1 Liah Greenfeld. “Russian Formalist Sociology of Literature: A Sociologist’s Perspective.” Slavic Review, Vol. 46, No. 1, 1987: 44. 2 Greenfeld. “Russian Formalist Sociology”: 46.

3 “Classical Music,” last modified May 6, 2014, http://en.wikipedia.org/wiki/European_classical_muhttp://en.wikipedia.org/wiki/European_classical_music sic/. 4 “What is ‘modern’ music?”, last modified June 27, 1937, http://www.schoenberg.at/index.php?option=com_content&view=article&id=1020&Itemid=735&lang=en/.

5 “What is ‘modern’?” 6 Leon Botstein. “Schoenberg and the Audience: Modernism, Music, and Politics in the Twentieth Century.” Schoenberg and His World. Princeton University Press, 1999: 2. 7 Botstein. “Schoenberg and the”: 1. 8 Botstein. “Schoenberg and the”: 2.

9 “What is ‘modern’?” 10 Botstein. “Schoenberg and the”: 1.

11 Botstein. “Schoenberg and the”: 2. 12 John T. Hamliton. Music, Madness, and the Unworking of Language. NY: Columbia University Press, 2008: 31. 13 Hamliton. Music, Madness, and: 61.

14 Keith Chapin. “Reviews.” Eighteenth-Century Music. Cambridge University Press, 2010: 14.

15 Herbert Lindenberger. “Reviews.” Modern Language Quarterly 71:2, 2010: 214. 16 Ayn Rand. The Romantic Manifesto: A Philosophy of Literature” Signet, 1971: 50. 17 Liah Greenfeld. Mind, Modernity, Madness. Cambridge: Harvard University Press, 2013: 79.

18 Greenfeld. Mind, Modernity, Madness: 81. 19 Greenfeld. Mind, Modernity, Madness: 81. 20 Rand. The Romantic Manifesto. 21 Rand. The Romantic Manifesto.

22 Rand. The Romantic Manifesto: 59. 23 Rand. The Romantic Manifesto.

24 Greenfeld. Mind, Modernity, Madness: 109.

25 William G. Roy and Timothy J. Dowd. “What Is Sociological about Music?” Annual Review of Sociology, Volume 36, Pages 183-203, 2010: 187. 26 Roy and Dowd. “What is Sociological”: 186. 27 Roy and Dowd. “What is Sociological”: 186. 28 Roy and Dowd. “What is Sociological”: 188.