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MEDIA CONTACTS: Big Hassle / Ken Weinstein / [email protected] / 212-619-1360 Sony Music Masterworks / Angela Barkan / Larissa Slezak [email protected], [email protected] \ 212-833-8575 / 6075 THE BAD PLUS RETURN TO THEIR ROOTS ON IT’S HARD Available August 26 th Piano-Bass-Drums Trio Announce New Album Featuring Iconic Covers of Songs Made Famous By Prince, Yeah Yeah Yeahs, Peter Gabriel, TV On The Radio, Kraftwerk, Ornette Coleman, and More International Live Schedule Includes Headline Dates and Festival Sets Alongside Joshua Redman NYC’s Famed Blue Note To Host Six Night Stand, Set For August 9 th -14 th Complete Performance of Ornette Coleman’s SCIENCE FICTION To Headline Chicago Jazz Festival On September 3 rd New York, NY OKeh Records/Sony Music Masterworks has announced the release of the eagerly awaited new album by The Bad Plus. IT’S HARD arrives in stores and at all leading digital retailers on August 26 th . The Bad Plus’ eleventh studio recording IT’S HARD sees the leaderless trio – bassist Reid Anderson, pianist Ethan Iverson, and drummer David King – returning to the distinctive deconstruction of pop forms that drew their first international attention almost two decades ago. Recorded this past April at NYC’s Brooklyn Recording with longtime engineer Pete Rende (Joshua Redman, Bill McHenry), the album spans both era and inspiration as The Bad Plus offer new perspectives on classic songs from the 1970s to the 2010s. While the four most recent Bad Plus albums have focused on predominantly original material, IT’S HARD showcases the leaderless trio’s inimitable gift for intrepid and audacious interpretation. A lyrical take on Crowded House’s “Don’t Dream It’s Over” stands alongside the motorik futurism of Kraftwerk’s “The Robots” and the post-millennial indie creativity of the Yeah Yeah Yeahs’ “Maps” and TV On The Radio’s “Staring At The Sun,” altering pop, prog rock, country, psychedelia, and more via an unmatched gift for wit, harmonic innovation and rhythmic brilliance. Their expressive reading of Prince’s “The Beautiful Ones” – coincidentally recorded a month before the legend’s untimely death – is a potent tribute to a figure that loomed large in the lives of these fellow Minnesotan musicians. “After several years of focusing largely on original music,” says Dave King, “we thought it would be creatively challenging to return to arranging music that’s not ours. We chose the songs together,

THE BAD PLUS RETURN TO THEIR ROOTS ON IT’S HARD … · IT’S HARD also features new renditions of such pieces as Cyndi Lauper’s “Time After Time” (interpreted in 1985 by

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Page 1: THE BAD PLUS RETURN TO THEIR ROOTS ON IT’S HARD … · IT’S HARD also features new renditions of such pieces as Cyndi Lauper’s “Time After Time” (interpreted in 1985 by

MEDIA CONTACTS: Big Hassle / Ken Weinstein / [email protected] / 212-619-1360 Sony Music Masterworks / Angela Barkan / Larissa Slezak [email protected], [email protected] \ 212-833-8575 / 6075

THEBADPLUSRETURNTOTHEIRROOTSONIT’SHARDAvailableAugust26th

Piano-Bass-DrumsTrioAnnounceNewAlbum

FeaturingIconicCoversofSongsMadeFamousByPrince,YeahYeahYeahs,PeterGabriel,TVOnTheRadio,Kraftwerk,OrnetteColeman,andMore

InternationalLiveScheduleIncludesHeadlineDatesand

FestivalSetsAlongsideJoshuaRedman

NYC’sFamedBlueNoteToHostSixNightStand,SetForAugust9th-14th

CompletePerformanceofOrnetteColeman’sSCIENCEFICTION

ToHeadlineChicagoJazzFestivalOnSeptember3rd

NewYork,NY –OKehRecords/SonyMusicMasterworkshas announced the release of the eagerly awaited newalbumbyTheBadPlus.IT’SHARDarrivesinstoresandatallleadingdigitalretailersonAugust26th.TheBadPlus’eleventhstudiorecordingIT’SHARDseestheleaderless trio – bassist Reid Anderson, pianist EthanIverson, and drummer David King – returning to thedistinctive deconstruction of pop forms that drew theirfirst international attention almost two decades ago.RecordedthispastAprilatNYC’sBrooklynRecordingwithlongtime engineer Pete Rende (Joshua Redman, BillMcHenry),thealbumspansbotheraandinspirationasTheBadPlusoffernewperspectivesonclassicsongsfromthe

1970stothe2010s.While the fourmost recentBadPlusalbumshave focusedonpredominantlyoriginalmaterial, IT’SHARD showcases the leaderless trio’s inimitable gift for intrepid and audacious interpretation. Alyrical takeonCrowdedHouse’s “Don’tDream It’sOver” stands alongside themotorik futurismofKraftwerk’s“TheRobots”andthepost-millennialindiecreativityoftheYeahYeahYeahs’“Maps”andTVOnTheRadio’s“StaringAtTheSun,”alteringpop,progrock,country,psychedelia,andmoreviaanunmatchedgift forwit,harmonic innovationandrhythmicbrilliance.TheirexpressivereadingofPrince’s“TheBeautifulOnes”–coincidentallyrecordedamonthbeforethelegend’suntimelydeath–isapotenttributetoafigurethatloomedlargeinthelivesofthesefellowMinnesotanmusicians.“Afterseveralyearsoffocusing largelyonoriginalmusic,”saysDaveKing,“wethought itwouldbecreatively challenging to return to arrangingmusic that’s not ours.We chose the songs together,

Page 2: THE BAD PLUS RETURN TO THEIR ROOTS ON IT’S HARD … · IT’S HARD also features new renditions of such pieces as Cyndi Lauper’s “Time After Time” (interpreted in 1985 by

arranged them togetherandgot in thegarageandplayed them together. It’s adistinctlydifferentprocessthananythingelsewedo,andwefeelthatwedoituniquelyenoughtotakeanotherstabatitafter13albumsand16yearstogether.”IT’S HARD also features new renditions of such pieces as Cyndi Lauper’s “Time After Time”(interpretedin1985byMilesDavis),BillMcHenry’s“AlfombraMágica”(firstrecordedin2002bytheBill McHenry Quartet Featuring Paul Motian and bassist Reid Anderson), and Ornette Coleman’smilestone“BrokenShadows.”“There’s no precise algorithmas towhatworks or not,” says Ethan Iverson. “The songmust havemeaningandourtakemusthaveaclearrelationshiptotheoriginalversion.OurconceptislesslikeMilesDavis’‘justplaythetunelikejazz’approachthanthatofAhmadJamal,EllingtonorMonk,allofwhomchosecoverswithdramaand theatre inmind. Ironicallyoneofournewcovers, ‘TimeAfterTime,’ is associatedwithMiles – and our versions couldn’t bemore different!We didn’t just addsomejazztorock;thesongsonIT’SHARDareamplifiedinspecificwaysuniquetothematerialandtheband.”“We’vealwaysmadeitapointinourmusictocutawideswath,bothstylisticallyandemotionally,”saysReidAnderson,“andthesongson IT’SHARDareareflectionofthatprincipal.Eachsong isanopportunity to try something unique, and every arrangement and performance represent thecombinedperspectiveofthreeverydifferentpersonalities–whichistheessencetothesoundofTheBadPlus.”TheBadPlushasspentnearlytwodecadesexpandingtheparametersofwhatisexpectedofapiano-bass-drumstrio.Thegenre-smashingbandhascraftedarepertoireofinnovativeoriginalmusic,alongwithadaring seriesof iconoclastic covers spanningsuchdiverseartistsasNirvanaandNeilYoung,AphexTwinandOrnetteColeman.Nomatterthematerial,TheBadPluscontinuetominetheverysameaestheticprinciples that inspired their inception,exploringmyriadmusical forms throughtheunparalleledinterpretivepowerofjazz.IT’S HARD was produced by The Bad Plus between April 12th-14th, 2016 at Brooklyn Recording inBrooklyn,NewYorkalongsideengineer/mixerPeteRende.Known for theirhard touring schedule,TheBadPlushas slatedanarrayofU.S. andEuropean livedates through September (see here). Highlights include a series of summer festivals with JoshuaRedman;aColoradoMusicFestivalperformanceofthetrio’sacclaimeddeconstructionofStravinsky’sTheRiteofSpring(July12th);asix-night-standatNewYorkCity’sfamedBlueNote(August9th-14th);apair of rare Ukrainian concerts (August 28th and 30th); and a full-length performance of OrnetteColeman’sSCIENCEFICTION,joinedbyTimBerne,RonMiles,andSamNewsome,attheChicagoJazzFestivalonSaturday,September3rd.Additionaldateswillbeannounced–forcompletedetailsandticketinformation,pleasevisitwww.thebadplus.com/tour-dates.php.

*****Formoreinformation,pleaseseewww.thebadplus.com.Sony Music Masterworks comprises Masterworks, Sony Classical, OKeh, Portrait, Masterworks Broadway and Flying Buddha imprints. For email updates and information please visit www.okeh-records.com.

Page 3: THE BAD PLUS RETURN TO THEIR ROOTS ON IT’S HARD … · IT’S HARD also features new renditions of such pieces as Cyndi Lauper’s “Time After Time” (interpreted in 1985 by

THEBADPLUSIT’SHARD(OKeh/SonyMusicEntertainment)ReleaseDate:August26th,2016

1. Maps(KarenLeeOrzolek,BrianChase,NickZinner)2. GamesWithoutFrontiers(PeterGabriel)3. TimeAfterTime(CyndiLauper,RobHyman)4. IWalkTheLine(JohnnyCash)5. AlfombraMagica(BillMcHenry)6. TheBeautifulOnes(Prince)7. Don’tDreamIt’sOver(NeilFinn)8. StaringAtTheSun(TundeAdebimpe,DavidSitek)9. Mandy(RichardKerr,ScottEnglish)10. TheRobots(RalfHutter,FlorianSchneider,KarlBartos)11. BrokenShadows(OrnetteColeman)

ProducedbyTheBadPlusRecordedbyPeteRendeatBrooklynRecording,Brooklyn,NY,April12th-14th,2016

###

THEBADPLUSTOUR2016JULY8 Pittsburgh,PA SouthParkAmphitheater9 Austin,TX BatesConcertHall12 Boulder,CO ColoradoMusicFestival*13 Denver,CO Dazzle14 Denver,CO Dazzle30 Newport,RI NewportJazzFestival@AUGUST9 NewYork,NY BlueNote10 NewYork,NY BlueNote11 NewYork,NY BlueNote12 NewYork,NY BlueNote13 NewYork,NY BlueNote14 NewYork,NY BlueNoteSEPTEMBER3 Chicago,IL ChicagoJazzFestival#17 Monterey,CA MontereyJazzFestival@

*ColoradoMusicFestivalMash-Up:TheRiteofSpringDeconstructed@w/JoshuaRedman#TheBadPlusPerformOrnetteColeman’sSCIENCEFICTIONw/TimBerne,RonMiles&SamNewsomeAdditionalDatesToBeAnnounced-www.thebadplus.com/tour-dates.php