Taught By Jody Worrell - pdf.ebook777.compdf.ebook777.com/066/9781893907997.pdf · The Author Jody Worrell has been a professional performer and teacher in the Atlanta area for over

Copyright 2017 by Watch & Learn, Inc., First EditionALL RIGHTS RESERVED. Any copying, arranging, or adapting of this work without the

consent of the owner is an infringement of copyright.

Taught ByJody Worrell

To Access Audio & Video for this course, go to the following web address:

http://cvls.com/extras/bbk/


The Author

Jody Worrell has been a professional performer and teacher in the Atlanta area for over 30 years. He has recorded and appeared on stage domestically and internation-ally with such artists as Lyle Lovett, Mitch Ryder and the Detroit Wheels, Badfinger, Delbert McClinton, Phil Collins, The Marvelettes, The Drifters, The Tokens, The Crystals, Derek Trucks, and many others. Jody plays all styles on demand, but always returns to the blues, taking an approach which is based in tradition, but always seek-ing to expand harmonic boundaries. He also has to his credit four of the many Watch & Learn products: Let's Jam! CD Blues & Rock Vol. 3, Let's Jam! CD Country Vol. 2, Let's Jam! Blues Standards, and Blues Licks & Solos.

Jody studied classical guitar briefly with the legendary John Sutherland, but at-tributes his playing mostly to hard work, open-mindedness to diverse types of music, and to the indelible mark left by long-time teacher, mentor and friend, Merrill Dilbeck.

Jody has produced almost three hundred video lessons on blues, rock, and country for GuitarCompass.com.

How To Use The Book & Video

Step 1 - Watch the Video while following along with the book. Play along with the Video on your guitar. Replay each chapter on the Video until you are comfortable playing along with it.

Step 2 - When you are comfortable with a lesson or piece of music, try play-ing along with the audio track for each lesson on the Video. You'll find these on the Chapter Menus. Try expanding your horizons a little and stretch out your technique. Don't be afraid to experiment.

Step 3 - Go back to the book & Video and play along to make sure you're on the right track.

About This Course

B.B. King Style is the fourth installment of the In The Style Of The Legends Series. All courses include two full length DVDs packed full of famous licks and solos as interpreted by Jody Worrell. The courses are in the style of legendary guitarists such as Stevie Ray Vaughan, Eric Clapton, Jimi Hendrix, B.B. King, and more.

Each lick and solo is broken down and the techniques and timing of each phrase is totally explained and played several times. Close-ups and split screens are used to make learning even clearer. In addition to the video instruction, there are full band practice tracks allowing the students to practice with a professional band anytime they want to perfect their timing and technique.

A book is included with the two DVDs that has standard music notation and tablature for everything that is taught. The type face is large for ease of viewing.

The In The Style Of The Legends Series is based on content developed during 15 years of producing lessons for BanjoCompass.com which have been viewed by millions of guitarists. If you like these products and want more high quality lessons, go to BanjoCompass.com to see our Free Lessons and Premium Lessons.

Gibson®, and the distinctive headstock design commonly found on Gibson® guitars, are registered trademarks of Gibson Guitar Corporation, and used herein with express written per-

mission. All rights reserved.




TUNING, TABLATURE, & TECHNIQUES







1st String 2nd String 3rd String 4th String 5th String 6th String

Tuning The Guitar

Before playing the guitar, it must be tuned to standard pitch. If you have a piano at home, it can be used as a tuning source. The following picture shows which note on the piano to tune each open string of the guitar to.

Electronic Tuner

An electronic tuner is the fastest and most accurate way to tune a guitar. We highly recommend getting one. They are available for $15 and up. Check with your local music store.

Standard Notation

Guitar Tab

TablatureThis book is written in both tablature and standard music notation. We will ex-

plain tablature because it is easy to learn if you are teaching yourself and because a lot of popular guitar music is available in tablature.

Tablature is a system for writing music that shows the proper string and fret to play. In guitar tablature, each line represents a string on the guitar. If the string is to be fretted, the fret number is written on the appropriate line. Otherwise a 0 is written. Study the examples below until you understand them thoroughly.

1st String 2nd String 3rd String 4th String 5th String 6th String

1st string open (not fretted)

3rd string fretted @ 2nd fret

2nd string fretted @ 3rd fret

6th string open (not fretted)

The music will be divided into two sets of lines (staffs).

TechniquesHere are some fundamental techniques that are used this course.

Hammer-ons & Pull-offs

When playing a hammer-on, pick the first note, then hammer-on with a finger on your left hand. You will need to be on the tip of the finger and strike the note with velocity and accuracy.

When playing a pull-off, again pick the first note, then pull-off with a finger on your left hand. Once again, use the tip of the finger. The finger you are pulling off to needs to hold the string stable during the pull off.

Double Hammer-ons & Pull-offs

A double hammer-on is executed by picking the first note and hammering on the next two notes. When pulling off, you should feel as if you're plucking the string with your finger. Both techniques require you to be on the tip of your fingers.

Double Hammer-On Double Pull-Off

Hammer-On Pull-Off

Slides

A slide means you pick a note and slide into another. Slides can move up or down and can be phrased many different ways.

Slides From An Undetermined Note

This slide usually starts a fret or two away but sometimes further. It does not stay at the starting point long enough for the listener to really tell where it starts.

Double Stop Slides

This is a slide involving two notes. It is impor-tant that both fingers move evenly across the frets.

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Hammer-on & Pull-off Combination

This technique starts by picking the first note, hammering on, and then pulling off back to the first note.

Bends

When playing a bend, use all the fingers that are available to help execute the bend. For example, use the third finger to bend the note, the second finger on the same string helping to bend the note, and the first finger to mute the string above it.

Hammer-On With A Bend

This is a very legato sound. Hammer-on to the seventh fret and then bend the note a whole step. You only pick the first note.

Double Stop Bends

Use your pinky to hold the note stationary on the first string and use the third and second finger to bend the second string a whole step. You can play them both at the same time or one after the other.

B.B. KING STYLESOLOS 1 & 2




B.B. King Style Solo 1This is a 12 bar solo in the style of B.B. King. Over the years, B.B. has devel-

oped a distinct style of phrasing by using timing, note selection, bends, and other techniques. In this video, I will help you recreate some of those classic sounds over a familiar minor blues chord progression. After you've learned the guitar solo, you'll have the opportunity to practice along with a rhythm track. We will start by playing the complete solo along with the jam track and then break the solo into three phrases.

Phrase 1

This starts with a signature opening that B.B. commonly uses.

Demo

Each phrase will be played along with a backing track at the correct speed.

Trading Licks

Each lick will be traded back & forth. I'll play it first, then leave space for you to play it right after so you can compare your tone, timing, and articulation. Take your time and work on this section until you can play it perfectly all three times through.

Video & Audio Access

To Access Audio & Video for this course, go to this web address:http://cvls.com/extras/bbk/

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B.B. King Style Solo 1By Jody Worrell

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Phrase 2

This starts with the last three notes of Phrase 1 as a pickup lick.

Phrase 3

Again, start with a pickup, the last three notes from Phrase 2.

Playing With The Jam Track

Play the complete solo along with the jam track. You can access and download the file from the following web address:

http://cvls.com/extras/bbk/.

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B.B. King Style Solo 2Here's 12 more bars of a blues guitar solo in the style of the great B.B. King. In

this solo, I'll guide you through using B.B.'s "box position" that allows him to play licks out the major and minor pentatonic scales. You will also learn some licks featur-ing dual and compound bends.

Phrase 1

Start with a whole step bend on the 2nd string. Note the back-to-back bend & release in Bars 2 & 3.

Demo


Trading Licks




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Phrase 2

Watch the Video to get the feel of the first bar of this phrase.

Phrase 3

This phrase starts with the last two notes of Phrase 2.

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FreeGuitarVideos.com 1Playing With The Jam Track

You can access and download the file from the following web address:http://cvls.com/extras/bbk/


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B.B. KING STYLEMINOR SOLOS 1 & 2




B.B. King Style Minor Solo 1B.B. King is credited with almost single-handedly bringing blues to the forefront

of popular music. This solo features the techniques and note choices that helped shape B.B.'s classic sound. Using note by note instruction, I will break down the solo into three smaller sections and explain how to play them in detail. You will get the op-portunity to practice each section and the entire solo along with a rhythm track.

Phrase 1

Watch the Video to get the feel for sliding off of the first two notes.

Demo


Trading Licks




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B.B. King Style Minor Solo 1By Jody Worrell

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Phrase 2

Start on beat 2 with a full step bend on the 1st string.

Phrase 3

Play close attention to bending & cutting off the sound in this phrase. Watch the Video for a detailed explanation.

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ŒœJ˙ œ


Jœ œœJ


Œ 10J 10J8 10 8J8 10 8 10J10 910J8 10 8 1010 10 ™ 17 ‰ Œ

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10J 10J8 10 10J8 10 10J 10J 10J 8 10 ™ 10 ‰ 5 8 5 5 7 5 5 7j

7‰


B.B. King Style Minor Solo 2This will teach you another 12 bar solo in the style of B.B. King. I will guide you

through the bends, vibrato, and other techniques that B.B. used to create his legendary sound. I will break the solo down into three sections. You will learn how to play the solo note by note and get to practice with jam tracks that loop each section.

Phrase 1

Phrase 1 starts with a two note pickup.

Demo


Trading Licks




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c

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2

Phrase 1

3 3

AmAm

1 3 3

AmAm

3 3 1 3

AmAm

3 1 3

AmAm

1 3 1 3 2 3

⁄

full

&3

Phrase 2

1 3 1

DmDm

3 3 1 3 1 3 1

DmDm

3 3 3 3 1 3 3

AmAm

1 1 3 1 1 3 3

AmAm

⁄

full

&3

Phrase 3

1

Fmaj7Fmaj7

3 3 3 1 4 3 3

E7#9E7#9

2 3 1 3

AmAm

3 1 3 3

AmAm

1 2

⁄

full full

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œJœ œ ˙ ™ œ œ œ œ œ œ œ œ# ˙

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œ œ œ œJœ œ œ œ œ œ œ œ œœ œ

Jœ œ œ œ ™ ˙ œœœœ œœ ™˙ Œ

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œ œJœ œ œœœ œJœ œ ˙ œ ™ œœ œ ˙

‰

œJ ≈

œ ™J œ œ œ˙ ‰

77J5 7 7 5 7J

8 7 7 ™ 910 8 10 ‰ 17J ≈ 8 ™J 10 10 8 9 ‰



Phrase 2

Phrase 2 uses a lot of pull-offs. The phrasing, choice of notes, and timing is what gives it a distinctive B.B. King sound.

Phrase 3

Pay close attention to the bend and release in Bar 1. Watch the Video for a de-tailed explanation.

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¢

°

¢

°

¢


c

c

&

2

Phrase 1

3 3

AmAm

1 3 3

AmAm

3 3 1 3

AmAm

3 1 3

AmAm

1 3 1 3 2 3

⁄

full

&3

Phrase 2

1 3 1

DmDm

3 3 1 3 1 3 1

DmDm

3 3 3 3 1 3 3

AmAm

1 1 3 1 1 3 3

AmAm

⁄

full

&3

Phrase 3

1

Fmaj7Fmaj7

3 3 3 1 4 3 3

E7#9E7#9

2 3 1 3

AmAm

3 1 3 3

AmAm

1 2

⁄

full full

œ œ ˙ ™ œ ™œ œJ ˙‰


9 10 10 ™ 8 ™10 10J 10 ‰ 10J10 8 10 8 10 8 10 8 10 910



10 8 108J8 10 10 8 10 8 10 8 10 15 10J 10 8 10 ™10 5 5 7 5 5 7 ™7 Œ


‰

œJ ≈

œ ™J œ œ œ˙ ‰

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8 7 7 ™ 910 8 10 ‰ 17J ≈ 8 ™J 10 10 8 9 ‰


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c

c

&

2

Phrase 1

3 3

AmAm

1 3 3

AmAm

3 3 1 3

AmAm

3 1 3

AmAm

1 3 1 3 2 3

⁄

full

&3

Phrase 2

1 3 1

DmDm

3 3 1 3 1 3 1

DmDm

3 3 3 3 1 3 3

AmAm

1 1 3 1 1 3 3

AmAm

⁄

full

&3

Phrase 3

1

Fmaj7Fmaj7

3 3 3 1 4 3 3

E7#9E7#9

2 3 1 3

AmAm

3 1 3 3

AmAm

1 2

⁄

full full

œ œ ˙ ™ œ ™œ œJ ˙‰


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10 8 108J8 10 10 8 10 8 10 8 10 15 10J 10 8 10 ™10 5 5 7 5 5 7 ™7 Œ


‰

œJ ≈

œ ™J œ œ œ˙ ‰

77J5 7 7 5 7J

8 7 7 ™ 910 8 10 ‰ 17J ≈ 8 ™J 10 10 8 9 ‰




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°

¢

°

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c

c

&

2

Phrase 1

3 3

AmAm

1 3 3

AmAm

3 3 1 3

AmAm

3 1 3

AmAm

1 3 1 3 2 3

⁄

full

&3

Phrase 2

1 3 1

DmDm

3 3 1 3 1 3 1

DmDm

3 3 3 3 1 3 3

AmAm

1 1 3 1 1 3 3

AmAm

⁄

full

&3

Phrase 3

1

Fmaj7Fmaj7

3 3 3 1 4 3 3

E7#9E7#9

2 3 1 3

AmAm

3 1 3 3

AmAm

1 2

⁄

full full

œ œ ˙ ™ œ ™œ œJ ˙‰


9 10 10 ™ 8 ™10 10J 10 ‰ 10J10 8 10 8 10 8 10 8 10 910



10 8 108J8 10 10 8 10 8 10 8 10 15 10J 10 8 10 ™10 5 5 7 5 5 7 ™7 Œ


‰

œJ ≈

œ ™J œ œ œ˙ ‰

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8 7 7 ™ 910 8 10 ‰ 17J ≈ 8 ™J 10 10 8 9 ‰


B.B. KING STYLEMAJOR SOLOS 1 & 2




B.B. King Style Major Solo 1Here's a blues guitar solo in the style of the great B.B. King using some major

pentatonic licks out of the "box position" over a progression in B flat. I will break the solo down into three sections. You will learn how to play the solo note by note and get to practice with jam tracks that loop each section.

Phrase 1

Watch the Video to learn how to play the bends in Bar 1.

Demo


Trading Licks




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B¨7B¨7 B¨7B¨7 B¨7B¨7 B¨7B¨7

E¨7E¨7 E¨7E¨7 B¨7B¨7 B¨7B¨7

F7F7 E¨7E¨7 B¨7B¨7 G7G7 C7C7 F7F7

128

128

&bb

Phrase 1

B.B. King Style Major Solo 1By Jody Worrell

⁄

1 31/2

3 1 3 1 31/2

3 1 2 3 2

&bb

Phrase 2

⁄

1 3 1 3 3 1 3 2 1 31 1/2

3 1 4 1

full

&bb

Phrase 3

⁄

3 1 3 1 3 2 1 4full

31/2

1 4 4

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J Ó™ Œ ™ ˙ ™ œ ™œJ œ# œnJ œ œJ Ó™œ œnJ

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13 12J

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Œ ™ Œ ™

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∑ Œ



Phrase 2

Phrase 2 starts with the two note pickup from Phrase 1.

Phrase 3

Watch the Video for an explanation of the home base thumb position used in this phrase.



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B¨7B¨7 B¨7B¨7 B¨7B¨7 B¨7B¨7

E¨7E¨7 E¨7E¨7 B¨7B¨7 B¨7B¨7

F7F7 E¨7E¨7 B¨7B¨7 G7G7 C7C7 F7F7

128

128

&bb

Phrase 1


⁄

1 31/2

3 1 3 1 31/2

3 1 2 3 2

&bb

Phrase 2

⁄

1 3 1 3 3 1 3 2 1 31 1/2

3 1 4 1

full

&bb

Phrase 3

⁄

3 1 3 1 3 2 1 4full

31/2

1 4 4



11 ™ 11 ™ 13J 13J 11 13J Ó™ Œ ™ 11 ™ 11 ™12J 12J 10 11J Ó™

13 12J

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œnJ œ ™ œ ™ Œ ™ Œ ™œJ˙# ™ œ œ œ# ˙ ™

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œJ Œ

œJ

œ

∑ Œ

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∑ Œ


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E¨7E¨7 E¨7E¨7 B¨7B¨7 B¨7B¨7

F7F7 E¨7E¨7 B¨7B¨7 G7G7 C7C7 F7F7

128

128

&bb

Phrase 1


⁄

1 31/2

3 1 3 1 31/2

3 1 2 3 2

&bb

Phrase 2

⁄

1 3 1 3 3 1 3 2 1 31 1/2

3 1 4 1

full

&bb

Phrase 3

⁄

3 1 3 1 3 2 1 4full

31/2

1 4 4



11 ™ 11 ™ 13J 13J 11 13J Ó™ Œ ™ 11 ™ 11 ™12J 12J 10 11J Ó™

13 12J

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Œ ™ Œ ™

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œ

∑ Œ

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∑ Œ



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E¨7E¨7 E¨7E¨7 B¨7B¨7 B¨7B¨7

F7F7 E¨7E¨7 B¨7B¨7 G7G7 C7C7 F7F7

128

128

&bb

Phrase 1


⁄

1 31/2

3 1 3 1 31/2

3 1 2 3 2

&bb

Phrase 2

⁄

1 3 1 3 3 1 3 2 1 31 1/2

3 1 4 1

full

&bb

Phrase 3

⁄

3 1 3 1 3 2 1 4full

31/2

1 4 4



11 ™ 11 ™ 13J 13J 11 13J Ó™ Œ ™ 11 ™ 11 ™12J 12J 10 11J Ó™

13 12J

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Œ ™ Œ ™

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œ ™ œnJ œ# ™ ˙ ™Œ

œJ Œ

œJ

œ

∑ Œ

13 ™ 11 13J 9 ™ 11 ™ 1214J11J 13J 11 ™ Œ 18J Œ 18J 18

∑ Œ


B.B. King Style Major Solo 2This is the second lesson on soloing like B.B. King using the major pentatonic

scale. The solo in this lesson is more advanced than what we tackled in Solo 1. I will guide you note by note through the solo making sure you understand how to play it correctly.

Phrase 1

Use the "box position" to play major and minor pentatonic licks in Phrase 1.

Demo


Trading Licks




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B¨7B¨7 B¨7B¨7 B¨7B¨7 B¨7B¨7

E¨7E¨7 E¨7E¨7 B¨7B¨7 B¨7B¨7

F7F7 E¨7E¨7 B¨7B¨7 G7G7 C7C7 F7F7

128

128

&bb

Phrase 1


⁄

1 1 2 1 1 2 1 1 2 3full

3full

1 3 3 1full

&bb

Phrase 2

⁄

1 1 3 31/2

3 1 31/2

1 3 3full

3 1 3full

1 1 3 3full

3full

&bb

Phrase 3

⁄

3 31/2

3 1 2 3 1 3 3full

1 2 1 3 1

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‰œ œJœJ

˙Œ

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Phrase 2

Watch the Video for an explanation of the half step bends in Bar 2 and the whole step bends in Bar 3.

Phrase 3

Phrase 3 starts with two pickup notes from Phrase 2.



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B¨7B¨7 B¨7B¨7 B¨7B¨7 B¨7B¨7

E¨7E¨7 E¨7E¨7 B¨7B¨7 B¨7B¨7

F7F7 E¨7E¨7 B¨7B¨7 G7G7 C7C7 F7F7

128

128

&bb

Phrase 1


⁄

1 1 2 1 1 2 1 1 2 3full

3full

1 3 3 1full

&bb

Phrase 2

⁄

1 1 3 31/2

3 1 31/2

1 3 3full

3 1 3full

1 1 3 3full

3full

&bb

Phrase 3

⁄

3 31/2

3 1 2 3 1 3 3full

1 2 1 3 1


‰œ œJœJ

˙Œ

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˙ ™Ó

11 ™11 11J12 11J 11J ‰11J12 11J 11 ‰11 13J12J Œ 13J11J13

13J 15J ‰11 ™Ó



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ÓœJœ œ

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13J 13 1113J

11 11 13 Ó13J 13J


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B¨7B¨7 B¨7B¨7 B¨7B¨7 B¨7B¨7

E¨7E¨7 E¨7E¨7 B¨7B¨7 B¨7B¨7

F7F7 E¨7E¨7 B¨7B¨7 G7G7 C7C7 F7F7

128

128

&bb

Phrase 1


⁄

1 1 2 1 1 2 1 1 2 3full

3full

1 3 3 1full

&bb

Phrase 2

⁄

1 1 3 31/2

3 1 31/2

1 3 3full

3 1 3full

1 1 3 3full

3full

&bb

Phrase 3

⁄

3 31/2

3 1 2 3 1 3 3full

1 2 1 3 1


‰œ œJœJ

˙Œ

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˙ ™Ó

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13J 15J ‰11 ™Ó



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ÓœJœ œ

Jœ

11 ™11 ™1113J

13J 13J 11 ™ 13J11J 13

13J 13 1113J

11 11 13 Ó13J 13J


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œ œJ ˙ ™ œ#Jœ œ œ ˙ ™

Œ ™Œ ™

13 ™ 1313J 13J 11 12J Œ

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°

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B¨7B¨7 B¨7B¨7 B¨7B¨7 B¨7B¨7

E¨7E¨7 E¨7E¨7 B¨7B¨7 B¨7B¨7

F7F7 E¨7E¨7 B¨7B¨7 G7G7 C7C7 F7F7

128

128

&bb

Phrase 1


⁄

1 1 2 1 1 2 1 1 2 3full

3full

1 3 3 1full

&bb

Phrase 2

⁄

1 1 3 31/2

3 1 31/2

1 3 3full

3 1 3full

1 1 3 3full

3full

&bb

Phrase 3

⁄

3 31/2

3 1 2 3 1 3 3full

1 2 1 3 1


‰œ œJœJ

˙Œ

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˙ ™Ó

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13J 15J ‰11 ™Ó



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13J 13 1113J

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OTHER PRODUCTS IN THIS SERIES

The Stevie Ray Vaughan Style Guitar Book by Jody Worrell touches on the techniques and style that helped establish Stevie Ray Vaughan as a legitimate guitar hero. Jody will take you step by step through licks and solos teaching Stevie's approach to bends, slurs, hammer-ons, pull-offs, and note selection. After teaching you the lead parts, Jody will demonstrate them over a rhythm track. The included lessons are Stevie Ray Style Licks in A 1 & 2, Stevie Ray Swing Solos 1 & 2, and Stevie Ray Minor Solos 1 & 2. The package includes guitar tabs, 151 minutes of video instruction, and audio jam tracks.

http://a.co/cLnf82l

Eric Clapton Style Guitar Book with Video & Audio Access by Jody Worrell teaches the techniques and style that helped establish Eric Clapton as a legendary guitar hero. You will go step by step through the licks and solos learning Eric's approach to bends, slides, hammer-ons, pull-offs, and note selection. After learning the lead parts, they will be demonstrated over a full band rhythm track. Each lick or phrase will then be traded back and forth. Jody will play it first and leave room for you to play immediately after. This course includes online access to 2.5 hours of easy to use video instruction and audio jam tracks.

http://a.co/c6jeKCv

Jimi Hendrix Style Book by Jody Worrell teaches the techniques and style that helped establish Jimi Hendrixas a legendary guitar hero. You will go step by step through the licks and solos learning Jimi's approach to bends, slides, hammer-ons, pull-offs, and note selection. After learning the lead parts, they will be demonstrated over a full band rhythm track. Each lick or phrase will then be traded back and forth. Jody will play it first and leave room for you to play immediately after. The package includes guitar tabs, over 3 hours of video instruction, and audio jam tracks for each lesson.

http://a.co/bixLZv4

Pink Floyd Style Book by Jody Worrell teaches the techniques and style that helped establish David Gilmour as a rock legend. You will learn the tim-ing, note selection, bends, and vibrato that all combine to create David's unique phrasing. After learning the lead parts, they will be demonstrated over a full band rhythm track. Each lick or phrase will then be traded back and forth. Jody will play it first and leave room for you to play immediately after. The pack-age includes guitar tab, over 2.7 hours of video instruction, and audio practice tracks for each lesson.

http://a.co/dfxeTAl

http://a.co/cLnf82l

http://a.co/c6jeKCv

http://a.co/bixLZv4

http://a.co/dfxeTAl

Documents

Taught By Jody Worrell - pdf.ebook777.compdf.ebook777.com/066/9781893907997.pdf · The Author Jody Worrell has been a professional performer and teacher in the Atlanta area for over