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8/11/2019 Teacher's Book Art 4 Santillana
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Teachers Book
Arts &Crafts4PRIMARY
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ContentsIntroduction
Key competences .......................................................3
Student's Book contents .............................................4
Science topics .............................................................6
The Student's Book .....................................................7
The Teacher's Book .....................................................8
Teacher's resources.................................................. 10
The Teacher's i-book .................................................11
Teachers Book lesson plansFirst term
Term 1 syllabus .......................................................... 12
Unit 1 .......................................................................... 16
Unit 2 ........................................................................ 20
Unit 3 ........................................................................ 24
Unit 4 ........................................................................ 28
Unit 5 ........................................................................ 32
Crafts ......................................................................... 36
Second term
Term 2 syllabus ........................................................ 40
Unit 6 ........................................................................ 44
Unit 7 ......................................................................... 48
Unit 8 ........................................................................ 52
Unit 9 ........................................................................ 56
Unit 10 ....................................................................... 60
Crafts ......................................................................... 64
Third term
Term 3 syllabus ........................................................ 68
Unit 11 .........................................................................72
Unit 12 ........................................................................76
Unit 13 ....................................................................... 80
Unit 14 ....................................................................... 84
Unit 15 ....................................................................... 88
Crafts ......................................................................... 92
Audio transcripts .............................. 95
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Key competences in Arts and Crafts
Key competences
Key competencesare a combination of knowledge, skills and attitudes appropriate to differentcontexts and situations. These competences have the following characteristics: They encourage the development of skills rather than the assimilation of theoretical content:
individuals become competent when they learn how to solve problems effectively. Competences develop progressively and can be acquired in different learning situations and
institutions. They are interdisciplinary because they integrate knowledge that originates in different academic
disciplines.
Competence in linguistic communication
This is the ability to interpret and use language as a tool fororal and written communication. Verbal communication isfostered by the exchange of opinions, the narration ofpersonal experiences and oral expositions on differenttopics. Reading and writing simple texts also develop thiscompetence. In Arts and Crafts, students have ampleopportunity to share and describe their artwork, as well asto express their opinions and experiences.
Mathematical competence
This competence is the ability to use numbers, performbasic operations, understand symbols and solve problemsin order to interpret the physical world. A range of activitieshelp students understand and apply perspective andgeometric arrangement in their compositions.
Knowledge and interaction with the physicalworld
This competence develops the ability to interact with thephysical world and apply scientific methods to explain itsphenomena. At primary level, students are encouraged to
define and solve problems, design and carry out simpleexperiments, work out solutions, analyse results andcommunicate them.
Processing information and digitalcompetence
This is the ability to use both traditional and moderntechnologies to obtain, process and transmit informationfound in traditional and digital media. The ComputerDrawing Programpromotes this competence.
Social competence and citizenship
This competence refers to the ability to understand andparticipate successfully in the society in which we live. Atprimary level, this is developed by promoting groupcooperation, solidarity and satisfaction at successfullycompleting tasks. Students often present their own artworkand appreciate the work of others.
Cultural and artistic competence
This competence involves the appreciation of theimportance of artistic creations and cultural productions atvarious times in history and from different cultures.It includes the appreciation of the visual arts, music andliterature. The systematic interpretation of illustrationsand photographs helps to develop this competence.The Art Masterpiecessections bring students closer togreat artistic works and the techniques used to producethem.
Competence in learning to learn
This competence is acquired by learning how to applydifferent techniques aimed at selecting, organising,interpreting and memorising information. At the end ofeach unit, students are given the opportunity to apply newtechniques they have learnt. The main concepts are alsorevised regularly.
Autonomy and personal initiative
The study of Arts and Crafts demands autonomy andinitiative. Students need to plan and organise their workcreatively and critically. A great deal of the activities requirethem to make their own decisions.
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TWO-DIMENSIONAL WORKSHEETS
TERM 1 TERM 2
1Drawinga still life
7
Drawing a still life.
Organisation of elementsin a composition. 11
A countrylandscape
29
Drawing a countrylandscape.
Use of different techniquesto create perspective.
2 A food poster9
Interpreting a posterby Greg Brown.
Use of different materialsto make a poster. 12
A puzzle of abuilding I
31
Studying the Romanesquechurch of San Martinde Fromista.
3Drawingpeople
11
Drawing an adultand a child.
Proportion withina composition.
A puzzle of abuilding II
33
Making a puzzlefrom a photograph.
4A differentkindof family
13
Interpreting Familyby Fernando Botero.
Proportion and disproportionin figures. 13
Colourson the beach
35
Choosing materialsto colour a blackand white photograph.
Use of different colouringtechniques.
5Drawing oncolouredbackgrounds
15
Drawing on colouredbackgrounds.
Creation of new coloursby mixing. 14
A landscapewithtemperas
37
Interpreting Promenadeamong the olives treesby Henri Matisse.
Techniques using temperapaints to create different effects.
6Cavepaintings
17
Interpretinga cave painting.
Cave art and diffusingtechniques. 15
Reflectionsin water39
Drawing a landscapewith reflections.
Use of diffusing techniquesto create reflections.
7Using lines todraw animals
19
Drawing animals using lines.
Use of curved and straightlines to create differenteffects. 16
Reflections:studying amasterpiece
41
Interpreting Narcissusby Caravaggio.
Tenebrism: contrastbetween light and shade.
8Geometricshapes I
21
Interpretingan abstract paintingby Wassily Kandinsky.
17A blackwindmill
43
Experimenting withcoloured backgrounds.
Contrast between the elementsand the background ofa drawing.
Geometric
shapes II23
Compositionsusing geometricshapes.
18A pop artcomposition
45
Interpreting Campbells soupsby Andy Warhol.
Pop art and the useof stencil patterns.
9Colourfulfriezes
25
Using grids to organisegraphic space.
Artistic compositionsusing friezes. 19 A fast car
47
Creating movement in a drawing.
Use of diffusingtechniques to createthe effect of speed.
10 A mosaic27
Studying a Roman mosaic.
Creation of a compositionusing the mosaictechnique. 20
A sculpturewith textures
49
Interpreting Walking man Iby Alberto Giacometti.
Use of plasticineto imitate textures.
Student's Book contents
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TERM 3
21A still lifein blackand white
51
Drawing a still lifein black and white.
Use of light and shadeto create volume.
22A beachscene
53
Interpreting Fisherwomanwith her childby Sorolla.
Application of lightand shadowsin a composition.
23A prehistoricman
55
Drawing the human bodyfrom the frontand the side view.
The observers position
in a drawing.
24Differentviews
57
Studying the Stonehengemegalith in England.
Representation of objectsfrom different angles.
25An Egyptiancomic strip
59
Drawing an Egyptiancomic strip.
Use of speech bubblesin a comic.
26Drawinga vignette
61
Studying a vignettefrom Asterix and Obelix.
Interpretation of a vignettechanging the texturesand the background.
27A medievalfair I
63
Creating a medieval sceneusing cut-outs.
A medievalfair II
65
Techniques for creatingdepth in a composition.
28Drawing amasterpiece
67
Interpreting Las Meninasby Diego Velzquez.
Representation of spaceand depth in a painting.
29An ice creamstall
69
Drawing a picture combiningthe primary colours.
Creation of new tonesby superimposing colours.
30A famousportrait
71
Interpreting A young ladysadventureby Paul Klee.
Use of coloured tissue paperto interpret a painting.
THREE-DIMENSIONAL WORKSHEETS
TERM 1
31Columbus Day:a totem pole
73
Colouring and constructinga totem pole.
32World TelevisionDay
75
Making atelevision setwith two storystrips.
33A Christmasplay
77
Assembling aChristmas theatrewith movingcharacters.
TERM 2
34 Carnival: a float
79
Constructinga Carnival float.
35Mothers Day: acalendar
81
Assemblinga calendarwithmovingparts.
36Childrens Day:a dragon card
83
Making agreetings cardwith moving parts.
TERM 3
37World SportsDay: a ball
85
Constructinga ball from ageometric net.
38Friendship Day:a photo frame
87
Decoratingand assemblinga photo frame.
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Arts and Craftshas been organised to include themes related to the PrimaryNatural Science,
Geography and Historysyllabus.
1. Food and nutrition Worksheet 1 Drawing a still lifeWorksheet 2 A food poster
2. The familyWorksheet 3 Drawing people
Worksheet 4 A different kind of family
3. Vertebrate animalsWorksheet 5 Drawing on coloured backgrounds
Worksheet 6 Cave paintings
4. Invertebrate animalsWorksheet 7 Using lines to draw animals
Worksheet 8 Geometric shapes
5. NatureWorksheet 9 Colourful friezes
Worksheet 10 A mosaic
6. Where we liveWorksheet 11 A country landscape
Worksheet 12 A puzzle of a building
7. The environmentWorksheet 13 Colours on the beach
Worksheet 14 A landscape with temperas
8. WaterWorksheet 15 Reflections in water
Worksheet 16 Reflections: studying a masterpiece
9. Objects and machinesWorksheet 17 A black windmill
Worksheet 18 A pop art composition
10. EnergyWorksheet 19 A fast car
Worksheet 20 A sculpture with textures
11. EcosystemsWorksheet 21 A still life in black and white
Worksheet 22 A beach scene
12. Prehistory
Worksheet 23 A prehistoric man
Worksheet 24 Different views
13. Ancient historyWorksheet 25 An Egyptian comic strip
Worksheet 26 Drawing a vignette
14. Changes in timeWorksheet 27 A medieval fair
Worksheet 28 Drawing a masterpiece
15. People, culture and societyWorksheet 29 An ice cream stall
Worksheet 30 A famous portrait
ARTS AND CRAFTS WORKSHEETSSCIENCE TOPICS
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The Student's BookArts and Crafts Students Book consists of fifteen units. There are thirty-eightworksheets, organised in three terms and divided into two blocks. The first blockincludes worksheets designed to practise two-dimensional tasks. There are twotypes: drawing and art techniques, and introduction to the world of art. The second
block introduces craftwork and practice with three-dimensional techniques.
Drawing and art techniques
Three-dimensional techniques
The activities in this block relate to colour, shape and organisation of the drawing space. The second
worksheet of each unit analyses techniques used by famous artists.
These pages, at the back of the Students Book, have thicker paper which is suitable for three-dimensional crafts.The students explore new techniques working in three dimensions.
73seventy-three
Columbus Day: a totem pole
Look at the model, then colour the pictures. Cut out the pieces, then fold along
the dotted lines. Glue the pieces together to make your totem pole.
31
1 _ - .indd 11 1 11:
Number and title of theworksheet
Finished model
Icons indicating the materialsneeded to completethe worksheet
Pieces to cut out andglue together
7seven
Drawing a still life1
Draw and colour a still life.
A still life is the representation of inanimate
objects, for example, foods, musical instruments,
flowers, etc. Before you draw a still life, make a
sketch to organise the elements within your
composition. Finally, add the details and colour.
1 _ - .indd 11 1 11: 1
Number and title of theworksheet
Model to follow
Icons indicating the materialsneeded to complete the activity
Drawing space
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Objectives
To draw a still life
To use a sketch as a first step
in drawing
To learn about organising
the elements in a composition
Materials
Graphite pencil
Coloured pencils
Rubber
Teaching suggestions
Ss listen totrack1.1and answer.
Explain that a still life is a
representation of inanimate objects.
Remind Ss of the importance of
making a quick pencil sketch before
they start drawing with more detail.
Draw their attention to the sketch in
the Student's Book and say: A sketch
helps us to organise the elements of
our composition better.
Then, Ss complete the sketch and
drawing, using colours of their choice
and adding a few more details.
Afterwards, volunteers show their
work to the class.
Anticipating difficulties
Remind Ss to use light pencil strokes
when sketching, so the lines are not
visible in the finished drawing.
UNIT 1
7seven
Drawing a still life1
Draw and colour a still life.
A stilllife isthe representation of inanimate
objects,forexample,foods,musical instruments,
flowers,etc.Before you drawa still life,make a
sketch to organise the elementswithin your
composition.Finally,add the detailsand colour.
4 2 4 _ 7- 2 7 / / 2 4 2
LEARNING TO LEARN
Ss learn to use asketch to
organise the elements of their
compositions.
16
UNIT
1
9nine
A food poster2
Look at the poster by Greg Brown, then look at the illustration. Draw a poster using some of these
objects. Choose your own materials. Finally, add a ny more details you like and write a title.
4 2 4 _ 7 - 2 / / 2 4 2
Objectives
To study a poster closely
To freely choose materials
to interpret a work of art
To draw a poster applying different
techniques
Materials
Graphite pencil
Coloured pencils
Felt-tip pens
Wax crayons
Tempera paints
Paintbrushes Rubber
Teaching suggestions
Ss listen totrack 1.2and answer.
Explain: Greg Browns still life is
original because it gives life to
inanimate objects. This makes the
poster fun to observe.
Ask Ss to draw their own version
of Browns poster, choosing some of
Browns objects, as well as adding
their own details.
After completing the activity, Ss take
turns to show their posters to the
class, describing their compositions
in their own words.
Anticipating difficulties
To boost their confidence and
creativity, suggest Ss practise
sketching fun vegetables and fruits
on scrap paper first.
Digital resources
17
COMPUTER DRAWING PROGRAM
Imitating Mondrian
This first activity is a revision of the basic applications seen in the previous course,
such as creating shapes and colouring them in.
Mondrian developed a distinctive style influenced by the Cubist movement in
art early in the 1900s. In his paintings he used a grid of black lines on a white
background. He filled it in with geometric shapes, such as squares and rectangles,
painted with primary colours (red, blue and yellow).
By doing this activity, Ss will be able to interpret Mondrians artwork and then create
their own version.
AUTONOMY ANDPERSONAL INITIATIVE
This activity promotes creativity
by allowing Ss to draw their own
version of a famous work of art.
ART MASTERPIECES
Postersare sheets of paper, cardboard or any
other printable material which combine text
and images. Posters are usually displayed in
public places to draw consumers' attention. They
are used to advertise films, political or sales
campaigns and cultural events, such as concerts
and art exhibitions. Posters are informative as
well as decorative. Very big posters are called
billboards.
Alfons Mara Mucha and Henri de Toulouse-
Lautrec were artists famous for their poster
artwork. Mucha (1860-1939) was a Czech painter
and decorative artist, well-known for his unique
Art Nouveau style, as seen in the poster on the
right. Lautrec (1864-1901) was a French
Post-Impressionist painter and Art Nouveau
illustrator. He is also famous for his bohemian
posters painted for the Moulin Rouge.
Greg Brown is a 20th century artist. Club Veg
is one of a series of posters he painted of funny
vegetable characters in different situations.
In this one, they are on holiday!The Lady of the Camellias
by Alfons Mara Mucha
.
.
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Information and practice pages
The Teacher's Book
Basiccompetencesacquired bydoing activities
Objectives
Class Audiotrack numbers
Reproductions ofStudents Bookpages
Materialsneeded to
complete theactivity
Suggestionsto overcomedifficultiesinherent tothe activities
Resources in thei-book to practisea full range ofcomputer drawingtechniques usingdifferent tools
Teachingsuggestions forpresentation
Resources inthe i-bookrelated to thestudy of artmasterpieces
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Creativity
Objectives
To develop creativity
To foster interest in drawing as
a means of expression
To freely illustrate a piece of music
Materials
Graphite pencil
Coloured pencils
Wax crayons
Rubber
Teaching suggestions
Before Ss listen to the music, explain
that the music may sound familiar.
It has been used in TV series and
played by several artists.
Afterwards, ask: Have you heard
this music before? Do you know anypopular dances from your country
or town?
DRAWING DICTATION
DRAWING THE MUSIC
Czardasby Vittorio MontiTrack 1.4
Before listening to the music, talk about the composer.
Vittorio Monti (1868-1922) was an Italian composer, violinist and conductor.
Explain that Czardas,composed in 1904, is Monti's most famous
composition and is based on the traditional Hungarian folk dance of the
same name. Czardais an old Hungarian term which means tavern. This
musical arrangement is composed in two movements; the first part is slow
and the second one is fast. It was initially written for violin, mandolin and
piano, but nowadays it is played on more instruments, such as saxophone
and guitar.
Ss listen closely to the music and draw the scene it inspires.
The hungry ghostTrack 1.3
Listen to the story about Gary the ghost.
Gary is a ghost who lives alone in a big, empty house.
He is always hungry!
One day a family comes to live in the house.
There is a grandmother, a mother and two children.
Now, there is always food to eat. There is cheese, milk,
bread and fruit.
Gary isnt hungry anymore!
Now, draw Gary the ghost with his new family.
UNIT 1
18
UNIT1
Materials
White modelling clay
Modelling tools
Drinking straws
Thin string
Tempera paints
Paintbrushes
Wooden sticks or skewers
Objectives
To make a puppet from clay
To organise the steps needed to make a craft
To foster imagination and creativity
CRAFTS
A clay puppet
19
CREATIVITYObjectives To develop creativity
To listen closely to a dictation
To draw freely
Materials
Graphite pencil
Coloured pencils
Wax crayons
Rubber
Teaching suggestions
Ask Ss: Do you like ghost stories?
Do you know any?Etc.
Playtrack 1.3. Play the recording
again, pausing to ask questions to
check comprehension: Where does
Gary live?Etc. Then, Ss draw the
scene.
Afterwards, ask: What food is there
in your kitchen? Do you lay the table?
Do you help clean up after meals?
Evaluate creativity and
appropriateness to the theme.
Teaching suggestions
Ss cover their tables with plastic or paper and prepare
the materials they need.
They draw a rough sketch of their puppet, so they
know how many pieces they will need to make.
Next, Ss mould small pieces of clay to form the arms,
legs, head and body of the puppet.
Before the clay dries, Ss use the wooden skewers
to make holes in each moulded piece, big enough
to push pieces of drinking straw through. These
drinking straw pieces will hold the string that enables
the puppet to move.
Ss paint their puppet using tempera paints and leave
it to dry.
Then, they put the puppet pieces together bythreading the string through the holes.
Finally, Ss cross two wooden sticks and tie them
in the middle with some string. To each end of the
sticks, they tie the puppets head, hands and feet.
Ask Ss to form small groups and make up a story using
their puppets. Volunteers can act out their story in front
of the class.
Anticipating difficulties
Some Ss may need help threading and correctly
assembling the puppet pieces. Also, remind them to
smooth out any cracks in the clay before allowing their
puppet pieces to dry.
Afterwards, ask: What traditional toys and games do
you have at home? What other toys do you play with?
Do you share them?
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Suggestionsfor materials
Instructionsto completethe craft
Photograph ofcompleted craft
Drawing dictationon the Class Audioand in the i-book
Drawingdictation:activities where
the studentsdraw followingauralinstructions
Drawing the music: activitieswhere students listen to piecesof classical music and drawwhat the music inspires
Drawing themusic on theClass Audioand in thei-book
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Teacher's resources
Songs
Songs help to reinforce language and artistic concepts in
English. They can be played while the students are working,
or at the beginning or the end of each lesson. The song Arts
andCraftsacts as the theme song of the book. Clean up
songis designed to be played at the end of each lesson as
the students clean up the classroom.
Task listening
There are two simple task listening activities per unit which
help students focus on the materials presented in the
Students Book. They help develop good listening skills, at
the same time as practising essential vocabulary.
Drawing dictation
Each unit presents one Drawing dictation. These activities
are designed to offer the students a chance to draw freely
following a recorded text. At the same time, students learn to
listen closely for detail and develop their own creativity.
Drawing the music
There is one Drawing the musicactivity per unit. Students
listen to carefully-chosen pieces of classical music and draw
what each piece inspires. Different musical sounds suggest
colours, characters, landscapes, etc., fostering individual
artistic creation.
The Class Audio
Computer Drawing Program
Digital competence processing information, learning
computer programs and applying technology creatively is
part of the learning process. The Teachers i-book provides
video of how to exploit a drawing program in the classroom.
Notes on how the program relates to the Arts and Crafts
syllabus are provided in this Teachers Book.
Art MasterpiecesArt masterpieces are used to enhance basic skills
(concentration, memory, reasoning, etc.) which are
fundamental to effective learning, critical thinking and
interpersonal communication.
The use of famous works of art familiarises learners with
well-known artists and their techniques, helping them to
improve observational skills and to gain artistic knowledge.
How Arts and Crafts relates to other subjects
The Class Audio is available on CD and also in the i-book. There are full transcripts
at the back of this Teacher's Book. These are the different types of recordings:
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The Teacher's i-book
The Teacher's Book features an additional craft in each of the fifteenunits. These crafts offer hands-on use of a variety of materials, such
as plasticine, fabric, clay and even recycled materials. The purpose
of the craft activities is to explore the expressive possibilities of
different materials, to experiment with how everyday objects can be
used for artistic purposes, to learn to plan the different stages
needed to make a craft and to practise new techniques to express
creativity and enjoy autonomy through art.
Arts & Crafts 4Teachers i-book is the digital version of the Arts & Crafts course, which integrates all
the teaching materials: the Students Book, the Teachers Book, the Audio material and the Computer
Drawing Program.
The Teachers i-book can be used in two different ways: as an interactive guide to prepare lessons,
or in class with an interactive whiteboard (IWB). It is extremely user-friendly: at the click of a button you
can open any page of the Students Book or Teachers Book as well as the resources needed to fully
exploit each section or activity.
The Computer Drawing Program offers one video per unit. Each video provides a step-by-step tutorial
which teaches the students how to use a variety of tools within the Drawing Program. In order to
familiarise the students with basic technical terms in English, the videos display subtitles to clarify
each task.
Click on on the i-book page to open the video. A few of the Drawing Program sessions
require a template. Click on on the i-book page to download the template to give to the
students prior to the session.
Richmond i-books now offer the possibility of saving all teaching sessions. This allows the teacher to
customise the i-book for each class session by session. The Richmond i-tools can be used to enhance
the i-book with teachers own materials.
The Teachers i-book
Crafts
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Term 11
Unit Content objectives Language objectives
1 To use a sketch to organise elements in a drawing
To draw and colour a still life
To choose materials to interpret a poster by GregBrown
To enumerate the elements that make upa still life
To describe a poster using food vocabulary
To listen to a dictation and draw Gary the ghost
2 To draw an adult and a child using outlines To learn about proportion in drawing the humanfigure
To interpret a painting with disproportionatefigures by Fernando Botero
To describe a country landscape To talk about a Romanesque church
To describe ones own artwork
To listen to a dictation and draw a lighthouse
3 To explore the effect of different backgroundcolours on a drawing
To make new colours by mixing colours To study and copy the style of cave paintings
To talk about colours
To describe a drawing of animals
To answer questions about cave paintings To listen to a dictation and draw a Halloweenwitch
4 To draw animals using straight and curved lines
To create an abstract composition usinggeometric shapes
To identify and name different types of lines
To revise geometric shapes
To talk about realistic and abstract art
To listen to a dictation and draw a beehive
5 To use grids to organise graphic space
To make patterns using geometric shapes
To interpret a Roman mosaic using collage
To learn about the materials mosaics can bemade of
To talk about geometric shapes and patterns
To listen to a dictation about an under the seascene and draw
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Plan for term 1
The unit crafts in the Teachers Book are designed to furtherpromote students creativity, develop their organisational skillsand show them the expressive possibilities of different materialsand techniques.
Term 1 focuses on cutting, gluing, decorating and modellinga variety of materials to make familiar objects.
The unit crafts for this term are a clay puppet, a photo framegreeting card, an owl made from recycled materials, a plasticinebasket and a clay mosaic.
Proportion in the humanfigure
Columbus Day:
a totem pole
Artistic expression with
different types of lines
World Television Day:
a television story strip
Drawing natural shapes
A Christmas play:
a model theatre
Crafts in the Teacher's Book
Use of sketches
for drawingUse of grids
Arrangement of elements
in a drawing
Coloured backgrounds Free use of colours Use of wax crayons
COLOUR
FORM
ORGANISATION OF GRAPHIC SPACE
3D
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Unit Contents Assessment criteria
1 Organising the elements in a composition
Drawing and colouring a still life
A poster by Greg Brown
Showing interest in learning about poster art
Reflecting on the importance of arrangingelements in a composition
Use a sketch to organise elements in a drawing
Draw and colour a still life
Choose materials to interpret a poster by GregBrown
2 Drawing an adult and a child
Proportion within a composition
A painting by Fernando Botero
Use of disproportion in a composition
Appreciating the artistic use of disproportionto portray the human body in art
Recognising the importance of proportionfor drawing people
Draw an adult and a child using outlines
Apply proportion in a drawing of an adult anda child
Interpret a painting by Fernando Botero withdisproportionate figures
3 Different background colours
Making new colours
A cave painting from Ekain cave
Showing interest in learning how early humanspainted cave paintings
Copy a drawing onto a blue background andcompare two drawings with different backgroundcolours
Create new colours in a composition
Create a drawing in the style of cave paintingsby using various materials
4 Adding details to drawings using straight andcurved lines
Creating a composition with geometric shapes
An abstract work of art by Wassily Kandinsky
Showing interest in learning how three-dimensionaleffects are created on a flat surface
Appreciating the ability of abstract art to provokereactions and emotions
Draw animals using straight and curved lines
Create an abstract composition using geometricshapes
5 Using grids to organise graphic space
Designing friezes
A Roman mosaic
Showing interest in learning about the historyof mosaics
Complete friezes using grids
Create friezes using patterns with geometricshapes
Interpret a Roman mosaic using collage
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Unit Key competences
1Competence in linguistic communication
Making up and acting out a story with a puppet (TB p. 19: Crafts: A clay puppet)
Processing information and digital competence
Revising the use of basic applications and drawing tools to create compositions using geometric shapes
(TB p. 16: Computer drawing program. Imitating Mondrian)
Cultural and artistic competence
Using preliminary sketches to organise the elements of a still life (SB p. 7: Drawing a still life; TB p. 16: Teachingsuggestions)
Use different materials and techniques to produce posters (SB p. 8: A food poster. Audio recording, track 1.2)
2Mathematical competence
Transforming a flat surface into a 3D craft (SB p. 73: Columbus Day: a totem pole)
Cultural and artistic competence
Understanding the expressive possibilities of disproportionate features in depicting human figures (TB p. 21:Teaching suggestions)
Competence in learning to learn
Studying Fernando Boteros artistic use of disproportion in order to interpret his painting Family(SB p. 13: A different kind of family; TB p. 21: Art masterpieces)
3Competence in linguistic communication
Comparing drawings with different coloured backgrounds (SB p. 15: Drawing on coloured backgrounds;
TB p. 24: Teaching suggestions)
Knowledge and interaction with the physical world
Experimenting with colours (SB p. 15: Drawing on coloured backgrounds; TB p. 24: Teaching suggestions)
Listening to and answering questions about the characteristics of animals in order to draw a jungle scene(SB p. 15: Drawing on coloured backgrounds. Audio recording, track 3.1)
Cultural and artistic competence
Studying and copying the style of cave paintings to learn about the art of early humans (SB p. 17: Cave paintings;TB p. 25: Teaching suggestions)
4Competence in linguistic communication
Telling stories using television story strips (SB p. 75: World Television Day)
Mathematical competence
Observing symmetry in nature (SB p. 19: Using lines to draw animals. Audio recording, track 4.1)
Learning to use geometric shapes in abstract compositions (SB p. 21: Geometric shapes. Audio recording,
track 4.2; TB p. 29: Teaching suggestions)
Autonomy and personal initiative
Applying new art techniques: 3D pictures, collage, weaving plasticine (TB p. 28: Computer drawing program.
Drawing a city with skyscrapers; SB p. 21: Geometric shapes; TB p. 31: Crafts: A plasticine basket)
5Mathematical competence
Repeating patterns and using grids (SB p. 25: Colourful friezes; TB p. 32: Teaching suggestions)
Cultural and artistic competence
Learning about mosaics (SB p. 27: A mosaic: Audio recording, track 5.2; TB p. 33: Art masterpieces)
Competence in 'learning to learn'
Studying the techniques of mosaic making in order to reproduce mosaics (SB p. 27: A mosaic. Audio recording,
track 5.2; TB p. 33: Art masterpieces)
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Objectives
To draw a still life
To use a sketch as a first step
in drawing
To learn about organising
the elements in a composition
Materials
Graphite pencil
Coloured pencils
Rubber
Teaching suggestions
Ss listen totrack1.1and answer.
Explain that a still life is a
representation of inanimate objects.
Remind Ss of the importance of
making a quick pencil sketch before
they start drawing with more detail.
Draw their attention to the sketch in
the Student's Book and say: A sketch
helps us to organise the elements of
our composition better.
Then, Ss complete the sketch and
drawing, using colours of their choice
and adding a few more details.
Afterwards, volunteers show their
work to the class.
Anticipating difficulties
Remind Ss to use light pencil strokes
when sketching, so the lines are not
visible in the finished drawing.
UNIT 1
7seven
Drawing a still life1
Draw and colour a still life.
A still lifeis the representation of inanimate
objects, for example, foods, musical instruments,
flowers, etc. Before you draw a still life, make a
sketch to organise the elements within your
composition. Finally, add the details and colour.
_ -
LEARNING TO LEARN
Ss learn to use asketch to
organise the elements of their
compositions.
16
Digital resources
COMPUTER DRAWING PROGRAM
Imitating Mondrian
This first activity is a revision of the basic applications seen in the previous course,
such as creating shapes and colouring them in.
Mondrian developed a distinctive style influenced by the Cubist movement in
art early in the 1900s. In his paintings he used a grid of black lines on a white
background. He filled it in with geometric shapes, such as squares and rectangles,
painted with primary colours (red, blue and yellow).
By doing this activity, Ss will be able to interpret Mondrians artwork and then create
their own version.
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UNIT1
9nine
A food poster2
Look at the poster by Greg Brown, then look at the illustration. Draw a poster using some of these
objects. Choose your own materials. Finally, add any more details you like and write a title.
_ -
Objectives
To study a poster closely
To freely choose materials
to interpret a work of art
To draw a poster applying different
techniques
Materials
Graphite pencil
Coloured pencils
Felt-tip pens
Wax crayons
Tempera paints
Paintbrushes
Rubber
Teaching suggestionsSs listen totrack 1.2and answer.
Explain: Greg Browns still life is
original because it gives life to
inanimate objects. This makes the
poster fun to observe.
Ask Ss to draw their own version
of Browns poster, choosing some of
Browns objects, as well as adding
their own details.
After completing the activity, Ss take
turns to show their posters to the
class, describing their compositions
in their own words.
Anticipating difficulties
To boost their confidence and
creativity, suggest Ss practise
sketching fun vegetables and fruits
on scrap paper first.
17
AUTONOMY ANDPERSONAL INITIATIVE
This activity promotes creativity
by allowing Ss to draw their own
version of a famous work of art.
ART MASTERPIECES
Postersare sheets of paper, cardboard or any
other printable material which combine text
and images. Posters are usually displayed in
public places to draw consumers' attention. They
are used to advertise films, political or salescampaigns and cultural events, such as concerts
and art exhibitions. Posters are informative as
well as decorative. Very big posters are called
billboards.
Alfons Mara Mucha and Henri de Toulouse-
Lautrec were artists famous for their poster
artwork. Mucha (1860-1939) was a Czech painter
and decorative artist, well-known for his unique
Art Nouveau style, as seen in the poster on the
right. Lautrec (1864-1901) was a French
Post-Impressionist painter and Art Nouveauillustrator. He is also famous for his bohemian
posters painted for the Moulin Rouge.
Greg Brown is a 20th century artist. Club Veg
is one of a series of posters he painted of funny
vegetable characters in different situations.
In this one, they are on holiday!The Lady of the Camellias
by Alfons Mara Mucha
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Objectives To develop creativity
To foster interest in drawing as
a means of expression
To freely illustrate a piece of music
Materials
Graphite pencil
Coloured pencils
Wax crayons
Rubber
Teaching suggestions
Before Ss listen to the music, explain
that the music may sound familiar.
It has been used in TV series and
played by several artists.
Afterwards, ask: Have you heard
this music before? Do you know any
popular dances from your country
or town?
DRAWING DICTATION
DRAWING THE MUSIC
Czardasby Vittorio MontiTrack 1.4
Before listening to the music, talk about the composer.
Vittorio Monti (1868-1922) was an Italian composer, violinist and conductor.
Explain that Czardas,composed in 1904, is Monti's most famous
composition and is based on the traditional Hungarian folk dance of the
same name. Czardais an old Hungarian term which means tavern. This
musical arrangement is composed in two movements; the first part is slow
and the second one is fast. It was initially written for violin, mandolin and
piano, but nowadays it is played on more instruments, such as saxophone
and guitar.
Ss listen closely to the music and draw the scene it inspires.
The hungry ghostTrack 1.3
Listen to the story about Gary the ghost.
Gary is a ghost who lives alone in a big, empty house.
He is always hungry!
One day a family comes to live in the house.
There is a grandmother, a mother and two children.
Now, there is always food to eat. There is cheese, milk,
bread and fruit.
Gary isnt hungry anymore!
Now, draw Gary the ghost with his new family.
UNIT 1
18
CREATIVITYObjectives To develop creativity
To listen closely to a dictation
To draw freely
Materials
Graphite pencil Coloured pencils
Wax crayons
Rubber
Teaching suggestions
Ask Ss: Do you like ghost stories?
Do you know any?Etc.
Playtrack 1.3. Play the recording
again, pausing to ask questions to
check comprehension: Where doesGary live?Etc. Then, Ss draw the
scene.
Afterwards, ask: What food is there
in your kitchen? Do you lay the table?
Do you help clean up after meals?
Evaluate creativity and
appropriateness to the theme.
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UNIT1
Materials
White modelling clay
Modelling tools
Drinking straws
Thin string
Tempera paints
Paintbrushes
Wooden sticks or skewers
Objectives To make a puppet from clay
To organise the steps needed to make a craft
To foster imagination and creativity
CRAFTS
A clay puppet
19
Teaching suggestions
Ss cover their tables with plastic or paper and prepare
the materials they need.
They draw a rough sketch of their puppet, so they
know how many pieces they will need to make.
Next, Ss mould small pieces of clay to form the arms,legs, head and body of the puppet.
Before the clay dries, Ss use the wooden skewers
to make holes in each moulded piece, big enough
to push pieces of drinking straw through. These
drinking straw pieces will hold the string that enables
the puppet to move.
Ss paint their puppet using tempera paints and leave
it to dry.
Then, they put the puppet pieces together by
threading the string through the holes.
Finally, Ss cross two wooden sticks and tie them
in the middle with some string. To each end of the
sticks, they tie the puppets head, hands and feet.
Ask Ss to form small groups and make up a story using
their puppets. Volunteers can act out their story in front
of the class.
Anticipating difficulties
Some Ss may need help threading and correctly
assembling the puppet pieces. Also, remind them to
smooth out any cracks in the clay before allowing their
puppet pieces to dry.
Afterwards, ask: What traditional toys and games do
you have at home? What other toys do you play with?
Do you share them?
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Objectives
To draw an adult and a child
To understand the concept
of proportion and apply it to
a drawing
To complete a drawing using
outlines
Materials
Graphite pencil
Coloured pencils
Rubber
Teaching suggestions
Ss listen totrack 2.1and answer.
Explain that proportion is the
relationship of the size of the elements
within a composition. Ss observethe drawings. Ask questions: Whose
head is bigger, the adults head or
the childs head?Whose hands are
bigger? Whose arms are longer? Etc.
Then, Ss draw an adult and a child
using the outlines as a guide.
Afterwards, volunteers show their
work to the class. Ask: Do the outlines
make the activity easier? Do you
use outlines and sketches when you
draw?
Anticipating difficulties
Proportion may be a difficult concept
for some Ss to grasp. Bring some
drawings of different human figures to
class and draw some more examples
on the board.
UNIT 2
11eleven
Drawing people3
Look at the example and draw an adult and a child using the outlines.
Proportion is the relationship of the size of the elements
within a composition. Proportion is very important for
drawing people, for example, the head is smaller than the
torso and the legs and arms are longer than the torso.
_ -
20
Digital resources
KNOWLEDGE AND
INTERACTION WITHTHE PHYSICAL WORLD
Ss compare the proportions of
an adults body and a childs
body and observe the
differences. They learn how to
represent them in a drawing.
COMPUTER DRAWINGPROGRAM
Creating a front cover
This activity aims to practise how to
insert images and text when creatinga document.
Ss will learn how to create a front cover
for their school projects.
First, Ss position one rectangle on the
left side and another one on the right
side of the cover. The first rectangle
can be used as a text box, where Ss
can type the title of their project. Ss
can decide on the font size for the text
and the colours they wish to use. The
second one can be used for decorativeimages.
Creating front covers inspires Ss to take
pride in their work, as well as fostering
creativity and imagination.
S
C
IE
N
C
E
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UNIT2
13thirteen
A different kind of family4
Look at the painting and the illustration. Compare the differences.
Now, draw your own version of Boteros painting.
Family.Fernando
Botero, 1983.
Fernando Botero(1932) is a Colombian painter and sculptor.
He likes to paint very corpulent and disproportioned
figures to make them more expressive.
_ -
Objectives
To compare a drawing to the
masterpiece which inspired it
To interpret a work of art
To create a composition with
disproportionate human figures
Materials
Graphite pencil
Coloured pencils
Wax crayons
Felt-tip pens
Tempera paints
Paintbrushes
Rubber
Teaching suggestionsSs look at the two compositions, listen
totrack 2.2and answer.
Explain: Not all artists use real-life
proportions. Some artists draw certain
parts of a figure bigger or smaller
than they really are. This can make
them look more expressive. Give
the example of caricatures done by
street artists. They usually emphasise
one feature of their subjects face by
making it extremely big. Ask: Can yougive examples of cartoon characters
that have disproportionate features?
Then, Ss draw their own version of
Boteros painting.
Afterwards, ask: Which do you
prefer, drawing proportionate or
disproportionate figures? Which
do you think is more fun?
Anticipating difficulties
Some Ss may find it difficult to draw
a disproportionate human figure.
Show them pictures and encourage
them to use their imagination. Remind
Ss to draw a pencil outline of their
composition before adding details.
21
CULTURAL AND ARTISTIC
Ss discover how a work of art
can inspire their own creativity.
ART MASTERPIECES
Fernando Boterowas born in Colombia in
1932. He started off working as an illustrator
for the newspaper El Colombiano. Then, he
travelled to Spain, France, Italy and Mexico,
where he studied art.Botero paints human and animal figures with
rotund and disproportionate shapes, a unique
style which makes his work unmistakable. This
style of art is called Boterismo.
Botero is inspired by historic figures, bourgeois
life, Colombian culture and the great European
masters. Many of his paintings include settings
and backgrounds typical of the Colombian
landscape.
Botero isnt famous only for his paintings but
also for his sculptures. The sculpted figures are
similar to the ones depicted in his paintings. They are on display in over
twenty-five countries including Spain, where they can be seen in Barcelona,
Madrid, A Corua, Mallorca and Oviedo.
Boteros work largely revolves around the theme of family and his love for his
native country, Colombia. The painting Familyis similar to the family portraits
of the 19thcentury, in which families would pose for posterity. It is an oil painting
on canvas.
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Objectives
To develop creativity
To listen closely to a dictation
To draw freely
Materials
Graphite pencil Coloured pencils
Wax crayons
Rubber
Teaching suggestions
Ask: Have you ever been to a zoo?
What did you see? Etc.
Playtrack 2.3. Pause often to check
comprehension. Ask: What animals
does she like to watch? What is thebest part of the zoo?Etc. Then, Ss
draw the scene.
Afterwards, ask: What is your
favourite part of a zoo? What places
do you visit with your family?
Evaluate creativity and
appropriateness to the theme.
Objectives
To develop creativity
To foster interest in drawing as
a means of expression
To freely illustrate a piece of music
Materials
Graphite pencil
Coloured pencils
Wax crayons
Rubber
Teaching suggestions
Set the scene before listening to
the music: Do you listen to classical
music?What is your favourite kind
of music?Etc.
After Ss have completed the activity,
ask: Does the music make you
feel happy or sad? Can youname
some other famous classical musiccomposers? Etc.
DRAWING DICTATION
DRAWING THE MUSIC
RondeaufromOrchestral SuiteNo. 2by Johann Sebastian BachTrack 2.4
Before listening to the music, talk about the composer.
Johann Sebastian Bach (16851750) was a German Baroque composer
and organist. Bach came from a family of musicians, and thanks to
them he was exposed to music from an early age. He played severalinstruments and wrote over 1,100 musical compositions. During his lifetime,
Bach was regarded as an old-fashioned composer, but nowadays he
is considered one of the greatest composers of all time. His compositions
became famous almost 100 years after his death, when the composer Felix
Mendelssohn performed the St Matthew Passion.
Explain that rondeau is a French word, which refers to a popular, traditional
French dance that is performed in a circle. This dance music inspired Bach.
Bachs rondeauhas a fast tempo and is characterised by the regular
repetition of its chorus.
Ss listen closely to the music and draw the scene it inspires.
The zooTrack 2.3
Listen and draw.
I love visiting the zoo! I usually go with my mother
and my little sister.
I like to watch the lions walking around in their cage.
I like to visit the Elephant House. The African elephants
look really funny with their long trunks and big ears.
My sister loves to watch the monkeys. The mothers
carry the little baby monkeys on their backs.But the best part of the zoo is the little ice cream shop.
I always choose a big chocolate ice cream. Yum-yum!
UNIT 2
CREATIVITY
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UNIT2
Materials
Graphite pencil
Coloured card
Tissue paper
Photographs
Rubber
Ruler
Scissors
Glue
Objectives To make a photo frame greeting
card using various techniques
To organise the steps needed
to make a craft
To foster imagination and
creativity
CRAFTS
A photo frame greeting card
Teaching suggestions Ss prepare all the materials they need before they
start making the craft.
First, they draw a large square on a piece of coloured
card and cut it out. Then, they fold it in half.
Next, Ss use a ruler to draw a rectangle on one half
of the card. Ask them to make sure the rectangle is
exactly centred.
Ss cut the rectangle out very carefully.
Then, they are ready to decorate the frame. They canglue on balls of tissue paper, lentils, glitter, ribbon or
shapes cut out from different-coloured card.
Finally, Ss glue a photograph inside the card.
Afterwards, suggest Ss write a greeting inside the card
and give it to a family member.
Anticipating difficulties
Some Ss may need help centering and cutting out the
rectangle.
23
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Objectives
To copy a drawing of animals on
a coloured background
To compare and explain the
difference between the effect of
different background colours
on a drawing
To make new colours by mixing
colours
Materials
Graphite pencil
Coloured pencils
Rubber
Teaching suggestions
Ss listen totrack 3.1and answer.
Explain that the colour of the
background affects the final drawing.
Ask: Is the blue background a warm
colour or a cold colour?
Ss look at the drawing. Ask:What
animals can you see? What plants
can you see?
Next, Ss copy the drawing onto the
blue background and colour it using
the same colours as in the example.
Tell Ss that they can mix two coloursto make a new one. For example, red
and yellow make orange.
After completing the activity, Ss
compare the two pictures: Which
picture do you prefer? Why? Do the
colours look the same on the blue
background?
Anticipating difficulties
Ss should practise sketching animal
figures and mixing colours on scrappaper before they do the activity.
UNIT 3
15fifteen
Drawing on coloured backgrounds5
Copy the drawing onto the blue background. Use the same coloured pencils
as in the example. Compare the drawings.
When you mix two colours together you get a new colour. For
example, when you mix red and yellow you make orange. Coloured
backgrounds also change the colours you are using.
_ -
24
Digital resources
COMPUTER DRAWING PROGRAM
Creating a landscape
This activity focuses on the use of lines in an artistic composition. Ss first insert
a photo into the drawing program, then draw lines on top of the photo in order
to create a new version of the same scene. Explain to Ss that they can vary
the type, width and colour of the lines in order to outline, fill in or represent the
elements in the picture. They can also use different shades of the same colour
to provide contrast. Finally, they delete the image under the lines to see the final
effect.
AUTONOMY ANDPERSONAL INITIATIVE
Ss express their preferences for
drawings with different coloured
backgrounds.
24
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UNIT3
seventeen 17
Cave paintings6
Create your own cave painting on the background. Draw a horse using wax crayons.
Next, diffuse the colours using cotton wool. Finally, trace around the outlines using felt-tip pens.
A cave painting of horses in Ekain cave, Guipuzcoa.
It was painted over 10,000 years ago.
Cave art is prehistoric drawings and paintings found
on rocks and in caves. Cave paintings were related to
hunting rituals and the practice of magic.
_ -
Objectives
To explore the effects of a coloured
background
To copy the style of cave paintings
To create a drawing using various
materials
Materials
Felt-tip pens
Wax crayons
Cotton wool
Teaching suggestions
Ss listen totrack 3.2and answer.
Explain that cave paintings were
painted by early humans thousands
of years ago. They painted on the
walls of the caves where they lived.
Paintings included drawings of
animals they hunted, people and
handprints. They used mineral
pigments and juice from berries
as paints. They used twigs, leaves
and their hands to paint with.
Ss make their own cave paintings
using wax crayons. They wipe the
colours lightly with cotton wool to
soften them.
Anticipating difficulties
Tell Ss to be careful not to mix the
different colours when they are wiping
them with cotton wool to soften them.
25
CULTURAL AND ARTISTIC
Ss learn how early humans
expressed themselves
artistically.
ART MASTERPIECES
Cave paintingswere painted by early humans. They can be found on the walls
of caves all over the world. Paintings included animals and hunting scenes. Thepainting of the bears in the photograph are from the cave paintings in the Ekain
cave in the Basque country.
The Ekain cave in Guipuzcoa, in the Basque country, contains a very important
collection of cave paintings dating from the Palaeolithic age. Among the paintings
is a panel of horses which includes a dozen horses along with four bison, a deer,
an ibex and a fish. The cave was declared a UNESCO World Heritage site in July,
2008. The Ekain cave is one of the most important sites of prehistoric cave paintings
along with the caves at Lascaux, Niaux and Altamira.
25
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Objectives
To develop creativity
To listen closely to a dictation
To draw freely
Materials
Graphite pencil Coloured pencils
Wax crayons
Rubber
Teaching suggestions
Ask:Do you celebrate Halloween?
Whats your favourite costume?
Ss listen totrack 3.3. Play the
recording again, pausing to ask
comprehension questions: Is the witchbeautiful? Has she got a big or small
nose?Etc. Then, Ss draw the scene.
When they have finished the activity,
ask:Have you ever dressed up as
a witch? Etc.
Evaluate creativity and
appropriateness to the theme.
Objectives
To develop creativity
To foster interest in drawing as
a means of expression
To freely illustrate a piece of music
Materials
Graphite pencil
Coloured pencils
Wax crayons
Rubber
Teaching suggestions
Set the scene before listening to
the music: Can you name any wind
instruments?Can you play a wind
instrument? Etc.
After Ss have completed the activity,
ask: Is it a fast piece or a slow piece?
Have you heard this music before?Do you like it? Etc.
DRAWING DICTATION
DRAWING THE MUSIC
Bugler's Holidayby Leroy AndersonTrack 3.4
Before listening to the music, talk about the composer.
Leroy Anderson (1908-1975) was an American composer. He composed
many famous light orchestral pieces of music. These pieces are stillpopular today. He has a star on the Hollywood Walk of Fame for his
contribution to music.
Buglers Holidaywas composed in 1954 for trumpet trio and orchestra.
It has been interpreted by school bands and professional orchestras all
over the world. Explain that a bugle (in the title) is a simple brass wind
instrument. The sounds are made by changing the shape of the mouth.
This instrument is used in the army to communicate orders. Ask Ss to
imitate playing a bugle by blowing into their fist and changing the shape
of their mouth.
Ss listen closely to the music and draw the scene it inspires.
A Halloween witchTrack 3.3
Listen and draw.
Draw an ugly witch in the centre of the page.
Shes got a very big nose. Shes got spots on her face.
She is wearing a long black dress
and a pointed orange hat.
She is wearing purple boots.
She is making a magic potion in a big black pot.
Draw her broomstick on the left.
Draw a black cat next to her broomstick.
At the top of the paper write: Happy Halloween!
UNIT 3
26
CREATIVITY
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UNIT3
Materials
Recyclable materials from home
Tempera paints
Paintbrushes
Scissors
Glue
Objectives To make an owl from recycled
materials
To organise the steps needed
to make a craft
To foster imagination and creativity
CRAFTS
An owl made from recycled materials
27
Teaching suggestions
Ss prepare the materials they have brought from
home (bottle tops, drink cartons, shoe boxes, cereal
boxes, plastic cups and plates, coloured paper, wool,
cotton wool, buttons, etc.). They make sure the items
are clean.
Show Ss the finished owl. They say what materials
have been used to make the owl.
Ss choose materials and experiment with different
combinations before they glue the pieces together.
When they are satisfied with their owl, they glue the
various pieces together and paint and decorate them.
When Ss have finished, display the owls around the
room. Ask volunteers: Can you tell the class what
materials you used to make your owl?
Anticipating difficulties
It may help Ss to do a sketch of their owl on scrap
paper first. They should try different combinations of the
materials before they glue them together.
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Objectives
To draw animals using outlines
as a guide
To add details to drawings and
create effects using curved
and straight lines
Materials Felt-tip pens
Teaching suggestions
Explain that we can use different
kinds of lines (straight, curved, thick,
thin, different-coloured lines) to add
details to drawings and create effects.
Explain the meaning of symmetrical:
Symmetrical means that both sides
of a figure, an object or a pattern are
identical. Draw some examples on
the board.
Ss listen totrack4.1and answer.
Suggest that Ss start their drawings
with the outlines and then fill them in
with different types of lines. Encourage
them to be creative and use their
imagination.
After completing the activity,
volunteers show their work to the
class. Ask:Have you used morecurved lines or straight lines in your
drawings?
Anticipating difficulties
Remind Ss that felt-tip pens cannot
be rubbed out so they should think
carefully before they draw lines.
UNIT 4
19nineteen
Using lines to draw animals7
Look, then draw animals with curved and straight lines.
In these illustrations, the artist uses different types of lines
to draw animals and create different details and effects.
For example, he draws a snails shell with curved linesand
decorates it with straight lines.
_ -
28
Digital resources
COMPUTER DRAWINGPROGRAM
Drawing a citywith skyscrapers
In this activity Ss learn to make andmanipulate three-dimensional shapes.
Remind Ss that lines that converge
on the horizon give the impression of
depth. Tell Ss that they should draw the
elements in the background first and
work towards the foreground.
LEARNING TO LEARN
Ss learn to apply different typesof lines to add details and create
symmetry in drawings.
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UNIT4
21twenty-one
Geometric shapes I8
Cut out the shapes. Next, try out different combinations on page 23.
When you decide on a composition you like, stick the pieces.
Painting by Wassily Kandinsky, 1926.
Wassily Kandinsky(1866-1944) was a Russian painter.
He was one of the creators of abstract art. He used lots
of lines and geometric shapes in his works of art.
_ -
LINGUISTICCOMMUNICATION
Ss learn to express their opinions
about a work of art.
Objectives
To appreciate an abstract work
of art
To carefully cut out geometric
shapes
To create an abstract composition
using geometric shapes
Materials
Scissors
Glue
Teaching suggestions
Ss listen totrack 4.2and answer.
Ss look at Kandinskys painting. Ask:
What geometric shapes can you
see? Explain that this painting is an
example of abstract art. Abstract artdoes not depict things, people or
places as we see them in the real
world. It uses shapes, lines, colours
and technique to provoke reactions
and emotions.
Ask Ss to look at the painting by
Caravaggio on page 41 and compare
it to Kandinskys work. Ask:Which
painting is realistic? Which do you
prefer?
Ss carefully cut out the geometricshapes and glue the pieces on page
23 to create an original abstract
composition.
Anticipating difficulties
Advise Ss to practise various
compositions before finally gluing the
pieces into place.
29
ART MASTERPIECES
Wassily Kandinsky (1866-1944)was born
in Moscow. When he was thirty, he moved
to Munich and began painting. At first, his
paintings were quite realistic. However, after
a trip to Paris in 1909, the influence of Fauvismand Post-Impressionism began to appear in
his work.
Kandinsky was very influential in 20thcentury
art. He taught at the Fine Arts Academy of
Moscow and later at the Bauhaus school of art
and design, Germany. When the Bauhaus was
closed in 1932, he emigrated to France and
continued to paint prolifically until his death
in the outskirts of Paris in 1944.
Kandinskys work combines his knowledge of music with abstract art. In this
painting (1926) we can see his use of bright colours and complex designs, differentgeometric shapes and straight and curved lines.
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Objectives
To develop creativity
To listen closely to a dictation
To draw freely
Materials
Graphite pencil Coloured pencils
Wax crayons
Rubber
Teaching suggestions
Ask: Where do bees live? Have you
seen a beehive? Etc.
Ss listen totrack 4.3. Play the
recording again, pausing to ask
comprehension questions: Where arethe bees? What colour are they? Etc.
When Ss have finished the activity,
ask them to work in pairs and
describe their drawings.
Evaluate creativity and
appropriateness to the theme.
Objectives
To develop creativity
To foster interest in drawing as
a means of expression
To freely illustrate a piece of music
Materials
Graphite pencil
Coloured pencils
Wax crayons
Rubber
Teaching suggestions
Set the scene before listening to
the music:Have you seen a ballet?
Which one?
Explain the meaning of the title. (Les
bichesare female deer.)
After Ss have completed the activity,
ask: Was it happy music?
DRAWING DICTATION
DRAWING THE MUSIC
Les Bichesby Francis Jean Marcel PoulencTrack 4.4
Before listening to the music, talk about the composer.
Poulenc (1899-1963) was a French composer and pianist. He composed
this piece for a Russian ballet when he was twenty-four years old. Thismusic made him famous. He was very popular during the 1920s and
1930s in Paris. His music, although written during the early 1920s, is
characterised by strong rhythms and harmonious melodies. Poulenc
also wrote religious choral music. He is particulary known for his songs,
which are highly lyrical.
Ss listen closely to the music and draw the scene it inspires.
UNIT 4
30
CREATIVITY
The bee hiveTrack 4.3
Listen and draw a beehive and some bees.
Draw a large beehive in the centre of the page.
This is the beehive.
Draw lots of bees flying around the beehive.
Draw the bees like this:
Their bodies are round and fat.
Draw vertical straight lines on the bodies. Colour
them yellow and black.
Their heads are circles. Their eyes are small circles.
Their wings are two big triangles.
Their six legs are thin, straight lines.
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UNIT4
Materials
Coloured plasticine
Modelling tools
Cardboard
Glue
Objectives To make a basket of flowers with
plasticine
To organise the steps needed
to make a craft
To foster imagination and creativity
CRAFTS
A plasticine basket
31
Teaching suggestions
Ss create textures and details on a three-dimensional
craft using plasticine.
Ss cover their tables with plastic or paper and prepare
the materials they need.
Show Ss the finished craft. Point out the basket, the
flowers and the leaves.
Ss roll out lengths of plasticine.
Next, they weave the horizontal lengths of plasticine
over and under rows of vertical lengths.
To make the handle, Ss twist two plasticine lengths
together and press them into the sides of the basket.
Then, Ss mould plasticine into flowers and leaves.
They use modelling tools to make the lines on the
leaves.
Finally, Ss glue their work to a piece of cardboard to
make it more stable for taking home.
Afterwards, Ss exhibit their work around the
classroom. Ask: What do we use baskets for? Where
can we see them?
Anticipating difficulties
Ss may need help weaving the lengths of plasticine.
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Objectives
To make decorative designs
following a model
To complete friezes using grids
To make patterns using geometric
shapes
Materials
Felt-tip pens
Teaching suggestions
Ask Ss to look at the model friezes.
Explain that grids are used as a guide
in drawing to organise space in a
composition when we copy an image.
Ss listen totrack 5.1and answer.
Explain that to do this activity, Ss need
to pay close attention to the shapes
and colours that go in each grid.
Ask: What shapes can you see in the
snake?(Small triangles.) What colours
are they?(Green and orange.) And
in the flowers of the second frieze?
(More triangles.)
Afterwards, ask: Where can you see
designs like this? (On the tiles in the
kitchen or the bathroom.)
Anticipating difficulties
Ss should use a ruler to complete their
friezes neatly.
UNIT 5
25twenty-five
Colourful friezes9
Use the grids to complete the friezes. Then, design your own frieze.
_ -
MATHEMATICAL
COMPETENCE
Ss learn how to repeat patterns
using grids as a guide.
32
Digital resources
COMPUTER DRAWING PROGRAM
Making a Christmas card
In this activity, Ss use 3D elements, for example, cylinders and spheres, to make
a Christmas card.
Ss can choose their own colour schemes and if they wish, add a text to the card,
such as a simple greeting. Finally, they can print it out and give it to a friend or
a family member.
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UNIT5
27twenty-seven
A mosaic
Look at the mosaic and the illustration.
Now, create your own version using pieces of coloured card.
Mosaics are artistic compositions made of small coloured
pieces of different materials, such as ceramic, stone or glass.
We call the pieces that make up a mosaictessarae. Mosaics
can depict geometric shapes, human figures or animals.
10
Roman mosaic.
_ -
Objectives
To learn about mosaics
To make a mosaic using collage
Materials
Coloured card or paper
Scissors Glue
Teaching suggestions
Ss look at the photo of the mosaic,
listen totrack 5.2and answer.
Explain that the Romans used
mosaics to decorate the floors, walls,
columns and ceilings of their buildings
and that we still use this decorative
technique today.
Ask Ss to look at the two mosaics.
Explain that the technique used to
make the mosaics is the same, but
different materials have been used.
Tell Ss to plan their mosaic. First, they
decide the colours that will go in each
part of the drawing. Then, they cut
small square tiles out of the coloured
paper and carefully glue each one in
place to make the shapes.
Anticipating difficultiesSs should work in small sections and
stick the squares carefully to avoid
getting glue on them.
When they have finished, ask: What
other materials can we use to create
mosaics? (Pulses, plasticine, cut up
paper from a magazine, etc.)
33
ART MASTERPIECES
Mosaicscame from the
ancient Mesopotamian,
Persian and Greek
cultures.
The Romans mademosaics with small cubic
tiles called tesserae,
made of calcareous
rocks, glass or ceramics.
Byzantine artists added
gold to their mosaics.
The artist made an image
with the tiles and then
filled in the gaps with
liquid mortar to stick the
tiles together.
Mosaics were used to decorate the floors, walls and ceilings of buildings. One of
the most famous examples of mosaics in Spain is found in Parc Gell, Barcelona.
Another example is the Arabic mosaics in the Alhambra, Granada.
The Roman mosaic depicting a male goat is one of the many mosaics on display
at the Bardo Museum in Tunisia. The museum houses a large collection of mosaics
collected from the floors of the Roman sites in Tunisia.
CULTURAL AND ARTISTIC
Ss apply new techniques as
a way to express themselves
and enjoy creating art.
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Objectives
To develop creativity
To listen closely to a dictation
To draw freely
Materials
Graphite pencil Coloured pencils
Wax crayons
Rubber
Teaching suggestions
Ask Ss: Do you like going to the sea?
What can you see under the sea?Etc.
Playtrack 5.3. Play the recording
again, pausing to ask comprehension
questions: What colour is thesubmarine? What animals can the
child see?Etc. Then, Ss listen and
draw the scene.
Afterwards, Ss share their drawings
with the class.
Evaluate creativity and appropiatness
to the theme.
Objectives
To develop creativity
To foster interest in drawing as
a means of expression
To freely illustrate a piece of music
Materials
Graphite pencil
Coloured pencils
Rubber
Teaching suggestions
Set the scene before listening to the
music: What is your favourite type
of music? What is your favourite
instrument?
When Ss have completed the activity,
ask: Which piece of music did you like
best?
DRAWING DICTATION
DRAWING THE MUSIC
Music from different periodsin historyTrack 5.4
Explain to Ss that they are going to listen to three different types of music
from different periods of history. Tell them that music has been around for
as long as humans have. The first instance of music was perhaps clappinghands and singing in nomadic tribes. Since then and up to the present day,
music and musical instruments have developed a great deal.
Ss listen closely to the music and draw the scene each piece inspires.
They can divide their sheet of paper into three parts, one for each piece
of music.
Under the seaTrack 5.3
Listen and draw.
In my little yellow submarine under the sea, I can
see all kinds of animals.
I can see pink starfish on the seabed.
I can see flat, yellow and black fish swimming
in a group.
There are two little seahorses swimming around.
I can see a baby octopus swimming next to a crab.
Now I can see a great white shark. Its time to go!
UNIT 5
34
CREATIVITY
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UNIT5
Materials
Modelling clay
Tempera paints
Paintbrushes
Ruler
Objectives To make a clay mosaic with geometric
shapes
To organise the steps needed
to make a craft
To foster imagination and creativity
CRAFTS
A clay mosaic
35
Teaching suggestions
Ss cover their tables with plastic or paper and prepare
the materials they need.
Suggest that Ss use a bottle top or coin to make
a template for the circles. For all other shapes, they
should use a ruler.
Next, Ss roll out a rectangular piece of clay 1 cm thick.
They use a ruler to cut triangular pieces off the corners
to make the six-sided shape of the base.
Ss make small geometric shapes such as squares,
triangles and circles whith the clay. They place the
shapes on the base to create their own composition.
Ss can choose different-coloured modelling clay or
paint the shapes using tempera paints.
Anticipating difficulties
Ss may need help cutting out the clay circles.
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Objectives
To follow instructions to create
a three-dimensional craft
To colour a template appropriately
before folding it into a 3D model
To cut and fold carefully and
accurately
To make a model of a totem pole
Materials
Coloured pencils
Scissors
Glue
Teaching suggestions
Ask Ss: Who discovered America?
(Christopher Columbus.) Then, ask:
What people already lived in Americawhen Colombus arrived?(Native
Americans.)
Tell Ss that Colombus Day is
celebrated in the USA every 12th
October, the date that Columbus
discovered the New Continent.
To commemorate this day, Ss are
going to make a totem pole. Explain:
Totem poles are carved from tree
trunks. They represent different
aspects of life in Native Americantribes, for example, important people,
events or legends.
Make up an Indian legend using
the totems in the completed model
and tell it to Ss. Alternatively, take
suggestions from Ss and make up
a legend as a class.
After completing the craft, ask Ss:
What animals would you use to
make a totem pole about the people
in your family?
Anticipating difficulties
Make sure Ss make the right folds
and glue the right flaps together.
Steps to make the craft
Ss look closely at the finished example in their Students Book.
Next, they colour the elements of the totem pole.
Then, Ss carefully cut out the pieces and fold them along the dotted lines.
They assemble the figures and glue the flaps.
Ss glue the wings on the owl, using the red symbols as a guide. Pieces with the
same symbol go together.
Finally, Ss place the figures on top of each other following the pattern of arrows.
When the pieces are correctly in place, Ss secure them with glue.
COLUMBUS DAY: A TOTEM POLE
THREE-DIMENSIONAL CRAFTS
CULTURAL AND ARTISTIC
Ss learn about Native American
totem poles and their meaning.
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Steps to make the craft
Ss look closely at the finished example in their Students Book.
Next, they carefully cut out the television. They place the cork board under the
television and punch out the inside of the craft following the red dotted lines.
Then, Ss fold the television along the blue dotted line, and fold and glue the flaps.
Finally, Ss push the strip of vignettes through the lines made with the punch and
watch how the story unfolds across the screen.
WORLD TELEVISION DAY
FIRST TERM
LINGUISTICCOMMUNICATION
Ss narrate stories to each other
using a sequence of pictures.
Objectives
To make a three-dimensional craft
from a flat surface
To cut and punch out accurately
To use a sequence of pictures to tell
a story
To make a craft of a television witha moving screen
Materials
Scissors
Punch
Cork board
Glue
Teaching suggestions
Explain to Ss that Television Day iscelebrated on 21stNovember, and that
they are going to celebrate this day
by making their own televisions. Ask:
How many hours of television do you
watch each day? Do you like the same
programmes as your brother/sister/
parents?
Ss look at the completed model in their
Students Book. Ask them what the
different buttons around the television
screen do. Then, they say what is
happening in some of the pictures.
After completing the craft, Ss narrate
the stories to each other in pairs.
Encourage them to add different
details each time.
Tell Ss that this craft can be used again
and again, as they can make more
story strips to watch on their new
televisions.
Anticipating difficultiesA punch is easy to make mistake with,and can also be a dangerous tool. Tell
Ss to use it correctly and carefully.
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Objectives
To make a three-dimensional craft
from a flat surface
To cut and assemble the pieces of
a craft
To build a craft with moving pieces
To create a stage for a Christmas
play
MATERIALS
Stiff card
Scissors
Glue
Teaching suggestions
Tell Ss that they are going to make
a stage for a Christmas play on
which the people and animalscan move. Use the pictures in
their Students Book to teach them
the relevant vocabulary: curtains,
stage, characters, backdrop (the
background scenery). Ss describe the
different parts of the craft.
Then, ask: Do you and your family
set up a nativity scene at home?
What material are the pieces made
of? What other animals are there?
Have you ever seen a life-size nativityscene?
After completing the craft, Ss make
up a short Christmas play in groups
of three or four. They memorise the
dialogue and perform their play for
the class.
Anticipating difficulties
Make sure Ss know how to move the
characters with the guide strips.
A CHRISTMAS PLAY
THREE-DIMENSIONAL CRAFTS
Steps to make the craft
Ss look closely at the finished example in their Students Book.
Next, Ss carefully cut out the pieces of the craft.
They glue the parts of the stage structure onto stiff card so that the finished
stage is sturdy.
Then, they join the parts of the stage, folding the side skirts along the
dotted lines and gluing them to the backdrop: two at the top and two at
the bottom, as shown in the picture.
Next, Ss glue on the front part of the stage, the curtains. Finally, they glue the three people and the camel onto the four guide strips
so that they can be moved. They glue the sheep to the fixed strip at the
front of the stage, as indicated.
SOCIAL COMPETENCEAND CITIZENSHIP
Ss work in sma