Tesol2007 Listening Pp

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    Creating Listening ActivitiesThat WorkRandall Davis

    Presented atCarolina TESOL Conference

    and the InternationalTESOL Annual ConventionMarch & April 2!

    Presentation "andouthttp#$$%%%esl'la(co)$handouts

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    Purpose

    Highlight factors that affectcomprehensibility for ESL students

    Discuss keys to teaching listening

    Demonstrate classroom activities thatteach listening and encourage morestudent engagement in the learningprocess

    Presentation Handouthttp://www.esl-lab.com/handouts

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    *eneral Concepts

    Listening and speaking are reciprocalsskills

    Testin+listening is not teachin+it

    !ust because you can"t remembersomething doesn"t mean you didn"tunderstand it at the time you heard it

    Presentation Handouthttp://www.esl-lab.com/handouts

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    Co)prehensi(ilit, -actors ./0

    #ate of speed $learner isa %limited processor%&

    'ocabulary( idiomatic

    e)pressions( andgrammatical structures

    Ambient noiseAcoustic blur $*ord

    reductions due tounstressed syllables&

    +eep your noseclean

    Have your nosein a book

    +eep your noseto the

    grindstone

    +eep your noseout ofsomething

    Thumb your noseat

    ,ay through the nose

    -ollo* your nose

    Stick your nosein

    something

    .e on the nose

    Have a nosefor something

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    Acoustic 1lur

    !eet yet/

    No, Joo?

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    Co)prehensi(ilit, -actors .20

    Lack of background schemata orkno*ledge

    -amiliarity *ith topic helpslearner dra* on that kno*ledge0

    ho*ever( it can distort perceptions(leading to misinterpretation

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    Co)prehensi(ilit, -actors .0

    Lack of cultural understanding111 I saw Bigoot last night rummaging through

    m! garbage. Here"s the u##! picture I too$

    o him as he was running awa!.,aralinguistic utterances( feedback

    signals( and false starts Limited e)posure to deconte)tuali2ed

    speech $unpredictability factor&Amount of redundancy( number of

    pronoun referents

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    Co)prehensi(ilit, -actors .30

    3o visual or multisensory support

    #ichness of environmentalcues $images( sounds( smells(tone of voice& play key roles in

    deciphering the message

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    Co)prehensi(ilit, -actors .40

    Test items sometimes distort ande)aggerate the amount of informationthat even native speakers couldprocess

    %hat is the man"s name and . . . i one trainis heading east at &' miles an hour andanother one westbound with onl! () lbs opressure in the bac$ let tire, what is theprobabilit! that blah blah blah blah blah?

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    4 don"t understand Sorry The number

    is 567189 What are you trying

    to say about ::::/ 4 didn"t catch that

    last point about :: So( *hat you"re

    saying is that :::: 4n other *ords( ::: Let"s see if 4 got that

    straight ;ou saidthat :::::

    Co)prehensi(ilit, -actors .50

    4nability to clarify(restate( and usecircumlocution to

    indicate a needfor a modifiedversion of theutterance

    *i+e up, pretend,or as$ or clariication

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    6e,s to Teachin+ Listenin+ ./0

    Create tasks $and use live speakers& thatappro)imate real1life situations

    ,rogress from semi1authentic speech togenuine authentic speech

    Don"t use tasks that result in cognitiveoverload

    Design tasks that are success1oriented .uild upon learners" background

    kno*ledgeAllo* time for collaborative listening and

    discussion to clarify and restate ideas

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    ,rogress from finding the gist of theconversation( to main ideas( to critical1thinking skills *here students constructmeaning on their o*n

    Hypothesizing

    DiscussingCause -EffectRelationshipsComparing -

    Contrasting

    Dispelling IllogicalReasoning

    Clarifying

    Inferring

    6e,s to Teachin+ Listenin+ .20

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    6e,s to Teachin+ Listenin+ .0Di+ital 7oice 8ournals ' Sana9o Media Assistant

    Handles all masaves files in variousformats including =,9 and *ma

    esigned speciicall! orlanguage learning. ommercial

    stand-alone or lab product.

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    Giving Appropriate Feedback

    ?b

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    ,re1listening activity

    to stimulate

    background

    kno*ledge

    4diomatice)pressions to

    improve

    comprehension and

    fluency

    ,ost1Listening

    e)ercises to

    improve problem1

    solving skills

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    Sa)ple Lesson# Datin+ & Marria+e

    'ocabulary E)ercise escripti+e decti+es rammar -ocus decti+e clauses and

    modals o ad+ice, past obligation, andspeculation

    Asking uestions *i+ing eedbac$ ,re1Listening Task 0el!ing on students"

    bac$ground $nowledge Listening Task hec$ing main ideas and

    ma$ing conclusions based on scriptedcon+ersations

    ,ost1Listening 1a$ing predictions anddispelling allacies

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    7oca(ular, 1uildin+

    ?b

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    Pre'Listenin+ Tas9

    ;ou hear a car honking in thedrive*ay Who might it be/

    math tutor date

    F Watch 'ideoG 1 Who is it/

    http://f/drive512/work/presentations/tesol2006/firstdate-question.dim
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    Modals of Speculation

    ?b has to > could >may > might

    - It must be her date.- gu! might be there to

    pic$ her up.- 2he car could be at the

    wrong house.

    Couldn"t > can"t > might

    not- It couldn"t be her mother.- It can"t be good.

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    Modals of Necessity / Advice

    ?b advice( the

    appropriateness ofeach according toconte)t( and applythem in aconversation

    F Watch 'ideoG 1 eorge

    Have to > need to- 3ou ha+e to step in and

    sa! something.- 3ou need to accept the

    situation. =ust > had better >

    should > ought to >could > might

    1 3ou"d better ollow her in!our car.

    - 3ou could in+ite the gu! inand get to $now him.

    http://f/drive512/work/presentations/tesol2006/firstdate-int.dimhttp://f/drive512/work/presentations/tesol2006/firstdate-int.dim
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    Possible QuestionsDiscrete ,oint

    Where are you going/ Ho* old is that guy/ What"s his name/

    Where did you meet him/ What time *ill you be home/ Does he have an earring in his nose/ Can 4 follo* you in my car/

    Do you need a chaperon/ ;ou"re not going to marry that guy( are you/ Would you rather stay home and play

    Scrabble/

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    Possible QuestionsCritical1Thinking

    What do you like most about the guy and*hy/ 111 reasons

    4f 4 don"t let her go out *ith the guy( *hat

    *ill she do/ 111 cause and effect > condition What happened to your last boyfriend(#onald/ Ho* is date( Dirk( different fromthe last guy/ 111 compare and contrast

    4f you could plan the ideal date( *here*ould you go and *hat *ould you do/ 111hypothesi2e

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    Su))ar,

    Create engaging activities that teachlistening(not