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The Bhagavad- Gita : the song of the LORD Jazmine Colatriano Allison Lindstrom

The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

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Page 1: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

The Bhagavad-Gita:

the song of the LORD

Jazmine ColatrianoAllison Lindstrom

Page 2: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

BACKGROUND• Composed in the first century

A.D.• Major Hindu religious text• Part of the Mahabharata, a

larger narrative of the Kurukshetra War

Page 3: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

Characters• Arjuna: warrior prince and

protagonist of the Gita • Krishna: serves as Arjuna’s

charioteer and guide–Later reveals himself to be a

god and the “creator and destroyer of everything”

Page 4: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

Summary• Arjuna and his four brothers, the

Pandavas, are the rightful successors to the kingdom of Kurukshetra in northern India.

Page 5: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

Arjuna and the four other Pandavas kneeling before Krishna.

Page 6: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

• Their cousins, the wicked Kaurava brothers, refuse to surrender the throne and thus the two sides prepare for war.

Page 7: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

“Krishna and Arjuna, Pandu’s son, sounded their divine conches” (p. 23).

Page 8: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

• Upon seeing teachers, friends, and family taking up arms against him, Arjuna faces a moral dilemma: to kill loved ones, or to be killed.

Page 9: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom
Page 10: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

• “Arjuna saw them standing there: fathers, grandfathers, teachers, uncles, brothers, sons, grandsons, and friends” (p. 24).• “I see no good in killing my

kinsmen in battle” (p. 25).

Page 11: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

• Krishna provides counsel to Arjuna, using Hindu teachings to enlighten and guide him.• Eventually, Krishna, “the god of

gods,” reveals “the true majesty of his form” to Arjuna (p. 98, 99).

Page 12: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom
Page 13: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

“Seeing the many mouths and eyes of your great form, its many arms, thighs, feet, bellies, and fangs, the worlds tremble and so do I” (p. 101).

Page 14: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

• With knowledge and love, Arjuna devotes himself to Krishna and no longer suffers from his moral dilemma. • “Krishna, my delusion is

destroyed… I stand here, my doubt dispelled, ready to act on your words” (p. 153).

Page 15: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

Hinduism Definitions

• Dharma (duty): “sacred duty, order, law” (p. 164).• Karma (action): “one’s role in making

one’s own destiny” (p. 163).• Kāma (desire): “sensuous love,

emotional feeling of attachment” (p. 164).

Page 16: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

Themes

Page 17: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

Knowledge: the 7th teaching

• Discriminative wisdom is an important theme of the Gita in that Arjuna must distinguish between the transient (body) and the eternal (soul). • Lack of knowledge causes

Arjuna’s initial moral conflict.

Page 18: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

• “Our bodies are known to end, but the embodied self is enduring, indestructible, and immesurable; therefore, Arjuna, fight the battle!” (p. 32).• “Death is certain for anyone born,

and birth is certain for the dead; since the cycle is inevitable, you have no cause to grieve!” (p. 33).

Page 19: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom
Page 20: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

•Action (karma) must be based on duty (dharma) and one must “be impartial to failure and success” and any other “fruits of action” (p. 36, 37).

Action: the fifth teaching:

Page 21: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

• “Perform actions, firm in discipline, relinquishing attachment” (p. 36).• “Relinquishing the fruit of

action, the disciplined man attains perfect peace” (p. 58).

Page 22: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

Love: the 11th teaching

• This love is not “sensuous,” but rather unparalleled devotion and “true faith” (p. 37, 111).• Devotion to Krishna is the most

important aspect of Hinduism, from which other aspects branch.

Page 23: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

• “Krishna, my delusion is destroyed, and by your grace… I stand here, my doubt dispelled, ready to act on your words” (p. 153).

Page 24: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

• “At the time of death, with the mind immovable, armed with devotion… one attains the supreme divine spirit of man” (p. 78).

Page 25: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

Epic Qualities

Page 26: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

Media Res• The Bhagavad Gita is the sixth

book in the war epic, the Mahabharata. • The Gita opens with war already

brewing and the conflicts already established between the Pandavas and their cousins.

Page 27: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom
Page 28: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

Vast setting• The Gita spans India with a focus

on the battlefield of Kurukshetra.• “It is not only a physical place but

is representative of a state of mind” (p. 5).

Page 29: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

Epithets• For Arjuna:–“Great Warrior” (p. 33)–“Son of Kunti” (p. 17)

•For Krishna:- “Great Soul” (p. 100)- “Lord of Gods” (p. 102)- “Shelter of the Universe” (p. 102)

Page 30: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

Cataloguing • “Conches and kettledrums, cymbals,

tabors, and trumpets were sounded at once” (p. 22).

• “Knowledge means humility, sincerity, nonviolence, patience, honesty, reverence for one’s teacher, purity, stability, self-restraint” (p. 116).

• “… a fool cannot escape dreaming, fear, grief, depression and intoxication” (p. 148).

Page 31: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

Long, Formal speeches

• The Gita is in the form of an on-going dialogue. Krishna responds to Arjuna’s questions with uninterrupted monologue that is sometimes lengthy.

Page 32: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

Divine intervention

• Krishna intervenes in the war by guiding Arjuna, calling upon him to be “the archer at [his] side” and ultimately controlling the outcome of all human affairs (p. 11).

Page 33: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

The cultural hero• Arjuna satisfies the ideals of the

Hindu culture and religion after observing Krishna’s teachings. • Arjuna learns to distinguish the

transient from the eternal and devotes himself completely to Krishna, fulfilling his Dharma and becoming an ideal Hindu.

Page 34: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

• “Where Krishna is lord of discipline and Arjuna is the archer, there do fortune, victory, abundance, and morality exist” (p. 154).

Page 35: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

A Note on Translation

• The Bhagavad-Gita: Krishna’s Counsel in Time of War is a translation by Barbara Stoler Miller from the original Sanskrit language of the piece.

Page 36: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

• Miller makes note that the epithets are used in this translation for the sole purpose of clarification – most were not in the original text. • The original text was also a

quatrain with eight syllables to each line.

Page 37: The Bhagavad-Gita: the song of the LORD Jazmine Colatriano Allison Lindstrom

Structure• Metric structure varies:-Four-line stanzas of free verse

in normal dialogue-Eight-line stanzas appear “at

moments of greater intensity” (p. 16).