practtice ShShShSheeeeeet tt

GGGGGGaaaaalllllllllleeerrryyyy ((((ThThThThThThTh aannnnnkkkkkkk yyyyyyyyyyooooouuu,, mmmmmmyyyyyy ssssttttuuuuddddeeennnnnttss!!))

RRReeessssssoooouuuuuuurrrrccccccceeeessssss

AAbbouttt tttthhhhhhee AAuuutthhhoorr

Page 2: TABLE OF CONTENTS - American Quilter · fabric, right side against the previous fabric. Remember to overlap the crease by approximately ¼". Th e arc foundation paper should be aligned

New York Beauty Simplified ❂ Linda J. Hahn – 11

TechniquePlace the next piece, which will be a background spire

fabric, right side against the previous fabric. Remember to

overlap the crease by approximately ¼". Th e arc foundation

paper should be aligned vertically away from you, and the

excess background fabric should be toward you.

Pin if you would like. Flip the unit over and stitch on the

line, again from one outermost line to the other.

Before you trim, be sure that the piece you just sewed covers

the background spire area: fold the background piece over

onto the foundation. Once you are satisfi ed that the area

will be covered, cut away the excess background and the

spire fabrics leaving an approximate ⅛" seam allowance.

Tip

If you are using very light fabrics against dark fabrics, pay

careful attention when trimming. You may want to trim the

fabrics in layers (also called grading the seam) so that there is

no shadowing of the darker fabric through the lighter fabric.

Continue stitching, trimming, and fl ipping the fabrics onto

the arc foundation until the pattern has been covered.

Trim the arc foundation on the outermost line. Th ere should

be a ¼" space between the spire tips and the trimmed edge.

You can choose to stay stitch around the perimeter of the

arc by stitching about ⅛" away from the raw edge.

Page 3: TABLE OF CONTENTS - American Quilter · fabric, right side against the previous fabric. Remember to overlap the crease by approximately ¼". Th e arc foundation paper should be aligned

24 – New York Beauty Simplified ❂ Linda J. Hahn

When you can’t decide which colors to use in your quilt, grab a bundle of fat quarters,

add a little yardage, and you’re on your way. Th is is not a scrap quilt, but a “collection” quilt.

Save the cutaways from this piece; they will make a gorgeous mini quilt (see page 74)!

50" x 50". Made by Linda Eaves, Middletown, New Jersey; quilted by the author.

Page 4: TABLE OF CONTENTS - American Quilter · fabric, right side against the previous fabric. Remember to overlap the crease by approximately ¼". Th e arc foundation paper should be aligned

New York Beauty Simplified ❂ Linda J. Hahn – 55

Park Avenue Pansies

SuppliesMake 36 copies of the arc foundation pattern on page

22 to yield 36 arc foundations. Use the 6" pie and

background templates on page 22.

Background 2 yards

Pie Shapes 1 yard

Background Spires 3 yards

Spires 2 yards

Binding ½ yard

Batting 40" x 40"

Backing & Sleeve 1½ yards

If you will be using multiple fabrics for each piece,

purchase yardage to total the above requirements.

CuttingBackground 36 squares 7½" x 7½"

Pie Shapes 36 squares 4½" x 4½"

Background Spires 216 rectangles 3" x 4"

Spires 180 rectangles 2½" x 3½"

ConstructionRefer to pages 7–14 and construct 36 New York

Beauty blocks.

Following the diagram, assemble the quilt top.

Square the top, baste the layers, quilt, and bind.

Assembly Diagram

SM

2

b

B

P

B

S

B

B

B

Page 5: TABLE OF CONTENTS - American Quilter · fabric, right side against the previous fabric. Remember to overlap the crease by approximately ¼". Th e arc foundation paper should be aligned

62 – New York Beauty Simplified ❂ Linda J. Hahn

To be sure that the split seams stay straight in this block, cut the background and pie shapes precisely.

DO NOT leave the extra fabric allowance (your “personal measurement”—see page 8) when cutting.

Also, use the traditional method of pinning HEAVILY to set in the pie and background shapes.

29" x 29". Made by Barbara Smith, Hightstown, New Jersey; quilted by Sarah L. Hahn, Manalapan, New Jersey.

29

Page 6: TABLE OF CONTENTS - American Quilter · fabric, right side against the previous fabric. Remember to overlap the crease by approximately ¼". Th e arc foundation paper should be aligned

New York Beauty Simplified ❂ Linda J. Hahn – 63

Autumn in the Adirondacks

SuppliesMake 16 copies of the arc foundation pattern on page

22 to yield 16 arc foundations.

Use the split pie and split background patterns on page

65; make 16 copies.

Make 16 copies of the spire strip foundation pattern

on page 67 to yield 16 spire strips.

Make 1 copy of the Skewed Square-in-a-Square block

pattern on page 64 to yield 4 corner blocks.

For the Blocks

Split Backgrounds 1½ yards each of

2 diff erent fabrics

Split Pie Strips ¼ yard each of

2 diff erent fabrics

Background Spires 1 yard

Spires 1 yard

For the Spire Strip

Background Spires 1 yard

Spires 1 yard

Corner Blocks

Center Squares ⅛ yard

Skewed Pieces ⅛ yard

CuttingFor the Block

Background 2 strips 5" wide of each of the

2 background fabrics

Pie Shapes 2 strips 3" wide of each of the

2 pie fabrics

Background Spires 88 rectangles 3" x 4"

Spires 80 rectangles 3" x 4"

ConstructionCreating the Split Background

Remember to heavily starch your fabrics prior to beginning.

Cut two 5" strips of each of the 2 background fabrics. Stitch

them together using a ¼" seam allowance. Press the seam

toward the darker fabric or you can press the seam open.

Place the 45-degree line of the template directly on the

seam line and cut out the background shape.

Creating the Split Pie

Remember to heavily starch your fabrics prior to beginning.

Cut two 3" strips of each of the pie fabrics. Stitch them

together using a ¼" seam allowance. Press the seam

towards the darker fabric or you can press the seam open.

Place the 45-degree line of the template directly on the

seam line and cut out the pie shape.

Making the Block

Refer to pages 7–14 to piece the arc foundations and spire

strips.

Fold the arc foundation and the pie and background shapes

in half to fi nd their centers. Pin the pie or background

shape to the arc foundation in the center.

Page 7: TABLE OF CONTENTS - American Quilter · fabric, right side against the previous fabric. Remember to overlap the crease by approximately ¼". Th e arc foundation paper should be aligned

68 – New York Beauty Simplified ❂ Linda J. Hahn

Th is project is another stash quilt—an exercise in using up what you have available—

so I am only giving you cutting requirements for the blocks, no yardage.

34" x 42". Made by Rebecca Szabo, Howell, New Jersey; quilted by the author.